Podcasts about Ludwig van Beethoven

Benny is back in the audio sweatshop, the SpinMaster of Misinformation, Bantering Broadcaster, Beethoven of B.S. joins show legend, Robbie the Mariners Fan, for the latest edition of the wildly popular Sunday Mailbag. The boys crack open the P1 inbox and tackle everything from peanut butter on burgers, hot dog buns, and a pirate's life to the meteoric rise of IShowSpeed, trashcan madness, Wendy's stock, and the legendary Commodore flip phone. Nothing is off limits as every question gets sliced, diced, grilled, and seasoned with a generous shake of Cajun pepper in another freewheeling edition of the Fifth Hour Podcast. All questions sent in by new listeners & P1's of the #MallerMilitia! Download, subscribe, and remember that sharing is caring (unless it's an STD.) Follow Ben on Twitter @BenMaller and listen to the original terrestrial radio edition of "Ben Maller Show," Monday-Friday on Fox Sports Radio, 2a-6a ET, 11p-3a PT!...Follow, rate & review "The Fifth Hour!" #BenMaller #FSRWeekends See omnystudio.com/listener for privacy information.

In den 1790er-Jahren schrieb Beethoven drei Streichtrios als Vorübung für seine späteren Quartette. Und tatsächlich wirkt das Dritte Trio wie ein Quartett für drei Spieler. Der Cellist Daniel Müller-Schott äußert sich über dieses Werk.

Deze aflevering duiken we in de bijzondere wereld van de grondstoffenmarkt. En de wilde bewegingen die handelaren maken. ING ziet de vraag naar complexe derivatenconstructies exploderen, nu bedrijven worstelen met margestortingen en extreme prijsschommelingen. We proberen in Jip & Janneke taal te kijken hoe ING precies scoort. Wat het betekent voor het aandeel. En: klan ING nóg meer geld verdienen met deze onrust? Ook hebben we het over SK Hynix. De maker van geheugenchips was even Samsung voorbij als meest waardevolle beursbedrijf van Zuid-Korea! Best knap, als je je bedenkt dat het bedrijf eerder nog bijna failliet ging. Verder staan we uitgebreid stil bij het overlijden van Alan Greenspan. De voormalig Fed-voorzitter die maar liefst 100 jaar is geworden. Je hoort waarom hij zo bejubeld werd, maar ook waardoor hij (aan het einde van zijn termijn) werd beschuldigd van de grootste financiële crisis ooit. Verder in dit beurstheater: Aalberts succesvol terug in de AEX Easyjet wijst overnamebod drie keer op rij af Aandeel van Alphabet dondert in elkaar SpaceX wordt wéér gedumpt op de beurs Keir Starmer stopt als premier, maar markten rustig Baas Nike gelooft in Nike, terwijl de rest dat niet echt doet Warren Buffett's lievelingetje ligt overhoop met de Amerikaanse belastingdienst Te gast: Stan Westerterp van Bond Capital Partners BNR Beurs is een journalistiek onafhankelijke productie, mede mogelijk gemaakt door Saxo. Over de makers: Jelle Maasbach is presentator van BNR Beurs en freelance financieel journalist. Zijn favoriete aandeel om over te praten is Disney, maar daar lijkt hij de enige in te zijn. Sinds de eerste uitzending van BNR Beurs is 'ie er bij. Maxim van Mil is presentator van BNR Beurs en journalist bij BNR, waar hij zich focust op de financiële markten en ontwikkelingen in de tech-wereld. Je krijgt hem het meest enthousiast als hij kan praten over ASML, of oer-Hollandse bedrijven zoals Ahold of ABN Amro. Jorik Simonides is presentator van BNR Beurs, economieredacteur en verslaggever bij BNR. Hij wordt er vooral blij van als het een keer níet over AI gaat. Je hoort hem ook in de BNR-podcast Moerdijk: dorp van de rekening. Milou Brand is presentator van BNR Beurs, freelance podcastmaker en columnist bij het Financieele Dagblad. Jochem Visser is presentator van BNR Beurs, maakt Beursnerd XL en is redacteur bij de podcast Onder Curatoren. Vraag hem naar obscure zaken op financiële markten en hij vertelt je waarom het eigenlijk nóg leuker is dan je al dacht. Over de podcast: Met BNR Beurs ga je altijd voorbereid de nieuwe beursdag in. We praten je in een kleine 25 minuten bij over alle laatste ontwikkelingen op de handelsvloer. We blijven niet alleen bij de AEX of Wall Street, maar vertellen je ook waar nog meer kansen liggen. En we houden het niet bij de cijfers, maar zoeken ook iedere dag voor je naar duiding van scherpe gasten en experts. Of je nu een ervaren belegger bent of net begint met je eerste stappen op de beurs, de podcast biedt waardevolle inzichten voor je beleggingsstrategie. Door de focus op zowel de korte termijn als de lange termijn, helpt BNR Beurs luisteraars om de ruis van de markt te scheiden van de essentie.See omnystudio.com/listener for privacy information.

Oudemuziekkenner Kees Koudstaal presenteert de mooiste en recentste CD’s met oude en klassieke muziek. In deze laatste aflevering voor de zomerstop van dit programma horen we de nieuwe albums van Alina Ibragimova & Cédric Tiberghien, Le Caravansérail en zelfs twee van Les Arts Florissants. 1. Ludwig van Beethoven (1770-1827) – Vioolsonate in A gr. Opus, […]

insta : laboite2chocolat ou la_boitedechocolatPour ce 38 eme épisode on va se faire un grand classique : Léon !Alors Léon ça raconte quoi ?Et bien c'est l'histoire d'un tueur à gages qui vit comme un PNJ. Il parle peu, boit du lait comme si c'était un repas gastronomique, et considère sa plante verte comme son unique colocataire émotionnel.Dans l'immeuble d'à côté, ça part en festival du chaos. Un flic complètement détraqué - et qui en fait des caisses bordel - décide que la diplomatie est surfait et transforme un appartement en zone sinistrée. Seule survivante : Mathilda, 12 ans, qui frappe chez Léon avec le regard de quelqu'un qui a déjà vu le vrai visage de Luc Besson.Léon l'héberge. Elle veut apprendre à devenir tueuse parce que la thérapie, c'est visiblement complet. Lui essaie tant bien que mal de lui apprendre le métier tout en découvrant un concept révolutionnaire : avoir des sentiments.Les plantes sont parfois les personnages les plus stables.Les voisins peuvent vraiment ruiner une journée.Si un type en costume commence à dire qu'il “adore Beethoven”, il est probablement temps de prendre la sortie de secours.Un classique à la fois tendre, violent et complètement barré, où les balles volent presque aussi vite que les problèmes psychologiques des personnages.Pour parler de ce navet on retrouve Thomas, Charlie et Mia.N'hésitez pas d'ailleurs à nous LAISSER DES COMMENTAIRES ET AUSSI DES BONNES ETOILES (déjà parce qu'on est des gens cool), et puis aussi suggérez nous des films, on les fera avec plaisir.VOUS ETES DE PLUS EN PLUS NOMBREUX, SOYEZ DE MOINS EN MOINS TIMIDE voici notre mail pour toutes suggestions / propositions de films : laboitedechocolatmail@gmail.com Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Druhý největší hřbitov v Evropě je zároveň jedním z nejzajímavějších míst rakouské metropole. Vídeňský centrální hřbitov ukrývá ostatky přibližně tří milionů lidí včetně slavných hudebníků, architektů a umělců.

