Podcasts about Ludwig van Beethoven

Music is joy declares Daniel Chua. The renowned musicologist says music and joy have an ancient correlation, from Confucius to Saint Augustine and Beethoven to The Blues. Of course there is sad music, but Chua says, it's tragic because of joy. Chua delivered the 2025 Wiegand Lecture called Music, Joy and the Good Life.

We continue our journey into the fascinating world of music and the brain. We meet a gifted young pianist who is also an extraordinary scientist doing meaningful research on a rare neurological disorder. We also hear from a teen saxophonist who is exploring how micro-tonal music might impact people with depression. And we enjoy performances of Beethoven and Bozza.This podcast was recorded at the Brain and Creativity Institute at the University of Southern California.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Hello wine friends, and welcome back! This week we dive into Part Two of my conversation with Ernst Loosen of Dr.Loosen. If Part One was all about Riesling royalty, this one is for the Pinot aficionados. While Ernie is globally known for his Riesling, he's also been quietly and passionately cultivating a deep connection with Pinot Noir from Germany's rolling hills of the Pfalz with Villa Wolf, to the expressive soils of Oregon's Willamette Valley at Appassionata Estate, and now into the sacred vineyards of Burgundy itself with Perron de Mypont. In this episode, Ernie shares why Pinot Noir captured his heart, the styles he's chasing, and what makes Pinot from the Pfalz, Oregon, and Burgundy so distinct.  Stick around until the end, Ernie doesn't hold back when it comes to sharing his truth.   If you want to skip ahead: 02.24: Origins of Villa Wolf – Established in 1996 to focus on Pinot varieties in Pfalz  03.30: Pinot varieties have centuries of tradition in the Rhine and Pfalz regions   04.30: Aged Pinot Noir and Riesling share similar aromas – “sous bois” character   05.00: Use of “Pinot Noir” vs. “Spätburgunder” depending on export market   07.00: Tasting and discussing the Villa Wolf Pinot Noir 2022 £12.95 Cheers Wine Merchants 11.30: Comparing German clones with French 14.00: Comparing the terroir Pfalz vs. Mosel   17.00: Why Pfalz is nicknamed “Tuscany of Germany”  20.00: Introducing Loosen's Oregon project: Appassionata Estate   22.00: Appassionata named after Beethoven's passionate composition   22.30: Wines aged longer before release, unlike typical U.S. practice   24.00: Volcanic soils require longer aging before release   26.30: Longest-aged wines come from basalt-rich plots   28.00: Ernst acquisition of the Vieux Château de Puligny-Montrachet in 2019 and it's history in Burgundy 30.32: The style of Pinot Noir that Ernst is crafting 32.30: Whole bunch fermentation vs destemming 34.43: Stem use in winemaking: positives and negatives  36.30: Ernst's oak philosophy with Pinot Noir 39.30: Ernst favors 2019 Burgundy vintage and 2014 in Oregon   41.30: Winemaking focus to avoid high alcohol styles   42.30: Ernst speaks his truth: Low yields in this current climate does not just mean a better wine 46.24: Where is the world Ernst would want to plant next 47.45: Most memorable Pinot: Domaine Armand Rousseau 1969 Chambertin 49.00: Ernst's advice for the next generation of winemakers     Any thoughts or questions, do email me: janina@eatsleepwinerepeat.co.uk Or contact me on Instagram @eatsleep_winerepeat If you fancy watching some videos on my youtube channel: Eat Sleep Wine Repeat Or come say hi at www.eatsleepwinerepeat.co.uk Until next time, Cheers to you!   ---------------------------------------------- ---------------------------------------------- THE EAT SLEEP WINE REPEAT PODCAST HAS BEEN FEATURED IN DECANTER MAGAZINE, RADIO TIMES AND FEED SPOT AS THE 6TH BEST UK WINE MAKING PODCAST.

Mariam Batsashvili zeigt, wie Komponisten wie Haydn und Beethoven, die einander gekannt haben, die Klaviersonate immer weiter entwickelten.

Malheureux en amour, handicapé par sa surdité, Beethoven aura été l'un des génies des plus tourmentés de l'histoire de la musique. Pour ombrageux qu'ait été le caractère du compositeur, l'homme pouvait se montrer très prévenant – en témoigne notamment l'affection qu'il porta à son neveu.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We're taking a musical detour this week as Patrick throws a little classical music into your ears. All week, he's going to be counting down his top 10 classical jams! Number four is an otherworldly work from Gustav Holst, while number three is a symphony from Ludwig Van Beethoven, but not the 5th or 9th.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

durée : 00:12:34 - Le Disque classique du jour du jeudi 15 mai 2025 - Soliste de l'Opéra de Paris et Révélation 2025 des Victoires de la musique, Lorraine Campet explore le romantisme germanique avec le pianiste Nathanaël Gouin. Leur album revisite Schubert, Schumann et Beethoven à la contrebasse, révélant aussi les lieder méconnus de Josephine Lang.

