Podcasts about Ludwig van Beethoven

One of my favorite things about having Patreon sponsors is that they often suggest the most fascinating pieces and topics for shows. Adrian, who sponsored a show last year, gave me one of my favorite prompts when he suggested looking at works based on literature. Now he's sponsored another episode, this time with an equally compelling idea that I was eager to explore right away. His prompt was: “The evolution of conducting techniques throughout recorded history. How have innovations from great conductors changed how music is performed and understood?” As a conductor, the thought of diving into different recordings of a single piece naturally whets my appetite. But the real reason I was so excited about this episode is that interpretation is, in my view, wildly misunderstood. I've tried to tackle this idea in many different ways, in my episode about the sound of the violin with Soovin Kim and my dad, Donald Weilerstein; in my “What Does Music Mean?” episode; and even in “What Does a Conductor Really Do?” But I've never taken a single piece and focused solely on its interpretation, and on how that interpretation has changed over time. This gives us the chance to dig deeply into what makes an interpretation. So today, I'm going to share a set of recordings of one piece (and don't worry, I'll reveal which one in a moment). I'll talk about what sets them apart, both the obvious differences, like pitch and extremes of tempo, and the more subtle ones, like vibrato, phrasing, and other elements of performance that most listeners aren't trained to notice. So, let's do some exploring together, coming right up, on Sticky Notes.

CONTENT WARNING: Discussion of racism, . Mel Brooks' now-classic Western spoof is as controversial as it is well-regarded. Mel pulled absolutely no punches making this movie, and assembled a writer's room that was willing to push the envelope. The only problem is that Mel is too focused on landing the joke and less attentive to the story. It's funny, because that same year he'd release what may have been his masterpiece, a focused, fantastic parody of classic horror. It's hard to know what to cut here, but he definitely needed to figure out what story to tell. Grab your Gucci saddlebacks as we watch Blazing Saddles on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Signature / Main Title (Instrumental)" from the film Blazing Saddles, written and composed by John Morris, Max Steiner and Mel Brooks. Copyright 1974 Warner Bros. All Rights Reserved. Excerpts taken from "Blaze of Glory" from the film Young Guns II, written and performed by Jon Bon Jovi. © 1990 Bon Jovi Publishing/PRI Music, Inc. (ASCAP). ℗ © 1990 PolyGram Records, Inc.

Deborah Prentice became the Vice-Chancellor of the University of Cambridge in 2023.She's the first American to take on the role, and she's leading the university at a challenging time for higher education in the UK, with questions about funding, freedom of expression, student protest, striking academics and even vice-chancellors' pay never far from the headlines.Before Cambridge, she was Provost at Princeton University, and a professor of psychology, where she focused on the social norms that govern human behaviour and the impact of unwritten rules and conventions. And before that, her first degree at Stanford was in Biology and Music.Deborah's music choices include Beethoven, Bach, Mussorgsky and Ravel.

