Podcasts about Ludwig van Beethoven

durée : 01:27:53 - En pistes ! du lundi 15 décembre 2025 - par : Emilie Munera - Découvrez les mille facettes de cet artiste inclassable, interprète de Beethoven, fanatique de jazz, et aussi compositeur, à travers un grand coffret regroupant tous ses enregistrements, des années 40 aux années 90. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:53 - En pistes ! du lundi 15 décembre 2025 - par : Emilie Munera - Découvrez les mille facettes de cet artiste inclassable, interprète de Beethoven, fanatique de jazz, et aussi compositeur, à travers un grand coffret regroupant tous ses enregistrements, des années 40 aux années 90. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

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Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

Cerramos el año 2025 con un programa dedicado a Beethoven por la conmemoración de su nacimiento y la Navidad. Con compositores contemporáneos del músico y algunas obras navideñas, deseamos a nuestros oyentes una feliz Navidad y un maravilloso 2026.

durée : 00:02:53 - Charline explose les faits - par : Charline Vanhoenacker - Le budget de la sécurité sociale a été voté à 13 voix près. Aïe aïe aïe, ça porte malheur, il faut revoter ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:02:58 - Charline explose les faits - par : Charline Vanhoenacker - Le budget de la sécurité sociale a été voté à 13 voix près. Aïe aïe aïe, ça porte malheur, il faut revoter ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

On sait peu de choses sur l'enfance de Freddie Mercury. Du moins par lui. Le chanteur se confiait très peu à la presse et même aux amis, sur ses années de Freddie Bulsara.Bulsara ? Tiens c'est le nom des deux Indiens qui se sont un jour pointés après un concert de Queen demandant à le voir, ils disaient qu'ils étaient ses cousins. Et alors ? Ben, il a refusé de les voir. Est-ce pour faire un trait sur les traumatismes qu'il a vécus ? Freddie était un enfant de bons bourgeois de Zanzibar, cette terre africaine paradisiaque en bord de mer, le père était un fonctionnaire de l'empire britannique. Mais une révolution a tout fait s'écrouler : en quittant précipitamment son poste, Bomi Bulsara et sa famille ont tout perdu. De privilégiés en Afrique, ils sont devenus des riens du tout à Londres où ils ont débarqués après avoir tout abandonné derrière eux. Les voilà devenus des Pakis comme les autres, eux qui sont pourtant issus d'une très ancienne communauté. Mais le premier traumatisme, Freddie l'avait vécu bien plus tôt. C'est celui de l'abandon, du grand départ alors qu'il était encore enfant, pour un internat indien élitiste : soixante jours de voyage au milieu des années 50 pour l'amener au milieu de la jungle, en altitude, dans un collège où il va selon ses dires, devoir soudain grandir terriblement vite pour assurer ses arrières. Port de l'uniforme, lever à six heures, coucher à 21.30, devoirs le soir, inspection dans la cour de récréation, coiffure, uniforme, Freddie a vraiment intérêt à faire tout ce qu'on lui demande. Un collège avec son inévitable attirail de harcèlements divers et variés, celui de Freddie est tout trouvé, on l'a surnommé Bucky, comme Bugs Bunny, à cause de ses dents de lapin. Un harcèlement tellement épuisant qu'il prend des cours de boxe où il excelle. Mais quand elle l'apprend, sa mère prend peur, écrit au directeur et Freddie se retrouve devant une table de ping-pong pendant les heures de gymnastique.Heureusement qu'il y a la chorale une fois par semaine et puis les cours particuliers de piano où il se montre excellent. Il est vrai que tout petit, à Zanzibar, Freddie restait des heures devant le pick-up à écouter des symphonies de Beethoven, concertos pour piano de Mozart et même, des cantates de Bach. Mais Freddie ne montre pas d'excellentes prédispositions que pour la musique, il y a aussi la poésie et le dessin. Il écrit et dessine partout et tout le temps. Comme ce jour que sa tante, celle qui vit près de son internat, n'est pas prête d'oublier. Freddie arrive en effet près d'elle et lui offre un dessin représentant deux chevaux pris dans une tempête au bord de la mer. C'est magnifique. Mais qu'est-ce que c'est, Freddie ? Ma sœur et moi, répond-il. Il n'en dira pas plus, Freddie est très réservé. Mais pas asocial, non. A l'école, il s'est entouré d'un petit groupe, comme si, en quête d'affection, il cherchait à se recréer un environnement familial.

Welcome back to When Words Fail Music Speaks, the show that explores how music can lift us out of depression, anxiety, and everyday struggles. In today's episode, host James Cox—your “professional handicapped” guide to the power of sound—sits down with Grammy‑winning arranger, composer, and multi‑instrumentalist Fletch Wiley.We dive deep into Fletch's remarkable story: a childhood trumpeter from Seattle who chased his dream to the University of North Texas, survived a battle with drugs, found a life‑changing conversion to Christianity in 1971, and has since devoted his talent to ministry, touring the world with his wife under the Heart and Art initiative.From the nuts‑and‑bolts of jazz—Fletch's recommendations for newcomers (Chuck Mangione, Kirk Whalum, Chris Bodie) and his take on the “all‑wrong‑notes” myth—to the art of arranging across genres (worship, film scoring, children's music, theater, and big‑band projects), the conversation reveals why he believes jazz is “the highest form of music” because it demands real‑time improvisation, listening, and technical mastery.Listeners will also get practical tips for getting into jazz, a behind‑the‑scenes look at his global benefit concerts (Turkey, Egypt, Albania, Nigeria, South Africa), and a few lightning‑round fun facts that showcase his personality—favorite coffee, dream super‑band lineup, the instrument that would complain the most, and the single piece that moves his soul (Beethoven's 2nd Movement of the 7th Symphony).Whether you're a seasoned jazz aficionado, a country‑music lover, or simply searching for the therapeutic resonance of melody, this episode offers inspiration, humor, and a heartfelt reminder that music really does speak—and can heal. Tune in, settle in, and let Fletch Wiley's story and wisdom harmonize with your own journey.

