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S. A. Cosby is the author of the novel King of Ashes, available from Flatiron Books. Cosby is a New York Times bestselling writer from southeastern Virginia. He is the author of All the Sinners Bleed, which was on more than forty Best of the Year lists, including Barack Obama's, as well as Edgar Award finalist Razorblade Tears and Los Angeles Times Book Prize winner Blacktop Wasteland. He has also won the Anthony Award, ITW Thriller Award, Barry Award, Macavity Award, BCALA Award, and Audie Award and has been longlisted for the ALA Andrew Carnegie Medal for Excellence. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Instagram Bluesky Email the show: letters [at] otherppl [dot] com The podcast is an affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Host Jason Blitman talks to author S.A. Cosby (King of Ashes) about books that inspired Cosby early in his writing, the plot holes he found in fairy tales as a kid, his appreciation of Shakespeare's work, and his commitment to being an LGBTQIA+ ally. Jason is then joined by Guest Gay Reader, author and theatre producer Richie Jackson, who shares what he's been reading and reflects on the personal motivation behind writing Gay Like Me—a heartfelt legacy project intended as a guide and love letter to his son.S. A. Cosby is a New York Times bestselling writer from southeastern Virginia. He is the author of All the Sinners Bleed, which was on more than forty Best of the Year lists, including Barack Obama's, as well as Edgar Award finalist Razorblade Tears and Los Angeles Times Book Prize winner Blacktop Wasteland. He has also won the Anthony Award, ITW Thriller Award, Barry Award, Macavity Award, BCALA Award, and Audie Award and has been longlisted for the ALA Andrew Carnegie Medal for Excellence.Richie Jackson is the author of the best-selling book Gay Like Me published by HarperCollins. He is an award-winning Broadway, television, and film producer who produced the Tony Award-nominated Harvey Fierstein's Torch Song on Broadway and executive produced Showtime's Nurse Jackie (Emmy and Golden Globe nominee for “Best Comedy Series”) for seven seasons. His writing has appeared in O The Oprah Magazine, Out, Town & Country, and The Advocate. As an alumnus of NYU, he endows a program at his alma mater to train the next generation of LGBTQ+ activists called the Richie Jackson LGBTQ+ Service Fellows. He and his husband, Jordan Roth, were honored with The Trevor Project's Trevor Hero Award. They are the proud parents of two extraordinary sons. BOOK CLUB!Sign up for the Gays Reading Book Club HERE for only $1July Book: Disappoint Me by Nicola Dinan SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me PARTNERSHIP!Use code READING to get 15% off your madeleine order! https://cornbread26.com/ WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com
The phenomenal S.A. Cosby joins us to discuss his newest book King of Ashes, stepping into darkness as a writer, and exploring trauma and family ties through fiction. We also get a sneak peek of King of Ashes, the cameos in the S.A. Cosby universe, and touch on the dichotomy of the art vs business of writing and publishing. S. A. Cosby is a New York Times bestselling writer from southeastern Virginia. He is the author of All the Sinners Bleed, which was on more than forty Best of the Year lists, including Barack Obama's, as well as Edgar Award finalist Razorblade Tears and Los Angeles Times Book Prize winner Blacktop Wasteland. He has also won the Anthony Award, ITW Thriller Award, Barry Award, Macavity Award, BCALA Award, and Audie Award and has been longlisted for the ALA Andrew Carnegie Medal for Excellence. His upcoming novel King of Ashes is set to release on June 10 2025. Dark Waters vol. 1 & 2 are available to order! To get a copy, head over to our linktreeWant to submit your writing? Email darkwaterspodcast@gmail.comIntro/Outro music: www.bensound.comDisclaimer: Any and all opinions expressed are the opinions of the participants and not of the organizations or institutions with which they are affiliated.
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In this podcast, our guest is Malcolm Harris, the author of the national bestseller “Palo Alto: A History of California, Capitalism, and the World,” a finalist for the Los Angeles Times Book Prize. Today we discuss his latest book, “What's Left: Three Paths Through the Planetary Crisis,” an ambitious work that explores political strategy, alliances, and antagonisms necessary to confront existential threats like climate change and societal collapse. It critiques capitalism's role in these crises and proposes three strategic paths for a viable future: Market Craft, Public Power, and Communism. Climate crisis demands rapid action and Harris rejects defeatism. He offers hope that the left must organize across differences and confront the systemic obstacles built into our politics and economic system that support the status quo rather than change. In What's Left, Malcolm Harris cuts through the noise and gets real about our remaining options for saving the world. Order the book: https://www.hachettebookgroup.com/titles/malcolm-harris/whats-left/9780316577434 Website: malcolmharris.substack.com Twitter: @BigMeanInternet For those in Philadelphia, a holistic nonsectarian events calendar for the Philly Left. Book events and film screenings, organizing meetings and skill shares: https://philacal.com Greg's Blog: http://zzs-blg.blogspot.com/ Pat's Substack: https://patcummings.substack.com/about Malcolm Harris#Philacal#Kids These Days#Shit is Fucked Up and Bullshit#Santa Cruz#Philidephia#planetary crisis#public power#Verso Books#What's Left#Whats Left#Global Warming#Market Craft#Communism#Greta Thunberg#Pat Cummings#Greg Godels#ZZ Blog#Podcast#Coming FromLeftField#Coming From Left Field#zzblog#mltoday
How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
