Podcasts about Ludwig van Beethoven

We're relaunching Let It Roll by reposting every episode in chronological order by subject matter. In this episode, host Nate Wilcox welcomes Norman Lebrecht author of "Why Beethoven: A Phenomenon in One Hundred Pieces." Nate asks Norman about Beethoven's innovative business practices, his conflicts with royalty, his opposition to the sexual mores of imperial Vienna and more. This episode originally aired in 2022. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Mozart'ın saraydan dövülerek atılması neden normaldi? Bach'ın belediye memurluğundan Beethoven'ın prenslerini mahkemeye verdiği güne uzanan üç kuşaklık bir kopuşu izliyoruz. Maaş bordrosundan telif hakkına giden bu yolda "bağımsız sanatçı" fikrinin nasıl icat edildiğini inceliyoruz. Bu bölümde: (00:00) Intro (02:39) Bağımsız Sanatçı Diye Bir İcat (06:26) Babasını Dirilten Oğul (09:58) Tarihin İlk Freelancer'ı (14:14) Sopalarla Dövülen Yazar (18:10) Deha Fikrinin Doğuşu (21:16) Prensleri Mahkemeye Vermek Sunan: Barış Özcan Yapımcı: Podbee Media Tüm bölümler, videolar ve daha fazlasına Podbee App ve podbee.com'dan ücretsiz olarak ulaşabilirsiniz. Bu bölüm reklam ve sponsorluk içerebilir.

At age 16, violinist Ariana Kim made her debut with the St. Paul Chamber Orchestra and at age 24, she was appointed acting concertmaster of the Louisiana Philharmonic.  Ariana made her New York recital debut at Carnegie's Weill Hall during her doctoral studies at Juilliard and she is now a tenured professor at Cornell University.  Equally devoted to contemporary and long-established literature, Ariana held a 10-year position with the New York New Music Ensemble Ne(x)tworks and she is currently in her 19th season with The Knights. The 2024-2025 season brought a 6-performance residency at the Minneapolis Institute of Art, and she gave a rare performance of Bartok's Violin Concerto No. 1 at Jordan Hall in Boston with the Cornell Symphony.  Her solo album, (un)common thread, explores improvisation through the lens of Mozart and Beethoven sonatas alongside world folk music, with collaborators Roger Moseley (fortepiano) and Shane Shanahan (percussion) was recently released on Tiger Turn Records.  

Wer war Elise? Jeder kennt das Klavierstück, aber niemand weiß, wer ihm seinen Titel gab. Wir ermitteln.

Hour 1: Donna Mills is proving you can be a sex symbol in your 80s. Rumors are swirling that Keith Urban and JLo aren't starting something romantic. Enjoy the heatwave this weekend. The new ‘Ted Lasso' is almost here. ‘Futurama' and ‘It's Always Sunny' are still kicking. The hard drive with Nick Cage's next movie was stolen from the Netflix offices. Here's what The Smithereens and Taco Bell have in common. Remember when the co-hosts of Good Morning America got caught cheating together? Hour 2: It's time for Bad Advice! An update on the three-way that went way too far. Then, a neighbor nightmare from Sarah's sister. Why do Apples make other fruit go bad? The lettuce drama is STILL a mystery. Vinnie says it's time to give up on Mars, but Sarah could not disagree more. What's the most interesting part about your local fair? Hour 3: Olivia Wilde and Cooper Hoffman star in a new movie this weekend called “I Want Your Sex.” Gronk is telling us the details off the raffle at Taylor Swift's wedding. Women are sharing everyday struggles men are oblivious to. Women gain a super power as they age - invisibility! It's county fair season which means it's unique fried food season! Hour 4: Ariana Grande's new album is out today. Ciara from ‘Summer House' is starring in Shaboozey's new music video. Cardi B reduced the size of her booty, but not by that much. Harry Styles caused a woman to abandon her baby. Vinnie's humor has been keeping him out of trouble for decades. Never trust your visual aids. Beethoven's heart might have been the secret to his success. Being high isn't going anywhere. Plus, How Old Is That Guy?

Ariana Grande's new album is out today. Ciara from ‘Summer House' is starring in Shaboozey's new music video. Cardi B reduced the size of her booty, but not by that much. Harry Styles caused a woman to abandon her baby. Vinnie's humor has been keeping him out of trouble for decades. Never trust your visual aids. Beethoven's heart might have been the secret to his success. Being high isn't going anywhere. Plus, How Old Is That Guy?

Bach, Beethoven und Mozart waren Meister einer Kunst, die heute in der Klassik kaum noch jemand beherrscht: der Improvisation. Warum die Spontaneität aus der klassischen Musik verschwunden ist - und was Helge Schneider damit zu tun hat.

Con David Gómez Peris | Viajamos hasta Viena, solo con billete de ida. Una ciudad donde los cafés guardan conversaciones de artistas y la música parece surgir de cada rincón. A través de la obra de Strauss, Mozart y Beethoven, nos adentramos en un retrato sonoro donde conviven el esplendor imperial y la memoria de generaciones enteras. Desde el Danubio Azul hasta la Oda a la Alegría, descubrimos cómo una ciudad convirtió la música en su forma de vida. Bienvenidos a Solo Billete de Ida, el programa de Clásica FM para viajar con la música como guía.

