Podcasts about Public humanities

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In this episode of Conceptually Speaking, I sit down with Dr. Matt Seybold, host of the American Vandal podcast and scholar at the Center for Mark Twain Studies at Elmira College. Our conversation traverses the changing landscape of literary studies as it moves beyond traditional academic boundaries into digital spaces, revealing both new opportunities and persistent challenges in how we create and share knowledge. Dr. Seybold shares the origin story of American Vandal—born as a pandemic response when in-person programming was suspended—and how it evolved into a platform that builds relationships with scholars and reaches an unexpectedly global audience. Together, we explore the fascinating contradiction that while humanities departments face serious funding crises, public hunger for thoughtful literary and cultural analysis continues to flourish across platforms and borders.Key Concepts from the Episode:Democratizing Academic DiscourseHow podcasting allows scholars to communicate more naturally about complex ideasThe surprising global reach of academic content when freed from traditional constraintsWhy digital media complements but cannot replace forms of scholarship housed in academic institutionsDigital Media in Humanities EducationEngaging students with diverse media experiences across multiple platformsBalancing traditional written texts like articles and monographs with emerging forms of communicationUnderstanding the unique affordances of different media formats rather than creating hierarchiesBridging Academic & Public HumanitiesChallenging the "crisis in humanities" narrative by revealing genuine public interest in literary discourse despite decades of Ponzi austerity Distinguishing between institutional defunding and the persistent cultural appetite for humanistic inquiryPromoting authentic creative production through engagement with "real world" media genresOur conversation offers practical insights for educators, researchers, podcasters, and anyone interested in how literary scholarship evolves in the digital age. Dr. Seybold reminds us that despite institutional challenges, the humanities must continue to resist through rhetorical agility, media savvy, and (perhaps most importantly) organized political action. Check out more of Matt's work:The American Vandal PodcastCenter for Mark Twain StudiesSupport the show

Pauline is joined by Rhonda Garelick, the founding director of Hofstra University's Institute for Public Humanities and the Arts. Rhonda also is a columnist for the New York Times Style Section and the author of three books, including “Mademoiselle: Coco Chanel and the Pulse of History.” Together, Pauline and Rhonda discuss the science of ugliness -- who is ugly? And who decides? How much of our perceptions of ugliness are determined by biology and genetics vs. cultural and societal norms?The two women also discuss how social media is reshaping our standards of beauty and the impact of technologies - like GLP-1 drugs and plastic surgery - on our perceptions and ideals.

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Jake Lamar's novel Viper's Dream (Crooked Lane Books, 2023) is a gritty, daring look at the vibrant jazz scene of mid-century Harlem, and one man's dreams of making it big and finding love in a world that wants to keep him down. Harlem, 1936. Clyde “The Viper” Morton boards a train from Alabama to Harlem to chase his dreams of being a jazz musician. When his talent fails him, he becomes caught up in the dangerous underbelly of Harlem's drug trade. In this heartbreaking novel, one man must decide what he is willing to give up and what he wants to fight for. Viper's Dream is a fast-paced story that is charged with suspense. A snappy, provocative voice and a stark look at Viper's Black American experience weave with endless plot twists to offer readers a stunningly original, achingly beautiful read. Jake Lamar was born in 1961 and grew up in the Bronx, New York. After graduating from Harvard University, he spent six years writing for Time magazine. He has lived in Paris since 1993 and teaches creative writing at one of France's top universities, Sciences Po. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jake Lamar's novel Viper's Dream (Crooked Lane Books, 2023) is a gritty, daring look at the vibrant jazz scene of mid-century Harlem, and one man's dreams of making it big and finding love in a world that wants to keep him down. Harlem, 1936. Clyde “The Viper” Morton boards a train from Alabama to Harlem to chase his dreams of being a jazz musician. When his talent fails him, he becomes caught up in the dangerous underbelly of Harlem's drug trade. In this heartbreaking novel, one man must decide what he is willing to give up and what he wants to fight for. Viper's Dream is a fast-paced story that is charged with suspense. A snappy, provocative voice and a stark look at Viper's Black American experience weave with endless plot twists to offer readers a stunningly original, achingly beautiful read. Jake Lamar was born in 1961 and grew up in the Bronx, New York. After graduating from Harvard University, he spent six years writing for Time magazine. He has lived in Paris since 1993 and teaches creative writing at one of France's top universities, Sciences Po. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Jake Lamar's novel Viper's Dream (Crooked Lane Books, 2023) is a gritty, daring look at the vibrant jazz scene of mid-century Harlem, and one man's dreams of making it big and finding love in a world that wants to keep him down. Harlem, 1936. Clyde “The Viper” Morton boards a train from Alabama to Harlem to chase his dreams of being a jazz musician. When his talent fails him, he becomes caught up in the dangerous underbelly of Harlem's drug trade. In this heartbreaking novel, one man must decide what he is willing to give up and what he wants to fight for. Viper's Dream is a fast-paced story that is charged with suspense. A snappy, provocative voice and a stark look at Viper's Black American experience weave with endless plot twists to offer readers a stunningly original, achingly beautiful read. Jake Lamar was born in 1961 and grew up in the Bronx, New York. After graduating from Harvard University, he spent six years writing for Time magazine. He has lived in Paris since 1993 and teaches creative writing at one of France's top universities, Sciences Po. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell's 1984 to Margaret Atwood's Handmaid's Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It's a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell's 1984 to Margaret Atwood's Handmaid's Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It's a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell's 1984 to Margaret Atwood's Handmaid's Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It's a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell's 1984 to Margaret Atwood's Handmaid's Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It's a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell's 1984 to Margaret Atwood's Handmaid's Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It's a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Harvard academic Elisa New is host of the much acclaimed PBS series POETRY IN AMERICA. Now in Season Four, the show has featured conversations about American poetry with Joe Biden, Herbie Hancock, Gloria Estefan, Shaquille O'Neal, Bill Clinton and Al Gore. While America isn't normally considered a poetic nation, New's show has brought poetry into the homes of millions of Americans. So when I caught up with New, I asked her whether there was such a thing as an American poem and what it is about America that inspires memorable poetry. Elisa New is the Director and Host of Poetry in America, director of the Center for Public Humanities at Arizona State University, director of Verse Video Education, and Powell M. Cabot Professor of American Literature at Harvard University. New created Poetry in America, a PBS series, to bring poetry beyond classrooms into living rooms and onto screens of all kinds. The show can be seen on public television and streaming platforms, in schools and libraries, and on airlines. Guests include Joe Biden, Herbie Hancock, Gloria Estefan, Shaquille O'Neal, Elena Kagan, Nas, John McCain, Sonia Sanchez, Tony Kushner, Bill Clinton, Julia Alvarez, Bono, Cynthia Nixon, John Kerry, LisaGay Hamilton, Caroline Kennedy, Bill T. Jones, Katie Couric, and Al Gore and dozens of others. Alongside the PBS series, New produces educational materials on American poetry for all ages—from middle- and high-school students, to K-12 teachers, to lifelong learners—distributed by Harvard University, Amplify Education, and Arizona State University.  In her capacity as Director of the newly established Center for the Public Humanities at ASU, New will partner with ASU faculty and with partners from an array of other institutions to create relevant, engaging interdisciplinary content that extends beyond poetry: content that will broaden access to the highest quality learning experiences in the Humanities and adjacent fields. New is the author of The Regenerate Lyric: Theology and Innovation in American Poetry (Cambridge University Press, 1992); The Line's Eye: Poetic Experience, American Sight (Harvard University Press, 1999); Jacob's Cane: A Jewish Family's Journey from the Four Lands of Lithuania to the Ports of London and Baltimore: A Memoir in Five Generations (Basic Books, 2009); and New England Beyond Criticism: In Defense of America's First Literature, A Wiley Blackwell Manifesto (Wiley Blackwell 2014).Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Christian Raffensperger is Professor of History and Chair of the Department, Kenneth E. Wray Chair in the Humanities, and Director, Emarth Institute for the Public Humanities at Wittenberg University covering Medieval Europe, Russia, and Ukraine. His works include ‘Reimagining Europe: Kievan Rus in the Medieval World, 988-1146', 'Ties of Kinship: Russian Genealogy and Dynastic Marriage', ‘The Kingdom of Rus' and more. Christian joins me to discuss why Medieval Europe is much more than just France and England, Rus royal marriages, and why using the right titles is important. Christian's book recommendation for listeners is Russia in the Early Modern World: The Continuity of Change by Donald Ostrowski. Find it on Amazon at https://amzn.to/46FXMMp a purchase through this link helps support this podcast.