Als Bonus Content servieren wir euch in dieser Woche eine aktuelle Folge des "Die Erste Stunde"-Podcast! Die Indie-Entwickler Daniel Dorner und Ronny Deicke analysieren gemeinsam die erste Stunde des Adventure-Spiel Mixtape, entwickelt von Beethoven & Dinosaur . Die erste Stunde eines Spiels entscheidet oft, ob wir dranbleiben – oder abschalten. Die Indie Entwickler Daniel Dorner und Ronny Deicke nehmen diese entscheidenden 60 Minuten genau unter die Lupe. In jeder Folge spielen die beiden den Anfang eines Videospiels und analysieren es direkt aus der Perspektive von Game Devel­opern. Welche Designentscheidungen tragen – und welche nicht? Ob du selbst Spiele entwickelst oder einfach tiefer verstehen willst, wie Games eigentlich gemacht werden: Setz die Entwickler-Brille auf und begleite Daniel und Ronny bei ihrer ersten Stunde.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

Als Bonus Content servieren wir euch in dieser Woche eine aktuelle Folge des "Die Erste Stunde"-Podcast! Die Indie-Entwickler Daniel Dorner und Ronny Deicke analysieren gemeinsam die erste Stunde des Adventure-Spiel Mixtape, entwickelt von Beethoven & Dinosaur . Die erste Stunde eines Spiels entscheidet oft, ob wir dranbleiben – oder abschalten. Die Indie Entwickler Daniel Dorner und Ronny Deicke nehmen diese entscheidenden 60 Minuten genau unter die Lupe. In jeder Folge spielen die beiden den Anfang eines Videospiels und analysieren es direkt aus der Perspektive von Game Devel­opern. Welche Designentscheidungen tragen – und welche nicht? Ob du selbst Spiele entwickelst oder einfach tiefer verstehen willst, wie Games eigentlich gemacht werden: Setz die Entwickler-Brille auf und begleite Daniel und Ronny bei ihrer ersten Stunde.

A Note from James:If I could tell my children to read one post of mine, it would be this post.Influence is how they will navigate a world of uncertainty.Robert Cialdini is the most influential person in the world. And by that I mean, he wrote the book Influence, which sold 3 million copies and defines the six critical aspects of all influence.Now he has a new book, Pre-Suasion, going 10x deeper into the concepts of persuasion. I got him on my podcast so I could ask the 1,000 questions I have.Small story from the book:If you name a restaurant “Studio 97” instead of “Studio 17,” people are more likely to tip higher.If you ask a girl for her phone number outside a flower store, triggering feelings of romance, she is more likely to give it to you than if you ask her outside a motorcycle store.And 500 other stories.The environment is just as important as what you say.Before the podcast began, I gave him a book as a gift: The Anxiety of Influence, a history of poetry.What would poetry have to do with influence and marketing?In all art, since the beginning of time, artists have built on the work of the artists of the generation before them.Beethoven depended on a Mozart to be a Beethoven. Picasso depended on a Cézanne. Without Michelson, there would be no Einstein.But poets, for some reason, would deny being influenced.“I never even read Ezra Pound,” shouted one poet at a critic.Poets want to be seen as original.Nobody is 100% original.This is the anxiety of influence.Almost all of our decisions, and even our creativity, are outsourced to the people around us who influence us: peers, teachers, religion, parents, bosses, etc.Our personality is our own particular mishmash of influences.How we deal with that anxiety, how we recognize the influences, learn from them, and build from them, is the birth of all of our creativity.Let me summarize the seven aspects of influence:Reciprocity: If you give someone a Christmas card, they will want to return the favor.Likability: Make yourself trustworthy. For instance, outline the negatives of dealing with you.Consistency: Ask someone for a favor. Now they will say to themselves, “I am the type of person who does James a favor.”Social Proof: If you are trying to get someone to do X, show them that “a lot of your peers do X.” For instance, if you are at a bar and you are a guy trying to meet women, bring your women friends and not your guy friends with you.Authority: “Four out of five dentists say…”Scarcity: “Only 100 iPhones left at this store!”Unity: You and I are the same because of location, values, religion, etc.I've used each of the above in business.They work.They will make you money.The entire purpose of language is to influence.We are not strong animals. We are weak.The language of influence saved us.Probably a word like “Run!” was the first word spoken.A word of influence.And it worked.I'm still running from the things I fear.So speak to influence.Don't speak to call a flower yellow.Speak to breathe spirit into an idea, to be enthusiastic, to convey emotion, to influence.This is the only way to have an impact with your unique creativity.I gave Robert the book as a gift — reciprocity — assuming we would have a great podcast.And we did.But then I thought later, I can't even remember how Robert got on my podcast.I highly recommend his book in the podcast and even in this post.As he got into his car after the podcast in order to go to his next interview, I started thinking:“Hmmm, who influenced who?”Episode Description:Robert Cialdini wrote the book on persuasion — literally. His classic Influence became one of the defining books on why people say yes, how decisions get shaped, and why the smallest cue in the room can change the outcome of a conversation.In this episode from the archive, James talks with Cialdini about Pre-Suasion, the idea that persuasion starts before the actual pitch. It begins with what people notice, what they feel, what is in the environment, and what frame has already been set before the first real ask is made.They talk about flower shops, restaurant names, voting booths, Warren Buffett's shareholder letters, Anwar Sadat's negotiation instincts, and the rabbi who helped save thousands of lives with one sentence. But the episode is not just about marketing. It is about how people make decisions under uncertainty — and how to use influence ethically, whether you are asking for a job, building a business, negotiating a deal, writing a sales letter, or trying to become more trusted.What You'll Learn:Why persuasion often begins before the message — and how small cues in the environment can make people more receptive.How Cialdini's original six principles of influence work: reciprocity, consistency, social proof, scarcity, authority, and liking.Why Cialdini added a seventh principle, unity — the feeling that “we are the same” — and why it can be even stronger than liking.When to use social proof versus authority, and how to decide which kind of evidence matters most in a given situation.Why admitting weakness first can build trust, and how Warren Buffett uses honesty as a persuasion tool instead of a liability.Timestamped Chapters:[00:00] Introduction and episode preview[01:25] Interview begins — James introduces Robert Cialdini and Pre-Suasion[03:12] The flower shop study: why context changes the answer before the question is asked[05:48] Valentine Street and the hidden power of unrelated cues[06:42] Wine stores, voting booths, and fluffy cloud mattresses[08:10] Are humans irrational, or are shortcuts necessary?[10:17] How the pictures on your wall can change what you write[11:36] The six — now seven — principles of influence[12:00] Reciprocity: the Hare Krishna flower example and the power of personalized gifts[16:40] Consistency: Anwar Sadat, Henry Kissinger, and giving people a reputation to live up to[19:30] Cialdini's undercover research with sales organizations[23:30] Social proof: medical no-shows, restaurant menus, and what happens when a message backfires[26:43] Social proof as feasibility: “people like me can do this”[29:07] Authority: when expert endorsement beats crowd validation[33:55] Why companies lose with better products when they fail to frame the decision properly[35:10] Building authority from zero by using honesty and scarcity[37:05] The Avis “We're number two” campaign and the trust value of admitting weakness[38:24] Warren Buffett's shareholder letters and the persuasive power of leading with mistakes[41:30] Unity: Cialdini's seventh principle of influence[44:24] The rabbi, the Japanese tribunal, and the sentence that saved a community[48:30] Applying unity in job interviews, dating, and negotiations[51:10] Loss aversion and how uncertainty changes persuasion[55:00] Why long sales letters can outperform short ones[55:30] Cialdini's practical framework: find what is true, direct attention to it, then make the case[59:00] Fake scarcity and why false urgency destroys trust[65:00] Closing thoughts on ethical influence and genuine specificityAdditional Resources:Robert Cialdini — Influence: The Psychology of Persuasion — Cialdini's classic book on the core principles of persuasion and compliance. Robert Cialdini — Pre-Suasion: A Revolutionary Way to Influence and Persuade — the follow-up book discussed throughout the episode, focused on what happens before the persuasive message itself. Berkshire Hathaway Shareholder Letters — referenced in the episode as a real-world example of trust-building through candor and weakness-first communication. Daniel Kahneman and Prospect Theory — Cialdini references the role of loss aversion and uncertainty in persuasion; Kahneman received the 2002 Nobel Memorial Prize in Economic Sciences for integrating psychological research into economic decision-making. Chiune Sugihara — the Japanese diplomat connected to the story Cialdini uses to explain unity and shared identity. The Avis “We're Number Two” Campaign — discussed as an example of turning a weakness into credibility by being honest before making the positive case.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Il existe peu de figures héroïques dans l'art. Souvent, nous pensons aux héros des mythes et légendes, qui nous inspirent en nous offrant des modèles de perfection, et nous incitent à des comportements et à des choix plus audacieux. Mais nous pouvons aussi nous tourner vers des personnages de l'histoire récente, artistes de surcroît, comme Ludwig Van Beethoven.Article de la revue Acropolis de juin 2026, par Benjamin Bohrani, violoniste,  philosophe, directeur de Nouvelle Acropole Toulouse. Lecture par Noëlle Vannini.Abonnez-vous gratuitement à notre newsletter philosophique :www.revue-acropolis.comSaviez-vous que Nouvelle Acropole est réalisée à 100% par des bénévoles ? Nous dépendons donc beaucoup de nos étudiants et amis pour la divulgation !   N'oubliez pas de vous abonner à la chaîne et si possible de la partager sur vos réseaux sociaux.   Ce sera d'une grande aide !

