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2 episodes with Three Blind Mice
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2 episodes with Three Blind Mice
6 episodes with Three Blind Mice
Book Vs. Movie: See How They RunThe 1947 Agatha Christie Play (Three Blind Mice) Vs the 2022 Sam Rockwell FilmAgatha Christie's radio play Three Blind Mice was introduced in 1947 and was the basis for 1952's The Mousetrap, the longest-running play in theater history. See How They Run (2022) is a clever, stylish murder mystery set in 1950s London. It blends classic whodunit tropes with a witty, self-referential twist. Directed by Tom George, the film follows world-weary Inspector Stoppard (Sam Rockwell) and eager rookie Constable Stalker (Saoirse Ronan) as they investigate the backstage murder of a Hollywood director who was set to adapt Agatha Christie's The Mousetrap for the screen. Between the original play and the film, did we prefer one over the other? Have a listen to find out!In this episode, the Margos discuss:Agatha Christie's theater productionsThe differences between the play and the movieThe cast includes: Sam Rockwell (Inspector Stoppard,) Saoirse Ronan (Constable Stalker), Ruth Wilson (Petula Spencer), Adrien Brody (Leo Kopernick), Kiernan Hodgson (Harley), Pearl Chanda (Sheila Sim), Gregory Cox (Major Metcalf), Harris Dickinson (Richard Attenborogh), Reece Shearsmith (John Woolf,) David Oyelowo (Mervyn Cocker-Norris) and Charlie Cooper as Dennis Corrigan). Clips Featured:“Dickie Attenborough”See How They Run (2022 trailer)“Show her the ropes.”“Constable's Notebook”“Creative Differences””We are no longer on speaking terms.” Music by Daniel PembertonFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Book Vs. Movie: See How They RunThe 1947 Agatha Christie Play (Three Blind Mice) Vs the 2022 Sam Rockwell FilmAgatha Christie's radio play Three Blind Mice was introduced in 1947 and was the basis for 1952's The Mousetrap, the longest-running play in theater history. See How They Run (2022) is a clever, stylish murder mystery set in 1950s London. It blends classic whodunit tropes with a witty, self-referential twist. Directed by Tom George, the film follows world-weary Inspector Stoppard (Sam Rockwell) and eager rookie Constable Stalker (Saoirse Ronan) as they investigate the backstage murder of a Hollywood director who was set to adapt Agatha Christie's The Mousetrap for the screen. Between the original play and the film, did we prefer one over the other? Have a listen to find out!In this episode, the Margos discuss:Agatha Christie's theater productionsThe differences between the play and the movieThe cast includes: Sam Rockwell (Inspector Stoppard,) Saoirse Ronan (Constable Stalker), Ruth Wilson (Petula Spencer), Adrien Brody (Leo Kopernick), Kiernan Hodgson (Harley), Pearl Chanda (Sheila Sim), Gregory Cox (Major Metcalf), Harris Dickinson (Richard Attenborogh), Reece Shearsmith (John Woolf,) David Oyelowo (Mervyn Cocker-Norris) and Charlie Cooper as Dennis Corrigan). Clips Featured:“Dickie Attenborough”See How They Run (2022 trailer)“Show her the ropes.”“Constable's Notebook”“Creative Differences””We are no longer on speaking terms.” Music by Daniel PembertonFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Please enjoy Three Blind Mice a great episode of the legendary Suspense - - a Old Time Radio OTR classic.
On this latest's trip to the National Film Board's Archive, we pay tribute to a stalwart of the NFB's Animation Department since its inception whose contributions to Canadian cinema are too varied to list out. Veteran animator, producer, and director Robert Verrall sadly passed away on January 17th, 2025 and left a cinematic legacy few can measure up to. For this occasional spotlight series, we took a look at some of his earliest credited work to hopefully impart how significant a figure he was in his lifetime. Films covered for the podcast are Three Blind Mice (1945) and The Romance of Transportation in Canada (1952). Directed by George Dunning and Colin Low respectively. Links: https://collection.nfb.ca/film/three_blind_mice https://www.nfb.ca/film/romance_of_transportation_canada/ If you liked what you heard please and wish to support the show, please consider subscribing and leaving a nice review on your podcatcher of choice. Follow us on Twitter at https://twitter.com/CartoonNightPod?s=20 Chris' Twitter: https://twitter.com/Cinemacreep Sylvie's Twitter: https://twitter.com/sylvieskeletons Theme song by https://soundcloud.com/hvsyn Logo designed by https://www.rachelsumlin.com
durée : 01:58:37 - Romain & Thomas Leleu ; Renaud Garcia-Fons en quartet ; Shades ; Three Blind Mice - par : Clément Rochefort - Les "virtuosi" Romain & Thomas Leleu, en duo trompette/tuba ; le contrebassiste Renaud Garcia-Fons & son quartet : "Blue Maqam" ; Shades, direction Antoine Laudière, guitare : "Witchcraft" ; le trio de jazz Three Blind Mice - réalisé par : Claire Lagarde
Lightsabers, nursery rhymes, & a Grizzlies W, oh my! After a wild win against the Kings, the show starts with Nate in the dark, & goes off the rails from there. They discuss the bench contributions, Bane finding his groove, & a rough night for Ja. They have some fun with a children's sing-along before going into a Grizz Trivia around three point percentage that would surprise you. That leads them directly into the look ahead to the upcoming game against the Celtics! Grit, Grind, & One Pride! --- Support this podcast: https://podcasters.spotify.com/pod/show/grizz901/support
Episode 131 ch 31 By the Shores of Silver Lake "Happy Winter Days" Join us as we discuss 1880 history in context, Yankton South Dakota, The New York Ledger, continued stories (serials), "Gypsy's Warning", "When I Was One and Twenty, Nell", "Billy Boy", "Camptown Races", "Three Blind Mice", "Nelly Was a Lady (Last Night She Died)", "Ben Bolt", "Oft in the Stilly Night", and "Banks O'Doon".
Sintonía: "This Is Always" - Jim Hall"A-Roving" - "Nobody Knows The Trouble I´ve Seen" - "John Henry" - "Wayfaring Stranger" - "Three Blind Mice" - "Reuben, Reuben", extraídas del álbum "Folk Jazz" (Contemporary Records, 1959)"Stompin´ At The Savoy" - "Thanks For The Memory" - "Tangerine" - "Seven Come Eleven" - "This Is Always", extraídas de "Jazz Guitar" (Pacific Jazz, 1957)Todas las músicas interpretadas a la guitarra eléctrica por Jim Hall Escuchar audio
This week Brian and Anthony watch the 2023 horror movie, Three Blind Mice. This movie is directed by Pierre B and stars May Kelly, Lila Lasso, Karl Hughes, Natasha Tosini and Marcus Massey. Enjoy the terrifying creeping mice and the multitude of head smashes. The movie begins at 29:25 into the podcast. Instagram Links: Follow Pierre B @pierrebbbbbbb Follow Lila Lasso @lilalasso Follow Karl Hughes @karlhughesuk Follow Marcus Massey @themarcusmassey Follow Natasha Tosini @natashatosini Movie Links: Amazon Prime: https://www.amazon.com/gp/video/detail/0MNJIVFRK64BPK6SXA838F3K2S/ref=atv_dl_rdr?tag=justusyqck-20 Tubi: https://tubitv.com/movies/100017314/three-blind-mice Apple TV: https://tv.apple.com/us/movie/three-blind-mice/umc.cmc.21g53bot0sp7a6az3n6c7dm5k?playableId=tvs.sbd.9001%3A1703293018 Google Play: https://play.google.com/store/movies/details/Three_Blind_Mice?gl=US&hl=en&id=17d9YFxMJDw.P Vudu: https://www.vudu.com/content/browse/details/Three-Blind-Mice/2595294 YouTube: https://www.youtube.com/results?search_query=Three+Blind+Mice%2Bmovie The podcast art is by @delasernaxtattoos on Instagram and has been revised by rodrick_booker on Fiverr. If you like what you're hearing subscribe and comment on our Instagram @berated_b_rated_movies, Facebook @Berated B RatedMovies and Tik Tok @berated_b_rated_movies. Check out our website at Beratedbratedmovies.com. If you have any comments or movie suggestions please send them to beratedbratedmovies@gmail.com
We all grew up singing nursery rhymes on the playground, but have you ever wondered where they came from? We did! In this episode we talk about some of the (potential) macabre origins of nursery rhymes. We specifically discuss "The Muffin Man," "Ring Around the Rosie," "Three Blind Mice," and "London Bridge is Falling Down." Happy listening!
3e émission de la 59e session...Cette semaine, du vieux bop et jazz modal! En musique: Tony Fruscella sur l'album Tony Fruscella (Atlantic, 1955); Jerome Richardson sur l'album Midnight Oil (New Jazz, 1961); Gene Shaw Quintet sur l'album Break Through (Argo, 1962); The Barry Harris Sextet sur l'album Bull's Eye! (Prestige, 1968); The Visitors sur l'album In My Youth (Muse, 1973); Seiichi Nakamura Trio / Quintet sur l'album Adventure In My Dream (Three Blind Mice, 1975)...
How Mice and CRISPR are Reversing BlindnessOne small step for science, one furry leap for mousekind. Scientists have found a way to reverse a common mutation that causes blindness in both people and mice using gene editing technology.References:In Mouse Study, Scientists Use Gene Editing to Reverse a Major Cause of Blindness | US NewsCredits:Children's Songs by Guy Lombardo and his Royal Canadians | Internet ArchiveThree Blind Mice - Beidernecke, Bix | Internet Archive
SUBSCRIBE TO THE NEW BNC CHANNEL: https://bit.ly/45Pspyl Ad Free & Bonus Episodes: https://bit.ly/3OZxwpr NEW MERCH: https://shoptmgstudios.com This week, BNCMAP reports to live you from Philly with a very special guest: SueSue! She talks about the power of manifesting your dream life, what Brooke was like growing up, and how to deal with fake phonies. Join our Facebook page: https://www.facebook.com/groups/5356639204457124/ If you listen on Apple Podcasts, go to: https://apple.co/bandc Go to https://MintMobile.com/bandc to get your new 3-month unlimited wireless plan for just 15 bucks a month. State Farm is there with the coverage you need for your car, your home, and even boats, motorcycles, RVs, and other things that matter to you. B+C IG: https://www.instagram.com/bncmap/ B+C Twitter: https://twitter.com/bncmap TMG Studios YouTube: https://www.youtube.com/tinymeatgang TMG Studios IG: https://www.instagram.com/realtmgstudios/ TMG Studios Twitter: https://twitter.com/realtmgstudios BROOKE https://www.instagram.com/brookeaverick https://twitter.com/ladyefron https://www.tiktok.com/@ladyefron CONNOR https://www.instagram.com/fibula/ https://twitter.com/fibulaa https://www.tiktok.com/@fibulaa Hosted by Brooke Averick & Connor Wood, Created by TMG Studios, Brooke Averick & Connor Wood, and Produced by TMG Studios, Brooke Averick & Connor Wood. 00:00 thoughts on philly 01:55 hamilton is history 04:46 intro 05:08 the founding mothers 07:40 are you sick? 09:30 connor's philly show 10:28 mint mobile 12:07 welcome aunt suesue! 14:49 suesue loves brooke 18:28 suesue's experiences in la 19:49 manifestation 22:38 state farm 25:07 trying everything once 26:41 sharing the love 30:22 suesue on the bachelor 32:38 being authentic online 34:10 being a phony 37:19 protecting suesue's peace 38:55 suesue's celebrity crushes 40:29 the fantasy genre 42:50 tapping into spirituality 44:30 anne hathaway 45:04 state farm 47:31 fanfiction tropes 49:30 psychological torture 52:17 dreaming of basements 53:51 growing up in texas 54:48 old dogs are sad 57:46 marrying a hologram 1:00:38 bring back dancing 1:02:15 brooke's family tree 1:03:36 suesue's final thoughts
In this bonus episode, I'm sharing my favorite installments of Suspense starring Oscar-winner Van Heflin. First, he's an executive with a murderous plan to climb the corporate ladder in "Three Blind Mice" (originally aired on CBS on January 30, 1947) and he's a man caught by his own trap for his unfaithful wife in "Three O'Clock" (originally aired on CBS on March 10, 1949). Heflin plays a hitchhiker who plots to take the place of the man who gives him a lift in "Murder of Aunt Delia" (originally aired on CBS on November 10, 1949) and he plays a reporter invited to a midnight meeting with a serial killer in "The Lady in the Red Hat" (originally aired on CBS on November 30, 1950). Finally, Heflin stars as America's first Public Enemy Number One in "The Last Days of John Dillinger" (originally aired on CBS on May 10, 1954).
Today's is message number 2 from my pastor from John 9. I pray these past 2 episodes have been a blessing to you.
Choice Classic Radio Mystery, Suspense, Drama and Horror | Old Time Radio
Choice Classic Radio presents Suspense, which aired from 1940 to 1962. Today we bring to you the episode titled “Three Blind Mice.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!