The Power of Storytelling is a special collaboration episode between Minorities in Publishing and the Restorative Works! Podcast. Through the power of storytelling, we aim to engage powerful leaders and activists in conversations around keeping hope in dire times; giving back power to communities; radical empathy; arts as means to tell real life stories, and the effects of genuine engagement in community resilience. Listen to critical storytellers and educators including Jennifer Coreas, Reginald Dwayne Betts, and Tiffany Yu, who have been foundational in bringing awareness to societal issues and community movements through storytelling and literacy. Tune in to hear these influential voices speak on the power of transforming stories into actionable change in the worlds of criminal justice, disability awareness, and publishing. Participant Bios Jennifer Baker is an author, editor, writing instructor, and creator of the Minorities in Publishing podcast. She's been a recipient of NYSCA/NYFA and Queens Council on the Arts grants, a 2024 Axinn Writing Award, and was named the Publishers Weekly Star Watch SuperStar in 2019. She edited the short story anthology Everyday People: The Color of Life (2018) and is the author of Forgive Me Not (2023) a 2023 Los Angeles Times Book Prize finalist, an NYPL 2023 Best Book for Teens, and 2023 Best of the Best by the BCALA. Claire de Mézerville López is a licensed psychologist from UCR (Universidad de Costa Rica). She holds a Master in Education with an emphasis on cognitive development from ITESM (Instituto Tecnológico de Estudios Superiores de Monterrey, México). She also has a Master of Science in Restorative Practices from the IIRP Graduate School. She is also an associate professor at Universidad de Costa Rica, and has experience as a therapist, researcher, and consultant. Claire has published papers on adolescence, restorative practices, resilience and educational psychology. Claire has worked with the IIRP since 2011. Currently, among other duties, serves as a liaison to Spanish-speaking communities and organizations in Latin America and elsewhere Reginald Dwayne Betts is a poet and lawyer. A 2021 MacArthur Fellow, he is the Executive Director of Freedom Reads, a not-for-profit organization that is radically transforming the access to literature in prisons through the installation of Freedom Libraries in prisons across this country. Betts has authored several books including the poetry collections Bastards of the Reagan Era and Felon. Jennifer Coreas is the coordinator and cofounder of the program Literacy for Reconciliation for ConTextos in El Salvador and Chicago. Her work extends from curriculum development and teaching to advocacy, training, and facilitation of dialogue. She has led the work and the vision for ConTextos's work in prisons and communities, accompanied authors in their journeys of self-discovery, and brought their stories to hundreds of teachers, psychologists, and social workers in professional development spaces. She has been recognized with numerous fellowships and scholarships including the Rocky Gooch Memorial Scholarship and the Esperanza Fellowship. She holds degrees from El Salvador in English as a second language and applied linguistics, and she received a master's degree in English from Middlebury College in 2018. Tiffany Yu is the CEO & Founder of Diversability, an award-winning social enterprise to elevate disability pride, the Founder of the Awesome Foundation Disability Chapter, and the author of The Anti-Ableist Manifesto: Smashing Stereotypes, Forging Change, and Building a Disability-Inclusive World. Her TED Talk, How to Help Employees with Disabilities Thrive, has over one million views. She serves on the NIH National Advisory Board on Medical Rehabilitation Research and was a Co-Chair of the World Economic Forum Sustainable Development Impact Summit. At the age of 9, Tiffany became disabled as a result of a car accident that also took the life of her father.
The Power of Storytelling is a special collaboration episode between Minorities in Publishing and the Restorative Works! Podcast. Through the power of storytelling, we aim to engage powerful leaders and activists in conversations around keeping hope in dire times; giving back power to communities; radical empathy; arts as means to tell real life stories, and the effects of genuine engagement in community resilience. Listen to learn from critical storytellers and educators including Jennifer Coreas, Reginald Dwayne Betts, and Tiffany Yu, who have been foundational in bringing awareness to societal issues and community movements through storytelling and literacy. Jennifer Baker is an author, editor, writing instructor, and creator of the Minorities in Publishing podcast. She's been a recipient of NYSCA/NYFA and Queens Council on the Arts grants, a 2024 Axinn Writing Award, and was named the Publishers Weekly Star Watch SuperStar in 2019. She edited the short story anthology Everyday People: The Color of Life (2018) and is the author of Forgive Me Not (2023) a 2023 Los Angeles Times Book Prize finalist, an NYPL 2023 Best Book for Teens, and 2023 Best of the Best by the BCALA. Jennifer Coreas is the coordinator and cofounder of the program Literacy for Reconciliation for ConTextos in El Salvador and Chicago. Her work extends from curriculum development and teaching to advocacy, training, and facilitation of dialogue. She has led the work and the vision for ConTextos's work in prisons and communities, accompanied authors in their journeys of self-discovery, and brought their stories to hundreds of teachers, psychologists, and social workers in professional development spaces. She has been recognized with numerous fellowships and scholarships including the Rocky Gooch Memorial Scholarship and the Esperanza Fellowship. She holds degrees from El Salvador in English as a second language and applied linguistics, and she received a master's degree in English from Middlebury College in 2018. Reginald Dwayne Betts is a poet and lawyer. A 2021 MacArthur Fellow, he is the Executive Director of Freedom Reads, a not-for-profit organization that is radically transforming the access to literature in prisons through the installation of Freedom Libraries in prisons across this country. Betts has authored several books including the poetry collections Bastards of the Reagan Era and Felon. Tiffany Yu is the CEO & Founder of Diversability, an award-winning social enterprise to elevate disability pride, the Founder of the Awesome Foundation Disability Chapter, and the author of The Anti-Ableist Manifesto: Smashing Stereotypes, Forging Change, and Building a Disability-Inclusive World. Her TED Talk, How to Help Employees with Disabilities Thrive, has over one million views. She serves on the NIH National Advisory Board on Medical Rehabilitation Research and was a Co-Chair of the World Economic Forum Sustainable Development Impact Summit. At the age of 9, Tiffany became disabled as a result of a car accident that also took the life of her father. Tune in to hear these influential voices speak on the power of transforming stories into actionable change in the worlds of criminal justice, disability awareness, and publishing.
