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“I will maintain my innocence without wavering. My conscience is clear for as long as I live.” (Job 27:6 NLT) If your relationship with Christ is strong, it will be evident in the way you live. Your life will be marked by integrity—in the choices you make, the things you prioritize, the way you interact with others, and in your daily routine. I heard the story of a pastor who boarded a bus one morning, paid his fare, and took his seat. A few minutes later, he realized that the driver had given him too much change. Some people might have put it in their pocket and said, “Lord, thank You for Your provision.” But this pastor knew that would be wrong. At the next stop, he walked to the front of the bus with the extra change and said to the driver, “Excuse me, sir, you gave me too much change, and I wanted to return it to you because obviously you made a mistake.” The driver said, “Pastor, I didn’t make a mistake. I was at your church last night and heard you preach on honesty. I wanted to see if you practiced what you preached.” Fortunately, he did. People are watching you as a Christian, virtually scrutinizing your every move. You should know that they aren’t hoping that you’ll be a godly witness. They’re hoping that you’ll slip up so that they’ll have something on which to conveniently hang their doubts and unbelief. Humorist Will Rogers said, “So live that you wouldn’t be ashamed to sell the family parrot to the town gossip.” That’s the idea of integrity: having nothing in our lives to be ashamed of. Personal integrity is something we develop daily with every thought we think and every action we take. We are either building up character or tearing it down. The author of Proverbs had a lot to say on the subject. “People with integrity walk safely, but those who follow crooked paths will be exposed” (Proverbs 10:9 NLT). “Honesty guides good people; dishonesty destroys treacherous people” (Proverbs 11:3 NLT). “The godly walk with integrity; blessed are their children who follow them” (Proverbs 20:7 NLT). “Better to be poor and honest than to be dishonest and rich” (Proverbs 28:6 NLT). Job got to the heart of the matter when he said, “I will maintain my innocence without wavering. My conscience is clear for as long as I live” (Job 27:6 NLT). And the apostle Peter wrote, “Keep your conscience clear. Then if people speak against you, they will be ashamed when they see what a good life you live because you belong to Christ” (1 Peter 3:16 NLT). Some people cling to the notion that what a person does in private is no one else’s business because it affects no one else. But that’s just wishful thinking. The person you are in private is the real you. That’s who God sees. And, whether we like it or not, that’s who others see as well. So, as believers, we must act with integrity, honesty, and compassion in everything we do. Reflection question: What does integrity look like in your life? Discuss Today's Devo in Harvest Discipleship! — The audio production of the podcast "Daily Devotions from Greg Laurie" utilizes Generative AI technology. This allows us to deliver consistent, high-quality content while preserving Harvest's mission to "know God and make Him known."All devotional content is written and owned by Pastor Greg Laurie. Listen to the Greg Laurie Podcast Become a Harvest PartnerSupport the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.

Welcome back 7-Figure Educator! In this episode, I am joined by none other than Erinn Cottmann, the dynamic CEO of Erinn Cottmann Teacher Development, a company that specializes in delivering results for educators, school leaders, and districts by growing their capacity to support teacher development. Prepare to be inspired as Erinn takes us on a journey from the world of education to the realm of successful entrepreneurship, diving into the transformative power of mindset shifts, the intricacies of launching a business, and the hurdles she overcame along the way. Erinn's story is nothing short of awe-inspiring and her journey from educator to the helm of a flourishing 6-figure enterprise specializing in professional development and leadership coaching for educators is a testament to the importance of strategic planning, building robust systems, and the support of a thriving community. Erinn's narrative showcases the incredible results that await those who invest in themselves, face their fears, and aim for financial and personal success. So, are you an educator with dreams of entrepreneurship or simply seeking a hefty dose of inspiration? If your answer is yes, then this episode is a must-listen. Erinn's journey serves as a shining example of what can be accomplished when you blend passion, skill, and the unwavering support of a community to turn your dreams into reality. KEY POINTS: - If you're feeling undervalued, realize that your worth and knowledge are not determined by your external circumstances - Learn to believe in your ability to make money, view money as abundant, and understand the value you provided - Control your income and the flexibility that entrepreneurship offers - Being a part of a community and a mastermind is crucial, especially for networking, support, and learning from peers RESOURCES: [MEET] Are you an educator looking to start or grow your education consulting business? Click the link below to book a call with our team and learn more about our programs! https://updates.ericajordanthomas.com... [FREE] Don't miss my free 5-Day 7-Figure Business School and learn the blueprint to grow a seven-figure education consulting business. I'm going to teach you the psychology of a millionaire, how to identify million-dollar problems, package and price your offers, master my seven-figure sales process, and identify leads to pitch immediately. Click https://www.7figuredbusinessschool.co... to sign up now! [LIVE EVENT] Join us at Seven Figure Educator Live, a three-day event in Atlanta, Georgia, where you'll experience unparalleled support, community, and fellowship with your fellow educators. Click https://www.7figureeducator.com/ let's make magic happen together in Atlanta! [FB COMMUNITY] Don't miss out on your chance to connect with other education consultants in our free public Facebook group! Click / getlaunchedconsulting and find your 7-Figure community today. Dr. Erica Jordan-Thomas | https://www.ericajordanthomas.com/ IG | / e_jordantho. . LinkedIn | / erica-jordan-thomas-ed-l-d-86314764 Facebook | / ejtconsultingllc Enjoyed this episode? Like, rate, and subscribe to the 7-Figure Educator podcast!

Hey guys before you listen to this one, do realize this is part 4 on a series about General Kanji Ishiwara, so if you have not already done so I would recommend listening to Part 1-2-3.    This episode is General Kanji Ishiwara part 4: Ishiwara vs Hideki Tojo So I promised this would be the last one and it is, rest assured. Sheesh what started as a suggested episode turned into an entire series, but then again Ishiwara Kanji was quite a figure. I recently did a podcast with Cody from AlternateHistoryHub, and at the end of the podcast he poked at me for some alternate history ideas related to the Pacific War. My first thought was what if the Triple Intervention after the Russo-Japanese War never occurred, but then I thought….hell what if Ishiwara Kanji never existed or I dunno got hit by a car. Imagine how different things would have been if not for this one, I am just gonna say it, instigator haha. Now I think when one looks at this mans life, we attribute much of the story towards the Mukden Incident and the eventual full scale China war, but thats not where it ends of course. Ishiwara did a lot during the war and after, so to close it all up lets jump back into it.   Ishiwara is now a Major General , chief of the most powerful office on the general staff. He was fighting tooth and nail to limit operations in what was the new China War. A month before everything hit the fan he declared in front of the General staff “I shall never send a single soldier to China as long as I live”. But in mid-June of 1937 rumors emerged that the China garrison was planning another incident in the Beijing area, similar to Ishiwara's famous Mukden incident of September 1931. Two weeks later the Marco Polo Bridge incident occurred on July 7th. The Japanese army were divided on the issue. There was the expansionists who sought to smash China in a single blow and the non-expansionists who sought to settle everything between their nations before the conflict became too large. Ishiwara was on the side of the non-expansionists and from the earliest hours of the war he directed a losing fight to try and localize the conflict. Fight as he must to stop mobilization of further forces, he was forced to relent multiple times and to his horror the conflict grew and grew. Ishiwara's efforts or some would say meddling, ironically made things worse for the non-expansionists. Some of the expansionists would go on the record to state Ishiwara bungled the situation, years after the China incident, Colonel Shibayama would say with bitterness “The idea that Ishiawara Kanji opposed the expansion of the China incident is nonsense. If he really had opposed it he wouldn't have agreed to the mobilization. There were certainly other ways of solving the problem” Ishiwara was stuck between a rock and a hard place. While he wanted to stop the mobilization of more forces to China, the men at the front kept sending reports that Japanese citizens were underthreat in areas like Beijing, his wrists were turned as they say. Ishiwara did not cave in without a fight however, as I said in the last episode he turned to Prime Minister Konoe to strike a deal with Chiang Kai-shek, and Konoe nearly did, but at the last minute he canceled his flight to Nanking.   When the North China incident saw action spring up in Shanghai, it then became officially the China incident and Ishiwara attempted once more to push for a peace settlement in September. However by that point Ishiwara's influence had dropped considerably, few in the Operations division were still following his lead. Many of the expansionists began to bemoan Ishiwara as nothing more than a nuisance. Prince Sainji would go on the record telling Konoe “Ishiwara is like a candly in the wind ready to be snuffed out at any moment”. By late september Ishiwara was removed from the General staff by General Tada. The expansionists had won the day. There were other non-expansionists like Horiba Kazuo and Imai Takeo who carried on fighting the non-expansionist cause, but in january of 1938 Konoe decalred the Japanese government would not treat with Chiang Kai-shek. It was the nail in the coffin.   The war escalted, by 1938 24 divisions were tossed into China, in 1939 it would be 34 bogged down. The IJA was without mobilization divisions and less than half the ammunition necessary for the 15 divisions assigned to the borders with the USSR and that critical weakness became only to apparent with two border clashes in 1938 and 1939. To Ishiwara it was all too predicatable, he had continuously argued the folly of a China War. He lectured about how it was impossible to conquer China “China is like an earthworm. Cut it in two and it will still keep on wriggling”. Ishiwara believed China's territory and self-sufficiency built upon its masses would always make up for Japanese military might. Ishiwara unlike his colleagues believed Japan was not capable of dealing a knock out blow against China. He would criticize many for promoting the idea stating “those who excite the public by claims of victory, just because the army has captured some out of the way little area, do so only to coneal their own incompetence as they squander the nation's power in an unjustified war”.   In the fall of 1937 Ishiwara found himself back in mainland Asia with an appointed as the vice chief of staff of the Kwantung army. But he came back with a scarred reputation now, for his non-expansionist fight earned him a lot of scorn. All of his ideas of a political independent and racially equal Manchukuo in 1932 had all but disappeared. The Japanese military and civilians occupied all important positions in the puppet state. The Kwantung army authorities, particularly that of Hideki Tojo wgo was at the time a provost marshal in Manchuria had taken a stern line against any efforts to revive East Asian League or their ideals. So when Ishiwara arrived, he quickly realized his influence had deminished significantly. None the less he took up his old cause trying to work with the barely relavent Concordia association, but they were fighting against Tojo who received a promotion to chief of staff in Manchuria in March. Tojo was now Ishiwara's superior, it was a hopeless cause, but Ishiwara persisted.    Ishiwara began insisting the Kwantung army must step asie to allow for self-government to reing over Manchuria. He argued Japan's special holdings in Manchuria should be turned over to the Manchukuo government and that the Concordia association should act as a guiding source. He also pointed out how dangerous the USSR was too Manchuria and that Japan must increase its forces in the border areas of Manchuria. For all of this he recommended a solution would be a Asian union, that if Manchukuo flourished under racial equality and harmony, perhaps it would show the rest of China Sino-Japanese cooperation was possible and maybe China would join an East Asian league. Ishiwara would continously hammer the idea, that the solution to the China war was to create an effective east asian league. With China in the fold, they would have unrivaled airpower, a prime element in his preparation for the Final War. Not a single one of his arguments were given any consideration.   Ontop of his radical ideas, Ishiwara also advised reducing salaries for Japanese officials in Manchuria and was as you can imagine denounced quickly by his colleagues for this. Then Ishiwara found out Tojo was embezzling Kwantung army funds to the officers wives club, a pet project of Mrs Tojo. So Ishiwara went ahead by pointing out Tojo's corruption and added a large insult by suggesting Tojo had the mentality of a mere sergeant. In a public speech at the Concordia association infront of a mixed Japanese/manchurian audience he tore into many of his colleagues like General Hashimoto Toranosuke who was an honorary president of said association and Ishiwara said “he did nothing but sit around and draw a high salary, setting a disgraceful example to junior officers”. So yeah Ishiwara soon found himself very very isolated in the Kwantung army staff. Tojo received a promotion to vice minister of war in May of 1938, with the support of notable expansionist types. As for Ishiwara he had became quite a headache to his colleagues. Depressed and disgusted with the situation, Ishiwara decided to quit the army before he was tossed out. He first tried to apply at the war ministry to be placed on the reserve list but was told the matter required approval of the minister of war. At that time, it was actually his old buddy Itagaki Seishiro as minister of war. While the decision was being made, Ishiwara was authorized to return to Japan, but when he did the Kwantung army inisted he had departed without authorization to do so, basically arguing he just walked away from his desk one day.   Itagaki made no move to summon Ishiwara once he was back in Tokyo, but Tojo as vice minister got wind of the situation and was all too eager to pounce. It turned out Tojo had Kenpeitai waching Ishiwara and some of his closest colleagues for awhile and he chose this moment to haul Ishiwara up for military indiscipline. The case against Ishiwara was quite a controversy and in the end all Itagaki could do for his old friend was get him an command over the Maizuru fortress area on Japan's seacost of Kyoto prefecture. The day before the orders were posted, Tojo managed to toss one last punch at Ishiwara. He order his Kenpeitai friend, special service commander Colonel Otani Keijiro to carry out a lightning raid on the Tokyo offices of the Concordia Association which saw the arrests of some of Ishiwara's close colleagues.   1939-1941 marked a terrible time for Ishiwara's military career, but he did take the time to build more so upon his Final War theory, the national defense state, the Showa restoration and the East Asian league. Ishiwara's lackluster Maizuru assignment was a quite backwater, not demanding much attention. During his leisure time he came to the conclussion based on his analysis of military history with some fresh readings of Buddhist texts that the Final War was destined to break out within the next 40 years or so. On March 10th of 1939 he made an address to the Concordia association in Toyko “a concept of world war “sekai sensokan”. He stated based on his analysis that Japan had to prepare for the final war because “world conflict is now in the semifinal round and it is for this reason that the necessity has arrived for an east asian league”. In August of 1939 Itagaki resigned as war minister to take up a position on on the chief of staff in the China expeditionary army which was then grinding to a halt. But before he did so, he made one of his final acts as war minister to give Ishiwara command of the 16th reserve division in Kyoto.   It was not a frontline position, but it was an important one, as the Kyoto command was notable for developing infantry tactics. Japan had just received some major defeats to the USSR at the battle of Lake Khasan and Khalkhin Gol so Ishiwara went to work developing some anti soviet tactics. This led to some infiltration techniques that would see application with the IJA during the early battles of the Pacific War. But despite his work on tactics, what really consumed his mind was pressing for the East Asian League. He argued a Showa restoration needed to happen, like the Meiji restoration, but this new one would be pan-asian, to face the west. In May of 1940 he put all of his arguments together in a public address that gained fame under the title “on the final war”. It was here he unleashed two decades of his thoughts into the Japanese public. He added some new features to his theories such as a “the world had entered a second industrial revolution”. He pointed out German had pioneered in the field of electrochemistry, producing energy for both industrial production and weapons of war. Such discoveries he argued would permit Asian nations to catch up and eventually overtake the west in productive and destructive power. But above all else he kept hammering the necessity for an east asian league, which required a Showa restoration to finally bring pan-asianism.   In November of 1939, as a successor to the Concordia Association, the association for an east asian league was established with its HQ in tokyo. Ishiwara was unable to officially become a member because he was part of the military, but he was an unofficial advisor and more importantly in the eyes of the public it was his association. By 1941 the association blew up to 100,000 members, mostly ex-soldiers, businessmen, journalists, farmers and such. They had a monthly magazine, training courses, meetings, lectures, the works. They extensively studied Ishiwara's writings on the history of war, the Showa restoration and his Final War theory. They spent extensive resources securing bases on the asian mainland trying to recruit supporters amongst other asian peoples to create a federation. Within Japanese controlled portions of China, they propagated the concept of the East Asian league. For the small group of collaborationists in China, many were attracted to it. In February of 1941 the General China assembly for the east asian league, was established in Nanjing with Wang Jingwei as chairman. Oh Wang Jingwei…having spent so much time learning about the Warlord Era and Northern Expedition, it never surprises me this guy would cling to anything for power. The influence of the league even found its way to Chongqing, and Chiang Kai-shek allegedly declared that peace negotiations could be pursued based on some aspects of the movement. But come spring of 1941, all of the leagues efforts would be dashed by Tojo. In early 1941, Tojo as war minister began plotting against the league and its architect Ishiwara. Tojo believed the east asian league was very defeatists and antithetical to his own hard line stance on Sino-Japanese relations. It also provided his nemesis Ishiwara with a political base to generate public opposition to his government's policies. Tojo obviously thought Ishiwara would use such a thing to overthrow him, so he went to war. His first move was to put Ishiwara on the retired list in december of 1940. However Ishiwara was still a influential figure and held some considerably powerful friends like Prince Higashikuni, so he was unable to safely pull this off. Instead he chose to harass the league.    Initially Premier Konoe was backing the league, but Tojo began to pressure Konoe to take a position against it. On January 14th, the konoe cabinet stated “as it appears that they violate respect for the nation and cast a shadow on the imperial authority, theories advocating leagues of states are hereby not permitted”. Thus the east asian league became illegal. Taking the cue on the cabinets decision, the Japanese media began a running hit pieces on the league, kind of like how America works today, ompf. By february of 1941 the criticism towards the league was smashing them. All of Ishiwara's allies within the league were hit hard, some even tortured, it was a purge. For Ishiwara nothing really happened, except for the continual surveillance by the Kenpeitai. Ishiwara proceeded to vent his wrath in public speeches, pretty bold ass move if you ask me and he delivered one fiery one at Kyoto university on east asia problems where he told his audience “the enemy is not the chinese people, but rather certain Japanese. It is particularly Tojo Hideki and Umezu Yoshijiro, who, armed and pursuing their own ambition, are the enemy of Japan. As disturbers of the peace they are the enemies of the world. They should be arrested and executed”. Excuse my french, but the fucking balls on this guy haha. Ishiwara made this statement in public and at the time he was still in military service, its simply incredible he did not suffer horrible punishment after slandering the minister of war and commander of the kwantung army. Why was he not punished, well again it was awkward as he still had a cult following and going after him might see violence. Ishiwara would later state the reason he was not persecuted was because “Tojo was a coward who never had the courage to arrest me. The fact that a man like Tojo and his henchmen came to power was one reason for Japan's downfall”.    Regardless Ishiwara's public statements finally led to him being placed on the retirement list on March 1st of 1941 and yes it was 100% Tojo who pushed this. Tojo ordered the Kenpeitai to watch Ishiwara closely for weeks after his forced retirement. Ishiwara enthusiastically went into retirement as he now was fully dedicated to his four great concerns: the east asian league, the showa restoration, the national defense state and of course the final war theory.   In the meantime another league had opened up, the Greater East Asia Co-prosperity sphere and you would be forgiven to believe it was the same as the east asian league if not its successor. Both perpetuated common ideology, like racial harmony, stemming from the Concordia association. Ishiwara's concepts of national defense also found their way in the Greater east asia co-prosperity sphere. It advocated for most of the basic principals of the league, common defense, political independence and integration of economic systems. How did they differ you might ask? Well Ishiwara's east asian league did not share the formers racial superiority of the Japanese as its cornerstone. The east asian league was not built upon the premise that China was incompetent as a modern state and needed to be led. For you american listeners, its actually pretty easy to summarize the co-prosperity sphere idea, its was Japan's monroe doctrine. The east asian league had been undone by the China War and then Pacific War, leaving the co-prosperity sphere to monopolize the asian continent and it did so through brute force and undermined any chance of pan-asianism. Ishiwara sought the east asian league solely because he truly believed pan-asianism would be required to build up enough forces to fight the final war.    During his retirement Ishiwara went on lecturing in major universities, but Tojo unleashed the Kenpeitai upon him, whom often demanded he cancel a lecture or not talk about certain subjects. I guess its like Youtube today, haha. Though ever the more isolated, when the Pacific War kicked off, Ishiwara could not be fully muzzled. He did not opposed the surprise attack on pearl harbor publically, but privately he predicted Japan had begun a war it would lose, based solely on material terms. A famous thing he once said to Satomi Kishio which appears in an cooky anime called Zipang where some member of the SDF accidentally go back in time to june 4th of 1942 if you were curious, really funny premise, but anyways, Ishiwara said this “inevitably, we shall lose this war. It will be a struggle in which Japan, even though it has only a thousand yen in its pocket, plans to spend ten thousand, while the United States has a hundred thousand yen, but only needs to spend ten thousand…we simply cannot last. Japan started this war without considering its resources beforehand”. I love this passage. It's an excellent way to speak to a general public, very effective I find.   Ishiwara criticized the military for spreading themselves out too thinly in the early months of the war, dispersing countless men on small islands in the pacific. But above all else, he kept hammering the fact the China war needed to end. China was sucking up the vast majority of Japan's military resources and men, how could Japan hope to wage a war against a nation like the US when it was stuck in China? When Saipan fell in 1944, Ishiwara said all hope was lost. He believed the only possible way Japan could avoid disaster was if the USSR broke its pact with its allies and offered a settlement to Japan, but he knew that was a long shot given how anti-communist Japan was. I have to make a point here to say a LOT of Ishiwara's talk, comes postwar and feels like a “i told you so”. Ishiwara gave testimony at the Tokyo war crime trials and declared “despite its material inferiority, Japan did not need to suffer a defeat, if its strategy had been well planned and carried out”. He even made a remark to an American correspondent named Mark Gayn in 1946 stating if he held command of the forces he would have ended the war with China, consolidated Japanese defensive lines and made a proper stand.   Throughout the war, Ishiwara battled Tojo, often referring to him as a simpleton. In fact in late 1942 he arranged an audience with Tojo and told him to his face that he was too incompetent to run the nation or wage a war and that he should step down. There was a rumor Ishiwara was part of a plot to assassinate Tojo in the summer of 1944. This was a scheme hatched by some junior officers in the central HQ, and one of their members was a east asian league associate. Ishiwara was called upon to Tokyo during an investigation of the plot and as much as Tojo and his team tried to find evidence of his involvement, they were unable to nail him. The Kenpeitai chased after Ishiwara until Tojo's regime collapsed.    By the end of the war, Ishiwara was asked by Prince Higashikuni if he could join the “surrender cabinet' as an advisor. Ishiwara declined on the grounds he wanted to be unsullied by Japans defeat.    It should be noted again, Ishiwara was a man of countless contradictions. While he was one of the first to be outspoken against the Pacific War and predicted Japan's defeat, during the end half of the way he got really caught up in the war fever. For example in 1944 he began stating Japan needed to prepare to “shed the blood of a million lives in the south seas in a do or die battle”. He also had this blind faith that a German victory in Europe would turn the tide of the war in the east. He said of Hitler in 1944 “he is the greatest hero in Europe since Napoleon”. Some argue his later public stances were the result of him not being in the military and thus he had to conform to the wartime propaganda to get his message across to the general public. He also began linking concepts of the east asian league to the greater east asian co-prosperity sphere, which is quite the contradiction. Again personally I see him as a fence sitter, he loved to always have a backdoor in his arguments.   One major thing that he faced during the Pacific War, was trying to explain to his followers, the current war was not the Final War. As he stated publicly in February of 1942 “Many people think that the greater east asian war is the final war. Nothing could be further from the truth… the greater east asian war is the grand rehearsal for the final war. In other words, it will lead to the liberation of east asia and the establishment of an east asian league and will provide to the league the necessary material and strategic base for the final war”. Well the failure of the China War, Pacific War, the complete military collapse of Japan, the take over of communism in mainland asia, the emerging cold war….I guess that all kind of ruined his final war theory.    With Japan's defeat looming in 1944, Ishiwara began to shift his focus towards a reconstruction effort. He began as early as 1944 to talk about what would happen to Japan. He predicted she would lose much overseas territory, her cities would be in ruins, her people would be starving. He turned his attention to agriculture, how could food production be increased, he became particularly interested in fertilizers. By the end of the war he gathered a farming community to discuss how things could be improved. When the surrender proclamation was made, he began to ponder the meaning of his life's work. After the emperor made his speech, Ishiwara gathered his followers to speak to them about how Japan could regain world power and thus keep his theory intact. Ishiwara had many ideas going forward about how Japan could take a positive footing. He advocated Japan dismantle the remnants of its bureaucratic despotism, abolition the special police force, apologize to the global community for war crimes, but he also argued America needed to answer for her war crimes as well. He especially pointed fingers at President Truman for two atomic bombs and that efforts needed to be made to use bombings to lessen Japan's punishment. Ishiwara also argued Japan should gain sympathy from asia so their former enemies could come together to form an east asian league.   Emperor Hirohito proclaimed the surrender and abolition of all stocks of war materials, and Ishiwara said that was fine because he believed the final war would require new armaments that would be completely different from what existed. He predicted the future wars would be more scientific, fought with decisive weapons developed in laboratories that did not require large organized military forces. He thought perhaps a small body of underground scientists could create terrible new weapons to prepare for the Final War, thats a terrifying idea. In autumn of 1945, Ishiwara found himself in the limelight again. His lectures had made him a viable alternative to the Tojo regime during the last year of the war and his reputation as an opponent and victim of said regime made him special. Many journalists, both Japanese and American came flooding to him followed by a legion of followers who were unable to publicly come forward during the Tojo years.   Ishiwara took advantage of this new situation to make some very large speeches. He spoke about how the Tojo clique was the reason for Japan's defeat, how they all needed to establish a new Japan. He brought out the usual theories he had spoke about for years, and argued the necessity for national reconstruction to prepare for the final war. However he changed his argument a bit, stating while Japan had military been crushed, it now must prepare for the final war by building the highest culture. In this new age, Japan needed to obtain supremacy in fields of science, because he now believed that was the new power. “A single laboratory, a single factory, or perhaps a single man working alone will make the most fantastic discovery that will make war decisive”. He would continue to make speeches throughout 1945, but come 1946 the high authority, one Emperor Douglas MacArthur, haha sorry I had to say it, General MacArthur stamped down on any Japanese leader, especially former military leaders. So Ishiwara had a few months of fame, but then he found himself yet again purged, though not arrested. Alongside this came a ban on the East Asian League association.    Ishiwara was then incapacitated by illness, something that plagued his life. His condition became so bad he required surgery in Tokyo. In April of 1946 he was interviewed by American correspondent Mark Gayn who left with a very memorable impression of the man, he had this to say “ Ishiwara received us in his small room, whose window frames were still buckled from bomb explosions. He is a lean man with a deeply tanned face, close shaven head and hard, unblinking eyes. He was sitting Japanese style on his cot, his hands in his lap. Even in a shapeless gown of yellow silk, his body looked straight as a steel rod… We asked Ishiwara just two questions: what of Japan in defeat and what of himself? He answered readily and at length, in a sharp firm voice. He talked like a man who believed every word he said”. Ishiwara told his life story, the Mukden incident, the China war escalation, his feud with Tojo all of his failed attempts with the East Asian League.    In 1947 Ishiwara was put on a list of those Japanese who were purged from public life. He was extremely bitter about this and at the same time he was called as a defense witness in the Tokyo War Crimes Trials. Ishiwara was too sick to travel to Tokyo, so a special military court was convened in Sakata city. He made his deposition in front of 50 people, talking about his role in the Mukden incident and China War. He stated President Truman should be indicted for the atomic bombs and firebombing campaigns and turned upon his American audience about the denunciation for Japanese expansionism. “Havent you ever heard of Perry? Don't you know anything about your country's history? Tokugawa Japan believed in isolation; it didnt want to have anything to do with other countries, and had its doors locked tightly. Then along came Perry from your country in his black ships to open those doors; he aimed his big guns at Japan and warned that ‘if you don't deal with us, look out for these; open your doors, and negotiate with other countries too'. And then when Japan did open its doors and tried dealing with other countries, it learned that all those countries were a fearfully aggressive lot. And so for its own defense it took your country as its teacher and set about learning how to be aggressive. You might saw we became your disciples. Why dont you subpoena Perry from the other world and try him as a war criminal?”    In November of 1948 Ishiwara declared on a home recorded video “we must utterly cast war aside. We must firmly avoid questions of interest and advantage and judge our national policy purely on a spirit of righteousness…Japan may be devastated, but we must live by a complete rejection of war. The nation must compose itself like Nichiren at Takenoguchi or Christ on his war to the crucifixion”. It seems Ishiwara at the very end gave up on his theories, and supported Japan attaining a permanent peace. That last years of his life were spent in constant pain due to his illness. In 1949 he contracted a fatal case of pneumonia and realizing he was going to die, dictated a message that summed up all his speculation in the recent years on Japan and its future. The document was originally done in English and directed at General Douglas MacArthur. A month after Ishiwara's death, a Japanese version came out titled “the course for a new Japan / Shin Nihon no Shinro”. The primary purpose of the document was to get MacArthur to lift the ban on the east asia league, but it was also a last apologia. He talked about how Germany, the USSR, Italy and Japan had started on the path of state control, and they all fell prey to group despotism, because all decisions were being made by a few men in the center. He argued Britain's socialist government, the United States New Deal and Marshall plan were great example of a good control system. He argued pure liberalism no longer existed anywhere, not even in the US, yet the US was trying to make Japan a liberal nation. He argued all nations should be allowed to move ahead freely. To end it all of he said this as well “I realize now in my predictions concerning a final war between the east and west I was supremely overconfident and that the facts have proven my wrong. I fear that the real final conflict may be the United States and USSR”   At the age of 61 Ishiwara died in August of 1949, in a small house with some of his followers gathered around him. He said to them before dying he was glad to die at the same age as Nichiren