Antes de convertirse en el compositor admirado por generaciones y en el entrañable "Papá Haydn", Joseph Haydn fue un joven que debió abrirse camino con talento, disciplina y una inagotable capacidad de reinventarse. En este episodio de Música, cultura y sociedad recorremos sus primeros años para descubrir cómo se forjó la personalidad artística de quien transformó para siempre la música occidental. Una invitación a conocer al hombre detrás del mito y a entender por qué su legado marcó a contemporáneos como Mozart y al joven Beethoven, y sigue resonando hasta nuestros días

Local Musician Angela Zanders is raising money for next year's festival marking the 200th anniversary of Beethoven's death, by walking 100 miles; so far £1700 raised. Between January and November next year, in St Peter's Church, there will be 10 recitals, concerts and talks about Beethoven; author and journalist, John Suchet will be speaking, and the final concert in November is the South Downs Camerata Orchestra conducted by Jonathan Willcocks. Speaking to Mike Waddington, Angela talks about the festival and what it celebrates. There will be activities for schools too and one of the recitals is part of the Petersfield Musical Festival in March. Angela is also appealing for volunteers to lend a hand. Angela Zanders – Professional pianist, lecturer and pianist Crowdfunding For Good From JustGiving See omnystudio.com/listener for privacy information.

What do birds and Beethoven have to do with banknotes? Tune in to find out! In this episode, we also talk about door handles designed by Dieter Rams and Nike's new slides that can warm your feet. Enjoy! :)

Are you classical-curious but don't know where to start? Our roundtable of experts share some tips on where to start.Broadcast on Tuesday, Jul. 28, 2026, at noon; rebroadcast at 7 p.m.Have questions, comments or tips? Send us a message or check us out on Instagram.

VOV1 - Beethoven hay chim bói cá? Đó là lựa chọn mà hàng triệu người dân khu vực đồng euro sẽ cùng đưa ra trong đợt tham vấn do Ngân hàng Trung ương châu Âu (ECB) khởi động nhằm quyết định diện mạo mới của đồng tiền chung châu Âu.

Pianist Alice Sara Ott andis pikema intervjuu enne Pärnu Muusikafestivali teist lõppkontserti ning rääkis, milliseid riske tuleb Beethoveni muusika esitamisel võtta.

Dalla scoperta del canto lirico quasi per caso fino al debutto sui palcoscenici e all'ingresso nel Teatro Lirico di Cagliari: Eleonora Chighine racconta il suo percorso artistico fatto di studio, emozioni e sacrifici Eleonora Chighine ha trasformato una passione nata quasi per caso in un percorso artistico costruito con impegno e determinazione. Ospite di Unica Radio, la giovane cantante lirica ha ripercorso le tappe più importanti della sua formazione, raccontando le emozioni dei primi concerti, gli anni di studio e gli obiettivi raggiunti. Un viaggio che dimostra come talento e sacrificio debbano procedere insieme per affrontare il mondo dell'opera. La scoperta del canto tra pianoforte e musica classica L'amore per la musica accompagna Eleonora Chighine fin dall'infanzia. Pur non provenendo da una famiglia di musicisti, cresce in un ambiente dove la musica classica è sempre presente. Da bambina ascolta grandi interpreti come Maria Callas, Luciano Pavarotti e il celebre Trio dei Tenori, mentre il pianoforte diventa il suo primo vero strumento di studio. Il punto di svolta arriva durante l'esame di ammissione al Conservatorio. Una docente nota le qualità della sua voce e la invita a sperimentare il canto lirico. Da quel momento prende forma una nuova prospettiva artistica. Parallelamente frequenta con costanza il teatro, senza perdere un'opera, fino a scegliere di lavorare come maschera pur di assistere agli spettacoli e respirare da vicino l'atmosfera del palcoscenico. Il debutto di Eleonora Chighine e la sfida del palcoscenico Il primo concerto resta uno dei ricordi più intensi della cantante. Dopo appena un anno di studi viene chiamata a interpretare "Ah! Perfido" di Beethoven accompagnata dall'orchestra del Conservatorio. L'emozione, racconta, era enorme. L'ansia di sbagliare e la paura di non essere all'altezza l'hanno accompagnata fino agli ultimi istanti prima dell'ingresso in scena. Poi, una volta iniziata l'esibizione, ogni timore ha lasciato spazio alla musica. Gli applausi del pubblico e il sostegno del direttore d'orchestra hanno trasformato quella serata in un momento che ancora oggi custodisce con particolare affetto. Un'esperienza che le ha dato la consapevolezza di voler continuare su questa strada. Studiare il canto lirico richiede costanza Durante l'intervista viene approfondito anche il percorso necessario per intraprendere una carriera nel canto lirico. Oggi il sistema dei Conservatori è cambiato rispetto al passato e prevede corsi propedeutici, un triennio accademico e un biennio specialistico, con titoli equiparati alle lauree universitarie. La formazione non riguarda soltanto la tecnica vocale. Gli studenti affrontano materie come solfeggio, armonia, storia della musica, composizione, canto corale e drammaturgia musicale. Terminati gli studi, però, il percorso non si conclude. Concorsi, audizioni, masterclass e accademie rappresentano passaggi fondamentali per costruire una carriera. Secondo Eleonora Chighine, servono resilienza, pazienza e disponibilità ad affrontare sacrifici continui, spesso lontano dalla propria famiglia. Carmen, il ruolo che continua ad affascinare Tra i personaggi che più sente vicini, Eleonora Chighine indica senza esitazioni Carmen di Georges Bizet. Il celebre ruolo di mezzo soprano rappresenta uno dei più complessi dell'intero repertorio operistico. Non si tratta soltanto di una figura seducente e ribelle. Carmen è una donna che rivendica la propria libertà e richiede una forte capacità interpretativa oltre a solide qualità vocali. Per un mezzo soprano il personaggio offre l'opportunità di unire intensità drammatica, presenza scenica ed espressività musicale. Caratteristiche che continuano ad affascinare la cantante ogni volta che ha l'occasione di interpretarlo. I nuovi impegni tra Cagliari e Carloforte Tra le soddisfazioni più importanti degli ultimi mesi c'è la vittoria del concorso che le ha permesso di entrare come artista del coro al Teatro Lirico di Cagliari, dove ha preso parte alla produzione di "Turandot" di Giacomo Puccini. Lo sguardo, però, è già rivolto ai prossimi appuntamenti. Il 24 luglio interpreterà la Baronessa di Champigny ne "Il cappello di paglia di Firenze" di Nino Rota, mentre il 2 agosto debutterà nel ruolo di Suzuki in "Madama Butterfly". Due personaggi molto diversi tra loro che rappresentano un'importante occasione di crescita professionale. L'entusiasmo con cui racconta questi nuovi traguardi conferma la volontà di continuare a costruire il proprio percorso nel mondo dell'opera, affrontando ogni nuova sfida con la stessa passione che, quasi per caso, l'ha portata a scoprire il canto lirico.