Spoiler: Gerry and Dave didn't break anything, but they have good versions of good decks and are (mostly) ready for SCG Dallas. They share their new technology, potential audibles, and growing fear of Three Blind Mice. Music: Mega Man 2 "Ending theme" Remix by zookun | Music composed by Manami Matsumae & Takashi Tateishi patreon.com/arenadecklists youtube.com/arenadecklists twitter.com/arenadecklists twitter.com/g3rryt twitter.com/_DaveShiels twitch.tv/gerry_t
The Todd Sampler: Three Blind Mice review with Todd 'Quality' Jaeger A popular nursery rhyme mutates into a creature horror film with Three Blind Mice, a new Pierre B directed pic acquired by Uncork'd Entertainment for a digital and DVD release October 17. Abi is going cold turkey; her family has taken her to a cabin in the woods so she can be away from the city and all her troubles. However, little do they know, The Three Blind Mice is more than just a fairy tale, and they may be next up on the menu. “Releasing shortly after our other nursery rhyme-turned horror film Mary Had a Little Lamb, Three Blind Mice guarantees horror fans some bloody, disturbing and very entertaining pre-Halloween entertainment”, said Keith Leopard, President Uncork'd Entertainment. “Pierre B, and his talented cast, deliver a title that's bound to be extremely popular.” May Kelly, Lila Lasso, Natasha Tosini, Samantha Cull, and Danielle Ronaldstar star in Three Blind Mice, on Digital and DVD October 17. #ThreeBlindMice #MovieReview #2023 #2023Horror #nurseryrhymes --- Send in a voice message: https://podcasters.spotify.com/pod/show/withoutyourhead/message Support this podcast: https://podcasters.spotify.com/pod/show/withoutyourhead/support
Have you ever been watching a normal movie when all of a sudden oh my god where did this scary scene just come from?! Because we have too! This week the boys are joined by returning special guest Fernando Diaz as they talk about horror moments in non horror movies. This is a discussion heavy episode with about half of it consisting of the horror hour and the other half just everyone having fun. With not a lot of prep time and a lot of winging it, we hope you all enjoy. Will we do this again? Probably! Even if you all hate it. NOTE - There are some moments of skipping that could not be fixed because of small corruptions in the files, sorry!Check out Fernando Diaz's creative page HERETimecodesI Haven't Done This In Two Weeks Gimme A Break: 0:00Horror Hour: 7:13 Halloween is a Coming: 8:09We Got Trailers Trailers Are Coming At Ya Goosebumps Trailer: 12:05 Pet Sematary Bloodlines: 15:57 Five Nights at Freddys: 17:31 Nightmare Garbage Trailers Mary Had a Little Lamb: 21:58 Three Blind Mice: 24:20 Saw X News: 27:44 Final Destination 6 News: 34:45 Terrifier 2 Returns to Theaters: 36:33 Jeff Talks About Frasier Maybe: 38:30Horror Moments in Non Horror Movies: 40:20A Hot Take Hotline Call: 1:10:38And the Rest: 1:13:10LINKS:Instagram / TikTokJoin the Patreon!Shop MerchUgly CowboyCall the Hot Take Hotline:916-538-4412
In this episode, AJ+Kristie discuss: What We Watched This Week: - Cobweb (available on VOD) New Trailers This Week: - "American Horror Story: Delicate" official trailer (Sept. 20, Hulu/FX) - "The Exorcist: Believer" official trailer 2 (Oct. 6, in theaters) - "Thanksgiving" official trailer (Nov. 17, in theaters) - "Goosebumps" official teaser trailer (Oct. 13, Hulu/Disney+) - "No One Will Save You" official trailer (Sept. 22, Hulu) News This Week: - Saw X got a new image of Amanda Young and a new poster with an interesting tagline - More children's nursey rhyme slasher movies are coming with the announcement of: "Mary Had a Little Lamb" and "Three Blind Mice" - The Crow Reboot is happening with Bill Skarsgard and FKA Twigs to star in the film - The Strangers Trilogy coming in 2024 with the first look happening at NYCC on Oct. 12th Main Topic: The Nun 2 Spoiler Review Be sure to leave us a rating and connect with us on Tik Tok, Instagram, YouTube, Facebook, and Twitter. Visit our website: inlovewithhorror.com and shop our merch!
It's time for the Comic Talk Headlines with Generally Nerdy! Some big announcements around Star Trek Day. Tons of new music. Netflix's He-Man gets a prequel comic. And PLENTY more...Tune in Wednesdays for the regular show. Plus, don't forget to subscribe for more fresh MusicFollow-ups/CorrectionsBillion Streams - Nothing Else Matters is the most recent song to cross the threshold.New Music/VideoGwar - Tammy the Swine Queen https://youtu.be/TbrG6zPU4Jw The final recording from Oderus Urungus. From the 10 year anniversary re-release of “Battle Maximus” which itself was a tribute to another fallen Scumdog.Oliver Anthony - 90 some Chevy https://youtu.be/KKYEbPFvxyg Rick Astley - Never Gonna Stop https://youtu.be/qWNQUvIk954 WOW… that's some soul.Dax - Oliver Anthony "Rich Men North Of Richmond" Remix - https://youtu.be/KYXgxhyAiwk Dax is just damn good!Oliver Tree - Essence (feat. Super Computer) - https://youtu.be/9mAeFNERZoI strangely heart-felt song from pop's screwball.Timbaland, Nelly Furtado, Justin Timberlake - Keep Going Up https://youtu.be/feqIQcNuRV4 Tours/FestivalsBastardane - Support from Fury in Few. Oct 5 in Atlanta through Oct 14 in Savannah. Mostly through the south. https://www.bastardane.com/tour The Hu - Oct 9 in San Francisco through Oct 26 in Phoenix. No support announced yet. https://www.thehuofficial.com/tour-1?fbclid=IwAR2DCOeuTGGZKgm0Rq9v0dfpQtq6F1UqdWmrjGiLi3EXS-ESe3DdtbLNUyE Slaughter to Prevail - Nov 2 in Riverside CA through Nov 24 in Santa Cruz CA. No support announced yet. https://www.stp-tour.com/?fbclid=IwAR1vPuuGTySDoGsRGeJqaekHP8x4OuBB4TvCV69E0RKztOkvstSkM4Ikal4 Reg ‘ol NewsJimmy Buffet - passed at the age of 76. Undisclosed illness. Seemed sudden. Though it was Merkel Cell skin cancer, which the singer songwriter had apparently been fighting for some time. https://loudwire.com/jimmy-buffett-died-76/ Smash Mouth - Singer Steve Harwell passed at 56. Liver failure from alcohol abuse.Rolling Stones - STILL working on new music? The band has teased a new song titled “Don't Get Angry with Me.” New material is the first since drummer Charlie Watts passed in 2021. Also the first collection of new material in almost 20 years.https://www.dontgetangrywithme.com/ https://youtu.be/3Vm7FUjIbQU SuggestsSlipknot (self-titled) - is the debut studio album by American heavy metal band Slipknot. It was released on June 29, 1999, by Roadrunner Records, following a demo containing a few of the songs which had previously been released in 1998.[4] Later, it was reissued in December 1999 with a slightly-altered track listing and mastering as the result of a lawsuit. It was the first release by the band to be produced by Ross Robinson, who sought to refine Slipknot's sound rather than alter the group's musical direction. This is the only album to feature original guitarist Josh Brainard who left at the end of recording in late 1998 while the band was taking a brief break. Jim Root, who recorded two tracks at this point, would appear full time on subsequent albums starting with their self-titled album.Gaming/TechTrailersG.I. Joe: Wrath of Cobra - https://youtu.be/NGYKN3559pI Announce trailer for a Steam game that is whole-heartedly embracing the 80s. It is an arcade brawler.Vampire: The Masquerade Bloodlines 2 - https://youtu.be/D6b6LGubq6I Risen from the dead as it were. New developing studios in Dear Esther, Everybody's Gone to the Rapture, and The Chinese Room. Now set for a fall 2024 release.Suggestshttps://www.youtube.com/@johnnylikens Comic Books/BooksReg ‘ol NewsStar Trek - The Animated Celebration Presents The Scheimer Barrier. New comic published by IDW. To debut alongside the Short Treks animated series on Sept 8 through StarTrek.com. Subsequent issues will be released weekly. Physical copies set to be released at NYCC in October.He-Man - New Masters of the Universe book has been announced at Dark Horse. Forge of Destiny will be written by Tim Seeley and have art by Eddie Nunez. The book is going to be a prequel to the Netflix animated series and be on shelves Sept 6th.https://comicbook.com/comics/news/dark-horse-reveals-masters-of-the-universe-forge-of-destiny-first-look-preview-exclusive/#1 SuggestsScott Pilgrim - a series of graphic novels by Canadian author and comic book artist Bryan Lee O'Malley. The series is about Scott Pilgrim, a slacker and part-time musician who lives in Toronto, Ontario, and plays bass in a band. He falls in love with American delivery girl Ramona Flowers, but must defeat her seven evil exes[1] in order to date her in peace.TV ShowsFollow-ups/CorrectionsMCU shake-up: Loki Season 2 — Oct.6 (unchanged)What If…? S2 — Christmas 2023Echo — Jan. 2024X-Men '97 — early 2024Agatha: Darkhold Diaries — early fall 2024Ironheart — undatedDaredevil: Born Again — filming on pause / undatedWonder Man — filming on pause / undatedhttps://www.hollywoodreporter.com/tv/tv-news/marvel-tv-show-release-dates-1235580093/ The Walking Dead: Daryl Dixon - premiere Sunday Sept 10 on AMC and AMC+My Adventures with Superman - season 2 announced https://twitter.com/swimpedia/status/1697467756596121841 Tiny Toons Looniversity - premieres Friday Sept 8 on Max.How I Met Your Father - Canceled after just 2 seasons.Monarch: Legacy of Monsters - Set to go up on Apple TV+ in November. https://comicbook.com/anime/news/monarch-legacy-of-monsters-release-godzilla/ TrailersStar Trek: Very Short Treks - https://youtu.be/ZqyNGYHfP-0 5 shorts celebrating 50 years of the animated series. Debuting on Star Trek day, Sept 8, on StarTrek.com and the official Star Trek YouTube channel. With the subsequent episodes launching Wednesdays from there. There will also be fan screenings of Lower Decks offered in Columbus, Dallas, Denver, Philadelphia, Phoenix, San Diego, St. Louis, Washington D.C., Vancouver, Calgary, and London. Time frame unclear.SuggestsMetalocalypse - an American adult animated television series created by Brendon Small and Tommy Blacha for Adult Swim. It premiered on August 6, 2006, followed by a musical one-hour special, Metalocalypse: The Doomstar Requiem, as well as a movie Metalocalypse: Army of the Doomstar on October 27, 2013. The television program centers on the larger-than-life melodic death metal band Dethklok, and often portrays dark and macabre content, including such subjects as violence, death, and the drawbacks of fame, with hyperbolic black comedy. The show was widely heralded as both a parody and a pastiche of heavy metal culture.MoviesFollow-ups/CorrectionsWinnie the Pooh: Blood and Honey - sequel in the works, with a recast Christopher Robin. https://twitter.com/poohbandh/status/1698185500018741579 TrailersWhat Happens Later - https://youtu.be/zceSigCGWSQ New rom com with David Duchovny and Meg Ryan. Oct 13Onyx the Fortuitous and the Talisman of Souls - https://youtu.be/KbS6l7PTDXQ Bowser Vids. Oct 19. Fathom events. https://www.fathomevents.com/events/Onyx-the-Fortuitous-and-the-Talisman-of-Souls Mary Had a Little Lamb - https://youtu.be/fEk5WsjMDGA Dual release on Oct 3. No One Will Save You - https://youtu.be/IcA02w6rm44 Streaming on Hulu Sept 22. Alien Horror movie.Three Blind Mice - https://youtu.be/_qj9VpQ8ztE SuggestsIron Man - a 2008 American superhero film based on the Marvel Comics character of the same name. Produced by Marvel Studios and distributed by Paramount Pictures,[a] it is the first film in the Marvel Cinematic Universe (MCU). Directed by Jon Favreau from a screenplay by the writing teams of Mark Fergus and Hawk Ostby, and Art Marcum and Matt Holloway, the film stars Robert Downey Jr. as Tony Stark / Iron Man alongside Terrence Howard, Jeff Bridges, Gwyneth Paltrow, Leslie Bibb, and Shaun Toub. In the film, following his escape from captivity by a terrorist group, world-famous industrialist and master engineer Tony Stark builds a mechanized suit of armor and becomes the superhero Iron Man.Rumor MillConfirmations/RefutationsAgatha: Darkhold DiariesNew RumorsIronheart - series rumored to have been canceled even though shooting has finished. Disney is said to be blaming it on the strikes.~OR~The show is rumored to be planned to be released in accordance with the Armor Wars movie, which also no longer has a release date.The Batman 2 - Robin might be showing up here. In THIS universe it will be Dick Grayson and not Damien Wayne. Rumor goes on to repeat the Clayface information we have heard before.Hulk - Savage Hulk is said to be returning to the silver screen. Possibly in Cap 4, Thunderbolts or Avengers: Secret Wars.Snow White - Cancelled?Metroid Prime 4 - New rumor has the game releasing on the Switch in summer of 2024.GTA 6 - Joe Rogan is now being rumored to be the DJ voice on one of the radio stations in the game.Red Dead Redemption - Number 3 in the franchise has just broken ground according to rumor.You can support this show by visiting our merch store, or by leaving us an Apple Podcasts review.