durée : 01:00:04 - Jean-Michel Othoniel, plasticien - par : Priscille Lafitte - Mis à l'honneur dans la ville d'Avignon, le plasticien Jean-Michel Othoniel investit le Palais des Papes de ses formes monumentales en verre soufflé. A son travail répondent les musiques de Philip Glass, Lully, Beethoven, et le geste scénique de Bob Wilson et Peter Sellars. - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Et si le hip-hop, né dans la rue, pouvait dialoguer avec Mozart, Beethoven ou Mahler ?Et si l'énergie brute du freestyle pouvait entrer dans les temples de la musique classique, face à un orchestre symphonique entier ?C'est le pari audacieux de Yann Antonio, danseur français d'origine congolaise, qui s'impose aujourd'hui comme une figure singulière de la danse.Sur scène, il improvise son hip-hop devant des orchestres prestigieux – de la Philharmonie de Berlin à l'Alte Oper de Francfort – et ses prestations cumulent déjà plusieurs millions de vues sur les réseaux sociaux.Un succès fulgurant qui intrigue autant qu'il inspire : comment un danseur venu du Val-d'Oise a-t-il réussi à tracer une telle trajectoire ?Dans cet épisode des Sens de la Danse, le podcast que je crée et anime, je pars à sa rencontre.Je m'appelle Myriam Sellam, journaliste et passionnée de danse, et à travers chaque entretien je cherche à comprendre comment le mouvement transforme nos vies.Avec Yann Antonio, nous revenons sur son enfance, marquée par une famille où l'art circule naturellement : une grand-mère danseuse, un grand-père musicien, une mère chanteuse de gospel, et surtout un frère, Loïc Mabanza, danseur professionnel et premier mentor.Il évoque ses années de travail acharné, ses doutes, ses efforts pour dépasser le simple cadre des battles et inventer une voie nouvelle.Et il partage ce détail marquant : dans sa chambre d'adolescent, il avait accroché sur un mur des images de ses rêves – des affiches de salles de concert, des orchestres – qu'il contemplait chaque jour.« J'ai affiché mes rêves sur un mur… et je les ai réalisés. »Ce rituel de visualisation, cette capacité à transformer une vision en réalité, est au cœur de son histoire.Car Yann Antonio n'a jamais cessé de croire qu'un jour, il danserait son hip-hop face à un orchestre.Il a porté ce rêve pendant dix ans, jusqu'à le voir se concrétiser.Aujourd'hui, ses performances bouleversent les spectateurs : il entre dans l'instant, improvise chaque geste, laisse son corps dialoguer avec la musique sans préparation ni partition.C'est une rencontre improbable, mais profondément évidente : un langage né de la rue qui s'élève aux côtés de la musique savante, et qui rappelle que la danse est universelle.Au fil de notre conversation, Yann Antonio parle aussi de la nécessité de s'inspirer, de l'importance des mentors, de la patience et de la persévérance.Son parcours est une leçon d'humilité et de détermination :

durée : 01:28:59 - Théo Ould ; Emmanuel Coppey & Arthur Hinnewinkel ; « Du trobar au tarab » ; Lior Krief - par : Clément Rochefort - Théo Ould, accordéon, & le Quatuor Bilitis : hommage à Piazzolla ; Emmanuel Coppey, violon, & Arthur Hinnewinkel, jouent Beethoven & Mendelssohn ; l'ensemble médiéval ApotropaïK & trois musiciens arabo-andalous : « Du trobar au tarab » ; le Lior Krief Quartet : "The New Essence" - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

durée : 01:28:34 - En pistes ! du jeudi 18 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Des sonates de Scarlatti et une 9ème symphonie de Beethoven ouvrent notre émission ! Et une fois n'est pas coutume, nous écouterons un peu de comédie musicale avec une nouvelle parution de "My Fair lady" sous la baguette de John Wilson. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:34 - En pistes ! du jeudi 18 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Des sonates de Scarlatti et une 9ème symphonie de Beethoven ouvrent notre émission ! Et une fois n'est pas coutume, nous écouterons un peu de comédie musicale avec une nouvelle parution de "My Fair lady" sous la baguette de John Wilson. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Forms and art are a reflection of several key aspects of society, including the amount of common grace at work in and inherited by a society, and of course the prevalent worldview in the minds of those creating the art. So what should a Christian think about classical music produced by composers like Wagner, Beethoven, Mozart, and Haydn? What does the Bible have to say about forms, and how do the principles of honor, chaos and order, and not eating things offered to idols tie into the discussion?

The Mariners' magic number is 8. In 2024, they were eliminated on game 160 of their season. In 2023, they were eliminated on game 161 of their season. Their odds to make the playoffs is 98.9 percent. Please Mariners. Anyway. This episode, Chris (@gokuffy) and Basil (@itsbasiltime.com) join me to talk about Catch Me at the Ballpark!, a baseball anime. Link to story about the baseball player dating the employee I digressed on. Join the unofficial Taiiku Podcast discord, the OSMCast discord. Used with permission. Listen Show notes: 0:30 - Our moments of OSM: Chris: Detectives These Days Are Crazy! Basil: The Fantastic Four: First Steps, Superman Kory: Turkey! Time to Strike, Kowloon Generic Romance Kory, again: Ekiden Bros, Ping-Pong Peril, Harukaze Mound Basil, again: Star of Beethoven, Rooster Fighter 26:32 - We talk about Catch Me at the Ballpark! Next time is uh Anime Secret Santa?

A new broadcast season of Tuesday Concerts with The Florida Orchestra kicks off with Music Director Michael Francis leading a dramatic program from last November: with Strauss's cosmic Also Sprach Zarathustra, the jubilant Die Meistersinger Overture by Wagner , and Beethoven's electrifying Fifth Symphony.

