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Months after presenting you their picks for "soft songs" by "hard bands", Colin and Bo finally present their highly requested picks for HARD songs by soft bands... Hard and soft are as subjective as they come, but enjoy our insane rationalizations to why these songs belong in our least hardcore-oriented episode yet (sorry!) Listen to the official playlist here: Spotify - https://open.spotify.com/playlist/4qM43HqPA39ZiRNE8p93N8?si=4f8b75e98cdd408e Apple Music - https://music.apple.com/us/playlist/hardlores-hard-songs-by-soft-bands/pl.u-yZyVWdLtd4kG1p3 Comment a song we missed below to potentially win 2 weekend passes to Tied Down fest! HardLore Official Website/HardLore Records store: https://hardlorepod.com Join the HARDLORE DISCORD: https://discord.gg/jA9rppggef Get 20% OFF @manscaped + Free Shipping with promo code HARDLORE at MANSCAPED.com! #ad #manscapedpod FOLLOW HARDLORE: INSTAGRAM | https://www.instagram.com/hardlorepod/ TWITTER | https://twitter.com/hardlorepod SPOTIFY | https://spoti.fi/3J1GIrp APPLE | https://apple.co/3IKBss2 FOLLOW COLIN: INSTAGRAM | https://www.instagram.com/colinyovng/ TWITTER | https://www.twitter.com/ColinYovng FOLLOW BO: INSTAGRAM | https://www.instagram.com/bosxe/ TWITTER | https://www.twitter.com/bosxe Check out our merch at https://knotfest.com/store/?view=hardlore Find all of our videos at https://knot1.co/3vWXsbx TIMESTAMPS 0:00 - Episode Preview 0:48 - HardLore Time 3:36 - Live - All Over You 6:03 - Phil Collins - In The Air Tonight 7:36 - Third Eye Blind - Narcolepsy 9:41 - Morrissey - Irish Blood, English Heart 11:46 - Weezer - Hash Pipe 14:09 - Saves The Day - As Your Ghost Takes Flight 15:17 - Saves The Day - Banned From the Back Porch 16:14 - Third Eye Blind - How's It Gonna Be 17:13 - Coheed & Cambria - No World For Tomorrow 18:31 - Tool rocks 19:16 - Bjork - Army of Me 21:36 - Torche - Tarpit Carnivore 23:19 - Johnny Cash - Boy Named Sue 24:37 - Faith No More - Jizzlobber 27:13 - The Stooges - Search & Destroy 28:16 - Hans Zimmer - Gladiator Medley 28:55 - Classical music rocks 30:38 - Cyndi Lauper - Time After Time... lmao 32:02 - My Chemical Romance - Mama 34:52 - Pat Benatar - Love is a Battlefield 36:59 - The Mountain Goats - No Children 38:55 - Alice in Chains - Rooster 39:59 - Alice in Chains - Sludge Factory 41:38 - Pardon this interruption... 45:21 - Citizen - The Night I Drove Alone 46:26 - DVORAK - SYMPHONY No. 9 49:15 - The Who - Behind Blue Eyes 50:18 - The Cranberries - Hollywood 51:49 - The Cranberries - Salvation 53:08 - Melissa Etheridge - I'm The Only One 55:08 - CCR - Fortunate Son 56:57 - Collective Soul - Heavy 58:14 - Alanis Morissette - You Gotta Know (lol) 1:00:16 - Lady Gaga - G.U.Y. 1:02:02 - Goo Goo Dolls - Iris 1:04:00 - Katy Perry - Mannequin 1:05:33 - Fleetwood Mac - Silver Springs 1:07:56 - Oasis - I Hope, I Think, I know 1:08:48 - Temple of the Dog - Hunger Strike 1:11:19 - Into Another - Ungodly 1:12:35 - Tears For Fears - Mad World 1:14:46 - halsey - honey 1:16:23 - Led Zeppelin - Kashmir 1:21:14 - Next week on HardLore...