This week, we're revisiting a critical conversation we had back in 2020 with author and historian Nancy MacLean, in which she exposes how today's threats to democracy were decades in the making. Based on her groundbreaking book Democracy in Chains, MacLean traces how Nobel Prize-winning economist James Buchanan worked with billionaire donors to rig the rules of government to expand corporate power and protect extreme wealth. From public choice theory to voter suppression, this episode reveals the coordinated strategy to undermine democracy—and explains why understanding it is essential to fighting back. Nancy MacLean is an award-winning historian and the William H. Chafe Distinguished Professor of History and Public Policy at Duke University. Her book, Democracy in Chains: The Deep History of the Radical Right's Stealth Plan for America was a National Book Award finalist and winner of the Los Angeles Times Book Prize. This episode originally aired on July 21, 2020. Social Media: @nancymaclean.bsky.social @NancyMacLean5 Further reading: Democracy in Chains Website: http://pitchforkeconomics.com Instagram: @pitchforkeconomics Threads: pitchforkeconomics Bluesky: @pitchforkeconomics.bsky.social Twitter: @PitchforkEcon, @NickHanauer, @civicaction YouTube: @pitchforkeconomics LinkedIn: Pitchfork Economics Substack: The Pitch
With books like the bestselling “The World Without Us,” a finalist for the National Book Critics Circle Award and translated into thirty-four languages, and “Countdown,” winner of the Los Angeles Times Book Prize, environmental journalist Alan Weisman has established himself as one of the most prophetic voices on humanity's relationship to the Earth. For his […] Read full article: Episode 147: Alan Weisman On His New Book “Hope Dies Last”
April 23, 2025 - With the ever-growing need to understand ourselves and humanity as a whole, it is necessary to examine the concepts of morality, ethics and universal values as guiding principles of the human condition. With generous support from Y.T. Hwang Family Foundation, The Korea Society presents a Series on Ethics and Common Values. This series promotes the understanding of central themes of our human existence - morality, ethics, personal responsibility, compassion and civility - through a series of lectures by distinguished speakers and conversation with extraordinary individuals who exemplify the universal values in line with the mission of Y. T. Hwang Family Foundation and The Korea Society. The Korea Society and Y. T. Hwang Family Foundation is proud to present Ilyon Woo in a conversation with Ed Park. Ilyon Woo is the New York Times best-selling author of Master Slave Husband Wife: An Epic Journey from Slavery to Freedom, which won the 2024 Pulitzer Prize in Biography. Time Magazine called Master Slave Husband Wife an “edge-of-your-seat drama”; The Wall Street Journal pronounced it: “A narrative of such courage and resourcefulness it seems too dashing to be true.... a ‘genuine nail-biter.'” It was one of the New York Times's “10 Best Books of 2023” and People Magazine's “Top Ten Books of 2023,” also named a best book of the year by The New Yorker, Time, NPR, Smithsonian Magazine, Boston, Chicago Public Library, and Oprah Daily. A finalist for a Kirkus Prize, the book was long-listed for the Carnegie Medal, nominated for the Goodreads Choice Awards, and supported by a Whiting Creative Nonfiction Writing Grant. Woo is also the author of The Great Divorce: A Nineteenth-Century Mother's Extraordinary Fight Against Her Husband, the Shakers, and Her Times. Her writing has appeared in The Boston Globe, The Wall Street Journal, Time Magazine, and The New York Times. Woo has traveled the country to speak at bookstores, museums, schools, and book festivals, and she has been featured on such programs as NPR's Morning Edition, All Things Considered, and CBS Sunday Morning. She holds a BA in the Humanities from Yale College and a PhD in English from Columbia University. Ed Park is the author of the novels Same Bed Different Dreams (2023), a finalist for the Pulitzer Prize and winner of the Los Angeles Times Book Prize, and Personal Days (2008), a finalist for the PEN/Hemingway Award. His fiction, essays, and reviews have appeared in The New Yorker, The New York Review of Books, Harper's, The Atlantic, Bookforum, McSweeney's, and many other publications. He is a founding editor of The Believer and the former literary editor of The Village Voice, and has worked in newspapers and book publishing. He currently teaches writing at Princeton University. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/item/1980-y-t-hwang-family-foundation-series-on-ethics-common-values-a-conversation-with-ilyon-woo
Stephen Witt's last book was entitled How Music Got Free. His latest, The Thinking Machine, a history of NVIDIA and its CEO Jensen Huang, might have been called How Intelligence Got Expensive. It's about NVIDIA's role in both the multi trillion dollar AI revolution and the world's Taiwan-centric microchip economy. Witt explains how NVIDIA transformed itself from an obscure gaming graphics company into an AI hardware powerhouse by investing in scientific computing when competitors wouldn't. He describes Huang's relentless leadership style (including demanding Musk style weekly emails from 30,000 employees), the influence of his Taiwanese heritage, and NVIDIA's success in parallel computing as a post-Moore's Law company. * NVIDIA succeeded by taking a counterintuitive approach - investing heavily in academic computing markets that seemed unprofitable but eventually led to their AI dominance.* Jensen Huang has an unusual management style featuring a flat organizational structure with 60 direct reports, mandatory weekly emails from all employees, and public critiques of underperforming teams.* Huang's Taiwanese heritage and cultural background played a significant role in NVIDIA's success, particularly in establishing crucial manufacturing relationships with TSMC.* NVIDIA's focus on parallel computing positioned them as a post-Moore's Law company, allowing them to thrive when traditional chip manufacturers like Intel and AMD hit physical limitations.* Despite NVIDIA's current dominance, they face threats from Chinese competitors, potential shifts in manufacturing due to tariffs, and the challenge of maintaining control over increasingly powerful AI systems.Stephen Witt is the author of The Thinking Machine, a forthcoming book on the AI hardware giant Nvidia. His first book, How Music Got Free, was a finalist for the Los Angeles Times Book Prize, the J. Anthony Lukas Book Prize, and the Financial Times and McKinsey Business Book of the Year. His writing has appeared in The New Yorker, Financial Times, New York, The Wall Street Journal, Rolling Stone, and GQ. He lives in Los Angeles, California.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
Alex Segura stops by to talk about the mystery genre and many of the books and comics he has written over the years. Then, Matthew and Stephen discuss The Great British Bump-Off from Dark Horse Comics. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) ALEX SEGURA [caption id="attachment_818388" align="alignright" width="230"] You can purchase this book via our Amazon affiliate link[/caption] Alex Segura is the bestselling and award-winning author of Secret Identity, winner of the Los Angeles Times Book Prize for Mystery/Thriller, a New York Times Editor's Choice and an NPR Best Mystery of the Year. He's also the author of the acclaimed Pete Fernandez series, as well as the Star Wars novel, Poe Dameron: Free Fall, and the YA Spider-Verse adventure, Araña/Spider-Man 2099: Dark Tomorrow. In 2024, he published a sci-fi/espionage novel, Dark Space, co-written with Rob Hart; the graphic novel The Legendary Lynx, illustrated by Sandy Jarrell; Encanto: Nightmares and Sueños; and Alter Ego, a standalone sequel to Secret Identity. Alter Ego was an instant USA Today bestseller, featured in Cosmpolitan, Parade, The Los Angeles Times, The Hollywood Reporter, and described as “thrilling” by the Wall Street Journal. In addition to his prose writing he has written a number of comics for Marvel and DC, including Star Wars: Battle of Jakku, Spider-Society, and The Question: All Along the Watchtower. With Michael Moreci he is the writer behind the noir re-launch of Dick Tracy. He lives in New York City with his family. DISCUSSION THE GREAT BRITISH BUMP-OFF Writer: John Allison Artist: Max Sarin Publisher: Dark Horse Comics Release Date: December 2023 Cover Price: $19.99 When she enters her country's most beloved baking competition, Shauna Wickle's goal is to delight the judges, charm the nation, and make a few friends along the way. But when a fellow contestant is poisoned, it falls to her to apprehend the culprit while avoiding premature elimination from the UK Bakery Tent…and being the poisoner's next victim! Collects issues #1–#4 of Dark Horse Comics series The Great British Bump-Off. You can purchase this issue via our Amazon affiliate link - https://amzn.to/4kS2f69 CLOSE Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!