Think you can play the triangle? Think again! In our biggest episode yet, we explore the big world of percussion with Chris DeChiara. Using composers from Beethoven to Ozzy Osborne, he demonstrates over a dozen instruments and shares insider secrets as to what goes on in the back row. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Recomendo que conheçam esta jornalista da Rádio Renascença pelas entrevistas que tem feito e, nesta conversa, pelo óptimo vislumbre enquanto leitora. Gostei muito e acredito que também vão gostar.Os livros que a jornalista escolheu:O impostor, Javier Cercas;Deus na Escuridão, Valter Hugo Mãe Pés de barro, Nuno Duarte;Aberto todos os dias, João Luís Barreto Guimarães.Outras referências:Pátria, Fernando Aramburu;Ensaio sobre a Cegueira, José Saramago;Somos o Esquecimento que Seremos, Héctor Abad Faciolince;Terra Alta, Javier Cercas;Tolentino Mendonça;Poesia de Pedro Mexia;Os poemas que a Maria João leu de João Luís Barreto Guimarães:Gostaria de partilhar comigo o resto da sua vida?;O Incêndio.Alguns dos livros infanto-juvenis que escreveu:"Chamo-me Beethoven";"Chamo-me Wagner".Projectos na Rádio Renascença:Ensaio Geral: dedicado à cultura e às artes, emitido às sextas-feiras, 23h30;Podcast Avenida da Liberdade: para assinalar os 50 anos do 25 de Abril.O que ofereci:Recurso e Pobreza, Tatiana Faia.Os livros aqui:www.wook.pt

Prédica Ki Tavo 2025

Jonathan Segel of the mighty Camper Van Beethoven joins us on this week's show as we welcome the band back to Georgia for a special 40th anniversary gig at the 40 Watt

Hoje eu quero confrontar uma das maiores mentiras que a nossa geração comprou: a ideia de que a beleza é relativa. Nos fizeram acreditar que tudo é arte, que tudo é válido, que a diferença entre a Monalisa de Da Vinci e alguém se esfregando de tinta contra uma parede branca é apenas questão de gosto. E pior: que uma sinfonia de Beethoven não passa de uma opção estética ao lado de um batidão de funk.Essa lógica relativista é um insulto à nossa inteligência e, mais grave ainda, um insulto ao Deus que criou todas as coisas com beleza, harmonia e excelência. A Bíblia nos mostra que a beleza não é supérflua, mas parte da natureza divina refletida na criação e exigida no culto.Quando a igreja se contenta com improviso feio em nome da funcionalidade, quando aceita mediocridade estética como se fosse humildade, ela deixa de revelar algo essencial do caráter de Deus. Neste vídeo eu explico por que a beleza é objetiva, por que ela exige esforço, estudo e dedicação, e por que relativizar isso é se entregar à mediocridade.A cultura moderna banaliza o sublime e celebra o grotesco, mas nós somos chamados a refletir o Criador e a produzir beleza que leva o mundo a glorificar o Senhor.

durée : 01:30:23 - En pistes ! du vendredi 12 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Contemporain de Liszt et Beethoven, le compositeur Ferdinand Hiller est l'auteur de six symphonies dont deux sont mises à l'honneur dans une nouvelle parution discographique. Pour continuer avec le répertoire allemand, nous écouterons un septuor de Beethoven et la musique chorale des Mendelssohn... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:30:23 - En pistes ! du vendredi 12 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Contemporain de Liszt et Beethoven, le compositeur Ferdinand Hiller est l'auteur de six symphonies dont deux sont mises à l'honneur dans une nouvelle parution discographique. Pour continuer avec le répertoire allemand, nous écouterons un septuor de Beethoven et la musique chorale des Mendelssohn... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:01 - Disques de légende du vendredi 12 septembre 2025 - Retour en 1950 avec l'enregistrement de l'immense chef Erich Kleiber et de l'Orchestre royal du Concertgebouw d'Amsterdam d'un compositeur non moins iconique : Beethoven, ici dans sa Symphonie n°3 dite "Héroïque". Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ecoutez L'oeil de Philippe Caverivière du 11 septembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ecoutez L'oeil de Philippe Caverivière du 11 septembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