durée : 01:28:23 - En pistes ! du jeudi 15 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Consacrée révélation jeune interprète cette année aux Victoires de la musique, Lorraine Campet fait paraître son premier disque où l'on retrouve Schubert, Schumann, Beethoven et Joséphine Lang. On écoutera aussi la musique sacrée de Josquin des Prez et l'unique oratorio de Francesco Scarlatti...

durée : 00:12:34 - Le Disque classique du jour du jeudi 15 mai 2025 - Soliste de l'Opéra de Paris et Révélation 2025 des Victoires de la musique, Lorraine Campet explore le romantisme germanique avec le pianiste Nathanaël Gouin. Leur album revisite Schubert, Schumann et Beethoven à la contrebasse, révélant aussi les lieder méconnus de Josephine Lang.

durée : 01:28:23 - En pistes ! du jeudi 15 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Consacrée révélation jeune interprète cette année aux Victoires de la musique, Lorraine Campet fait paraître son premier disque où l'on retrouve Schubert, Schumann, Beethoven et Joséphine Lang. On écoutera aussi la musique sacrée de Josquin des Prez et l'unique oratorio de Francesco Scarlatti...

It's a landmark episode for Player 1 vs The World's StrangeCast podcast. Four years on from its debut on our YouTube channel, our flagship Life Is Strange podcast has finally reached 100 episodes! The Lost Records Journal and StrangeCast co-hosts Adnan Riaz and Adam Evalt are back to mark the special occasion for the Life Is Strange podcast that was made by fans for fans in 2021.Our 100th episode of StrangeCast is a two-part special, which has been divided into 'Side A' and 'Side B.' StrangeCast's Side A drops today (14th May) and Side B will arrive on Friday (16th May). There are a lot of bits for Adnan and Adam to cover in the two episodes, including all of the latest news around Deck Nine, Don't Nod, Square Enix's Life Is Strange franchise and Don't Nod Montreal's Lost Records: Bloom & Rage!Timestamps:00:00 -- Introduction00:14 -- The usual pre-podcast chat between Adnan Riaz and Adam Evalt02:27 -- What Aysha Farah, a writer on Life Is Strange: Double Exposure, said about Deck Nine's polarising 2024 title on her recent appearance on the 'Aunty Sochelle Hour-ish Show' podcast15:33 -- Beethoven & Dinosaur's Mixtape, which will be published by Annapurna Interactive, is now heading to the 2025 Tribeca Festival in June25:43 -- Don't Nod on the commercial success of Life Is Strange and Vampyr and the French developer and publisher's royalties from its backlog, including details on Banishers: Ghosts of New Eden and Jusant35:49 -- Don't Nod on the major critical success of Life Is Strange since its 2015 release42:40 -- Don't Nod on what is next for the company after the reorganisation project and the delay for Don't Nod Montreal's Lost Records: Bloom & Rage53:47 -- Miscellaneous news: Life Is Strange comic book writer Emma Vieceli is hosting a free acting workshop at Letchworth Comic Con in June54:30 -- Lost Records: Bloom & Rage developer Don't Nod Montreal showed its support for La rue des Femmes, a women's shelter in Montreal55:02 -- Don't Nod Montreal art director Sam Bradley has shared new concept art from Lost Records: Bloom & Rage57:18 -- Comment from the listener! (Thanks, @ThomasMurch!

Carlos Iribarren | Hoy Toca sube el telón y empieza una representación en la que esperamos que disfrutes al máximo. Queremos conocer mejor cómo se vive desde dentro una función de teatro y qué se siente en el estreno de una nueva obra, así que hemos invitado a Joaquín Notario, un actor que lleva décadas demostrando su talento en cine, series y por supuesto, en el teatro. Hace poco participó como narrador en las representaciones de Fidelio, la única ópera de Beethoven, en el Auditorio Nacional y reconoce que fue un regalo absoluto para su vida profesional ¿Teatro griego? ¿Shakespeare? ¿El siglo de oro español? De todo esto hablamos mientras escuchamos música relacionada con el teatro y proveniente de películas y óperas basadas en obras teatrales, compuestas por genios de la talla de Verdi, Gluck, Orff, Alex North y nuestro José Nieto. Disfruta con nosotros de la nueva y escénica entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

durée : 01:27:56 - Le Quatuor Ébène, l'alchimie du quatuor - par : Aurélie Moreau - Le Quatuor Ebène impressionne par la richesse et la profondeur de ses interprétations, tout comme son approche libre des différents styles musicaux. Au programme aujourd'hui : Beethoven, Mozart, Ravel, Mendelssohn, Fauré, Dvořák, Schoenberg…

durée : 00:25:54 - Disques de légende du mardi 13 mai 2025 - En 1963 paraissait chez Deutsche Grammophon la première intégrale des symphonies Beethoven par le Berliner Philharmoniker et Herbert Karajan : un sommet, une réussite stratosphérique !

Előhang Podcastünk legújabb epizódjában Hózsa Zsófia ezúttal Janine Jansen, Paavo Järvi és a Brémai Német Kamarafilharmónia koncertjéhez kapcsolódóan mesél Beethoven és Schubert világáról.Hallgassátok szeretettel!