The seducer. "I have just met D'Annunzio. Can this be the man the great Duse loved? He is small, he is bald, and his teeth are in three different colours."The warrior poet in a plane over Vienna. "Today I drop words; next time I will drop bombs" Lucy Hughes-Hallett returned to the show to talk about The Pike, her prize-winning biography of Gabriele D'Annunzio (1863–1938): poet, novelist, war hero, serial seducer and proto-fascist. Italy's most celebrated writer since Dante (his own assessment, though not only his), D'Annunzio spent decades scandalising Europe with his writing and his love life before helping to drag Italy into the First World War. Hating the 'mutilated victory' that followed, he took over the town of Fiume and ruled as a mini dictator defying both the Allies and his own government. Mussolini watched and learned.Along the way: an ode to a torpedo, a chest of drawers stuffed with ladies' gloves, a Beethoven concert followed by a mock battle fought with real grenades, half a battleship installed as a garden ornament and the seduction secrets of a man once described as a bulldozer with a scented handkerchief under the pillow.

Die 150. Bayreuther Festspiele starteten mit Beethoven und Wagners „Rienzi“. Michel Friedman sprach über Bayreuths Antisemitismus, Kanzler Merz über den informierten Umgang mit Wagner.

durée : 01:28:48 - par : Aurélie Moreau - Kirill Petrenko, directeur musical du Philharmonique de Berlin, a été nommé à la suite de Sir Simon Rattle qui a vu en lui le chef d'orchestre sans doute le plus profond musicalement de sa génération. Aujourd'hui : Brahms, Schoenberg, Beethoven… - équipe : Cécile Bonnet des Claustres, Yuthou-Diego Hak-Lopes - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Send us Fan MailShow notes:0:00 – Caterina Moruzzi on knowing the needs that standards should respond to1:30 results of the “Authenticity Unmasked” exhibition, part of the CREATEC project sponsored by UK's BRAID (Bridging Responsible AI Divides) and UK Research and Innovation Programme4:00 “Authenticity Unmasked” exhibition with 3 artists responding to how AI is changing authenticity: Georgia Gardner, Kinnari Saraiya, dmstfctn8:00 interdisciplinary aim of BRAID 9:20 “Embracing the Complexities of Authenticity” project13:45 standards should consider the level of diversity and detail creators want included with their work-ex: creator's intent for why they used certain tools 16:30 distributing credit and authorship 17:35 types of authenticity discussed in the Content Authenticities article 19:20 ex: Beethoven 22:40 questions raised by the use of AI to build on works by deceased artists like the Beethoven X: AI project 25:30 Matt Dryhurst and Molly Herdon's project of training AI model on choirs recorded across the UK27:25 change to “originality” definition32:00 US copyright approach and A Single Piece of American Cheese34:40 blockchain use as seen through ORAgen 39:00 pillars of provenance standard – metadata, watermarking and fingerprint41:00 concerns of creatives from economic harm to loss of identity44:00 jurisdictional approaches to generative AI46:50 EU AI Act's mandatory transparency requirements to establish content provenance under code of practice on marking and labeling AI outputs48:45 input of creators on policy like through C2PA community52:45 defining justice for the creative sector: equity of agency and accountability/responsibility 55:40 mark CM hopes to make in her work-to find a proactive approach 59:00 collaborative book project of CM to rethink what the material aspects of creativity mean1:01:00 Stefania Salles Bruins' questions to CM1:03:25 CM: AI versus artistic workshops of artists from Rembrandt to Koons1:07:00 CM: opt out v opt out issues as seen with AI functionality on phones 1:10:00 Emily Gould's comments 1:13:00 AI agents-possible danger of anthropomorphizing AI agents1:16:00 authenticity1:17:00 case study related to responsibility-reporter in war zone who doesn't want certain metadata disclosed as seen with Georgia Gardner's exploration of an author's process when they don't want all info disclosed1:19:20 face value of ‘responsibility' in regard to liability and the ability to receive feedback on your work from the environment such as critics even if you don't disclose your identity1:21:30 what creativity is, what a work of art is1:25:20 SSB: Tolstoy's definition of great art as requiring universality, sincerity and specificityPlease share your comments and/or questions at stephanie@warfareofartandlaw.comMusic by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!This podcast and its content may not be used for training or developing AI systems without permission.© Stephanie Drawdy [2026]

What does it mean to truly experience a work of art? In this episode of The Radicalist, David Volodzko speaks with friend and self-described redneck Jefferson Marks about the importance of set and setting and the unspoken terror of great works of beauty.The conversation moves from Christopher Nolan's The Odyssey and Japanese tea ceremony to the story of a deaf woman hearing Beethoven for the first time, as they discuss whether taste should simply be trusted or deliberately trained, and why humans are so drawn to sublime forces that horrify and dwarf us. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theradicalist.com/subscribe

durée : 01:28:33 - par : Aurélie Moreau - Anne-Sophie Mutter est une interprète magistrale de tous les répertoires. Elle mène une brillante carrière de violoniste, tout en restant attentive au développement de jeunes musiciens. Aujourd'hui : Tchaïkovski, Mozart, Beethoven, Dvořák, Adès… - équipe : Cécile Bonnet des Claustres, Etienne Rouch - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Klassik trifft Natur: Ein Ensemble verwandelt einen Park in einen klingenden Wanderpfad - von Beethoven bis Ennio Morricone entsteht ein poetischer Spaziergang durch Klang, Landschaft und Tradition.