It's time for the Comic Talk Headlines with Generally Nerdy! Some big announcements around Star Trek Day. Tons of new music. Netflix's He-Man gets a prequel comic. And PLENTY more...Tune in Wednesdays for the regular show. Plus, don't forget to subscribe for more fresh MusicFollow-ups/CorrectionsBillion Streams - Nothing Else Matters is the most recent song to cross the threshold.New Music/VideoGwar - Tammy the Swine Queen https://youtu.be/TbrG6zPU4Jw The final recording from Oderus Urungus. From the 10 year anniversary re-release of “Battle Maximus” which itself was a tribute to another fallen Scumdog.Oliver Anthony - 90 some Chevy https://youtu.be/KKYEbPFvxyg Rick Astley - Never Gonna Stop https://youtu.be/qWNQUvIk954 WOW… that's some soul.Dax - Oliver Anthony "Rich Men North Of Richmond" Remix - https://youtu.be/KYXgxhyAiwk Dax is just damn good!Oliver Tree - Essence (feat. Super Computer) - https://youtu.be/9mAeFNERZoI strangely heart-felt song from pop's screwball.Timbaland, Nelly Furtado, Justin Timberlake - Keep Going Up https://youtu.be/feqIQcNuRV4 Tours/FestivalsBastardane - Support from Fury in Few. Oct 5 in Atlanta through Oct 14 in Savannah. Mostly through the south. https://www.bastardane.com/tour The Hu - Oct 9 in San Francisco through Oct 26 in Phoenix. No support announced yet. https://www.thehuofficial.com/tour-1?fbclid=IwAR2DCOeuTGGZKgm0Rq9v0dfpQtq6F1UqdWmrjGiLi3EXS-ESe3DdtbLNUyE Slaughter to Prevail - Nov 2 in Riverside CA through Nov 24 in Santa Cruz CA. No support announced yet. https://www.stp-tour.com/?fbclid=IwAR1vPuuGTySDoGsRGeJqaekHP8x4OuBB4TvCV69E0RKztOkvstSkM4Ikal4 Reg ‘ol NewsJimmy Buffet - passed at the age of 76. Undisclosed illness. Seemed sudden. Though it was Merkel Cell skin cancer, which the singer songwriter had apparently been fighting for some time. https://loudwire.com/jimmy-buffett-died-76/ Smash Mouth - Singer Steve Harwell passed at 56. Liver failure from alcohol abuse.Rolling Stones - STILL working on new music? The band has teased a new song titled “Don't Get Angry with Me.” New material is the first since drummer Charlie Watts passed in 2021. Also the first collection of new material in almost 20 years.https://www.dontgetangrywithme.com/ https://youtu.be/3Vm7FUjIbQU SuggestsSlipknot (self-titled) - is the debut studio album by American heavy metal band Slipknot. It was released on June 29, 1999, by Roadrunner Records, following a demo containing a few of the songs which had previously been released in 1998.[4] Later, it was reissued in December 1999 with a slightly-altered track listing and mastering as the result of a lawsuit. It was the first release by the band to be produced by Ross Robinson, who sought to refine Slipknot's sound rather than alter the group's musical direction. This is the only album to feature original guitarist Josh Brainard who left at the end of recording in late 1998 while the band was taking a brief break. Jim Root, who recorded two tracks at this point, would appear full time on subsequent albums starting with their self-titled album.Gaming/TechTrailersG.I. Joe: Wrath of Cobra - https://youtu.be/NGYKN3559pI Announce trailer for a Steam game that is whole-heartedly embracing the 80s. It is an arcade brawler.Vampire: The Masquerade Bloodlines 2 - https://youtu.be/D6b6LGubq6I Risen from the dead as it were. New developing studios in Dear Esther, Everybody's Gone to the Rapture, and The Chinese Room. Now set for a fall 2024 release.Suggestshttps://www.youtube.com/@johnnylikens Comic Books/BooksReg ‘ol NewsStar Trek - The Animated Celebration Presents The Scheimer Barrier. New comic published by IDW. To debut alongside the Short Treks animated series on Sept 8 through StarTrek.com. Subsequent issues will be released weekly. Physical copies set to be released at NYCC in October.He-Man - New Masters of the Universe book has been announced at Dark Horse. Forge of Destiny will be written by Tim Seeley and have art by Eddie Nunez. The book is going to be a prequel to the Netflix animated series and be on shelves Sept 6th.https://comicbook.com/comics/news/dark-horse-reveals-masters-of-the-universe-forge-of-destiny-first-look-preview-exclusive/#1 SuggestsScott Pilgrim - a series of graphic novels by Canadian author and comic book artist Bryan Lee O'Malley. The series is about Scott Pilgrim, a slacker and part-time musician who lives in Toronto, Ontario, and plays bass in a band. He falls in love with American delivery girl Ramona Flowers, but must defeat her seven evil exes[1] in order to date her in peace.TV ShowsFollow-ups/CorrectionsMCU shake-up: Loki Season 2 — Oct.6 (unchanged)What If…? S2 — Christmas 2023Echo — Jan. 2024X-Men '97 — early 2024Agatha: Darkhold Diaries — early fall 2024Ironheart — undatedDaredevil: Born Again — filming on pause / undatedWonder Man — filming on pause / undatedhttps://www.hollywoodreporter.com/tv/tv-news/marvel-tv-show-release-dates-1235580093/ The Walking Dead: Daryl Dixon - premiere Sunday Sept 10 on AMC and AMC+My Adventures with Superman - season 2 announced https://twitter.com/swimpedia/status/1697467756596121841 Tiny Toons Looniversity - premieres Friday Sept 8 on Max.How I Met Your Father - Canceled after just 2 seasons.Monarch: Legacy of Monsters - Set to go up on Apple TV+ in November. https://comicbook.com/anime/news/monarch-legacy-of-monsters-release-godzilla/ TrailersStar Trek: Very Short Treks - https://youtu.be/ZqyNGYHfP-0 5 shorts celebrating 50 years of the animated series. Debuting on Star Trek day, Sept 8, on StarTrek.com and the official Star Trek YouTube channel. With the subsequent episodes launching Wednesdays from there. There will also be fan screenings of Lower Decks offered in Columbus, Dallas, Denver, Philadelphia, Phoenix, San Diego, St. Louis, Washington D.C., Vancouver, Calgary, and London. Time frame unclear.SuggestsMetalocalypse - an American adult animated television series created by Brendon Small and Tommy Blacha for Adult Swim. It premiered on August 6, 2006, followed by a musical one-hour special, Metalocalypse: The Doomstar Requiem, as well as a movie Metalocalypse: Army of the Doomstar on October 27, 2013. The television program centers on the larger-than-life melodic death metal band Dethklok, and often portrays dark and macabre content, including such subjects as violence, death, and the drawbacks of fame, with hyperbolic black comedy. The show was widely heralded as both a parody and a pastiche of heavy metal culture.MoviesFollow-ups/CorrectionsWinnie the Pooh: Blood and Honey - sequel in the works, with a recast Christopher Robin. https://twitter.com/poohbandh/status/1698185500018741579 TrailersWhat Happens Later - https://youtu.be/zceSigCGWSQ New rom com with David Duchovny and Meg Ryan. Oct 13Onyx the Fortuitous and the Talisman of Souls - https://youtu.be/KbS6l7PTDXQ Bowser Vids. Oct 19. Fathom events. https://www.fathomevents.com/events/Onyx-the-Fortuitous-and-the-Talisman-of-Souls Mary Had a Little Lamb - https://youtu.be/fEk5WsjMDGA Dual release on Oct 3. No One Will Save You - https://youtu.be/IcA02w6rm44 Streaming on Hulu Sept 22. Alien Horror movie.Three Blind Mice - https://youtu.be/_qj9VpQ8ztE SuggestsIron Man - a 2008 American superhero film based on the Marvel Comics character of the same name. Produced by Marvel Studios and distributed by Paramount Pictures,[a] it is the first film in the Marvel Cinematic Universe (MCU). Directed by Jon Favreau from a screenplay by the writing teams of Mark Fergus and Hawk Ostby, and Art Marcum and Matt Holloway, the film stars Robert Downey Jr. as Tony Stark / Iron Man alongside Terrence Howard, Jeff Bridges, Gwyneth Paltrow, Leslie Bibb, and Shaun Toub. In the film, following his escape from captivity by a terrorist group, world-famous industrialist and master engineer Tony Stark builds a mechanized suit of armor and becomes the superhero Iron Man.Rumor MillConfirmations/RefutationsAgatha: Darkhold DiariesNew RumorsIronheart - series rumored to have been canceled even though shooting has finished. Disney is said to be blaming it on the strikes.~OR~The show is rumored to be planned to be released in accordance with the Armor Wars movie, which also no longer has a release date.The Batman 2 - Robin might be showing up here. In THIS universe it will be Dick Grayson and not Damien Wayne. Rumor goes on to repeat the Clayface information we have heard before.Hulk - Savage Hulk is said to be returning to the silver screen. Possibly in Cap 4, Thunderbolts or Avengers: Secret Wars.Snow White - Cancelled?Metroid Prime 4 - New rumor has the game releasing on the Switch in summer of 2024.GTA 6 - Joe Rogan is now being rumored to be the DJ voice on one of the radio stations in the game.Red Dead Redemption - Number 3 in the franchise has just broken ground according to rumor.You can support this show by visiting our merch store, or by leaving us an Apple Podcasts review.
John 9:1ff As he passed by, he saw a man blind from birth. For Sermon Notes Visit: https://tinyurl.com/44rwb9ju ANNOUNCEMENT LINKS: Download The Church Center App: https://kchanford.com/resources/#app First Time Visitor: Text 'Welcome' to 559-500-4830 Need Prayer, Contact Us At: https://www.kchanford.com/ Tithes and Offerings: https://www.kchanford.com/give Volunteer: https://kchanford.com/serve-with-us/
Téléchargez la fiche du cours ici : https://www.anglaiscours.fr/telecharger-3-blind-mice?utm_source=podcast&utm_medium=social&utm_campaign=three_blind_mice_-_une_comptine_britannique Hello everyone. Dans cette vidéo, Ben raconte la célèbre comptine britannique "Three Blind Mice". Il la traduit ensuite en expliquant le vocabulaire important, avant de partager avec nous l'histoire de cette comptine. AnglaisCours Club est une méthode en ligne, animée par une petite équipe de professeurs enthousiastes, qui vous propose des formations en ligne conviviales et simples d'accès. Si vous souhaitez apprendre l'anglais cette année, rejoignez-nous sur l'Espace Membres AnglaisCours Club et accédez à toutes nos formations : https://www.anglaiscours.fr/yt-inscriptions Accédez à un test de niveau : https://www.anglaiscours.fr/test-de-niveau-anglais.html Téléchargez 150 phrases utiles pour bien communiquer en anglais : https://www.anglaiscours.fr/150phrases Accédez à notre site de cours d'anglais : https://www.anglaiscours.fr/ Accédez à notre catalogue formations en ligne : https://www.anglaiscours.fr/formations #apprendrelanglais #anglais #coursdanglais #learnenglish #english #speakenglish
Not Your Mother's Goose wraps up with a mammoth finale, featuring everything from The Price Is Right to Three Blind Mice, and our most ambitious Rapunzel's Jukebox song ever, American Pie. Don't miss your last chance to:* Come on down with Bob Barker, as we take a snow day from school and watch The Price Is Right* Clean up the leftover nursery rhymes, like Three Blind Mice and Old King Cole* Head to the before-and-after movies to watch The Gingerbread Man-in-Black* Check out the news, where Oscar the Grouch goes green and moves into a recycling bin* Schedule a consult with Dr. Rick from Progressive, here to help fairy tale characters who are becoming their parents.Plus, Andrew Mitchell has officially outdone himself on Rapunzel's Jukebox, back with full fairy tale version of American Pie that you can't miss.
It's Wednesday Night, and You Know What That Means. It's another episode of the Mark Order Podcast! AntMoney, Kate The Great, and Ryan Schlong are here to talk about all things All Elite Wrestling by recapping Rampage, discussing the Revolution go home episode of Dynamite, and talking about all things AEW from the past week. Before that, the Three Blind Mice of the Mark Order Podcast give their opinions about... The post Mark Order 101: Intro to Mark Order appeared first on Shining Wizards Network.
It's Wednesday Night, and You Know What That Means. It's another episode of the Mark Order Podcast! AntMoney, Kate The Great, and Ryan Schlong are here to talk about all things All Elite Wrestling by recapping Rampage, discussing the Revolution go home episode of Dynamite, and talking about all things AEW from the past week. Before that, the Three Blind Mice of the Mark Order Podcast give their opinions about spoilers, upcoming Ring of Honor TV, and much more! This is a must listen to show if you're a fan of AEW, so be sure to rate, review, and subscribe or watch us on Youtube, Facebook, or Twitter!
Tomorrow, Wednesday, the return of “100 % Random Access OLDIES Play Selection!” Just for two more weeks. The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on TWITTER JimPrell@TMusicAuthority! Please, are you listening? Please, are you sharing the podcast? Please, has a podcast mention been placed into your social media? How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/ The Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! February 14, 2023, Tuesday, the triplet…Cindy Lawson - Nope [January 2023 Audio Jukebox] (Rum Bar Records)The Magic Es - Keep The Good People Around [Little Mistake - EP]Dw. Dunphy - 06 Things We Say [Charm Offensive]Susan SurfTone - (You're So Square) Baby I Don't Care [New Songs]Grant Lindberg - 07 Breaking Glass [Artificial Inspiration (2023 Remix)]@Vanilla - Absence Makes The Heart Grow Fonder [Limerence] (Charlatan Record Cartel) (Jayson Jarmon)Beautiful Animals - Beautiful Animal [Beautiful Animal]The Stayawakes - 16 - Inevitable Truth (Acoustic) [Dogs And Cats Living Together]Aesthetic Will - Scent Of Light [What Do You Say]The Va Va Voodoos - Garbage Can [Apocalypse WoW!]@Julian Never - 8. Luv [Pious Fiction]@Uni Boys- 10_You In My Heart [Do It All Next Week] (Curation Records)The Raging Teens - 18 Hit The Town [Melody Roundup - The Complete Collection] (Rum Bar Records)Terry Draper - 07 07 One Heart [Bread and Cirkus]The Explorers Club - 3. Run Run Run [Rarities Volume 1] (Goldstar Recordings)David A Burdick – Thinkin' About Her [333]The Three Blind Mice - 03_Black Waters [Day's Getting Dark] (Beluga Records)The Dollyrots - 10 Valentine's Day [Down The Rabbit Hole] (Wicked Cool Records)
Wednesday you & I will deep dive into The Music Authority's OLDIES Music Folder! Tomorrow's show “100%Random Access OLDIES Play Selection!” that and the week's spotlight artists! The Music Authority Podcast... listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on TWITTER JimPrell@TMusicAuthority! Please, are you listening? Please, are you sharing the podcast? Please, has a podcast mention been placed into your social media? How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/ The Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! February 7, 2023, Tuesday, the trey…Uniboys - 03_On Your Lovin' Mind [Do It All Next Week] (Curation Records)Terry Draper - 14 14 Icarus [Bread and Cirkus]David A Burdick - I Talk To The Wind [333]Jeremy Morris - Pictures Of Matchstick Men [Living The Dream] (www.JamRecordings.com)The Three Blind Mice - 01_Night Driving [Day's Getting Dark] (Beluga Records)Elijah Jones and The CCs - Born To Break My Heart [Pity Parade]Kai Danzberg - 08 Satellite [Satellite]@FARRINGTON - 08 Turning It Up Too Loud Again [Saturday In Nowhereland] (James Patrick)Baby Scream - 1 Castaway [Castell de Pop]The Speedways - 04 - A Drop In The Ocean [Talk Of The Town] (Beluga Records)Steve Rosenbaum - 11 Confidential Love [Have A Cool Summer] (Big Stir Records)@Maple Mars - 11 Gliding [Twenty-Two Tracks From 2022] (Big Stir Records)Dave Caruso Music - The Drop [Radiophonic Supersonic]@Anchor & Bear - 01 Earthquake On The 4th Of July [No More Nights On The Roof] (Futureman Records)Les Bicyclettes de Belsize - 08 - Shining Light [So Much Fun] (Shiny Happy Records)Peter Green – Thank You [Raven Kings]
Wednesday's podcast with The Music Authority will once again be “100% Random Access OLDIES Play Selection!” That along with the week's spotlight artists! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on TWITTER JimPrell@TMusicAuthority! Please, are you listening? Please, are you sharing the podcast? Please, has a podcast mention been placed into your social media? How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/ The Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! January 31, 2023, Tuesday, the three-fer…The Stayawakes - 10 - Overdue [Dogs And Cats Living Together (Special Edition)]@Julian Never - 4. Silver One [Pious Fiction]Uniboys - 06_Take A Look Around [Do It All Next Week] (Curation Records)The Raging Teens - 07 Move Move Move [Melody Roundup - The Complete Collection] (Rum Bar Records)The Eddies (with Rob Griffiths) - 05 Show Me [Wait 'Til The Summer Comes]Classic Ruins - Bad Boy [Forget About It] (Rum Bar Records)Terry Draper - 08 08 Bread & Cirkus [Bread and Cirkus]David A Burdick - The Sun Ain't Gonna Shine Anymore [333]The Three Blind Mice - 02_Winter [Day's Getting Dark] (Beluga Records)Terry Draper - Ponce de Leon [(Not All Who Wander Are) Lost]Elijah Jones and The CCs- Standing On Your Own [Pity Parade]Kai Danzberg - 03 Diva Eyes [Satellite]Baby Scream - 6 Explosions [Castell de Pop]Bootchy Temple - Blank Words [In Consummated Bloom]The Speedways - 03 - Shoulda' Known [Talk Of The Town] (Beluga Records)Richard Öhrn Music - 21 Take This Bottle [Twenty-Two Tracks From 2022] (Big Stir Records)Peter Green - Thank You [Raven Kings]
Laker Film Room - Dedicated to the Study of Lakers Basketball
