Podcasts about posted october

Episode 05 Show Notes 0:00 - Intro Thanks for listening!  We’ve enjoyed your feedback and would welcome more! 1:18 - Introducing a New Format Our typical format is to:  Define a musical term Make listening recommendations based on that term Answer a question from a listener Every 5th episode, we’ll take a slightly deeper dive into just one piece of music This could be an album, a musical, the score of a film, etc. Today’s piece is a symphony Our goal is to give you a few things to listen for in each movement of this symphony focusing on principles from our first four episodes: Melody Harmony Rhythm & Meter Timbre 2:37 - Introducing Dvorak’s 9th Symphony: From the New World Written by Antonin Dvorak (1841-1904), a Bohemian (Czech) orchestral composer Premiered by the New York Philharmonic in 1893 Dvorak traveled to America to be the director of the National Conservatory of Music in New York Wrote some of his most famous works while in the states (American String Quartet, his cello concerto, and this symphony) Dvorak opened the conservatory to African American students Dvorak believed that composers interested in capturing the American sound should study the music of Native Americans and African Americans Not very many people agreed with him at the time Dvorak wrote original themes inspired by Native American and African American traditions, not exact replications of themes from these cultures With the exception of Swing Low, Sweet Chariot Garrett compares Dvorak’s goal to the Foo Fighters’ concept behind their album/documentary “Sonic Highways” 7:31 - What is a symphony? A multi-movement work for the symphony orchestra Movements are sort of like small pieces of music that make up a bigger piece of music Garrett asks if movements are like chewing bites of a cake instead of shoving an entire cake into your mouth Amanda responds that it’s more like four cupcakes decorated slightly differently but all part of the same batch or set Garrett compares movements to chapters in a book Amanda compares them to books in a series of books because movements are usually pretty complete unto themselves Symphonies typically have 3 movements (early classical) or 4 movements (standard in the Romantic period), and they have a typical order: Fast Slow Dance Fast A note about when to applaud: If the work has multiple movements, try to follow along with the order of them and wait until the end of the last movement to clap If nothing else, wait until the conductor puts his arms all the way down and keeps them down… that’s usually the big ending! People used to clap whenever they wanted, but now we’re snobs about it 12:08 - Movement I. “Adagio - Allegro molto" Melody: Three important themes: A bold, fanfare-like theme (with a statement and a response) that is often played in the brass A minor melody with a simple accompaniment that is first played in the flute We’re not sure why, but Dvorak pointed to this theme as being influenced by indigenous music traditions. He may have thought the minor mode made it sound indigenous A theme that seems to be a pretty direct quotation and development of “Swing Low, Sweet Chariot” (an important African American spiritual) Rhythm: the 1st and 3rd theme have very similar rhythms… almost identical! Sidenote: Dvorak will introduce great themes during each movement of the piece, but he’ll also bring back previous movements’ themes (especially the opening theme and the Swing Low theme) Perhaps a drinking game could be played???  (Please drink responsibly.) One word description of Movement I: Amanda: Exploration Garrett: Outset 17:49 - Movement II. “Largo” The most famous movement from this piece Melody: Several years after it was written and premiered, a student of Dvorak, William Arms Fisher, added lyrics to the theme from this movement (“Goin’ Home”) Timbre: The Goin’ Home theme was originally written for clarinet! Dvorak changed it to English Horn because he thought it better matched the vocal timbre of Harry T. Burleigh, the student who exposed Dvorak to many African spirituals Amanda also points out that the timpani notes in this movement are another great timbre Harmony: A passage of big, open chords played by the brass section multiple times throughout this movement Michael Beckerman called this the “Once Upon a Time” figure One word description: Garrett: Nostalgia Dvorak was very homesick while in America Amanda: Yearning 24:32 - Movement III. "Scherzo. Molto Vivace" Rhythm & Meter: The meter is very obvious in this movement, and this is the only movement in triple meter (3 beats per measure) Melody: 3 more great melodies introduced in this movement Sidenote: The opening of this scherzo matches the opening of Beethoven’s 9th symphony’s scherzo!  They sound musically very similar. Dvorak did likely did this on purpose as a nod to Beethoven Even Sider Note: Amanda got the movement number wrong in the episode (womp, womp).  Beethoven mixes things up, so his scherzo is Movement II, not Movement III.  Idea still applies though! One word description: Garrett: Chase Amanda: Tension 28:26 - Movement IV. "Allegro con fuoco” Melody: One last big, bold theme Dominates the movement and later signals the end of the piece Melody: Garrett feels that this movement is a battle of all the themes!  