Alex Segura stops by to talk about the mystery genre and many of the books and comics he has written over the years. Then, Matthew and Stephen discuss The Great British Bump-Off from Dark Horse Comics. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) ALEX SEGURA [caption id="attachment_818388" align="alignright" width="230"] You can purchase this book via our Amazon affiliate link[/caption] Alex Segura is the bestselling and award-winning author of Secret Identity, winner of the Los Angeles Times Book Prize for Mystery/Thriller, a New York Times Editor's Choice and an NPR Best Mystery of the Year. He's also the author of the acclaimed Pete Fernandez series, as well as the Star Wars novel, Poe Dameron: Free Fall, and the YA Spider-Verse adventure, Araña/Spider-Man 2099: Dark Tomorrow. In 2024, he published a sci-fi/espionage novel, Dark Space, co-written with Rob Hart; the graphic novel The Legendary Lynx, illustrated by Sandy Jarrell; Encanto: Nightmares and Sueños; and Alter Ego, a standalone sequel to Secret Identity. Alter Ego was an instant USA Today bestseller, featured in Cosmpolitan, Parade, The Los Angeles Times, The Hollywood Reporter, and described as “thrilling” by the Wall Street Journal. In addition to his prose writing he has written a number of comics for Marvel and DC, including Star Wars: Battle of Jakku, Spider-Society, and The Question: All Along the Watchtower. With Michael Moreci he is the writer behind the noir re-launch of Dick Tracy. He lives in New York City with his family. DISCUSSION THE GREAT BRITISH BUMP-OFF Writer: John Allison Artist: Max Sarin Publisher: Dark Horse Comics Release Date: December 2023 Cover Price: $19.99 When she enters her country's most beloved baking competition, Shauna Wickle's goal is to delight the judges, charm the nation, and make a few friends along the way. But when a fellow contestant is poisoned, it falls to her to apprehend the culprit while avoiding premature elimination from the UK Bakery Tent…and being the poisoner's next victim! Collects issues #1–#4 of Dark Horse Comics series The Great British Bump-Off. You can purchase this issue via our Amazon affiliate link - https://amzn.to/4kS2f69 CLOSE Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!
Dr. Sally Satel is a psychiatrist and a lecturer at Yale University. She has written widely in academic journals on topics in psychiatry and medicine, and has published articles on cultural aspects of medicine and science in numerous magazines and journals. She has testified before Congress on veterans' issues, mental health policy, drug courts and health disparities. She is the author of numerous books including Brainwashed, a finalist for the Los Angeles Times Book Prize in Science.
Dr. Sally Satel is a psychiatrist and a lecturer at Yale University. She has written widely in academic journals on topics in psychiatry and medicine, and has published articles on cultural aspects of medicine and science in numerous magazines and journals. She has testified before Congress on veterans' issues, mental health policy, drug courts and health disparities. She is the author of numerous books including Brainwashed, a finalist for the Los Angeles Times Book Prize in Science.
Tana French is the New York Times bestselling author of eight previous books, including The Searcher, The Likeness, and The Witch Elm. Her novels have sold over three million copies and won numerous awards, including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Book Prize for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She's been called a mystery writer for people who don't read mysteries. She lives in Dublin with her family. Tana French joins Barbara DeMarco-Barrett to talk about her latest novel, The Hunter. They discuss her attraction to crime fiction, how her acting background helps her get into character, how characters come to her, how she's not a plotter, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds upon hundreds of past interviews on our website. If you'd like to support the show and indie bookstores, consider buying books at our bookstore on bookshop.org. We've stocked it with titles from our guests, as well as some of our personal favorites. And on Spotify, you'll find to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on January 10, 2025) Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)
Diverse Voices Book Review host Hopeton Hay interviewed Alex Segura, author of the thriller Alter Ego. In the story, Annie Bustamante, a celebrated filmmaker and comic book artist, gets a chance to work on her favorite superhero, The Lethal Lynx. Despite her excitement, she's wary of the offer, and her suspicions grow when she receives anonymous warnings not to trust anyone. The novel also explores Annie as a single mother with a precocious teenage daughter who has a tumultuous relationship with her own mother. Alex Segura is the bestselling and award-winning author of Secret Identity, winner of the Los Angeles Times Book Prize for Mystery/Thriller, a New York Times Editor's Choice and an NPR Best Mystery of the Year. He's also the author of the acclaimed Pete Fernandez series, as well as the Star Wars novel, Poe Dameron: Free Fall, and the YA Spider-Verse adventure, Araña/Spider-Man 2099: Dark Tomorrow. Diverse Voices Book Review Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review Email: hbh@diversevoicesbookreview.com
Carmen Giménez's poem “Ars Poetica” is a stunning waterfall of words, a torrent of dozens of short statements that begin with “I” or “I'm.” As you listen to them, let an answering cascade of questions fill up your mind. What does this series of confessions reveal to you about poetry? The poet? And yourself?Carmen Giménez is the author of numerous poetry collections, including Milk and Filth, a finalist for the NBCC Award in Poetry, and Be Recorder (Graywolf Press, 2019), a finalist for the 2019 National Book Award in Poetry, the PEN Open Book Award, the Audre Lorde Award for Lesbian Poetry, and the Los Angeles Times Book Prize. She was awarded the Academy of American Poets Fellowship Prize in 2020. A 2019 Guggenheim fellow, she served as the publisher of Noemi Press for 20 years. She is the Publisher and Executive Director of Graywolf Press.Find the transcript for this show at onbeing.org.We're pleased to offer Carmen Giménez's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.