(2:28) A directora da Axencia Galega de Innovación, Carmen Cotelo, preséntanos o programa Nexus de colaboración entre PEMES e centros de coñecemento galegos. (7:25) José Luis Cabarcos (Xerente da Cooperativa Agraria Provincial da Coruña, que está atrás de Bico de Xeado) explícanos o proxecto de innovación Lacteus. (12:43) A dor é moito máis que unha sensación física: é unha experiencia complexa que implica factores psicolóxicos e sociais. Conversamos con María Teresa Carrillo e Alejandro Quiroz do Laboratorio de Cerebro e Dor da USC. Estes expertos desmontan mitos arredor da dor crónica e explican como a educación, o exercicio físico e as novas neurotecnoloxías, como a estimulación eléctrica transcraneal, están a revolucionar o seu tratamento. Coñecemos tamén o proxecto europeo PAINLESS, coordinado desde a USC, que busca opcións non farmacolóxicas para tratar a dor oncolóxica persistente. (45:46) Efeméride do Calendario da Historia da Ciencia de Moncho Núñez. (46:55) Un traballo publicado en Current Biology estuda os pelos de Beethoven para intentar determinar a súa aptitude musical. Julio Rodríguez na súa Bitácora do Beagle advírtenos sobre as limitacións desta clase de estudos xenéticos.

Yetenek doğuştan mı gelir, yoksa sonradan mı gelişir? Deha gerçekten var mı, yoksa kültürel bir efsane mi? Spekülatif'in bu bölümünde Emre Dündar, yetenek kavramını felsefe, nörobilim, sanat tarihi ve eğitim perspektifinden ele alıyor. Antik Yunan'dan günümüze yetenek kavramının dönüşümünü anlatan Dündar; Mozart, Beethoven, Picasso, Leonardo da Vinci, Nietzsche, Schopenhauer, Aristoteles ve Einstein gibi isimler üzerinden deha mitini sorguluyor. Programda çocuklarda yetenek nasıl anlaşılır, üstün yetenekli çocuklar nasıl değerlendirilmeli, genetik mi çevre mi daha etkili, yaratıcılık nasıl gelişir, mutlak kulak (absolute pitch), sanat eğitimi, müzik yeteneği, resim yeteneği, çalışma disiplini ve iradenin başarıdaki rolü gibi birçok konu ayrıntılı biçimde tartışılıyor. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beatrice Nicholas is a British concert pianist and composer. She performs the traditional classical canon, and she composes and arranges, fusing classical and jazz together. She's also a member of the Chineke! Chamber Ensemble, drawn from principal players of the Chineke! Orchestra.On the seventeenth of August, she makes her debut Upstairs at Ronnie Scott's — a set that runs from a straight Beethoven sonata through to jazz-trio reworkings of Chopin and Liszt, alongside Hazel Scott, Lil Hardin Armstrong, Florence Price and Margaret Bonds.

If you think an orchestra only plays Beethoven and Brahms, think again. The Minnesota Orchestra's festival called "Summer at Orchestra Hall" opens Thursday night with a lineup that stretches far beyond the classical canon — from Grammy winning bluegrass musician Chris Thile to jazz singer John Holiday to movie scores from Star Wars and E.T. Grant Meachum is the orchestra's director of productions and engagement and joined MPR News host Nina Moini with details on the festival.

Beethoven als Hitverwerter: Für sein „Gassenhauer-Trio“ nimmt er einen Opern-Ohrwurm, den damals in Wien alle kennen. Heraus kommt Kammermusik mit Publikumsfaktor – leicht, witzig und trotzdem typisch Beethoven. Von Michael Lohse.

Join us in Episode 75 for a conversation with 2025 IHS Punto Award Winner Xiao-Ming Han! Xiao-Ming recently retired from the German Radio Philharmonic Orchestra and returned to his native China to teach at the Shanghai Conservatory of Music. Episode Highlights Growing up in China in the 1960s in a musical family Choosing between music and sports Attending conservatory in Beijing at age 14. Joining the China Philharmonic at age 17. Early meeting with Richard Mackey, replacing Richard Mackey at the last minute on Beethoven's Ninth Symphony conducted by Seiji Ozawa. Leaving China at 18 to pursue horn at Tanglewood and the New England Conservatory. Studying in Germany and winning an orchestral position at the age of 21. Coming back to his roots in Shanghai as a professor to mentor the next generation of players Promoting the IHS in China

Architektur zwischen drei Flüssen, Beethoven zwischen Tradition und Eigenweg: Pianist Mao Fujita spricht im Interview über Passau, Kent Nagano, das Deutsche Symphonieorchester Berlin und seine Suche nach einem ganz eigenen Beethoven-Klang.

Après la défaite de Napoléon de 1814, les monarques européens se réunissent à Vienne pour fêter la paix et la faire durer vingt ans : c'est le tout premier grand congrès diplomatique international. Mais derrière les fastes et les bals, se cachent de vives tensions diplomatiques et des rivalités qui menacent de faire voler en éclats la fragile paix revenue.Franck Ferrand nous plonge au cœur de ce congrès historique, où se croisent les plus grands noms de la politique européenne de l'époque. Alors que l'orchestre de Beethoven joue Fidelio, les diplomates s'affrontent en coulisses pour définir le nouvel ordre continental. Entre la Russie qui convoite la Pologne, la Prusse qui vise la Saxe et l'Autriche qui cherche à préserver son influence, les négociations s'annoncent ardues. Heureusement, les soirées fastueuses organisées par Metternich permettent de se détendre un peu. Mais l'arrivée fracassante de Napoléon, qui a réussi à s'évader de l'île d'Elbe, vient soudain tout remettre en question. Les alliés, à nouveau unis, se lancent alors dans une course contre la montre pour écraser définitivement l'Empereur déchu.Au fil de cet épisode haletant, découvrez les coulisses de ce Congrès de Vienne qui a profondément façonné l'Europe du 19ème siècle. Un moment charnière de l'Histoire, raconté avec la verve et l'érudition qui font le succès des Grands Dossiers de l'Histoire.Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Recorded on Sunday, July 12, 2026. Other scripture cited: Jeremiah 25-29; Hebrews 12:18-29.Support the show