See his list of theme battles below! Harmony/Timbre: The last chord of the piece Unique because the entire orchestra hits a chord together, but suddenly everyone cuts out and only the very soft woodwind section sustains Sidenote: The opening of this movement is… Jaws! John Williams borrowed this figure for his shark movie soundtrack On a case by case basis, as long as you properly attribute the material you’ve borrowed, most people in classical music don’t care about this type of borrowing... Just don’t try to pass anything off as your own work if it’s isn’t actually your own work! If Dvorak were alive at the time of Jaws, maybe he’d have wanted a writer’s credit? “You’re only as good as who you steal from.” - A tongue in cheek quote from a professor Garrett and Amanda both know One word descriptions: Garrett: Argument Amanda: Territorial Bonus: Garrett makes a claim for “Three Blind Mice” as another quotation Amanda believes this is purely coincidence 35:40 - How to Enjoy a Symphony (35:53) If you sit down at a concert and see a symphony on the program that comes from 1815 on, get ready for a long ride During the romantic period, symphonies were expanded and got longer and longer Dvorak's 9th symphony is around 42 minutes long! Amanda says that if people will go to a movie theater to watch three hours of Avengers, then they definitely have the capacity to enjoy 40 minutes of great music Garrett says it’s one crime show episode Amanda says it’s three Spongebobs (37:42) Expect thematic development! When you hear a melody, try to hold onto it because it will likely come back again Expect the composer to transform and expand on the themes you hear (38:29) Don’t expect to stay completely engaged and focused for 40 minutes straight Amanda points out that not even the members of the orchestra are fully, completely focused for the entire length of the piece Tuba player is a great example because that person only plays the 2nd movement (and plays less than 20 notes) Dvorak wrote highs and lows, so it’s okay to let your attention ebb and flow a little bit Garrett compares some parts to background info/setting in a novel Amanda compares it to description in a novel It’s all important, but it doesn’t all require the same level of engagement If someone falls asleep, only wake them up if they start snoring Even trained pros want to be whisked away by the music This is musical storytelling!  Let it take you where it wants to go (41:20) Expect repetition Composers have to walk a fine line between variety and repetition Repetition can ground you, but too much can bore you Variety is the spice of life, but too much spice ruins dinner There are two types of repetition: exact and non exact Exact repetition:  “This piece of music worked once… it’ll work again!” Tension and release (repetition can add to either) The composer is saying, “I want you to remember this.” Non-exact repetition: A timbral change: maybe the same melodies and harmonies but played by different instruments or different groups of instrument Accompaniment changes: Rhythms used might change, additional parts might come in If you hear the same melody, something might have changed elsewhere in the orchestra Ask yourself if it's different and try to figure out what changed (44:10) Nothing beats seeing a symphony live Amanda: the best sound system in the world can’t compete with the weakest concert hall Amanda: I can’t appreciate the difference between 20 vs 50 vs 100 in an orchestra on youtube If the music isn’t thrilling you too much at home, it may be that you need to go see it live Think of it as not just the music but the entire experience Experience it in the right context A comparison to movies You wouldn’t judge a movie based off the one time you saw it using a portable DVD player and broken earbuds during a car ride If you’ve heard someone say, “Oh, that’s a movie you have to see in theaters,” that’s how Amanda feels about symphonies Garrett points out that Twister goes from epic to cheesy real fast when you watch it at home instead of in theaters There’s music that’s meant to be in the studio and is hard to replicate live, but the symphony is the opposite. Witness the team effort! If it’s an educational group, remember that they’re still acquiring the skills they need in order to become the pros If you’re under 80, people will be so excited to see you at a symphony concert! (47:33) You can enjoy this! The music still has value It’s up to the musicians and people involved to show you the value Once you see it, there’s nothing stopping you from enjoying this music Don’t worry that other people are understanding the music more than you are You know a lot about the music you love, and you can appreciate cool experiences!  Seek them out! Garrett advises you to ask us about concert etiquette and to seek out casual concerts More and more pro orchestras are putting on less formal concerts 49:04 - Sign Off A reminder that we’ll keep this format reserved for every 5th episode Feel free to recommend a piece you’d like us to dive into Leave us a review if you’d like! Shoot any questions towards our social media or gmail Share the podcast with a friend!  We bet you know someone who loves music and would like to know a little more about it. Help make Garrett famous.   Spotify Playlist Special thanks to OpenMusicRevolution.com for our intro and outro music and to the guys at Better Podcasting for being such great guides to us.  Special thanks to you, our listeners, too! Visit our Website! Follow us on social media! Instagram: @uptoyourearspodcast  Twitter @uptoyourears  Email us! uptoyourearspodcast@gmail.com Additional Resources: James, Jonathan.  “Dvorak Symphony No 9 - From The New World: Inside the Music”. YouTube video, 3:35. Posted October 2016. https://youtu.be/rjeskgwj78s. Roitstein, Andrew, and Nichole Veach. “Antonin Dvorak's New World Symphony: In Search of an American Voice.” Antonin Dvorak's New World Symphony: In Search of an American Voice. New York, NY: New York Philharmonic, 2017. https://nyphil.org/~/media/pdfs/education/1617/curriculum-guide-mshs-final.pdf?la=en Supka, Ondrej. “Symphony No. 9 ‘from the New World.’” Antonin Dvorak. Accessed November 1, 2019. http://www.antonin-dvorak.cz/en/symphony9. Weilerstein, Joshua. “Sticky Notes: The Classical Music Podcast.” Season 4 Premiere - Dvorak Symphony No. 9 "From the New World", Joshua Weilerstein, 30 Aug. 2018, http://stickynotespodcast.libsyn.com/podcast/season-4-premiere-dvorak-symphony-no-9-from-the-new-world