It’s time to meet another crucial figure from within “The Nanny” universe - a second child actor supervised by Fran Drescher: Nicholle Tom! She played Maggie, the older sister of the Sheffield family, but you may know her from another family - one that rescued a lovable Saint Bernard named Beethoven. Nicholle shares her memories from auditioning for The Nanny, and what happened when the casting director with the “weird voice” turned out to be the star of the show. Plus, Nicholle reveals how they go the canine stars of Beethoven in-line…right here on a wild Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

Epstein maintained a public account on Spotify, and his playlists — created between roughly 2011 and 2015 — show a strikingly broad and eclectic taste in music. His selections ranged from classical (including Ludwig van Beethoven) to jazz (notably Oscar Peterson), Broadway show tunes, gospel, pop, rock, and even contemporary club-style hits. His playlists featured songs by major artists such as Aerosmith, Led Zeppelin, The Who, The Doors, Elton John, Céline Dion, Billy Joel, Bob Dylan, The Beach Boys, and Pitbull. Beyond music, the account also contained a comedy-album by Louis C.K. — illustrating that Epstein's public streaming activity extended beyond just songs.However, analysts and reporters have pointed out that some songs on Epstein's playlists carry lyrics or themes that — in the context of what's later known about him — read as disturbing or even alarmingly suggestive. For example, his playlists included tracks like Hot for Teacher by Van Halen (a song that has been criticized for its sexualized and somewhat predatory undertones), and My Heart Belongs to Daddy an older jazz number by Oscar Peterson that many interpret as featuring a troubling adult-child dynamic. Observers contend that while a playlist alone doesn't prove intent or wrongdoing, those particular song choices — when viewed with the rest of the evidence in Epstein's history — add a deeply unsettling and ironic dimension to how he publicly presented himself.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

The post Singer, songwriter and composer for television and film, Randy Edelman. Some of Randy’s best known film scores include Twins, Ghostbusters II, Kindergarten Cop, ‘Beethoven, The Distinguished Gentleman, Gettysburg, Angels in the Outfield, The Mask, Pontiac Moon, The Indian in the Cupboard, and Dragonheart Live on Tape With Peter Trabucco 11-29-25 appeared first on WWDB-AM.

Ok, last time we roll over Beethoven! Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Kinek komponálta Sosztakovics az I. (a-moll) hegedűversenyét, és hogyan kapcsolódik a XX. századi orosz történelem és a szovjet hatalom a műhöz?És mi köti össze Beethoven monumentális III. szimfóniáját az említett hegedűversennyel, továbbá saját korának politikájával, és főleg, Napóleonnal?Hózsa Zsófia vendége ezúttal Mácsai János zenetörténész volt.Hallgassátok szeretettel!

From holiday cheer to explosive national news, this episode dives deep:

Ludwig van Beethoven - Symphony No. 3 “Eroica”: 3rd movementCologne Chamber OrchestraHelmut Muller-Bruhl, conductorMore info about today's track: Naxos 8.551229Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

We've decided to "class up" the joint today with some fine classical music. Well, not exactly -- our laughs this time out come from accomplished composer, conductor, and musician Peter Schickele -- better known to comedy fans as PDQ Bach. Peter was a musical prodigy who attended both Swarthmore College and Julliard and who started his career as a songwriter and film composer. Just for fun, Peter started a series of humorous concerts, taking on the persona of PDQ Bach -- the youngest and oddest son of the famed composer. PDQ shows and albums drew inspiration from Spike Jones, using oddball instruments and sound effects to punctuate well known classical numbers. Later in life, Peter started a well-regarded public radio program (The Schickele Mix), but he also kept releasing PDQ material -- winning four consecutive Grammy awards in the 1990s. As always, find extended clips below and thanks for sharing our shows! Want more PDQ Bach? Who doesn't like the"bunny hop" song? Well, maybe PDQ after his effort to supply a little percussion to the song. https://youtu.be/KzPtPoTgvNM?si=OM41uX5ZiW3nE0ST PDQ Bach was known for playing shall we say "unusual instruments" and he was a favorite of the Smothers Brothers. Put the two together and you have this clip from the Smothers Brothers Comedy Hour. https://youtu.be/cZu3iaEPMA4? Peter Schickele noted that his PDQ incarnation was heavily influened by musical comedy madman Spike Jones and the pedigree shows in this clip -- a version of Beethoven's Fifth Symphony -- narrated as if it were a sporting event. https://youtu.be/WR4CdKSeD-E?si=DwYiFs0mkHE7qHok

durée : 01:28:47 - Radu Lupu, concerts inédits - par : Philippe Cassard - A l'occasion du 80ème anniversaire de la naissance du grand pianiste, Decca publie un coffret de concerts inédits embrassant 32 années de sa carrière. Des oeuvres de Haydn, Mozart, Beethoven, Schumann, Chopin, Moussorgsky, Bartok etc. que Radu Lupu n'a jouées qu'en public. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:37:07 - Radu Lupu, concerts inédits - par : Philippe Cassard - A l'occasion du 80ème anniversaire de la naissance du grand pianiste, Decca publie un coffret de concerts inédits embrassant 32 années de sa carrière. Des oeuvres de Haydn, Mozart, Beethoven, Schumann, Chopin, Moussorgsky, Bartok etc. que Radu Lupu n'a jouées qu'en public. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A SP Chamber Orchestra realizará em 19 de dezembro, no Teatro B32, em São Paulo, um concerto de Natal com a nona sinfonia de Beethoven.A maestra Giovanna Elias, que criou a orquestra em 2022, comentou sobre a apresentação no Papo Antagonista.Duda Teixeira e Madeleine Lacsko comentam:Papo Antagonista é o programa que explica e debate os principais acontecimentos do   dia com análises críticas e aprofundadas sobre a política brasileira e seus bastidores.     Apresentado por Madeleine Lacsko, o programa traz contexto e opinião sobre os temas mais quentes da atualidade.     Com foco em jornalismo, eleições e debate, é um espaço essencial para quem busca informação de qualidade.     Ao vivo de segunda a sexta-feira às 18h.    Apoie o jornalismo Vigilante: 10% de desconto para audiência do Papo Antagonista  https://bit.ly/papoantagonista  Siga O Antagonista no X:  https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais.  https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344  Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