Hour 2: Browns tanking is an "excuse" + Browns next best QB option? full 1947 Mon, 10 Nov 2025 12:57:50 +0000 CMRCaNMAQvCohN1NVIdWPpX8bd2WlRKe sports The Ken Carman Show with Anthony Lima sports Hour 2: Browns tanking is an "excuse" + Browns next best QB option? The only place to talk about the Cleveland sports scene is with Ken Carman and Anthony Lima. The two guide listeners through the ups and downs of being a fan of the Browns, Cavaliers, Guardians and Ohio State Buckeyes in Northeast Ohio. They'll help you stay informed with breaking news, game coverage, and interviews with top personalities.Catch The Ken Carman Show with Anthony Lima live Monday through Friday (6 a.m. - 10 a.m ET) on 92.3 The Fan, the exclusive audio home of the Browns, or on the Audacy app. For more, follow the show on X @KenCarmanShow. 2024 © 2021 Audacy, Inc. Sports False https://player.amperwavep

Ken Carman and Anthony Lima continue with their complaints about the Cleveland Browns.

We recap Tommy's picks from this Sunday's Bills loss in Miami

On this FULL CAPS CHUNKY episode of the Shut Up & Sit Down Podcast, Tom and Matt are talking about all of the games they played at Essen 2025!This is an audio-only reupload of the video we just put out on the main channel - so if you'd like to enjoy a physical tier list alongside these wobbly words? Then that's where it is, and will be, forever and ever.Excuse the mildly iffy audio on this one!Have a great weekend, everybody!Timestamps:01:00 - Chemical Overload07:50 - Collect!12:45 - Tolleno19:05 - A Carnivore Did It!21:40 - Echoes of Time23:55 - Pyradice29:07 - Tax The Rich32:09 - 3 Witches37:53 - Agent Avenue43:33 - Recall46:59 - Feya's Swamp54:43 - Wie Die Karnikel58:20 - Milch Mit Abführmittel1:03:34 - Big Shot1:08:07 - Night Soil1:11:24 - The White Castle: Duel1:16:58 - National Economy1:21:05 - Railway Boom1:23:38 - Pulitzer1:30:28 - Sanctuary1:34:29 - River Rats1:39:32 - Ghost Lift

Brittany Spears deleted her Instagram account. Milly Bobby Brown Jovi and David Harbour appear to be on good terms at the Stranger Things premier. Carol Burnett is donating all of her awards to UCLA, and Sarah is insisting you check out her cameo in the latest season of ‘Hacks.' Antonio Brown has been extricated from Dubai to face attempted murder charges in the US. The Atmospheric River may or may not come back, it's up to her! Sometimes you need to fake it ‘til you make it - especially over the holidays. Fa La La La La!