✦ Atlanta Symphony Orchestra will perform a special one-night-only concert on Friday, September 19, and everything on the program is special. Superstar pianist Lang Lang will be the soloist for Beethoven's Majestic Emperor Concerto, and the internationally acclaimed conductor Gemma New will direct the ASO in two works by Mozart. WABE icon and City Lights Collective member Lois Reitzes recently spoke with New to discuss the exhilarating beauty of Beethoven's and Mozart's work. ✦ City Lights Collective member Shane Harrison spends his days at Arts ATL looking for cultural events to share with readers. He joins us weekly to share highlights, and today his mix includes the world premiere of Atlanta playwright Topher Payne's latest comedy, and four upcoming performances from the Atlanta Ballet at the Cobb Energy Performing Arts Centre. ✦ Atlanta's catching its annual case of mural mania once again with the upcoming Forward Warrior Festival. The all-day creative celebration is this Saturday, September 13, in Cabbagetown. Each year, the walls of Wylie Street, right by the Krog Street Tunnel, are transformed with works of new art. Atlanta artist Peter Ferrari founded the festival, and when he spoke with City Lights Collective co-host Kim Drobes, he discussed both the history and the future of community-driven events. ✦ Visual artist and music enthusiast Kosmo Vinyl bought his first LP when he was nine. He spent the next several decades immersed in music and began his professional career at London's pioneering indie label, "Stiff Records." In 1979, Kosmo started working exclusively with "The Clash," who were once billed as The Only Band That Matters, and stayed by their side until the punk icons disbanded in 1986. Over the years, Kosmo's record collection became legendary. In 2014, he began posting about his favorite releases on social media for his series, "Kosmo's Vinyl of the Week," and he joins us weekly to share the stories behind the records he treasures. Today, he shares the story behind the New Miles Davis Quintet's version of "Just Squeeze Me." ✦ Robert Frost once urged us to "take the road less traveled." Atlanta photographer Geo Gerard chose a different path—riding his bike along every road within the I-285 perimeter. From 2020 to 2022, he documented the journey, capturing everyday moments of awe, joy, and humor. The result is "All the Roads Taken," a new exhibit on view at Gallery 100 through September 25. WABE arts reporter Summer Evans spoke with Gerard about the project. ✦ Have you ever been curious about the people running in groups along the sidewalk or on the sidewalk or along the beltline? Well, City Lights Collective member and WABE Studios intern Oli Turner decided to lace up her sneakers and catch up with some of Atlanta's many run clubs. See omnystudio.com/listener for privacy information.

Music includes: Pomp and Circumstance March #4 by Edward Elgar, Ruins of Athens march by Beethoven, March from the English Folk Song Suite by Ralph Vaughn Williams, the Nutcracker March by Tchaikovsky and the Guadalcanal March by Richard Rodgers and Richard Russel Bennett. Conducors include: Arturo Toscanini, Arthur Fiedler, Thomas Beecham and Henry Wood.   

We've been on a run of serious films, so it was time to mix in a Western comedy. At least, that's what this movie is supposed to be, but this is a comedy without a whole lot of jokes. We have some diverging opinions on this one, mostly coming down to the script, because this should be a much better movie than it is. But you can bet we both agree that James Garner is one of the most charming cutie-pies ever. Make sure to order the bars for the jail while we watch Support Your Local Sheriff! on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. Excerpt taken from "Signature / Main Title (Instrumental)" from the film Blazing Saddles, written and composed by John Morris, Max Steiner and Mel Brooks. Copyright 1974 Warner Bros. All Rights Reserved.

It can be done! With the help of our good friends Chris Van Gompel, DJ Hostettler and Dixie Jacobs, we actually succeeded in "Separating The Art" from some of our favorite artists who for whatever reason are total jerks, creepers or worse, but we can still enjoy their music, if we work at it. Picks 5-1 are featured here, with some truly bad behavior being overcome by great art. If you missed all the tomfoolery we got up to in Part 1,, including picks 10-6, go back:https://podcasts.apple.com/us/podcast/episode-684-top-ten-separate-the-art-artists-part-1-w/id573735994?i=1000724375462Please be enjoying the official Top Ten "Separate The Art" Artists playlist, featuring 15 out of the 17 songs heard in Parts 1 & 2:https://open.spotify.com/playlist/6DFMZPwUP36SAtNPQr7nog?si=8a13fc2d89764cf3These guys are always busy with the rocking out and such. Go listen to and see IfIHadAHiFi and Body Futures live when they're in your area. Follow them on the 'gram' for more info:https://www.instagram.com/ifihadahifimke/https://www.instagram.com/bodyfutures/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Ryan Stockstad returned for his second EP attempt, and there was much rejoicing! Check out Volume 19 out September 1st. Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