Jennie Clarke, MD and Joslyn Kirby, MD provide the Dermcast audience with recent dermatologic highlights in medical literature. Topics touched upon include dysplastic nevus treatment considerations, preventative use of sunscreen for melanoma, actinic keratoses, the new guidelines for hidradenitis suppurativa (HS) and the treatment of bullous pemphigoid.   Posted October [...]

Jennie Clarke, MD brings her diagnostic expertise and when to refer rheumatologic diseases such as cutaneous lupus, dermatomyositis, scleroderma, morphea and vasculitis to the Dermcast.tv studio. Learn the dermatologic signs and symptoms that may be indicators of these diseases. Posted October 2, 2019

Thinking about what came before Schreiner’s “From Man to Man": Liz Stanley discusses her recent article. Posted October 2018.

Language Testing Bytes Podcast Number 28: Glenn Fulcher and Talia Isaacs discuss pronunciation testing. Posted October 2018

Greg Cameron, President and CEO of The Joffrey Ballet, joined the conversation on October 5th to discuss Christopher Wheeldon's Swan Lake and The Nutcracker, developing colaborative partnerships, and what's ahead for the 2018-2019 season and beyond. Posted October 10, 2018 Season 3 Episode 16

Dr William L. Dunlop (University of California, Riverside) discusses narrative identities and his research on how love-life narratives can indicate personality traits and authenticity  in the romantic domain. Posted October 2018. Read the associated article here.

Posted October 28, 2015 Raw, UNCUT, Live episode from August 5, 2015. I am having so much fucking fun listening back to this show. I hope you all enjoy this filth. This is the first time we broadcasted live on Periscope, follow us @GetInDaCorner. This shit is packed with tons of freestyle songs. Big shout out to everyone that was live with us for this show. Doggs and I had a fucking blast doing this show. JaYmes with the silent Y, Clinton Hicks, Omar the Egyptian Vet, Big Ron the Ex con, K Travels, The sexy slut Tim Westwood, Mad Max you stuttering sex machine, Fredo in Dallas you whore, that 17 foot Asian MISH, The Flowers on Mixlr, (UN)Classy Jeff, and all the other Mexicans who made fun of us, we love your fucking faces! All I want to know is WHO da FUK cam IN my SOCKS? Stop being mad, MAX. If you make it thru this whole show, there is something wrong with you fuckers! Please, stop sending your fan mail to my mom's house. I now have a Pube box at the Post office. We are for serious.. http://GetInDaCorner.com - http://twitter.com/DoggaBaby - http://instagram.com/YukNassty Proud members of the Inspired Disorder Collective.