Another missed call at the end of regulation led to a Lakers OT loss in Boston on Saturday, continuing a pattern of obvious, late-game officiating mistakes. The guys vent about the refs before turning their attention to the team's more self-inflicted struggles. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jirka came on to blind taste and chew bubblegum and we're all out of gum. If you're reading this, please leave a nice review for Paradis BB in Miami, who are being trolled by right wing lunatics currently. Also, please donate to Anything But Vinifera. Thanks Smith and Vine for the blinds, we basically 100% got them. //// LIST ////are you sure you want to see them??????? Scroll downRamilo, Vinho Regional Lisboa Arinto, 2016//Les Vignes de Yavanna, VDF, 'Perseides, '2020//Masseria Case Rosse, Etna Rosso, 'Inquieto,' 2020 ////Support the show
Philippians 2:1-8Is there any encouragement from belonging to Christ? Any comfort from his love? Any fellowship together in the Spirit? Are your hearts tender and compassionate? 2 Then make me truly happy by agreeing wholeheartedly with each other, loving one another, and working together with one mind and purpose. 3 Don't be selfish; don't try to impress others. Be humble, thinking of others as better than yourselves. 4 Don't look out only for your own interests, but take an interest in others, too. 5 You must have the same attitude that Christ Jesus had. 6 Though he was God, he did not think of equality with God as something to cling to. 7 Instead, he gave up his divine privileges he took the humble position of a slave and was born as a human being. When he appeared in human form, 8 he humbled himself in obedience to God and died a criminal's death on a cross.ONE ACCORD: The Power Of A Unified ChurchPeter Scazzero“Perhaps one of the most destructive myths alive in the Christian community today is the belief that smoothing over a disagreement or 'sweeping them under the rug' is part of what it means to follow Jesus. For this reason, churches, small groups, ministry teams, denominations, and communities continue to experience the pain of unresolved conflicts.” Acts 4:32-33 32 Now the full number of those who believed were of one heart and soul, and no one said that any of the things that belonged to him was his own, but they had everything in common. 33 And with great power the apostles were giving their testimony to the resurrection of the Lord Jesus, and great grace was upon them all.Acts 1:1414 All these with one accord were devoting themselves to prayer, together with the women and Mary the mother of Jesus, and his brothers.Acts 2:44-4744 And all who believed were together and had all things in common. 45 And they were selling their possessions and belongings and distributing the proceeds to all, as any had need. 46 And day by day, attending the temple together and breaking bread in their homes, they received their food with glad and generous hearts, 47 praising God and having favor with all the people. And the Lord added to their number day by day those who were being saved.UNITY IS GOD'S WILLJohn 13:3535 By this everyone will know that you are my disciples if you love one another.”Dietrich BonhoefferThe church is not a religious community of worshippers of Christ but is Christ himself who has taken form among people.Rich VillodasIf the church is the body (of Christ) we dare not cannibalize ourselves. When we devour each other (through gossip, slander, condemnation, etc) we sink our sharp teeth into the flesh of Christ—not in Eucharistic (communion) worship, but in fleshly fallenness.John 17:20-23“My prayer is not for them (the disciples) alone. I pray also for those who will believe in me through their message, that all of them may be one, Father, just as you are in me and I am in you. May they also be in us so that the world may believe that you have sent me. I have given them the glory that you gave me, that they may be one as we are one— I in them and you in me—so that they may be brought to complete unity. Then the world will know that you sent me and have loved them even as you have loved me.”A.W. TozerWe pray, “Oh God, send thy Holy Spirit upon us so we'll be united.” We might just as well repeat “Three Blind Mice.” God does not hear that kind of prayer because it has no sense in it. The Holy Ghost did not come upon the disciples to unite them. The Holy Spirit came upon the disciples because they were already united, “being of one accord and in one place.” Scholars tell us that “being of one accord” is a musical term, meaning harmony. The early Christians already were one. They were in harmony with each other when they were together in one place.Matthew 5:21-24 21 “You have heard that it was said to those of old, ‘You shall not murder; and whoever murders will be liable to judgment.' 22 But I say to you that everyone who is angry with his brother[c] will be liable to judgment; whoever insults[d] his brother will be liable to the council; and whoever says, ‘You fool!' will be liable to the hell[e] of fire. 23 So if you are offering your gift at the altar and there remember that your brother has something against you, 24 leave your gift there before the altar and go. First, be reconciled to your brother, and then come and offer your gift.UNITY IS BORN FROM HONORRomans 6:1-610 Love one another with brotherly affection. Outdo one another in showing honor.Honor: the recognition of the value, contribution, and importance of others.Peter Scazzero“For years I would observe unusually gifted people perform in extraordinary ways - whether in the arts, sports, leadership, politics, business, academics, parenting, or church - and wonder if somehow they had escaped the brokenness that plagues the rest of us. Now I know they hadn't. We are all deeply flawed and broken. There are no exceptions.”Dietrich Bonhoeffer“No Christian should approach another Christian directly; they should be mediated by Christ.”1. Avoid Gossip2. See Jesus in Others 3. Speak directly to each other “Don't tell me unless you plan on telling them.”4. Assume the Best 5. Remember Who's Team We're On 6. Don't Try To Be Right, Try To UnderstandUNITY IS NOT ALL OF US BEING THE SAME1 Corinthians 12:17-2417 If the whole body were an eye, where would be the sense of hearing? If the whole body were an ear, where would be the sense of smell? 18 But as it is, God arranged the members in the body, each one of them, as he chose. 19 If all were a single member, where would the body be? 20 As it is, there are many parts,[e] yet one body. 21 The eye cannot say to the hand, “I have no need of you,” nor again the head to the feet, “I have no need of you.” 22 On the contrary, the parts of the body that seem to be weaker are indispensable, 23 and on those parts of the body that we think less honorable we bestow the greater honor, and our unpresentable parts are treated with greater modesty, 24 which our more presentable parts do not require. UNITY IS NOT ACHIEVED THROUGH AVOIDING CONFLICTUNITY MUST BE PROTECTEDGalatians 2:11-1411 But when Cephas came to Antioch, I opposed him to his face, because he stood condemned. 12 For before certain men came from James, he was eating with the Gentiles; but when they came he drew back and separated himself, fearing the circumcision party.[a] 13 And the rest of the Jews acted hypocritically along with him, so that even Barnabas was led astray by their hypocrisy. 14 But when I saw that their conduct was not in step with the truth of the gospel, I said to Cephas before them all, “If you, though a Jew, live like a Gentile and not like a Jew, how can you force the Gentiles to live like Jews?”David GuzikAs hard as this was, Paul did it because he knew what was at stake. This wasn't a matter of personal conduct or just personal sin on Peter's part. If that were the case it is unlikely that Paul would have first used such a public approach. This was a matter of the truth of the gospel; proclaiming, “This is how a man is right before God.”SIGNS YOU AREN'T PROTECTING UNITY 1. People feel comfortable talking negatively to you about others 2. You feel comfortable talking negatively about others 3. You feel uncomfortable talking to the people who can actually help youUNITY IS CRITICAL TO A MOVE OF GODPsalm 24 Who shall ascend the hill of the Lord? And who shall stand in his holy place? 4 He who has clean hands and a pure heart, who does not lift up his soul to what is false and does not swear deceitfully. 5 He will receive blessing from the Lord and righteousness from the God of his salvation. 6 Such is the generation of those who seek him, who seek the face of the God of Jacob."It seems to me so much humbug. To be waiting as we are waiting, to be praying as we are praying, when we ourselves are not rightly related to God." Then, he lifted his hands toward heaven and prayed, "O God, are my hands clean? Is my heart pure
The clothes washer repair took longer than expected. But it is done, no internal leaking anymore, and in working order! Wish I could say the same about the dishwasher! The Music Authority Podcast... listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on TWITTER JimPrell@TMusicAuthority! Please, are you listening? Please, are you sharing the podcast? Please, has a podcast mention been placed into your social media? How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/ The Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! January 24, 2023, Tuesday, sentence three…Uniboys - 09_Caroline Kills [Do It All Next Week] (Curation Records)The Raging Teens - 24 Starry In The City [Melody Roundup - The Complete Collection] (Rum Bar Records)Terry Draper - 10 10 Now And Never [Bread and Cirkus]David A Burdick – Thinkin' About Her [333]The Three Blind Mice - 08_In Cold Blood [Day's Getting Dark] (Beluga Records)Elijah Jones and The CCs - Whatever You Want [Pity Parade]Kai Danzberg - 04 Oh, Baby! [Satellite]Baby Scream - 10 Spirits [Castell de Pop]The Speedways - 01 - Dead From The Heart Down [Talk Of The Town] (Beluga Records)The Mommyheads - 19 - Clouds Applaud Us [Coming Into Beauty]Spygenius - 10 Son Of The Morning, Go Man Go! [Twenty-Two Tracks From 2022] (Big Stir Records)Steve Rosenbaum Music - 19 These Girls Fly By [Have A Cool Summer] (Big Stir Records)@Anchor & Bear - 09 I'll Give You Fire [No More Nights On The Roof] (Futureman Records)Eric Peter Schwartz Music - 08 Someone To See Me [Mustard On My Sexy Dress]Cinema Lumière - 07 - Lazy Sunny Day [So Much Fun] (Shiny Happy Records)Dana Countryman - 08 Here Come Those Butterflies Again [Pop The World]Psychopathic Romantics - Thank You [Bread and Circuses]
29 And now, Lord, look upon their threats and grant to your servants to continue to speak your word with all boldness, 30 while you stretch out your hand to heal, and signs and wonders are performed through the name of your holy servant Jesus.”31 And when they had prayed, the place in which they were gathered together was shaken, and they were all filled with the Holy Spirit and continued to speak the word of God with boldness.Acts 4:29-3131 And when they had prayed, the place in which they were gathered together was shaken, and they were all filled with the Holy Spirit and continued to speak the word of God with boldness. 32 Now the full number of those who believed were of one heart and soul, and no one said that any of the things that belonged to him was his own, but they had everything in common. 33 And with great power the apostles were giving their testimony to the resurrection of the Lord Jesus, and great grace was upon them all.Acts 4:31-33HONORING OTHERS WITH BOLDNESS.32 Now the full number of those who believed were of one heart and soul, and no one said that any of the things that belonged to him was his own, but they had everything in common. 33 And with great power the apostles were giving their testimony to the resurrection of the Lord Jesus, and great grace was upon them all.Acts 4:31-32 14 All these with one accord were devoting themselves to prayer, together with the women and Mary the mother of Jesus, and his brothers.Acts 1:1444 And all who believed were together and had all things in common. 45 And they were selling their possessions and belongings and distributing the proceeds to all, as any had need. 46 And day by day, attending the temple together and breaking bread in their homes, they received their food with glad and generous hearts, 47 praising God and having favor with all the people. And the Lord added to their number day by day those who were being saved.Acts 2:44-47UNITY IS GOD'S WILL35 By this everyone will know that you are my disciples if you love one another.”John 13:35The church is not a religious community of worshippers of Christ but is Christ himself who has taken form among people.Dietrich BonhoefferIf the church is the body (of Christ) we dare not cannibalize ourselves. When we devour each other (through gossip, slander, condemnation, etc) we sink our sharp teeth into the flesh of Christ—not in Eucharistic (communion) worship, but in fleshly fallenness.Rich Villodas“My prayer is not for them (the disciples) alone. I pray also for those who will believe in me through their message, that all of them may be one, Father, just as you are in me and I am in you. May they also be in us so that the world may believe that you have sent me. I have given them the glory that you gave me, that they may be one as we are one— I in them and you in me—so that they may be brought to complete unity. Then the world will know that you sent me and have loved them even as you have loved me.”John 17:20-23We pray, “Oh God, send thy Holy Spirit upon us so we'll be united.” We might just as well repeat “Three Blind Mice.” God does not hear that kind of prayer because it has no sense in it. The Holy Ghost did not come upon the disciples to unite them. The Holy Spirit came upon the disciples because they were already united, “being of one accord and in one place.” Scholars tell us that “being of one accord” is a musical term, meaning harmony. The early Christians already were one. They were in harmony with each other when they were together in one place.A.W. Tozer21 “You have heard that it was said to those of old, ‘You shall not murder; and whoever murders will be liable to judgment.' 22 But I say to you that everyone who is angry with his brother[c] will be liable to judgment; whoever insults[d] his brother will be liable to the council; and whoever says, ‘You fool!' will be liable to the hell[e] of fire. 23 So if you are offering your gift at the altar and there remember that your brother has something against you, 24 leave your gift there before the altar and go. First be reconciled to your brother, and then come and offer your gift.Matthew 5:21-24 UNITY IS BORN FROM HONOR10 Love one another with brotherly affection. Outdo one another in showing honor.Romans 6:1-6What is honor? Honor: the recognition of the value, contribution, and importance of others.“No Christian should approach another Christian directly; they should be mediated by Christ.”Dietrich Bonhoeffer Avoid Gossip See Jesus in Others Speak directly to each other “Don't tell me unless you plan on telling them.” Assume the Best Remember Who's Team We're On Don't Try To Be Right, Try To Understand UNITY IS NOT ALL OF US BEING THE SAME17 If the whole body were an eye, where would be the sense of hearing? If the whole body were an ear, where would be the sense of smell? 18 But as it is, God arranged the members in the body, each one of them, as he chose. 19 If all were a single member, where would the body be? 20 As it is, there are many parts,[e] yet one body.21 The eye cannot say to the hand, “I have no need of you,” nor again the head to the feet, “I have no need of you.” 22 On the contrary, the parts of the body that seem to be weaker are indispensable, 23 and on those parts of the body that we think less honorable we bestow the greater honor, and our unpresentable parts are treated with greater modesty, 24 which our more presentable parts do not require. 1 Corinthians 12:17-24UNITY IS NOT ACHIEVED THROUGH AVOIDING CONFLICTUNITY MUST BE PROTECTED11 But when Cephas came to Antioch, I opposed him to his face, because he stood condemned. 12 For before certain men came from James, he was eating with the Gentiles; but when they came he drew back and separated himself, fearing the circumcision party.[a] 13 And the rest of the Jews acted hypocritically along with him, so that even Barnabas was led astray by their hypocrisy. 14 But when I saw that their conduct was not in step with the truth of the gospel, I said to Cephas before them all, “If you, though a Jew, live like a Gentile and not like a Jew, how can you force the Gentiles to live like Jews?”Galatians 2:11-14As hard as this was, Paul did it because he knew what was at stake. This wasn't a matter of personal conduct or just personal sin on Peter's part. If that were the case it is unlikely that Paul would have first used such a public approach. This was a matter of the truth of the gospel; proclaiming, “This is how a man is right before God.”David GuzikSIGNS YOU AREN'T PROTECTING UNITY People feel comfortable talking negatively to you about others You feel comfortable talking negatively about others You feel uncomfortable talking to the people who can actually help you UNITY IS CRITICAL TO A MOVE OF GODWho shall ascend the hill of the Lord? And who shall stand in his holy place?4 He who has clean hands and a pure heart, who does not lift up his soul to what is false and does not swear deceitfully.5 He will receive blessing from the Lord and righteousness from the God of his salvation.6 Such is the generation of those who seek him, who seek the face of the God of Jacob.Psalm 24 "It seems to me so much humbug. To be waiting as we are waiting, to be praying as we are praying, when we ourselves are not rightly related to God." Then, he lifted his hands toward heaven and prayed, "O God, are my hands clean? Is my heart pure?"