celebra la Copa del Mundo desde una perspectiva cultural. Historias, curiosidades y momentos inolvidables del fútbol se entrelazan con obras de Beethoven, Puccini, Piazzolla, Couperin, Vaughan Williams, Manuel de Falla y otros grandes maestros, en un recorrido por las naciones campeonas del mundo.

Edgar Morin, philosophe, sociologue, épistémologue, résistant, cinéphile, centenaire. Il est mort le 29 mai 2026 à 104 ans. Son dernier livre s'appelait Leçons d'un siècle de vie.J'avais son contact depuis le début de VLAN. On a des gens en commun. Et je n'ai jamais osé décrocher le téléphone, par peur de déranger. Chaque année, je me disais : non, cette fois c'est trop. Jusqu'à ce qu'il soit trop tard. C'est la leçon la plus bête et la plus douloureuse que je retienne de sa disparition.Cet épisode solo est un hommage. Je me suis plongé dans ses dernières conférences et dans Leçons d'un siècle de vie pour en tirer trois idées fondamentales et trois leçons de vie. Pas des recettes, pas des listes à appliquer. Edgar Morin lui-même aurait détesté ça. Plutôt ce que sa pensée a changé dans ma façon de regarder le monde, l'IA, la complexité, l'amour, et ce qu'on appelle l'avenir.Dans cet épisode, je parle de la pensée complexe, de l'homo demens, de la transfiguration, de la poly-identité, de la navigation dans l'incertitude, et de ce qu'il appelait l'état poétique. J'aborde aussi ce que ça dit de l'intelligence artificielle, de la mondialisation ratée, et du mouvement des Gilets Jaunes.CITATIONS MARQUANTES"Toute vie est une navigation dans un océan d'incertitude à travers quelques îles ou archipels de certitude où on peut se ravitailler." — Edgar Morin"Je sens que j'approche des limites de la vie, mais je crois que le sentiment d'essayer d'être utile et de continuer à vivre dans les ferveurs de la poésie, de la vie, tout ceci m'entretient bien." — Edgar Morin"Ceux qui croient comprendre tous les problèmes humains uniquement à partir de l'économie oublient la religion, la foi, l'amour, qui ne relèvent absolument pas du calcul économique." — Edgar Morin"La poésie de la vie, suprêmement, c'est l'amour." — Edgar Morin"En sachant que vous êtes un moment dans cette aventure et que vous y participez. Alors essayez d'y participer de la meilleure façon." — Edgar Morin (à ses ~100 ans, sur comment garder confiance)IDÉES CENTRALES 1. L'erreur n'est pas un bug, c'est le moteur de la pensée (~07:19)Morin défend que toute connaissance est une traduction suivie d'une reconstruction. Il n'y a pas de différence fondamentale entre une perception et une hallucination. L'erreur a trois sources : le malentendu, la partialité et l'idéalisme. Ce troisième type est le plus redoutable : les idées qui finissent par nous gouverner non pas parce qu'on nous les impose, mais parce qu'on y croit sincèrement. Le solutionnisme technologique, la croissance comme valeur absolue, l'économie elle-même sont des exemples de cette servitude volontaire. Ce qui est frappant chez Morin, c'est qu'il distingue les erreurs fructueuses des erreurs stériles, et qu'il les analyse au lieu de les nier.2. L'humain est un oxymore sur pattes (~11:28)Morin refuse la flatterie envers l'espèce humaine. Il ne parle pas seulement d'homo sapiens mais d'homo demens, homo faber, homo mythologicus, homo economicus, homo ludens. Nous sommes tout ça en même temps, et c'est précisément cette contradiction qui nous permet d'aimer, de créer et d'espérer. Vouloir "optimiser" l'humain pour en retirer la part irrationnelle, comme le promettent certains projets d'IA ou de transhumanisme, c'est aussi retirer ce qui donne envie du futur.3. La dialogique : deux vérités opposées peuvent être simultanément vraies (~13:15)La mondialisation est la meilleure et la pire chose arrivée à l'humanité. Pour la première fois, tous les êtres humains partagent une communauté de destin. Et ce même processus conduit à des catastrophes écologiques, économiques et démographiques. Tenir cette tension sans la résoudre artificiellement, c'est ce que Morin appelle la dialogique. Dans un monde où les réseaux sociaux récompensent les positions tranchées, refuser de simplifier ce qui ne peut pas l'être est un acte de résistance.4. La transfiguration : le changement vient de l'intérieur des systèmes (~15:03)Juan Carlos élevé dans le franquisme qui devient garant de la démocratie espagnole. Gorbatchev apparatchik qui se transforme en humaniste planétaire. Le pape François, évêque conformiste qui renoue avec le message évangélique. Morin appelle ça la transfiguration : un travail souterrain de la conscience qui peut surgir brusquement. Dans une époque où l'on a l'impression de ne rien pouvoir faire face à Trump ou Musk, cette idée donne de l'espoir concret.5. L'état poétique comme hygiène de vie (~24:35)Survivre, c'est respirer et se nourrir. Vivre, c'est conduire sa vie avec ses risques et ses possibilités de jouissance. L'état poétique, c'est cet état second que l'on obtient dans un échange de sourire, devant un paysage, à l'écoute d'une symphonie ou lors d'une conversation qui dure trop longtemps sur une terrasse. Morin disait qu'à 99 ans, il entrait encore en trance dès les premières mesures du premier mouvement de la 9e de Beethoven. La question que ça me pose : est-ce que je me laisse toucher comme ça, dans un monde dopé à la dopamine ?QUESTIONS STRUCTURANTES DE L'ÉPISODEQu'est-ce que la pensée complexe et pourquoi les réponses simples à des questions complexes sont-elles des mensonges bienveillants ?Comment un esprit intelligent peut-il se laisser posséder par une idée fausse ?Quelle est la différence entre une erreur fructueuse et une erreur stérile ?Pourquoi l'homo demens, la part de folie humaine, n'est pas un défaut à corriger mais une ressource ?Qu'est-ce que la dialogique et pourquoi deux vérités opposées peuvent-elles être simultanément vraies ?Qu'est-ce que la transfiguration et quand est-ce