In this impactful and inspiring episode of Unstoppable Mindset, host Michael Hingson sits down with Ronald Cocking—performer, educator, and co-founder of the Looking Glass Studio of Performing Arts—to reflect on a remarkable life shaped by rhythm, resilience, and love. Ron's journey into the performing arts began at just five years old, when his passion for tap dance ignited a lifelong commitment to dance and musical theater. From his first professional role at age 15 in My Fair Lady to founding one of Southern California's most impactful arts schools, Ron's story is one of dedication, creativity, and community.   But perhaps the most moving part of Ron's story is his 49-year partnership—both personal and professional—with the late Gloria McMillan, best known as Harriet Conklin from Our Miss Brooks. Together, they created a legacy of mentorship through the Looking Glass Studio, where they taught thousands of students across generations—not just how to act, sing, or dance, but how to live with confidence and integrity.   Ron also reflects on the legacy Gloria left behind, his continued involvement in the arts, and the words of wisdom that guide his life:   “Teach a man to fish and you feed him for a lifetime.” “To find happiness, take the gifts God has given you and give them away.”   This is more than a story of a career in the arts—it's a touching tribute to passion, partnership, and purpose that will leave you inspired.   Highlights:   00:48 – Hear how early radio at home shaped a lifetime love for performance. 03:00 – Discover why drumming and tap both trained his ear for rhythm. 06:12 – Learn how a tough studio change led to ballet, jazz, and tumbling basics. 08:21 – See the “sing with your feet” method that makes tap click for students. 10:44 – Find out how a teen chorus role in My Fair Lady opened pro doors. 13:19 – Explore the drum-and-tap crossover he performed with Leslie Uggams. 15:39 – Learn how meeting Gloria led to a studio launched for $800. 18:58 – Get the long view on running a school for 44 years with family involved. 23:46 – Understand how Our Miss Brooks moved from radio to TV with its cast intact. 32:36 – See how 42nd Street proves the chorus can be the star. 41:51 – Hear why impact matters more than fame when students build careers. 43:16 – Learn what it takes to blend art and business without losing heart. 45:47 – Compare notes on marriage, teamwork, and communication that lasts. 48:20 – Enjoy a rare soft-shoe moment Ron and Gloria performed together. 56:38 – Take away the “teach to fish” approach that builds lifelong confidence.   About the Guest:   My father was a trumpet player, thus I heard music at home often in the early 50's and was always impressed and entertained by the rhythms and beats of Big Band music… especially the drummers.  Each time I would see Tap dancers on TV, I was glued to the screen.  It fascinated me the way Tap dancers could create such music with their feet!   In 1954, at age 5, after begging my Mom and Dad to enroll me in a Tap class, my Dad walked in from work and said “Well, you're all signed up, and your first Tap class is next Tuesday.  I was thrilled and continued studying tap and many other dance forms and performing and teaching dance for all of my life.     In my mid teens, I became serious about dancing as a possible career.  After seeing my first musical, “The Pajama Game” starring Ruth Lee, I new I wanted to do musical theatre.  I got my first professional opportunity at age 15 in “My Fair Lady” for the San Bernardino Civic Light Opera Association and loved every minute of it… and would continue performing for this organization well into my 30's   I met Gloria McMillan in the late 60's while choreographing a summer musical for children.  Gloria's daughter was doing the role of Dorothy in “The Wizard of Oz”.  Then, about 3 or 4 years later I would meet Gloria again and the sparks flew.  And, yes, she was Gloria McMillan of “Our Miss Brooks” fame on both radio and television.  Wow, was I blessed to have crossed paths with her.  We shared our lives together for 49 years.   On November 4, 1974, Gloria and I opened a performing arts school together named “The Looking Glass Studio of Performing Arts”.  We would teach and manage the school together for 44 years until we retired on June 30, 2018.  We moved to Huntington Beach, California and spent 3 beautiful years together until she left to meet our Lord in heaven on January 19, 2022.   Ways to connect with Ron:   Lgsparon@aol.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi there, wherever you are and wherever you happen to be today. Welcome to unstoppable mindset. I'm your host, Mike hingson, and today we get to chat with Ron Cocking, who is Ron. Well, we're going to find out over the next hour. And Ron was married for many years to another person who is very famous, and we'll get to that, probably not as well known to what I would probably describe as the younger generation, but you're going to get to learn a lot about Ron and his late wife before we're done, and I am sure we're going to have a lot of fun doing it. So let's get to it. Ron, welcome to unstoppable mindset. We're glad you're here.   Ron Cocking ** 01:59 Thank you. I'm so glad to be here. Michael, this. I've been looking forward to this.   Michael Hingson ** 02:04 I have been as well, and we're going to have a lot of fun doing it.   Ron Cocking ** 02:08 Do you one note on that last name? It is cocking. Cocking, he comes right? Comes from a little townlet in the coal mining country of England called Cockington.   Michael Hingson ** 02:20 I don't know why I keep saying that, but yeah, cocky, no   02:23 problem.   Michael Hingson ** 02:24 Well, do you go up to the reps recreations at all?   Ron Cocking ** 02:28 Oh my gosh, Gloria. And I know you and Gloria, did do you still do it? I've it's on my schedule for September.   Michael Hingson ** 02:35 I'm gonna miss it this year. I've got a speech to give. So I was going to be playing Richard diamond at recreation. Well, I'll have to be Dick Powell another time, but I thought that you you were still doing   02:50 it. I'm planning on it cool.   Michael Hingson ** 02:53 Well, tell us about the early Ron cocking and kind of growing up in some of that stuff. Let's start with that.   Ron Cocking ** 02:59 Well, the early part of my story was when I was born just a little before television came in, before everyone had a TV in their home. How old are you now? If I maybe, you know, I am now 76   Michael Hingson ** 03:12 Okay, that's what I thought. Yeah, you're one year ahead of me. I'm 75   Ron Cocking ** 03:16 I was born in 49 and so my earliest remembrances my mom and dad and my brother and I lived with our grandfather, and we had no television, but we had this big it must have been about three to four foot tall, this big box on the floor in a very prominent spot in the living room. And that was the Sunday afternoon entertainment. I remember my family sitting around, and I listened and I laughed when they did, but I had no idea what was going on, but that was the family gathering. And just, I know we'll talk about it later, but I I just have this notion that at that time I was laughing, not knowing what I was laughing at, but I bet I was laughing at my future   Michael Hingson ** 04:02 wife, yes, yes, but other things as well. I mean, you probably laughed at Jack Benny and Amos and Andy and   Ron Cocking ** 04:09 yeah, I remember listening to all those folks, and it was just amazing. Then when television came about and my father was a trumpet player, and I loved his trumpet playing, and he practiced often at home. He would sit in his easy chair and play some tunes and scales and that sort of thing. But what captured my ear and my eyes when I went to on rare occasions when I could go to his engagements, it was always the drummer that just stuck out to me. I was mesmerized by the rhythms that they could produce. And when TV came about, I remember the old variety shows, and they often would have tap dancers like. Had a stair gene, Kelly, Peg Leg Bates and the Nicholas brothers, and I just, I was just taken back by the rhythms. It sounded like music to me. The rhythms just made me want to do it. And so I started putting that bug in my parents ears. And I waited and waited. I wanted to take tap dance lessons. And one day, my dad walks in the back door, and I said, Dad, have you signed me up yet? And he said, Yep, you start next Tuesday at 330 in the afternoon. So I was overjoyed, and I went in for my first lesson. And mind you, this was a private tap class. Total Cost of $1.25 and we had a pianist for music, no record player, live piano, wow. And so I, I rapidly fell in love with tap dance.   Michael Hingson ** 05:56 And so you did that when you weren't in school. Presumably, you did go to school.   Ron Cocking ** 06:00 Oh, yeah, I did go to school. Yeah, I did well in school, and I enjoyed school. I did all the athletics. I played little league, and eventually would be a tennis player and water polo and all that stuff. But all through the years, after school was on the way to the dance classes.   Michael Hingson ** 06:16 So you graduated, or I suppose I don't want to insult drumming, but you graduated from drumming to tap dancing, huh?   Ron Cocking ** 06:24 Well, I kept doing them both together. I would dance, and then when my dad would practice, I would beg him to just play a tune like the St Louis Blues, yeah, and so that I could keep time, so I pulled a little stool up in front of an easy chair, and one of the arms of the chair was the ride cymbal, and the other one was the crash cymbal, and the seat of the chair was my snare drum. I would play along with him. And eventually he got tired of that and bought a Hi Fi for my brother and I, and in the bedroom I had a Hi Fi, and I started to put together a set of drums, and I spent hours next to that, Hi Fi, banging on the drums, and I remember it made me feel good. One day, my mom finally said to me, you know, you're starting to sound pretty good, and that that was a landmark for me. I thought, wow, somebody is enjoying my drumming,   Michael Hingson ** 07:18 but you couldn't do drumming and tap dancing at the same time. That would have been a little bit of a challenge. A challenge.   Ron Cocking ** 07:23 No, I would practice that the drums in the afternoon and then head for the dance studio later. And in this case, I was a local boy. I grew up in Riverside California, and my first tap teacher was literally maybe two miles from our house. But that didn't last long. She got married and became pregnant and closed her studio, and then I she recommended that I go see this teacher in San Bernardino by the name of Vera Lynn. And which I did, I remember walking into this gigantic classroom with a bunch of really tall kids, and I was maybe seven or eight years old, and I guess it was kind of an audition class, but after that evening, I she put me in the most appropriate classes, one of which was ballet, which I wasn't too excited about, but they all told me, If you're going to be a serious dancer, even a tap dancer, you need to get the basic body placement from ballet classes. And I said, Well, I am not going to put any tights and a T shirt on. But they finally got me to do that because they told me that the Rams football team took ballet class twice a week at that time. Ah. Said, no kidding. So they got me, they they got you. They got me into ballet class, and then it was jazz, and then it was tumbling, and so I did it all.   Michael Hingson ** 08:43 I remember when we moved to California when I was five, and probably when I was about eight or nine, my brother and I were enrolled by my mother. I guess my parents enrolled us in a dance class. So I took dance class for a few years. I learned something about dancing. I did have a pair of tap shoes, although I didn't do a lot of it, but I, but I did dance and never, never really pursued it enough to become a Gene Kelly or Fred Astaire. Well, few of us do. I didn't dislike it. It just didn't happen. But that was okay, but it was fun to, you know, to do it and to learn something about that. And so I even today, I I remember it, and I appreciate it. So that's pretty cool.   Ron Cocking ** 09:32 Well, you would understand what I always told my students, that tap dancing is like singing a song with your feet. Yeah. And I would sing, I would say, you all know, happy birthday, right? So I would sing it, and they would sing it along, and then I'd said, then I would sing it again, and I would sing it totally out of rhythm. And they would wrinkle their nose and look at me and say, okay, so what are you doing? And I'd say, Well, you don't recognize it because the rhythm is not correct. So then I would. Would tap dance Happy birthday, and I'd say, you sing along in your mind and I'm going to tap dance it. And that would always ring a bell in their mind, like, Oh, I get it. The rhythm has to be right on the button, or the people aren't going to recognize   Michael Hingson ** 10:16 that was very clever to do.   Ron Cocking ** 10:18 Yeah, thank you. And they got it, yeah, they got it, yeah,   Michael Hingson ** 10:22 which is even, even more important. That's pretty clever. Well, so you did that, and did you do it all the way through high school,   Ron Cocking ** 10:30 all the way through high school? And I think when I was 15, I was, I think I was in the eighth grade, maybe ninth, but I was 15 and got my first chance to I was cast in a professional show for San Bernardino civic light opera Association. And the show was My Fair Lady, and it was my English and journalism teacher at the junior high who had been cast. He was a performer also, but something came up and he couldn't follow through, so he had given the association my name, and I was out in the backyard. My mom came out. Said, Hey, San Bernardino clo just called and they want, they want to see it tonight at seven o'clock. So I put on my dance clothes and went over, and the director, by the name of Gosh, Gene Bayless, came out, and he showed me a couple of steps. And he said, Yeah, let's do it together. And he said, Boy, you unscramble your feet pretty well there kid. And he he looked over into the costumers and said, measure this guy. Let's put him in the show. So I was beside myself. And long story short, I Gosh, I'm over the over the years, I my first show was at age 15 with them, and I participated, did shows with them, until I think my last show, I was about 38 years old, and that last show was anything goes with Leslie uggums, wow.   Michael Hingson ** 11:52 So what part did you play on my fair lady?   Ron Cocking ** 11:55 I was just a chorus kid. I remember in the opening when Eliza sings, that wouldn't it be lovely? Wouldn't it be lovely? I was a street sweeper. I remember I had a broom, and there were three of us, and we were sweeping up that street and working in and around. Eliza Doolittle, of   Michael Hingson ** 12:11 course, being really spiteful. You just said a little while ago, you were beside yourself. And the thing that I got to say to that, quoting the Muppets, is, how do the two of you stand each other? But anyway, that's okay, good in the original Muppet Movie, that line is in there. And I it just came out so fast, but I heard it. I was going, Oh my gosh. I couldn't believe they did that. But anyway, it was so cute, very funny. That's great. So and then you were, you eventually were opposite Leslie UB,   Ron Cocking ** 12:39 yes, that was one of the high points talking about dancing and drumming at the same time. In fact, I used to give a drum a basic drum summer camp where I would teach tappers the basics of music notation, quarter notes, eighth notes, 16th notes. And then we would put a tap orchestra together. Everybody had their own music stand and their own drum pad. I would conduct, and we would play little pieces, and they would they would drum a rhythm, tap, a rhythm, drum, a rhythm, tap, a rhythm. And so anyway, it came full circle. One of the highlights of my dance slash drumming career was this show I did with Leslie uggums, the director had done this prior, and he knew it would work, and so so did the conductor in the entre Act. The top of the second act, the pit orchestra starts and plays like eight measures. And then there were six of us on stage, behind the main curtain, and we would play the next 16 bars, and then we would toss it back to the pit, and then toss it back to us, and the curtain would begin to rise, and we were right into the first song that Leslie uggums sang to get into the second act. Then she wanted to add a couple of songs that she liked, and she was very popular in with the audiences in San Bernardino, so she added a couple of songs, and I got to play those songs with her and and that was just so thrilling. And I with the scene finished, I had to have my tap shoes on, on the drum set. I had to hop down from the riser, and came out, brought one of my Toms with me, and played along with another featured tap dancer that kind of took over the scene at that point. So it was, it was really cool.   Michael Hingson ** 14:31 So with all this drumming, did you ever meet anyone like buddy rip?   Ron Cocking ** 14:35 No, I never met any famous drummers except a man by the name of Jack Sperling, which was one of my drumming idols,   Michael Hingson ** 14:44 Donnie Carson was quite the drummer, as I recall,   Ron Cocking ** 14:48 yeah, he did play yeah and boy, his his drummer, Ed Shaughnessy on his on The Tonight Show was phenomenal. Yeah, he's another of my favorites, yeah,   Michael Hingson ** 14:57 well, and I remember. I guess Johnny Carson and Buddy Rich played together, which was kind of fun. They   Ron Cocking ** 15:07 played together, and so did Ed Shaughnessy and Buddy Rich did a little competition on the show one time I realized, yeah,   Michael Hingson ** 15:15 right, yeah. Well, and it's interesting to see some of the performers do that. I remember once trying to remember whether what show it was on, maybe it was also a Tonight Show where Steve Martin substituted for Johnny, but he and the steel Canyon, the Steve Canyon band, came out. Of course, he was great on the band, and then flat and Scruggs or flat came out. Or which one? Yeah, which one did the banjo flat, I think, but they, but they banjo together, which was fun?   Ron Cocking ** 15:51 Oh, wow, yeah, yeah. Steve Martin is a tremendous band. He is, Whoa, yeah. I,   Michael Hingson ** 15:56 I have a hard time imagining fingers moving that fast, but that's okay, me too. I saved my fingers for Braille, so it's okay. So where did you go to college?   Ron Cocking ** 16:07 I went to for two years to Riverside City College, Riverside Community College, and then I went for two years to San Bernardino Cal State, San Bernardino, and I was majoring in English because I thought I may want to do some writing. But in the meantime, I became married, I became a father, and so I was trying to work and study and maintain a family life, and I just couldn't do it all. So I didn't quite finish a major at Cal State San Bernardino. I continued actually a nightclub drumming career. And now, now we're getting up to where this our performing arts studio began between Gloria and I.   Michael Hingson ** 16:50 So was it? GLORIA? You married first?   Ron Cocking ** 16:53 No, okay, no, Gloria was married. Gloria was a prior, prior marriage for 20 some years, or 20 years, I guess. And I had been married only two years, I think. And when we first, well, we actually met while we were both. I'll tell you the story in a minute, if you want to hear it. Sure, the first time I ever met Gloria Macmillan, I had no idea who she was, because she her name was Gloria Allen at the time that was, that was her married name that she took after the arm is Brooks TV show. Well, she took that the new name before the TV show even ended. But I was choreographing a children's summer musical, and the director came up said, hey, I want you to meet this young lady's mom. So the young lady was Gloria's daughter, her oldest daughter, Janet. And I said, Sure. So he said, This is Gloria. Allen, Gloria, this is Ron. And we shook hands, and I said, Nice to meet you. And that was it. And so the show happened. It ran for a couple of weeks, and Gloria was a wonderful stage mom. She she never bothered anyone. She watched the show. She was very supportive of her daughter. Didn't, didn't stage manage   Michael Hingson ** 18:09 whatsoever, which wasn't a helicopter mom, which is good,   Ron Cocking ** 18:12 definitely that, which was just really cool. So and so I was maybe three, four years later, so Gloria obviously knew that I could dance, because she had seen me choreographed. So I got a phone call from Gloria Allen, and I said, Okay, I remember her. She wanted to meet because she was thinking about starting an acting school and wanted someone to teach actors some dance movement. So I went over for a interview and took my little at that time, about two and a half year old, daughter, three year old, and we chatted, and oh my gosh, I just this, this beautiful woman swept me off my feet. And of course, I by the end of the conversation, I said, Gosh, you know, we talked about how we would integrate the acting and the dance, and I said, Can I have your phone number? Nope, I got the old well, we'll call you. Don't call us. And so I had to wait for a few days before I got a call back, but I got a call back, and I don't remember a lot of details, but the sparks flew really, really quickly, and we started planning our school. And if you can believe that this was 1973 when we started planning, maybe it was early 74 and we invested a whole total of $800 to get ourselves into business. We bought a record player, some mirrors, some paint, and a business license and a little shingle to hang out front. We had a little one room studio, and we. Opened on November 4, 1974 and we would close the studio on June 30, 2018 Wow.   Michael Hingson ** 20:08 Yeah. So you, you had it going for quite a while, almost, well, actually, more than 40 years. 44 years. 44 years, yes. And you got married along the way.   Ron Cocking ** 20:20 Well along the way, my my wife always said she fell in love with my daughter, and then she had to take me along with her. Yeah. Well, there you go. So we were together constantly, just running the school together. And then eventually I moved over to San Bernardino, and it was, gosh, some 1213, years later, we got married in on June 28 1987 and but nothing really changed, because we had already been living together and raising five children. GLORIA had four from a private prior marriage, and I had my little girl. So we we got all these five kids through elementary and junior high in high school, and they all went to college. And they're all beautiful kids and productive citizens, two of them still in show biz. Her son, my stepson, Christopher Allen, is a successful producer now and of Broadway shows. And our daughter, Barbara Bermudez, the baby that Gloria fell in love with. She's now a producer slash stage manager director. She does really well at big events with keynote speakers. And she'll, if they want her to, she will hire in everything from lighting and sound to extra performers and that sort of thing. And she's, she's just busy constantly all over the world, wow.   Michael Hingson ** 21:43 Well, that's pretty cool. And what are the other three doing?   Ron Cocking ** 21:47 One is a VP of Sales for it's a tub and shower company, jacuzzi, and the other one is a married housewife, but now she is a grandmother and has two little grandkids, and they that's Janet, the one that I originally had worked with in that children's show. And she and her husband live in Chino Hills, California, which is about 40 minutes from here. I live in Huntington Beach, California now,   Michael Hingson ** 22:14 well, and I'm not all that far away from you. We're in Victorville. Oh, Victorville, okay, yeah, the high desert. So the next time you go to Vegas, stop by on your way, I'll do that, since that's mainly what Victorville is probably most known for. I remember when I was growing I grew up in Palmdale, and Palmdale wasn't very large. It only had like about 20 703,000 people. But as I described it to people, Victorville wasn't even a speck on a radar scope compared to Palmdale at that time. Yeah, my gosh, are over 120,000 people in this town?   Ron Cocking ** 22:51 Oh, I remember the drive in the early days from here to Vegas in that you really felt like you could get out on the road all alone and relax and take it all in, and now it can be trafficking all all the   Speaker 1 ** 23:04 way. Yeah, it's crazy. I don't know. I still think they need to do something to put some sort of additional infrastructure, and there's got to be another way to get people to Vegas and back without going on i 15, because it is so crowded, especially around holidays, that one of these days, somebody will get creative. Maybe they'll get one of Tesla's tunnel boring tools, and they'll make a tunnel, and you can go underground the whole way, I don't know,   Ron Cocking ** 23:32 but that would be, that would be great. Something like that would happen.   Michael Hingson ** 23:38 Well, so you you started the school and and that did, pretty cool. Did, did Gloria do any more acting after our Miss Brooks? And then we should explain our Miss Brooks is a show that started on radio. Yes, it went on to television, and it was an arm is Brooks. Miss Brooks played by e vardin. Was a teacher at Madison High, and the principal was Osgood Conklin, played by Gail Gordon, who was absolutely perfect for the part. He was a crotchety old curmudgeon by any standards. And Gloria played his daughter, Harriet correct. And so when it went from radio to television, one of the things that strikes me about armas Brooks and a couple of those shows, burns and Allen, I think, is sort of the same. Jack Benny was a little different. But especially armas Brooks, it just seems to me like they they took the radio shows and all they did was, did the same shows. They weren't always the same plots, but it was, it was radio on television. So you, you had the same dialog. It was really easy for me to follow, and it was, was fascinating, because it was just like the radio shows, except they were on television.   Ron Cocking ** 24:56 Yeah, pretty much. In fact, there were a lot, there's lots of episodes. Episodes that are even named the same name as they had on the radio, and they're just have to be reworked for for the television screen,   Michael Hingson ** 25:08 yeah, but the the dialog was the same, which was so great,   Ron Cocking ** 25:13 yeah, yeah. And to see what was I going to add, it was our Miss Brooks was one of the very few radio shows that made the transition to television with the cast with the same intact. Yeah, everybody looked like they sounded. So it worked when they were in front of the camera. Yeah,   Michael Hingson ** 25:33 it sort of worked with Jack Benny, because most of the well, all the characters were in it, Don Wilson, Mary, Livingston, Dennis day, Rochester, world, yeah. And of course, Mel Blanc, yeah, oh.   Ron Cocking ** 25:49 GLORIA tells a story. She she and her mom, Hazel, were walking down the street on the way to do a radio show in the old days in Hollywood, and here comes Mel blank, he says, he pulls over. Says, Hey, where are you girls headed because I know that he probably recognized them from being at at CBS all the time, and they said, We're headed to CBS. He said, hop in. Oh, that's where I'm going. So Mel Brooks gave her a ride to the Mel Blanc, yeah, would have been   Michael Hingson ** 26:15 fun if Mel Brooks had but that's okay, Young Frankenstein, but that's another story. It is. But that's that's cool. So did they ever? Did she ever see him any other times? Or was that it?   Ron Cocking ** 26:30 No, I think that was it. That's the one story that she has where Mel Blanc is involved.   Michael Hingson ** 26:36 What a character, though. And of course, he was the man of a million voices, and it was just incredible doing I actually saw a couple Jack Benny shows this morning and yesterday. One yesterday, he was Professor LeBlanc teaching Jack Benny how to play the violin, which was a lost cause.   Ron Cocking ** 26:59 Actually, Jack Benny was not a bad view. No,   Michael Hingson ** 27:01 he wasn't violent. No, he wasn't. He had a lot of fun with it, and that stick went straight in from radio to television, and worked really well, and people loved it, and you knew what was going to happen, but it didn't matter. But it was still   Ron Cocking ** 27:16 funny, and I'm sure during the transition they there was a little bit of panic in the writers department, like, okay, what are we going to do? We got to come up with a few shows. We got to get ahead a little bit. So the writing being just a little different, I'm sure that's part of the reason why they went back and kind of leaned on the old, old script somewhat, until they kind of cut their teeth on the new this new thing called television   Michael Hingson ** 27:39 well, but they still kept a lot of the same routines in one way or another.   Ron Cocking ** 27:45 Yeah, when they work, they work, whether you're just listening or whether you're watching,   Michael Hingson ** 27:48 right, exactly what other shows made it from radio to television with the cast   Ron Cocking ** 27:53 intact? You know, I am not up on that number. I   Michael Hingson ** 27:57 know there were a couple that did. RMS, Brooks was, well, oh no, I was gonna say Abbott and Costello, but that was different, but our Miss Brooks certainly did. If   Ron Cocking ** 28:09 the Bickersons did, I forget the two actors that did that show, but that was a really, Francis   Michael Hingson ** 28:13 Langford and Donna Michi could be, but I think burns and Allen, I think, kept the same people as much as there were. Harry bonzell was still with them, and so on. But it was interesting to see those. And I'm awake early enough in the morning, just because it's a good time to get up, and I get and be real lazy and go slowly to breakfast and all that. But I watched the Benny show, and occasionally before it, I'll watch the burns and Allen show. And I think that the plots weren't as similar from radio to television on the burns and Allen show as they weren't necessarily in the Benny show, but, but it all worked.   Ron Cocking ** 28:58 Yeah, yeah. That's why they were on the air for so long?   