Dinner OUT tonight for out anniversary…now we just have to choose where! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on TWITTER JimPrell@TMusicAuthority! Please, are you listening? Please, are you sharing the podcast? Please, has a podcast mention been placed into your social media? How does and can one listen in? Let me list the ways...*Podcast - https://themusicauthority.transistor.fm/ The Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! January 10, 2023, Tuesday, page two…David A Burdick - My Back Pages [333]The Three Blind Mice - 09_Elodie [Day's Getting Dark] (Beluga Records)Elijah Jones and The CCs - Smack Me In The Face [Pity Parade]Kai Danzberg - 06 Voodoo Woman [Satellite]Gerry McGoldrick - 02 My Good Hand [Swelter In Place]Baby Scream - 4 Chillin' [Castell de Pop]The Speedways - 08 - Talk Of The Town [Talk Of The Town] (Beluga Records)The Incurables - 04 Stop the World [Twenty-Two Tracks From 2022] (Big Stir Records)The Galileo 7 - Tattoo [Decayed]Steve Rosenbaum Music - 20 On The Ride Home [Have A Cool Summer] (Big Stir Records)Dana Countryman - 15 I Lie Awake And Dream Of You [Pop The World]@Anchor & Bear - 10 On The Deck Tonight [No More Nights On The Roof] (Futureman Records)@Flannel - 11 – Days [So Much Fun] (Shiny Happy Records)Freddie Dilevi - Music - Die Tonight [Acoustic Heartbreaks] (Rum Bar Records)Little Murders - 01 Wait 'Til The Summer Comes [Wait 'Til The Summer Comes]Brenden Benson - 03 People Grow Apart [Low Key]@Ruin The Night - 05 Someone To Blame [Sound The Alarm] (Rum Bar Records)
In today's episode we're looking at the origins of the Three Blind Mice. ► SOLOFAM MERCH: » https://bit.ly/SoloFamMerch ► Support the series on Patreon! » https://www.patreon.com/JonSolo ► Want more? » Nursery Rhymes Explained: https://bit.ly/MotherGoosePlaylist » Folklore Explained: https://bit.ly/FablesExplained » ALL Messed Up Origins: https://bit.ly/MessedUpOrgins » Disney Explained: https://bit.ly/DisneyExplained » ALL Mythology Explained: https://bit.ly/MythologyExplained » Norse Mythology: http://bit.ly/NorseMythologyExplained » Astrology: http://bit.ly/AstrologyExplained » Messed Up Murders: https://bit.ly/MurderPlaylist ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ► Social Media: » Twitter: https://twitter.com/JonSolo » Instagram: https://www.instagram.com/JonSolo » Facebook Fan Page: https://facebook.com/TheRealJonSolo » Official Subreddit: https://www.reddit.com/r/jonsolo ► Join the Official Channel Discord: » https://www.patreon.com/JonSolo ► Send Fan Mail to: » SoloFamMail@gmail.com ► Business: » biz@messeduporigins.com (Business Inquiries ONLY) ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ▼ Resources ▼ » my favorites: https://messeduporigins.com/books » The Oxford Dictionary of Nursery Rhymes: https://amzn.to/3gXrDrW » The Oxford Nursery Rhyme book: https://amzn.to/3zBEffz » Three Blind Mice "Full Version": https://www.gutenberg.org/files/26060... » Thomas Ravenscroft: https://en.wikipedia.org/wiki/Thomas_... » The Secret Meanings of Nursery Rhymes: https://amzn.to/3yzTmVy » Putting the "Dump" in "Humpty Dumpty": https://bshistorian.wordpress.com/200...
Wearing eyeglasses after 50. I am not to be trusted with them...but Max will take charge. --- Send in a voice message: https://anchor.fm/susan-engstr-mcauliffe/message
It's Wednesday Night, and You Know What That Means. It's another episode of the Mark Order Podcast! AntMoney, Kate The Great, and Ryan Schlong are here to talk about all things All Elite Wrestling by recapping the Rampage, talking about the Ring of Honor Final Battle PPV, discussing Dynamite, and talking about all things AEW from the past week. Before that, the Three Blind Mice of the Mark Order announce... The post Mark Order 090: Winter Has Come appeared first on Shining Wizards Network.
It's Wednesday Night, and You Know What That Means. It's another episode of the Mark Order Podcast! AntMoney, Kate The Great, and Ryan Schlong are here to talk about all things All Elite Wrestling by recapping the Rampage, talking about the Ring of Honor Final Battle PPV, discussing Dynamite, and talking about all things AEW from the past week. Before that, the Three Blind Mice of the Mark Order announce that their new Pro Wrestling Tees store has launched, Kate talks about her new dog, and much more! This is a must listen to show if you're a fan of AEW, so be sure to rate, review, and subscribe or watch us on Youtube, Facebook, or Twitter!
Decided to do a more thematic set this week, dedicated to the incredible Japanese jazz label Three Blind Mice. I don't have a ton of their records but wanted to highlight several I do have, and that might not be as "famous" as some of the other TBM records that have been repressed recently. Hope you dig it! Please subscribe on Apple Pods and leave a rating if you have a moment! Tracklist: Masaru Imada, T. Takahashi and Tokyo Union, Hideo Ichikawa Trio, Bingo Miki, Isao Suzuki Trio, Isoo Fukui Quartet, Sleepy Matsumoto Quartet, Shoji Yokouchi Quartet
Three Blind Mice, aka Ben and Al, are a Youtube duo known for their quirky style and even quirkier content. They started as students of the arts and are now embracing their love for cars and giving people a behind-the-scenes look into the world of classic cars and giving us the down low of the lifestyle and challenges these cars present. So if you fancy knowing what it's like to have Bicester Heritage on your doorstep and the opportunities optimism and curiosity open up, this is the episode for you. We talk about the how and whys they started the channel and the stories of what they have been up to along the way. Look out for these guys in the future, and make sure you don't miss out on what is to come!Find and subscribe to Three Blind Mice here.Follow TBM here.Follow us here.To enter the giveaway, click here.And as always, Thank you for listening! Hosted on Acast. See acast.com/privacy for more information.
On this episode the three blind mice go off on so many tangeants and talk about absolutely everything its borderline impossible to write a summary on it. However the boys discuss Camp 2, TikTok, maybe some funny business, and more. Sit back and enjoy Interested in some new gear for the season? Visit Canadian Waterfowl Supplies: https://www.canadianwaterfowlsupplies.com/ Looking for some Punisher Swag? www.punisherwaterfowl.com A huge thank you to our show sponsors: Vortex Canada : https://www.vortexcanada.net/ Real Geese Decoys : https://webfootdecoys.com/ Have ideas for a topic? Know someone who would be a good guest? Have questions about the show? Reach out on social media: Instagram : www.instagram.com/punisherwaterfowl : @punisherwaterfowl Facebook : www.facebook.com/punisherwaterfowl #Hunting #Podcast #Ducks
This week's episode looks at “All You Need is Love”, the Our World TV special, and the career of the Beatles from April 1966 through August 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a thirteen-minute bonus episode available, on "Rain" by the Beatles. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ NB for the first few hours this was up, there was a slight editing glitch. If you downloaded the old version and don't want to redownload the whole thing, just look in the transcript for "Other than fixing John's two flubbed" for the text of the two missing paragraphs. Errata I say "Come Together" was a B-side, but the single was actually a double A-side. Also, I say the Lennon interview by Maureen Cleave appeared in Detroit magazine. That's what my source (Steve Turner's book) says, but someone on Twitter says that rather than Detroit magazine it was the Detroit Free Press. Also at one point I say "the videos for 'Paperback Writer' and 'Penny Lane'". I meant to say "Rain" rather than "Penny Lane" there. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. Particularly useful this time was Steve Turner's book Beatles '66. I also used Turner's The Beatles: The Stories Behind the Songs 1967-1970. Johnny Rogan's Starmakers and Svengalis had some information on Epstein I hadn't seen anywhere else. Some information about the "Bigger than Jesus" scandal comes from Ward, B. (2012). “The ‘C' is for Christ”: Arthur Unger, Datebook Magazine and the Beatles. Popular Music and Society, 35(4), 541-560. https://doi.org/10.1080/03007766.2011.608978 Information on Robert Stigwood comes from Mr Showbiz by Stephen Dando-Collins. And the quote at the end from Simon Napier-Bell is from You Don't Have to Say You Love Me, which is more entertaining than it is accurate, but is very entertaining. Sadly the only way to get the single mix of "All You Need is Love" is on this ludicrously-expensive out-of-print box set, but the stereo mix is easily available on Magical Mystery Tour. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A quick note before I start the episode -- this episode deals, in part, with the deaths of three gay men -- one by murder, one by suicide, and one by an accidental overdose, all linked at least in part to societal homophobia. I will try to deal with this as tactfully as I can, but anyone who's upset by those things might want to read the transcript instead of listening to the episode. This is also a very, very, *very* long episode -- this is likely to be the longest episode I *ever* do of this podcast, so settle in. We're going to be here a while. I obviously don't know how long it's going to be while I'm still recording, but based on the word count of my script, probably in the region of three hours. You have been warned. In 1967 the actor Patrick McGoohan was tired. He had been working on the hit series Danger Man for many years -- Danger Man had originally run from 1960 through 1962, then had taken a break, and had come back, retooled, with longer episodes in 1964. That longer series was a big hit, both in the UK and in the US, where it was retitled Secret Agent and had a new theme tune written by PF Sloan and Steve Barri and recorded by Johnny Rivers: [Excerpt: Johnny Rivers, "Secret Agent Man"] But McGoohan was tired of playing John Drake, the agent, and announced he was going to quit the series. Instead, with the help of George Markstein, Danger Man's script editor, he created a totally new series, in which McGoohan would star, and which McGoohan would also write and direct key episodes of. This new series, The Prisoner, featured a spy who is only ever given the name Number Six, and who many fans -- though not McGoohan himself -- took to be the same character as John Drake. Number Six resigns from his job as a secret agent, and is kidnapped and taken to a place known only as The Village -- the series was filmed in Portmeirion, an unusual-looking town in Gwynnedd, in North Wales -- which is full of other ex-agents. There he is interrogated to try to find out why he has quit his job. It's never made clear whether the interrogators are his old employers or their enemies, and there's a certain suggestion that maybe there is no real distinction between the two sides, that they're both running the Village together. He spends the entire series trying to escape, but refuses to explain himself -- and there's some debate among viewers as to whether it's implied or not that part of the reason he doesn't explain himself is that he knows his interrogators wouldn't understand why he quit: [Excerpt: The Prisoner intro, from episode Once Upon a Time, ] Certainly that explanation would fit in with McGoohan's own personality. According to McGoohan, the final episode of The Prisoner was, at the time, the most watched TV show ever broadcast in the UK, as people tuned in to find out the identity of Number One, the person behind the Village, and to see if Number Six would break free. I don't think that's actually the case, but it's what McGoohan always claimed, and it was certainly a very popular series. I won't spoil the ending for those of you who haven't watched it -- it's a remarkable series -- but ultimately the series seems to decide that such questions don't matter and that even asking them is missing the point. It's a work that's open to multiple interpretations, and is left deliberately ambiguous, but one of the messages many people have taken away from it is that not only are we trapped by a society that oppresses us, we're also trapped by our own identities. You can run from the trap that society has placed you in, from other people's interpretations of your life, your work, and your motives, but you ultimately can't run from yourself, and any time you try to break out of a prison, you'll find yourself trapped in another prison of your own making. The most horrifying implication of the episode is that possibly even death itself won't be a release, and you will spend all eternity trying to escape from an identity you're trapped in. Viewers became so outraged, according to McGoohan, that he had to go into hiding for an extended period, and while his later claims that he never worked in Britain again are an exaggeration, it is true that for the remainder of his life he concentrated on doing work in the US instead, where he hadn't created such anger. That final episode of The Prisoner was also the only one to use a piece of contemporary pop music, in two crucial scenes: [Excerpt: The Prisoner, "Fall Out", "All You Need is Love"] Back in October 2020, we started what I thought would be a year-long look at the period from late 1962 through early 1967, but which has turned out for reasons beyond my control to take more like twenty months, with a song which was one of the last of the big pre-Beatles pop hits, though we looked at it after their first single, "Telstar" by the Tornadoes: [Excerpt: The Tornadoes, "Telstar"] There were many reasons for choosing that as one of the bookends for this fifty-episode chunk of the podcast -- you'll see many connections between that episode and this one if you listen to them back-to-back -- but among them was that it's a song inspired by the launch of the first ever communications satellite, and a sign of how the world was going to become smaller as the sixties went on. Of course, to start with communications satellites didn't do much in that regard -- they were expensive to use, and had limited bandwidth, and were only available during limited time windows, but symbolically they meant that for the first time ever, people could see and hear events thousands of miles away as they were happening. It's not a coincidence that Britain and France signed the agreement to develop Concorde, the first supersonic airliner, a month after the first Beatles single and four months after the Telstar satellite was launched. The world was becoming ever more interconnected -- people were travelling faster and further, getting news from other countries quicker, and there was more cultural conversation – and misunderstanding – between countries thousands of miles apart. The Canadian media theorist Marshall McLuhan, the man who also coined the phrase “the medium is the message”, thought that this ever-faster connection would fundamentally change basic modes of thought in the Western world. McLuhan thought that technology made possible whole new modes of thought, and that just as the printing press had, in his view, caused Western liberalism and individualism, so these new electronic media would cause the rise of a new collective mode of thought. In 1962, the year of Concorde, Telstar, and “Love Me Do”, McLuhan wrote a book called The Gutenberg Galaxy, in which he said: “Instead of tending towards a vast Alexandrian library the world has become a computer, an electronic brain, exactly as an infantile piece of science fiction. And as our senses have gone outside us, Big Brother goes inside. So, unless aware of this dynamic, we shall at once move into a phase of panic terrors, exactly befitting a small world of tribal drums, total interdependence, and superimposed co-existence.… Terror is the normal state of any oral society, for in it everything affects everything all the time.