Edition #1053 Today we look at a range of voter suppression tactics including voter intimidation from history and present-day Be part of the show! Leave a message at 202-999-3991 Show Notes Ch. 1: Opening Theme: A Fond Farewell - From a Basement On the Hill Ch. 2: Act 1: Revisiting the hard fought battles for voting rights and the implications of new laws - @Making_Contact - Air Date 10-19-16 Ch. 3: Song 1: Until the Water Goes Down - Dan Romer & Benh Zeitlin Ch. 4: Act 2: STUDY: Black People Wait Twice As Long as White People to Vote - @DavidPakmanShow - Air Date: 08-18-16 Ch. 5: Song 2: Adventure, Darling - Gillicuddy Ch. 6: Act 3: Surprise! DOJ Catches Another State Disenfranchises Voters! (w/Guest: Ian Millhiser @imillhiser) - @Thom_Hartmann - Air Date: 09-10-16 Ch. 7: Song 3: A Theme for Bizarre Behavior - Clifton's Ford Ch. 8: Act 4: A history of voter intimidation - Bradcast from @TheBradBlog - Air Date 10-3-16 Ch. 9: Song 4: That's What's Wrong - Good Old War Ch. 10: Act 5: GET OUT THE VOTE via @NextGenClimate & Report Voter Suppression via @ElectionProtection Ch. 11: Song 5: Time for Action - Secret Affair Ch. 12: Act 6: Victoria Bassetti of the Brennan Center on the myth of widespread voter fraud - @DecodeDC - Air Date 10-20-16 Voicemails Ch. 13: Vote yes for rent stabilization in the bay area - Mike in Mountain View, CA Voicemail Music: Loud Pipes - Classics Ch. 14: Final comments on a couple of the things making me really angry about our broken electoral system Closing Music: Here We Are - Everyone's in Everyone TAKE ACTION Volunteer to help get out the vote with NextGen Climate Report voter suppression by calling Election Protection at 866-OUR-VOTE Ask questions about voter ID laws by calling VoteRider’s national voter ID hotline at 844-338-8743. EDUCATE YOURSELF This Election Is Being Rigged—but Not by Democrats (The Nation)   North Carolina Republicans Tried to Disenfranchise a 100-Year-Old African-American Woman (The Nation) Possible Election Day problems worry civil rights advocates (PBS Newshour) ‘The most chaotic election for people of color in 50 years,’ activist predicts (Star Telegram)  What we often forget when we talk about voting restrictions: the actual voters (Vox) Indiana officials are trying to block almost 45,000 black citizens from voting (ThinkProgress) Election 2016: Tracking Reports of Voting Problems Across the United States (NBC News) This Is What Actual Voter Suppression Looks Like, And It’s Appalling (Huffington Post)  Trans Voters May Face Problems Voting in U.S. Election, Activists Say (NBC News)   Posted October 28, 2016. Written by Best of the Left Communications Director, Amanda Hoffman. Produced by Jay! Tomlinson Thanks for listening! Visit us at BestOfTheLeft.com Check out the BotL iOS/Android App in the App Stores! Follow at Twitter.com/BestOfTheLeft Like at Facebook.com/BestOfTheLeft Contact me directly at Jay@BestOfTheLeft.com Review the show on iTunes and Stitcher!

How does the outlook for your small business compare to that of other owners across the United States? This week on Monday Morning Radio, hear the exclusive results of a survey of 600 small business owners who were asked their feelings on a variety of topics, including the financial health of their companies, plans to hire, employee benefits, and how they maintain a work/life balance.   Our guest is Amy Friedrich, a vice president at Des Moines-based Principal Financial Group, which conducted the Financial Well-Being survey for the third consecutive year. Amy is interviewed by Wizard Academy faculty member Dean Rotbart, an award-winning veterarn broadcast journalist.  Dean is co-host of Business Unconventional. The one-hour radio newsmagazine debuted in October 2011 on News/Talk 710 KNUS AM in Denver. The complete results of the Principal Financial Well-Being survey is available from www.Principal.com/wellbeing. Be sure to follow B. Unconventional on Twitter: @BUnRadio and subscribe to Roy H. Williams's Monday Morning Memo.  The best things in life really are free! Posted: October 20, 2014 Monday Morning Run Time:  24 minutes  20 seconds   Want to learn how to generate free publicity and social media "buzz" for your business?  Schedule a one-hour phone consultation with Monday Morning Radio co-host Dean Rotbart: 1-303-296-1200.  Limited slots still available in November and December. 

Fred Davidson and Cary Lin of the University of Illinois at Urbana-Champaign discuss the role of statistics. Posted October 2014