Podcasts about black freedom struggle

Rob Edwards is a thirty-year veteran of movies and television who wrote and produced shows including The Fresh Prince of Bel-Air, Full House, and In Living Color before writing two classic animated films for Walt Disney Feature Animation: the Academy Awards and Golden Globe nominated The Princess and The Frog, and the Academy Awards nominated Treasure Planet. His new project is the graphic novel Defiant: The Story of Robert Smalls. Rob Edwards reflects on being creative for a living, the difference between tourists and pretenders and being a real professional, and how he feels obligated to both teach and entertain in his work. He also shares what it was like working on such iconic TV shows as Roc and The Fresh Prince of Bel-Air and managing the pressure and responsibility of being one of the few Black creative workers with his range and depth of experience in Hollywood. Rob Edwards also does some sharing about his approach to writing the new Marvel film Captain America: Brave New World and how Anthony Mackie's character “Sam Wilson” (who is now the new “Captain America”) reflects the much deeper history of the long Black Freedom Struggle and the pressure to always succeed in the face of the (near) impossible. On this special Memorial Day episode of the podcast, Chauncey DeVega continues with his annual tradition of reading an account of the first such remembrance day that took place at the end of the Civil War when now free Black Americans buried Union Army war dead in Charleston, South Carolina and honored their sacrifice and victory over the Confederacy with a huge parade. Chauncey also reads an account written by a member of the United States Colored Troops about his experience(s) in the Civil War and doing battle against the forces of the Confederacy who were determined to keep Black people in bondage. And Chauncey DeVega goes on a journey around his neighborhood and has a surreal series of experiences where he was lucky to not be shot by street pirates, learned from a wise honored elder on the bus, and then encountered a young man who claimed to be a time traveler. WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com: Patreon: https://www.patreon.com/thechaunceydevegashow   https://www.patreon.com/TheTruthReportPodcast

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

When a popular leader emerges from the whirlwind of a struggle for justice, power always stands in opposition—ignoring the rising demands where possible, ridiculing and coopting, and eventually fighting with everything in their arsenal. When the popular leader is gone—murdered or passed on—power makes them into a mythical hero while simultaneously working furiously to strip away the radical content that energized and guided the struggle. Joining us this week are Jeanne Theoharis and Erik Wallenberg, one of Pilsen Community Book's worker owners who co-authored a dazzling guide to Chicago's Black Freedom Struggle which appeared in The Chicago Tribune. Jeanne is Distinguished Professor of Political Science at Brooklyn College, and author of the bestselling book The Rebellious Life of Mrs. Rosa Parks, and the new King of the North: Martin Luther King Jr.'s Life of Struggle Outside the South (The New Press).