Je kent Project Beethoven nog wel. Het Rijk en de regio staken vorig jaar samen 2.5 miljard in onderwijs en infrastructuur om chiptrots ASML in Nederland te houden. ASML klaagde namelijk over het Nederlandse vestigingsklimaat en dreigde met vertrek naar Frankrijk, dat met industriepolitiek grote bedrijven wilde lokken. Maar waar het hart vol van zit, loopt de portefeuille van over. ASML kan niet stoppen met zijn Franse flirt. Het steekt even 1.3 miljard euro in het Franse AI-bedrijf Mistral. Wat betekent dat voor beide bedrijven? Wat krijgt ASML ervoor terug? En: is Mistral eigenlijk wel een partner van formaat? Verder herinnert u zich ook nog wel de Europese schuldencrisis. "Whatever it takes", zei ECB-baas Mario Draghi toen Griekenland, Italië, Spanje en andere Zuid-Europese landen hun broek amper nog op konden houden en de Euro uit elkaar dreigde te spatten. Dat is nu wel anders. De zuiderlingen lopen de Duitsers lachend voorbij op de beurs. Toch moet je tussen al die omhoog geschoten banken goed opletten wat je koopt. Tot slot bespreken we een stortvloed aan beursgangen in de VS. De dealmakers op Wall Street zitten te watertanden: ein-de-lijk weer dikke fees verdienen aan IPO's van datacenters, cybersecurity en... concertkaartjes? We vragen gast Jean-Paul van Oudheusden van eToro en Markets are Everywhere of hij er nog wat moois tussen ziet.See omnystudio.com/listener for privacy information.

Oggi a Cult, il quotidiano culturale di Radio Popolare: Barbara Sorrentini sui premi della Mostra del Cinema di Venezia; la mostra "Licalbe Steiner. Ricerche" nuova tappa del percorso "La città che sale" alla Fabbrica del Vapore; il celebre direttore d'orchestra e pianista Alexander Lonquich sui suoi concerti dedicati a Beethoven a Verona e a Milano a Mozart e sul progetto internazionale IMPACT dedicato a giovani musicisti; la rubrica GialloCrovi di Luca Crovi, oggi dedicata a Camilleri...

Trying something new again this episode; Bob and Mark discuss some soundtracks. What kind of musical expertise and knowledge do they bring to the topic? Almost nothing. Is it a list of their favorites? Not necessarily. You might like it anyway. Fewer spoilers than usual, though we disdain caution around such things as always.00:10 Intro and disclaimer03:57 In the Mood for Love (soundtrack)11:25 Yumeji16:39 Perfect Days (soundtrack)21:34 The word Bob is failing to remember is "komorebi"24:51 A Clockwork Orange (soundtrack)25:11 Kubrick/Hitchcock episode31:50 Beethoven's Ninth Symphony, 4th Movement (This is not the best rendition of it, but it's okay. ~ Bob)33:26 Wendy Carlos additional music (It was at this point in the edit that Bob discovered that Wendy Carlos was born Walter Carlos. Thus the original album title in the link.)37:20 Sparrow (soundtrack)41:00 Stairs42:11 Aussie Blu-Ray44:18 Winding down and wrapping up44:58 Every Frame a Painting

Zwei verfeindete Zwillingsbrüder im alten Ägypten und Griechenland, eine Massenhochzeit, ein Massenmord und ein Schlussbild mit Furienchor und Feuerregen - Salieri lieferte dem Pariser Publikum bei der Uraufführung 1784 eine Dramatik und ein Spektakel, das man dort noch nicht gesehen hatte. Antonio Salieri landete mit seinen Danaiden einen Riesenerfolg, der noch Jahrzehnte nachwirkte. Über diesen Fünfakter schwärmten später auch Hector Berlioz sowie Richard Wagner, und Ludwig van Beethoven, nur einer der vielen berühmten Schüler des Hofkomponisten von Joseph II., kopierte Stellen des Werks im Unterricht, um davon zu lernen. Wohl wegen des aufkommenden Nationalismus am Anfang des 19. Jahrhunderts fielen Antonio Salieri und sein grosses, teils geradezu avantgardistisches Œuvre mit fast 40 Opern zwischen Stuhl und Bank: Für die Italiener war der bereits als Teenager ausgewanderte Salieri ein Wiener, für die Wiener blieb er Italiener, und für die Franzosen war er ein Deutscher. Er wurde somit in keinem der Länder, in welchen er so erfolgreich wirkte, zur nationalen Identifikationsfigur oder zum Nationalkomponisten erkoren. Zum Doppeljubiläum von Salieri, seinem 275. Geburtstag am 18. August und seinem 200. Todestag am 7. Mai 2025, besprechen wir in der Diskothek erstmals ein Werk dieses damals so beliebten und häufig gespielten Komponisten. Gäste von Moritz Weber sind der Salieri-Biograf Timo Jouko Herrmann und der Bassbariton Robert Koller.