De Richard Wagner qu'il vénérait, Adolf Hitler aura retenu l'antisémitisme viscéral et la musique ensorcelante dont il nourrira son idéologie mortifère.Au cœur de l'Autriche du début du 20e siècle, le jeune Adolf Hitler, âgé de 16 ans, assiste à une représentation de l'opéra Rienzi de Richard Wagner à l'Opéra de Linz. Cette soirée sera un véritable tournant dans la vie du futur Führer, marquant le début d'une passion dévorante pour la musique et l'œuvre du compositeur allemand.Franck Ferrand nous plonge dans ce moment charnière de l'histoire, alors que le jeune Hitler est saisi par la puissance de la musique de Wagner et la dimension mythologique de son opéra. Fasciné par le personnage de Rienzi, le tribun du peuple, Hitler y voit le reflet de ses propres ambitions et d'une mission qu'il s'est donnée : relever l'Allemagne et la conduire vers une grandeur nouvelle. Au-delà de cette révélation musicale, l'émission explore les liens complexes entre Hitler et la musique, et notamment son admiration pour d'autres compositeurs comme Beethoven, Bruckner ou Strauss. Mais elle montre aussi comment le dictateur a tenté d'instrumentaliser la musique à des fins de propagande, sans pour autant réussir à imposer ses propres choix.Avec son sens du récit et sa maîtrise des détails historiques, Franck Ferrand nous offre un éclairage fascinant sur la manière dont la passion d'Hitler pour la musique a façonné son idéologie et son projet politique

We'd love to hear from you! Please send us a Text Message!This 50th Celebrative Podcast Episode features not only songs pertinent to the subject matter, but also whistle-stop visits in a round table discussion with many of the world's great minds, experts on the subject of War & Peace. Come sit at the table with us as we discuss this pertinent subject regarding our world today. Cognoscenti like Mahatma Gandhi, Nelson Mandela, Ernest Hemingway, Herbert Hoover, Bertrand Russell, Martin Luther King, Sir Winston Churchill, Albert Einstein and more. With songs by Bob Dylan, John Lennon and Peter Link.Theater of the Imagination is presented by Watchfire Music:  watchfiremusic.com

Pianist Clare Longendyke is a soloist, chamber musician, and fearless advocate for new music who brings daring repertoire and thoughtful storytelling to the concert stage. Her performances are marked by imaginative programming, charismatic stage presence, and a gift for weaving together contemporary works and classical favorites.In 2024, Clare released her debut solo album, …of dreams unveiled, featuring music by Claude Debussy, Amy Williams, and Anthony R. Green. The album reached #2 on the Billboard Traditional Classical chart and was praised as “a work of remarkable pianistic invention” (The WholeNote) and “delightfully daring” (EarRelevant).A passionate collaborator with living composers, Clare has commissioned more than 30 new works and premiered over 250 pieces in the past decade. Her programs often pair works from the standard repertoire by Beethoven, Debussy, and Amy Beach, to name a few, with today's most compelling musical voices, creating concerts that speak to the depth and vitality of the classical tradition.Highlights of Clare's 2025–26 season include appearances with Symphony New Hampshire, the South Bend Symphony Orchestra, and the Danville Symphony of Illinois. She has appeared on recital series across the country and as a soloist with the Mankato Symphony, Rochester Symphony, and Symphonicity.Clare holds degrees from Boston University (BM) and Indiana University's Jacobs School of Music (MM, DM). Whether from the stage or in conversation, Clare invites audiences into the heart of her artistry—one that builds bridges between tradition and transformation and brings the concert experience vividly to life.@clarelongendyke.pianowww.clarelongendyke.comhttps://www.youtube.com/@ClareLongendykeYour portfolio career is YOURS to design. If you are seeking inspiration, grab the first chapter of my book for FREE at the link below! You are allowed to thrive, and your artistry MATTERS.https://jennetingle.kit.com/c6e4009529Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

We begin with a new bit from Greg called “Where's One Tho?” We listen to the beginning of tracks to try and figure out what beat the song begins on. Pretty straightforward, but not as easy as you think.Songs:Little Richard - “Keep a Knockin”Led Zeppelin - ‘Rock and Roll” (Explanation video)Beethoven's FifthMeshuggah - Combustion (Explanation video)Jay has unearthed the list of all lists. thegreatestmusic.org is a website that aggregates and weights 57 active lists of best albums and songs. Nick & Greg take turns guessing what made the ultimate list of all lists.Song: Captain Beefheart - “Pachuco Cadaver”It's News with Nick! Wilco & Breeders break a world record, Adam Sandler has new gig as a wedding officiant, Canada considers joining Eurovision, and Alabama Shakes announces their first album in 11 years.Song: beabadoobee - “Sun Has Set”

Matthew Ehret is back with roughly 50 slides and zero patience for the AI doom cult, whether they're pitching machines as gods or demons. This episode zooms out from last week's Tesla debate to ask a bigger question: is technological progress really a trade for personal freedom, like the transhumanists insist, or is that just repackaged Malthus with better marketing? Expect a wild tour through mechanical history, from ancient Greek automatons to Vaucanson's pooping duck to a tiger that eats British soldiers, all building toward the real showdown: Edgar Allan Poe versus a fraudulent chess playing machine, and Beethoven versus a music box that tried to steal his symphony. It's part detective story, part music history, and part warning shot at anyone ready to hand over their mind to a "singularity." Come for the automatons, stay for the takedown of Darwin's favorite influence.