Michael Hingson ** 29:02 Yeah, so what other kind of acting did Gloria do once? So you guys started the school   Ron Cocking ** 29:10 well after she well, when we started the school, we found ourselves, you know, raising five children. And so I continued playing nightclub gigs. I had one, one nightclub job for like, five years in a row with two wonderful, wonderful musicians that were like fathers to me. And Gloria actually went to work for her brother in law, and she became a salesperson, and eventually the VP of Sales for a fiberglass tub and shower business down here in Santa Ana. So she drove that 91 freeway from San Bernardino, Santa Ana, all the time. But in,   Michael Hingson ** 29:47 yeah, you could do it back then, much more than now. It was a little better   Ron Cocking ** 29:51 and but in, but twist in between, she managed. Her mom still did a little bit of agency. And she would call Gloria and say. Want you to go see so and so. She did an episode of perfect strangers. She did an episode with Elliot of the guy that played Elliot Ness, stack the show Robert Stack the show was called Help Wanted no see. I guess that was an in but wanted, anyway, she did that. She did a movie with Bruce Dern and Melanie Griffith called Smile. And so she kept, she kept her foot in the door, but, but not, not all that much she she really enjoyed when John Wilder, one of her childhood acting buddies, who she called her brother, and he still calls her sis, or he would call her sis, still. His name was Johnny McGovern when he was a child actor, and when he decided to try some movie work, he there was another Johnny McGovern in Screen Actors Guild, so he had to change his name to John Wyler, but he did that mini series called centennial, and he wanted Gloria for a specific role, to play a German lady opposite the football player Alex Karras. And they had a couple of really nice scenes together. I think she was in three, maybe four of the segments. And there were many segments, it was like a who's who in Hollywood, the cast of that show   Michael Hingson ** 31:28 does that was pretty cool.   Ron Cocking ** 31:32 But anyway, yeah, after Gloria finished armas Brooks, she became married to Gilbert Allen, who, who then became a Presbyterian minister. So Gloria, when you said, Did she continue acting? There's a lot of acting that goes on being a minister and being a minister's wife, and she would put together weddings for people, and that sort of thing. And she did that for 20 years. Wow. So she Gloria was a phenomenon. She did so many things. And she did them all so very well, in my   Speaker 1 ** 32:04 opinion. And so did you? Yeah, which is, which is really cool. So you, but you, you both started the school, and that really became your life's passion for 44 years. Yes,   Ron Cocking ** 32:16 we would get up in the mornings, go do a little business, come home, have a little lunch, go back about 132 o'clock, and we would normally crank up about four after the kids get out of school, and we would teach from four to nine, sometimes to 10. Go out, have some dinner. So yeah, we pretty much 24/7 and we had had such similar backgrounds. Hers on a national radio and television scale, and mine on a much more local, civic light opera scale. But we both had similar relations with our our moms after after the radio tapings and the TV things. GLORIA And her mom. They lived in Beverly Hills, right at Wilshire and Doheny, and they had their favorite chocolate and ice cream stops. And same thing for me, my mom would take me there, two doors down from the little studio where I was taking my tap classes. There was an ice cream parlor, haywoods ice cream. And that was, that was the the lure, if you go in and if you do your practicing, Ronnie, you can, I'll take it for an ice cream so that I did my practicing, had plenty of little treats on the way, so we had that in common, and we both just had very supportive moms that stayed out of the way, not, not what I would call a pushy parent, or, I think you mentioned the helicopter, helicopter, but it   Michael Hingson ** 33:37 but it sounds like you didn't necessarily need the bribes to convince you to tap dance, as you know, anyway, but they didn't hurt.   Ron Cocking ** 33:46 No, it didn't hurt at all, and it was something to look forward to, but I I just enjoyed it all along. Anyway, I finally got to to really showcase what I could do when I was cast as the dance director in the show 42nd street. Oh, wow. And I was lucky. We were lucky. San Bernardino clo was able to hire John Engstrom, who had done the show on Broadway. The earlier version that came, I think it was on Broadway in the mid or to late 70s. He had worked side by side with Gower Champion putting the show together. He told us all sorts of stories about how long it took Gower to put together that opening dance. Because everything in the opening number you you see those steps later in the show done by the chorus, because the opening number is an audition for dancers who want to be in this new Julian Marsh show. So the music starts, the audience hears, I know there must have been 20 of us tapping our feet off. And then a few seconds later, the curtain rises about two and a half feet. And then they see all these tapping feet. And then the main curtain goes out, and there we all are. And. I my part. I was facing upstage with my back to the audience, and then at some point, turned around and we did it was the most athletic, difficult, two and a half minute tap number I had ever done, I'll bet. But it was cool. There were five or six kids that had done it on Broadway and the national tour. And then during that audition, one more high point, if we have the time, we I was auditioning just like everybody else. The director had called and asked if I would audition, but he wasn't going to be choreographing. John Engstrom was so with there was probably 50 or 60 kids of all ages, some adults auditioning, and at one point, John pulled out one of the auditioners, and he happened to be one of my male tap dance students. And he said, Now I want everybody to watch Paul do this step. Paul did the step. He said, Now he said, Paul, someone is really teaching you well. He said, everybody that's the way to do a traveling timestamp so and that, you know, I'll remember that forever. And it ended up he hired. There were seven myself and seven other of my students were cast in that show. And some of them, some of them later, did the show in Las Vegas, different directors. But yeah, that, that was a high point for me.   Speaker 1 ** 36:19 I'm trying to remember the first time I saw 42nd street. I think I've seen it twice on Broadway. I know once, but we also saw it once at the Lawrence Welk Resorts condo there, and they did 42nd street. And that was a lot of that show was just a lot of fun. Anyway,   Ron Cocking ** 36:39 it's a fun show. And as John said in that show, The chorus is the star of the show.   Speaker 1 ** 36:45 Yeah, it's all about dancing by any by any definition, any standard. It's a wonderful show. And anybody who is listening or watching, if you ever get a chance to go see 42nd street do it, it is, it is. Well, absolutely, well worth it.   Ron Cocking ** 37:00 Yeah, good. Good show. Fantastic music, too. Well.   Michael Hingson ** 37:03 How did you and Gloria get along so well for so long, basically, 24 hours a day, doing everything together that that I would think you would even be a little bit amazed, not that you guys couldn't do it, but that you did it so well, and so many people don't do it well,   Ron Cocking ** 37:21 yeah, I don't know I from, from the the first time we met, we just seemed to be on the same wavelength. And by the way, I found out as time went by, Gloria was like Mrs. Humble. She wasn't a bragger, very humble. And it took me a while to find out what an excellent tap dancer she was. But when we went to the studio in the early days, we had, we just had one room. So she would teach actors for an hour, take a break. I would go in teach a tap class or a movement class or a ballet class. I in the early days, I taught, I taught it all. I taught ballet and jazz and and and and   Michael Hingson ** 38:01 tap. Well, let's let's be honest, she had to be able to tap dance around to keep ahead of Osgoode Conklin, but that's another story.   Ron Cocking ** 38:09 Yeah. So yeah, that. And as our studio grew, we would walk every day from our first studio down to the corner to a little wind chills donut shop wind chills donuts to get some coffee and come back. And about a year and a half later, after walking by this, this retail vacant spot that was two doors from our studio, we said, I wonder if that might be, you know, something for us, it had a four lease sign. So, long story short, we released it. The owner of the property loved knowing that Gloria Macmillan was that space. And so luckily, you know when things are supposed to happen. They happen as people would move out next to us, we would move in. So we ended up at that particular studio with five different studio rooms. Wow. And so then we can accommodate all of the above, acting, singing classes, all the dance disciplines, all at the same time, and we can, like, quadruple our student body. So then we made another move, because the neighborhood was kind of collapsing around us, we made another room and purchased a building that had been built as a racquetball club. It had six racquetball courts, all 20 by 40, beautiful hardwood. We made four of them, five of them into studios, and then there was a double racquetball racquetball court in the front of the building which they had tournaments in it was 40 by 40 we moved. We made that into a black box theater for Gloria. And the back wall of the theater was one inch glass outside of which the audiences for the racquetball tournaments used to sit. But outside the glass for us, we had to put curtains there, and out front for us was our. Gigantic lobby. The building was 32,000 square feet. Wow, we could it just made our heart, hearts sing when we could walk down that hallway and see a ballet class over here, a tap class over there, singers, singing actors in the acting room. It was beautiful. And again, it was just meant for us because it was our beautiful daughter, Kelly, who passed away just nine months after Gloria did. She's the one that said, you guys ought to look into that. And I said, Well, it's a racquetball court. But again, the first moment we walked in the front door, you start. We started thinking like, whoa. I think we could make this work. And it worked for another 20 years for us and broke our hearts to basically rip it apart, tear the theater down, and everything when we were moving out, because we we couldn't find another studio that was interested in in coming in, because they would have had to purchase the building. We wanted to sell the building. Yeah. So anyway, of all things, they now sell car mufflers out of there.   Michael Hingson ** 41:02 That's a little different way, way. Yeah, social shock, did any of your students become pretty well known in the in the entertainment world?   Ron Cocking ** 41:11 I wouldn't say well known, but a lot of them have worked a lot and made careers. Some of our former students are now in their 50s, middle 50s, pushing 60, and have done everything from cruise ship to Las Vegas to regional some national tours, even our son, Christopher, he did the national tour of meet me in St Louis with Debbie Boone, okay, and he's the one that is Now a successful producer. He's his latest hit. Well, his first, what can be considered legitimately a Broadway hit show was the show called shucked, and it opened about two years ago, I think, and I finally got to go back to New York and see it just a month before it closed. Very hilarious. Takes place in Iowa. The whole show is built around a county in which everybody that lives there makes their living off of corn, making whiskey. And it is a laugh, way more than a laugh a minute. But anyway, we had one of Gloria's acting students who was hired on with a Jonathan Winters TV sitcom called Davis rules. It ran for two seasons, and here he was like 16 or 17 years old, making, I think it was. He was making $8,000 a week, and he was in heaven. He looked like the Son he played, the grandson of Jonathan Winters and the son of Randy Quaid and so he, yeah, he was in heaven. And then after that, he did a very popular commercial, the 711 brain freeze commercial for Slurpee. The Slurpee, yeah, and he made the so much money from that, but then he kind of disappeared from showbiz. I don't know what he's doing nowadays,   Speaker 1 ** 43:00 but it's, it's, it's interesting to, you know, to hear the stories. And, yeah, I can understand that, that not everybody gets to be so famous. Everybody knows them, but it's neat that you had so many people who decided to make entertainment a career. So clearly, you had a pretty good influence on a lot of, a lot of kids.   Ron Cocking ** 43:20 Yes, I over the years, Gloria and I felt like we had 1000s of children of our own, that they that we had raised together. It's really a good feeling. And I still get phone calls. We got a phone call once a few years back from from one of our students who had been trying to crack the nut in New York, and she called us like 530 in the morning, because, of course, it was Yeah, but she had just signed her first national tour contract and was going to go out with the show cabaret. So fortunately, we were able to drive up to Santa not let's see, it's just below San San Jose. The show came through San Jose, and we got to see her up there. But those kinds of things are what made us keep teaching, year after year, all these success stories. Of course, we have former students that are now lawyers. Those are actors. Well, we   Michael Hingson ** 44:17 won't hold it and we understand, yeah and they are actors, by all means. How many teachers did you have in the studio when you had the big building?   Ron Cocking ** 44:26 Gosh, at one time, we had 10 or 12 teachers, teaching vocal teachers, two or three ballet teachers, jazz teachers, and you both taught as well. And we both continued teaching all through that time. We never just became managers, although that's that was part of it, and mixing business with art is a challenge, and it takes kind of a different mindset, and then what an unstoppable mindset you have to have in order to mix business with performing, because it's too. Different sides of your brain and a lot of patience and a lot of patience. And guess who taught me patience? Uh huh, Gloria Macmillan.   Michael Hingson ** 45:09 I would Conklin's daughter, yes, and I'll bet that's where she learned patience. No, I'm just teasing, but yeah, I hear you, yeah. Well, I know Karen and I were married for 40 years, until she passed in November of 2022 and there's so many similarities in what you're talking about, because we we could do everything together. We had challenges. Probably the biggest challenge that we ever had was we were living in Vista California, and I was working in Carlsbad, and the president of our company decided that we should open an office, because I was being very successful at selling to the government, we should open an office in the DC area. And so we both got excited about that. But then one day he came in and he had this epiphany. He said, No, not Virginia. I want you to open an office in New York. And Karen absolutely hated that she was ready to go to Virginia and all that.   Speaker 1 ** 46:15 But the problem for me was it was either move to New York or take a sales territory that didn't sell very much anymore. The owner wasn't really willing to discuss it, so we had some challenges over that, but the marriage was strong enough that it that it worked out, and we moved to New Jersey, and Karen made a lot of friends back there, but, you know, we always did most everything together. And then when the pandemic occurred, being locked down, it just proved all the more we just did everything together. We were together. We talked a lot, which is, I think one of the keys to any good marriages, and you talk and communicate.   Ron Cocking ** 46:56 Yes, in fact, when after we closed the studio in 2018 it took us a few more months to sell our home, and then when we moved down here, it was only about, I don't know, I don't know if it was a full year or not, but the pandemic hit and but it really didn't bother us, because we had, we had been working the teaching scene for so many years that we basically Were done. We basically walked out of the studio. We did. Neither of us have the desire to, well, let's continue in at some level, no, we cherished our time together. We have a little porch out in front of our home here, and it gets the ocean breeze, and we would sit for hours and chat. And oddly enough, not oddly, one of our favorite things to do, we have a website that we went to that had, I think, every radio show of armas Brooks ever made. And we would sit listen to those and just laugh. And, in fact, Gloria, there are some. She said, You know what? I don't even remember that episode at all. So yeah, that that was an interesting part. But yeah, Gloria and I, like your wife and you really enjoyed time together. We never talked about needing separate vacations or anything if we wanted to do something. We did it   Speaker 1 ** 48:16 together, yeah, and we did too. And you know, for us it was, it was out of desire, but also was easier for us, because she was in a wheelchair her whole life. I was I'm blind. I've been blind my whole life. And as I tell people, the marriage worked out well. She read, I pushed, and in reality, that really is the way it worked, yeah, yeah. Until she started using a power chair. Then I didn't push. I kept my toes out of the way. But still, it was, it was really did meld and mesh together very well and did everything   Ron Cocking ** 48:49 together. That's fantastic. I'm proud of you, Michael, and it really   Michael Hingson ** 48:53 it's the only way to go. So I miss her, but like, I keep telling people she's somewhere monitoring me, and if I misbehave, I'm going to hear about it. So I got to be a good kid,   Ron Cocking ** 49:04 and I'll hear I'll get some notes tonight from the spirit of Gloria McMillan too. I prayed to her before I went on. I said, please let the words flow and please not let me say anything that's inappropriate. And I think she's guided me through okay so far.   Michael Hingson ** 49:20 Well, if, if you do something you're not supposed to, she's gonna probably hit you upside the head. You know, did you two ever actually get to perform together?   Ron Cocking ** 49:30 Oh, I'm glad you asked that, because, well, it had been years since I knew that she was a darn good tap dancer. In fact, I had a tap dancing ensemble of of my more advanced kids, and if they wanted to dedicate the extra time that it took, we rehearsed them and let them perform at free of charge once they made it to that group, they they did not pay to come in and rehearse with me, because I would spend a lot of time standing there creating so. So we were doing a performance, and we wanted to spotlight, I forget the exact reason why we wanted to spotlight some of Gloria's career. Talk about radio a little bit. And I said, Gloria, would you do a little soft shoe routine? And because we had invited a mutual friend of ours, Walden Hughes, from the reps organization, and he was going to be the guest of honor, so I talked her into it. At first she wasn't going to go for it, but we had so much fun rehearsing it together. And it wasn't a long routine, it was relatively short, beautiful music, little soft shoe, and it was so much fun to say that we actually tap danced together. But the other times that we actually got to work together was at the old time radio conventions, mostly with reps, and that's really when I got to sit on stage. I was kind of typecast as an announcer, and I got to do some commercials. I got to sing once with Lucy arnazza. Oh, life, a life boy soap commercial. But when Gloria, Well, Gloria did the lead parts, and oh my gosh, that's when I realized what a superb actress she was. And if I don't know if you've heard of Greg Oppenheimer, his father, Jess Oppenheimer created the I Love Lucy shows, and so Gloria loved Jess Oppenheimer. And so Greg Oppenheimer, Jess Son, did a lot of directing, and oh my gosh, I would see he came in very well prepared and knew how the lines should be delivered. And if Gloria was not right on it, he would say, No, wait a minute, Gloria, I want you to emphasize the word decided, and that's going to get the laugh. And when he gave her a reading like that man, the next time she went through that dialog, just what he had asked for. And I thought, Oh my gosh. And her timing, after watching so many armist Brooks TV and listening to radio shows. GLORIA learned her comedic timing from one of the princesses of comedy timing is Eve Arden, right? They were so well for obvious reasons. They were so very similar. And if you have time to story for another story, do you know have you heard of Bob Hastings? He was the lieutenant on McHale's navy. McHale's Navy, right? Yeah. Well, he also did a lot of old time radio. So we went up to Seattle,   Michael Hingson ** 52:32 our two grandkids, Troy Amber, he played, not Archie. Was it Henry Aldridge? He was on,   Ron Cocking ** 52:40 I think you're right. I'm not too up on the cast of the old time radio show. Yeah, I think you're right. But anyway, he was there, and there was an actress that had to bow out. I don't know who that was, but our grandsons and Gloria and I, we walked in, and as usual, we say hi to everybody. We're given a big packet of six or eight scripts each, and we go to our room and say, Oh my gosh. Get out the pencils, and we start marking our scripts. So we get a phone call from Walden, and he said, hey, Ron Bob. Bob Hastings wants to see Gloria in his room. He wants to read through he's not sure if he wants to do the Bickersons script, because he you know, the gal bowed out and right, you know, so Gloria went down   Michael Hingson ** 53:23 couple of doors, coming   Ron Cocking ** 53:26 Yes, and she so she came back out of half an hour, 40 minutes later, and she said, well, that little stinker, he was auditioning me. He went in and she went in and he said, Well, you know, I don't know if I want to do this. It doesn't seem that funny to me. Let's read a few lines. Well, long story short, they read the whole thing through, and they were both, they were both rolling around the floor. I'll bet they laughing and so and then jump to the following afternoon, they did it live, and I was able to watch. I had some pre time, and I watched, and they were just fantastic together. I left after the show, I went to the green room, had a little snack, and I was coming back to our room, walking down the hall, and here comes Bob Hastings, and he says, oh, Ron. He said, Your wife was just fantastic. So much better than the other girl would have been. So when I told GLORIA That story that made her her day, her week. She felt so good about that. So that's my Bob Hastings story. Bob Hastings and Gloria Macmillan were great as the Bickersons.   Speaker 1 ** 54:29 Yeah, that was a very clever show. It started on the Danny Thomas show, and then they they ended up going off and having their own show, Francis Langford and Donna Michi, but they were very clever.   Ron Cocking ** 54:42 Now, did you realize when now that you mentioned Danny Thomas? Did you realize that Gloria's mom, Hazel McMillan, was the first female agent, talent agent in Hollywood? No, and that's how you know when the. They moved from from Portland, Oregon, a little city outside of Portland. They moved because Gloria's mom thought she had talent enough to do radio, and it wasn't a year after they got here to LA that she did her first national show for Lux radio at the age of five. That was in 1937 with with Edward G Robinson. I've got a recording of that show. What's what show was it? It was a Christmas show. And I don't remember the name of the of it, but it was a Christmas show. It was Walden that sent us. Sent   Michael Hingson ** 55:33 it to us. I'll find it. I've got it, I'm sure.   Ron Cocking ** 55:35 And so, yeah, so, so Gloria was a member of what they called the 500 club. There was a group of, I don't know, nine or 10 kids that by the time the photograph that I have of this club, it looks like Gloria is around 12 to 14 years old, and they had all done 500 or more radio shows. Wow, that's a lot of radio show. There's a lot of radio So Gloria did, I mean, I got a short my point was, her mom was an agent, and when Gloria was working so consistently at armas Brooks, she said, Well, I'm kind of out of a job. I don't need to take you. GLORIA could drive then. And so she came back from the grocery store, Ralph's market near Wilshire and Doheny, and she came back said, Well, I know what I'm going to do. I ran into this cute little boy at the grocery store. I'm going to represent him for television. And she that's, she started the Hazel McMillan agency, and she ran that agency until she just couldn't anymore. I think she ran it until early 1980s but she, my god, she represented people like Angela Cartwright on the Danny Thomas show and Kathy Garver on, all in the family a family affair. Family Affair. Yeah. Jane north. Jane North went in for Dennis the Menace. He didn't get the role. He came back said, Hazel, I don't think they liked me, and they didn't. They didn't call me back or anything. Hazel got on that phone, said, Look, I know this kid can do what you're asking for. I want you to see him again. He went back and they read him again. He got the part, yeah,   Michael Hingson ** 57:21 and he was perfect for it.   Ron Cocking ** 57:22 He was perfect for that part was, I'm sorry.   Michael Hingson ** 57:27 It's sad that he passed earlier this year.   Ron Cocking ** 57:29 Yeah, he passed and he had, he had a tough life, yeah,   Michael Hingson ** 57:36 well, you know, tell me you, you have what you you have some favorite words of wisdom. Tell me about those.   Ron Cocking ** 57:45 Oh, this goes back to the reason why I came across this when I was looking for something significant to say on the opening of one of our big concert programs. We used to do all of our shows at the California theater of Performing Arts in San Bernardino, it's a really, a real gem of a theater. It's where Will Rogers gave his last performance. And so I came across this, and it's, I don't know if this is biblical, you might, you might know, but it's, if you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime. And that's what I felt like Gloria and I were trying to do. We wanted to teach these kids as as professionally. We treated our students as they were, as if they were little professionals. We we expected quality, we expected them to work hard, but again, Gloria taught me patience, unending patience. But we knew that we wanted them to feel confident when the time came, that they would go out and audition. We didn't want them to be embarrassed. We want we wanted them to be able to come back to us and say, Boy, I felt so good at that audition. I knew all the steps I was and I and I read so well it was. And thank you. Thank you. Thank you. And so that aspect of it, we felt that we were feeding them for a lifetime, but we also were creating all of these arts patrons, all these lovers of the arts, 1000s of kids now love to go to musicals and movies and plays because they've kind of been there and done that at our studio. And so anyway, that's and whether, whether or not it was their confidence in show business or whether it was their confidence we've had so many calls from and visits from parents and former students saying, Boy, I just was awarded a job. And they said my my communication skills were excellent, and I owe that to Gloria. I was on the beach the other day, and I looked over and there was this young man and his wife. I assumed it was his wife. It was they were setting. Up their beach chairs, and I looked and I say, Excuse me, is your name Brandon? And he said, No, but he said, Is your name Ron? And I said, Yes. He said, No, my name is Eric. And I said, Eric puentes. And so we reminisced for a while. He took tap from me. He took acting from Gloria, and he said, you know, he was sad to hear of Gloria's passing. And he said, You know, I owe so much to Gloria. I learned so much about speaking in front of groups. And he is now a minister. He has his own church in Redlands, California, and he's a minister. And of all the billion people on the beach, he sits next to me. So that's one of those things when it's supposed to   Michael Hingson ** 1:00:41 happen. It happens. It does. Yeah, well, and as we talked about earlier, you and Gloria did lots of stuff with reps, and I'm going to miss it this time, but I've done a few, and I'm going to do some more. What I really enjoy about people who come from the radio era, and who have paid attention to the radio era is that the acting and the way they project is so much different and so much better than people who have no experience with radio. And I know Walden and I have talked about the fact that we are looking to get a grant at some point so that we can train actors or people who want to be involved in these shows, to be real actors, and who will actually go back and listen to the shows, listen to what people did, and really try to bring that forward into the recreations, because so many people who haven't really had the experience, or who haven't really listened to radio programs sound so forced, as opposed to natural.   Ron Cocking ** 1:01:46 I agree, and I know exactly what you're saying. In fact, Walden on a couple of at least two or three occasions, he allowed us to take some of Gloria's acting students all the way to Seattle, and we did some in for the spurred vac organization Los Angeles, we did a beautiful rendition of a script that we adapted of the Velveteen Rabbit. And of all people, Janet Waldo agreed to do the fairy at the end, and she was exquisite. And it's only like, I don't know, four or five lines, and, oh my gosh, it just wrapped it up with a satin bow. And, but, but in some of our kids, yeah, they, they, they were very impressed by the radio, uh, recreations that they were exposed to at that convention.   Speaker 1 ** 1:02:37 Yeah, yeah. Well, and it's, it is so wonderful to hear some of these actors who do it so well, and to really see how they they are able to pull some of these things together and make the shows a lot better. And I hope that we'll see more of that. I hope that we can actually work to teach more people how to really deal with acting from a standpoint of radio,   Ron Cocking ** 1:03:04 that's a great idea. And I know Walden is really sensitive to that. He Yeah, he would really be a proponent of that.   Michael Hingson ** 1:03:10 Oh, he and I have talked about it. We're working on it. We're hoping we can get some things. Well, I want to thank you for being here. We've been doing this an hour already.  