I had the great joy to do my first ever live edition of Sticky Notes last month with the Aalborg Symphony in Denmark. For this concert, I chose a piece that is extremely close to my heart, Dvorak's New World Symphony. The story of the New World Symphony is a fascinating one. The symphony was the result of an extraordinary series of events, with Dvorak coming to America in 1892, meeting the great singer Harry Burleigh, and falling in love with a totally new, to him, genre of music: Black American and Native American folk music. Listening to Burleigh and other voices around America, Dvorak had discovered a new “American” sound for his music, and even though he would end up staying in the US for just three years, in that time he composed two of his most popular pieces, the American String Quartet, and the New World Symphony But of course, the New World Symphony isn't really an American piece. It is a piece written in America by a Czech composer, which means it embodies traits from both sides of the Atlantic. Moments of Black American influence elide into Czech Slavonic Dances and back again with incredible ease. All along the way, Dvorak infuses his highly traditional symphonic style with this "American" sound, a sound that enraptured the public from the very first time they heard it, and remains both incredibly popular and incredibly moving, today. Join myself and the Aalborg Symphony for this exploration of the symphony, followed by a complete performance. I'm extremely grateful to the Danish Radio for allowing me to use this performance for the show.
Parnassus returns to international availability these extraordinary recordings by the Czech Philharmonic and the founding father of the modern Czech orchestral sound, Václav Talich. Drawing on Mark Obert-Thorn's superb transfers and using Urlicht AudioVisual's state-of-the-art restoration system to abate shellac surface noise and improve frequency response without impeding the unique orchestral sound, these essential recordings from the golden age of the 78 sound better than ever!Mastered from 78 RPM shellac records.Help support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.
Not every music student or even professional musician has explored classical music, much like not necessarily every classical musician will know something about jazz or any other genre. However, each genre has certain pieces that one should know from each genre regardless of your preference. These are 25 of many possible choices, not necessarily "the best", but some pieces you should recognize by title and composer upon hearing. Musical examples used in this episode: 06:53 P. Tchaikovsky: "Dance of the Sugar Plum Fairy" from The Nutcracker - (Montreal Symphony; Charles Dutoit) 12:49 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Hannes Kästner, organ) 13:15 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Czech Philharmonic; Leopold Stokowski) 17:26 S Barber: Adagio for Strings (New York Philharmonic; Thomas Schipps) 19:48 Beethoven: Symphony No. 5 (Vienna Philharmonic; Carlos Klieber) mvt 1 and 4 24:03 Beethoven: Symphony No. 9 (Berlin Philharmonic; Von Karajan) mvt. 4 and 2 28:33 Brahms: Hungarian Dances 4, 5, 6 (Vienna Philharmonic; Claudio Abbado) 30:56 A Copland: "Hoe-Down" from Rodeo (St. Louis Symphony; Leonard Slatkin) 32:33 F Chopin: Grand Valse Brillante op. 18 (Valentina Lisitsa) 34:22 Debussy: Prelude to the Afternoon of a Faun (Royal Concertgebouw; Bernard Haitink) 36:01 Dvorak: Symphony No. 9 "From the New World" mvt 2 (London Philharmonic; Charles MacKerras) 38:16 Grieg: Peer Gynt and Peer Gynt suite no.1 (San Francisco Symphony; Herbert Blomstedt) 40:13 Handel: The Messiah "Hallelujah" (London Symphony; Colin Davis) 40:43 Handel: Water Music selections (English Chamber Orchestra; Raymond Leppard) 41:30 Holst: The Planets "Mars" - (Montreal Symphony; Charles Dutoit) 42:13 Liszt: Hungarian Rhapsody No. 2 (Marc-Andre Hamelin) 43:22 Mendelssohn: Overture and Wedding March from A Midsummer Night's Dream (London Symphony, Andre Previn) 45:11 Mozart: Overture to The Marriage of Figaro (Academy of St Martin in the Fields; Neville Marriner) 46:16 Mussorgsky: Pictures at an Exhibition - Promenade and Great Gate of Kiev (Berlin Philharmonic; Claudio Abbado) 48:25 Rachmaninoff: Piano Concerto No. 2 (Vladimir Ashkenazy; Moscow Symphony; Kirill Kondrashin) 49:38 Ravel: Bolero (Boston Symphony; Seiji Ozawa) 51:42 Ravel: Daphnis & Chloe (Rotterdam Philharmonic; Yannick Nézet-Séguin) 52:46 Rimsky-Korsakov: Flight of the Bumblebee (Berlin Philharmonic; Zubin Mehta) 53:08 Rimsky-Korsakov: Scheherezade mvt IV and III (London Symphony; Charles MacKerras) 55:06 Schubert: Ave Maria (Barbara Booney) 55:31 R Strauss: Also Sprach Zarathustra (Chicago Symphony; Fritz Reiner) 57:15 Stravinsky: Rite of Spring (from Part 1) (New York Philharmonic; Leonard Bernstein) 58:21 Tchaikovsky: Russian Dance, Arabian Dance, Dance of the Reed Flutes from The Nutcracker (Montreal Symphony; Dutoit) Do you have a different recording of these pieces that you'd recommend? Let me know by telling me directly at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact The blog post that goes with this episode can be found here: https://www.davidlanemusic.com/post/25-essential-classical-pieces-to-know You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/ . If you enjoyed this, please give it a rating and review on the podcast app of your choice. You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling. Click here for more information or to begin your free trial.