durée : 01:29:09 - Une heure et plus, un compositeur : Ludwig van Beethoven - par : Aurélie Moreau - Né à Bonn en 1770, Beethoven s'installe à Vienne pour se former auprès de Haydn et s'imposer comme pianiste et compositeur. Il est très vite frappé par la surdité, mais transforme ce handicap en moteur créatif, donnant naissance à des œuvres qui révolutionnent la musique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

By request, a rebroadcast of 2024's Thanksgiving "Turkeys" episode! Here are some genuine piano "turkeys" to consider, or perhaps to avoid, with links below:For Valery Afanassiev's Beethoven, check out Victor Carr, Jr.'s review: https://www.classicstoday.com/review/review-11451/. For commentary about Rita Bouboulidi's Beethoven Sonata cycle, visit this link: https://www.good-music-guide.com/community/index.php?topic=23626.0

Fritz Kreisler - Rondino on a Theme by BeethovenTakako Nishizaki, violin Jeno Jando, pianoMore info about today's track: Naxos 8.550306Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Il 23 novembre Israele ha ucciso il capo militare di Hezbollah in un attacco a un edificio alla periferia sud di Beirut, che secondo le autorità libanesi ha causato cinque morti. Con Cyrille Nême, giornalista, da Beirut. ll 20 novembre il procuratore generale spagnolo Álvaro García Ortiz è stato condannato dalla corte suprema a due anni d'interdizione dai pubblici uffici per rivelazione di segreto d'ufficio. Con Mariangela Paone, giornalistaOggi parliamo anche di:Ucraina • "Rifugiati sottoterra" di Vadym Petrasjukhttps://www.internazionale.it/magazine/vadym-petrasjuk/2025/11/20/rifugiati-sottoterraDisco • Víkingur Ólafsson, Opus 109 (Beethoven, Bach, Schubert)Ci piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan ZentiCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Taubheit inspiriert Genialität… Mach's dir bequem und kuschel dich ein! Dieser Podcast wird durch Werbung finanziert. Infos und Angebote unserer Werbepartner: https://linktr.ee/EinschlafenMitPodcast Hier geht's zum Wikipedia-Artikel. Der Artikel wurde redaktionell überarbeitet: https://de.wikipedia.org/wiki/Ludwig_van_Beethoven CC BY-SA 4.0 Hosted on Acast. See acast.com/privacy for more information.