Who is Andrea?Andrea Stenberg is a social media whiz who really knows her stuff when it comes to video marketing. She loves helping business owners figure out how to use video to get noticed online and turn viewers into customers. Andrea's all about sharing simple, practical tips that actually work, no jargon or tech headaches. As a guest on “It's Not Rocket Science: Five Questions Over Coffee,” Andrea brings her friendly vibe and tons of helpful advice for anyone looking to grow their business with video.Key Takeaways00:00 “Aligning Video with Brand Strategy”04:45 Building Trust Through Videos07:39 Authentic Video Marketing with AI11:25 Authentic Video Outperforms Polished Content17:21 “Start Marketing with Video”21:23 Instagram & LinkedIn Content Strategies22:29 Challenges of Creating Short Videos25:53 Improving Videos Through Feedback_________________________________________________________________________________________________Subscribe to our newsletter and get details of when we are doing these interviews live at www.systemise.me/subscribeFind out more about being a guest at : link.thecompleteapproach.co.uk/beaguestSubscribe to the podcast at https://link.thecompleteapproach.co.uk/podcastHelp us get this podcast in front of as many people as possible. Leave a nice five-star review at apple podcasts : https://link.thecompleteapproach.co.uk/apple-podcasts and on YouTube : https://link.thecompleteapproach.co.uk/Itsnotrocketscienceatyt!Do You Need a P.A.T.H. to Scale?We help established business owners with small but growing teams:go from feeling stuck, sceptical, and tired of wasting time and money on false promises,to running a confident, purpose-driven business where their team delivers results, customers are happy, and they can finally enjoy more time with their family -with a results-based refund guarantee: if you follow the process and it doesn't work, we refund what you paid.This is THE P.A.T.H. to scale your business.————————————————————————————————————————————-TranscriptNote, this was transcribed using a transcription software and may not reflect the exact words used in the podcast)SUMMARY KEYWORDSvideo marketing, social media video, lead generation, customer conversions, coaches, course creators, healers, expertise marketing, personal branding, seat of your pants marketing, marketing strategy, brand consistency, going viral, target audience, client journey, personalized videos, AI in video, video editing tools, video content repurposing, audience trust, showing up on camera, authentic video, video length, LinkedIn Live, Instagram Reels, closed captions, video accessibility, video engagement, video production quality, content funnel, repurposing contentSPEAKERSAndrea Stenberg, Stuart WebbStuart Webb [00:00:00]:Hi, and welcome back to It's Not Rocket Science. Five questions over coffee. The important thing here is the coffee. And I want to really welcome Andrea, Andrea Stenberg, who's going to talk to us about the importance of doing a video in your social media and helping us to increase our lead generation and help us to increase our customer conversions by using effective video in, in lead generation. So, Andrea, welcome to It's Not Rocket Science. Five questions over coffee. And I hope you're ready to give us some pearls of wisdom.Andrea Stenberg [00:01:08]:Oh, thank you, Stuart. Thanks for having me.Stuart Webb [00:01:11]:So let's start by trying to understand exactly who, who, who the who, who the people are that you help with understanding how to use video better. And how do you, how, how you understand what their needs are?Stuart Webb [00:01:25]:Well, I, I work with coaches, course creators, healers, anyone who's selling sort of what's up here, their expertise and their knowledge. And they're usually people who are really good at what they do and they're really passionate about helping people. In fact, they're almost more passionate about helping people than they are about growing their business. But they're also serious about growing their business. And one of the things that that happens is, you know, they've learned along the way that video is becoming really important and they understand that video is important. So they've started using video, but they don't really know what they're doing. So what happens is like, so they've got over here, their website, their social media, their emails, all their marketing is kind of professional and branded. And then they put their video and it's over here and it almost looks like they're not even coming from the same business because they've just kind of added it on.Stuart Webb [00:02:22]:And they're doing what I call seat of your pants marketing, where they're just, when they, you know, on the rare occasions they have a few spare minutes, they do a video because, and they model it on somebody else's. But they don't really figure, haven't really figured out where it fits in their marketing and really is, I want your marketing and your video to like work together seamlessly like this so that they all support each other, they all work together, they all look like they're from the same business and they're all sharing a similar message. And so that's, you know, that's, that's who I work with. And that's my, my end goal for everybody is to have their video and their, the rest of their marketing all working seamlessly together.Stuart Webb [00:03:05]:You've kind of already Excuse me, you've already sort of answered the second part of my question which is, you know, we, you're right, we're all, we're all very aware of the fact that video is really important in, in marketing nowadays because it starts to help to sort of demonstrate who you are as a person. And you know, we have to remember at the end of the day even big businesses buy people. So, so what is it you've seen people do that perhaps doesn't quite gel? You've sort of talked about the website not looking the same as the video or the video somehow not looking as if it's coming from. What are some of those things that people have done that you've sort of spotted potential problems for them?Stuart Webb [00:03:42]:Well, I mean some of the problems is like, so everybody gets focused on the idea of going viral and I want to go viral and get discovered. And yes, part of video is getting discovered. But for most coaches, course creators, consultants, healers, going viral is actually not good for your business. For example, I had a video that went viral like it didn't get millions of people but it was like easily 10 times my normal viewership of videos. And the interesting thing was the vast majority of this new audience were 18 to 24 year old boys. And they're not my target audience, they're not going to be a customer of mine. Like I don't know why they liked this video but you know, like it was not really of any business value to me that these 18 year old boys were liking this video. So, so going viral, like yes, it's nice to be discovered but it's if you're being discovered by the wrong people, that doesn't help you.Stuart Webb [00:04:45]:The other thing about that is when people come into your world like they don't just hear of you today and become a customer today. I mean sometimes that happens but usually there's a process and there's a journey where people have to get to know like and trust you and, and that's where video becomes really powerful because not just from being discovered, but as people are getting closer and closer to making that decision, to becoming your client, you can build that trust. You can let them see that you have some expertise. They can, you can get them to experience what it might be like to work with you in a completely non threatening way. So if you're posting a video on LinkedIn or YouTube, somebody doesn't even have to give you their email address to watch your video. So it's a very low risk on their part to get a taste of what it's like to work with you. And then, of course, you know, once people get closer to becoming a client. For example, one of my favorite strategies is you can do personalized videos that you create one video for one person and you can say, hey, Stuart, I really enjoyed talking with you.Stuart Webb [00:05:52]:I just wanted to remind you about A, B and C and send a video to them and that, you know, really creates that. Wow, that's. This person really heard me. This person is really interested in me. And look, they sent me a video just for me. So there's lots of different places where you can use video, not just at the top of the funnel of just getting discovered by new people. And I think that's. That's the biggest change that people can make is start incorporating it into all the stages of your marketing, not just at the beginning.Stuart Webb [00:06:27]:I think that's a very, very, very, very interesting way of doing things because I've. I've seen and done similar things where. And that personalization, even if that video that you create for that one person is, you know, it's just their name and everything else is exactly the same to something you sent to somebody else, they feel it's theirs, don't they? Because you can't create a video easily without putting some effort in and making it very personal to them. We ought to just sort of COVID off the AI thing because is that something that you think AI generated videos are helping or hindering in these respects?Stuart Webb [00:07:08]:Well, I mean, for people who I work with. So, like, for example, if you're a coach or a healer, like, say you're a healer and you're going to help me make my child healthier or do better at school or whatever that you do. I need to trust you a lot, Especially if it's about my child. Like, if it's about me, I might be willing to take some risk. But if it's my child, I want to trust you a lot. And having an AI video like that doesn't build any connection to me. Whereas. But AI is useful.Stuart Webb [00:07:39]:But I really think if you're an expert and you're sharing your expertise and you work closely with your clients and they need to trust you, I think there's real power in getting your face on camera, getting your voice, letting people hear your enthusiasm, your passion for your industry, and getting a taste of what it's like to work with you. So having an AI avatar do the talking for you, I think is not going to help you grow your business. That being said, there are lots of ways you can Use AI as part of your video marketing. For example, I have a video editing tool that I use that creates a transcript so that instead of editing video, you actually edit the transcript. And when you delete a sentence in the transcript, it deletes it from the video. That's AI but it's like, it's still me, I'm just editing what I said. Or the same AI, you can go in and say, put in a 15 minute video and say, pull out five 30 second clips that I can share on social media. It's still my words.Stuart Webb [00:08:46]:It's just doing it for me. So it's kind of like having an assistant rather than, than, you know, AI creating everything. So I, I am very, very passionate about the idea of people showing up on camera, showing their faces. And you know, I, I sometimes get pushback from people saying they don't want to. And it's like, you know what? I, I don't like being on camera either. I'm, you know, I'm pushing 60, I'm not as thin. I have, you know, gray hair and wrinkles like everybody else. But you know what, my ideal clients don't care about that.Stuart Webb [00:09:17]:What they care about is how I can help them. And that's the same with anybody watching this. Your ideal clients ultimately don't really care that much about what you look like. It's like, how can you help them and do they trust you enough that you can actually do the things you say and video is really the thing that's going to help you?Stuart Webb [00:09:33]:I think you've got a valid point actually, Andrew. And you know, to an extent, I can remember talking to one consultant who actually said, at long last, I've got the gray hairs. Because now it looks like I've got the experience to help you rather than just having the experience to help you. So sometimes those gray hairs and wrinkles are really helpful and useful. Andrea, let's, let's move on to your, the way that you can help people. You've given us an offer that we've put into our vault at Systemize Me Free Stuff. What, what's the offer that you've got available for people if they go there and they, they read about this?Stuart Webb [00:10:09]:Well, the number one question I get from people is, okay, I get video is important, but what do I say? And it goes back to what, you know, what I said earlier about having that, that kind of funnel is you want to have videos for each stage. And so I have, I have a free guide that's called this seven Essential Videos for Explosive Growth. And it is, it's seven videos that are for different stages of a client, of the client journey. And if you follow that, you will create seven videos that speak to people in different stages of that journey. And then, you know, if you do one video a week, that's two months worth of videos you've created following this guide.Stuart Webb [00:10:53]:One video a week is so easy to do as well, isn't it? Let's face it, I mean I've, I've had a, I've had a look myself and they are not, these are not, these are not very difficult videos to create, are they? You're not, you're not telling people they need to book a studio or go and spend time learning how to be a professional presenter. This is how normal people, I'd like to consider myself normal. Normal people can just do these things in a very simple way just to get themselves started, even if they don't, even if they don't have all of the necessary professional equipment.Stuart Webb [00:11:25]:Well, and what's really interesting is there's actually lots of data now that shows that if your video is too polished and too well edited and too slick looking, they actually perform worse than somebody taking their cell phone and holding it up and, and talking and walking and it's jiggly and it's not perfect. And I think the reason is we're all used to, you know, commercials. As soon as a commercial comes up on television, what do you do? You get up and you go get a snack or you go and, and go use the, the, the facilities or you do any commercial. So when you're on, on social media, if you see something that feels like a commercial, your blinders go up and you go, no, I'm not going to listen to that. But if you get on camera and it's not perfect and you make a mistake or you stumble over a word, people go, this is a real person.Stuart Webb [00:12:20]:Do you know we've had a comment in from Derek. Derek's another video person I know, and he said, he's just said AI videos are great and can be personalized. What love said. But it's still easy to insert. Some of you, it's the dynamic captions that annoy the heck out of me. And I think Derek's got a point there. You're talking about the fact that we need to be us on those videos, don't you? You're saying that having the jiggliness sometimes just shows that you're a human being and you're still relatable. And that's the really key thing to making your video hit home with people.Stuart Webb [00:12:53]:And I've even seen, like, you know, Tony Robbins was doing video back when we were still using VHS to watch video. And I've seen him now online doing videos where he's clearly holding the cell phone and speaking to the cell phone. So even, you know, somebody who has been doing video for decades is recognizing that sometimes this off the cuff, just speaking to your audience, speaking from your heart, sharing a message resonates better than a really polished professional done in a studio. And all the flashy bells and whistles, sometimes those, those convert better.Stuart Webb [00:13:30]:So, Andrea, tell us how you, how you got to who you are. Was there a book or a course or something which sort of, which you used as a way to sort of help you to understand how video marketing was going to help your business grow?Stuart Webb [00:13:45]:Well, it's kind of. I felt really long and hard about this question because there's lots of things that got me to where I am and when I started learning video, because as a marketing professional, I knew my. I had to learn it for me so that I could help my clients figure it out. And there, there wasn't a lot available, but I came across, I think it was about 20, 20, 19. Somebody had an ad online for a course and it was going to be like, learn how to do video. And I was like, oh, yay, I'm going to get support, I'm going to get coaching, I'm going to get accountability. And I swear, I think my credit card was smoking. I pulled it out of my wal about to pay for this course.Stuart Webb [00:14:27]:And then imagine my crushing defeat when I opened up the course and the course was a PDF with 30 topics to do. When I went live every day for 30 days and the hashtag to you to post with my videos, I was like, this wasn't what I was looking for. But I went live every day for 30 days, including one day I was at my sister visiting my sisters. And the only place in the house that was quiet enough was. Was the bathroom. And I sounded like I was at the bottom of the toilet because it was all echoey. It was terrible. And so at the end of that, I thought, well, okay, if I can do that.Stuart Webb [00:15:05]:Okay, so I'm not scared of being on video because, like, that was bad. And I did it. I didn't die of embarrassment. Nobody threw virtual tomatoes at me. Like, it was fine. But I still didn't have a strategy. So I had to spend. I spent the next year being very UN Canadian.Stuart Webb [00:15:22]:I started like If I saw people doing interesting things with video, I would like message them. Can we get on zoom? Can we get on the phone? I'd like to pick your brain and what you're doing. And I just like, sort of, I just spent time talking to people and looking at people and just trial and error and learning from people because there wasn't really good guidance back then for how to use video as marketing. And so it kind of. But then the other thing, other side about it is video marketing. While it. It is different, it's actually still the same principles as offline marketing. And, you know, a lot of times I have older entrepreneurs come to me and say, well, I don't know if I can do video because I'm not a digital native.Stuart Webb [00:16:05]:I didn't grow up with this stuff. And I was just, you know, what? If you have the knowledge and the skills to talk to people and talk to customers and. And find out what their pain points are and talk to them about how you can help them, all you have to do is learn which buttons to push on video, because it's the same skill set because you're still talking to human beings. And that's. That's really the most important part.Stuart Webb [00:16:31]:Yeah, absolutely, Andrea. That there's a. There's a sense in which I'm sure that you've sort of got a question at the moment which you're wondering why I haven't asked yet. And I'm sure that that question is the one that you sort of really will help us to sort of to nail what the next step is or something. So I don't have that question because I've got to admit, I haven't thought that deeply about it. But you have got a question that you think I should ask. So what's the question that I should have asked you by now? And therefore, once you've asked it, you can have to answer it for us.Stuart Webb [00:17:05]:Well, earlier when I said you want to take your. Your marketing and your videos and make them work together, like, you know, a handshake. It's like, well, how do you do that when you're busy and, you know, busy entrepreneurship?Stuart Webb [00:17:19]:I like the question very much.Stuart Webb [00:17:21]:And so my answer is what I like, you know, people to do is turn their marketing on its head and start with video. So if you start with one video that has your message, has your voice, has your face, you start with the video and then repurpose that video. So you take your video and then you're repurposing it into a bunch of other Content. And you can do it quickly, you can do it easily, AI can help you, but it still sounds like you because you started with your words, your ideas, your voice. So, for example, you take a transcript of your video that you created and turn it into an email or a blog post, or do some LinkedIn posts based on content that you've created. And, and that does a number of things. I mean, first of all, it saves you time because you're starting with your words and then you're just recreating it. The second thing is one of the fundamental marketing principles is people need to hear the same message over and over again.Stuart Webb [00:18:27]:That's why, like, if you're watching commercial television, the advertisers don't make a commercial play at once and they never play it again. They play it over and over until we're sick of it because it takes that long for us to remember it. So if you take a video and then maybe you do an email or a blog post, then you do a LinkedIn post and maybe a LinkedIn carousel post, that's all on the same messaging. People start recognize it, remembering it. And sometimes they may even think, oh, I've heard that before. That Stuart must be really smart because I've heard that before, even though they heard it from you. So it's the repetition and the different formats that help. So that's, that's for me, is if you start with the video and then build from there, but using, you know, the same basic messaging, you can speed up your marketing.Stuart Webb [00:19:15]:You can make your, make it easier for you and more effective.Stuart Webb [00:19:21]:Brilliant. Brilliant. Absolutely brilliant. I love it. Andrea. I mean, you've left us with what can only be described as the action for the rest of the day. We. Which is to do that, start with video and take that first step and go, go live.Stuart Webb [00:19:37]:I mean, you're right. It didn't kill you to go live 30 times in 30 days. Nobody is yet violently objected to me going live on video. Although personally I have. But that's another story. Andrea, thank you so much for encouraging us to sort of go and do these things and really make it happen. I think it's brilliant that you're pushing this message. I wish more people were taking it on board.Stuart Webb [00:20:00]:And I'm just going to ask people if they would value, like Derek was earlier, being alive and listening to us live, talking. If you can go to www.systemize.me, subscribe, that takes you to a simple form which allows you to actually just ask for my email once a week where I Send you who's coming up so that you can do like Derek, join and listen to the comments that are being made. We've got, we've got other people here talking as well and I'm just going to share these you Andrea, so that you can answer them. Derek, what is the sweet spot regarding video length?Stuart Webb [00:20:38]:That is a fabulous question. It's one of my most common questions and my answer is a terrible answer. And it's terrible because the answer truly is. It depends and it depends on a number of things. One, it depends on what your audience is expecting and what they're used to. Two, it depends on your skill as a presenter. You know, if you're really skilled and engaging and interesting and speak and sound bites, you can go longer. The other thing, the third thing it depends on is the actual content of the video because you need to give be long enough to give all the information that you promised at the beginning, but not so long that people are dropping off.Stuart Webb [00:21:23]:For example, I know I, I have two clients, one who is doing massively good reach with seven second Instagram reels. People are commenting, people are DMing her. They're, you know, you know, they're not just top of the funnel. These are people reaching out and taking the next step from 7 second reels. And then I also know somebody who does. This is also an Instagram example, but hour long live videos on Instagram five days a week and has hundreds of people showing up live, have people commenting, people are staying all the way through and engaging. So I know it's a terrible answer but it really is true. But if you're just starting out and you know, for example, If Derek's on LinkedIn, if you're doing a LinkedIn Live, often 10 to 15 minutes is a good place to start because there's that, you know, that quota that's been attributed to Mark Twain and a few other people is I apologize, my letter is so long I didn't have time to make it shorter.Stuart Webb [00:22:29]:So making a really short video that has a complete message and is really succinct is actually challenging. Where it's talking for 10 to 15 minutes, you know, if you have an intro that's one to two minutes, you maybe you have three talking points and you have an example or a story for each one of those, that's probably two to three minutes each. And then you have your, your closing statement which is probably at least a minute. There you go. You're already over 10 minutes. So, so that's a good place to start. And then you can sort of adjust up or down as you figure out what your audience expects from you and wants from you, and also what you're. Your skill as a presenter and how much work you want to put into making them shorter or making them longer.Stuart Webb [00:23:14]:Love it. We've got one question from Nicholas. Closed captions are on nearly every video now. They're always wrong somewhere. Do you have a comment on that, Andrea? As closed captions, I've always thought the closed captions were useful because, you know, we do have people who don't necessarily understand all of our accents. We do have people who are not able to hear everything we're saying. Sometimes they're in a busy office and they've got to have the sound off. There are a whole range of reasons why closed captions might be useful.Stuart Webb [00:23:40]:Are you a fan?Stuart Webb [00:23:42]:Yeah, absolutely. I actually have a client who is hearing impaired, so even when we're in person, she's got an app that will do closed captioning. So, yes, I think it's important for all sorts of reasons. There's also lots of data that show a lot of people watch videos with the sound off. So if you want to engage your audience having captions and really it's. The problem with closed captions is most of them are done with AI and the AI is mostly trained with American accents. So if you don't have an American accent, that's problematic. I speak quickly, and some.Stuart Webb [00:24:21]:Some of the AI has trouble with the way I speak. And then if you have, you know, particular terminology for your industry, they may not understand them. Now, depending on what you're like in a live stream, if there's closed captionings, there's not really anything you can do while you're live. If you're editing videos, people, you know, it just depends how much of a perfectionist you are, whether you go in and edit the closed captioning that the AI created or whether you just go, you know what? This is close enough. I'll just. I've got more important things to do in my business and. But closed captioning has gotten better. A year ago, I just about always edited, even on Instagram, the AI closed captioning because they were so wrong.Stuart Webb [00:25:09]:Now a lot of times I'll just leave them because they're close enough and they may get better as time goes on.Stuart Webb [00:25:19]:Andrea, thank you for answering those questions. I really appreciate you spending a bit of time doing that. I think that's great advice there. So just to repeat, go to Systemize me Free stuff. Pick up Andrea's excellent course on how to get your seven messages across and go to the Systemize me. Subscribe and be like Nicholas and Derek. Get your questions answered live by real experts like Andrea, rather than having experts like me tell you something wrong. So Andrea, thank you so much for spending a few minutes with us.Stuart Webb [00:25:53]:I really appreciate what you've been able to do teach us today and I look forward to getting my videos better because of the advice you've given.Stuart Webb [00:26:01]:Thanks for having me, Stuart, that. Get full access to It's Not Rocket Science! at thecompleteapproach.substack.com/subscribe