Antonin Dvorak - Symphony No. 8: 4th movement Slovak Philharmonic Orchestra Stephen Gunzenhauser, conductor More info about today's track: Naxos 8.501702 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon
Antonin Dvorak - Symphony No. 8: 3rd movement Slovak Philharmonic Orchestra Stephen Gunzenhauser, conductor More info about today's track: Naxos 8.501702 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon
Antonin Dvorak - Symphony No. 8: 2nd movement Slovak Philharmonic Orchestra Stephen Gunzenhauser, conductor More info about today's track: Naxos 8.501702 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon
Antonin Dvorak - Symphony No. 8: 1st movement Slovak Philharmonic Orchestra Stephen Gunzenhauser, conductor More info about today's track: Naxos 8.501702 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon
Bucolic. Sunny. Cheerful. Joyous. Folksy. Ebullient. Thrilling. These are all words that I found while researching Dvorak's 8th symphony. Dvorak's gift for writing the most gorgeous of melodies is on full display in his 8th symphony, a piece that has been charming listeners ever since its very first performances. It is, on its surface, an uncomplicated piece, bursting at the seams with melody after melody after melody, almost mirroring one of Brahms' greatest one-liners, where he referred to his summer country home as a place where melodies were so heavily present thatt one had to be careful to avoid tripping on them! The overriding characteristic of this 8th symphony is joy, from its childlike key of G Major, to its raucous use of folk music, and even its smiling through tears slow movement. Very often on this show I try to take pieces that are quite complicated and break them down for you to show you how to follow their twists and turns despite their complexities. But today, I'm going to do the opposite. Today, I'm going to take a piece that is, on its surface, quite simple, and I'm going to show you how this symphony is not quite as simple as it seems. It is a piece full of invention and of the scintillating energy of trying out new ideas. As Dvorak said, he would try to make this symphony ”different from the other symphonies, with individual thoughts worked out in a new way.” So today on the show we're going to talk about how this symphony is different from other symphonies, and also how Dvorak constructs his chains of melodies that add up to the joyful whole of this piece, though tinged with the melancholy that is almost always present with Dvorak. Join us!
一般聽到德佛札克可能只會想到新世界 但據說內行人都更喜歡這首? 來聽聽看吧! 點一下就可以看到我所有平台的連結
Happy Halloween everyone!Granny MacDuff sits by the fire and reads the enchanting tale, Blue Beard.This episode feature music from Vivaldi (The Four Seasons, Winter, Concerto in F Minor), Tchaikovsky(The Witch - Baba Yaga from Children's Album Op. 39), and Dvorak (Symphony No.9, "From the New World" - II).For more Granny, follow her updates at the links below!Watch out for another spooky tale, Blue Beard, out this Wednesday!https://www.instagram.com/fairytalepodcast/http://storicmedia.com/fairy-tales-with-granny-macduffSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Antonin Dvorak - Symphony No. 8: Finale Baltimore Symphony Orchestra Marin Alsop, conductor More info about today's track: Naxos 8.572112 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording AmazonArkivMusic
Within three months of his arrival in New York, Antonin Dvorak was enamored with the sound of American music. Quickly he put forth what was at the time a controversial idea: "In the Negro melodies of America I discover all that is needed for a great and noble school of music..." This inspiration is threaded through almost every note of the New World Symphony, with a healthy dose of Dvorak's Bohemian roots and Germanic tradition as well! Join us as we explore this legendary masterpiece from every angle.