D66 en CDA schrijven aan hun toekomstagenda. Jaap Jansen en PG Kroeger kijken naar die toekomst, de kansen, zorgen, vernieuwingen en sterke kanten van ons land in de komende decennia. Dat doen ze in deze aflevering samen met Rekenkamerpresident Pieter Duisenberg en oud-minister van Financiën, nu burgemeester van Eindhoven Jeroen Dijsselbloem. *** Deze aflevering is mede mogelijk gemaakt met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! Ben je op zoek naar een geweldig matras? Ga naar mattsleeps.com, en gebruik de kortingcode bronnen voor een extra verrassing korting bovenop de huidige acties bij Matt Sleeps! Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend ons een mailtje en wij zoeken contact. *** Pieter Duisenberg is kritisch op de staat van ’s Rijks financiën. Het kabinet-Schoof laat een ‘niet-complete begroting’ na. "De spreadsheets kloppen, maar ontsporing dreigt op termijn." En verantwoording van de belastinginkomsten en hun grondslag krijgt het parlement eigenlijk nooit. Hij valt oud-staatssecretaris Marnix van Rij – te gast in aflevering 546 - nadrukkelijk bij: pak in de formatie meteen de sanering van de fiscale regelingen aan. Daarmee is zo'n €35 miljard 'vrij te spelen'. Jeroen Dijsselbloem hoopt dat de nieuwe generatie leiders aan het Binnenhof ‘zin heeft in hervormingen’. "Die €35 miljard, dat moet je zeker doen. Werk er direct samen aan, die eruit te peuren. Dat ontlast meteen ook de Belastingdienst." Hij valt informateur Sybrand Buma bij, dat aandacht voor de uitvoerbaarheid van Haagse regels cruciaal is. Beiden zijn kritisch over het recente beleid. "Er is ingezet op consumptie, niet op de noodzakelijke investeringen waarop IMF, Europese Unie en het rapport-Draghi aandringen," stelt Duisenberg. Volgens Dijsselbloem kloppen de cijfers van de begroting wel en lijkt het of ons land er goed voor staat, maar de productiviteitsgroei stagneert en het onderwijsniveau zakt gestaag terwijl andere landen indrukwekkende verbeteringen laten zien. "We hebben ooit in Europa afgesproken dat we 3 procent van het bnp aan R&D moeten besteden. We halen nauwelijks 2 procent. Onze buurlanden presteren hier fors beter." Hij pleit voor een langdurig investeringsoffensief, waarbij consumptieve 'koopkracht-gerelateerde' uitgaven door het kabinet in de hand gehouden worden. Bitter noteert hij dat lange termijn investeringen zijn weggesneden, bijvoorbeeld om de benzineaccijns wat langer laag te houden. “De Nederlandse staatsschuld is maar 45 procent van het bruto nationaal product. Dat is laag, daar zit ruimte in. We mogen van Europa naar 60. Duitsland zit op 80. Je kunt met mij een goed gesprek voeren: moeten wij ook niet naar 80 procent. Het verdienvermogen van de Nederlandse economie raakt snel achterop als er niet drastisch geïnvesteerd wordt. Gerichte lange termijn investeringen in kennis, onderwijskwaliteit, infrastructuur wakkert groene groei aan. Dat verhoogt onze welvaart en houdt de voorzieningen op peil. Tegelijkertijd moeten dan wel andere uitgaven, zoals de zorgkosten, goed in de hand gehouden worden." Volgens de Rekenkamerpresident heeft Nederland de afgelopen jaren ‘teveel ingezet op consumptie en niet op investeringen’: “Dan ga je steeds verder achteruit. We hebben in Nederland vijf of tien operaties-Beethoven nodig. Of wat Thorbecke al deed: vijf of tien Nieuwe Waterwegen.” Dijsselbloem vindt dat een nieuw kabinet op korte termijn de energiebelasting voor het bedrijven omlaag moet brengen naar het niveau van Duitsland. Bedrijven kunnen internationaal anders niet goed concurreren. De oud-minister van Financiën hoopt op een hervormingsgezind meederheidskabinet waaraan ook zijn eigen partij GroenLinks-PvdA deelneemt. Hij begrijpt niet waarom de VVD regeren met GroenLinks-PvdA uitsluit. “Sommige van de meest succesvolle kabinetten waren met VVD en PvdA.” Duisenberg, lid van de VVD, wil zich niet mengen in de politieke keuze van zijn partij, maar volgt de redenering van Dijsselbloem en voegt er aan toe: “VVD en PvdA hebben goed samengewerkt en in het parlement ook met GroenLinks. Voor de grote uitdagingen is brede samenwerking nodig.” Als oud Tweede-Kamerleden hebben ze tips voor de net-aangetreden nieuwe Kamerleden. Duisenberg: “Leer goed waarnemen, los van je eigen dossiers. Vraag aan een oude rot hoe je een debat moet lezen.” Dijsselbloem raadt aan van elke portefeuille iets te maken, hoe gering het onderwerp ook lijkt. “En je leert het meest en het snelst van meedoen aan concrete wetgeving.” *** Verder luisteren 507 - Het strenge oordeel van Rekenkamerpresident Pieter Duisenberg https://art19.com/shows/betrouwbare-bronnen/episodes/19fb3651-29be-49dd-854b-eeb65ec692ff 423 – Eerst zien, dan geloven – Rekenkamerpresident Pieter Duisenberg over de controle op de rijksuitgaven https://art19.com/shows/betrouwbare-bronnen/episodes/f46ed50e-b5e7-430e-958f-8db017ce8d38 540 - Verkiezingscampagne 2025: waar het veel te weinig over ging https://omny.fm/shows/betrouwbare-bronnen/540-verkiezingscampagne-2025-waar-het-veel-te-weinig-over-ging 112 - Snels en Sneller: Tweede Kamer moet uitgaven strenger controleren https://art19.com/shows/betrouwbare-bronnen/episodes/7e5a5628-abe2-437e-99dd-deebf7abe085 533 – Een nieuw belastingstelsel. Leuker kunnen we het niet maken, eenvoudiger wel https://omny.fm/shows/betrouwbare-bronnen/533-een-nieuw-belastingstelsel-leuker-kunnen-we-het-niet-maken-eenvoudiger-wel 493 - Het belastingkaartenhuis wankelt https://art19.com/shows/betrouwbare-bronnen/episodes/8e0d7872-9be8-439b-94cc-911bf8f7509e 537 – De kracht van de vijf Nederlandse zeehavens https://omny.fm/shows/betrouwbare-bronnen/537-de-kracht-van-de-vijf-nationale-zeehavens 525 –Wat Brainport Eindhoven ons leert en hoe we onze economie nóg toekomstbestendiger kunnen maken https://omny.fm/shows/betrouwbare-bronnen/525-wat-brainport-eindhoven-ons-leert-en-hoe-we-onze-economie-n-g-toekomstbestendiger-maken 471 - De verduurzaming is Nederlands grootste verbouwing ooit https://art19.com/shows/betrouwbare-bronnen/episodes/e5cdb7b1-3c0a-4bb7-b180-ce3955e93887 512 – Hoe onderwijs, bedrijven en overheden samen de arbeidsmarktkrapte bestrijden https://art19.com/shows/betrouwbare-bronnen/episodes/da589da5-3d17-468f-9fcf-536388414e67 516 – Files op het elektriciteitsnet: de energietransitie dreigt slachtoffer te worden van het eigen succes https://art19.com/shows/betrouwbare-bronnen/episodes/54ccc73e-4200-4dbc-87c8-213c70e97491 490 – Duitslands grote draai. Friedrich Merz, Europa en Nederland https://art19.com/shows/betrouwbare-bronnen/episodes/8bac6adf-1b0e-49f1-8a4a-8340c99c6db3 421 - Bewonderd en gevreesd. De memoires van Wolfgang Schäuble https://art19.com/shows/betrouwbare-bronnen/episodes/d3971f5a-5150-4a6b-8739-b44b308a84e8 446 - Doe wat Draghi zegt of Europa wacht een langzame doodsstrijd https://art19.com/shows/betrouwbare-bronnen/episodes/7af41d6c-1463-4010-94df-a702f6f5cf08 427 - Europa wordt een grootmacht en daar moeten we het over hebben https://art19.com/shows/betrouwbare-bronnen/episodes/84273d61-0203-4764-b876-79a25695bed1 45 - Caspar Veldkamp: Griekenland van Tsipras naar Mitsotakis https://art19.com/shows/betrouwbare-bronnen/episodes/db3f639d-61a3-49c9-875a-3fd0f9ce521a 02 - Jeroen Dijsselbloem en Coen Teulings over de Eurocrisis https://art19.com/shows/betrouwbare-bronnen/episodes/c2624e4e-7ba4-4177-85e7-ca71c2947621 *** Tijdlijn 00:00:00 – Deel 1 00:31:41 – Deel 2 01:15:11 – deel 3 01:36:12 – EindeSee omnystudio.com/listener for privacy information.