Alison Gaylin is the USA Today and international bestselling author of thirteen books, including the stand-alones The Collective and If I Die Tonight (winner of the Edgar Award) and the Brenna Spector series: And She Was (winner of the Shamus Award), Into the Dark, and Stay With Me. Nominated for the Edgar four times, she has also been a finalist for numerous awards, including the Los Angeles Times Book Prize, the Strand Book Award and the ITW Thriller, Macavity and Anthony Awards. She is currently writing Robert B. Parker's Sunny Randall mystery series and lives with her husband in Woodstock, New York. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #jenevarose #blackstonepublishing #newyorktimesbestseller #Alisongaylin #WilliamMorrow
Alison Gaylin is the USA Today and international bestselling author of thirteen books, including the standalones The Collective and If I Die Tonight (winner of the Edgar Award) and the Brenna Spector series: And She Was (winner of the Shamus Award), Into the Dark, and Stay With Me. Nominated for the Edgar four times, she has also been a finalist for numerous awards, including the Los Angeles Times Book Prize, the Strand Book Award and the ITW Thriller, Macavity and Anthony Awards. She is currently writing Robert B. Parker's Sunny Randall mystery series and lives with her husband in Woodstock, New York. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #jenevarose #blackstonepublishing #newyorktimesbestseller #Alisongaylin #WilliamMorrow
Claire de Mézerville López welcomes Jennifer Baker to the Restorative Works! Podcast. Jennifer joins us and delves into the concept of narrative change, exploring how storytelling—through media, art, and learning—can drive long-term social change. Jennifer highlights her work with the Narrative Initiative, a nonprofit that amplifies community-driven stories, ensuring those impacted have the agency to share their truths. She invites us to explore the power of artivism, a fusion of art and activism, and how it serves as a tool to engage with our difficult realities and prompt deeper self and social reflection. Jennifer touches on the intersectionality of justice movements, the importance of patience in the pursuit of solutions, and the emotional process of telling personal stories. Jennifer is an author, editor, writing instructor, and creator of the Minorities in Publishing podcast. She's been a recipient of NYSCA/NYFA (New York State Council on the Arts and New York Foundation for the Arts) and Queens Council on the Arts grants, a 2024 Axinn Writing Award, and was named the Publishers Weekly Star Watch Super Star in 2019. She edited the short story anthology Everyday People: The Color of Life (2018) and is the author of Forgive Me Not (2023) a 2023 Los Angeles Times Book Prize finalist, an NYPL 2023 Best Book for Teens, and 2023 Best of the Best by the BCALA. Tune in to hear more of Jennifer's valuable insights into guiding individuals through the complexities of self-expression, healing, and building community connections through art and narrative.
ACTA's Doug Sprei interviews Peter Skerry, professor of political science at Boston College, who has served as a senior fellow at the Brookings Institution and research fellow at the American Enterprise Institute. He has been featured in a variety of scholarly and national media publications, and is the author of Counting on the Census: Race, Group Identity, and the Evasion of Politics (published by Brookings), and Mexican Americans: The Ambivalent Minority (published by Free Press/Harvard University Press), which was awarded the Los Angeles Times Book Prize. Sprei first encountered Skerry while chairing a debate on immigration at the Braver Angels Convention at Carthage College in June, 2024. During that highly charged event, as Skerry stood up to speak and address other speakers, it became apparent that he is deeply conversant with issues around immigration, a topic that has polarized and challenged society for decades. Skerry is currently advising Braver Angels on framing constructive community dialogue around immigration. In this episode, he shares insights into why it has become such a weaponized topic in today's politics, and why educators should encourage students to embrace uncomfortable conversations around controversial issues.
Diverse Voices Book Review host Hopeton Hay interviewed Rachel Howzell Hall, author of the fantasy novel The Last One. Best known for writing crime fiction, Hall was approached by a publisher to write a fantasy novel series, which resulted in her new book. In the interview, Hall discussed how writing the fantasy novel required her to build an entire world from scratch, including creating new languages, creatures, religions, and social structures. She said it was very different from writing crime fiction where she could draw from real-world events and laws.Rachel Howzell Hall is the critically acclaimed author and Los Angeles Times Book Prize finalist for And Now She's Gone. A New York Times bestselling author of The Good Sister with James Patterson, Rachel is an Anthony, International Thriller Writers and Left Award nominee and the author of They All Fall Down, Land of Shadows, Skies of Ash, Trail of Echoes and City of Saviors in the Detective Elouise Norton series. Follow her on Instagram at @rhowzelllall and Twitter/X at @RachelHowzell, Diverse Voices Book Review Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review Twitter - @diversebookshay Email: hbh@diversevoicesbookreview.com
Mexican Gothic Author Comes to Jacksonville Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic, is coming to Jacksonville for Hispanic Heritage Month. Her latest novel is a historical drama set in Hollywood, following three different point of view characters all tied to the production of a movie inspired by the Biblical story of Salome. FEATURED BOOK: The Seventh Veil of Salome 1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times. So when the film's mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves. Two actresses, both determined to make it to the top in Golden Age Hollywood—a city overflowing with gossip, scandal, and intrigue—make for a sizzling combination. Silvia Moreno-Garcia is the author of a number of critically acclaimed novels, including Gods of Jade and Shadow (Sunburst Award for Excellence in Canadian Literature of the Fantastic, Ignyte Award), Mexican Gothic (Locus Award, British Fantasy Award, Pacific Northwest Book Award, Aurora Award, Goodreads Award), Velvet Was the Night (finalist for the Los Angeles Times Book Prize and the Macavity Award), and her newest book, The Seventh Veil of Salome, which was a Good Morning America Book Club pick for August 2024. Mexican by birth, Canadian by inclination. Cachanilla and Canuck, originally from Baja California, Silvia now resides in Vancouver. She has an MA in Science and Technology Studies from the University of British Columbia. Interviewer Michelle Lizet Flores is a graduate of the FSU and NYU creative writing programs. She currently works as a Creative Writing Instructor at Douglas Anderson School of the Arts and co-hosts the What's in a Verse Poetry Open Mic at Rain Dogs. Publications include The NCTE English Journal, Salt Hill Journal, and The Talon Review. A finalist for the Juan Felipe Herrera Award for Poetry, she wrote the chapbooks Cuentos from the Swamp and Memoria, and the picture book, Carlito the Bat Learns to Trick or Treat. Her short fiction is in the anthology, Places We Build in the Universe. Invasive Species, her first full-length collection of poetry, is currently available from Finishing Line Press. READ Check out Silvia's work from the Library! THE LIBRARY RECOMMENDS The Hacienda by Isabel Cañas The Bullet Swallower by Elizabeth Gonzales James The Last Tale of the Flower Bride by Roshani Chokshi The Only Good Indians by Stephen Graham Jones Piñata by Leopoldo Gout Monstrilio by Gerardo Sámano Córdova Malas by Marcela Fuentes The Death of Vivek Oji by Awkaeke Emezi Bad Fruit by Ella King Black Candle Women by Diane Marie Brown The Queen of the Cicadas by V Castro River Woman, River Demon by Jennifer Givhan --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net