Stephen Limbaugh, composer and concert pianist, joins James Poulos to discuss the new era of the arts. After having work performed by the Russian Philharmonic and being featured at the White House and Golden Globes, Limbaugh is releasing an upcoming symphony for America's 250th birthday. They discuss how classical music, film scores, and American identity intersect, creating artistic inspiration that can't be replaced by AI. Limbaugh explains how identity can be expressed through melody and how great composers help us hear the soul of a nation. From Beethoven to "Baby Shark," the future of art is blurred by technological innovations in a changing digital age. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:05:02 - Classic & Co - par : Anna Sigalevitch - Aujourd'hui, Anna Sigalevitch évoque “Fidelio” de Beethoven sous la direction de Joseph Swensen et mis en scène par Valentina Carrasco, à l'opéra de Bordeaux du 16 au 23 mai.

Ludwig van Beethoven. Ein Genie mit wildem Haarschopf und grimmigen Blick, ein Geistesheld, überlebensgroß. So kennt man ihn heute. Aber wer war Beethoven wirklich? Vor allem war er ein neugieriger Zeitgenosse und - Kaffeeliebhaber!

durée : 02:29:04 - France Musique est à vous du samedi 10 mai 2025 - par : Gabrielle Oliveira-Guyon - Au programme de l'émission d'aujourd'hui : un enregistrement de 1942 de la 9ème symphonie de Beethoven par Furtwängler, Les Contes d'Hoffmann d'Offenbach (par Bourvil !), la voix de Pretty Yende dans La Traviata et Let's do it de Cole Porter chanté par Ella Fitzgerald - réalisé par : Delphine Keravec

The fiddler Mark O'Connor is probably best known for his million-selling Appalachian Waltz project – a kind of chamber/folk album with famed cellist Yo Yo Ma and bassist Edgar Meyer. Mark has also written string quartets, concertos, and orchestral pieces – and they all come from the same place as his solo fiddle sets – everything is rooted in the sounds of American music, especially bluegrass. Maggie O'Connor is also a fiddler, and singer, who moves easily between those two worlds, and together, this husband-and-wife team have been touring with a program called Beethoven and Bluegrass. There's no Beethoven today for this session, but hear some O'Connor classics, old and new, in-studio. Set list: 1. Limerock 2. We Just Happened To Fly 3. Appalachia Waltz

The fiddler Mark O'Connor is probably best known for his million-selling Appalachian Waltz project – a kind of chamber/folk album with famed cellist Yo Yo Ma and bassist Edgar Meyer. Mark has also written string quartets, concertos, and orchestral pieces – and they all come from the same place as his solo fiddle sets – everything is rooted in the sounds of American music, especially bluegrass. Maggie O'Connor is also a fiddler, and singer, who moves easily between those two worlds, and together, this husband-and-wife team have been touring with a program called Beethoven and Bluegrass. There's no Beethoven today for this session, but hear some O'Connor classics, old and new, in-studio.Set list: 1. Limerock 2. We Just Happened To Fly 3. Appalachia Waltz

LESSON 127There Is No Love But God's.Perhaps you think that different kinds of love are possible. Perhaps you think there is a kind of love for this, a kind for that; a way of loving one, another way of loving still another. Love is one. It has no separate parts and no degrees; no kinds nor levels, no divergencies and no distinctions. It is like itself, unchanged throughout. It never alters with a person or a circumstance. It is the Heart of God, and also of His Son.Love's meaning is obscure to anyone who thinks that love can change. He does not see that changing love must be impossible. And thus he thinks that he can love at times, and hate at other times. He also thinks that love can be bestowed on one, and yet remain itself although it is withheld from others. To believe these things of love is not to understand it. If it could make such distinctions, it would have to judge between the righteous and the sinner, and perceive the Son of God in separate parts.Love cannot judge. As it is one itself, it looks on all as one. Its meaning lies in oneness. And it must elude the mind that thinks of it as partial or in part. There is no love but God's, and all of love is His. There is no other principle that rules where love is not. Love is a law without an opposite. Its wholeness is the power holding everything as one, the link between the Father and the Son which holds Them both forever as the same.No course whose purpose is to teach you to remember what you really are could fail to emphasize that there can never be a difference in what you really are and what love is. Love's meaning is your own, and shared by God Himself. For what you are is what He is. There is no love but His, and what He is, is everything there is. There is no limit placed upon Himself, and so are you unlimited as well.No law the world obeys can help you grasp love's meaning. What the world believes was made to hide love's meaning, and to keep it dark and secret. There is not one principle the world upholds but violates the truth of what love is, and what you are as well.Seek not within the world to find your Self. Love is not found in darkness and in death. Yet it is perfectly apparent to the eyes that see and ears that hear love's Voice. Today we practice making free your mind of all the laws you think you must obey; of all the limits under which you live, and all the changes that you think are part of human destiny. Today we take the largest single step this course requests in your advance towards its established goal.If you achieve the faintest glimmering of what love means today, you have advanced in distance without measure and in time beyond the count of years to your release. Let us together, then, be glad to give some time to God today, and understand there is no better use for time than this.For fifteen minutes twice today escape from every law in which you now believe. Open your mind and rest. The world that seems to hold you prisoner can be escaped by anyone who does not hold it dear. Withdraw all value you have placed upon its meager offerings and senseless gifts, and let the gift of God replace them all.Call to your Father, certain that His Voice will answer. He Himself has promised this. And He Himself will place a spark of truth within your mind wherever you give up a false belief, a dark illusion of your own reality and what love means. He will shine through your idle thoughts today, and help you understand the truth of love. In loving gentleness He will abide with you, as you allow His Voice to teach love's meaning to your clean and open mind. And He will bless the lesson with His Love.Today the legion of the future years of waiting for salvation disappears before the timelessness of what you learn. Let us give thanks today that we are spared a future like the past. Today we leave the past behind us, nevermore to be remembered. And we raise our eyes upon a different present, where a future dawns unlike the past in every attribute.The world in infancy is newly born. And we will watch it grow in health and strength, to shed its blessing upon all who come to learn to cast aside the world they thought was made in hate to be love's enemy. Now are they all made free, along with us. Now are they all our brothers in God's Love.We will remember them throughout the day, because we cannot leave a part of us outside our love if we would know our Self. At least three times an hour think of one who makes the journey with you, and who came to learn what you must learn. And as he comes to mind, give him this message from your Self:I bless you, brother, with the Love of God, which I would share with you.For I would learn the joyous lesson that there is no love but God'sand yours and mine and everyone's.- Jesus Christ in ACIM