SCTV's Dave Thomas talks about making bold life choices, growing up in Canada, Shakespeare saving his ass, choosing between big money success as an ad man or being a broke improviser at Second City, becoming head writer on SCTV, Martin Short, Dan Aykroyd, Harold Ramis, John Candy, Catherine O'Hara, Eugene Levy, Joe Flaherty, Andrea Martin, Grace Under Fire, running an animation studio, turning to dramas like Bones and The Black List, going to Ukraine, Thailand, Mad Magazine, The McKenzie Brothers, Chester Hope, and how, to make it in Hollywood, you need at least two of these three things, Talent, Drive, & Luck. Bio: David William Thomas was born May 20, 1949, in St. Catharines, Ontario. He is the eldest son of British parents, Moreen Duff Muir (May 4, 1928 – May 18, 2022), a church organist for thirty years originally from Glasgow, Scotland and composer of church music, and John E. Thomas (1926–1996), a medical ethicist from Merthyr Tydfil, Wales who was head of the Philosophy Department at McMaster University, and the author of several books. Dave's younger brother, Ian Thomas, is a Canadian singer-songwriter. The family moved temporarily to Durham, North Carolina, where his father attended Duke University and earned a PhD in philosophy. The family moved back to Dundas, Ontario, in 1961, where Dave attended Dundas District high school, and later graduated with an honours Bachelor of Arts degree in English literature from McMaster University in Hamilton, Ontario.[1]  Starting his career as a copywriter at ad agency McCann Erickson in 1974, Thomas became the head writer of the Coca-Cola account in Canada within a year. After watching a Second City stage show in Toronto, and while suffering from self-described "boredom" in his advertising work, he auditioned for the Second City troupe and was chosen as a performer.[2] He was a cast member of the Toronto production of Godspell, along with Victor Garber, Martin Short, Eugene Levy, Gilda Radner, and Andrea Martin.[3] Paul Shaffer was the musical director.[3 He first achieved fame as a cast member of the Canadian TV comedy series SCTV, joining Godspell castmates Levy, Martin and later Short, plus Rick Moranis, John Candy, Harold Ramis, Catherine O'Hara and others. Notable characters on the show include Doug McKenzie of beer-swilling brothers Bob and Doug McKenzie, editorialist Bill Needle, Scottish scone-chef/bluesman Angus Crock, motor-mouthed TV ad announcer Harvey K-Tel, Lowery organist/curio pitchman Tex Boil and the "Cruising Gourmet". Thomas's first film role was in Home to Stay, directed by Delbert Mann, in which Thomas played in a scene with Hollywood legend Henry Fonda. He then wrote, co-directed, and starred in the Bob & Doug McKenzie feature film Strange Brew. Soon after, he wrote for and acted in The New Show, produced by Lorne Michaels during his hiatus from Saturday Night Live. Short-lived, this show featured a powerhouse writing staff including Thomas along with Buck Henry, George Meyer, Jack Handey, Al Franken, Tom Davis, Valri Bromfield and Steve Martin. Thomas tried his hand at network television hour-long shows in 1986 when he wrote and co-executive produced Steel Collar Man for CBS. The pilot was produced but did not go to series. He co-wrote Spies Like Us (1985) with Dan Aykroyd.  In 1988, Thomas wrote another hour long show for CBS, B Men, which was back ordered, but Thomas took a directing job at Paramount, which caused the network to drop the series. He reportedly introduced John Travolta and Kelly Preston while directing them in the Paramount film The Experts.  He wrote for, produced, and starred in The Dave Thomas Comedy Show (1990). In 1991, he starred in the Showtime comedy, Public Enemy #2. In 1992, he tried his hand at reality TV and co-executive produced ABC's America's Funniest People with Vin Di Bona, but left after thirteen weeks to appear in the film Coneheads.  In 1993, he co-starred in ABC's Grace Under Fire with Brett Butler and Tom Poston and continued with the show for 5 seasons. In 1995 Thomas starred in the ABC television film Picture Perfect with Mary Page Keller and Richard Karn. In 1995 Thomas produced a pilot of a game show called Family Challenge for ABC. When ABC did not pick up the series, Thomas sold Family Challenge to the Family Channel, where he produced 144 episodes of the show spread over 2 seasons. In 1996, Thomas played the title role in the Fox television film Mr. Foster's Field Trip aka Kidz in the Wood with Julia Duffy. In 1996, he wrote the book SCTV: Behind the Scenes (McClelland & Stewart, publishers). From 1999–2002, he voiced various roles on the animated series Mission Hill. Thomas co-starred in the Paramount feature Rat Race. As of 2001, Thomas has been the Executive Creative Director of Animax Entertainment, an animation studio based officially in Culver City, California. In 2001–2002 Thomas appeared with Eugene Levy and Martin Short on Short's show Primetime Glick as Bob Hope (an impression he had first developed for SCTV with great success). In 2002, he co-starred with Jason Priestley, Dave Foley, and Ewen Bremner in Fancy Dancing. The next year he played a lead role in Beethoven's 5th. In 2003, he directed a hospital comedy feature film entitled Whitecoats, which he also wrote. As of 2004, Thomas was on the official Advisory Committee for the Comedy program at Humber College, the only such diploma program in the world. In 2004, he and Moranis again worked together voicing Rutt and Tuke, two moose based on the McKenzie Brothers, in Disney's animated feature Brother Bear.[4]  Thomas has had a long career doing voices for animation including Animaniacs, Duckman, CatDog, The Adventures of Tarzan, Justice League and multiple roles on The Simpsons, King of the Hill and Family Guy. In 2005, he had a guest stint as Charlize Theron's "Uncle Trevor" on Fox's Arrested Development. In 2006, he reprised his voice role in Brother Bear 2 and appeared as himself in the feature film The Aristocrats. He began production on ArnoldSpeaks.com, a video blog, as the voice of Arnold Schwarzenegger; Animax Entertainment won an Emmy for a broadband animated series produced for ESPN, Off Mikes.  In 2007, Thomas and Rick Moranis reprised their roles as Bob and Doug McKenzie in a one-hour special, Bob & Doug McKenzie's Two-Four Anniversary, for CBC Television. The show featured cameos from McKenzie celeb fans like Ben Stiller, Dave Foley, Tom Green, Paul Shaffer, Andy Dick, Matt Groening, Barry Pepper, Martin Short, and Geddy Lee. Former Prime Minister of Canada Paul Martin was the host. In 2008, Thomas revived Bob and Doug McKenzie in a new animated series, Bob & Doug. While Thomas reprises the character of Doug in the new series, Moranis chose not to voice the character of Bob, which instead is voiced by Dave Coulier. Moranis is, however, involved in the series as an executive producer.[5]  In November 2009, Thomas received an Honorary Doctor of Letters from his alma mater McMaster University and gave the fall convocation speech. In 2010 Animax continued to produce branded entertainment, advertising and digital shorts for corporations like Disney, Warner Brothers, NBC Universal, and Kodak. In 2011, Thomas's company Animax produced another animated show for MTV entitled Big Box along with numerous Internet shorts such as Life With Dad.[6][7]  In 2012 and 2013 Thomas guest starred in the dramatic shows Perception and Bones as well as comedy shows Comedy Bang! Bang! and How I Met Your Mother. In addition in 2013 Thomas voiced the recurring role of Jeff Foxworthy's father Jesco in the CMT show Bounty Hunters.  Thomas joined the writing staff of the Fox crime drama television series Bones beginning in 2013. Thomas worked for two seasons on Bones, writing several episodes and working on staff as consulting producer for two seasons.[8]  In 2015 Thomas joined the writing staff of NBC's The Blacklist as a consulting producer. In 2020 life-sized statues of Thomas and Rick Moranis as their characters Bob and Doug McKenzie were put in place at the ICE District Sports Arena in Edmonton, Alberta.[9] Also in 2020, the Governor-General of Canada announced that Thomas was being appointed to the Order of Canada,[10] Canada's highest civilian award. In 2021, Thomas and Max Allan Collins teamed to write a sci-fi mystery novel, The Many Lives of Jimmy Leighton.