This week, Carl looks at Czech Composer Antonin Dovrak's infamous work, his 'New World' Symphony.
Kelli Reynolds has a BA in music and a master’s in French horn performance, and has been performing for almost 20 years. She’s absolutely passionate about music - playing it, listening to it, and getting kids excited about it. In this conversation recorded back in June, we talk about her French horn origin story, the origin story of the French horn itself, performing during COVID, arts education, and so much more. So find out why Kelli loves the French horn - and why you might learn to love it, too. Find Kelli online: Facebook or Instagram *** Pieces included in the episode: Tchaikovsky - Symphony No. 2 (opening solo by Kelli) Richard Strauss - Horn Concerto No. 2 in E flat (performed by Kelli herself) Mozart - Horn Concerto No. 3 in E flat, K. 447 *** Links of interest: Dvorak Symphony No.9 “From the New World” History of the Horn Leia’s Theme from Star Wars Live Oak Music Festival a three-day folk, world, blues, bluegrass, jazz (and more!) festival Mozart Horn Quintet in E flat K407 Craig Russell’s Rhapsody for Horn and Orchestra with Richard Todd on horn and the San Luis Obispo Symphony, conducted by Michael Nowak ("Wistful Musing" movement) Sarah Willis and the Havana Horns play “Barber of Brazil" Strauss Horn Concerto No.1 Strauss - Till Eulenspiegel Tchaikovsky The Nutcracker Scene 8 *** Kelli’s favorite charities: “Your local elementary school’s parent and teacher club, which often funds art and music programs. Also, many high schools have funds/clubs for music education support to buy instruments or uniforms or provide touring opportunities for students. “Your nearby symphony orchestra. Many have funds right now dedicated to preserving their future programs, and are offering online performances as well! Most usually have music education outreach— you can’t go wrong supporting these organizations. “Bay Area Orchestras: https://www.sfsymphony.org, https://www.symphonysiliconvalley.org, https://www.cambriansymphony.org. Central Coast orchestras: https://santacruzsymphony.org, https://www.slosymphony.org “Your local NPR affiliate— most commercial radio stations have a single genre of music, so I prefer these stations for more trusted, fact-based news, and varied musical offerings. “Food banks: https://www.feedingamerica.org, Civil Rights: https://www.naacp.org, https://www.aclu.org “Other Action: Always vote in local elections as there are often bonds associated with preserving funds for education and/or question school boards about music education funding." *** A rotating list of my favorite nonprofits: Humane Society Silicon Valley World Central Kitchen Vote.org *** Additional editing by Mindjam Media We’re on Patreon Hang out with me on Instagram or Twitter We have merch! Well, a sticker Check out my books LWYL Music: Inspiring Hope by Pink-Sounds
A favorite piece of mine that I got to share with my friend Jillian. As former bartenders we challenged ourselves with possibly the most complicated drink recipe to appear on the podcast, a Ramos Gin Fizz: 1 egg white, 1.5 oz gin, .5 oz lemon juice, .5 oz simple syrup, 2-3 drops orange blossom water, dash of vanilla, shake, top with soda water, enjoy! Fergie/Dvorak 9 remix With special guest Jillian Skoog
Episode 05 Show Notes 0:00 - Intro Thanks for listening! We’ve enjoyed your feedback and would welcome more! 1:18 - Introducing a New Format Our typical format is to: Define a musical term Make listening recommendations based on that term Answer a question from a listener Every 5th episode, we’ll take a slightly deeper dive into just one piece of music This could be an album, a musical, the score of a film, etc. Today’s piece is a symphony Our goal is to give you a few things to listen for in each movement of this symphony focusing on principles from our first four episodes: Melody Harmony Rhythm & Meter Timbre 2:37 - Introducing Dvorak’s 9th Symphony: From the New World Written by Antonin Dvorak (1841-1904), a Bohemian (Czech) orchestral composer Premiered by the New York Philharmonic in 1893 Dvorak traveled to America to be the director of the National Conservatory of Music in New York Wrote some of his most famous works while in the states (American String Quartet, his cello concerto, and this