Welcome to the season five opener! It's episode 95 (we will be reaching 100 during this season!) and we have invited our musician bestie, Matty Baker, on to chat about the very long and very deep history of American protest music!From Yankee Doodle to Kendrick Lamar; from the Revolutionary War through the Black Freedom Struggle, Vietnam and queer identity, bounce through American history and the fist shaking songs that went with it.You can listen along to all the songs we mention during the episode, as well as some honorable mentions, and please comment (Patreon, YouTube and Spotify) what songs would you add to the discussion! Check out our YouTube playlist "American Protest Songs" on our channel on Youtube*~~~~Mentioned in the Episode:⁠⁠⁠⁠Episode 58: History of Cannabis, Jazz and the War on DrugsEpisode 25: The Great Beer Run (Vietnam War)Episode 35: The Stonewall Uprising⁠Episode 70: The History of Sex, part twoEpisode 85: History of Voguing and Drag BallsWar on Disco and Chicago's Disco Demolition NightEpisode 49: 1969 Native Occupation of Alcatraz Island~~~~*The Socials and Patreon!Patreon-- ⁠⁠⁠⁠⁠⁠⁠⁠The Best Buds Club!⁠⁠⁠⁠⁠⁠ ⁠⁠Instagram⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@HighTalesofHistory TikTok⁠- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@HighTalesofHistoryPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠ -⁠⁠⁠⁠⁠⁠⁠⁠⁠High Tales of History or ⁠⁠@HighTalesofHistoryYouTube - ⁠⁠⁠⁠⁠⁠⁠⁠⁠High Tales of History ⁠Email—hightailingthroughhistory@gmail.com⁠ ~~~~*Source Materials--https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/music/story-behind-the-song/the-story-behind-the-song/yankee-doodle/https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/music/story-behind-the-song/the-story-behind-the-song/we-shall-overcome/https://www.pbs.org/wnet/americanmasters/the-story-behind-billie-holidays-strange-fruit/17738/https://nationalwomenshistoryalliance.org/history-of-the-womens-rights-movement/https://www.vox.com/culture/2017/4/12/14462948/protest-music-history-america-trump-beyonce-dylan-mistyhttps://www.nber.org/digest/202208/exploring-160-years-black-white-wealth-gapMeacham, Jon, and Tim McGraw. 2019. Songs of America. Random House.https://www.merriam-webster.com/dictionary/antebellum#:~:text=Did%20you%20know%3F,dates%20back%20to%20the%201840shttps://aaregistry.org/story/the-antebellum-south-a-brief-story/https://study.com/academy/lesson/life-in-the-south-ordered-society-and-economy-of-the-southern-states.htmlhttps://www.learner.org/series/american-passages-a-literary-survey/slavery-and-freedom/sorrow-songs/#:~:text=Drawing%20on%20both%20African%20musical,improvisation%2C%20and%20encouraging%20group%20participationhttps://www.nps.gov/articles/000/the-superpower-of-singing-music-and-the-struggle-against-slavery.htm#:~:text=When%20spoken%20words%20are%20impossible,the%20dehumanizing%20character%20of%20slavery.%E2%80%9Dhttps://writingeducator.wordpress.com/2016/10/02/race-music-and-segregation-in-new-orleans/#:~:text=North%20of%20the%20French%20Quarter,circle%20to%20display%20their%20moves~~~~*Intro/outro music: "Loopster" by Kevin MacLeod (⁠incompetech.com⁠) Licensed under Creative Commons: By Attribution 3.0 License ⁠⁠http://creativecommons.org/licenses/by/3.0/

Welcome to the season five opener! It's episode 95 (we will be reaching 100 during this season!) and we have invited our musician bestie, Matty Baker, on to chat about the very long and very deep history of American protest music!From Yankee Doodle to Kendrick Lamar; from the Revolutionary War through the Black Freedom Struggle, Vietnam and queer identity, bounce through American history and the fist shaking songs that went with it.You can listen along to all the songs we mention during the episode, as well as some honorable mentions, and please comment (Patreon, YouTube and Spotify) what songs would you add to the discussion! Check out our YouTube playlist "American Protest Songs" on our channel on Youtube*~~~~Mentioned in the Episode:⁠⁠⁠⁠Episode 58: History of Cannabis, Jazz and the War on DrugsEpisode 25: The Great Beer Run (Vietnam War)Episode 35: The Stonewall Uprising⁠Episode 70: The History of Sex, part twoEpisode 85: History of Voguing and Drag BallsWar on Disco and Chicago's Disco Demolition NightEpisode 49: 1969 Native Occupation of Alcatraz Island~~~~*The Socials and Patreon!Patreon-- ⁠⁠⁠⁠⁠⁠⁠⁠The Best Buds Club!⁠⁠⁠⁠⁠⁠ ⁠⁠Instagram⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@HighTalesofHistory TikTok⁠- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@HighTalesofHistoryPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠ -⁠⁠⁠⁠⁠⁠⁠⁠⁠High Tales of History or ⁠⁠@HighTalesofHistoryYouTube - ⁠⁠⁠⁠⁠⁠⁠⁠⁠High Tales of History ⁠Email—hightailingthroughhistory@gmail.com⁠ ~~~~*Source Materials--https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/music/story-behind-the-song/the-story-behind-the-song/yankee-doodle/https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/music/story-behind-the-song/the-story-behind-the-song/we-shall-overcome/https://www.pbs.org/wnet/americanmasters/the-story-behind-billie-holidays-strange-fruit/17738/https://nationalwomenshistoryalliance.org/history-of-the-womens-rights-movement/https://www.vox.com/culture/2017/4/12/14462948/protest-music-history-america-trump-beyonce-dylan-mistyhttps://www.nber.org/digest/202208/exploring-160-years-black-white-wealth-gapMeacham, Jon, and Tim McGraw. 2019. Songs of America. Random House.https://www.merriam-webster.com/dictionary/antebellum#:~:text=Did%20you%20know%3F,dates%20back%20to%20the%201840shttps://aaregistry.org/story/the-antebellum-south-a-brief-story/https://study.com/academy/lesson/life-in-the-south-ordered-society-and-economy-of-the-southern-states.htmlhttps://www.learner.org/series/american-passages-a-literary-survey/slavery-and-freedom/sorrow-songs/#:~:text=Drawing%20on%20both%20African%20musical,improvisation%2C%20and%20encouraging%20group%20participationhttps://www.nps.gov/articles/000/the-superpower-of-singing-music-and-the-struggle-against-slavery.htm#:~:text=When%20spoken%20words%20are%20impossible,the%20dehumanizing%20character%20of%20slavery.%E2%80%9Dhttps://writingeducator.wordpress.com/2016/10/02/race-music-and-segregation-in-new-orleans/#:~:text=North%20of%20the%20French%20Quarter,circle%20to%20display%20their%20moves~~~~*Intro/outro music: "Loopster" by Kevin MacLeod (⁠incompetech.com⁠) Licensed under Creative Commons: By Attribution 3.0 License ⁠⁠http://creativecommons.org/licenses/by/3.0/