Thursday Headlines: Reasons for Erin Patterson’s appeal revealed, Donald Trump blames record US government shutdown for three Democratic victories, France suspends retail giant Shein over sale of child-like sex dolls, push for national inquiry into workplace racism, and tell us how you really feel ... Deep Dive: From Neo-Nazi's to Satanists, sadistic criminals are wreaking havoc via a new wave of online offending. They target vulnerable victims for notoriety and clout, coercing them to carry out horrific acts of self-harm, sexual abuse, animal cruelty, and suicide. In this episode of The Briefing, Tara Cassidy speaks with Australian Federal Police Commander Helen Schneider about the extremists and the new task force catching them in their tracks. Follow The Briefing: TikTok: @thebriefingpodInstagram: @thebriefingpodcast YouTube: @TheBriefingPodcastFacebook: @LiSTNR Newsroom See omnystudio.com/listener for privacy information.

Christian College Sex Comedy: Part 26 A New Student (tribal) Council   In 30 parts, By FinalStand. Listen to the podcast at Explicit Novels.             If you can't look in a mirror and laugh at yourself, cut off the light             "Can we put other restrictions on you?" Simone Brady prodded.   "This is not the 'Zane' show," Virginia Goodswell interjected. "We need to decide when the new Student government will meet, I suggest Tuesday nights, and how we are going to conduct business."   "We can start by deciding where we meet," Chastity spoke up. "I vote for Zane's place."   "What's wrong with the Assembly Hall, where we've always met?" Rhaine countered.   "Rhaine, you are drinking a Doctor Pepper, KayLeigh, you are drinking a grape juice, and Joy was eating a bowl of vanilla ice cream with chocolate syrup when I got here," Hope snickered. "You have hot plates and microwaves too, if needed."   Rhaine, Joy, and KayLeigh, all Traditionalists, looked guilty. They also looked like they treasured their creature comforts because they weren't running for the door.   "It is a nice place," KayLeigh admitted.   "And you don't get to come back up here otherwise," Rio grinned evilly. "This floor is devoted to the freshman class."   "There are a lot of upperclassmen up here right now," Rhaine pointed out.   "Those are what you would call 'friends'," Rio sneered. "If you weren't freaking evil, you might have some."   "Please don't put it that way," I requested of Rio. Rio had every reason to be cranky. Mercy looked even more exhausted sitting at her side.   "Zane will arrange the room to fit your needs," Christina finally spoke, "I guarantee it."   "You think you can control him?" Rhaine shot back.   "I'm not afraid of him; he's not some wild beast. I ask him to do things for me and he does," Christina chided Rhaine. "He is like any other freshman; it is that simple."   "He's rather mouthy for a freshman," Hannah joked.   "Well, maybe if you put my mouth to other uses," I bantered back. There was a moment of silence followed by Dana Gorman taking up her bottled water and walking over to me. She smiled down at my seated form while she poured out the remaining water onto my crown.   "Cool off, Casanova," Dana cautioned me playfully before returning to her seat.   "Exactly why do you keep her around again?" Rio slapped my shoulder.   "Can you imagine how insufferable Christina would be if Coach didn't keep her in line?" I smiled. Christina rolled her eyes while Rio chuckled. Virginia stood up and cleared her throat.   "I want to make sure that all the ladies, plus Zane, plan to make this experiment work. It is rather pointless to proceed if any of you can't be honest now," Virginia, my Spiritual Advisor, poled the audience. Most of the girls looked around to see who would do what but no one jumped.   "I think it is safe to say that we students will stay true to the Vice Chancellor's plan, though this is not an endorsement of Zane, his conduct, or even his continued presence here," Rhaine spoke for the group.   "With that settled, we can call it a night," Doctor Kennedy declared. "Ladies, consider what issues we need to deal with so we can bring them up next Tuesday night, 9 pm."   "Who do we send the itinerary to?" Simone inquired.   "Zane," Hudson Lane volunteered me.   "I nominate Faith De Young (of Christina's inner circle) to be our Secretary of Record, if she wants the job," I said. Faith looked completely taken off-guard but nodded quickly.   "I'll do it," she made clear. The meeting broke up soon after with most of the student leadership departing. Dana, Hudson, and Christina & company hung around a little longer.   "Not the Glamorous Gremlin?" Rio teased me on my choice of Secretary. She gasped and nearly fell over right after that. Iona smiled softly and shook her head. She realized that she was still a freshman and her day would come.   "Ah, here's one of the controllers," Heaven gave a devilish smile as she handed the device over to Rio. Miraculously, the other three sexual wonders were also handed over, ending the threat of torture for the day.   "I see a spanking machine in you bitches' future," Rio snarled at Chastity, Hope, Heaven, Faith, and Christina.   "I swear, I tried to get one of those damn things all day long," Valarie griped. "You would think that after setting this up, someone would have given me one, but no, I am a freshman so I don't get to play the game."   "It was you!" Rio screamed, and lunged at Valarie, who comically batted her away as Vivian and Mercy intervened.   "Yes," Val laughed, "but it was Iona who figured out how to have captured your days by enlisting the aid of classmates with video phones. I can tell today's footage is going to be a classic."   "Why did you do it?" Vivian asked Valarie.   "I had revenge on Rio and made Mercy ecstatically happy; it was a win-win," Val grinned vindictively. It was a credit to Rio's berserk nature that no one asked what Rio had done to warrant revenge; everyone automatically assumed that Valarie was justified.   "Everyone's sympathy is under-whelming," Rio grumbled. "Come on, Mercy, let's get these things off."   "Do we have to?" Mercy pleaded softly. Hell, I imagine she could barely stand but apparently, her limit to sexual overstimulation was unconsciousness. Rio used one finger to hook Mercy's collar and pulled her close.   "How dare you talk back," Rio whispered, but I was close enough to hear. "I was going to settle for the vibrating nipple clamps that arrived today but now I'm thinking a few dozen paddle blows, to each cheek, are in your future, you annoying little bitch."   Annoying was Mercy and Rio's code word for 'love'; Rio simply couldn't stand the 'L' word.   "Vibrating nipple clamps?" Christina was both confused and amused. "Where do you people come up with this stuff?"   "Adam and Eve," Rio shot back without batting an eye. "Wait until I have Mercy's nipples and lips pierced; then the real fun begins."   "I don't think Mercy should have her lips pierced," Vivian suggested forcefully. "They'd be glaringly obvious." Rio groaned and sighed.   "Not those lips," Rio clarified. "The other ones, you know, labia, cunt lips, cunt etc." There was a pregnant pause in the room. "Attach vibrator wires to those bad boys and Wow! Let the magic begin."   Mercy and Rio really were made for each other; they were both salivating at the prospect. Thankfully, I saw Cassandra hovering around and looking ready for me to start playing towel boy.   "Ladies, one last duty to perform and then my day is done," I attempted my exit.   "Zane, is it alright if I spend the night?" Hope ambushed me.   "Of course," I smiled, because I'm a fucking idiot who is an embarrassment to the very concept of the mentally challenged and a parody of every teen boy date flick. I was already spending time with Iona, Paige, Barbie Lynn, and now Hope.   Maybe I can find a way to have a secret government space array shoot an earthquake laser at my feet so a pit opens up underneath me and I plummet to a fiery death at the Earth's core. Maybe I watch too much bad TV.   "Iona, did my Viagra arrive yet," I teased my buddy. "I'm going to need a pill tonight."   "Oh, Zane, I don't think we have any but I'll go online and see what I can get for you," Iona replied in all seriousness.   "I know some guys who smuggle them in from Mexico," Valarie offered. "I'll make some calls."   "That is so cool!" Barbie Lynn clapped her hands. "Now he'll never go down. I can ride him all night long." She hugged me while a fearful vision of my desiccated, sperm-drained husk lying open-eyed and lifeless on my bed danced before my eyes.   "Zane?" Cassandra called out.   "Oh, yes, towel boy and bikini selection," I muttered. I gravitated her way, took her hand, and led her to my room.   "What's that about?" Vivian mused.   "Handmaiden's Duty," Iona informed the ladies. "He picks out a bikini for her and acts as pool boy while she's in the Jacuzzi."   "I hope someone cleans that thing from time to time," Faith shuddered.   "Every morning at ten o'clock it is drained and cleaned, and the filter cleaned every Monday," Iona droned on without even looking up. The rest of that exchange was lost as I retreated to my bedroom.   What followed could be blamed on Cassandra accidently dropping her drink in the Jacuzzi and me having to retrieve it; it was an unopened soda can. Or maybe it could be blamed on the surprisingly conservative (for my room) white and black striped bikini she wore. Whatever was the catalyst, inside five minutes I had Cassandra out of her suit, front to front, her crotch pressing me against the side of the Jacuzzi with my head barely above water while she rode my face in a pattern and energy that reminded me of Hawaii's North Shore.   Cassandra was pounding the back of my head against the wood wall as she drove her cunt over my lips and tongue again and again.   "Oh, Baby, you are so much better than my fingers," she communicated with an erotic growl. "Keep it up, keep it up!" She was the one in the control of the sexual rhythm so I was not sure what else I might do but keep licking and sucking as hard as I could.   I was finally able to run a hand along her chocolate flesh until I managed to push against her sternum and got her to roll her shoulders back. That allowed me to start massaging and stroking one of her breasts while my other hand got between her legs from behind and gently penetrated her cunt.   "Za, za, za, Zane!" she screamed out. Note to self: Add earplugs to my Must Have List.   Cassandra slathered my nose, lips, and chin with her rather scalding, light to the tongue and tasty fluids. If she wasn't still trying to give me a concussion with her hips I might have enjoyed it more. As her orgasm dissipated, she slid down my body with a sated sigh. Her legs were outside mine so as she descended, her cunt came to rest on my Speedo-encased cock. Saying that my cock was hard would be like saying snow is cold or the English love their soccer; pretty much a given.   Her eyes grew wide when she realized where she rested. She's a senior and a virgin in a Christian Girl's school, she began humping me, of course. Being Cassandra, she began humping me hard and thumping her way to another climax.   "Zane, I am totally rethinking you being allowed on campus," Cassandra panted.   "Is this a good thing or a bad thing?" I wondered. At this time I had one finger lightly in her cunt as my other hand tenderly tweaked one of her nipples.   "Oh, I think every junior and senior should have their own personal freshman boy to keep under control with a strong hand," she grinned while she kept working my rod over with her cunt.   "Wouldn't it be nice if we developed a peaceful, platonic relationship based on mutual trust and respect?" I suggested hopefully. Cassandra gave a deep, throaty laugh.   "You're funny, but no," she grinned evilly. "After all, if that was the case, I couldn't do this: Zane, suck my other nipple, suck it hard, while I play with your fat phallus." Oh yeah, I love the way this is going (insert internalized weeping).   She worked out my cock painfully fast and began rubbing it deeply between her labia, to the point I felt the tightness of her vaginal walls on my cockhead.   "Zane, you know a whole lot about the sex stuff," she stated. "What's a cock ring?" Oh, HELL No! I have enough difficulty ejaculating as is. The last thing I need is something that allows another to make the prospects of my ejaculation even dimmer.   "It's a device, a ring, that is placed over the base of the cock to restrict blood flow, thus allowing longer erections," I grudgingly confessed. "Thinking about getting one, as a Christmas present, for someone out of state?"   "So, you could have intercourse, for a long time, and not ejaculate, so a girl would be, safe, in fucking you raw?" Cassandra's voice was becoming more strained.   "Technically, yes, but a little music, some hand-holding, and dinner at McDonald's would suffice in getting me aroused," I tried to explain. "There is no need for, something like that."   "Zane, clearly God put you, on this campus as a test for, true believers," Cassandra related, "And every woman here needs, to be tested, A Lot!" she screamed out her second orgasm of the night.   My hands raced down to grab each luscious buttock before her spasms caused her to slip down my cock and make her virginity a thing of the past. When my cock slapped against my stomach, I held Cassandra tight until she calmed down.   "You need to stay on campus during the weekends," Cassandra moaned with content exhaustion, "so we can use you more often."   "Why do you think I flee campus every weekend?" I thought. If she had her way, I'd be walking around with an IV in my arm and popping Viagra like M&M's. I chose life! If you think I am a coward, step up and take my place. I'll sneak back into the cemetery at night and put a flower on your headstone. You can take that permanent smile etched on your face to your grave, He-Man.   "I have to ask: What brought this on?" I inquired.   "I received one of Mercy's controls and we shared the next class," Cassandra confessed. "She glowed with such pleasure I thought she would pass out. I was suddenly curious."   "I had nothing to do with that," I groaned. "I swear, it wasn't me." Cassandra placed one hand on each side of my face.   "Zane, it wasn't you, I know that," she smiled, "but it is your presence that allowed something like that, her ability to experience that level of pleasure, that I want to experience. I have to go now. I need to report to the other girls what it was like so we can figure out what to do with you next."   You know, if I had been paranoid, I would have been right, people are plotting against me. Cassandra stood up and stepped onto the bench so that I was once more facing her puffy, somewhat abused cunt lips before she swung one leg over me and exited the tub. I closed my eyes and let my head hang over the side, facing up.   "Towel boy," Cassandra taunted me. I looked at her. Cassandra was dripping wet and she was extending a towel my way. I pulled my own tired ass out of the Jacuzzi and tenderly buffed her excellent body until she was dry. She gave me one last kiss, dressed, and virtually skipped out of my domain, happy, arrogant and plotting my demise.   I cleaned up, dealt with the Jacuzzi, and took in my surroundings. The only witnesses to my congress and conversation with Cassandra were Dana Gorman and Hudson Lane, my voyeuristic adult female 'friends'.   Dana pulled me over as I walked passed her. Hudson Lane had gone off to get some drinks.   "You and Gabrielle, ?"   "You have no respect for my survival instincts, do you?" I chuckled.   "Not really," Dana smirked.   "Fine," I groaned in feigned annoyance. "She wanted to talk so we talked, nothing else happened."   "She beat you up, didn't she?" Gorman persisted.   Another deep sigh on my part came out before I confessed, "Yes. Why do you ask?"   "I wanted to smack you around from the first day I met you," Dana laughed. "I think Ms. Black has done admirably not beating you black and blue before now."   "Has yet another girl beaten Zane up?" Hudson angled around to sit next to Dana. "The consistency of the femdom attitudes at this school is frightening."   "Don't throw stones, Ms. Lane," Dana warned her. "You, Zane, and Ms. Messier, the lawyer Ms. Buchanan hired to help Zane when he went to jail, I was head of security when it happened and I know when Ms. Messier arrived on campus, where she stayed, and when she, and you, left this dorm."   "You never said anything to Chancellor Bazz?" Hudson worried.   "No," Dana responded. "You three are adults, and ruining your career here wouldn't have made expelling Zane any easier. I wasn't the sex police."   "Thank you," Hudson smiled. "I now have another reason to be happy Zane championed your cause with the Board of Directors." She touched Dana on her thigh.   "It's not going to happen, Lane," Dana informed the lawyer while opening her V-8. "I've had a long time to figure out that I'm not attracted to women." Wow, Dana knew that Hudson was bi-sexual and didn't care. That was another big plus for Dana in my book.   "That's what Brigitte Messier thought as well," Hudson winked. "It turns out a little bit of Zane goes a long way to loosening up a girl's morals and expanding their horizons."   "I repeat, it is not going to happen," Dana shook her head. "Zane's a student and I'm a teacher. Perhaps the day he graduates, I'll kidnap him for a long, frustration-relieving weekend. I haven't had sex in eight years and watching him work really stresses my resolve."   "You could always join me in the hot tub," I offered. I wasn't sure how serious I was. I also wasn't sure how bad a concussion Cassandra had given me.   "Zane, do you have any idea of what I would do to you if I focused all my pent up sexual fury onto that body of yours?" Dana threatened. I gulped.   "Does it start with me tying you down?" I suggested sweetly. Hudson was looking really intrigued by this. I was beginning to believe she had this erotic attraction to 'turning' straight girls, most likely mirroring her own Law School experiences.   "What do you think?" she glared. Dana was becoming seriously aroused.   "I guess my only other question is if I can outrun you," I joked. Dana kept staring.   "Zane," Hudson snickered, "do you realize that your swimsuit is basically transparent when wet?"   "No, I didn't," I gulped once more. My package was less than a foot from Dana's lips. "Sorry, I'll be going to bed now," I backed up.   "That's a really nice ass," Dana sighed as I turned away.   "It is even nicer to touch," Hudson commented.   "It's not happening, Lane," Dana grumbled.   "Oh, you will come around," Hudson Lane laughed softly. "I have faith in Zane." Dana growled in rebuttal.   When I rounded the first cut-back leading to my bedroom, I heard and smelled sex, suddenly, sneaking off to Gabrielle Black's place and hiding out for the night sounded like a good idea, barring her killing me, of course. I sorted out the noises as I moved around until the room came into full view.   Reminder number one: Check the God Damn air filters!   Where the fuck do I begin?   On the far side of the bed, Mercy was on her knees, head down on a pillow with her painfully ecstatic face looking toward me. That was how I could tell she had been gagged. Her wrists were handcuffed behind her back, she was moaning and sweating up a storm, and her whole aura emanated with tantric excitement.   In case you might be wondering where her Mistress was: Rio was straddling Mercy's back, ass resting on Mercy's neck (by the tension in her thighs, Rio wasn't pressing down hard thankfully) and facing her playmate's highly vulnerable posterior.   "Hold out a little longer, my slut," Rio egged Mercy on quietly as she paddled those beautiful exposed ass cheeks, apparently in a random fashion.   