symphony) Dvorak opened the conservatory to African American students Dvorak believed that composers interested in capturing the American sound should study the music of Native Americans and African Americans Not very many people agreed with him at the time Dvorak wrote original themes inspired by Native American and African American traditions, not exact replications of themes from these cultures With the exception of Swing Low, Sweet Chariot Garrett compares Dvorak’s goal to the Foo Fighters’ concept behind their album/documentary “Sonic Highways” 7:31 - What is a symphony? A multi-movement work for the symphony orchestra Movements are sort of like small pieces of music that make up a bigger piece of music Garrett asks if movements are like chewing bites of a cake instead of shoving an entire cake into your mouth Amanda responds that it’s more like four cupcakes decorated slightly differently but all part of the same batch or set Garrett compares movements to chapters in a book Amanda compares them to books in a series of books because movements are usually pretty complete unto themselves Symphonies typically have 3 movements (early classical) or 4 movements (standard in the Romantic period), and they have a typical order: Fast Slow Dance Fast A note about when to applaud: If the work has multiple movements, try to follow along with the order of them and wait until the end of the last movement to clap If nothing else, wait until the conductor puts his arms all the way down and keeps them down… that’s usually the big ending! People used to clap whenever they wanted, but now we’re snobs about it 12:08 - Movement I. “Adagio - Allegro molto" Melody: Three important themes: A bold, fanfare-like theme (with a statement and a response) that is often played in the brass A minor melody with a simple accompaniment that is first played in the flute We’re not sure why, but Dvorak pointed to this theme as being influenced by indigenous music traditions. He may have thought the minor mode made it sound indigenous A theme that seems to be a pretty direct quotation and development of “Swing Low, Sweet Chariot” (an important African American spiritual) Rhythm: the 1st and 3rd theme have very similar rhythms… almost identical! Sidenote: Dvorak will introduce great themes during each movement of the piece, but he’ll also bring back previous movements’ themes (especially the opening theme and the Swing Low theme) Perhaps a drinking game could be played??? (Please drink responsibly.) One word description of Movement I: Amanda: Exploration Garrett: Outset 17:49 - Movement II. “Largo” The most famous movement from this piece Melody: Several years after it was written and premiered, a student of Dvorak, William Arms Fisher, added lyrics to the theme from this movement (“Goin’ Home”) Timbre: The Goin’ Home theme was originally written for clarinet! Dvorak changed it to English Horn because he thought it better matched the vocal timbre of Harry T. Burleigh, the student who exposed Dvorak to many African spirituals Amanda also points out that the timpani notes in this movement are another great timbre Harmony: A passage of big, open chords played by the brass section multiple times throughout this movement Michael Beckerman called this the “Once Upon a Time” figure One word description: Garrett: Nostalgia Dvorak was very homesick while in America Amanda: Yearning 24:32 - Movement III. "Scherzo. Molto Vivace" Rhythm & Meter: The meter is very obvious in this movement, and this is the only movement in triple meter (3 beats per measure) Melody: 3 more great melodies introduced in this movement Sidenote: The opening of this scherzo matches the opening of Beethoven’s 9th symphony’s scherzo! They sound musically very similar. Dvorak did likely did this on purpose as a nod to Beethoven Even Sider Note: Amanda got the movement number wrong in the episode (womp, womp). Beethoven mixes things up, so his scherzo is Movement II, not Movement III. Idea still applies though! One word description: Garrett: Chase Amanda: Tension 28:26 - Movement IV. "Allegro con fuoco” Melody: One last big, bold theme Dominates the movement and later signals the end of the piece Melody: Garrett feels that this movement is a battle of all the themes! See his list of theme battles below! Harmony/Timbre: The