qu'elle se produit dans l'histoire ?Qu'est-ce qu'une poly-identité et en quoi l'accepter améliore les relations humaines ?Comment naviguer dans l'incertitude sans verser dans le fatalisme ou le naïf optimisme ?Quelle est la différence entre survivre et vivre, selon Morin ?Qu'est-ce que l'état poétique et comment le retrouver dans un monde saturé d'informations ?RÉFÉRENCES CITÉESLivresLeçons d'un siècle de vie — Edgar Morin (source principale de l'épisode) [~02:52]L'autocritique — Edgar Morin (sur comment un esprit intelligent se laisse posséder par une idée) [~09:08]Penseurs et citationsLa Boétie — concept de "servitude volontaire" [~08:23]Oscar Wilde — "La vérité pure est simple... elle est très rarement pure et jamais simple." [~29:54]Karl Marx — "La vieille taupe qui sait si bien travailler sous terre pour apparaître brusquement." [~16:38]Figures historiques citées comme exemples de transfigurationJuan Carlos d'Espagne [~15:03]Mikhaïl Gorbatchev [~15:03]Pape François [~15:03]Références culturelles et artistiquesLa Petite Danseuse de Degas (Louvre) — expérience poétique de Morin [~25:56]9e Symphonie de Beethoven, premier mouvement (Salle Gaveau) [~25:56]Marguerite Duras — Morin a habité chez elle à la Libération [~27:16]Festival de Fès des Musiques Sacrées du Monde — là où Morin a rencontré Sabah, sa dernière femme, à 88 ans [~22:10]Épisode connexe VlanMarouane Méry — épisode sur la manipulation et la manière dont on peut être manipulé par ses propres croyances [~09:08]Podcast connexeVLAN Leadership — le deuxième podcast de Gregory, sur les CEOs qui font les choses différemment [~17:15]TIMESTAMPS CLÉS (YouTube)00:00 — Introduction et regret fondateurJ'aurais dû l'appeler. Depuis dix ans que j'avais son contact, j'ai toujours eu peur de déranger. Il est mort à 104 ans. Cet épisode est l'hommage que j'aurais voulu lui rendre en direct.02:52 — Qui était vraiment Edgar Morin ?Né Edgar Nahum en 1921, "Morin" est un pseudonyme de résistant. Sociologue, philosophe, cinéphile, amoureux à répétition, il a traversé le krach de 29, le nazisme, le stalinisme, mai 68, le Covid et l'IA. Une vie impossible à résumer mais fascinante à suivre.04:39 — La pensée complexe expliquée simplementMorin casse l'approche analytique héritée des Lumières. La réalité humaine, une relation, une économie : ça ne se démêle pas fil par fil. Quand on tire sur un fil, les autres bougent. C'est précisément ce que j'essaie de faire sur Vlan depuis le début.07:19 — L'erreur est inséparable de la connaissanceTrois sources : le malentendu, la partialité, et l'idéalisme. Ce troisième type est le plus dangereux : ce sont les idées qui nous gouvernent parce qu'on y croit sincèrement. Morin lui-même en a été victime à 21 ans avec le communisme.11:28 — Homo sapiens + homo demensL'humain n'est pas rationnel. Il est aussi fou, créateur de mythes, joueur, voué au profit. Vouloir effacer cette part irrationnelle, c'est le projet de toutes les utopies qui ont dégénéré en dystopie. Et c'est ce que certains projets autour de l'IA rejouent aujourd'hui.15:03 — La transfiguration : l'espoir vient de l'intérieurJuan Carlos, Gorbatchev, le pape François. Des figures formées dans des systèmes fermés qui, une fois au pouvoir, ont retourné la situation pour l'humanité. Ce travail souterrain de la conscience peut surgir brusquement. C'est peut-être la chose la plus rassurante que j'ai lue depuis longtemps.17:43 — L'identité est toujours plurielleÀ la question "qui es-tu ?", Morin répondait "un être humain." Il vivait sa poly-identité non comme une anomalie mais comme une richesse. Dans un monde où l'appartenance à un groupe exige l'exclusion des autres, c'est un exemple à suivre.20:07 — Toute vie est une navigation dans l'incertitudeNé quasi mort-né, orphelin à 10 ans, résistant, exilé... Et à 88 ans, il rencontre sa dernière femme au Festival de Fès par hasard total. Chaque malchance peut devenir une chance. Et chaque chance porte en elle une malchance future.24:35 — Survivre vs vivre : l'état poétiqueLa survie est nécessaire à la vie. Mais une vie réduite à la survie, ce n'est plus la vie. L'état poétique, c'est l'émotion devant ce qui nous touche : un sourire, un paysage, une symphonie, une conversation sur une terrasse. À 99 ans, Morin entrait encore en trance dès les premières mesures de la 9e de Beethoven.29:07 — Ce que les Gilets Jaunes demandaient vraimentCe n'était pas seulement une revendication économique. C'était une demande d'existence, de reconnaissance, de dignité. Et le fait que ce mouvement ait été tué dans l'œuf sans qu'on écoute ce qu'il voulait dire, on va le payer longtemps.31:19 — Ce que Morin change dans ma façon de voir le mondeLa complexité, l'homo demens face à l'IA, et la poésie de la vie. Et une dernière citation à ne pas oublier : "Essayez d'y participer de la meilleure façon." Prononcée à une centaine d'années. Difficile de trouver mieux.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“Beethoven's Fifth”For Time-30/25 Calorie Ski-30 Snatch* 95/65lb*advance the bar 10ft after 10 & 20 reps» View the Video Version: https://youtu.be/c2NtDSYdaro» Hire a Coach: https://zoarfitness.com/coach/» Shop Programs: https://www.zoarfitness.com/product-category/downloads/» Follow ZOAR Fitness on Instagram: https://www.instagram.com/zoarfitness/Support the show

Joeph Haydn langweilt sich in Eisenstadt. Da freut es ihn sehr, dass ihn sein Schüler Ludwig van Beethoven besuchen kommt und ihm Schokolade und Kaffee mibringt. Doch Beethoven seinerseits ist mit dem Unterricht bei Haydn nicht zufrieden.

Creator & Conductor of the "Beethoven & Coldplay" concert with the St. Louis Symphony Orchestra, Steve Hackman, joins the Chris & Amy show to talk about how he picks which classical artists to combine with recent bands, the way that classical music has impacted different genres and getting a chance to perform in the Powell Hall for the first time.