This week, we bring you a live interview with Garth Greenwell, conducted in October 2024 at Pioneer Works in Brooklyn. Garth talks about growing up in Kentucky assuming that he would die young, the teacher who gave him a path toward being an artist, and the doggedness with which he has pursued his aesthetic practices (in both music and literature) ever since. Mentioned: Garth's new novel, Small Rain (FSG 2024)Frank BidartBenjamin BrittenCosì Fan TutteThe HIV/AIDS crisisGarth Greenwell is the author of What Belongs to You, which won the British Book Award for Debut of the Year, was longlisted for the National Book Award, and was a finalist for six other awards, including the PEN/Faulkner Award, the James Tait Black Memorial Prize, and the Los Angeles Times Book Prize. His second book of fiction, Cleanness, was a finalist for the Lambda Literary Award and Cleanness was named a New York Times Notable Book of 2020, a New York Times Critics Top 10 book of the year, and a Best Book of the year by the New Yorker, TIME, NPR, the BBC, and over thirty other publications. A new novel, Small Rain, is now out from FSG. He is the recipient of many honors for his work, including a 2020 Guggenheim Fellowship and the 2021 Vursell Award for prose style from the American Academy of Arts and Letters. He has taught at the Iowa Writers Workshop, Grinnell College, the University of Mississippi, Princeton, and NYU. He writes regularly about literature, film, art and music for his Substack, To a Green Thought. Hosted on Acast. See acast.com/privacy for more information.
Mark Haddon is the author of the story collection Dogs and Monsters, available from Doubleday. It is the official October pick of the Otherppl Book Club. Haddon is the author of the novels The Porpoise, The Red House and A Spot of Bother, as well as the short story collection, The Pier Falls. His novel The Curious Incident of the Dog in the Night-Time won the Whitbread Book of the Year Award and the Los Angeles Times Book Prize for First Fiction and is the basis for the Tony Award-winning play. He is the author of a collection of poetry, The Talking Horse and the Sad Girl and the Village Under the Sea, has written and illustrated numerous children's books, and has won awards for both his radio dramas and his television screenplays. He teaches creative writing for the Arvon Foundation and lives in Oxford, England. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Notes and Links to Jami Attenberg's Work For Episode 254, Pete welcomes Jami Attenberg, and the two discuss, among other topics, seeds for her newest novel, the significance of its title, research and its connection to continuity, and salient themes and issues in her novel like grief and intergenerational traumas, the rapid development of digital technology and its ever-changing effects on society, conventional and unconventional family bonds, and guilt. Jami Attenberg is the New York Times bestselling author of nine books, including The Middlesteins, All Grown Up and a memoir, I Came All This Way to Meet You: Writing Myself Home. She is also the creator of the annual online group writing accountability project #1000wordsofsummer, which inspired the recently published USA Today bestseller 1000 Words:A Writer's Guide to Staying Creative, Focused, and Productive All Year Round. Jami has also written for The New York Times Magazine, The New Yorker, The Wall Street Journal, the Sunday Times, The Guardian, and others. Her work has been published in sixteen languages. Her debut collection of stories, Instant Love, was published in 2006, followed by the novels The Kept Man and The Melting Season. Her fourth book, The Middlesteins, was published in October 2012. It appeared on The New York Times bestseller list, and was published in ten countries in 2013. It was also a finalist for both the Los Angeles Times Book Prize for Fiction and the St. Francis College Literary Prize. Her fifth book, Saint Mazie, was described by The New York Times Book Review as, “full of love and drink and dirty sex and nobility.” Her sixth book, All Grown Up, was a national bestseller, appearing on numerous year-end lists. Her most recent novel, All This Could Be Yours, for which Kirkus dubbed her, “poet laureate of difficult families,” also appeared on a number of year-end lists. In 2022 she published a memoir, I Came All This Way to Meet You: Writing Myself Home, which USA Today called, “a fierce memoir of personal transformation.” In January 2024 she published the creativity book, 1000 Words:A Writer's Guide to Staying Creative, Focused, and Productive All Year Round which was praised on The Today Show, NPR, and elsewhere. In September 2024 she will also publish a new novel, A Reason to See You Again. She lives in New Orleans, LA. Buy A Reason to See You Again New York Times Review of A Reason to See You Again Excerpt of A Reason to See You Again from People Magazine Jami Attenberg Website At about 3:20: Jami describes her mindset as her 10th book is set to be published within the week At about 4:40, Jami details her exciting book tour, including a cool stop in Ireland for a book festival At about 8:00, Jami describes which books of her own and of others are “in conversation” with her latest At about 11:10, Pete and Jami share a few interesting and complimentary and funny reviews At about 12:10, Jami responds to Pete's wondering about seeds for the book At about 13:40, Pete cites the book's first scene and its focus on a pre-Internet world; Jami expands upon her mindset in showing the changes in technology in the book's 46 year-arc At about 16:00, Jami remarks on the ways in which she wanted to have work and technology as background and not at the forefront, and how it is and isn't a “work novel” At about 17:30, The two laugh over a labeling of the book as “historical fiction” At about 18:10, Pete highlights Jami's trendsetting abilities involving “demure” At about 19:15, Pete notes the interesting ways in which Jami structures her dialogue At about 20:45, Jami responds to Pete's questions about how she maintained continuity in writing the book chronologically or not At about 23:25, Pete asks Jami about the background of the evocative first line of the novel At about 25:55, The two