last chord of the piece Unique because the entire orchestra hits a chord together, but suddenly everyone cuts out and only the very soft woodwind section sustains Sidenote: The opening of this movement is… Jaws! John Williams borrowed this figure for his shark movie soundtrack On a case by case basis, as long as you properly attribute the material you’ve borrowed, most people in classical music don’t care about this type of borrowing... Just don’t try to pass anything off as your own work if it’s isn’t actually your own work! If Dvorak were alive at the time of Jaws, maybe he’d have wanted a writer’s credit? “You’re only as good as who you steal from.” - A tongue in cheek quote from a professor Garrett and Amanda both know One word descriptions: Garrett: Argument Amanda: Territorial Bonus: Garrett makes a claim for “Three Blind Mice” as another quotation Amanda believes this is purely coincidence 35:40 - How to Enjoy a Symphony (35:53) If you sit down at a concert and see a symphony on the program that comes from 1815 on, get ready for a long ride During the romantic period, symphonies were expanded and got longer and longer Dvorak's 9th symphony is around 42 minutes long! Amanda says that if people will go to a movie theater to watch three hours of Avengers, then they definitely have the capacity to enjoy 40 minutes of great music Garrett says it’s one crime show episode Amanda says it’s three Spongebobs (37:42) Expect thematic development! When you hear a melody, try to hold onto it because it will likely come back again Expect the composer to transform and expand on the themes you hear (38:29) Don’t expect to stay completely engaged and focused for 40 minutes straight Amanda points out that not even the members of the orchestra are fully, completely focused for the entire length of the piece Tuba player is a great example because that person only plays the 2nd movement (and plays less than 20 notes) Dvorak wrote highs and lows, so it’s okay to let your attention ebb and flow a little bit Garrett compares some parts to background info/setting in a novel Amanda compares it to description in a novel It’s all important, but it doesn’t all require the same level of engagement If someone falls asleep, only wake them up if they start snoring Even trained pros want to be whisked away by the music This is musical storytelling! Let it take you where it wants to go (41:20) Expect repetition Composers have to walk a fine line between variety and repetition Repetition can ground you, but too much can bore you Variety is the spice of life, but too much spice ruins dinner There are two types of repetition: exact and non exact Exact repetition: “This piece of music worked once… it’ll work again!” Tension and release (repetition can add to either) The composer is saying, “I want you to remember this.” Non-exact repetition: A timbral change: maybe the same melodies and harmonies but played by different instruments or different groups of instrument Accompaniment changes: Rhythms used might change, additional parts might come in If you hear the same melody, something might have changed elsewhere in the orchestra Ask yourself if it's different and try to figure out what changed (44:10) Nothing beats seeing a symphony live Amanda: the best sound system in the world can’t compete with the weakest concert hall Amanda: I can’t appreciate the difference between 20 vs 50 vs 100 in an orchestra on youtube If the music isn’t thrilling you too much at home, it may be that you need to go see it live Think of it as not just the music but the entire experience Experience it in the right context A comparison to movies You wouldn’t judge a movie based off the one time you saw it using a portable DVD player and broken earbuds during a car ride If you’ve heard someone say, “Oh, that’s a movie you have to see in theaters,” that’s how Amanda feels about symphonies Garrett points out that Twister goes from epic to cheesy real fast when you watch it at home instead of in theaters There’s music that’s meant to be in the studio and is hard to replicate live, but the symphony is the opposite. Witness the team effort! If it’s an educational group, remember that they’re still acquiring the skills they need in order to become the pros If you’re under 80, people will be so excited to see you