And now it gets weird(er): Behind Mercy, facing Rio, wielding a strap-on with firm, slow, and steady strokes, was Paige. For the love of the Almighty, should I be quarantined as an immorality contagion? It wasn't like Paige was an angel but she was taking a few giant steps to proficiently wielding an artificial cock into a bound girl's bunghole. The fact that Rio and Paige despised each other continued warping my perception of events.   Barbie Lynn (farthest away in the closest group), Vivian, and Valarie were on the near side of the sheets. They weren't actually having sex but were talking in low voices with the occasional running of a hand through a companion's hair or tracing a finger from hip to thigh. It was sensual without being pornographic. It also appeared to be something they all three were enjoying.   In the middle section of my sleeping platform (it is an awesomely big bed) was Iona and Hope, who were doing a little more than cuddling together in quiet conversation. Hope stroked Iona's head compassionately as Iona gently teased and suckled on Hope's left breast. Every ounce of my experience cried out to me that Iona had initiated the sexual contact. That boggled the mind, right up there with Hope allowing a near stranger such intimate contact.   "Hey, Lover," Barbie Lynn gifted me with a sultry leer, "are you going to take that off or are you going to allow him to bust out on his own?" Bathing suit, cock, raging erection; got it. I yanked off my speedo fast enough to make my skin burn. I wrapped it up in a towel before tossing them in the clothes hamper.   I quickly plotted out my journey, figuring out where I was supposed to end up. I was giving up the illusion that I controlled events because if I was created in God's image and that was the reason God wanted men to rule over women, then I think God was really Goddess and Heaven's soul had it right, change sides.   Valarie gave me a fearless grin as I climbed over her on my way to the middle. She shifted so that her breasts swayed from side to side. I took in the view before kissing her and moving on.   "Try to settle things down by eleven, Zane," Vivian requested. I nodded and then kissed the tip of her nose, which she returned by kissing my forehead. It was very motherly of her, barring the fact that the sheets barely covered her pubic region and every exposed bit of her looked scrumptious.   My last hurdle was Barbie Lynn, and that was an obstacle in more than just the physical sense. She knew how to stretch and yawn just right for making my blood boil with lust and my vision cloud with desire.   "You will come back to me, Zane," she said with brazen tenderness. "Now go on and take care of the others who need you now." Best Blonde Bombshell ever.   As I settled behind Hope who was still facing Iona, I took it slow to let her instincts understand that I wasn't a threat but desirous of her.   "What's going on here?" I inquired delicately. "Hope, I didn't think you liked Iona all that much? And Iona, you have become much more confident in the past month; I like it."   "Zane, Iona is one of the bravest freshmen I've ever met. She's never backed down from a challenge and is smart enough to fight the battles she can win and send others to win the one's she can't," Hope explained. "I have admired her for some time."   "I know you wanted Hope to be put at ease," Iona related. "She's surrounded by people she has minimal familiarity with. I reasoned that I could help her adjust by doing what you do."   "Sexy, clever, lethal girls; this is definitely going on my Santa Wish List," I grinned. I was trying to settle in behind Hope when she wiggled around onto her back and indicated she wanted me to move between her and Iona. I was hardly in the mood to refuse and soon, both ladies were nestled in my arms. I was thinking about the next step when the situation around Mercy increased in energy and volume.   Hope pushed halfway over my chest and Iona turned away from me so they could watch the proceedings. Mercy was shivering like a leaf in a thunderstorm. Rio moved up so that her face was inches away from Paige's. I could see Paige contemplating her next action before she leaned into Rio. They each placed a hand behind the other's head to keep them close as they kissed.   "You smart-ass hooker," Rio snickered. "What flavor is that?" Mercy was cresting toward her orgasm unattended while Rio made small talk with Paige.   "Mango, lip balm and mouth wash," Paige beamed triumphantly. Rio snorted.   "Really start hammering the bitch," Rio ordered/requested. Paige nodded. She slowly drew back until only the tip of the fake phallus remained in Mercy's rectum before savagely slamming it all the way in as hard as she could.   Mercy squealed through her gag and began to violently spasm. Rio dismounted Mercy and flopped beside her partner's head.   "Don't you dare lose it, Cum-Bunny," Rio pressed Mercy. "Disappoint me and you will get nothing until the weekend. I won't let you touch anyone, even yourself. Are we clear?"   Mercy sobbed and nodded while her body teetered on the precipice of total collapse. Paige was displeased with Mercy's resistance and began spanking her thighs and buttocks hard enough to leave imprints. Rio kept stroking Mercy's hair and urging her to hang on. At the pinnacle of the moment I knew Mercy could not go on, Rio spoke softly into her ear.   "You annoying whore," she said, "I am so proud to be with you. Don't ever leave, now cum." Mercy's resulting climax was so powerful that her muscle spasms knocked Paige back on her heels knocking the strap-on mostly out of her ass. Mercy squirted, really squirted, onto Paige's lap, with even more juice shooting and coating Mercy's thighs and my sheets.   Up front, Mercy was cursing up a storm through her gag, grinding the fabric between her teeth with tears streaming out of her clenched eyes. Before her thrashing subsided, Rio had pulled the gag off and was kissing her fiercely on the lips, again and again. Mercy curled into a ball and Rio immediately wrapped her arms and legs around her Sub, keeping her presence light but comforting.   Rio saw our attention being directed their way and mouthed: 'Best Bitch Ever!' using her eyes to exaggerate the force of the words. Paige was still looking over the sticky mess that she had become.   "Put the contraption to soak in the big sink and take a shower," I suggested. Paige could see no flaw in my suggestion so she gave me a wink, unstrapped the device, and made her way out of the room.   When my eyes snapped back from watching a naked Paige exit, I saw that Hope's focus was on me.   "That looked fun," Hope stated clinically. "It is not for me but it definitely looked like they all felt, cleaner in a spiritual sense when they were done. I would never have suspected. In fact, I thought being bound was debasing and weak."   "It is called bondage and it is part of a sexual practice called BDSM, bondage, discipline, sadomasochism," I explained. "It definitely isn't for everyone, and certainly isn't as bizarre as Iona's furry fetish."   "Zane," Hope glared, "I saw a CSI episode on furries and you can't be an Asian or Asian-American high school girl in the United States and not know about cosplay; Iona and I are not into either one of those lifestyles I'm pretty sure."   While Hope was distracting me with her knowledge of other sexual subcultures, Iona snuck a hand beneath me and pinched my right ass cheek.   "Ow," I jumped. "What was that for, Beautiful?" I pleaded to Iona.   "I wanted to?" she responded meekly.   "That sounds like a perfectly good reason to me," I smiled. I would be somewhat offended if it was someone else but Iona was special; like Rio, she would always have my back, but unlike my chaotic fiend, she never abused my trust (or so I thought).   "Do me a favor?" Iona requested.   "Sure, anything for you," I answered right off the bat.   "Make her happy," Iona's eyes sparkled as the flickered to Hope. "Tickle my ear when you finish."   "Sure," I sighed with feigned regret, "if I have to."   "Thank you, Iona," Hope snorted in amusement, "I've got it from here."   "Nite-nite," Iona yawned, then rolled over and pretended to drop off to sleep. Like that was going to happen anytime soon!   "What no-, Hope got out before I rolled on top of her. I used one leg to wedge hers open, then settled between them as I lowered my body down. Hope looked at me quizzically.   "Touch me wherever you like," I instructed. I showed her what I meant by kissing her cheek, then edging around to suck on her earlobe.   Hope led off with her fingertips running along the muscles of my forearms and following a twisted trail up to my shoulders. With equal care, she began rubbing her toes along my calves, up to my knees and lower thighs. This had the added benefit of rotating her hips so that her pubic hair scratched along the veins of the base of my cock.   "You know this is going to make field work with you far more difficult," Hope murmured.   "Now you know what I've been going through for a month," I teased her back. "Now you know how I feel naked under your touch and so do I."   "You touch yourself much?" Hope giggled. Iona did her best to smother her own mirthful reaction.   "Maybe you should come to my bed more often to keep my hands otherwise occupied," I suggested. Hope arched her back, thrusting her breasts into my chest and laughed lyrically.   "Touch ," Hope conceded. "I wondered if I was imposing on your hospitality, wanting to spend tonight with you. Now I'm feeling as if I've been lured in and seduced by your masculine wiles."   "Zane, manipulating somebody!" Valarie gave a comedic gasp. "Well, there is always a first time for our ham-handed Lothario to launch a plot that doesn't involve him getting an extra fish stick for dinner."   "Ham-handed," Barbie Lynn mused. "His fingers are smoking but hardly ham-like," which she emphasized by rubbing her hand over her crotch.   "Do you often stick smoked country ham between your thighs, Barbie-Baby?" Valarie taunted.   "Only when your magic tongue and fingers aren't available," Barbie Lynn volleyed right back.   "Oh, you did not say that!" Valarie choked. She vaulted on top of Barbie Lynn and the two started wrestling. Vivian scooted toward the edge and fended off the combatants from rolling over her.   "When we graduate and drag you back to our dungeon to live, are you going to miss other bed partners having these mid-coital conversations?" Hope smirked.   "You underestimate your ability to focus my attention," I countered. When you are in bed with someone, you are in bed with THAT person, or so I believe. Hope's look sizzled, her body heated up, and she pulled me so close and tight, I couldn't make out any details beyond her eyes.   "I hate them," Hope purred.   "Who?" I worried. You don't want one good friend to hate another good friend. You really don't want a good friend with marksmanship skills out the ass not liking someone you have become attached to.   "Christina and Heaven," she sighed, but I knew she wasn't serious. "Christina because you would rather be with her and Heaven because she has you."   "Hope," I maneuvered so I could stroke her cheek, "I can't promise you or anyone else anything beyond this school year. Neither one of us qualifies as 'normal' by any definition of the word. I certainly like being with you, if that matters, and not just in bed. You are beautiful, intense, and serious in a way we shouldn't be."   "Serious is not the most intimate of descriptions," Hope joked, "but I think I know what you mean. As chaotic as your life is, I think we balance each other out." I didn't need words to agree with that; I let us return to our game of touch, kiss, and lick. We were getting back into a playful tempo when the fight between Valarie and Barbie Lynn ended.   There was no hot, spontaneous lesbian eruption; it devolved into Valarie having Barbie Lynn pinned with her wrists on the pillow held over her head. Valarie was trying to administer a 'Wet Willy' (sticking a finger, or tongue, into your opponent's ear) and finally succeeding.   "I give, I give," squealed Barbie Lynn. "Anything, just stop."   "Anything?" Valarie prodded suggestively. Barbie Lynn's very ample bosom heaved with each deep breath she took, which had the effect of rubbing them in circles against Valarie's dangling breasts.   "Come with me to the Southwest this summer," Valarie demanded. Barbie Lynn was still giving it serious thought when Paige came traipsing back in, drying her hair.   "Where in the Southwest?" Paige inquired. Valarie sat up on Barbie Lynn and looked over her shoulder at the albino lass.   "West of Laredo, East of the Pacific, South of Denver and North of Mexico," Valarie answered. "Sant Fe, Vegas, the Painted Desert, places like that." I didn't see coming what happened next.   "Valarie, would you consider allowing to me come along?" Paige asked politely.   "You really want to impress Zane that much?" Valarie divined Paige's intention.   "That, and he's most likely going with Rio as well," Paige responded, "so you are going to need all the help you can get." Rio didn't respond verbally, Mercy was still recovering, but glared with venom.   "What do you add to our little expedition?" Valarie asked.   "I'll do it," Barbie Lynn interjected. "I wasn't sure what I was going to do after graduation but seeing more of the world will do me good, and I hear it is cold in the desserts at night and I don't want Zane to catch a chill," she adds with a smile.   "I speak Spanish, plus a strong understanding of electronics, botany, and computers," Paige continued with a twinge of annoyance toward Barbie.   "Fine, both are in. We are getting our rides tomorrow afternoon at five," Valarie announced.   "Zane," Hope whispered, "I appreciate the silence of our first date now more than ever."   "We can go back to your place?" I offered.   "Oh, Chastity would love that," Hope snickered playfully. "I'm afraid if you don't ravish her in the next few weeks, she is going to rape Heaven."   "I'll keep that in mind, but right now I want to be where I am, with you," I kissed Hope's nose.   "Can I try something, Zane?" Hope turned serious and introspective.   "Of course," I said.   "Paige, come over here with me," Barbie Lynn suggested. The blonde wiggled over so that Valarie fell to the far side and indicated that Paige should join her.   "You only want to sex up my body," Paige accused Barbie Lynn, as she hopped onto the foot of the bed and put her fists defiantly on her hips.   "But of course I do, Paige-shugah," Barbie Lynn licked her lips, "now get over here and give me a taste."   "Oh. In that case, Paige scampered over and reclined next to the dynamite blonde. Barbie Lynn had a strong, subtly alluring persona while Paige was constantly aggressive.   "A naked Paige Zeller sexual molesting an equally naked Barbie Lynn Masters will go down as yet another thing I never thought I'd see," Hope mused.   "Be careful who you think is molesting who," I cautioned Hope. A few seconds later Paige shook and fluttered. Barbie Lynn had slid a stealthy hand between Paige's thighs.   "Oh, someone's been a bad little kitty," Barbie Lynn cooed, "A bad, soaking wet little kitty." Paige hiccupped, then shuddered again. "Does kitty need to be petted," Barbie asked as she stroked Paige's love box, "or does kitty need to be spanked?" And Barbie Lynn spanked Paige's cunt lightly, making Paige jerk.   "Master, I stand corrected," Hope nodded her head to me in respect of my sexual insight.   "You wanted to do something?" I brought Hope back on track.   "Yes, Zane, yes I did," Hope smiled. "Please lie on your back and close your eyes." It was my turn to nod as I complied with her wishes. She settled her haunches on my crotch and waited a moment.   First was a kiss, followed in slow progression by a finger, nose, earlobe, toe, two fingers coated in her juices, two fingers coated in Paige's juices, a nipple (most likely the right), her other nipple coated in Barbie Lynn's juices, Valarie's tongue (given away by the movement toward me), Hope's tongue, her other big toe, and ending with her lips and tongue. The anticipation of what was coming next was fun. As Hope reclined on top of me, Mercy finally began to stir.   "Were you a good little tramp tonight?" Rio panted hungrily at her partner.   "Yes, I, was I?" Mercy rasped. She was fighting to stay awake, her fatigue a heavy burden to bear.   "The Slut will say 'Yes Mistress; yes I was allowed to be good tonight'," Rio nuzzled Mercy's neck, ear, and jaw.   "Yes, Mistress," Mercy purred. "My wonderfully annoying Mistress allowed me to be good tonight." Rio spanked Mercy's burning hot ass flank hard. Mercy flinched and cried out in pain.   "Did I tell you to adlib, you annoying, frustrating skank," Rio taunted her, "or is my whore clever enough to sneak in an undeserved spanking?"   Mercy buried her face in a pillow but I could swear she was smiling.   "Nipple clamps for you in the morning, and I'm getting those bitches pierced on Saturday, got it?" Rio clarified the point by rolling each nipple between her forefinger and thumb. Mercy nodded but kept her face in the pillow. "Fine, let's get underneath the covers. Snuggle up with me to keep me warm, and you had better suckle my nipples.   Rio took up her normal sleeping area, avoiding the wet spot, with Mercy at her side, her tongue playing with Rio's left nipple.   "Mercy," Rio whispered. Mercy kept tongue-flicking the nipple but looked up.   "You rock," Rio said even softer. Mercy pulled more of her weary body over Rio as the nipple play continued and Rio began stroking her paramour's hair lovingly. In that relationship, it was getting harder to determine who the 'better' half was.   I searched around blindly for some lube, which had 'mystically' migrated under Barbie Lynn's pillow.   "Hope, put some oil on my cock and on your ass cleft," I told my Korean princess. She barely broke her iron mask of indifference before taking the bottle and doing as directed. I caught sight of Valarie, Vivian, and Barbie Lynn all peeking my way.   I imagined it was the curiosity about my apparent decision to 'break' Hope in anally.   "Hope, point my cock up and mount it," I directed. In theme with the game the two of us played, Hope took my commands without question, even to the point where her virginity was in question.   "Push it back," I stopped Hope's decent as it contacted her rather moist slit. She pushed back a little. Being a virgin, she probably wasn't sure where in the cunt, a cock should penetrate. "Farther back," I insisted, then again, "no, still farther." I felt my rod separate her ass cheeks as Hope slid on down. Only when her now soaking mound settled on my pubic bone did she figure out the game.   "Ah, that's cold," Valarie whispered to Vivian and Barbie Lynn.   "No ass sex for Hope tonight," lamented Barbie Lynn. My precious blonde really loved anal sex. I put my hands on Hope's hips to support her.   "Now ride me, Hope," I smiled. "Give me everything you've got."   Hope started out slow, working out a rhythm that pushed my shaft and cockhead as deep along her ass crack as possible. She even stopped for a moment and applied more lube. Soon she was thrusting hard back and up quickly, then allowing a long, leisurely ride back to my crotch. She bounced down on me again and again, her resounding impact on my crotch becoming a wetter, smacking sound.   Hope was powerful, vibrant, and strong; she needed little of the guidance provided by my hands on her hips. I decided to move my right hand to her finely groomed pubic hair, then to her soft pubic flesh itself. I alternated between splitting her lips open and massaging her clit. With my left hand, I coaxed stimulation from her right areola and nipple.   This time, instead of scarring me, Hope wrapped her fingers in her hair. She gave a few desperate convulsions, then her whole body tensed backwards.   "Zane! Oh, fuck!" she screamed. Her ass cheeks tried to squeeze my cock in a steel-tight vise but fortunately, the lube caused it to pop free before those buns of steel could turn my man-meat into ground beef (sometimes I visualize too graphically).   "I wouldn't believe it if I wasn't seeing it with my own eyes," Vivian sighed. "A girl comes to a boy