What did Beethoven's piano actually sound like? At the Catskill Mountain Foundation's Piano Performance Museum in Hunter, New York, you don't have to wonder — you can sit down and play one.Brett Barry visits the museum at the Doctorow Center for the Arts with performing arts director Pam Weisberg and docent Stacey Bowers, who guide him through dozens of historic instruments spanning three centuries — from a mid-18th century French harpsichord to a nine-foot Baldwin concert grand that once traveled with Liberace.Along the way: the difference between a harpsichord's pluck and a piano's strike, why Beethoven's piano had four strings per key, the short life of the American square piano, and what it means to let the instrument tell you what it can do.The museum is open Saturdays 11 a.m.–3 p.m.; group tours available by arrangement. For performances, schedules, and more: catskillmtn.org/piano-performance-museum

Is Mixtape a “real game”? Honestly, who cares; we love this coming-of-age story set in the 90s from Beethoven and Dinosaur, through Annapurna Interactive. It's quick, it's robust, and it's memorable, and that's what we're after from narrative-focused experiences like this. Snackaroo is advanced Snap by way of Aardman, for up to 5 players, and while it's a children's game for sure, it's got enough meat in the bun for the parents of those kids too. It's from Rudi Biber and Ravensburger, and we really like it. Plus the wood glue is out for a QoL project to make a complex setup more simple, with the Descent 2nd Edition organiser from The Game Doctors, via Feldherr. All that, and being famous for five minutes on r/CasualUK, on Ep249. 00:00 - Getting Creami with ninjas 09:47 - Snackaroo 22:00 - Kris's house is famous 25:15 - Mixtape 49:44 - Getting sticky with The Game Doctors on Feldherr On this episode were Kris (@DigitalStrider), Peter (@XeroXeroXero), and Sam (@MrSamTurner). Our Spotify Playlist brings together lots of great thematic music inspired by the stuff we talk about, our Steam Curator page collects every video game we've ever reviewed available on the platform, and our BoardGameGeek page does the same for every boardgame. And if you'd like to see what we're up to between podcasts, your best bet is our Instagram page. Links to where you can find us - StayingInPodcast.com Note: sometimes we'll have been sent a review copy of the thing we're talking about on the podcast. It doesn't skew how we think about that thing, and we don't receive compensation for anything we discuss, but we thought you might like to know this is the case.

This Classic American Tapestry episode is a reprise of Episode 13 from August 2021. It opens with Bruce Springsteen's 2026 “Streets of Minneapolis” and then explores protest music, its global origins and examples from Beethoven's celebration of the rights of man in the 9th Symphony's “Ode to Joy” and Irish songs of rebellion then shifting focus to American protest music from “Yankee Doodle” to abolitionist songs to labor anthems to the great Civil Rights songs of mid-20th century America to anti-war songs during the Viet Nam War era down to today and songs seeking racial justice as we explore American patriotic music and the freedom of which it sings – American freedom holidays on The American Tapestry Project.

El programa "La noche de Arjona" explora misterios del arte. La Venus de Milo pierde sus brazos en una pelea durante su transporte. El David de Miguel Ángel muestra proporciones incorrectas para la perspectiva y carece de circuncisión, desafiando el canon judío. Gaudí y la Sagrada Familia resaltan por la excentricidad del arquitecto, su inspiración natural y la destrucción de los planos originales, con la obra aún en construcción. Beethoven, sordo, compone su Novena Sinfonía usando cuadernos de conversación y vibraciones; en su emotivo estreno, no escucha la ovación. La leyenda de Robert Johnson, quien pacta con el diablo para dominar la guitarra, se revela como práctica intensa y marketing; muere envenenado por un marido celoso. Las dudas sobre la autoría de Shakespeare surgen por la falta de información y el prejuicio social, que impiden creer que un hombre humilde las escribiera. El Manuscrito Voynich, un libro del siglo XV con idioma y dibujos indescifrables, sigue siendo un ...

Jean-Pierre Bourquin ist Kinderonkologe, Forscher und leidenschaftlicher Cellist. Als Leiter der Onkologie am Kinderspital Zürich begleitet er Kinder und ihre Familien in den schwierigsten Momenten ihres Lebens. Gleichzeitig setzt er sich als Direktor des neuen nationalen Kompetenz -zentrums für Kinderkrebsforschung dafür ein, die Behandlung und Heilungschancen krebskranker Kinder weiter zu verbessern. Eine Erkenntnis begleitet ihn seit vielen Jahren: Kinder spüren immer, ob man ihnen die Wahrheit sagt. Ehrlichkeit und Vertrauen seien deshalb die Grundlage jeder Begegnung. Diese Haltung prägt seine Arbeit ebenso wie seine Überzeugung, dass Kinder niemals unterschätzt werden sollten. Geprägt wurde Bourquin von zwei Welten: der Medizin und der Musik. Sein Grossvater war Organist und vermittelte ihm früh die Freude an der Musik. Mit vierzehn Jahren entdeckte er seine Leidenschaft für das Cello – ein Instrument, das ihn bis heute begleitet. Musik bedeutet für ihn weit mehr als Erholung: Sie eröffnet ihm Räume, die sich mit Worten kaum beschreiben lassen, und verbindet ihn mit den grossen Fragen des Lebens. Trotz der täglichen Konfrontation mit Krankheit, Hoffnung und Verlust empfindet Bourquin seine Arbeit als Privileg. Familien in existenziellen Situationen begleiten zu dürfen, sei für ihn eine Aufgabe von grosser Sinnhaftigkeit. Gleichzeitig treibt ihn die Vision an, durch Forschung die Zukunft von Kindern mit Krebs nachhaltig zu verbessern. In «Musik für einen Gast» bei Eva Oertle spricht Jean-Pierre Bourquin über die Verbindung von Musik und Medizin, über seine Faszination für Kinder und deren Sicht auf die Welt sowie über die Frage, wie man mit Krankheit, Sterblichkeit und den Grenzen des Machbaren umgeht. Er erzählt von seinem Weg zum Cello und von seiner Vision einer besseren Zukunft für Kinder mit Krebs. Die musikalische Reise führt von Johann Sebastian Bach über Johannes Brahms und Ludwig van Beethoven bis nach Kolumbien – Musik, die sein Leben begleitet und geprägt hat. Die Musiktitel: - Johann Sebastian Bach: Prélude aus Cellosuite Nr. 4 Es-Dur (Jean-Guihen Queyras, Violoncello) - Johannes Brahms: Denn alles Fleisch, es ist wie Gras, aus Ein deutsches Requiem (Arnold Schoenberg Chor; Wiener Philharmoniker; Nikolaus Harnoncourt) - Ludwig van Beethoven: Prestissimo, aus Klaviersonate E-Dur op. 109 (Vikingur Olafsson, Klavier) - Carlos Vives: La tierra del olvido - Franz Schubert: Streichquintett C-Dur (Alban Berg-Quartett; Heinrich Schiff, Klavier)

Pemex investiga origen de mancha en el Río PánucoFallece David Hockney, referente del arte contemporáneoAustria inicia su participación en la capital mexicana Más información en nuestro Podcast#grc

We'd love to hear from you! Please send us a Text Message!If you haven't heard it yet, start with Part 1. Think ballads and relaxed grooves. Take a break and cool out over the beauty and intimacy of some of Link's best ballads sung by 4 or 5 top vocalists who have worked with him over for 3 or 4 decades and are all still going strong. All that's required of you are a good pair of headphones, an easy chair  and the time to do it. Get the inside stories on how and why the songs were written – the story behind the real life drama. Take a walk in the snow, an evening on the beach, a ride through the desert of the great Southwest, a night under the stars and so much more. Part 2 is the same concept as above presenting 9 more songs,Theater of the Imagination is presented by Watchfire Music

Sammy Hagar has made a bold claim: Eddie Van Halen didn't just change guitar playing—he saved guitar players. On a recent interview, Hagar praised Eddie as a "music god," comparing his genius to Beethoven and crediting him with revolutionizing not only guitar, but modern rock music itself. According to Sammy, without Eddie's innovations—tapping, whammy bar techniques, groundbreaking songwriting, and keyboard work—guitarists may have been left behind in a world dominated by electronic music and technology. Hagar also reflects on how working with Eddie Van Halen made him a better singer, songwriter, and musician. From classics like Love Walks In and Black and Blue to later-era masterpieces from Balance, Sammy argues that some of Eddie's most advanced and underrated work came during the Van Halen years they shared together. Did Eddie Van Halen save guitar players? Was his later work even more impressive than the early classics? Join the conversation on this episode of Exclusively Van Halen on Johnny Beane TV! #EddieVanHalen #SammyHagar #VanHalen #ExclusivelyVanHalen