at a symphony concert! (47:33) You can enjoy this! The music still has value It’s up to the musicians and people involved to show you the value Once you see it, there’s nothing stopping you from enjoying this music Don’t worry that other people are understanding the music more than you are You know a lot about the music you love, and you can appreciate cool experiences! Seek them out! Garrett advises you to ask us about concert etiquette and to seek out casual concerts More and more pro orchestras are putting on less formal concerts 49:04 - Sign Off A reminder that we’ll keep this format reserved for every 5th episode Feel free to recommend a piece you’d like us to dive into Leave us a review if you’d like! Shoot any questions towards our social media or gmail Share the podcast with a friend! We bet you know someone who loves music and would like to know a little more about it. Help make Garrett famous. Spotify Playlist Special thanks to OpenMusicRevolution.com for our intro and outro music and to the guys at Better Podcasting for being such great guides to us. Special thanks to you, our listeners, too! Visit our Website! Follow us on social media! Instagram: @uptoyourearspodcast Twitter @uptoyourears Email us! uptoyourearspodcast@gmail.com Additional Resources: James, Jonathan. “Dvorak Symphony No 9 - From The New World: Inside the Music”. YouTube video, 3:35. Posted October 2016. https://youtu.be/rjeskgwj78s. Roitstein, Andrew, and Nichole Veach. “Antonin Dvorak's New World Symphony: In Search of an American Voice.” Antonin Dvorak's New World Symphony: In Search of an American Voice. New York, NY: New York Philharmonic, 2017. https://nyphil.org/~/media/pdfs/education/1617/curriculum-guide-mshs-final.pdf?la=en Supka, Ondrej. “Symphony No. 9 ‘from the New World.’” Antonin Dvorak. Accessed November 1, 2019. http://www.antonin-dvorak.cz/en/symphony9. Weilerstein, Joshua. “Sticky Notes: The Classical Music Podcast.” Season 4 Premiere - Dvorak Symphony No. 9 "From the New World", Joshua Weilerstein, 30 Aug. 2018, http://stickynotespodcast.libsyn.com/podcast/season-4-premiere-dvorak-symphony-no-9-from-the-new-world
After introducing our four fundamental techniques, we bring in some guests to join us in listening to Dvorak's Symphony No. 8. We'll demonstrate how many different ways there are to listen to a piece of music, and practice breaking down a symphony so our listeners feel comfortable doing the same! Recording: Link
Each month Cacophony brings you a major work to make you happy – there aren’t many symphonies more cheery and life-affirming than the 8thsymphony by Dvorak, a man who great tunes poured out from. [4 parts]
Each month Cacophony brings you a major work to make you happy – there aren’t many symphonies more cheery and life-affirming than the 8thsymphony by Dvorak, a man who great tunes poured out from. [4 parts]
Each month Cacophony brings you a major work to make you happy – there aren’t many symphonies more cheery and life-affirming than the 8thsymphony by Dvorak, a man who great tunes poured out from. [4 parts]
Each month Cacophony brings you a major work to make you happy – there aren’t many symphonies more cheery and life-affirming than the 8thsymphony by Dvorak, a man who great tunes poured out from. [4 parts]
A listener's guide to Dvorak's "New World" Symphony. After a review of its 'American' qualities, and its use of spirituals and folk music, this episode provides a walkthrough of the symphony, with plenty of musical examples, and recommended recordings too.
Mark listens together with the EPO's new conductor, Matthew Jones, to a recording by the Baltimore Symphony orchestra and Marin Alsop.
드보르작 교향곡 1번 op.3 '즐로니체의 종' 이슈트반 케르테스 런던 심포니 오케스트라 196
Dvorak came to the USA in December of 1892. Three years later, he returned to Bohemia. In the meantime, he wrote three of his most popular pieces and three of the most popular pieces in all of classical music, the American String Quartet, the Cello Concerto, and the topic for today, his New world Symphony. Season 4 of Sticky Notes begins with a look at this incredible symphony, a fusion of the work of both a fully European composer and of a man who had fallen in love with music he had never heard before, but would never forget. We’ll explore all of this and more - thanks for listening!