Questions? Comments? Text Us!In the newest What's On Your Mind, host Scott Langdon sits down with Dr. Jerry L. Martin for a deep and heartfelt conversation about divine growth, spiritual tension, and the unfolding mystery of God's nature.As they revisit God's revelation to the ancient prophet Zoroaster, the discussion opens with Jerry's experience of spiritual anxiety, and how his body reacted to the unknown before divine communication began. This leads into a powerful exploration of how God Himself describes being not all-powerful, not all-knowing, and not all-good; at least not in the absolute sense. Instead, God is growing, evolving, and seeking fullness through relationship, through the world, and through us.Through Zoroaster's divine encounter, God comes to see His “other side.” A concept that challenges traditional theology but resonates deeply with those who see spirituality as a journey, not a fixed set of beliefs. Scott and Jerry explore themes like duality, good and evil, panentheism, and the reality of imperfection in divine creation.Drawing from metaphors in music, embodiment, and human love, the conversation touches on Beethoven, spiritual embodiment, and how meaning is co-created through lived experience. This episode will speak to anyone curious about the divine, questioning inherited beliefs, or wondering if God can grow with us. 

Los coches actuales son, desde el punto de vista de la seguridad, el confort, el consumo y las emisiones, mejores que los coches de los años 90. Eso es indiscutible. Tan indiscutible como que los coches de los 90 seducían más que los de ahora… ¿cuál es el motivo? Ayer, 28 de abril de 2025, España y Portugal sufrimos un apagón de varias horas. Primero me quedé sin mi pantalla grande, a continuación sin Internet… y cuando acabé con la batería de mi portátil, sin ordenador… y me quedaba por escribir un guion. Y lo hice a pelo, tomando notas en un papel. Le di vueltas a mis notas de posibles ideas y vi este titular, “Coches de los 90 vs. coches de los 20, ¡como hemos cambiado!” Era una idea que me gustaba, pero que nunca veía la oportunidad de escribirla, en el fondo porque es un video muy de opinión, muy personal, más literatura que periodismo. Y pensé: “Pues… ¡ha llegado el momento!” Normas anti polución cada vez más severas, pruebas de choque, sonoridad cada vez más baja, sistemas de protección de peatones y homologaciones para todo, desde el tipo de pantalla a los materiales usados, iluminación, materiales usados para la pintura o los acabados interiores.… un enjambre normativo que necesariamente, el fabricante, tiene que tener en cuenta. En caso contrario, no puede sacar su coche al mercado. Los fabricantes de coches, hoy día, tienen solo tres intereses: Beneficios, beneficios y beneficios. Y esto los lleva a tomar decisiones cortoplacistas, que suponen beneficios a corto plazo, pero hipotecan el futuro. En aras de los beneficios se han impuesto los famosos ahorros de coste y economía de escalas. ¿Y eso que significa? Que muchas empresas que tienen muchas marcas, efectivamente tienen muchas marcas, pero no todos los coches de distintas marcas son distintos. Los ordenadores, a igualdad de datos de “entrada”, te proponen idénticas soluciones de “salida”. A un ordenador le puedes pedir eficacia, rapidez, pero no originalidad ni personalidad¡… sencillamente, porque no la tiene. Para llegar al producto final luego llegan personas y los “retocan”, pienso que a veces incluso con poco acierto y desde luego casi siempre en aspectos secundarios, como faros, pilotos, pilares y otras cosas que no afectan a la estructura. Siempre se dice que la perfección no es de este Mundo. Beethoven era sordo, Mozart un desequilibrado, Cervantes manco, a Blas de Lezo, quizás el mejor militar español de todos los tiempos, le faltaba un ojo, un brazo y una pierna… y así podría seguir. Vamos con un ejemplo del motor y de ahora mismo, con el coche que probablemente tiene más personalidad de la producción mundial: El Porsche 911… ¡un coche que podríamos decir que está “mal hecho”! Un directivo jubilado de una empresa automovilistica fue quien me dijo eso de que los coches de ahora “no tienen alma” y me contó que la empresa en la que él trabajaba, cuando se iba a diseñar un nuevo modelo en el pliego de condiciones que recibía el equipo de ingenieros y diseñadores figuraban argumentos como que tenía que ser un “autentico” modelo de esa marca, tener “aire de familia” con sus antecesores y, clave para ellos, despertar “emociones”. Me voy a detener en esto de las emociones porque cuando voy a una presentación de algún coche eléctrico, SUV o no SUV, oigo mucho ese estribillo de “este coche pretende despertar emociones a su conductor”. Cuando lo pruebo no encuentro esas emociones… ¡me emociona más mi viejo Panda! Fruto de esta forma de abordar las cosas era que los