In honor of Superman's 85th birthday this year, Dr. Valentino Zullo explores the Cleveland-created superhero's origin story. Dr. Zullo and Laura discuss some of the first-ever Superman comics; Superman's early focus on fighting social inequities vs. super villains; how creators Jerry Siegel and Joe Shuster came to dream up the famous superhero; Brad Ricca's entertaining and exhaustive literary biography Super Boys; legal battles surrounding the rights to Superman; and today's expanded Superman universe, including a look at Supergirl: Being Super by Mariko Tamaki and Joelle Jones.   Dr. Zullo is the Anisfield-Wolf Post-Doctoral Fellow in English and Public Humanities at Ursuline College and a co-director of Superman's Cleveland, a city-wide celebration of the world's first comic book superhero. Visit supermanscleveland.com to learn about free events and programs in September, October, and November 2023.   Headshot artist credit: Sina Grace   To learn more about Literary Cleveland's Inkubator writing conference, visit https://inkubator.litcleveland.org. And be sure to register for the live Page Count recording, an interview (and literary tarot readings!) with Elissa Washuta that takes place on Saturday, September 23 at 1:30pm.   Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and a transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Twitter or on Facebook.

This episode of High Theory is based upon a conference paper Saronik and Kim wrote for the American Comparative Literature Association Conference in 2023. It departs from our usual conversational style, in that we take turns reading sections of the paper aloud. But we could all do with a dose of formality, right? The paper we read is titled, “How Will Critique Save the World?: Popular Theory and Public Humanities” and it talks about the method wars on Twitter, the cameo appearance of Baudrillard's Simulacra and Simulation in The Matrix, alt-right conspiracy theory, and the academic job market. For a full transcript of the episode, with references, see our website: hightheory.net/2023/03/19/acla2023/ The image accompanying this episode was made by Saronik Bosu. Don't use it without asking him. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode of High Theory is based upon a conference paper Saronik and Kim wrote for the American Comparative Literature Association Conference in 2023. It departs from our usual conversational style, in that we take turns reading sections of the paper aloud. But we could all do with a dose of formality, right? The paper we read is titled, “How Will Critique Save the World?: Popular Theory and Public Humanities” and it talks about the method wars on Twitter, the cameo appearance of Baudrillard's Simulacra and Simulation in The Matrix, alt-right conspiracy theory, and the academic job market. For a full transcript of the episode, with references, see our website: hightheory.net/2023/03/19/acla2023/ The image accompanying this episode was made by Saronik Bosu. Don't use it without asking him. Learn more about your ad choices. Visit megaphone.fm/adchoices