1976 was supposed to belong to disco, soft rock, and singer‑songwriters. Yet in the shadows of “Disco Lady,” “A Fifth of Beethoven,” and “Silly Love Songs,” guitar bands were quietly rebuilding what hard rock and metal could be. Boston's basement‑crafted debut exploded onto Epic Records, Thin Lizzy dropped Jailbreak and Johnny the Fox in the same year, and Judas Priest, Scorpions, Rainbow, and Rush started sketching out the next decade of heavy music.In this roundtable, we go deep into the albums of 1976 that still matter for 70s and 80s metal and hard rock. We talk Kiss' double‑punch of Destroyer and Rock and Roll Over, the strange transitional energy of Zeppelin's Presence and Sabbath's Technical Ecstasy, and the way Ramones, Sex Pistols, and Blondie cracked open a punk and new wave future while classic rock giants were already burning out.If you love Boston, Thin Lizzy, Judas Priest, Aerosmith, or any corner where 70s hard rock collides with early punk and European deep cuts, this episode is for you.Highlights:• 02:30: Billboard's 1976 snapshot vs the albums we care about• 12:10: The accidental birth of Johnny the Fox• 24:10: Kiss in hi‑gloss and raw form, in one year• 29:20: Gasolin' and Solid Ground, Scandinavian heaviness in 1976Subscribe to Dig Me Out at digmeoutpodcast.com | Join the community at dmounion.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Have you ever wondered whether that quiet inner voice is genuine guidance... or simply your own hopes and fears talking?In this fascinating conversation, CJ sits down with spiritual teacher and author Gary Temple Bodley and spiritual medium Christy Levy to explore one of life's biggest questions: How do we recognize authentic guidance?Gary shares the remarkable story of how meditation led him into direct communication with a collective consciousness known as Joshua, eventually inspiring him to write four channeled books and launch the Joshua Live podcast. Christy describes her own journey into mediumship, automatic writing, and connecting with spirit guides and historical figures to help others discover greater clarity and purpose.Together they explore a radically different way of viewing reality: that your perspective creates your experience, and that shifting your perspective naturally changes your emotional state, your vibration, and ultimately your life. Along the way, they discuss limiting beliefs, why emotions can serve as guides rather than obstacles, and how curiosity can transform even life's most difficult experiences.The conversation takes a deeply personal turn when CJ asks about living with chronic pain. Rather than asking, "Why is this happening to me?" Gary offers a different perspective, suggesting that pain can become a messenger rather than an enemy when we approach it with openness instead of resistance.Near the end of the interview, Christy offers CJ a spontaneous reading that brings forward the symbolic presence of Beethoven and John Coltrane. Their message moves beyond music into the creative process itself, exploring the relationship between listening, surrender, and following what is quietly calling us forward. In one particularly moving moment, CJ is invited to exchange the question, "Why is this happening?" for a far more empowering one:"Who am I becoming through this experience?"Whether you're curious about channeling, fascinated by consciousness, searching for deeper meaning in difficult experiences, or simply trying to trust your own inner wisdom, this conversation offers thoughtful insights into creativity, healing, perspective, and the possibility that guidance is always available to those willing to listen.Sometimes the answers we're searching for aren't found by thinking harder.Sometimes they arrive when we become quiet enough to hear them.Want to learn more about CJ Miller? Check out his Spiritual Artist Retreats, 1:1 Personal Coaching, and Speaking Engagements at www.spiritualartisttoday.com. His retreats are designed to help you reconnect with your Creative Intelligence and express your true artistic voice. You can also find his upcoming schedule there, and his book, The Spiritual Artist, is available on Amazon.

In the early 1800s, Ludwig van Beethoven was commissioned to compose his Ninth Symphony. It is considered by many to be the zenith of his life's work, a masterpiece of music. Yet, there is a stunning detail often missed in the story of its creation. Beethoven wrote his greatest symphony when he was completely deaf. At its premiere performance on May 7, 1824, he could not hear the orchestra, the chorus, or the thunderous standing ovations from the crowd. He was so oblivious to the applause that a young soloist had to turn him around so he could see the audience's adoration.Beethoven's story is a powerful picture of giving your greatest gift, not for the applause you might receive, but from a deeper motivation. It reminds us that no matter our condition, we have something to give. This is a core principle of the Christian life, one that Jesus addresses directly in the Sermon on the Mount. He knew we would struggle with the tension between wanting to honor God and wanting to be honored by people. In Matthew 6, He gives us the essential framework for practicing great generosity, a discipline that shapes our hearts to look more like His.

Aujourd'hui heureusement ça va mieux, mais pendant longtemps, les gauchers étaient dénigrés et réprimés. On faisait quelques exceptions, par exemple pour des Léonard de Vinci, Michel-Ange et autres Beethoven, mais pour tous les autres la vie n'était pas facile ! Croyances, préjugés, persécutions…d'où ça vient ?Bonne écoute !