Music Credits: Intro: "Zero Signal," Sean Kolton, MechWarrior 5 Mercenaries Round 1 Mix: "Mars, the Bringer of War," Gustav Holst, The Planets, Op. 32; "Ride of the Valkyries," Richard Wagner, The Valkyrie; "Montagues and Capulets," Sergei Prokofiev, Romeo and Juliet, Op. 64 "3, Allegro Non Troppo," Dmitri Shostakovich, String Quartet No. 3 in F Major Round 2 Mix: "1, Allegro Con Brio," Ludwig von Beethoven, Symphony No. 5 in C Minor "Night on Bald Mountain," Modest Mussorgsky Round 3 Mix: "Danse Macabre, Op. 40," Camille Saint-Saens "Moonlight Sonata," Ludwig von Beethoven, Piano Sonata No. 14 "Summer 1, Allegro Non Molto," Antonio Vivaldi, The Four Seasons "1, Mist," Alfred J. Fissinger, Suite for Solo Marimba Round 4 Mix: "Nocturne in E Flat Major," Frederic Chopin, The Nocturnes, Op. 9 "Sonata Pathetique 2, Adagio Cantabile," Ludwig von Beethoven, Piano Sonata No. 8 "Canon in D Major," Johann Pachelbel Johnny Treble Fight: "Charge Assault," Keiki Kobayashi, Ace Combat 7 Post-Fight: "Clean Slate," Sean Kolton, MechWarrior 5 Mercenaries Soundtrack

Welcome to the latest episode of our weekly show where we discuss today animals in TV shows and movies.. random I know but hey, so are we... From Turner & Hooch to Beethoven... from Lassie to the Littlest Hobo.... and Woof... there are a lot of dog movies by the way... and TV shows... America really loves dogs... anyway... we hope you all enjoy!

En El Ojo Crítico celebramos el Premio Nacional a la Mejor Labor Editorial Cultural concedido a Astiberri, una de las editoriales de referencia del cómic en España, que recibe este reconocimiento cuando cumple 25 años de trayectoria. Conversamos con Laureano Domínguez, socio y editor de la casa, sobre la evolución del cómic y el reconocimiento de este lenguaje como una forma de alta literatura.Además, entrevistamos a Helena Bengoetxea, directora del documental Petrus, una película que reivindica la cultura como motor de transformación social y reflexiona sobre el despoblamiento rural a través de las historias de sus protagonistas. También analizamos los últimos datos del sector editorial español, que encadena doce años consecutivos de crecimiento y superó en 2025 los 3.000 millones de euros de facturación, según la Federación de Gremios de Editores.Nuestra colaboradora María Taosa nos acerca la música del cantautor José González, mientras que repasamos la inauguración de la 75ª edición del Festival Internacional de Música y Danza de Granada, que abre con el pianista Ludovico Einaudi. Por su parte, Inko Martín nos adelanta el concierto que la Orquesta y Coro RTVE, bajo la dirección de Gustavo Dudamel, ofrecerá en el Teatro Monumental con un programa dedicado a Beethoven, coincidiendo con el Día Mundial del Cáncer de Próstata.Escuchar audio

Ein Leben im Schatten Beethovens: Ferdinand Ries war Schüler, Sekretär und Biograf des Genies. Aber seine 7. Sinfonie klingt nicht nach Fußnote – sondern nach einem Komponisten, der endlich selbst gehört werden will. Von Christoph Vratz.

What does a Spurs win tonight mean for the rest of The Finals? Does Rick Brunson being on the Knicks coaching staff make sense? Will the Chiefs make it to another Superbowl? Is DJ a regular Beethoven?

It's the "controvery over public art" game show again, this time in Kolkata. Sandip Roy kicks it around for us.

La pereza es un concepto que suscita muchas preguntas que solo pueden resolverse desde la filosofía. Por eso, esta noche hemos invitado a 'El Faro' a Iván de los Ríos, doctor en Filosofía por la Universidad Autónoma de Madrid. Además, hemos conocido todas las curiosidades de los perezosos de la mano de Agustín López, director de Biología de Faunia, donde nacieron los primeros ejemplares de perezosos en España. Y, como cada martes, Alejandro Pelayo se ha sentado frente al piano de la SER para hablarnos del compositor clásico más perezoso: Beethoven.

There aren't many female conductors in Germany yet, but their number is slowly increasing. One who has already achieved international fame is Anja Bihlmaier from Schwäbisch Gmünd. She gives concerts in Sydney, Melbourne and Perth in June and July. - In Deutschland gibt es noch nicht viele Dirigentinnen, doch langsam mehrt sich ihre Zahl. Eine, die es schon international zu Bekanntheit gebracht hat, ist Anja Bihlmaier aus Schwäbisch Gmünd. Sie gibt im Juni und Juli in Sydney, Melbourne und in Perth Konzerte.

durée : 00:21:54 - par : Lionel Esparza - On admire Bruno Walter pour ses symphonies de Mozart, de Mahler ou de Beethoven, plus rarement pour ses Schubert. Il en laisse pourtant des versions équilibrées, claires et tendres, d'esprit classique, gravées pour la Columbia lors de son ultime période américaine. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

A year ago, I published as my final Pride 2025 episode, Pears Sings Not-Britten, which explored the voice and artistry of British tenor Peter Pears in repertoire other than that written for him by his partner Benjamin Britten. Today's episode, a refurbished bonus episode originally published nearly a year ago has a new, catchy title that carries that theme even further, in that Britten is entirely absent, either as composer or as Pears's usual accompanist. Today, I feature collections of songs by five different composers, Ludwig Van Beethoven, Claude Debussy, Robert Schumann, Alan Bush, and Michael Tippett, all featuring Pears accompanied by pianists other than Britten, including celebrated solo virtuosi Noel Mewton-Wood, Murray Perahia and Sviatoslav Richter; with composer Alan Bush himself accompanying Pears himself in the thornily difficult piano part of his self-described cantata Voices of the Prophets. Of today's setlist, all but the Bush are either live or radio recordings which span three separate decades of Pears's career, and show an artist who, whether in his vocal prime or in the inevitable decline of his later years (and even after Britten's death), was fixated on expressing the finest shades of textual nuance and vocal color. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Send us Fan MailWhy is Beethoven's Ninth Symphony considered one of the most important works in classical music?In this episode of The Classical Music Minute, we explore the revolutionary ideas behind Beethoven's final completed symphony. Premiered in 1824, the work broke new ground by introducing a choir and vocal soloists into the final movement—something virtually unheard of in a symphony at the time.The famous Ode to Joy theme, based on Friedrich Schiller's poem, celebrates unity, friendship, and the common bonds that connect humanity. Combined with the symphony's unprecedented scale and emotional depth, it helped redefine what orchestral music could achieve.The work's influence can still be heard today, and its message continues to resonate across cultures and generations.In just sixty seconds, discover why Beethoven's Ninth Symphony changed music history forever.Fun FactThe Ode to Joy melody from Beethoven's Ninth Symphony was adopted as the anthem of the Council of Europe in 1972 and later became the official anthem of the European Union, making it one of the most widely recognized pieces of classical music in the world.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics CoveredBeethoven Ninth Symphony, why is Beethoven's Ninth important, Ode to Joy, Beethoven symphonies, choral symphony, Ludwig van Beethoven, classical music history, famous symphonies, Beethoven deafness, Ode to Joy meaning, music history explained, European anthemJoin me on Substack