This one's a real enigma - is The Man Who Wasn't There a film about the alienation of a man who is deeply closeted and searching for connection in a tightly wound post-war world? Is it about a wife guy who doesn't know how to express his feelings? Is it somehow about how Beethoven was not only deaf but suffered from horrific diarrhea at the end of his life? No? Well, that's Jordan Hoffman's theory! Join us for a very silly episode where we go long on Billy Bob, coin a new term for a Shalhoub appearance, and decide that all Austin-based podcasters are just Salacious B. Crumb. Read Jordan's Article about the collapse of “The Messenger” Subscribe to Jordan's SubStack THE Billy Bob Interview Watch the ITYSL Sketch with the great Biff Wiff Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to America's #1 Daily Podcast,  featuring America's #1 Real Estate Coaches and Top EXP Realty Sponsors in the World, Tim and Julie Harris. Ready to become an EXP Realty Agent and join Tim and Julie Harris?  Visit: https://whylibertas.com/harris or text Tim directly at 512-758-0206. ******************* 2025's Real Estate Rollercoaster: Dodge the Career-Killers with THIS Mastermind!

CONTENT WARNING: Discussion of sex work, sexual assault. Spaghetti westerns are their own unique style, their own flavor, and one of the key issues is the dialogue is almost always sloppy and cheesy. Yet Sergio Leone, a true master of filmmaking, took that to a different artistic height, and really made it perfect with this film. This film is impeccably shot, with spans of John Ford's favorite locations that would make the father of the genre salivate. The cast is top notch, with a truly evil villain made all the more bad by the fact that they got America's Dad to play him. The only thing missing is punchier dialogue, but when it comes to Leone, it's worth the eye rolls to wait for the next incredible shot. Bide your time with a little harmonica as we watch 1968's Once Upon a Time in the West on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

When you think of Beethoven, parenting may not be the first thing that comes to mind. But there’s one moment in his life that illustrates how moms and dads can become cheerleaders for their kids. Jim Daly shares the story. Support Family Ministry If you enjoyed listening to Focus on the Family Commentary, please give us your feedback.

In this first half of a special two-part conversation, Devin Patrick Hughes speaks with broadcaster and author John Suchet about Beethoven's beginnings in Bonn, his precocious childhood on the Rhine, his mentors and patrons, and the myths surrounding his father and early works. Together, they explore Beethoven's revolutionary ideas, his first “unplayable” compositions, and the legendary (and mysterious) meeting with Mozart. Along the way, Suchet shares insights from his new book, In Search of Beethoven: A Personal Journey, and we hear the music that shaped the young Beethoven and echoed throughout his career. Featured Music All works composed by Ludwig van Beethoven, unless noted. Große Fuge, Op. 133 — Artemis Quartet (live, Paris 2001) Musik zu einem Ritterballet, WoO 1: No. 8 Coda — Günther Herbig & Staatskapelle Berlin (1971) Quartet WoO 36 No. 3 in C Major: I. Allegro Vivace — Christoph Eschenbach, Norbert Brainin, Peter Schidlof, Martin Lovett Sonatina in E-flat Major WoO 47, Kurfürstensonate No. 1 — Jörg Demus Cantata on the Death of Emperor Joseph II, WoO 87 — Reetta Haavisto, Juha Kotilainen, Leif Segerstam, Turku Philharmonic, Chorus Cathedralis Aboensis Violin Concerto in D Major, Op. 77: II. Adagio — Johannes Brahms, Itzhak Perlman, Chicago Symphony, Carlo Maria Giulini “Aria de Florestan: Gott!” from Fidelio — Jonas Kaufmann, Nikolaus Harnoncourt 12 Variations on “Se vuol ballare”, WoO 40 — Yehudi Menuhin & Wilhelm Kempff For more information on John Suchet, see https://www.johnsuchet.co.uk. You can find his most recent book In Search of Beethoven, A Personal Journey where ever books are sold. You can always find more info at OneSymphony.podbean.com.  If you appreciate what we do you can Support the show and get exclusive content at patreon.com/onesymphonywithdevinpatrickhughes. Feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music.