…” He coined the term “the Global Village” to describe this new collectivism. The story we've seen over the last fifty episodes is one of a sort of cultural ping-pong between the USA and the UK, with innovations in American music inspiring British musicians, who in turn inspired American ones, whether that being the Beatles covering the Isley Brothers or the Rolling Stones doing a Bobby Womack song, or Paul Simon and Bob Dylan coming over to the UK and learning folk songs and guitar techniques from Martin Carthy. And increasingly we're going to see those influences spread to other countries, and influences coming *from* other countries. We've already seen one Jamaican artist, and the influence of Indian music has become very apparent. While the focus of this series is going to remain principally in the British Isles and North America, rock music was and is a worldwide phenomenon, and that's going to become increasingly a part of the story. And so in this episode we're going to look at a live performance -- well, mostly live -- that was seen by hundreds of millions of people all over the world as it happened, thanks to the magic of satellites: [Excerpt: The Beatles, "All You Need is Love"] When we left the Beatles, they had just finished recording "Tomorrow Never Knows", the most experimental track they had recorded up to that date, and if not the most experimental thing they *ever* recorded certainly in the top handful. But "Tomorrow Never Knows" was only the first track they recorded in the sessions for what would become arguably their greatest album, and certainly the one that currently has the most respect from critics. It's interesting to note that that album could have been very, very, different. When we think of Revolver now, we think of the innovative production of George Martin, and of Geoff Emerick and Ken Townshend's inventive ideas for pushing the sound of the equipment in Abbey Road studios, but until very late in the day the album was going to be recorded in the Stax studios in Memphis, with Steve Cropper producing -- whether George Martin would have been involved or not is something we don't even know. In 1965, the Rolling Stones had, as we've seen, started making records in the US, recording in LA and at the Chess studios in Chicago, and the Yardbirds had also been doing the same thing. Mick Jagger had become a convert to the idea of using American studios and working with American musicians, and he had constantly been telling Paul McCartney that the Beatles should do the same. Indeed, they'd put some feelers out in 1965 about the possibility of the group making an album with Holland, Dozier, and Holland in Detroit. Quite how this would have worked is hard to figure out -- Holland, Dozier, and Holland's skills were as songwriters, and in their work with a particular set of musicians -- so it's unsurprising that came to nothing. But recording at Stax was a different matter. While Steve Cropper was a great songwriter in his own right, he was also adept at getting great sounds on covers of other people's material -- like on Otis Blue, the album he produced for Otis Redding in late 1965, which doesn't include a single Cropper original: [Excerpt: Otis Redding, "Satisfaction"] And the Beatles were very influenced by the records Stax were putting out, often namechecking Wilson Pickett in particular, and during the Rubber Soul sessions they had recorded a "Green Onions" soundalike track, imaginatively titled "12-Bar Original": [Excerpt: The Beatles, "12-Bar Original"] The idea of the group recording at Stax got far enough that they were actually booked in for two weeks starting the ninth of April, and there was even an offer from Elvis to let them stay at Graceland while they recorded, but then a couple of weeks earlier, the news leaked to the press, and Brian Epstein cancelled the booking. According to Cropper, Epstein talked about recording at the Atlantic studios in New York with him instead, but nothing went any further. It's hard to imagine what a Stax-based Beatles album would have been like, but even though it might have been a great album, it certainly wouldn't have been the Revolver we've come to know. Revolver is an unusual album in many ways, and one of the ways it's most distinct from the earlier Beatles albums is the dominance of keyboards. Both Lennon and McCartney had often written at the piano as well as the guitar -- McCartney more so than Lennon, but both had done so regularly -- but up to this point it had been normal for them to arrange the songs for guitars rather than keyboards, no matter how they'd started out. There had been the odd track where one of them, usually Lennon, would play a simple keyboard part, songs like "I'm Down" or "We Can Work it Out", but even those had been guitar records first and foremost. But on Revolver, that changed dramatically. There seems to have been a complex web of cause and effect here. Paul was becoming increasingly interested in moving his basslines away from simple walking basslines and root notes and the other staples of rock and roll basslines up to this point. As the sixties progressed, rock basslines were becoming ever more complex, and Tyler Mahan Coe has made a good case that this is largely down to innovations in production pioneered by Owen Bradley, and McCartney was certainly aware of Bradley's work -- he was a fan of Brenda Lee, who Bradley produced, for example. But the two influences that McCartney has mentioned most often in this regard are the busy, jazz-influenced, basslines that James Jamerson was playing at Motown: [Excerpt: The Four Tops, "It's the Same Old Song"] And the basslines that Brian Wilson was writing for various Wrecking Crew bassists to play for the Beach Boys: [Excerpt: The Beach Boys, "Don't Talk (Put Your Head on My Shoulder)"] Just to be clear, McCartney didn't hear that particular track until partway through the recording of Revolver, when Bruce Johnston visited the UK and brought with him an advance copy of Pet Sounds, but Pet Sounds influenced the later part of Revolver's recording, and Wilson had already started his experiments in that direction with the group's 1965 work. It's much easier to write a song with this kind of bassline, one that's integral to the composition, on the piano than it is to write it on a guitar, as you can work out the bassline with your left hand while working out the chords and melody with your right, so the habit that McCartney had already developed of writing on the piano made this easier. But also, starting with the recording of "Paperback Writer", McCartney switched his style of working in the studio. Where up to this point it had been normal for him to play bass as part of the recording of the basic track, playing with the other Beatles, he now started to take advantage of multitracking to overdub his bass later, so he could spend extra time getting the bassline exactly right. McCartney lived closer to Abbey Road than the other three Beatles, and so could more easily get there early or stay late and tweak his parts. But if McCartney wasn't playing bass while the guitars and drums were being recorded, that meant he could play something else, and so increasingly he would play piano during the recording of the basic track. And that in turn would mean that there wouldn't always *be* a need for guitars on the track, because the harmonic support they would provide would be provided by the piano instead. This, as much as anything else, is the reason that Revolver sounds so radically different to any other Beatles album. Up to this point, with *very* rare exceptions like "Yesterday", every Beatles record, more or less, featured all four of the Beatles playing instruments. Now John and George weren't playing on "Good Day Sunshine" or "For No One", John wasn't playing on "Here, There, and Everywhere", "Eleanor Rigby" features no guitars or drums at all, and George's "Love You To" only features himself, plus a little tambourine from Ringo (Paul recorded a part for that one, but it doesn't seem to appear on the finished track). Of the three songwriting Beatles, the only one who at this point was consistently requiring the instrumental contributions of all the other band members was John, and even he did without Paul on "She Said, She Said", which by all accounts features either John or George on bass, after Paul had a rare bout of unprofessionalism and left the studio. Revolver is still an album made by a group -- and most of those tracks that don't feature John or George instrumentally still feature them vocally -- it's still a collaborative work in all the best ways. But it's no longer an album made by four people playing together in the same room at the same time. After starting work on "Tomorrow Never Knows", the next track they started work on was Paul's "Got to Get You Into My Life", but as it would turn out they would work on that song throughout most of the sessions for the album -- in a sign of how the group would increasingly work from this point on, Paul's song was subject to multiple re-recordings and tweakings in the studio, as he tinkered to try to make it perfect. The first recording to be completed for the album, though, was almost as much of a departure in its own way as "Tomorrow Never Knows" had been. George's song "Love You To" shows just how inspired he was by the music of Ravi Shankar, and how devoted he was to Indian music. While a few months earlier he had just about managed to pick out a simple melody on the sitar for "Norwegian Wood", by this point he was comfortable enough with Indian classical music that I've seen many, many sources claim that an outside session player is playing sitar on the track, though Anil Bhagwat, the tabla player on the track, always insisted that it was entirely Harrison's playing: [Excerpt: The Beatles, "Love You To"] There is a *lot* of debate as to whether it's George playing on the track, and I feel a little uncomfortable making a definitive statement in either direction. On the one hand I find it hard to believe that Harrison got that good that quickly on an unfamiliar instrument, when we know he wasn't a naturally facile musician. All the stories we have about his work in the studio suggest that he had to work very hard on his guitar solos, and that he would frequently fluff them. As a technical guitarist, Harrison was only mediocre -- his value lay in his inventiveness, not in technical ability -- and he had been playing guitar for over a decade, but sitar only a few months. There's also some session documentation suggesting that an unknown sitar player was hired. On the other hand there's the testimony of Anil Bhagwat that Harrison played the part himself, and he has been very firm on the subject, saying "If you go on the Internet there are a lot of questions asked about "Love You To". They say 'It's not George playing the sitar'. I can tell you here and now -- 100 percent it was George on sitar throughout. There were no other musicians involved. It was just me and him." And several people who are more knowledgeable than myself about the instrument have suggested that the sitar part on the track is played the way that a rock guitarist would play rather than the way someone with more knowledge of Indian classical music would play -- there's a blues feeling to some of the bends that apparently no genuine Indian classical musician would naturally do. I would suggest that the best explanation is that there's a professional sitar player trying to replicate a part that Harrison had previously demonstrated, while Harrison was in turn trying his best to replicate the sound of Ravi Shankar's work. Certainly the instrumental section sounds far more fluent, and far more stylistically correct, than one would expect: [Excerpt: The Beatles, "Love You To"] Where previous attempts at what got called "raga-rock" had taken a couple of surface features of Indian music -- some form of a drone, perhaps a modal scale -- and had generally used a guitar made to sound a little bit like a sitar, or had a sitar playing normal rock riffs, Harrison's song seems to be a genuine attempt to hybridise Indian ragas and rock music, combining the instrumentation, modes, and rhythmic complexity of someone like Ravi Shankar with lyrics that are seemingly inspired by Bob Dylan and a fairly conventional pop song structure (and a tiny bit of fuzz guitar). It's a record that could only be made by someone who properly understood both the Indian music he's emulating and the conventions of the Western pop song, and understood how those conventions could work together. Indeed, one thing I've rarely seen pointed out is how cleverly the album is sequenced, so that "Love You To" is followed by possibly the most conventional song on Revolver, "Here, There, and Everywhere", which was recorded towards the end of the sessions. Both songs share a distinctive feature not shared by the rest of the album, so the two songs can sound more of a pair than they otherwise would, retrospectively making "Love You To" seem more conventional than it is and "Here, There, and Everywhere" more unconventional -- both have as an introduction a separate piece of music that states some of the melodic themes of the rest of the song but isn't repeated later. In the case of "Love You To" it's the free-tempo bit at the beginning, characteristic of a lot of Indian music: [Excerpt: The Beatles, "Love You To"] While in the case of "Here, There, and Everywhere" it's the part that mimics an older style of songwriting, a separate intro of the type that would have been called a verse when written by the Gershwins or Cole Porter, but of course in the intervening decades "verse" had come to mean something else, so we now no longer have a specific term for this kind of intro -- but as you can hear, it's doing very much the same thing as that "Love You To" intro: [Excerpt: The Beatles, "Here, There, and Everywhere"] In the same day as the group completed "Love You To", overdubbing George's vocal and Ringo's tambourine, they also started work on a song that would show off a lot of the new techniques they had been working on in very different ways. Paul's "Paperback Writer" could indeed be seen as part of a loose trilogy with "Love You To" and "Tomorrow Never Knows", one song by each of the group's three songwriters exploring the idea of a song that's almost all on one chord. Both "Tomorrow Never Knows" and "Love You To" are based on a drone with occasional hints towards moving to one other chord. In the case of "Paperback Writer", the entire song stays on a single chord until the title -- it's on a G7 throughout until the first use of the word "writer", when it quickly goes to a C for two bars. I'm afraid I'm going to have to sing to show you how little the chords actually change, because the riff disguises this lack of movement somewhat, but the melody is also far more horizontal than most of McCartney's, so this shouldn't sound too painful, I hope: [demonstrates] This is essentially the exact same thing that both "Love You To" and "Tomorrow Never Knows" do, and all three have very similarly structured rising and falling modal melodies. There's also a bit of "Paperback Writer" that seems to tie directly into "Love You To", but also points to a possible very non-Indian inspiration for part of "Love You To". The Beach Boys' single "Sloop John B" was released in the UK a couple of days after the sessions for "Paperback Writer" and "Love You To", but it had been released in the US a month before, and the Beatles all got copies of every record in the American top thirty shipped to them. McCartney and Harrison have specifically pointed to it as an influence on "Paperback Writer". "Sloop John B" has a section where all the instruments drop out and we're left with just the group's vocal harmonies: [Excerpt: The Beach Boys, "Sloop John B"] And that seems to have been the inspiration behind the similar moment at a similar point in "Paperback Writer", which is used in place of a middle eight and also used for the song's intro: [Excerpt: The Beatles, "Paperback Writer"] Which is very close to what Harrison does at the end of each verse of "Love You To", where the instruments drop out for him to sing a long melismatic syllable before coming back in: [Excerpt: The Beatles, "Love You To"] Essentially, other than "Got to Get You Into My Life", which is an outlier and should not be counted, the first three songs attempted during the Revolver sessions are variations on a common theme, and it's a sign that no matter how different the results might sound, the Beatles really were very much a group at this point, and were sharing ideas among themselves and developing those ideas in similar ways. "Paperback Writer" disguises what it's doing somewhat by having such a strong riff. Lennon referred to "Paperback Writer" as "son of 'Day Tripper'", and in terms of the Beatles' singles it's actually their third iteration of this riff idea, which they originally got from Bobby Parker's "Watch Your Step": [Excerpt: Bobby Parker, "Watch Your Step"] Which became the inspiration for "I Feel Fine": [Excerpt: The Beatles, "I Feel Fine"] Which they varied for "Day Tripper": [Excerpt: The Beatles, "Day Tripper"] And which then in turn got varied for "Paperback Writer": [Excerpt: The Beatles, "Paperback Writer"] As well as compositional ideas, there are sonic ideas shared between "Paperback Writer", "Tomorrow Never Knows", and "Love You To", and which would be shared by the rest of the tracks the Beatles recorded in the first half of 1966. Since Geoff Emerick had become the group's principal engineer, they'd started paying more attention to how to get a fuller sound, and so Emerick had miced the tabla on "Love You To" much more closely than anyone would normally mic an instrument from classical music, creating a deep, thudding sound, and similarly he had changed the way they recorded the drums on "Tomorrow Never Knows", again giving a much fuller sound. But the group also wanted the kind of big bass sounds they'd loved on records coming out of America -- sounds that no British studio was getting, largely because it was believed that if you cut too loud a bass sound into a record it would make the needle jump out of the groove. The new engineering team of Geoff Emerick and Ken Scott, though, thought that it was likely you could keep the needle in the groove if you had a smoother frequency response. You could do that if you used a microphone with a larger diaphragm to record the bass, but how could you do that? Inspiration finally struck -- loudspeakers are actually the same thing as microphones wired the other way round, so if you wired up a loudspeaker as if it were a microphone you could get a *really big* speaker, place it in front of the bass amp, and get a much stronger bass sound. The experiment wasn't a total success -- the sound they got had to be processed quite extensively to get rid of room noise, and then compressed in order to further prevent the needle-jumping issue, and so it's a muddier, less defined, tone than they would have liked, but one thing that can't be denied is that "Paperback Writer"'s bass sound is much, much, louder than on any previous Beatles record: [Excerpt: The Beatles, "Paperback Writer"] Almost every track the group recorded during the Revolver sessions involved all sorts of studio innovations, though rarely anything as truly revolutionary as the artificial double-tracking they'd used on "Tomorrow Never Knows", and which also appeared on "Paperback Writer" -- indeed, as "Paperback Writer" was released several months before Revolver, it became the first record released to use the technique. I could easily devote a good ten minutes to every track on Revolver, and to "Paperback Writer"s B-side, "Rain", but this is already shaping up to be an extraordinarily long episode and there's a lot of material to get through, so I'll break my usual pattern of devoting a Patreon bonus episode to something relatively obscure, and this week's bonus will be on "Rain" itself. "Paperback Writer", though, deserved the attention here even though it was not one of the group's more successful singles -- it did go to number one, but it didn't hit number one in the UK charts straight away, being kept off the top by "Strangers in the Night" by Frank Sinatra for the first week: [Excerpt: Frank Sinatra, "Strangers in the Night"] Coincidentally, "Strangers in the Night" was co-written by