Especialista de la UNAM investigarán grietas en Toluca  Tlalnepantla intensifica vigilancia por riesgo de deslaves  La Séptima Sinfonía de Beethoven sonará gratis en el Cenart  Más información en nuestro podcast#grc

**✅ Podcast Description for Episode #1,246 of The Clay Edwards Show** Welcome to Episode 1,246 of The Clay Edwards Show — unfiltered, no sugar added talk radio from right here in Central Mississippi. In the first hour, Clay dives deep into the tragic Senatobia shooting death of 1-year-old Cohen Wiley. He breaks down the mother's highly questionable behavior at the child's funeral, her use of the baby as a human shield during the chaos, and why she should face serious charges including child endangerment and accessory. Clay also exposes the driver of the vehicle, Latoya Farrell, and calls out the online mob threatening the involved police officer. In the **second hour**, Clay is joined by special guest **Tommy Tatum** — January 6 survivor and political prisoner — for a hard-hitting conversation on government corruption, the collapse of the Black family unit since the 1960s, the real history behind the Civil Rights era, Marxist influence on race relations, and why so many tips on Delta corruption come directly from fed-up Black residents. Tommy and Clay also discuss Black Gen X, the Trayvon Martin turning point, and how identity politics destroyed decades of progress. Plus:   - Fourth of July plans and why Clay is taking a long weekend   - Powerful sponsor messages from Live Better Men's Health & Wellness and Grills of Mississippi (world champion ribs!)   - Meatloaf at Martin's, Beethoven's Boardwalk entertainment lineup, and more **Stream the full show now on YouTube, Facebook, X, Rumble, or your favorite podcast app.** **Follow & Support the Show:**   @SaveJXN on all platforms   Text the show: (769) 241-1944 America's 250th is this weekend — strap in for another no-holds-barred episode of reality radio. #ClayEdwardsShow #TommyTatum #J6 #CohenWiley #SaveJXN #Mississippi

**✅ Podcast Description for Episode #1,246 of The Clay Edwards Show** Welcome to Episode 1,246 of The Clay Edwards Show — unfiltered, no sugar added talk radio from right here in Central Mississippi. In the **second hour**, Clay is joined by special guest **Tommy Tatum** — January 6 survivor and political prisoner — for a hard-hitting conversation on government corruption, the collapse of the Black family unit since the 1960s, the real history behind the Civil Rights era, Marxist influence on race relations, and why so many tips on Delta corruption come directly from fed-up Black residents. Tommy and Clay also discuss Black Gen X, the Trayvon Martin turning point, and how identity politics destroyed decades of progress. Plus:   - Fourth of July plans and why Clay is taking a long weekend   - Powerful sponsor messages from Live Better Men's Health & Wellness and Grills of Mississippi (world champion ribs!)   - Meatloaf at Martin's, Beethoven's Boardwalk entertainment lineup, and more **Stream the full show now on YouTube, Facebook, X, Rumble, or your favorite podcast app.** **Follow & Support the Show:**   @SaveJXN on all platforms   Text the show: (769) 241-1944 America's 250th is this weekend — strap in for another no-holds-barred episode of reality radio. #ClayEdwardsShow #TommyTatum #J6 #CohenWiley #SaveJXN #Mississippi

The Minnesota Beethoven Festival is back in Winona for its 19th season, bringing three weeks of classical music performances and events to southeastern Minnesota.The festival, which opened Sunday and runs through July 19, celebrates the music of Ludwig van Beethoven while featuring works by many other composers and performances by musicians from around the world.Ned Kirk, the festival's artistic and managing director, joined MPR News host Nina Moini to talk about how the festival got its start and what keeps audiences coming back year after year.

Benny is back in the audio sweatshop, the SpinMaster of Misinformation, Bantering Broadcaster, Beethoven of B.S. joins show legend, Robbie the Mariners Fan, for the latest edition of the wildly popular Sunday Mailbag. The boys crack open the P1 inbox and tackle everything from peanut butter on burgers, hot dog buns, and a pirate's life to the meteoric rise of IShowSpeed, trashcan madness, Wendy's stock, and the legendary Commodore flip phone. Nothing is off limits as every question gets sliced, diced, grilled, and seasoned with a generous shake of Cajun pepper in another freewheeling edition of the Fifth Hour Podcast. All questions sent in by new listeners & P1's of the #MallerMilitia! Download, subscribe, and remember that sharing is caring (unless it's an STD.) Follow Ben on Twitter @BenMaller and listen to the original terrestrial radio edition of "Ben Maller Show," Monday-Friday on Fox Sports Radio, 2a-6a ET, 11p-3a PT!...Follow, rate & review "The Fifth Hour!" #BenMaller #FSRWeekends See omnystudio.com/listener for privacy information.

Benny is back in the audio sweatshop, the SpinMaster of Misinformation, Bantering Broadcaster, Beethoven of B.S. joins show legend, Robbie the Mariners Fan, for the latest edition of the wildly popular Sunday Mailbag. The boys crack open the P1 inbox and tackle everything from peanut butter on burgers, hot dog buns, and a pirate's life to the meteoric rise of IShowSpeed, trashcan madness, Wendy's stock, and the legendary Commodore flip phone. Nothing is off limits as every question gets sliced, diced, grilled, and seasoned with a generous shake of Cajun pepper in another freewheeling edition of the Fifth Hour Podcast. All questions sent in by new listeners & P1's of the #MallerMilitia! Download, subscribe, and remember that sharing is caring (unless it's an STD.) Follow Ben on Twitter @BenMaller and listen to the original terrestrial radio edition of "Ben Maller Show," Monday-Friday on Fox Sports Radio, 2a-6a ET, 11p-3a PT!...Follow, rate & review "The Fifth Hour!" #BenMaller #FSRWeekends See omnystudio.com/listener for privacy information.