Stoa Okumaları Serisi 53. Bölüm : Yaşamın Ödülü de Delili de Harekettir Ahlaki Mektuplar, Seneca Seslendiren : Kemal Karadayı Müzik : Dvorak Symphony No. 9 ''From The New World'', 2nd Movement
Stoa Okumaları Serisi 52. Bölüm : Doğa Bize Bilginin Tohumunu Vermiş, Kendisini Değil Ahlaki Mektuplar, Seneca Seslendiren : Kemal Karadayı Müzik : Dvorak Symphony No. 9 ''From The New World'', 2nd Movement
Stoa Okumaları Serisi 51. Bölüm : Susuzluk Değil O Duyduğun Ahlaki Mektuplar, Seneca Seslendiren : Kemal Karadayı Müzik : Dvorak Symphony No. 9 ''From The New World'', 2nd Movement
Stoa Okumaları Serisi 50. Bölüm : Kader, Senden Alıp Vereceğim Bir Şey Yok Ahlaki Mektuplar, Seneca Seslendiren : Kemal Karadayı Müzik : Dvorak Symphony No. 9 ''From The New World'', 2nd Movement
선곡표 1.johann Strauss JR. -Tausend und eine Nacht 천일야화 and An der schoenen blauen Donau 아름답고 푸른 도나우 2.브람스 바이올린 협주곡 Violin Concerto in D Major Op.77 - I. Allegro non troppo 3.Rossini(1868d) -Guillaume Tell overture 4.Debussy(1918d) -Arabesque 1 E Major, Arabesque 2 G major, L'Isle Joyeuse(기쁨의 섬) 5.크루셀 클라리넷 협주곡 1번 Clarinet concerto No.1 - 1악장 6.Dvorak -Symphony No 9 E minor ‘신세계' 중 3. molto vivace 7.Donizetti (1848d) -Pour me rapprocher de marie 그대 곁에 있고자 군인이 되었소 from 연대의 딸 quanto e bella 그녀는 얼마나 아름답고 사랑스러운가 Una furtiva lagrima 남몰래 흘리는 눈물 from 사랑의 묘약 8.마르탱 작은 심포니 콘체르탄테 Petite Symphonie Concertante - 1. Adagio - Allegro con moto 9. Tchaikovsky - 백조의 호수 - 모음곡 Tchaikovsky - Swan Lake - Suite Op.20a - 1. Scene (Swan theme)
선곡표 1. Satie -Je te veux(그대를 원해요) 2..Puccini -E lucevan le stelle (별은 빛나건만) from 토스카 3 Weber -Nein, Länger Trag' Ich Nicht Die Qualen (숲을 지나 들을 넘어서) from 마탄의 사수 4. Louis Spohr - 바이올린 2중주 Duo For Two Violins In D Major Op.67-2 - 1악장 Allegro 5. Fritz Kreisler -전주곡과 알레그로 6. Brahms -Violin sonata No 3 D minor Op 108 1. Allegro 2. Adagio 3. un poco proesto e con sentimento 4. Presto Agitato 7. Francis Poulenc -오르간 협주곡 Poulenc - Concerto for Organ, Strings and Timpani in g minor FP 93 - 1. Andante 8. Dvorak -Symphony No 8 3. Allegro Grazioso-molto vivace 4. Allegro ma non troppo 9. Bach -골드베르크 변주곡 중 아리아- 제3변주 10. 죽은시인의 사회 ost 모리스 자르
선곡표 1. Tchaikovsky -November:Troika from 2. King, Pete - November Twilight 3. Rubinstein -멜로디 Melodie in F Major Op.3-1 [ 4. Bach -Concerto for 2 violins D minor BWV1043 1. vivace 2. Largo ma non tanto 3. Allegro 5. Rossini -Una voce poco fa(방금 들린 그대 음성) from 세빌리아의 이발사 6. Dvorak -Symphony No 9 E minor 신세계 1. Adagio –allegro molto 2. Largo 7. Boccherini - 첼로 협주곡 4번 Boccherini - Cello Concerto No.4 in C Major G.477 - 2. Adagio 8. 피아졸라 천사의 죽음 La Muerte del Angel 9. Anton Bruckner -Symphony No 8 4. Finale, Feirlich nicnt schnell 10. 청연 - 서쪽하늘
Join conductor and host Joshua Weilerstein as we take a deep dive into Dvorak's spectacular but under-appreciated 6th Symphony in D Major! We'll be looking at Dvorak's ties to Brahms, his Czech pride, social trends of the 1880's, and much, much more, plus a detailed analysis of the music itself. Thanks for listening and I hope you enjoy it!
TSO Managing Editor & Musicologist Hannah Chan-Hartley outlines the story behind Shostakovich Symphony No. 13. Plus, Rob Kapilow on Dvorak Symphony No. 8 and What Makes It Great. Hosted by The New Classical FM's Kathleen Kajioka and TSO Principal Bass Jeff Beecher.
In today's Proms Music Guide, Andrew McGregor talks about Dvorak's 9th symphony.
In today's Proms Music Guide, Andrew McGregor talks about Dvorak's 7th symphony.