This week is all poetry—our first all-poetry week of the Immersive Humanities project! After struggling through young Werther, I decided I needed to step back and understand Romanticism as a movement. I offer a brief review of the history leading up to Romanticism; after all, most movements are reactions against what precedes them. The printing press and Protestant Reformation blew open European thought, leading to centuries of philosophical upheaval. Empiricists like Bacon and Hume insisted that knowledge must be tested; rationalists like Descartes and Spinoza trusted pure reason. Kant eventually tried to unite both. Their world gave rise to the Enlightenment—and then came the Romantics, pushing back with emotion, imagination, and nature.That's the world our poets wrote in. This week I used Pocket Book of Romantic Poetry and read Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats (skipping Novalis and Hölderlin). I loved some poems, disliked others. Blake's mystical, anti-Christian tone left me cold. Wordsworth's childhood wonder won me over. Coleridge's Rime of the Ancient Mariner shocked me--it's gripping, almost epic. Byron was brilliant, scandalous, and endlessly readable. His Prisoner of Chillon might have been my favorite poem of the week. Shelley felt dreamlike and visionary, while Keats, to me, seemed talented but young. What did the world lose when he died?Reading these poets in their historical context changed everything. They're passionate, experimental, and surprisingly radical—not quaint! We are missing out when we resort to tired anthologies to get to know these poets--something that I didn't expect to feel so strongly about! Paired with Beethoven's Pastoral Symphony and Chopin's preludes, this week was a revelation.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)That cool Medieval Science Book The Genesis of Science by James HannamCONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts -

In the spirit of giving thanks, we wanted to say thank you to everyone with a VINTAGE re-release of The Early Years of SNL that celebrates an episode of Saturday Night Live that originally aired 50 years ago this week. This episode of SNL comes only six weeks into the show's existence and yet the Lily Tomlin-hosted affair is one of the very best of the show's first season.The show is just beginning to see the reward for recurring bits as Chevy Chase's Gerald Ford and Landshark both make their return to the program, as does Garrett Morris' “News for the Hard of Hearing.” We also get original material in the form of John Belushi's Beethoven impression, a commercial parody for "Spud Beer," and the legendary "Hard Hats" sketch. Lily even makes The Muppets bearable!This episode was originally released on May 2nd, 2023.---------------------------------Subscribe today! Follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps, Major League Soccer, Canadian Premier League, and World Cup chat. Vancouver Whitecaps are heading to a MLS Western Conference Final showdown with San Diego after a momentous victory over LAFC in their semi-final this past weekend. We delve into all of the highs, the lows, and the drama of that match and the shootout win, the fallout from it, and look ahead at what's to come, with a MLS Cup final at BC Place still a possibility. We also look at the demise of Winnipeg CPL side Valour FC, who announced this week that they are folding after seven years in the league, and what it might mean going forward. Plus we look at an exciting latest round of World Cup qualifiers and speculate on the pots and what the best draw for Canada and Scotland at next year's tournament would look like. Music-wise, Camper van Beethoven continue their residency as our Album of the Month, we've a Britpop song from Pulp, a song from The Stone Roses to pay tribute to Mani and one in Wavelength to mark the 20th anniversary of George Best's death. Here's the rundown for the main segments from the episode: 01.26: Intro - a week to remember, traitors talk 10.55: Wasteful LAFC pay the penalty against nine-man Whitecaps 61.55: Whitecaps-LAFC fallout and what's next 85.25: The Death of a Football Club - the demise of Valour FC 114.55: World Cup qualifiers bring drama to very end 133.30: What's your ideal World Cup draw? 143.00: Wavelength - The Devoted - I Love George Best