discuss Rudy, the “hero” of the members of the Cohen family, and the ways in which Jami sees him At about 28:15, Jami discusses Frieda and what she may have been missing in her life At about 30:00, Jami reflects on the balance and relationship between Shelley and Nancy, the sisters At about 33:30, Jami responds to Pete's questions about familial connections over generations At about 36:00, Frieda and her resignation towards her daughters and Robby and Nancy's relationship is discussed At about 39:10, Generational traumas and guilt are discussed At about 42:40, Jami shouts out helpful feedback from helpful writer friends in expanding parts of the novel At about 43:35, Pete and Jami reflect on two interesting pairs and family dynamics At about 47:25, Jami details how her current novel title happened, and the importance of this title At about 49:25, Jami shouts out some favorite bookstores to buy her novel You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 255 with Chris Knapp, whose work has appeared in print in the Paris Review and the New England Review, among other publications. His novel, States of Emergency, from Unnamed Press, has Sept 17 as its Pub Day and has been widely-acclaimed, including by the masterful Brandon Taylor. The episode will air on September 27. Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Share this episode: https://www.samharris.org/podcasts/making-sense-episodes/384-stress-testing-our-democracy Sam Harris speaks with Barton Gellman about election integrity and the safeguarding of American democracy. They discuss the war games he's run to test our response to an authoritarian president, using federal troops against American citizens, the difference between laws and norms, state powers to resist the federal government, voter identification and election integrity, political control over election certifications, the Bush-Gore election, the Electoral Count Reform Act, the prospect of public unrest after the November election, January 6th, George Soros, the "good people on both sides" calumny against Trump, what happens to Trump and Trumpism if Harris wins in November, the presidential debate with Harris, the authoritarian potential of a second Trump term, Project 2025, and other topics. Barton Gellman is a Pulitzer Prize-winning journalist and author. He currently serves as Senior Advisor at the Brennan Center for Justice at NYU School of Law. Previously, he was a staff writer at The Atlantic and The Washington Post. He is the author of Dark Mirror: Edward Snowden and the American Surveillance State and Angler: The Cheney Vice Presidency, for which he won the Los Angeles Times Book Prize. Website: bartongellman.com Twitter: @bartongellman Learning how to train your mind is the single greatest investment you can make in life. That’s why Sam Harris created the Waking Up app. From rational mindfulness practice to lessons on some of life’s most important topics, join Sam as he demystifies the practice of meditation and explores the theory behind it.
"You may think he's ascending, but he's descending to hell, and hell is written on the walls of the Leeds' bedroom." For bars like that and more, listen to the legendary Award-winning and best-selling author S.A Cosby keep the other bad men from the door.S. A. Cosby is an Anthony Award-winning writer from Southeastern Virginia. He is the author of the New York Times bestseller Razorblade Tears and Blacktop Wasteland, which won the Los Angeles Times Book Prize, was a New York Times Notable Book, and was named a best book of the year by NPR, The Guardian, and Library Journal, among others. When not writing, he is an avid hiker and chess player.Twitter: @blacklionking73Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Nate Powell began self-publishing as an Arkansas teenager in 1992. Now, he is a National Book Award-winning cartoonist best known for his work on the ground-breaking graphic novel memoir series, March, with civil rights icon John Lewis. An inside story of the Civil Rights Movement told through the eyes of one of its most iconic figures, it was a #1 New York Times and Washington Post bestseller. Nate Powell has received multiple Eisner and Ignatz awards, the Comic-Con International Inkpot Award, and multiple ALA and YALSA distinctions. He was also a two-time finalist for the Los Angeles Times Book Prize. He has discussed his work at the United Nations, on MSNBC's The Rachel Maddow Show, PBS, and CNN. He lives in Bloomington, Indiana. His other work includes the new graphic novel Fall Through (released February 6, 2024) and a new comics adaptation of James Loewen's influential Lies My Teacher Told Me (released April 16, 2024), as well as Save It For Later, Come Again, Two Dead and more. Interviewer Badr Milligan is a podcaster, professional moderator, and community leader all rolled into one. He has moderated panels for some of the biggest conventions and conferences around the country, and to date, he's hosted and produced over 600 episodes of the award-winning and ongoing podcast: The Short Box: A Comic Book Talk Show. For the past 12 years, Badr has made it his mission to use the medium of podcasting to its full potential, engaging with the world's best artists and wordsmiths in thought-provoking interviews that are shared weekly, with listeners in over 140 countries. In 2018, Badr co-founded the Jax Podcaster's United Group: A collective of 500+ audio creators in Northeast, FL, committed to educating and inspiring the next generation of podcasters with collaborative events and community outreach programs. Badr is also an Air Force Veteran, and currently runs his own business, The Short Box Entertainment Company. READ Check out Nate's work from the library! THE LIBRARY RECOMMENDS More great graphic novels and zines to read! Ish by Adam de Souza The Fire Never Goes Out by ND Stevenson They Called Us Enemy by George Takei --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net
“I see my job as trying to soothe the trauma that teenagers don't know they have yet because everybody's so busy telling them that they don't.” - A.S. KingThe older we get, the more we understand that life is impossible to actually understand. Things are not often straightforward, and the more we do discover, the more we realize there is to discover. But when we read, we want to relate, to see the words on a page and have them reflect the world back at us in a way that makes it feel more digestible. A.S. (Amy Sarig) King has found that the only way to really do that is to make the mirror as absurd as the real thing. In today's American political realm, the word weird is taking on a new layer of meaning. But for Amy, weirdness has always been a lifeline. For her and her characters. She draws on weirdness and absurdity to tap deeper into the trauma her characters face. From anger to misplaced guilt, sadness to grief, and a general sense of overwhelming anxiety, teens have so much to process. And nothing peeves Amy like adults' dismissal of these experiences, of this trauma, for teens. She is passionate about challenging that norm, validating teens, and offering a surreal mirror to help them understand the world as it truly is: weird.A.S. King is a prolific, unique writer best known for "Dig," "Ask the Passengers," "Please Ignore Vera Dietz," and "The Collectors." She has received the Los Angeles Times Book Prize, the Edgar Award, and the Printz Honor—twice. Her work often combines surrealism with raw emotional depth, offering a fresh perspective on the human experience.In this episode, she critiques pointless teen shaming by adults, discusses why surrealism resonates with young readers, and shares her advocacy for LGBTQ+ youth through Gracie's House, a nonprofit named after her late daughter. She also reveals how her cheese tattoo led to an insight into humaneness.