L'info du matin - Pour ses 70 ans, le Guinness Book propose 70 records encore à battre, comme "le plus grand nombre de high five en 30 secondes", "la plus grande quantité d'eau déplacée à l'éponge en une minute" ou encore "le cri le plus long poussé par un individu". Le winner du jour - En cherchant son passeport, il retrouve un vieux billet de loterie gagnant de 550 000 €. - Une octogénaire japonaise tombe amoureuse d'un faux astronaute prétendant être bloqué dans l'espace. Le flashback de décembre 1990 - Sortie du film "Maman, j'ai raté l'avion !", devenu une institution en Pologne où il est rediffusé à chaque Noël. Les savoirs inutiles - Le CD mesure 12 cm pour contenir les 74 minutes de la 9e symphonie de Beethoven. Le premier album gravé sur ce support était *Dancing Queen- d'ABBA. La chanson du jour - Laura Branigan "Self Control" 3 choses à savoir sur Queen Qu'est-ce qu'on regarde ? - C'est la sortie de la deuxième partie de la saison 2 de "Mercredi" sur Netflix, avec Lady Gaga dans un nouveau rôle. Le jeu surprise Rémi de Montrouge repart avec un sac à dos CABAIA (modèle EDEA) Les coffres à jouets RTL2 - Aanaé, 12 ans, de Athis-Mons, gagne un séjour pour 4 personnes à Parrot World La banque RTL2 Valérie de Sadirac repart avec un sac à dos CABAIA (modèle EDEA) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's the hour of...swappin' faces! This week, Brandon and Courtland watch the twenty-second episode of The Haunting Hour and discuss a mom too hungover to search for her missing daughter, jamming out to Beethoven, and the most insulting candlelight vigil. Linktree - https://linktr.ee/PrivateIslandBecome a Patron - Patron.com/privateislandLaugh with us on Instagram - https://www.instagram.com/upallnightpodcast/Connect with fans on Discord - https://discord.gg/2RAp2afFind us on Bluesky - @upallnightpodcast.bsky.social

The Cute Ones are so back, and to ring in a new season - it's Beethoven's 2nd! So get the damn dawgs and cozy up to listen to this episode where Chelsea and Donny talk about unneutered balls, inflation prices on McDonald's breakfasts, what dogs eat, Helen Keller (naturally), and most importantly - five little monkeys jumping on the bed.  Also, trigger warning for this CHILDREN'S MOVIE: SA. To access AD FREE versions of our episodes, as well as bonus episodes and uncut audio and video, subscribe to our Patreon!  If today's episode makes you laugh or scream, please do us a favor and rate our show 5 STARS on Apple or Spotify This is the easiest way for us to grow our community! Get your Cutie MERCH! We're on YOUTUBE! Be sure to subscribe so you don't miss a second of our hijinx - now on video! Follow Us on Social Media! TikTok: cuteonepodcast Chelsea: @ohnochels Donny: @realdonnywood Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textDescriptionBigger, Louder, Wilder: The Romantic Orchestra Arrives in 60 Seconds. Take a minute to get the scoop!Fun FactWagner was so ambitious he built his own opera house in Bayreuth just to fit the expanded orchestra he envisioned. His pit design hid the musicians from the audience—so all you saw was drama on stage while an enormous, unseen orchestra unleashed waves of sound beneath.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

There is an old joke, "What is Beethoven up to these days?" Answer, "Decomposing." Haha very funny. Everybody laughs. But what if I told you that in the 1960's famous dead musicians of the past got tired of decomposing and decided to start re-composing? With the help of a mild mannered British single mother and lunch lady, a full Liszt of the greats were ready to take the stage once more and start their encore.  Support us on Patreon! patreon.com/leasthaunted Join us on Discord! https://discord.gg/6jSqPXupJk Follow us on Tumblr! https://leasthaunted.tumblr.com Check out our Skeets! https://bsky.app/profile/leasthaunted.bsky.social Support The Trans Lifeline https://translifeline.org and The Trevor Project https://www.thetrevorproject.org Least Haunted & The Least Haunted Podcast ©2020-2025 Sequoidea Productions LLC. 