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act. Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner's uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country's politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events. Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Activists in the earliest Black antebellum reform endeavors contested and deprecated the concept of race. Attacks on the logic and ethics of dividing, grouping, and ranking humans into races became commonplace facets of activism in anti-colonization and emigration campaigns, suffrage and civil rights initiatives, moral reform projects, abolitionist struggles, independent church development, and confrontations with scientific thought on human origins. Denunciations persisted even as later generations of reformers felt compelled by theories of progress and American custom to promote race as a basis of a Black collective consciousness. Reluctant Race Men: Black Challenges to the Practice of Race in Nineteenth-century America (Oxford UP, 2024) traces a history of the disparate challenges Black American reformers lodged against race across the long nineteenth century. It factors their opposition into the nation's history of race and reconstructs a reform tradition largely ignored in accounts of Black activism. Black-controlled newspapers, societies, churches, and conventions provided the principal loci and resources for questioning race. In these contexts, people of African descent generated a lexicon for refuting race, debated its logic, and, ultimately, reinterpreted it. Reluctant Race Men was recently shortlisted for the 2024 Museum of African American History (MAAH) Stone Book Award. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this special episode of the Big Ideas Raleigh podcast, recorded live at the Engage Raleigh Community and Neighborhood Expo, we dive into the power of collaboration and its impact on our city. Hear from experts and local leaders as they discuss the innovative ways communities are working together to break down barriers and build a more connected, resilient Raleigh. Whether you're a long-time resident or new to the area, this episode offers insight into how collaboration drives progress and strengthens neighborhoods. Tune in to discover how you can get involved and contribute to the vibrant future of our city.This episode was recorded live at the Engage Raleigh Community and Neighborhood Expo on September 7, 2024, at the McKimmon Center at NC State University. Panelists:- Ajamu Dillahunt-Holloway – Assistant Professor of African American History and Public History at NC State and Co-Leader of The Communiversity. His research is on twentieth century African American history with a focus on the U.S. South, labor, environmental justice, and the Black Freedom Struggle.- Kori Hennessey – Kori is the first nonbinary Executive Director of the LGBT Center of Raleigh and one of the very few transgender leaders within Triangle area nonprofits, Kori has been dedicated to creating equitable and affirming opportunities for all. In their role, Kori works alongside a diverse and passionate team to implement programs that include youth and young adult leadership skill building, education and understanding on LGBTQ+ identities, transgender community and resource connections, health equity and access, and more.- Tiesha Mosley – As a native of Southeast Raleigh, Tiesha has over ten years of local government experience. Her public sector career has spanned several operational, business development, DEI, and community building roles. Tiesha is the Community Engagement Manager for the City of Raleigh, focused on improving public sector community engagement. - Iliana Santillan – Iliana Santillan, a native of Mexico City and Michoacán, has been organizing in North Carolina for over 20 years. She is Executive Director of both El Pueblo and La Fuerza NC. In this role, she strives to empower rural communities, elevate Latine leadership, and increase civic engagement across North Carolina. Tune in to hear how these leaders are breaking barriers and fostering collaboration to shape Raleigh's future!---Bio for Dr. Ajamu Dillahunt-Holloway: https://whova.com/embedded/speaker_detail/PmIIepcjlIWa7LoA-NTBsrHCDVMes13erFhq1YGf4JE%3D/40350468/Bio for Kori Hennessey: https://whova.com/embedded/speaker_detail/PmIIepcjlIWa7LoA-NTBsrHCDVMes13erFhq1YGf4JE%3D/40350455/Bio for Tiesha Mosley: https://whova.com/embedded/speaker_detail/PmIIepcjlIWa7LoA-NTBsrHCDVMes13erFhq1YGf4JE%3D/39397914/Bio for Iliana Santillan: https://whova.com/embedded/speaker_detail/PmIIepcjlIWa7LoA-NTBsrHCDVMes13erFhq1YGf4JE%3D/40350485/---Resources:City of Raleigh Engagement NetworkEl Pueblo's 2024 Summer Internship: RaicesCity of Raleigh's Engagement VanBig Ideas Raleigh is powered by the City of Raleigh Communications and Strategy and Innovation Departments, hosted by Dan Bagley, and produced by Dr. Sarah Glova and Earfluence.

Jake Lamar's novel Viper's Dream (Crooked Lane Books, 2023) is a gritty, daring look at the vibrant jazz scene of mid-century Harlem, and one man's dreams of making it big and finding love in a world that wants to keep him down. Harlem, 1936. Clyde “The Viper” Morton boards a train from Alabama to Harlem to chase his dreams of being a jazz musician. When his talent fails him, he becomes caught up in the dangerous underbelly of Harlem's drug trade. In this heartbreaking novel, one man must decide what he is willing to give up and what he wants to fight for. Viper's Dream is a fast-paced story that is charged with suspense. A snappy, provocative voice and a stark look at Viper's Black American experience weave with endless plot twists to offer readers a stunningly original, achingly beautiful read. Jake Lamar was born in 1961 and grew up in the Bronx, New York. After graduating from Harvard University, he spent six years writing for Time magazine. He has lived in Paris since 1993 and teaches creative writing at one of France's top universities, Sciences Po. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jake Lamar's novel Viper's Dream (Crooked Lane Books, 2023) is a gritty, daring look at the vibrant jazz scene of mid-century Harlem, and one man's dreams of making it big and finding love in a world that wants to keep him down. Harlem, 1936. Clyde “The Viper” Morton boards a train from Alabama to Harlem to chase his dreams of being a jazz musician. When his talent fails him, he becomes caught up in the dangerous underbelly of Harlem's drug trade. In this heartbreaking novel, one man must decide what he is willing to give up and what he wants to fight for. Viper's Dream is a fast-paced story that is charged with suspense. A snappy, provocative voice and a stark look at Viper's Black American experience weave with endless plot twists to offer readers a stunningly original, achingly beautiful read. Jake Lamar was born in 1961 and grew up in the Bronx, New York. After graduating from Harvard University, he spent six years writing for Time magazine. He has lived in Paris since 1993 and teaches creative writing at one of France's top universities, Sciences Po. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Jake Lamar's novel Viper's Dream (Crooked Lane Books, 2023) is a gritty, daring look at the vibrant jazz scene of mid-century Harlem, and one man's dreams of making it big and finding love in a world that wants to keep him down. Harlem, 1936. Clyde “The Viper” Morton boards a train from Alabama to Harlem to chase his dreams of being a jazz musician. When his talent fails him, he becomes caught up in the dangerous underbelly of Harlem's drug trade. In this heartbreaking novel, one man must decide what he is willing to give up and what he wants to fight for. Viper's Dream is a fast-paced story that is charged with suspense. A snappy, provocative voice and a stark look at Viper's Black American experience weave with endless plot twists to offer readers a stunningly original, achingly beautiful read. Jake Lamar was born in 1961 and grew up in the Bronx, New York. After graduating from Harvard University, he spent six years writing for Time magazine. He has lived in Paris since 1993 and teaches creative writing at one of France's top universities, Sciences Po. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

AAUP and the Black Freedom Struggle, 1955–1965; Detroit Industry and ‘The Mural'; KAMALAUTUMN; The 1934 Minneapolis trucker's strike; Organizing app-based drivers Today's labor quote: I.W. Abel Today's labor history: TWU members bail out president @AAUP @ReutherLibrary @ArtandLaborPod @UnionOrBustPod @wpfwdc #1u #unions #LaborRadioPod @AFLCIO Proud founding member of the Labor Radio Podcast Network