coches, antes, eran diferentes unos de otros. Ni tan siquiera digo más bonitos, digo sencillamente distintos, con personalidad. Los más mayorcitos recordaréis el famoso spot televisivo del Citroën Dyane 6, un coche no precisamente bonito, y en el que se recurría a la personalidad con el slogan “¡Viva la diferencia!” Entonces, ser diferente, era una necesidad. Ahora parece que no. ¿Te gusta conducir? Esta frase que hizo famosa en un anuncio televisivo BMW es una verdadera declaración de intenciones. Estoy preparando un video junto a mis amigos de “CEROaCIEN” que titularé algo así como “cuando los deportivos eran humanos”. ¿De verdad son necesarios 500, 600 o 1.000 CV para que un coche sea deportivo? El primer BMW M3 de 1986 tenía apenas 200 CV y te aseguro que pocos coches hay más divertidos de conducir que este, cierto que solo pesaba unos 1.100 kg. Eran deportivos humanos y sin electrónica, por un lado, porque no se había inventado, pero por otro… es que a lo mejor no la necesitaban… o por lo menos la necesitaban menos que coches de ahora, a veces enormes SUV o Berlinas de muchos cientos de caballos, muchos, muchísimos cientos de kilos y que, sin electrónica, probablemente, serían incluso peligrosos.

durée : 00:16:06 - Le Disque classique du jour du jeudi 08 mai 2025 - Avec son douzième album pour Decca Classics, la violoniste italo-écossaise Nicola Benedetti présente une œuvre majeure du répertoire pour violon : le monumental concerto pour violon de Beethoven.

durée : 00:16:06 - Le Disque classique du jour du jeudi 08 mai 2025 - Avec son douzième album pour Decca Classics, la violoniste italo-écossaise Nicola Benedetti présente une œuvre majeure du répertoire pour violon : le monumental concerto pour violon de Beethoven.

durée : 01:27:17 - En pistes ! du jeudi 08 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Commandé par Diaghilev, ce ballet de Reynaldo Hahn sort de l'oubli grâce au chef Dylan Corlay. A retrouver également, une nouvelle version du célèbre concerto pour violon de Beethoven que l'on doit à l'écossaise Nicola Benedetti qui enregistre pour la première fois ce chef d'œuvre du répertoire.

durée : 01:27:17 - En pistes ! du jeudi 08 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Commandé par Diaghilev, ce ballet de Reynaldo Hahn sort de l'oubli grâce au chef Dylan Corlay. A retrouver également, une nouvelle version du célèbre concerto pour violon de Beethoven que l'on doit à l'écossaise Nicola Benedetti qui enregistre pour la première fois ce chef d'œuvre du répertoire.

Dive into the transformative power of music and scripture with Margaret Wacyk on Prayer Piano. In this captivating episode, we explore the "Secrets of King David," uncovering how the biblical hero harnessed sound and intention to create supernatural healing and connection with God. Through an in-depth analysis of J.S. Bach's I Call Unto Thee, Oh Lord (transcribed by Federico Busoni) and the story of King David's harp, this episode reveals the profound impact of classical music and prayer on mind, body, and soul. Join us for an inspiring blend of music, scripture, and science that will deepen your spiritual practice and awaken your heart to God's presence.Key Takeaway Points Listeners Will Learn:The Healing Power of Sound: Discover how King David used his harp to drive out tormenting spirits, as seen in 1 Samuel 16, and how classical music's frequencies can calm anxiety, improve sleep, and promote healing.Intentional Listening: Learn how combining intention with music, as David did, amplifies the spiritual and emotional impact, turning listening into a powerful act of prayer and surrender.Classical Music as Worship: Understand how composers like Bach, Mozart, and Beethoven infused their music with faith, creating harmonies that reflect divine order and foster intimacy with God.The Role of Octaves in Music: Explore the spiritual significance of octaves, representing God's unchanging nature, and how they anchor us in faith amidst life's turbulence.Practical Activation Exercise: Gain tools to enhance your prayer life by pairing scripture (Psalm 142) with intentional music listening, unlocking deeper emotional and spiritual breakthroughs.Supernatural Surrender: Learn how moments of musical tension and release, like Bach's augmentation, mirror life's challenges and offer opportunities to surrender burdens to God for divine resolution.Tune in to experience a unique fusion of classical music, biblical wisdom, and practical spiritual insights that will elevate your prayer life and connect you to the unfailing love of God.LINKS MENTIONED Find Heaven's Melody Here: https://bit.ly/4jpi8Q3Sample Heaven's Melody: https://sound.margaretwacyk.com/heavens-melody Love Notes Book and Album available on margaretwacyk.com Visit the WEBSITESweet Sleep Free MP3 Download Follow on YouTube, Instagram, Facebook, Spotify