durée : 01:27:39 - En pistes ! du mardi 25 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Quatuors de Beethoven, Nocturnes de Chopin, Concerto italien de Jean-Sébastien Bach... toutes vos œuvres préférées sont ce matin dans En Pistes ! Sans oublier le Concerto en sol de Ravel dans une nouvelle version d'Anna Fedorova. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:39 - En pistes ! du mardi 25 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Quatuors de Beethoven, Nocturnes de Chopin, Concerto italien de Jean-Sébastien Bach... toutes vos œuvres préférées sont ce matin dans En Pistes ! Sans oublier le Concerto en sol de Ravel dans une nouvelle version d'Anna Fedorova. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

SALIERI: Recitativo y aria de Emilia “Eccomi ppiu che nai… Amor, pietoso amore” (Escena 14, Acto II, de Il Ricco d’un giorno) (5.43). Recitativo y aria de Rinaldo “E non degg’io seguirla… Lungi da te… Forse, chi sa veranno… vieni me sull’alli d’oro” (Escena 2, Acto II de Armida) (9.54). C. Bartoli (Sop.). Ochestra of the Age of the Enlightenment. Dir.: A. Fischer. Concierto para piano y orquesta en Si bemol Mayor (24.34). A. Staier (fortep.), Concerto Köln. BEETHOVEN: Ejercicios en declamación italiana para Salieri (selec.) (Ma tu tremi, Fra tutte le pene). (2.46). C. Klopsch (sop.), A. Pilzecker (con.), J. Vogt (ten.).Escuchar audio

Neste episódio, somos convidados a refletir sobre a importância da dialética como ferramenta filosófica essencial para o autoconhecimento, o amadurecimento humano e a convivência social. A partir de um diálogo entre o professor Cristiano Born, da Nova Acrópole de Porto Alegre são exploradas as diferenças entre dialética, retórica e mito — três formas distintas, mas complementares, de comunicação e construção de sentido. A dialética é apresentada como um caminho para o desenvolvimento da consciência por meio da busca da verdade, o questionamento de crenças e o exercício interno de reflexão. Diferente da retórica, que visa à persuasão, e do mito, que recorre ao símbolo e à intuição, a dialética é vista como uma prática que une teoria e ação, pensamento e transformação. Ao longo do episódio, abordam-se questões fundamentais como: o diálogo interior, a importância da humildade filosófica, o papel da introspecção no cotidiano agitado das grandes cidades e o valor de pequenos hábitos que cultivam a consciência. As referências ao pensamento de Sócrates e Platão enriquecem a conversa, destacando o sentido de evolução presente na filosofia clássica. Este episódio é um convite a resgatar o diálogo autêntico — consigo mesmo, com o outro e com a vida — como expressão natural da busca filosófica e da realização humana. Participantes: Cristiano Born e Pedro Guimarães Trilha Sonora: Symphony No. 4 in B-flat major, Op. 60 – Adagio – Allegro Vivace, de Ludwig van Beethoven

Katy Hamilton's personal recommendation of Beethoven's String Quartet no.15 in A minor.

Following on from the release of ‘Side A' of Episode 121, which is available on RSS feeds and YouTube, Player 1 vs The World's StrangeCast is now back with the ‘Side B' part of the show. The Lost Records Journal co-hosts Adnan Riaz and Adam Evalt continue their discussions around several different topics, including Life Is Strange and Lost Records: Bloom & Rage co-creator Michel Koch and Beethoven & Dinosaur's Mixtape getting delayed into 2026.

The Canadian crime fiction writer Louise Penny has sold more than 18 million books around the world – and she was a late starter: she was 45 when her first book appeared, after working for two decades as a broadcaster and journalist. Success as a fiction writer came quickly: her first novel Still Life won numerous awards, and introduced Chief Inspector Armand Gamache, who works in rural Quebec. Louise has just published her 20th book featuring Gamache: in The Black Wolf, he's taking on a powerful conspiracy attempting to make Canada the 51st state in a fight over natural resources.Louise's music includes works by Beethoven, Michael Nyman, Bach and Neil Young.Presenter Michael Berkeley Producer Clare Walker

Rafa Panadero relaciona Beethoven con... ¿Deep Purple? El amigo secreto se atreve con las primeras notas de 'Tainted love' cantada por Soft Cell.