Pooperware. I have a title. It's a title. Doing accidental math. Dirty Sanchez Productions. Dickhouse? Dickhouse! Beethoven's unfinished Vader's March. ProtoKaren. Please don't use your phone. I want townships and prefectures! Irish Pickles. Shittin in a ziplock. Baklava not baklava. Skibidi Toilet of the Day. You'll have NO burroughs, NO parishes, and NO Lt. Yar! What the hell is a no eat bacon day and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.

Pooperware. I have a title. It's a title. Doing accidental math. Dirty Sanchez Productions. Dickhouse? Dickhouse! Beethoven's unfinished Vader's March. ProtoKaren. Please don't use your phone. I want townships and prefectures! Irish Pickles. Shittin in a ziplock. Baklava not baklava. Skibidi Toilet of the Day. You'll have NO burroughs, NO parishes, and NO Lt. Yar! What the hell is a no eat bacon day and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.

CONTENT WARNING: Discussion of brownface. If this movie is the rebirth of the Western, it'd be hard to tell because it's a real mess. It's a classic, and it absolutely makes sense why, but it's also a total mess of a film. No one knows what movie they're supposed to be in, the script is missing a ton of connective tissue, and Steve McQueen has the audacity to be bad at acting and an insufferable tool. Still, Yul Brynner and Charles Bronson are total badasses, and this Western via samurai flick manages to be a little entertaining. But really, just go watch Seven Samurai instead. Round up the gunfighters as we watch The Magnificent Seven on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production.

And after you listen to this I highly recommend you listen to Beethoven's 9th Symphony. 

Our show opens with Beethoven's Moonlight Sonata, a favorite of philosopher Kate Manne, one of the sharpest minds dissecting power, privilege, and the politics of gender. Kate is a professor at Cornell University and the author of groundbreaking books like Down Girl, Entitled, and her latest, Unshrinking, which takes on fatphobia with the same fearless clarity she brings to misogyny and moral philosophy. Her work is a lifeline for understanding how injustice is baked into our culture, and how we can start dismantling it. If you've ever felt the weight of double standards, moral policing, or body shame, Kate Manne has words that will crack open your world and help put it back together stronger. Want to keep the conversation going? Join the Gaslit Nation Salon, live every Monday at 4pm ET. It's our weekly Zoom gathering where we break down the headlines, swap strategies, share survival tips, and connect with other listeners who get it. Sign up at Patreon.com/Gaslit. Discounted annual memberships are available, and we're so grateful to everyone who keeps the show going. Need a summer read to match the moment? Check out the Gaslit Nation graphic novel, Dictatorship: It's Easier Than You Think! Follow our cunning narrator, Judge Lackey, as he bumbles through the dark art of authoritarianism, clinging to power and dodging those meddling activists and journalists. Find it at your local library or at BookShop.org. EVENTS AT GASLIT NATION: August 25 4pm ET – Join the Gaslit Nation Book Club for a powerful discussion on The Lives of Others and I'm Still Here, two films that explore how art and love endure and resist in the face of dictatorship. Minnesota Signal group for Gaslit Nation listeners in the state to find each other, available on Patreon.  Vermont Signal group for Gaslit Nation listeners in the state to find each other, available on Patreon.  Arizona-based listeners launched a Signal group for others in the state to connect, available on Patreon.  Indiana-based listeners launched a Signal group for others in the state to join, available on Patreon.  Florida-based listeners are going strong meeting in person. Be sure to join their Signal group, available on Patreon.  Have you taken Gaslit Nation's HyperNormalization Survey Yet? Gaslit Nation Salons take place Mondays 4pm ET over Zoom and the first ~40 minutes are recorded and shared on Patreon.com/Gaslit for our community Want to enjoy Gaslit Nation ad-free? Join our community of listeners for bonus shows, exclusive Q&A sessions, our group chat, invites to live events like our Monday political salons at 4pm ET over Zoom, and more! Sign up at Patreon.com/Gaslit!