durée : 01:28:27 - Andreas Ottensamer, une sonorité poétique et chaleureuse - par : Aurélie Moreau - Andreas Ottensamer a conquis le public et la critique grâce à ses talents remarquables de clarinettiste et chef d'orchestre. Au programme aujourd'hui, des œuvres avec clarinette de Beethoven, Danzi, Mendelssohn, Weber, Spohr, J. Stamitz et Brahms.

On today's edition of Music History Today, the Who and Beethoven premiere masterpieces, and Steve Perry leaves Journey. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠⁠https://allmylinks.com/musichistorytoday⁠

durée : 01:28:40 - Jonathan Biss, architecture et sensibilité - par : Aurélie Moreau - Jonathan Biss a étudié avec Leon Fleisher et a été inspiré par Artur Schnabel. Grand interprète de Beethoven, il sert aussi magnifiquement l'inspiration de Schumann. Autres compositeurs au programme aujourd'hui : Dvořák et Mozart.

This week features young musicians studying at the Colburn School in LA. They range from a 14-year-old cellist who shares a mature performance of Beethoven to the winners of a major chamber music competition whose secret to success just might be their musical handshake. We also hear from an incredible trumpeter, a globe-trotting teen violinist, and a 15-year-old pianist performing Mendelssohn.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We now pull out the third record from this seven disk box set. A record that features a relatively unknown work AND probably one of the most famous works in music history. Talk about a dichotomy.   This is music from the immortal Ludwig Van Beethoven. His symphonies live on in performances to this very day.   Plus I decided to play three movements from each symphony. I thought this joint needed some classing up.   So, settle in and get ready to hear the man who is said to have set music free in Volume 227: Beethoven's 4th & 5th.   For more information about this album, see the Discogs webpage for it.    Here is the promised Leonard Bernstein video.    Credits and copyrights   Beethoven, René Leibowitz, The Royal Philharmonic Orchestra, The Beecham Choral Society – The Nine Symphonies Of Beethoven Ludwig van Beethoven Label: Reader's Digest – RD 4-6 Format: 7 x Vinyl, LP Box Set Released: 1966 Genre: Classical Style: Romantic, Choral   This is record 3 of a 6 record set. We will hear two movements from the 4th Symphony and three from the 5th.   Symphony No. 4 In B-Flat Major, Op. 60 First Movement - Adagio; Allegro Vivace Second Movement - Adagio Fourth Movement - Allegro Ma Non Troppo   Symphony No. 5 In C Minor, Op. 67 First Movement - Allegro Con Brio Third Movement - Allegro Fourth Movement - Allegro   I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.   #beethoven #beethovensfifth  #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

In Locust Radio episode #30, Tish Turl interviews fellow Locust comrade, Adam Turl, on their new book, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press, May 2, 2025). You can order the book from Revol Press, Amazon, or find it at other booksellers.Artists, ideas, books, writers, artworks and other stuff discussed in this episode: Adam Turl, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press 2025); Ernst Fischer, The Necessity of Art (Verso, 2020); Boris Groys, “The Weak Universalism,” e-flux (2010); Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936); Walter Benjamin, “Theses on History” (1940); John Berger, Ways of Seeing (1972); Mark Fisher, Capitalist Realism: Is There No Alternative (2009); Mark Fisher, Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction (2018); Donna Harraway, “A Cyborg Manifesto” (1985); Karl Marx and Friedrich Engels, The Communist Manifesto (1848); Rena Rädle & Vladan Jeremić; Joseph Beuys; John Heartfield; Anupam Roy; Richard Hamilton; R. Faze; Born Again Labor Museum; Amiri Baraka; Omnia Sol; Sister Wife Sex Strike; Dada; Judy Jordan; Bertolt Brecht; Claire Bishop; The Sublime; “Third Places;” Fluxus; Abstract Expressionism; The Sopranos; The Wire; Surrealism; Charlie Jane Anders; Emily St. John Mandel; Pier Paolo Pasolini, La Ricotta (1963) and The Hawks and the Sparrows (1966); Boots Riley; Federal Arts Project; Luis Buñuel, The Exterminating Angel (1962); The Artists Union; Voltaire, Candide (1759); Gabriel García Márquez, One Hundred Years of Solitude (1967); Public Enemy, Fear of a Black Planet (1989); Beethoven, Symphony #9 (1822-1824); Sam Esmail, Leave the World Behind (2023); David Cronenberg, Videodrome (1983); Richard Seymour, Disaster Nationalism (2024)Produced by Tish Turl, Adam Turl, Omnia Sol and Alexander Billet. Theme by Omnia Sol, Drew Franzblau and Adam Turl. Hosts include Tish Turl, Laura Fair-Schulz and Adam Turl.