Todaywe're looking at Ephesians 4:1-3. The first 16 verses of this chapter is aboutthe unity, the unity of the body of Christ, the church. Having unity in thechurch that shows forth to the world that we are one in Christ. We love oneanother. Jesus had told His disciples, "By this shall all men know thatyou are my disciples because of your love for one another" (John13:35). To truly love one another means will manifest itself in unity. We setaside our differences, our preferences, and out of God's love and reservoir ofHis great endless love, we are now able to forgive one another, love oneanother, and have unity in the church. Inthese first 16 verses, we see four very important things about this unity. Inverses 1-3, we see the grace of this unity. Then we see in verses 4-6, theground of unity. How that we are one in spirit, one in body, one in theFather, one in the Son, one in baptism. Then we'll see in verses 7-11, thegifts of unity. The gifts of the body of Christ that He has given us that enablesus to serve one another and to work together. Then in verses 12-16, we see thegrowth of unity, as we grow into the fullness of Christ. Meaning we areChristlike in our attitude toward one another. We're Christlike in our attitudetoward the lost world around us. Having the heart of Jesus that shows forth thematurity of the Christian believer. AsI was studying for this chat this morning, I couldn't help but think if I as apastor again, I would not just recommend, I would require every new churchmember, indeed every church member, to read Ephesians 4 over and over again,almost memorize it. Nowthis unity is so important. What we must remember is, unity is not uniformity.Unity comes from within. It's a spiritual grace. While uniformity is the resultof pressure from without. The real church is not everybody dressing alike,looking alike, sounding alike, talking alike. You see some churches like that.That's not the real church. The real church is diversity with unity. Unity withdiversity. We have old people with gray hair, white hair, sitting there lovingJesus, loving the children, loving the young couples. We see the young couplesand the children loving the old people. We see the people that like and preferthe Christian contemporary music loving the people that like the Beethoven typeof Christian music. And vice versa. We are people that get along with eachother despite our differences. This is “the unity of the Spirit in the bondof peace” as we read in these first three verses. Remember in verse 1, Paultells us to, "Walk worthy of the calling by which you werecalled." What were we called to?  We are called to unity.  Thenin verses 2-3, we see how that is possible. With all lowliness, gentleness,with longsuffering, bearing with one another in love, endeavoring to keep theunity of the Spirit in the bond of peace. Here we see seven differentattributes or graces of this unity that we should be experiencing in ourchurches. The first one is “with all lowliness”. The other word for “lowliness”is humility. We humble ourselves. We prefer one another over the other, andover ourselves. It means we put Christ first in our lives. And because we putHim first in our lives, others around us are being loved, and ourselves are putlast. Real JOY is Jesus first, Others second, and Yourselflast.  Oh,my friend, may God help us to pray that we have that unity in our churchestoday. The sad thing is that so many churches today have a reputation of a handfulof people running and ruining the church. Always making problems that causesdisunity that destroys the love of Christ in the body of Christ and destroys ourwitness and testimony to the world around us.  MayGod speak to our hearts today through these verses to help us all go back toour churches and endeavor to have this unity in the body of believers in ourlocal church!

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps and Major League Soccer chat and interviews and we're joined by special guest co-host Global TV and CKNW's Asa Rehman. The countdown to the big Whitecaps-LAFC MLS Western Conference semi-final continues. We look ahead to the match with Asa and hear the thoughts of LAFC head coach Steve Cherundolo ahead of the game, and he's already trying to put pressure on the referee! We also chat with Whitecaps Sebastian Berhalter and Emmanuel Sabbi about the match, and former Whitecap and Korean national team legend Lee Young-Pyo drops by to talk about his time in Vancouver, the game with LAFC, the threat and impact of Son Heung-min in the league, and how MLS is seen in South Korea. We also talk some more on the big changes coming to the MLS schedule and we bring you the full press conference from MLS Commissioner Don Garber about the changes to the schedule and the Apple TV deal. Music-wise, Camper van Beethoven continue their residency as our Album of the Month, we've a Britpop songs from Autopop, and on a momentous week for the Scottish national team, a song to match it in Wavelength. Here's the rundown for the main segments from the episode: 01.17: Intro 05.33: Whitecaps vs LAFC preview with Asa Rehman 39.25: Sebastian Berhalter interview and discussion 45.22: Emmanuel Sabbi interview and discussion 49.57: LAFC's Steve Cherundolo talks Whitecaps vs LAFC 60.50: YP Lee talks Whitecaps, MLS, and the threat of Son 74.10: MLS schedule change chat with Asa Rehman 88.45: Don Garber's media call on MLS schedule change 114.55: Wavelength - Randolph's Leap - They Never Saw Us Coming

ReferencesGuerra, DJ. 2025. Unpublished LecturesJ Exp Clin Cancer Res. 2022; 41: 100. Beethoven, LV. 1811. 7th Symphony in A Major. OP 92.https://music.youtube.com/watch?v=Rd0HnxWm5CY&si=ejhdE_hNQ-057Viu

Reinterpreting centuries-old classical music, marking up symphonies with notes on phrasing, and turning mid-performance disasters into unforgettable moments with Carlos Miguel Prieto, a music director and conductor. How do you get an orchestra to pick up the tempo? (Spoiler: Not by waving your hands faster.) And how does a performance of Beethoven's Fifth sound different today from a century ago?WANT MORE EPISODE SUGGESTIONS? Grab our What It's Like To Be... "starter pack". It's a curated Spotify playlist with some essential episodes from our back catalogue. GOT A COMMENT OR SUGGESTION? Email us at jobs@whatitslike.com FOR SPONSORSHIP OPPORTUNITIES: Email us at partnerships@whatitslike.com WANT TO BE ON THE SHOW? Leave us a voicemail at (919) 213-0456. We'll ask you to answer two questions: 1. What's a word or phrase that only someone from your profession would be likely to know and what does it mean? 2. What's a specific story you tell your friends that happened on the job? It could be funny, sad, anxiety-making, pride-inducing or otherwise. We can't respond to every message, but we do listen to all of them! We'll follow up if it's a good fit.

Live from the Cheltenham Literature Festival, Rachel Parris joins Dan, James and Andy to discuss baboons, breakouts, Beethoven, and bottom stainers. Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.  Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon