Podcasts about rlyr

WASTOIDS With is back with Trevor Shelley de Brauw, guitarist of Chicago art metal band Pelican, Chord, and RLYR, who just released a new self-titled record on Gilead Media, and it blends thrash elements with shoegaze textures, drones, and a sense of triumphant melodicism. When de Brauw isn't playing music, he serves as the “emo ambassador” to Chicago's Numero Group label and works with the publicity firm Biz 3. He joined us to discuss it all–the new RLYR, the music of prog rockers Yes, the origins of “post rock,” and Pelican's new partnership with Thrill Jockey, which will reissue the band's first three albums, 2005's The Fire in Our Throats Will Beckon the Thaw, 2003's Australasia and 2007's City of Echoes. Do you have any prog rock opinions you wanna share? All you have to do is call 1-877-WASTOIDS to get in touch, and we'll play your message on a future episode.

In current events: The Truth Cult / Ekulu / Ceremony / Citizen / Turnstile tour, RLYR, Stress Positions, Mutilatred, Sunami, Mutually Assured Destruction, Raven Records, Killing Pace and other symptoms of Ace Stallings supremacy, SPICE, Spy, Maniac, Sanguisugabogg / Never Ending Game / Kublai Khan / Terror, cathartic cultural experiences and the importance of getting them On the main line: Elliott are good as h*ll so why aren't they massive? We dive into that and unpack the mysteries of the band that everybody seems to love in 2022. Are they underrated? Should they be the biggest band? Why don't more people love this band?!?! The most important question is: Are you a U.S. Songs guy or a False Cathedrals guy? Chris Higdon on This Was The Scene: https://open.spotify.com/episode/56Hy3cdrBip9G59QK6GEAC?si=f2887226fdcb4b73 IN TRANSITION: A Film About Elliott: https://www.youtube.com/watch?v=pPkET4qAuEY

Episode 123: Trevor Shelley de Brauw from Pelican, RLYR, Tusk and others talks to us about The Fireside Bowl and Brian Peterson, Cultivating an audience and what becomes of the band/audience relationship in an instrumental band, An intuitive approach and translating emotions through music, The Weasel connection and other influences, How do you remember all those parts!, Improvisation in music, Being genuine and the inspiration that punk can achieve at its best, plus more.www.jugheadsbasementpodast.comhttps://gileadmedia.bandcamp.com/album/rlyr

Trevor Shelley de Brauw took 26 months to get Covid and waited even longer to release his new RLYR record (Gilead Media), the Pelican guitarists side project and secret hook up. The new self-titled record, their 3rd, is an orchestrated love letter to guitar rock riffs, post hardcore surges and ambient waves. Pelican is also busy as they face a Euro tour starting late May in support of the reissues of their first three records with rarities included on Thrill Jockey, and now welcome home original guitarist Laurent LeBec after a long successful tenure with Dallas Thomas of Swan King. 

It's time yet again for hosts Jim DeRogatis and Greg Kot to share some of their buried treasures - new music that's flying underneath the mainstream radar you HAVE to hear! Whether it comes from the United States or somewhere else in the world, Jim and Greg are always digging for uncut gems. They also receive selections from the production staff and hear from listeners. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops Featured Songs:Neutrals, "Gary Borthwick Says," Bus Stop Nights EP, Static Shock, 2022Slothrust, "Cranium," Parallel Timeline, Dangerbird, 2021Sofia Mills, "Life of the Party," Baby Magic, Rough Trade, 2022Tierra Whack, "Body Of Water," Pop?, Interscope, 2021Kate Bollinger, "Yards/Gardens," Look at it in the Light, Ghostly International, 2022Kevin Morby, "This Is A Photograph," This Is A Photograph, Dead Oceans, 2022Lala Lala, "Memory," Memory (Single), Hardly Art, 2022RLYR, "Real Air," RLYR, Gilead Media, 2022Purple Witch of Culver, "Themes from the Servants' Hall," Themes from the Servants' Hall (Single), Loantaka, 2022Sun's Signature, "Golden Air (Edit)," Golden Air (Edit) (Single), Partisan, 2022Heart Attack Man, "Old Enough 2 Die," Old Enough 2 Die (Single), You Did This/Triple Crown, 2021Stray Kids, "VENOM," ODDINARY, JYP Entertainment, 2022Lime Garden, "Pulp," Pulp (Single), So Young, 2021April Clocks, "Sleepstream," It Takes Time, April Clocks, 2022Motorcade, "Static," See You In the Nothing, Idol, 2022Elizabeth Moen, "Excuse-moi de t'aimer (feat. Sima Cunningham)," Excuse-moi de t'aimer (feat. Sima Cunningham) (Single), Elizabeth Moen, 2022The Aluminum Group, "Drag Yourself," The Aluminum Group, The Aluminum Group, 2022James Brown, "King Heroin," There It Is, Polydor, 1972Elizabeth Bonker, The Bleeding Hearts, "I Am in Here," I Am in Here (Single), Virginia G. Breen, 2022Luciano Berio, "Sinfonia Third Movement," Sinfonia Third Movement, N/A, 1981The Misfits, "Vampira," Walk Among Us, Ruby, 1979Patti Smith Group, "Dancing Barefoot," Wave, Arista, 1979

Trevor Shelley-DeBrauw of Pelican / Rlyr returns to the podcast.  For serious, old school listeners you may remember the episode we recorded way back when we were on tour in Europe together.  I always look forward to these meetings; some of my favorite tour memories involve Trevor and the men of Pelican and Isis. Intro: "Everything Went Black" - Mike Hill Outro: "Specks of Light" - Pelican

In this installment, your favorite heavy metal caballeros start off with some old business regarding In This Moment. Chris takes a look at the latest from Gojira, Nails and RLYR while Dan rambles about the new Ayreon release for over ten minutes. General, recording, touring and charting news is reviewed for several artists. Pat and Reece from the New York side of things offer up a new BrootalToob segment highlight ERock as well as a list of the Top Ten Worst Moments in Heavy Metal History. Chris covers Absence of Despair in our Social Media Highlight segment before closing out the show with a lengthy discussion about what it means to sell out. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Joining us this week is Trevor Shelley de Brauw guitarist of Chicago-based heavy instrumental bands Pelican, RLYR and Chord. We discuss what's happening with each of these bands, including re-releases of Pelican’s first three records (Australasia, The Fire in Our Throats Will Beckon the Thaw, City of Echoes), the fourth Chord effort Imperfect Authentic Cadence and the upcoming RLYR album, which was being recorded at the time of this conversation. We discuss sources of inspiration, use of file-sharing in songwriting, and the experience of allowing fans access to the creative process through new technology such as Tik Tok. Trevor also works as a publicist and tells us about the changing landscape of public relations and communicating with journalists. Here's a spotify playlist containing Trevor’s work. Click the band names below to access their Bandcamp profiles. Listen To Trevor: Pelican RLYR Chord Find Heavy Hops: Website (Listen to all episodes and access detailed show notes!) Facebook Instagram Twitter Support The Show By Donating Episode Art and HH Logo By: Bryn Gleason Please Subscribe to our podcast via your preferred listening platform. Rate and leave us a review on Apple Podcast or Spotify to help others find us! Give the gift of HH by sharing our episodes on social media! Small actions such as these go a long way in helping others find us! Episode Notes: https://scorchedtundra.com/heavy-hops-ep-046-migration-and-rechording-trevor-shelley-de-brauw-pelican-chord-rlyr/

Our latest installment of the Talkhouse Podcast at FORM Fest 2019 is a love letter to Chicago's post-rock, punk and emo scenes from the '00s to today. Windy City music legends — and old friends — Trevor de Brauw (Pelican, RLYR, TUSK) and Nate Kinsella (American Football, Joan of Arc, Make Believe) caught up backstage for a warm and hilarious convo, as well as a rad improvised ambient musical collaboration. The guys' talk takes in a lot: playing in bands with family members; having your musician father hate on your experimental work; and balancing parenthood and tour life. Oh and, of course: tone clusters, alternate tunings, death metal, and odd time signatures. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a dope backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend. You can also check out the other episodes in this series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley, Julianna Barwick & Mary Lattimore, and Kelsey Lu with Yrsa Daley-Ward. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton, and Ian Jones. Research assistance was provided by Madalyn Feltus. The performance includes Trevor de Brauw on guitar and Nate Kinsella playing the drums. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Some of my favorite episodes are the ones where creative admiration and friendship meet and the episode is more on par with two friends catching up as opposed to an interview to promote a new album. This week’s episode is one of those; I had the opportunity to catch up with my friend Trevor Shelley-De Brauw of Pelican, a band that has been performing and releasing great records for nearly twenty years.Trevor and I talk a bit about the new Pelican record, “Midnight Stories” on Southern Lord available June 7, 2019 as well as RLYR, his other project with Locrian drummer Steven Hess. We also get philosophical and at times inspirational.Intro: “Midnight and Mescaline”Outro: ”Final Breath” See acast.com/privacy for privacy and opt-out information.

On this weeks episode, we rocket through two live show reviews in one episode. First we check in with RLYR at the release show for their newest release, Actual Existence at the Beat Kitchen. RLYR was joined by Pinebender, Fotocrime & Sweet Cobra. Next up we cover the Ho99o9, 3TEETH, W.O.R.M. & Street Sects show at all it's Industrial glory at Reggie's.

On this weeks episode, as the title implies, we look at a selection of new releases from a wide swath of genres represented throughout the city. We spin tracks from Won't Stay Dead, The Hustle, In Circles, The Ex Okays, RLYR and so much more.

In this installment, your favorite heavy metal caballeros start off with some old business regarding In This Moment. Chris takes a look at the latest from Gojira, Nails and RLYR while Dan rambles about the new Ayreon release for over ten minutes. General, recording, touring and charting news is reviewed for several artists. Pat and Reece from the New York side of things offer up a new BrootalToob segment highlight ERock as well as a list of the Top Ten Worst Moments in Heavy Metal History. Chris covers Absence of Despair in our Social Media Highlight segment before closing out the show with a lengthy discussion about what it means to sell out.

April 24, 2016 Out of Step Show Page ABOUT THE EPISODE John and Kyle bring you a packed episode filled with punk/hardcore discussion. These guys have endless knowledge and passion for music and, in this episode, it shows through. They share a lot of news, updates, and spend some time just chatting about the scene. If you're in to music, you're going to want to listen. We want to hear from you! If you have any questions, comments, or ideas for the next episode, contact us at info@mountainbikeradio.com. -------------- RELATED SHOW NOTES NEWS Burn will returning with a new EP titled “...From The Ashes” on July 15th through Bridge Nine. A stream of the effort is currently available via Noisey. Frontman Chaka Malik says “Burn has so much left to share that it was inevitable that we would regroup at some point in time. With the flames stoked high in our personal lives, the intensity and passion that makes us who we are as a band needs to come to light once again.” Pre­orders are now available at b9store.com SUMAC (Baptists, ex­Isis, etc.) have announced a May/June west coast/southwest tour, coinciding with the June 10th release date of their sophomore album, “What One Becomes“. Trap Them have finished recording their new album at God City Studio in Salem, MA with Converge guitarist Kurt Ballou handling the production duties. A fall release through Prosthetic is in the works. The daily lineups have been revealed for the 2016 ‘This Is Hardcore Fest‘, which will take place in Philadelphia, PA from August 04th­07th. Head over to www.thisishardcorefest.com. Cruel Hand recently entered The Wild Arctic Recording Studio in Portsmouth, NH. This marks the 5th album and will be released via Hopeless Records. Code Orange will be playing a few headlining shows around their spring tour with the Deftones: 04/30 York, PA – The Shop 05/12 Savannah, GA – Dollhouse 05/21 St. Louis, MO – Firebird 05/23 Dekalb, IL – The House Cafe Norma Jean have a new album being released September 9th release on Solid State Records. A 20th anniversary edition of Integrity‘s “Humanity Is The Devil” is being pressed by Organized. Crime Records for a ‘Record Store Day‘ (April 16th) release. As to what’s featured on this latest pressing, the label had the following to say of it: Limited color vinyl housed in a stunning five-color gatefold jacket featuring the iconic art by the legendary Pushead and layout by vocalist Dwid Hellion. This edition includes an updated version of the rare Humanity Is The Devil pamphlet, 16.5′′ x 22′′ poster, expanded artwork by Josh Bayer, and liner notes by guitarist Aaron Melnick. This version also includes the first appearance of the narrative story of Humanity Is The Devil by Frank Araca on vinyl, and will be pressed in a run of 1,000 copies.” The date has been set for Bane‘s farewell show. It will take place at the Palladium in Worcester, MA on June 18th and feature Title Fight, Terror, Modern Life Is War, The Promise, Right Brigade, Cruel Hand, Rude Awakening and one guest TBA. Poison The Well have announced a number of live dates, marking their first shows since their live reunion last spring. Here’s what they have booked: 06/21 New York, NY – Gramercy 06/22 Toronto, ON – Opera House 07/07 Los Angeles, CA – The Roxy ­ 07/08 Pomona, CA – The Glass House 07/09 Anaheim, CA – Chain Reaction Thursday, Quicksand, Deafheaven, Etc. Set For 2016 ‘The Wrecking Ball ATL’. Drive Like Jehu, L7, CIV, Burn, Gorilla Biscuits, American Nightmare and more also booked SUMAC (Baptists, ex­Isis, etc.) have debuted “Rigid Man” from their upcoming album “What One Becomes“. That effort will see a June 10th release date on Thrill Jockey Records and was produced by Kurt Ballou of Converge. You can pre­order it now at Thrilljockey.com. RLYR will drop their debut album “Delayer” on June 17th through Magic Bullet Records. The outfit are comprised of Trevor de Brauw (Pelican), Steven Hess (Locrian) and Colin DeKulper (Bloodiest, ex­Russian Circles). The release of Vanishing Life‘s debut album got sidetracked in the whole Collect Records mess, but it looks as though the group are putting the pieces back together. The band have just signed a deal with Dine Alone Records for the release of the effort, as well as a new EP for their song “Exile“, which will hit stores this weekend.   HOUSECLEANING/LISTENER QUESTION First race of the season is in the books “John and Kyle, Great to hear a new episode guys! My favorite show to date for sure. A question I've had for you guys that I've been wanting to ask for a while is whether or not either of you actually listen to music when putting in miles on the bike? I definitely refrain from plugging in when riding singletrack most importantly due to just being aware of other trail users, but when it comes to gravel or road riding, are tunes a necessary component for your training? Finally, thanks for the tip on Achilles! Super sweet stuff. Take care guys. Grant”   RECORD REVIEW World Be Free – 'The Anti­Circle' Released: February 5 2016 – Revelation Records World Be Free's story began in the fall of 2014, when Scott Vogel (Terror, Buried Alive), Joe Garlipp (Envy), Andrew Kline (Strife), and Sammy Siegler (Judge, CIV, Rival Schools) met monthly to write classic­influenced, melodic and positive hardcore. All of this developed without a label, budget or any mention to the outside world. When Siegler scored some recording time at Hurley, they flew in Arthur Smilios (Gorilla Biscuits, CIV) to cover on bass and hustled into the studio. Vogel and Terror bandmate Nick Jett then tracked vocals at Jett's studio, passing the ball to Walter Schreifels (Rival Schools, Quicksand, Gorilla Biscuits) for one final guest spot. With their album finished and its release fast approaching, Top 5 – Primal Reaction Records. Something about these 5 records speaks to that dark place in your soul. Pure raw aggression and power..   UNBROKEN – Life Love Regret – 1994 New Age Records Life. Love. Regret. is everything that hardcore is. It is the heart, the soul, the sound, and the attitude. The music is loud and in your face, but most importantly, passion is put at the top. This album is a monument by a monolithic band. From the crushing riff and sinister notes at the beginning of "D4" to the ending feedback in the nine minute "Curtain."   Breather Resist – Only In The Morning – March 25, 2003 Deathwish Inc Breather Resist formed in 2002 and recorded 8 songs, 4 of which were on handmade demos. These 8 songs became their first EP, "Only in the Morning", released on Deathwish, Inc.. Their first LP, Charmer, was released on Jade Tree Records in October 2004, having been produced by Kurt Ballou. In December 2005, lead singer Steve Sidoni left the group; Buried Alive – Death Of Your Perfect World – April 20, 1999 Victory Produced by Steve Evetts at Trax East Studios. It is the band's only album with Jesse Muscato on drums.   CURSED – I – February 23, 2005 Deathwish Inc Formed in 2001 a year after the break­up of The Swarm aka Knee Deep in the Dead. Known for their trademark nihilistic and dystopian lyrical themes, stark classic horror imagery and loud, abrasive live shows. Integrity – Those Who Fear Tomorrow – 1991 Overkill Records Integrity's For Those Who Fear Tomorrow is a hardcore juggernaut that has lurked in infamy for over 15 years. Recorded in 1991, For Those Who Fear Tomorrow is often credited as on of the first true metalcore" albums. While hardcore crossover bands like the Cro Mags and Corrosion of Conformity had existed before Integrity, few were prepared for the world Integrity brought to life with their debut album. FTWFT's razor sharp metallic edges, driving hardcore verses, and gloomy breakdowns set a stage for one of hardcore's most messianic and charismatic front men: Dwid Hellion. The album has been issued in close to 10 different editions and formats. It has never received proper distribution or promotion, but it has survived: a truly bastardized child of hardcore, metal, and a darkness of the soul.   BUMPER MUSIC SEGMENTS Intro: Minor Threat  ­ ‘Out Of Step’ News: UNBROKEN ­ ‘D4’ Housekeeping: Breather Resist ­ ‘Just Do It’ Record Review: World Be Free ­ ‘Shake The Ghost’ Primal Records: Cursed ­ ‘1974’ Outro: Integrity ­ ‘Micha ­ those who fear tomorrow’   FIND MBR Mountain Bike Radio Facebook Page Mountain Bike Radio on Twitter Mountain Bike Radio on Instagram Mountain Bike Radio on Pinterest