A Note from James:If I could tell my children to read one post of mine, it would be this post.Influence is how they will navigate a world of uncertainty.Robert Cialdini is the most influential person in the world. And by that I mean, he wrote the book Influence, which sold 3 million copies and defines the six critical aspects of all influence.Now he has a new book, Pre-Suasion, going 10x deeper into the concepts of persuasion. I got him on my podcast so I could ask the 1,000 questions I have.Small story from the book:If you name a restaurant “Studio 97” instead of “Studio 17,” people are more likely to tip higher.If you ask a girl for her phone number outside a flower store, triggering feelings of romance, she is more likely to give it to you than if you ask her outside a motorcycle store.And 500 other stories.The environment is just as important as what you say.Before the podcast began, I gave him a book as a gift: The Anxiety of Influence, a history of poetry.What would poetry have to do with influence and marketing?In all art, since the beginning of time, artists have built on the work of the artists of the generation before them.Beethoven depended on a Mozart to be a Beethoven. Picasso depended on a Cézanne. Without Michelson, there would be no Einstein.But poets, for some reason, would deny being influenced.“I never even read Ezra Pound,” shouted one poet at a critic.Poets want to be seen as original.Nobody is 100% original.This is the anxiety of influence.Almost all of our decisions, and even our creativity, are outsourced to the people around us who influence us: peers, teachers, religion, parents, bosses, etc.Our personality is our own particular mishmash of influences.How we deal with that anxiety, how we recognize the influences, learn from them, and build from them, is the birth of all of our creativity.Let me summarize the seven aspects of influence:Reciprocity: If you give someone a Christmas card, they will want to return the favor.Likability: Make yourself trustworthy. For instance, outline the negatives of dealing with you.Consistency: Ask someone for a favor. Now they will say to themselves, “I am the type of person who does James a favor.”Social Proof: If you are trying to get someone to do X, show them that “a lot of your peers do X.” For instance, if you are at a bar and you are a guy trying to meet women, bring your women friends and not your guy friends with you.Authority: “Four out of five dentists say…”Scarcity: “Only 100 iPhones left at this store!”Unity: You and I are the same because of location, values, religion, etc.I've used each of the above in business.They work.They will make you money.The entire purpose of language is to influence.We are not strong animals. We are weak.The language of influence saved us.Probably a word like “Run!” was the first word spoken.A word of influence.And it worked.I'm still running from the things I fear.So speak to influence.Don't speak to call a flower yellow.Speak to breathe spirit into an idea, to be enthusiastic, to convey emotion, to influence.This is the only way to have an impact with your unique creativity.I gave Robert the book as a gift — reciprocity — assuming we would have a great podcast.And we did.But then I thought later, I can't even remember how Robert got on my podcast.I highly recommend his book in the podcast and even in this post.As he got into his car after the podcast in order to go to his next interview, I started thinking:“Hmmm, who influenced who?”Episode Description:Robert Cialdini wrote the book on persuasion — literally. His classic Influence became one of the defining books on why people say yes, how decisions get shaped, and why the smallest cue in the room can change the outcome of a conversation.In this episode from the archive, James talks with Cialdini about Pre-Suasion, the idea that persuasion starts before the actual pitch. It begins with what people notice, what they feel, what is in the environment, and what frame has already been set before the first real ask is made.They talk about flower shops, restaurant names, voting booths, Warren Buffett's shareholder letters, Anwar Sadat's negotiation instincts, and the rabbi who helped save thousands of lives with one sentence. But the episode is not just about marketing. It is about how people make decisions under uncertainty — and how to use influence ethically, whether you are asking for a job, building a business, negotiating a deal, writing a sales letter, or trying to become more trusted.What You'll Learn:Why persuasion often begins before the message — and how small cues in the environment can make people more receptive.How Cialdini's original six principles of influence work: reciprocity, consistency, social proof, scarcity, authority, and liking.Why Cialdini added a seventh principle, unity — the feeling that “we are the same” — and why it can be even stronger than liking.When to use social proof versus authority, and how to decide which kind of evidence matters most in a given situation.Why admitting weakness first can build trust, and how Warren Buffett uses honesty as a persuasion tool instead of a liability.Timestamped Chapters:[00:00] Introduction and episode preview[01:25] Interview begins — James introduces Robert Cialdini and Pre-Suasion[03:12] The flower shop study: why context changes the answer before the question is asked[05:48] Valentine Street and the hidden power of unrelated cues[06:42] Wine stores, voting booths, and fluffy cloud mattresses[08:10] Are humans irrational, or are shortcuts necessary?[10:17] How the pictures on your wall can change what you write[11:36] The six — now seven — principles of influence[12:00] Reciprocity: the Hare Krishna flower example and the power of personalized gifts[16:40] Consistency: Anwar Sadat, Henry Kissinger, and giving people a reputation to live up to[19:30] Cialdini's undercover research with sales organizations[23:30] Social proof: medical no-shows, restaurant menus, and what happens when a message backfires[26:43] Social proof as feasibility: “people like me can do this”[29:07] Authority: when expert endorsement beats crowd validation[33:55] Why companies lose with better products when they fail to frame the decision properly[35:10] Building authority from zero by using honesty and scarcity[37:05] The Avis “We're number two” campaign and the trust value of admitting weakness[38:24] Warren Buffett's shareholder letters and the persuasive power of leading with mistakes[41:30] Unity: Cialdini's seventh principle of influence[44:24] The rabbi, the Japanese tribunal, and the sentence that saved a community[48:30] Applying unity in job interviews, dating, and negotiations[51:10] Loss aversion and how uncertainty changes persuasion[55:00] Why long sales letters can outperform short ones[55:30] Cialdini's practical framework: find what is true, direct attention to it, then make the case[59:00] Fake scarcity and why false urgency destroys trust[65:00] Closing thoughts on ethical influence and genuine specificityAdditional Resources:Robert Cialdini — Influence: The Psychology of Persuasion — Cialdini's classic book on the core principles of persuasion and compliance. Robert Cialdini — Pre-Suasion: A Revolutionary Way to Influence and Persuade — the follow-up book discussed throughout the episode, focused on what happens before the persuasive message itself. Berkshire Hathaway Shareholder Letters — referenced in the episode as a real-world example of trust-building through candor and weakness-first communication. Daniel Kahneman and Prospect Theory — Cialdini references the role of loss aversion and uncertainty in persuasion; Kahneman received the 2002 Nobel Memorial Prize in Economic Sciences for integrating psychological research into economic decision-making. Chiune Sugihara — the Japanese diplomat connected to the story Cialdini uses to explain unity and shared identity. The Avis “We're Number Two” Campaign — discussed as an example of turning a weakness into credibility by being honest before making the positive case.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.