Bert Kaempfert, the German musician who had produced the group's very first recording sessions with Tony Sheridan back in 1961. On the group's German tour in 1966 they met up with Kaempfert again, and John greeted him by singing the first couple of lines of the Sinatra record. The single was the lowest-selling Beatles single in the UK since "Love Me Do". In the US it only made number one for two non-consecutive weeks, with "Strangers in the Night" knocking it off for a week in between. Now, by literally any other band's standards, that's still a massive hit, and it was the Beatles' tenth UK number one in a row (or ninth, depending on which chart you use for "Please Please Me"), but it's a sign that the group were moving out of the first phase of total unequivocal dominance of the charts. It was a turning point in a lot of other ways as well. Up to this point, while the group had been experimenting with different lyrical subjects on album tracks, every single had lyrics about romantic relationships -- with the possible exception of "Help!", which was about Lennon's emotional state but written in such a way that it could be heard as a plea to a lover. But in the case of "Paperback Writer", McCartney was inspired by his Aunt Mill asking him "Why do you write songs about love all the time? Can you ever write about a horse or the summit conference or something interesting?" His response was to think "All right, Aunt Mill, I'll show you", and to come up with a lyric that was very much in the style of the social satires that bands like the Kinks were releasing at the time. People often miss the humour in the lyric for "Paperback Writer", but there's a huge amount of comedy in lyrics about someone writing to a publisher saying they'd written a book based on someone else's book, and one can only imagine the feeling of weary recognition in slush-pile readers throughout the world as they heard the enthusiastic "It's a thousand pages, give or take a few, I'll be writing more in a week or two. I can make it longer..." From this point on, the group wouldn't release a single that was unambiguously about a romantic relationship until "The Ballad of John and Yoko", the last single released while the band were still together. "Paperback Writer" also saw the Beatles for the first time making a promotional film -- what we would now call a rock video -- rather than make personal appearances on TV shows. The film was directed by Michael Lindsay-Hogg, who the group would work with again in 1969, and shows Paul with a chipped front tooth -- he'd been in an accident while riding mopeds with his friend Tara Browne a few months earlier, and hadn't yet got round to having the tooth capped. When he did, the change in his teeth was one of the many bits of evidence used by conspiracy theorists to prove that the real Paul McCartney was dead and replaced by a lookalike. It also marks a change in who the most prominent Beatle on the group's A-sides was. Up to this point, Paul had had one solo lead on an A-side -- "Can't Buy Me Love" -- and everything else had been either a song with multiple vocalists like "Day Tripper" or "Love Me Do", or a song with a clear John lead like "Ticket to Ride" or "I Feel Fine". In the rest of their career, counting "Paperback Writer", the group would release nine new singles that hadn't already been included on an album. Of those nine singles, one was a double A-side with one John song and one Paul song, two had John songs on the A-side, and the other six were Paul. Where up to this point John had been "lead Beatle", for the rest of the sixties, Paul would be the group's driving force. Oddly, Paul got rather defensive about the record when asked about it in interviews after it failed to go straight to the top, saying "It's not our best single by any means, but we're very satisfied with it". But especially in its original mono mix it actually packs a powerful punch: [Excerpt: The Beatles, "Paperback Writer"] When the "Paperback Writer" single was released, an unusual image was used in the advertising -- a photo of the Beatles dressed in butchers' smocks, covered in blood, with chunks of meat and the dismembered body parts of baby dolls lying around on them. The image was meant as part of a triptych parodying religious art -- the photo on the left was to be an image showing the four Beatles connected to a woman by an umbilical cord made of sausages, the middle panel was meant to be this image, but with halos added over the Beatles' heads, and the panel on the right was George hammering a nail into John's head, symbolising both crucifixion and that the group were real, physical, people, not just images to be worshipped -- these weren't imaginary nails, and they weren't imaginary people. The photographer Robert Whittaker later said: “I did a photograph of the Beatles covered in raw meat, dolls and false teeth. Putting meat, dolls and false teeth with The Beatles is essentially part of the same thing, the breakdown of what is regarded as normal. The actual conception for what I still call “Somnambulant Adventure” was Moses coming down from Mount Sinai with the Ten Commandments. He comes across people worshipping a golden calf. All over the world I'd watched people worshiping like idols, like gods, four Beatles. To me they were just stock standard normal people. But this emotion that fans poured on them made me wonder where Christianity was heading.” The image wasn't that controversial in the UK, when it was used to advertise "Paperback Writer", but in the US it was initially used for the cover of an album, Yesterday... And Today, which was made up of a few tracks that had been left off the US versions of the Rubber Soul and Help! albums, plus both sides of the "We Can Work It Out"/"Day Tripper" single, and three rough mixes of songs that had been recorded for Revolver -- "Doctor Robert", "And Your Bird Can Sing", and "I'm Only Sleeping", which was the song that sounded most different from the mixes that were finally released: [Excerpt: The Beatles, "I'm Only Sleeping (Yesterday... and Today mix)"] Those three songs were all Lennon songs, which had the unfortunate effect that when the US version of Revolver was brought out later in the year, only two of the songs on the album were by Lennon, with six by McCartney and three by Harrison. Some have suggested that this was the motivation for the use of the butcher image on the cover of Yesterday... And Today -- saying it was the Beatles' protest against Capitol "butchering" their albums -- but in truth it was just that Capitol's art director chose the cover because he liked the image. Alan Livingston, the president of Capitol was not so sure, and called Brian Epstein to ask if the group would be OK with them using a different image. Epstein checked with John Lennon, but Lennon liked the image and so Epstein told Livingston the group insisted on them using that cover. Even though for the album cover the bloodstains on the butchers' smocks were airbrushed out, after Capitol had pressed up a million copies of the mono version of the album and two hundred thousand copies of the stereo version, and they'd sent out sixty thousand promo copies, they discovered that no record shops would stock the album with that cover. It cost Capitol more than two hundred thousand dollars to recall the album and replace the cover with a new one -- though while many of the covers were destroyed, others had the new cover, with a more acceptable photo of the group, pasted over them, and people have later carefully steamed off the sticker to reveal the original. This would not be the last time in 1966 that something that was intended as a statement on religion and the way people viewed the Beatles would cause the group trouble in America. In the middle of the recording sessions for Revolver, the group also made what turned out to be their last ever UK live performance in front of a paying audience. The group had played the NME Poll-Winners' Party every year since 1963, and they were always shows that featured all the biggest acts in the country at the time -- the 1966 show featured, as well as the Beatles and a bunch of smaller acts, the Rolling Stones, the Who, the Yardbirds, Roy Orbison, Cliff Richard and the Shadows, the Seekers, the Small Faces, the Walker Brothers, and Dusty Springfield. Unfortunately, while these events were always filmed for TV broadcast, the Beatles' performance on the first of May wasn't filmed. There are various stories about what happened, but the crux appears to be a disagreement between Andrew Oldham and Brian Epstein, sparked by John Lennon. When the Beatles got to the show, they were upset to discover that they had to wait around before going on stage -- normally, the awards would all be presented at the end, after all the performances, but the Rolling Stones had asked that the Beatles not follow them directly, so after the Stones finished their set, there would be a break for the awards to be given out, and then the Beatles would play their set, in front of an audience that had been bored by twenty-five minutes of awards ceremony, rather than one that had been excited by all the bands that came before them. John Lennon was annoyed, and insisted that the Beatles were going to go on straight after the Rolling Stones -- he seems to have taken this as some sort of power play by the Stones and to have got his hackles up about it. He told Epstein to deal with the people from the NME. But the NME people said that they had a contract with Andrew Oldham, and they weren't going to break it. Oldham refused to change the terms of the contract. Lennon said that he wasn't going to go on stage if they didn't directly follow the Stones. Maurice Kinn, the publisher of the NME, told Epstein that he wasn't going to break the contract with Oldham, and that if the Beatles didn't appear on stage, he would get Jimmy Savile, who was compering the show, to go out on stage and tell the ten thousand fans in the audience that the Beatles were backstage refusing to appear. He would then sue NEMS for breach of contract *and* NEMS would be liable for any damage caused by the rioting that was sure to happen. Lennon screamed a lot of abuse at Kinn, and told him the group would never play one of their events again, but the group did go on stage -- but because they hadn't yet signed the agreement to allow their performance to be filmed, they refused to allow it to be recorded. Apparently Andrew Oldham took all this as a sign that Epstein was starting to lose control of the group. Also during May 1966 there were visits from musicians from other countries, continuing the cultural exchange that was increasingly influencing the Beatles' art. Bruce Johnston of the Beach Boys came over to promote the group's new LP, Pet Sounds, which had been largely the work of Brian Wilson, who had retired from touring to concentrate on working in the studio. Johnston played the record for John and Paul, who listened to it twice, all the way through, in silence, in Johnston's hotel room: [Excerpt: The Beach Boys, "God Only Knows"] According to Johnston, after they'd listened through the album twice, they went over to a piano and started whispering to each other, picking out chords. Certainly the influence of Pet Sounds is very noticeable on songs like "Here, There, and Everywhere", written and recorded a few weeks after this meeting: [Excerpt: The Beatles, "Here, There, and Everywhere"] That track, and the last track recorded for the album, "She Said She Said" were unusual in one very important respect -- they were recorded while the Beatles were no longer under contract to EMI Records. Their contract expired on the fifth of June, 1966, and they finished Revolver without it having been renewed -- it would be several months before their new contract was signed, and it's rather lucky for music lovers that Brian Epstein was the kind of manager who considered personal relationships and basic honour and decency more important than the legal niceties, unlike any other managers of the era, otherwise we would not have Revolver in the form we know it today. After the meeting with Johnston, but before the recording of those last couple of Revolver tracks, the Beatles also met up again with Bob Dylan, who was on a UK tour with a new, loud, band he was working with called The Hawks. While the Beatles and Dylan all admired each other, there was by this point a lot of wariness on both sides, especially between Lennon and Dylan, both of them very similar personality types and neither wanting to let their guard down around the other or appear unhip. There's a famous half-hour-long film sequence of Lennon and Dylan sharing a taxi, which is a fascinating, excruciating, example of two insecure but arrogant men both trying desperately to impress the other but also equally desperate not to let the other know that they want to impress them: [Excerpt: Dylan and Lennon taxi ride] The day that was filmed, Lennon and Harrison also went to see Dylan play at the Royal Albert Hall. This tour had been controversial, because Dylan's band were loud and raucous, and Dylan's fans in the UK still thought of him as a folk musician. At one gig, earlier on the tour, an audience member had famously yelled out "Judas!" -- (just on the tiny chance that any of my listeners don't know that, Judas was the disciple who betrayed Jesus to the authorities, leading to his crucifixion) -- and that show was for many years bootlegged as the "Royal Albert Hall" show, though in fact it was recorded at the Free Trade Hall in Manchester. One of the *actual* Royal Albert Hall shows was released a few years ago -- the one the night before Lennon and Harrison saw Dylan: [Excerpt: Bob Dylan, "Like a Rolling Stone", Royal Albert Hall 1966] The show Lennon and Harrison saw would be Dylan's last for many years. Shortly after returning to the US, Dylan was in a motorbike accident, the details of which are still mysterious, and which some fans claim was faked altogether. The accident caused him to cancel all the concert dates he had booked, and devote himself to working in the studio for several years just like Brian Wilson. And from even further afield than America, Ravi Shankar came over to Britain, to work with his friend the violinist Yehudi Menuhin, on a duet album, West Meets East, that was an example in the classical world of the same kind of international cross-fertilisation that was happening in the pop world: [Excerpt: Yehudi Menuhin and Ravi Shankar, "Prabhati (based on Raga Gunkali)"] While he was in the UK, Shankar also performed at the Royal Festival Hall, and George Harrison went to the show. He'd seen Shankar live the year before, but this time he met up with him afterwards, and later said "He was the first person that impressed me in a way that was beyond just being a famous celebrity. Ravi was my link to the Vedic world. Ravi plugged me into the whole of reality. Elvis impressed me when I was a kid, and impressed me when I met him, but you couldn't later on go round to him and say 'Elvis, what's happening with the universe?'" After completing recording and mixing the as-yet-unnamed album, which had been by far the longest recording process of their career, and which still nearly sixty years later regularly tops polls of the best album of all time, the Beatles took a well-earned break. For a whole two days, at which point they flew off to Germany to do a three-day tour, on their way to Japan, where they were booked to play five shows at the Budokan. Unfortunately for the group, while they had no idea of this when they were booked to do the shows, many in Japan saw the Budokan as sacred ground, and they were the first ever Western group to play there. This led to numerous death threats and loud protests from far-right activists offended at the Beatles defiling their religious and nationalistic sensibilities. As a result, the police were on high alert -- so high that there were three thousand police in the audience for the shows, in a venue which only held ten thousand audience members. That's according to Mark Lewisohn's Complete Beatles Chronicle, though I have to say that the rather blurry footage of the audience in the video of those shows doesn't seem to show anything like those numbers. But frankly I'll take Lewisohn's word over that footage, as he's not someone to put out incorrect information. The threats to the group also meant that they had to be kept in their hotel rooms at all times except when actually performing, though they did make attempts to get out. At the press conference for the Tokyo shows, the group were also asked publicly for the first time their views on the war in Vietnam, and John replied "Well, we think about it every day, and we don't agree with it and we think that it's wrong. That's how much interest we take. That's all we can do about it... and say that we don't like it". I say they were asked publicly for the first time, because George had been asked about it for a series of interviews Maureen Cleave had done with the group a couple of months earlier, as we'll see in a bit, but nobody was paying attention to those interviews. Brian Epstein was upset that the question had gone to John. He had hoped that the inevitable Vietnam question would go to Paul, who he thought might be a bit more tactful. The last thing he needed was John Lennon saying something that would upset the Americans before their tour there a few weeks later. Luckily, people in America seemed to have better things to do than pay attention to John Lennon's opinions. The support acts for the Japanese shows included several of the biggest names in Japanese rock music -- or "group sounds" as the genre was called there, Japanese people having realised that trying to say the phrase "rock and roll" would open them up to ridicule given that it had both "r" and "l" sounds in the phrase. The man who had coined the term "group sounds", Jackey Yoshikawa, was there with his group the Blue Comets, as was Isao Bito, who did a rather good cover version of Cliff Richard's "Dynamite": [Excerpt: Isao Bito, "Dynamite"] Bito, the Blue Comets, and the other two support acts, Yuya Uchida and the Blue Jeans, all got together