Subscribe to the paper: https://simplecirc.com/subscribe/17820213Don't miss the extra story! Become a supporter at: https://catholicfamilynews.locals.comAngelico: https://collabs.shop/ftqcc0Join Brian McCall and Murray Rundus as they discuss this week's storiesThe Conclave prep continues...as does the drama.The Pope's funeralLiberals win in CanadaToday's premium story: Cardinal Parolin and the German Bishops exploit the situationDon't miss the extra story! Become a supporter at: https://catholicfamilynews.locals.comCulture:Murray-Karajan's Beethoven 5th Symphony (70s recording on DG)Brian-Lay Siege to Heaven#catholic #conclave #christianity

Si son génie fait de Beethoven un professeur et amant fort recherché, son statut de roturier l'empêche de vivre le véritable amour avec celle qu'il aime. Mais ses malheurs en amour inspirent sa musique, au point de créer un nouveau genre. "Secrets d'Histoire" est un podcast d'Initial Studio, adapté de l'émission de télévision éponyme produite par la Société Européenne de Production ©2024 SEP / France Télévisions. Cet épisode a été écrit et réalisé par Daniel Rihl.Un podcast présenté par Stéphane Bern. Avec la voix d'Isabelle Benhadj.Vous pouvez retrouver Secrets d'Histoire sur France 3 ou en replay sur France.tv, et suivre l'émission sur Instagram et Facebook.Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Mandy LebourgMontage : Camille Legras Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Homme peu compris par ses contemporains, un mal nouveau va isoler encore un peu plus Ludwig Van Beethoven : la surdité. Si ce handicap croissant le fait souffrir, le musicien va mettre au point de nombreuses techniques pour pallier la perte de son audition et continuer à créer de la musique. "Secrets d'Histoire" est un podcast d'Initial Studio, adapté de l'émission de télévision éponyme produite par la Société Européenne de Production ©2024 SEP / France Télévisions. Cet épisode a été écrit et réalisé par Daniel Rihl.Un podcast présenté par Stéphane Bern. Avec la voix d'Isabelle Benhadj.Vous pouvez retrouver Secrets d'Histoire sur France 3 ou en replay sur France.tv, et suivre l'émission sur Instagram et Facebook.Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Mandy LebourgMontage : Camille Legras Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Deux siècles et demi après sa naissance, les œuvres de Ludwig van Beethoven continuent d'être jouées et vendues partout dans le monde. Artiste incompris, génie solitaire, il est aujourd'hui reconnu comme un compositeur extraordinaire qui a continué à faire de la musique même lorsqu'il est devenu sourd. "Secrets d'Histoire" est un podcast d'Initial Studio, adapté de l'émission de télévision éponyme produite par la Société Européenne de Production ©2024 SEP / France Télévisions. Cet épisode a été écrit et réalisé par Daniel Rihl.Un podcast présenté par Stéphane Bern. Avec la voix d'Isabelle Benhadj.Vous pouvez retrouver Secrets d'Histoire sur France 3 ou en replay sur France.tv, et suivre l'émission sur Instagram et Facebook.Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Mandy LebourgMontage : Camille Legras Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

What happens when one of history's greatest composers begins to lose the very sense he relies on most? In this episode, we explore how Ludwig van Beethoven continued to create groundbreaking music even as his world fell into silence. Along the way, we uncover the myths, inventions, and raw determination that fueled Beethoven's defiant creativity, and hear how his lifelong struggles are reflected in his music. Featuring musicologist Laura Tunbridge, author of Beethoven: A Life in Nine Pieces. Enter the “Sound Off” Story Contest at ⁠20k.org/soundoff⁠. Submissions close on May 7th, 2025. Explore the all new ⁠Defacto Sound website⁠, and click the ⁠Contact Form⁠ to get in touch. If you know what this week's mystery sound is, tell us at ⁠mystery.20k.org⁠. Follow Dallas on ⁠Instagram⁠, ⁠TikTok⁠, ⁠YouTube⁠ and ⁠LinkedIn⁠. Join our community on ⁠Reddit⁠ and follow us on ⁠Facebook⁠. Start your free online visit for hair loss treatment at hims.com/20k. Cut your current cloud bill in half with OCI at ⁠oracle.com/20k⁠. Episode transcript, music, and credits can be found here: ⁠www.20k.org/episodes/the-deaf-composer Learn more about your ad choices. Visit megaphone.fm/adchoices