We'd love to hear from you! Please send us a Text Message!Think ballads and relaxed grooves. Take a break and cool out over the beauty and intimacy of some of Link's best ballads sung by 4 or 5 top vocalists who have worked with him over for 3 or 4 decades and are all still going strong. All that's required of you are a good pair of headphones, an easy chair  and the time to do it. Get the inside stories on how and why the songs were written – the story behind the real life drama. Take a walk in the snow, an evening on the beach, a ride through the desert of the great Southwest, a night under the stars and so much more.Theater of the imagination is presented by Watchfire Music:  watchfiremusic.com 

Thunderstorms have captivated humanity for millennia, and yet their inner workings remain deeply mysterious. On this episode of The Quanta Podcast, guest host and Quanta senior editor Hannah Waters speaks with staff writer Charlie Wood about the new technologies that are helping physicists better understand the phenomena. This topic was covered in a recent story for Quanta Magazine. Each week on The Quanta Podcast, Quanta Magazine editor in chief Samir Patel speaks with the people behind the award-winning publication to navigate through some of the most important and mind-expanding questions in science and math. At the end of the episode, listen to an excerpt of the fourth movement of Beethoven’s Sixth Symphony, which depicts a violent thunderstorm. Piccolo represents lightning and timpani represents thunder. Courtesy of Symphony Orchestra. Deed – Attribution-NonCommercial-ShareAlike 3.0 Unported – Creative Commons

This might be rated PG-13+ please see my note below*In 1862 Christina Rosetti wrote the narrative poem Goblin Market. It was initially illustrated by her brother--one of the three leaders/founders of the Pre-Raphaelite Brotherhood, Dante Gabriel Rossetti and later it was illustrated by one of our illustrators from the Midnight Mother Goose story, illustrator, Arthur Rackham. (Note Christina had been working with a program helping women in what sounded like a  rehabilitation program, when she wrote this poem.)I read this poem while outside, with aspen trees quaking in the breeze, occasional far off cars and neighborhood dogs... pastoral, but stretching it with more of a city-mouse kind of sense? Music for this episode is Beethoven's Pastoral Symphony used under fair use from the Internet Archive. *NOTE--For Listener Awareness: Christina was kind of walking along a fence if the Goblin Market is appropriate for all ages. From Wikipedia: "It tells the story of sisters Laura and Lizzie, who are tempted with fruit by goblin merchants.[1] In a letter to her publisher, Rossetti claimed that the poem, which is interpreted frequently as having features of remarkably sexual imagery, was not meant for children. However, in public Rossetti often stated that it was intended for children, and went on to write many children's poems." So, which is it?Source: https://en.wikipedia.org/wiki/Goblin_Market The drawing for this episode is by Dante Gabriel Rossetti, for the Goblin Market by Christina Rossetti.

Step into the vibrant world of soul music as we embark on a captivating journey with the legendary Swamp Dogg, an iconic figure whose career has shaped the landscape of American music for over six decades. In this episode of takin' a walk, host Buzz Knight engages in a heartfelt conversation with Swamp Dogg, who, at 83 years young, shares his insights from a life steeped in creativity and resilience. Discover the magic behind his latest album, Swamp Dogg Contemplates the Afterlife, and delve into the stories that have defined his artistic journey. As we stroll through the memories and milestones of Swamp Dogg's illustrious career, he reflects on the influences that have shaped his unique sound and the importance of fun in his creative process. With a sense of humor and a wealth of wisdom, Swamp Dogg recounts his early days in the music industry, honoring the legacy of his contemporaries while celebrating his role as one of the last first-generation soul musicians. This episode is not just a walk down memory lane; it’s a vibrant tapestry of music history, filled with anecdotes about collaborations and the deep relationships he has cultivated with fellow artists. Swamp Dogg’s thoughts on life, death, and legacy resonate deeply, as he compares his aspirations to those of classical giants like Bach and Beethoven. This episode of takin' a walk is a treasure trove of music storytelling, weaving together the intricate threads of songwriter stories and the emotional healing that comes through music. Listeners will be captivated by the inspiring music stories and the creative journeys that unfold in this rich conversation. Join us for a delightful exploration of music history and the art of songwriting as we celebrate the legacy of an iconic musician. Whether you're a lifelong fan of soul music or new to the genre, this episode promises to enlighten and entertain. Tune in to hear Swamp Dog's infectious spirit and passion for music and culture—a true testament to the power of creativity and the stories behind the songs that have shaped our lives. Don't miss this chance to walk alongside a legend and gain insights that will inspire your own music journey. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

The work of history's greatest composers resonates through the centuries, inspiring us with passionate expressions of music at its finest. And quite often, those symphonic masterpieces informed the work of great visual artists too. Numerous examples include Bach and Rubens, Mozart and Reynolds, Beethoven and Constable. But what inspired these maestros when they sat down to create these great works? For many, their work expressed the heart and voice of God, who they believed was the ultimate Creator. Join Horizon for MAESTROS, revealing God's beauty through music and art.

**Clay Edwards Show – FAFO Friday: Florida Burglars Get Decades in Prison + Fake Cop Car Warning (Ep #1,225)** On this FAFO Friday, Clay launches a brand-new weekly segment called “The Weekender” — your one-stop guide to all the best live music and events happening across Central Mississippi. He recaps a fun listener appreciation night at Beethoven's Boardwalk, admits he was wrong about YouTube moderator “Little Nikki” being a guy, and drops a strong FAFO award on two Florida men — Victor Ogiste (35 years, no parole) and Ramone Davis (40 years) — who drove up from Fort Lauderdale and got busted for smashing car windows and burglarizing multiple vehicles at Burn Bootcamp in Madison during the 5 a.m. workout class. Clay sits down with Noah Sullivan of H&H Chief Sales in Carthage to talk about their 4th-generation family business, truck upfitting, trailers, and their new line of affordable electric golf carts and side-by-sides. He also runs down the weekend's top events (The Weeks at Martin's Livingston, Velcro Pygmies at Beethoven's Boardwalk, Molly Ringwalds and Arena Rock Show at Pearl City Park, Make-A-Wish Rodeo, etc.) and rants about multiple major acts pulling out of the Trump administration's America 250 / Freedom 250 concert after agreeing to perform. Plus, Clay issues a serious warning about a local guy driving a white Dodge Charger decked out to look like an undercover police car — lights, antennas, the works — and tells listeners: **do not pull over for anyone unless they have blue lights**. Full episode available now @savejxn on YouTube & X (Ep #1,225)