to perform a specially written song, "Welcome Beatles": [Excerpt: "Welcome Beatles" ] But while the Japanese audience were enthusiastic, they were much less vocal about their enthusiasm than the audiences the Beatles were used to playing for. The group were used, of course, to playing in front of hordes of screaming teenagers who could not hear a single note, but because of the fear that a far-right terrorist would assassinate one of the group members, the police had imposed very, very, strict rules on the audience. Nobody in the audience was allowed to get out of their seat for any reason, and the police would clamp down very firmly on anyone who was too demonstrative. Because of that, the group could actually hear themselves, and they sounded sloppy as hell, especially on the newer material. Not that there was much of that. The only song they did from the Revolver sessions was "Paperback Writer", the new single, and while they did do a couple of tracks from Rubber Soul, those were under-rehearsed. As John said at the start of this tour, "I can't play any of Rubber Soul, it's so unrehearsed. The only time I played any of the numbers on it was when I recorded it. I forget about songs. They're only valid for a certain time." That's certainly borne out by the sound of their performances of Rubber Soul material at the Budokan: [Excerpt: The Beatles, "If I Needed Someone (live at the Budokan)"] It was while they were in Japan as well that they finally came up with the title for their new album. They'd been thinking of all sorts of ideas, like Abracadabra and Magic Circle, and tossing names around with increasing desperation for several days -- at one point they seem to have just started riffing on other groups' albums, and seem to have apparently seriously thought about naming the record in parodic tribute to their favourite artists -- suggestions included The Beatles On Safari, after the Beach Boys' Surfin' Safari (and possibly with a nod to their recent Pet Sounds album cover with animals, too), The Freewheelin' Beatles, after Dylan's second album, and my favourite, Ringo's suggestion After Geography, for the Rolling Stones' Aftermath. But eventually Paul came up with Revolver -- like Rubber Soul, a pun, in this case because the record itself revolves when on a turntable. Then it was off to the Philippines, and if the group thought Japan had been stressful, they had no idea what was coming. The trouble started in the Philippines from the moment they stepped off the plane, when they were bundled into a car without Neil Aspinall or Brian Epstein, and without their luggage, which was sent to customs. This was a problem in itself -- the group had got used to essentially being treated like diplomats, and to having their baggage let through customs without being searched, and so they'd started freely carrying various illicit substances with them. This would obviously be a problem -- but as it turned out, this was just to get a "customs charge" paid by Brian Epstein. But during their initial press conference the group were worried, given the hostility they'd faced from officialdom, that they were going to be arrested during the conference itself. They were asked what they would tell the Rolling Stones, who were going to be visiting the Philippines shortly after, and Lennon just said "We'll warn them". They also asked "is there a war on in the Philippines? Why is everybody armed?" At this time, the Philippines had a new leader, Ferdinand Marcos -- who is not to be confused with his son, Ferdinand Marcos Jr, also known as Bongbong Marcos, who just became President-Elect there last month. Marcos Sr was a dictatorial kleptocrat, one of the worst leaders of the latter half of the twentieth century, but that wasn't evident yet. He'd been elected only a few months earlier, and had presented himself as a Kennedy-like figure -- a young man who was also a war hero. He'd recently switched parties from the Liberal party to the right-wing Nacionalista Party, but wasn't yet being thought of as the monstrous dictator he later became. The person organising the Philippines shows had been ordered to get the Beatles to visit Ferdinand and Imelda Marcos at 11AM on the day of the show, but for some reason had instead put on their itinerary just the *suggestion* that the group should meet the Marcoses, and had put the time down as 3PM, and the Beatles chose to ignore that suggestion -- they'd refused to do that kind of government-official meet-and-greet ever since an incident in 1964 at the British Embassy in Washington where someone had cut off a bit of Ringo's hair. A military escort turned up at the group's hotel in the morning, to take them for their meeting. The group were all still in their rooms, and Brian Epstein was still eating breakfast and refused to disturb them, saying "Go back and tell the generals we're not coming." The group gave their performances as scheduled, but meanwhile there was outrage at the way the Beatles had refused to meet the Marcos family, who had brought hundreds of children -- friends of their own children, and relatives of top officials -- to a party to meet the group. Brian Epstein went on TV and tried to smooth things over, but the broadcast was interrupted by static and his message didn't get through to anyone. The next day, the group's security was taken away, as were the cars to take them to the airport. When they got to the airport, the escalators were turned off and the group were beaten up at the arrangement of the airport manager, who said in 1984 "I beat up the Beatles. I really thumped them. First I socked Epstein and he went down... then I socked Lennon and Ringo in the face. I was kicking them. They were pleading like frightened chickens. That's what happens when you insult the First Lady." Even on the plane there were further problems -- Brian Epstein and the group's road manager Mal Evans were both made to get off the plane to sort out supposed financial discrepancies, which led to them worrying that they were going to be arrested or worse -- Evans told the group to tell his wife he loved her as he left the plane. But eventually, they were able to leave, and after a brief layover in India -- which Ringo later said was the first time he felt he'd been somewhere truly foreign, as opposed to places like Germany or the USA which felt basically like home -- they got back to England: [Excerpt: "Ordinary passenger!"] When asked what they were going to do next, George replied “We're going to have a couple of weeks to recuperate before we go and get beaten up by the Americans,” The story of the "we're bigger than Jesus" controversy is one of the most widely misreported events in the lives of the Beatles, which is saying a great deal. One book that I've encountered, and one book only, Steve Turner's Beatles '66, tells the story of what actually happened, and even that book seems to miss some emphases. I've pieced what follows together from Turner's book and from an academic journal article I found which has some more detail. As far as I can tell, every single other book on the Beatles released up to this point bases their account of the story on an inaccurate press statement put out by Brian Epstein, not on the truth. Here's the story as it's generally told. John Lennon gave an interview to his friend, Maureen Cleave of the Evening Standard, during which he made some comments about how it was depressing that Christianity was losing relevance in the eyes of the public, and that the Beatles are more popular than Jesus, speaking casually because he was talking to a friend. That story was run in the Evening Standard more-or-less unnoticed, but then an American teen magazine picked up on the line about the Beatles being bigger than Jesus, reprinted chunks of the interview out of context and without the Beatles' knowledge or permission, as a way to stir up controversy, and there was an outcry, with people burning Beatles records and death threats from the Ku Klux Klan. That's... not exactly what happened. The first thing that you need to understand to know what happened is that Datebook wasn't a typical teen magazine. It *looked* just like a typical teen magazine, certainly, and much of its content was the kind of thing that you would get in Tiger Beat or any of the other magazines aimed at teenage girls -- the September 1966 issue was full of articles like "Life with the Walker Brothers... by their Road Manager", and interviews with the Dave Clark Five -- but it also had a long history of publishing material that was intended to make its readers think about social issues of the time, particularly Civil Rights. Arthur Unger, the magazine's editor and publisher, was a gay man in an interracial relationship, and while the subject of homosexuality was too taboo in the late fifties and sixties for him to have his magazine cover that, he did regularly include articles decrying segregation and calling for the girls reading the magazine to do their part on a personal level to stamp out racism. Datebook had regularly contained articles like one from 1963 talking about how segregation wasn't just a problem in the South, saying "If we are so ‘integrated' why must men in my own city of Philadelphia, the city of Brotherly Love, picket city hall because they are discriminated against when it comes to getting a job? And how come I am still unable to take my dark- complexioned friends to the same roller skating rink or swimming pool that I attend?” One of the writers for the magazine later said “We were much more than an entertainment magazine . . . . We tried to get kids involved in social issues . . . . It was a well-received magazine, recommended by libraries and schools, but during the Civil Rights period we did get pulled off a lot of stands in the South because of our views on integration” Art Unger, the editor and publisher, wasn't the only one pushing this liberal, integrationist, agenda. The managing editor at the time, Danny Fields, was another gay man who wanted to push the magazine even further than Unger, and who would later go on to manage the Stooges and the Ramones, being credited by some as being the single most important figure in punk rock's development, and being immortalised by the Ramones in their song "Danny Says": [Excerpt: The Ramones, "Danny Says"] So this was not a normal teen magazine, and that's certainly shown by the cover of the September 1966 issue, which as well as talking about the interviews with John Lennon and Paul McCartney inside, also advertised articles on Timothy Leary advising people to turn on, tune in, and drop out; an editorial about how interracial dating must be the next step after desegregation of schools, and a piece on "the ten adults you dig/hate the most" -- apparently the adult most teens dug in 1966 was Jackie Kennedy, the most hated was Barry Goldwater, and President Johnson, Billy Graham, and Martin Luther King appeared in the top ten on both lists. Now, in the early part of the year Maureen Cleave had done a whole series of articles on the Beatles -- double-page spreads on each band member, plus Brian Epstein, visiting them in their own homes (apart from Paul, who she met at a restaurant) and discussing their daily lives, their thoughts, and portraying them as rounded individuals. These articles are actually fascinating, because of something that everyone who met the Beatles in this period pointed out. When interviewed separately, all of them came across as thoughtful individuals, with their own opinions about all sorts of subjects, and their own tastes and senses of humour. But when two or more of them were together -- especially when John and Paul were interviewed together, but even in social situations, they would immediately revert to flip in-jokes and riffing on each other's statements, never revealing anything about themselves as individuals, but just going into Beatle mode -- simultaneously preserving the band's image, closing off outsiders, *and* making sure they didn't do or say anything that would get them mocked by the others. Cleave, as someone who actually took them all seriously, managed to get some very revealing information about all of them. In the article on Ringo, which is the most superficial -- one gets the impression that Cleave found him rather difficult to talk to when compared to the other, more verbally facile, band members -- she talked about how he had a lot of Wild West and military memorabilia, how he was a devoted family man and also devoted to his friends -- he had moved to the suburbs to be close to John and George, who already lived there. The most revealing quote about Ringo's personality was him saying "Of course that's the great thing about being married -- you have a house to sit in and company all the time. And you can still go to clubs, a bonus for being married. I love being a family man." While she looked at the other Beatles' tastes in literature in detail, she'd noted that the only books Ringo owned that weren't just for show were a few science fiction paperbacks, but that as he said "I'm not thick, it's just that I'm not educated. People can use words and I won't know what they mean. I say 'me' instead of 'my'." Ringo also didn't have a drum kit at home, saying he only played when he was on stage or in the studio, and that you couldn't practice on your own, you needed to play with other people. In the article on George, she talked about how he was learning the sitar, and how he was thinking that it might be a good idea to go to India to study the sitar with Ravi Shankar for six months. She also talks about how during the interview, he played the guitar pretty much constantly, playing everything from songs from "Hello Dolly" to pieces by Bach to "the Trumpet Voluntary", by which she presumably means Clarke's "Prince of Denmark's March": [Excerpt: Jeremiah Clarke, "Prince of Denmark's March"] George was also the most outspoken on the subjects of politics, religion, and society, linking the ongoing war in Vietnam with the UK's reverence for the Second World War, saying "I think about it every day and it's wrong. Anything to do with war is wrong. They're all wrapped up in their Nelsons and their Churchills and their Montys -- always talking about war heroes. Look at All Our Yesterdays [a show on ITV that showed twenty-five-year-old newsreels] -- how we killed a few more Huns here and there. Makes me sick. They're the sort who are leaning on their walking sticks and telling us a few years in the army would do us good." He also had very strong words to say about religion, saying "I think religion falls flat on its face. All this 'love thy neighbour' but none of them are doing it. How can anybody get into the position of being Pope and accept all the glory and the money and the Mercedes-Benz and that? I could never be Pope until I'd sold my rich gates and my posh hat. I couldn't sit there with all that money on me and believe I was religious. Why can't we bring all this out in the open? Why is there all this stuff about blasphemy? If Christianity's as good as they say it is, it should stand up to a bit of discussion." Harrison also comes across as a very private person, saying "People keep saying, ‘We made you what you are,' well, I made Mr. Hovis what he is and I don't go round crawling over his gates and smashing up the wall round his house." (Hovis is a British company that makes bread and wholegrain flour). But more than anything else he comes across as an instinctive anti-authoritarian, being angry at bullying teachers, Popes, and Prime Ministers. McCartney's profile has him as the most self-consciously arty -- he talks about the plays of Alfred Jarry and the music of Karlheinz Stockhausen and Luciano Berio: [Excerpt: Luciano Berio, "Momenti (for magnetic tape)"] Though he was very worried that he might be sounding a little too pretentious, saying “I don't want to sound like Jonathan Miller going on" --
Audio introduction gives brief background on the origin of the story adapted for CBS radio's "Suspense"... Agatha Christie novella adapted for radio in 1947... Stars Van Heflin as Mr. Lockwood This story certainly does keep the listener in suspense as the ending is quite surprising... I think you will enjoy the twists and turns the plot delivers... This track will be stored in the "Horror / Suspense" Playlist.
Today on the Woody and Wilcox Show: Woody recaps the North Carolina Pickle Festival; Chris Rock's mother speaks out about the slap; It Happened in Florida; Cool Beans Remix; A man gets a perfect game of Pac-Man; Cousins attempt a plane swap; We talk to Cool Bean's exterminator, Derek; A jockey and race horse both test positive for meth; Nicholas Cage sings Three Blind Mice; And so much more!
durée : 00:55:10 - Open jazz - par : Alex Dutilh - Pour cet hommage rendu à Sidney Bechet, “Blues in the Air” qui paraît chez Camille Productions, le clarinettiste néo-orléanais Evan Christopher s'entoure de l'excellent trio Three Blind Mice. - réalisé par : Fabien Fleurat
In this week's Story By The Slice, Lindsay shares the horrifying origins behind the nursery rhyme, “Three Blind Mice.” This farmer's wife is a bit more royal than you may realize, and instead of being blind and tail-less, these mice found themselves in a bit of hot water. Buckle up: we're gonna ruin your childhood. To stay on top of all the latest from Pineapple Pizza Podcast, be sure to check out our website at http://www.pineapplepizzapodcast.com (www.pineapplepizzapodcast.com) where you will find links to merch, Patreon, and a variety of ways to support the show, as well as detailed episode descriptions and regional specials. Help our show grow by leaving us a review on Apple Podcasts at https://podcasts.apple.com/us/podcast/pineapple-pizza-podcast/id1543640038 (https://podcasts.apple.com/us/podcast/pineapple-pizza-podcast/id1543640038) Or on Podchaser at https://www.podchaser.com/podcasts/pineapple-pizza-podcast-1568165 (https://www.podchaser.com/podcasts/pineapple-pizza-podcast-1568165) You can also send mail to: Pineapple Pizza Podcast PO Box 341 Wyoming, MN 55092 Remember, no matter how you slice it, you're awesome and we love you.
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