***Connect with Jordan and The Reading Culture @thereadingculturepod and subscribe to our newsletter at thereadingculturepod.com/newsletter. ***Keeping it on brand and consistent, Amy offers us a truly unique reading challenge with a bizarrely loveable title. Weird stuff that's totally readable, may be old, but it's really good. Hear me out. That's Amy's pitch and title for her reading challenge. It's a good one! Find out more for yourself at thereadingculturepod.com/as-king.***This episode's Beanstack Featured Librarian is Alana Graves, a Librarian and Summer Experience Coordinator at Austin Public Library. She recounts an adorable mermaid story from one of her summer programs.ContentsChapter 1 - Sci-Fives and Reading (Pennsylvania)Chapter 2 - Embracing the StrangeChapter 3 - The Job of ValidationChapter 4 - Gracie's House, Gracie's HandsChapter 5 - Surrealism, For RealChapter 6 - Pick The LockChapter 7 - Weird stuff that's totally readable, may be old, but it's really good. Hear me out.Chapter 8 - Beanstack Featured Librarian - Alana Graves (Austin Public Library)LinksThe Reading CultureThe Reading Culture Newsletter SignupA.S. KingGracie's HouseHome | Kurt VonnegutGod Bless You, Mr. Rosewater by Kurt Vonnegut Jr. | GoodreadsFollow The Reading Culture on Instagram (for giveaways and bonus content)Beanstack resources to build your community's reading cultureJordan Lloyd BookeyHost: Jordan Lloyd BookeyProducers: Jackie Lamport and Lower Street MediaScript Editors: Josia Lamberto-Egan, Jackie Lamport, Jordan Lloyd Bookey
Notes and Links to Shannon Sanders' Work For Episode 245, Pete welcomes Shannon Sanders, and the two discuss, among other topics, her childhood love of books, Toni Morrison and her powerful and pivotal work, Shannon's writing for her job as a lawyer, rocking sneakers at a prize-winning, and salient themes and issues in her collection like generational differences, sacrifice, family bonds, motherhood, the title's connection to guests and hosts(esses), and racism and sexism and the ways in which they work on the characters' pasts and presents. Shannon Sanders is the author of the linked short story collection Company, which won the 2024 Los Angeles Times Book Prize's Art Seidenbaum Award for First Fiction, was named a Publishers Weekly and Debutiful Best Book of 2023, and was shortlisted for the 2024 William Saroyan International Prize for Writing. Her short fiction has appeared in One Story, Sewanee Review, Virginia Quarterly Review, Electric Literature, and elsewhere, and received a PEN/Robert J. Dau Short Story Prize for Emerging Writers. She lives in Silver Spring with her husband and three sons. Buy Company Review of Company in Washington Post Shannon Sanders' Website At about 1:35, Pete shouts out Shannon's stellar Twitter presence At about 3:00, Shannon charts her childhood reading journey, and how she became an active writer from high school on At about 5:40, Shannon talks about chill-inducing writing and writers, including Toni Morrison, Octavia Butler, Stephen King, and VC Andrews, with modern writers like Lisa Taddeo, Deesha Philyaw, Danielle Evans, At about 9:15, Shannon responds to Pete's questions about representation in what she has read, and she shouts out Toni Morrison (including Jazz) and Octavia Butler, to whom she was introduced in Vicki Adamson's high school class At about 11:55, Shannon talks about the writing in her lawyerly life and how it informs her fiction At about 13:50, Shannon details the wonderful experience of winning her prize at the LA Times Book Festival and her unique footwear At about 16:10, Shannon talks about Company's genre and the links between stories At about 17:30, Shannon outlines the background and rationale for using a family tree at the beginning of the book At about 19:15, Pete highlights a Sebastian Maniscalco skit that has to do with the shift in the last few decades in having “company” at home, and Shannon explains her collection's stories' connections to the idea of hosts(esses) and guests At about 21:00, Pete gives background on “The Good, Good Men,” the collection's first story, and alludes to Antonya Nelson's “In the Land of Men” At about 23:30, Birds of paradise as a story and the birds themselves are discussed as Pete asks about debts and generational expectations for all women and for Black women At about 27:35, Shannon talks about a story where you uses second person, its inspirations in Jamaica Kincaid's legendary “Girl” and others, and birth order and generational differences At about 30:50, The two discuss the theme of sacrifice through a flashback story At about 34:35, Pete highlights a story based on flashback and incredible selflessness and the ways in which the collection felt “finished” At about 38:00, Ideas of “old money” and treasured memories and empathy are discussed At about 39:15, Shannon talks about the story “Rioja” and traces the family's machinations and subtleties At about 41:35, “La Belle Hottentot” is discussed, including the sordid and tragic history, and how it is one of two stories that are different perspectives from the At about 44:00, Opal, the family matriarch is analyzed through a pivotal story in the collection At about 47:45, Shannon responds to Pete's questions about maintaining continuity in her story collection At about 50:50, Shannon answers Pete's questions about how much she herself shows up in the collection's characters At about 53:00, Pete quotes Ruth Madievsky about the ways in which different writers write and edit, and Shannon discusses her own style(s) At about 54:55, The two explore ghosts and their significance in the collection At about 56:00, Shannon gives interesting background on the character Lucy and her childhood friend and the storyline At about 57:30, a “literal” ghost story is probed At about 1:01:15, Shannon talks about exciting new projects and whether characters from Company will be expanded upon At about 1:02:50, Shannon gives contact info and info for buying her book You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 246 with Ruben Reyes, Jr. He is the son of two Salvadoran immigrants, completed his MFA in fiction at the Iowa Writers' Workshop; and is a graduate of Harvard College. His writing has appeared in Audible Originals, The Boston Globe, The Washington Post, The Acentos Review, Strange Horizons, Poynter, and other publications. His debut story collection, There is a Rio Grande in Heaven, is out as of today, August 6, along with our wonderful conversation. Happy Pub Day, Ruben! Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.
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