This week, world renown bluegrass and old-time music virtuosos and educators Tony Trischka & Bruce Molsky recorded live at the Ozark Folk Center State Park's annual Arkansas Old-time Fiddle & Banjo Championships. Also, performances from the 2025 contest champions, fiddler Gwyneth Davis of Petit Jean Mountain, AR and banjoist Erik Brashers of Eureka Springs, AR. Each year, the Ozark Folk Center State Park hosts the Arkansas Old-time Fiddle & Banjo Championships. Competitors ranging in age from eight to eighty come from all over to test their skills and possibly be crowned a champion. World class musicians are brought in judge these contests and also perform on the Folk Center's evening concert. At the 2025 contest we were honored to have as our judges and performers, Tony Trischka & Bruce Molsky. Tony Trischka was born in Syracuse, NY and raised in a home filled with music. There were broadway scores and a sweeping range of classical music, from Stravinsky to Beethoven. The wide-open American vistas of Aaron Copland had an especially potent spiritual and visceral impact on him, as did the folk music his left-leaning father held dear. The Almanac Singers, the solo work of its founding members Woody Guthrie and Pete Seeger, and Lead Belly's children's lp were in constant rotation. Trischka fell in love with the banjo by way of the Kingston Trio's 1959 recording of “M.T.A.,” and was able to experience the New York-centered folk revival by trekking to the Newport Folk Festival in the early to mid-'60s. He moved to the city in the early '70s and hit the ground running, settling in among a peer group of extraordinary musicians who saw American roots music as a thriving, living language that could be expanded and combined with other influences and sensibilities. - https://www.tonytrischka.com/bio Grammy-nominated, described as “an absolute master” (No Depression), Bruce Molsky transports audiences to another time and place, with his authentic and personal interpretations of rarities from the Southern Appalachian songbook and other musical traditions from around the globe. Best known for his work on the fiddle, Bruce's banjo, guitar and his distinctive, powerful vocals also resonate with listeners. His combination of technical virtuosity and relaxed conversational wit makes a concert hall feel like an intimate front porch gathering.  Bruce's take on tradition has landed him in collaborations with some of the world's most highly respected players from roots to rock. https://brucemolsky.com/bio In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1985 archival recording of a notable contest fiddler from the past, Alison Krauss, performing the traditional tune “Gardenia Waltz,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the etymology of the name Ozark.

This is JK! Games! — the gaming podcast where we bring you the news and reviews we care about.Welcome back to One More Game, our monthly video game book club series where we break down games together at your pace and dive deep into the moments, themes, characters, and anything else that stuck with us after credits.This month's One More Game is Mixtape, the musical narrative adventure from Beethoven and Dinosaur and Annapurna Interactive. From skateboarding through dreamy suburban streets to awkward teen memories...Mixtape feels like looking through your yearbook.Before our full review, we also build our own personal “Mixtapes” by picking songs that defined our high school experiences.Timecodes:00:00:00 - Start00:08:18 - Our Mixtapes00:26:40 - What did we expect?00:37:40 - Best Character?00:44:20 - What stood out first?00:54:20 - Is it like Life is Strange?01:02:20 - Depression and Great Story Telling01:11:00 - Fourth Wall is broken01:15:00 - Dino Park01:18:20 - Cabin Stash01:23:43 - Slater's Room01:31:30 - Party Time!01:38:35 - End Scenes and thoughts01:48:44 - Final ReviewSupport the showJK! Games! is a weekly gaming podcast where we bring you the news and reviews we actually care about.Our recurring play-along series — One More Game — is our version of a video game book club. We choose one title, set checkpoints, and break it down over multiple episodes.You can:• Play at your own pace• Stay spoiler-light• Or dive deep with usWhether you're Easy Mode or Expert, you belong in the conversation.Join our Discord to play along and share your theories each week.Want to show us some love? Click Me!DiscordTwitch YoutubeInstaBsky

My guest this week is the actor Oliver Platt. You know him from The Bear, Chicago Med, The Three Musketeers, Beethoven, The West Wing, Frost/Nixon — honestly, the list goes on forever. He's one of those rare actors who somehow exists in every lane at once: beloved by movie people, television people, theater people, and apparently menswear guys too. We talk about growing up as the son of a diplomat, moving from Hong Kong to Japan to Washington D.C., discovering acting as a survival mechanism, early days in New York with Stanley Tucci and Hank Azaria, body image, GLP-1s, Paul Smith, Japanese denim, heritage workwear, and why sometimes you need to “give yourself the fuzzies.” * Sponsored by Bezel - the trusted marketplace for buying and selling your next luxury watch Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pax, Rob, Michael, and Evan return to the lounge to talk about hitchhiking, Mortal Kombat II, The Devil Wears Prada 2, giving money to people on the street, music videos, Agatha Christie's Seven Dials, Rob's Disney cruise, Hacks, and Beethoven's 6th.  

Today's Mystery: A man asks Simon to investigate a case where a talented pianist's life is endangered by Beethoven, but then is murdered himself.Original Radio Broadcast Date: June 18, 1950Originating from HollywoodStarring: Vincent Price as Simon Templar; Alice Frost; Fritz Feld; Tony Barrett; George NeiseSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day: BookGeek28, Patreon Supporter since December 2021Support the show on a one-time basis at http://support.greatdetectives.netMail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Former Sheriff Keith Lovin — the man who helped capture Olympic Park bomber Eric Rudolph — joins No Sanity Required for Part 1 of a powerful two-part series. From growing up in western North Carolina to surviving deadly shootouts, high-risk manhunts, and split-second decisions under fire, Keith a.k.a. Bumper shares the real stories behind a lifetime in law enforcement. This episode offers a firsthand look at the realities of police work, the pressure of leadership, and the moments that stayed with him long after the sirens faded.Rudolf, Beethoven, and The Chainsaw ManSend us Fan MailPlease leave a review on Apple or Spotify to help improve No Sanity Required and help others grow in their faith. Click here to get our Colossians Bible study.

Bienvenue dans cette édition spéciale du podcast Sticky Notes en français ! Aujourd'hui, nous parlons de la symphonie la plus célèbre du monde, et de la symphonie que nous allons interpréter à Lille les 21, 22 et 23 mai, la 5e symphonie de Beethoven. Et veuillez me pardonner pour toutes les erreurs de prononciation dans ma deuxième langue ! Bonne écoute ! »

Big Ben recaps the opening chapter of his week-long Commonwealth crusade and the Maller Odyssey to Maine as only the Beethoven of B.S. can. This edition of the Fifth Hour Podcast features lighthouse lore, a Monet moment, the zombie-apocalypse starter kit, paying double for parking, McDonald’s Happy Meal Buckets, the Hype Man from Hell, and preparing for atmospheric reentry turbulence. Add in bachelor parties, naval victories, random roadside adventures, and the inside skinny from behind the microphones, and you’ve got essential weekend listening for the Maller Militia. A must-download travel log packed with chaos, comedy, oddball characters, and classic Benny Brightside storytelling. Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/grpodcast/the-fifth-hour-with-ben-maller/id1478163837 #BenMallerSee omnystudio.com/listener for privacy information.

Thank you to Jerry for sponsoring today's episode on Patreon! Goethe's Faust is considered to be the greatest work of German literature. This sprawling, 2-part play occupied Goethe's life for nearly 60 years, from its original version, begun in 1772, all the way to Goethe's final revisions before his death. It inspired just about every Romantic era composer who came after it, including Beethoven, Schubert, Schumann, Brahms, Berlioz, Gounod, Mahler, and our subject for the show today, Franz Liszt. Liszt, who was in many ways the world's first pop star, was initially skeptical of Faust, saying that he couldn't relate to the eponymous main character of the play. He wrote: "Faust's personality scatters and dissipates itself; he takes no action, lets himself be driven, hesitates, experiments, loses his way, considers, bargains, and is interested in his own little happiness." But slowly, Liszt began to be taken in by this remarkable play and decided to try his hand at a reflection on it, writing a massive, 3-movement, 75-minute-long symphony that never attempts to tell the story of Faust, but instead reflects on the psychological nature of the 3 central characters: Faust, Gretchen, and Mephistopheles (the Devil). A lot of English-speaking listeners will know this as the story of a man who sold his soul to the devil, but for Goethe it was much more than that, and it was for Liszt as well. I've never talked about Liszt on the show, because frankly I've never been in love with his music. But this is one of the great things that these Patreon-sponsored episodes can do — help me discover pieces that I've never come across before. So today, we're going to talk about Liszt, Faust, and then take a stab at some of the greatest moments in this symphony. We'll talk about thematic transformation, a technique Liszt essentially invented and which is a vital part of understanding this piece.