AAUP Presents looks back Today's labor history: FDR's National Labor Board Today's labor quote: Saul Alinsky @AAUP @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network

Between 1955 and 1965, the American Association of University Professors (AAUP) investigated numerous southern institutions of higher education that had dismissed faculty members for publicly supporting desegregation and racial equality. In today's episode, from the AAUP Presents podcast, a discussion with Joy Ann Williamson-Lott, dean of the graduate school and professor of social and cultural foundations in the College of Education at the University of Washington, drawing on her recently published article, "The AAUP and the Black Freedom Struggle, 1955–1965.” On this week's Labor History in Two:  The year was 1821. That was the day Knights of Labor founder Uriah Smith Stephens was born near Cape May, New Jersey. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. @AAUP #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

On this week's show: Project 2025 and the labor movement…The plan to destroy worker power…Universal basic income and the 4 day week…The AAUP and the Black Freedom Struggle, 1955-1965. This week's featured shows are On the Line, Power at Work, The Organizing for a Change Radio Podcast, and AAUP Presents. Please help us build sonic solidarity by clicking on the share button below. Highlights from labor radio and podcast shows around the country, part of the national Labor Radio Podcast Network of shows focusing on working people's issues and concerns. @laborontheline @PowerAtWorkBlog @AAUP@steelworkers @mgevaart @3CRsolidarity @95bFM#LaborRadioPod @AFLCIO Edited by Patrick Dixon, produced by Chris Garlock; social media guru Mr. Harold Phillips.

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell's 1984 to Margaret Atwood's Handmaid's Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It's a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell's 1984 to Margaret Atwood's Handmaid's Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It's a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell's 1984 to Margaret Atwood's Handmaid's Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It's a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell's 1984 to Margaret Atwood's Handmaid's Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It's a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work, Patchwork Freedoms: Law, Slavery, and Race beyond Cuba's Plantations (Cambridge UP, 2022) unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Christopher Tounsel's book Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity (Cornell UP, 2024) explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of "Arab Africa," rather than "Black Africa," is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Broadly speaking, the traditionally conceptualized mid-twentieth-century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grassroots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multilevel responses to these assertions of Black humanity. From Rights to Lives: The Evolution of the Black Freedom Struggle (Vanderbilt UP, 2024) critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. The book's contributors explore what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Broadly speaking, the traditionally conceptualized mid-twentieth-century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grassroots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multilevel responses to these assertions of Black humanity. From Rights to Lives: The Evolution of the Black Freedom Struggle (Vanderbilt UP, 2024) critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. The book's contributors explore what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Broadly speaking, the traditionally conceptualized mid-twentieth-century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grassroots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multilevel responses to these assertions of Black humanity. From Rights to Lives: The Evolution of the Black Freedom Struggle (Vanderbilt UP, 2024) critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. The book's contributors explore what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Alan Jenkins is a Professor of Practice at Harvard Law School where he teaches courses on Race and the Law, Communication, Law, and Social Justice, and Supreme Court Jurisprudence. Prior to joining the Harvard faculty, he co-founded and led The Opportunity Agenda. Jenkins has also been a frequent guest columnist in The Hollywood Reporter. He has also appeared frequently as a commentator on CBS and MSNBC. Alan reflects on what America would be like if Trump's MAGA coup attempt had succeeded and how he (and Gan Golan) used that premise and thought exercise to create 1/6: A Graphic Novel. He also shares his worries and concerns about the present state and future of American democracy and the long Black Freedom Struggle in this time of white rage and neofascist assault, and reflects on what President Obama (who Alan casually knows from their time together at law school) must be thinking about his legacy.   Chauncey and Alan also reflect on the early days of comic book conventions and how they found their love for graphic novels and other such visual storytelling. On this landmark 400th episode of the podcast, Chauncey DeVega reflects on the journey, the perils and allure of being broken and exhausted by the Trumpocene (and how too many of his fellow travelers in the pro-democracy movement are quitting), and how the hope peddlers and other happy pill sellers will be amplifying their siren song voices as the reality of Dictator Trump becomes more real and imminent. Chauncey also shares some heartwarming animal friend and good human stories, is concerned about the future of his beloved New England Patriots in a post-Belichick era, and is embarrassed that he was defeated again by the Fog Monster and then by Sub Zero here in Chicago.   WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com Patreon: https://www.patreon.com/thechaunceydevegashow