LA County workers are set to wrap up their historic strike. Survivors speak out about the County's unprecedented abuse settlement. Pacific Symphony's newest director reveals how he plans to make Beethoven feel new again. Plus, more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

Comparing 1996's FROM DUSK TILL DAWN to the new SINNERS can feel a bit like, as Scott puts it, comparing “Chopsticks” to Beethoven's Fifth. But Robert Rodriguez and Quentin Tarantino's sleazy vampire flick was clearly on Ryan Coogler's mind when crafting his own film about a pair of brothers who spend one fateful night defending a nightclub from an invading horde of the undead. Coogler's film also has much more on its mind beyond that pulpy premise, which we'll get into next week, but for now we're digging as deep as we can into the shallow pleasures and frustrating shortcomings of FROM DUSK TILL DAWN, from the awkward but arguably endearing performances from George Clooney and Tarantino as fugitive brothers, to the moments that test the limits of Rodriguez's run-and-gun filmmaking approach — and yes, of course we have to talk about the foot stuff, too. Then in Feedback, we respond to a couple of listeners pushing back on some of our Cronenbergian categorization in the last pairing.  Please share your thoughts about FROM DUSK TILL DAWN, SINNERS, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Intro: 00:00:00-00:06:57 From Dusk Till Dawn Keynote: 00:06:57-00:11:55 From Dusk Till Dawn Discussion: 00:11:56-00:54:04 Feedback/outro: 00:54:04-end Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Dalanie and Katie talk about the movie Louis van Beethoven. IN THIS EPISODE: Got a confession? Tell us your craziest, most scandalous music school stories here: https://docs.google.com/forms/d/e/1FAIpQLSf83czJGsGsGuMuvTszo9BptqC-uqGoL_BnCSftlBLlqdFIwg/viewform?usp=header Video episodes are now available on YouTube! Subscribe here: https://www.youtube.com/@classicallyblackpodcast PURCHASE OUR MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON! Our next Patreon exclusive livestream is on April 28th at 5:30pm PST https://patreon.com/ClassicallyBlackPodcast FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack Leading Artist Managers Launch New Mentorship Program https://www.fletcherartists.com/mentorship Florida's Jacksonville University Discontinues Fine Arts Majors https://theviolinchannel.com/floridas-jacksonville-university-discontinues-fine-arts-majors/ Igor Levit to Play Satie's Vexations for 16 Hours Straight https://theviolinchannel.com/igor-levit-to-play-saties-vexations-for-16-hours-straight/ Black Excellence: Raehann Bryce-Davis https://www.raehann.com/ Piece of the Week: Piano Concerto No. 5 “Emperor” - Ludwig van Beethoven https://www.youtube.com/watch?v=q-hn8WH_-3U

David Lowery - "Interview" https://www.wfmu.org/playlists/shows/151284

In this conversation, the hosts explore a variety of topics ranging from humorous anecdotes about music and Beethoven's unique methods to deeper discussions about faith, the role of Pope Francis, and the nature of Catholicism. They also reflect on the significance of Jesus' resurrection and share personal insights on parenting and the challenges of raising children. In this lively conversation, the hosts explore various themes related to parenting, food, and the peculiarities of animals. They discuss the joys and challenges of parenting, the idea of mini dairy cows, the oddities of chickens, and the differences between fresh and store-bought eggs. The conversation takes a humorous turn as they delve into the unpleasant smells of chicken houses and the science of odors. They also reflect on Easter traditions and the concept of feasting, leading to a discussion about food festivals and seasonal produce. In this lively conversation, the hosts explore a variety of topics ranging from the quirky delights of a pork festival to the mundane yet relatable discussions about drywall and DIY projects. They share humorous anecdotes about family legacies involving anvils and delve into the world of murder mysteries in television, reflecting on how crime dramas captivate audiences. The conversation is filled with laughter, insights, and a touch of nostalgia, making it a delightful listen for anyone interested in comedy and everyday life.

In this conversation, the hosts explore a variety of topics ranging from humorous anecdotes about music and Beethoven's unique methods to deeper discussions about faith, the role of Pope Francis, and the nature of Catholicism. They also reflect on the significance of Jesus' resurrection and share personal insights on parenting and the challenges of raising children. In this lively conversation, the hosts explore various themes related to parenting, food, and the peculiarities of animals. They discuss the joys and challenges of parenting, the idea of mini dairy cows, the oddities of chickens, and the differences between fresh and store-bought eggs. The conversation takes a humorous turn as they delve into the unpleasant smells of chicken houses and the science of odors. They also reflect on Easter traditions and the concept of feasting, leading to a discussion about food festivals and seasonal produce. In this lively conversation, the hosts explore a variety of topics ranging from the quirky delights of a pork festival to the mundane yet relatable discussions about drywall and DIY projects. They share humorous anecdotes about family legacies involving anvils and delve into the world of murder mysteries in television, reflecting on how crime dramas captivate audiences. The conversation is filled with laughter, insights, and a touch of nostalgia, making it a delightful listen for anyone interested in comedy and everyday life.