We recap Tommy's picks from Sunday's Bills VS KC game

Charlie Munger was one of the wealthiest men who ever lived. He also wrote about his own “wit and wisdom.” Yet Munger apparently spoke little of God, let alone Christ, in the large number of words he deliberately spoke or wrote for public consumption, including his fondess for “backward thinking.” Join Kevin for a peek at the life of Charlie Munger…and for a word or two from the Word of God! // Download this episode's Application & Action questions and PDF transcript at whitestone.org.

Welcome back to the show! In this episode, Steve discusses the most misused and abused excuse in existence when it comes to avoiding the responsibility of achieving financial independence. What is that excuse you ask? Well, simply put, it is the excuse of "I just don't have the time." At Total Wealth Academy, we recognize that everyone leads a hectic life. We ourselves are swamped! But does that excuse actually hold water when it comes to securing your future? Join Steve now to find out!  Please remember to take the time to write Steve and start a personal conversation with him! Please send your questions, comments, and concerns to AskSteve@TotalWealthAcademy.com now.

Ever catch yourself saying you'll start later?After Halloween. After Thanksgiving. After the holidays.It sounds reasonable. Like you're planning. But really, it's just fear wearing a calendar.This week, we're talking about why we wait, what's really hiding behind “I'll start later,” and how to get out of that loop with small steps that actually build momentum.Because nothing changes when the date changes.It changes when you do.*Tried every diet out there and nothing sticks?Imagine having a coach checking in on you EVERY day—keeping you on track and adapting your plan to whatever life throws your way.A personalized, 1:1 coaching program designed just for you can really change the game.➤ https://www.mybodytutor.com/coaching/weight-lossWhy don't we talk and see if we're a good fit for each other? Let's set up a chat.➤ https://www.mybodytutor.com/book-a-callWhat've you got to lose?

True story: I bumped into Reinhold Messner at the base of Mount Sabyinyo in Rwanda on December 31, 2016.Because I had read several of his books, I instantly recognized him with his signature disheveled hair and gray beard.Still, I politely asked, "Excuse me. Are you Reinhold Messner?"He looked at me, grumbled an unclear non-answer, and turned away to join his small group.I shuffled over to Rejoice Tapon and said, "I'm 95% sure that that man over there is Reinhold Messner, the greatest mountaineer ever!"She'd never heard of him, but she said, "I'll get a selfie with him!"Rejoice boldly asked him for a selfie. Perhaps Messner was impressed with her beauty, or didn't want to appear racist by turning down what he figured was a local Rwandan (Rejoice is from Cameroon). Regardless, he agreed. And she triumphantly showed it off to me to rub it in. I mention this story because I laughed when I read Messner's confession on Kindle Location 3057 of "Against the Wind." He wrote: "Approachability and sociability have never been my strong points."This sums up what I hope is NOT his final book. His book is full of criticisms of Messner. Most criticisms originate from journalists, climbers, or partners. However, sometimes he criticizes himself (like his poor social skills).For Messner, all these criticisms are a constant "headwind" that he has faced throughout this remarkable long life (he's over 80).This book is NOT what I expected. I've read five of his books and loved them all, especially "Crystal Horizon," which is about his solo climb up Everest's north face in 1980 without oxygen.I expected profound reflections and wisdom. The book's subtitle even promises "reflections." However, the reflections are shallow.The subtitle should be, "Defending Myself Against an Army of Critics." He spends about 25% of the book discussing the tragic loss of his brother, Gunther, on Nanga Parbat. Throughout the book, he has long excerpts of articles that heavily criticize Messner, especially about how he "abandoned" his brother after summitting. I admire Messner for sharing what his critics say and then offering his rebuttal. He could have made a series of strawman arguments that he could easily tear down.Instead, he gives his critics a strong platform, and they crucify him.I never doubted his story, which I read in one of his previous books.He said that after he and Gunther summited, they traversed the mountain by descending the Rupal Face instead of returning the way they ascended.Reinhold was significantly ahead of Gunther, who died in an avalanche.Messner spends MANY pages refuting idiotic claims that others have made. For example, they claim Messner went down one way while he told his brother to go down a different way, alone. They claim that he planned all along to traverse the mountain, which he denies.What's sad is that you don't need to invent lies to make Messner look bad. Just use his words against him.I'll do so by just taking three points from his latest book.1. Messner repeatedly said that Gunther was extremely weak at the summit and suffering from altitude issues.2. His book says, "Reinhold reported that he was about one and a half hours in front of his brother and had lost sight of him."3. However, later in the book, Messner writes, "During the descent, I was convinced that he was right behind me."I'm a mountaineer who has been in many difficult situations and sometimes been with a weak or injured partner. I would certainly get ahead of my weak partner to scout the terrain, to find the easiest path down.However, I would ALWAYS remain within sight or earshot, ESPECIALLY if my partner is feeble.If they're suffering from high altitude issues, they could collapse at any moment.This is common sense & prudence.How can Messner claim, "I was convinced that he was right behind me," and admit that he was "about one and a half hours in front of his brother and had lost sight of him."That's a ridiculous contradiction.It's normal that in the darkness, you might get ahead of your partner and lose visual and auditory contact for several minutes.The moment you realize that you're disconnected, you should stop and wait for your partner to catch up.If he doesn't appear after 15 minutes, it's time to backtrack. To get 90 minutes ahead of your weakened partner is negligent. That fact is all I need to know that Messner was wrong, negligent, and irresponsible.He screwed up.That's all he needs to say. However, instead of addressing this obvious failure, Messner spends pages proving that his critics are wrong about many of their false claims.Enough about their claims! Shut up, Messner! Address the elephant in the room, which you readily admit!And yet, he doesn't clearly and unambiguously say that he was a horrible brother and climbing partner during that descent. The closest he comes to admitting his mistake is when he writes:"Felix Kuen was also one and a half hours ahead of his climbing partner when he reached the summit. Sigi Löw lagged behind during the descent from the summit in 1962 and fell. The very nature of the glacier also caused us to be so far apart."B******t. No glacier forces two climbers to be 90 minutes apart!On the contrary! Most glaciers force climbers to rope up together in case one falls into a crevasse. Instead, "Messner explains that it's standard practice among mountaineers for the partner who is feeling fitter to go first to find the best way down through crevasses."Yes, but not 90 minutes ahead!!!I hoped that 80-year-old Messner would not spend 25% of the book disproving the lies or stupid hypotheses of his critics.Instead, he should have simply said, "I regret not staying close to Gunther throughout the descent. Yes, that might mean that we would both get caught in a deadly avalanche, but given his weakened state, I should never have gotten 90 minutes ahead of him. Ten minutes max. I screwed up."Another bewildering part of the book:"I have been ostracized, slandered, and harmed by people I have shared personal bonds with. The worst thing for me was when I was kicked out of my family home at the age of seventy-five, by my wife. I was given no warning or reason. Despite being often apart from my wife and children while on my many expeditions, I am a family man.We also traveled to places together and I was often at home for months at a time."WTF? Really? "No warning or reason"? C'mon, Messner. If you have no clue why your 2nd wife kicked you out, you're not only the Greatest Mountaineer of All Time (GOAT), but you're also the Most Oblivious Man of All Time. OTHER TIDBITSHe writes, "I've had heart surgery twice." I didn't know, but that suggests he's probably in his final decade.He writes, "I failed three times on an eight-thousander."I wish he reflected on those failures. As Nietzsche puts it: “There are two types of tragedy in our lives. Not reaching our goals—and even worse, reaching our goals.”CONCLUSIONThis book is filled with flaws and is disappointing. Messner wastes all his reflections on his critics. How shallow.You'd think a god like Messner would rise above such petty people and their words. You'd think one of the most mentally tough people in history would not have such thin skin and a fragile ego that any stupid critic can make mighty Messner squirm and get defensive.Who cares?! You're MESSNER! The GOAT!Messner should make a poster in his house that quotes Finnish composer Jean Sibelius, who said, "No one ever erected a statue of a critic." Messner will have statues and accolades forever. His critics will be forgotten.It's so sad to see that they get underneath his thin skin.I was hoping he was tougher and could brush them off like he brushes off the lack of oxygen.So why do I give it 4 stars instead of 1 star?Because, like it or not, the book is a window into Messner's soul.And I find that revealing and interesting, even if it's a bit disappointing. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ftapon.substack.com

 My first time with Cosplay Beth. By Thintri - listen to the podcast at Steamy Stories. She stood there, waiting impatiently for the delicious meat to slide into her eager hands. She looked forward to having it in her mouth later, I could tell. She continued to caress her belly and nibble on a fingernail as she waited impatiently.She stood around 5'4" in her Converse sneakers. She wore a black pair of boot-cut jeans and a gray tee that read “Never tell me the odds!” and had a set of red, tumbling dice and a star-fighter with four wings in the shape of an “X” sitting above a plate held up by a small plastic pole  The tee was super tight around her breasts, but I didn't notice any bra lines. I would guess she was a 36C or D. Her hips were just as wide and her ass complimented her full hips and busty chest. Her hair reminded me of that Scottish Disney movie princess, all wild and fire red. Her skin was extremely fair, like she would to burst into flames if she stepped outside. She didn't look much older than the drinking age, a good decade or more younger than me. Another adult millennial in the big city. “Seventy Three!” She pounced and grabbed the too thick package and examined it in her suddenly small hands. Her eyes were as wide as saucers and you could almost see saliva well up in the corner of her mouth. I needed to step in before she made a terrible mistake. “Excuse me. That's my Butt.” I said. “I beg your pardon?!” She responded incredulously. “Seventy Three?.. Your holding my Boston Butt.” I said, holding the ticket for her to see. “Oh, right. I'm sorry. I'm in a different world today.” “You actually look really hungry. Are you going to have time to cook or are you going to eat something raw here in the store? I'll have that Butt now.” I said holding my hands out. “Your butt is so big! Erm… I mean…” She said as she handed it over and I placed it in my cart. “Yeah, What's a bachelor going to do with all this food, right? I'm actually hosting a game night for my friends tomorrow. There will be seven of us total. Eight, if you'd like to have a taste of this Butt.” I said making “Butt” sound more like an actual innuendo this time. “T.J.” I added, extending my hand. “Beth. Pleased to meet you, T.J. What's that stand for?” She said, shaking my out-reached hand in a delicate manner. “Thaddeus Junior. ‘Thad' sounds too douchey.” “What do they call your father?” “Thad…” I said, rolling my eyes sheepishly. “But he's too old to even pretend to act like a douche. He would have no idea where to start.” “Oh, well that's good. I bet he showed you how to be a real gentleman.” She said with a slight giggle in her voice. “He showed me how to rub a butt properly, that's for sure.” “Pardon?!” She said eyes wide again. “Barbeque… dry rub? A good rub down and then moisten it up later.” “Oh, yeah… Right…” “So… Wanna come over tomorrow and join my party? You'd even out the group.” “I don't see why not. Could be fun, right?” “Splendid! That means you'll have to come over tonight to get your character squared away and maybe help prep for dinner? I promise I'll feed you tonight, too. I have flank steaks marinating.” “Oh, I don't know…” “You'll have my address and you can tell all of your friends where you'll be. There's even a doorman and a security camera in the lobby.” “Oh. That sounded well-rehearsed. Invite a lot of ladies home, do you?” She asked suspiciously. “No ma'am. I just want your mind at ease.” I lied with my hands up in a disarming manner. My response was also rehearsed, but it worked like a charm. “Tell me about the marinade.” She said slowly, squinting her eyes and nodding her head up at me. “It's a lazy meal night. It's just a store bought Italian dressing, but I add some of this and that. I was thinking maybe use my indoor grill or broil them. Do you have a preference?” I said trying to sink the hook in deeper. I'm not going to broil a steak. That's ridiculous. “Grill it!” “Agreed. So I'll see you at 6:30 then?” “Yeah. Sounds good.” Hook, Line, and Sinker. “Eighty Three!” said the butcher. “I think you're eighty three.” I said pointing at the ticket in her basket at her feet.“ “Oh. That's me!” She said turning towards the counter. We exchanged information and I gave her my address so we could meet up later. I was actually quite excited about making a new hot friend and maybe even more than that. I'm not the type of guy to jump into bed with just anybody. I really wanted to get to know her and see where in my life she might fit. 6:45 rolled around and I finally got a text from Beth: “Hey, Sorry. The train was running late and there's no cell service down there. I'm walking up to street level now. I'll be at your place in Ten minutes. Is there anything you want me to pick up?” I responded: “Hey, glad you're on the way. I was worried you split on me or worse. All I have is vanilla ice cream and toppings for dessert. If that's not good enough, we can walk around the block and get an Italian Ice from the pizza shop. Is red wine okay with the steaks? If not, I have beer. Should I let the wine breathe or would you rather beer?” She responded: “Italian Icies! And beer, please. Wine feels too formal. [Winky emoji] Be up in five.” She wasn't kidding about the train running slow. The news interrupted my background show. There was a brown out on my line that took 20 minutes to fix. One train was in emergency lighting the whole time. I already called ahead downstairs for the doorman to let my new friend up. He needed to send her up manually because she didn't have a key fob to my apartment. The elevator opened to each unit, but they all had entryways prior to the front door. It was a private place to take off wet clothes and hang jackets and kick off shoes before entering. I left the front door open and she let herself in. “Hello? TJ?” “In the kitchen.” “Hey!” She said, giving me a friendly hug. She smelled like strawberries. I also took a good look at her while were chit-chatted. She wore a Falmouth Falcons Jersey and a matching pleated skirt. She had on short two or three inch heels on that had open toes and matched her outfit well. She quickly discarded them and left them in the hall outside of the front door and closed it behind her. She also put a pair of clips in her hair, leaving the right side of her neck exposed. “I was just about to text you to ask how you like your steak cooked?” “Medium. It's okay if it's a little rare, just don't cook it too much, please.” “Oh, that makes it easier on me. I can put them on around the same time.” “Do you need any help with the cooking?” “Umm… Did you want the potatoes mashed, or as is?” “Hmm… Nah. We can leave them like that. They look done, too.” She said, looking into the pot. “Fork ready!” I said stabbing at them. I went ahead and strained them while Beth flipped the steaks. I also served up a helping of corn for each of us and added the potatoes. “How do they look?” She asked me, pointing to the steaks. I poked at one with my finger and pushed until I felt it push back. “Feels about Medium rare. Maybe another minute on that side.” I said. Beth took it upon herself to grab two beers from the fridge. I was just about done with my second, so it was good timing on her part. “This looks interesting. ‘Axel Rogues' P.O.'d India Pale Ale'? Is it new?” “It's from a brewery a couple of my friends partially own. They send it up from the Alabama Coast for me. They might be giving me a bit of a drinking problem.” I said in jest. “Isn't it bad to have cartoon characters on your beer labels? Something about advertising to minors?” “It's a promotional thing. Only a few of those labels were printed. It was mostly for investors and the grand opening a few weeks back.” “Oh. This tastes pretty good!” She said, wide-eyed. I was told it's a bit of a panty dropper, but I wasn't telling her that. “Yeah. It's got a lot of subtle tastes that the female focus groups enjoyed. The male groups said it's refreshing, but might be too easy to drink. Hence my problem.” I kidded again, even though it was true. Dinner went by pretty quickly and we both cleared our plates and then dumped the dishes in the washer. She was on her third beer and I had just finished my fourth. “Would you like another or maybe a Manhattan?” I asked, trying to grease her wheels some. “Can you make a White Manhattan?” She asked. It felt more like a test. “Sure. Is Hudson okay?” I asked, volleying her serve. “That'd be perfect!” She said all too eagerly. Beth went ahead and wiped the table down and moved some of the settings aside to make room for us to work. She had brought her messenger bag and pulled out a large Velcro binder with a few gaming books. I was actually impressed with her line of questioning and her surprising neatness. We decided that one of her old characters, a Human Monk, was a good fit for the group and I gave her the run-down of the story so far, as best as I could remember. She wasn't surprised by the content being sexual in nature. Lots of groups add a sexy/romantic spin thanks to modern fantasy movies and books. One girl in the group, Adrienne, had to re-roll after a death because she decided to fight her way out of an Orc rape scene rather than lose her purity. She was playing a Paladin at the time, so it was pretty fitting. She did set fire to the camp site and take out a few Orcs before she died, though. It was pretty awesome. She re-rolled into a rogue who was her last toon's “Black Sheep” sister; she was a very pissed off rogue. We completely forgot about going out for Icies and decided to chat some more about the group and where I felt the story might lead. I noticed in my peripheral vision that her nipples started to show through her tight shirt. My apartment isn't that cold. I like it to be around seventy six degrees. The air is humidity controlled, so the extra A/C isn't needed. The conversation slid over to her cosplay hobby and how devout she is to it. She whipped out her phone and swiped through several characters she's played at conventions and ren faires. She's even done some minor MeTube shorts in character. We were sitting side-by-side, nearly shoulder to shoulder as she swiped. One particular picture was done in a mirror “selfie” fashion. She was wearing a very tight corset dress that was blue and white, similar to a very familiar droid we all know and love. Her breasts were practically pouring out of her top and her hand was between her legs in a provocative manner. “Whoops… You weren't supposed to see that… Sorry” “Hey now… You should share with the rest of the class, Missy.” I said leaning in closer to her and her phone. “Okay, but they really aren't much to look at. Really.” She said modestly. The pics varied from lingerie to sexy cosplay back to lingerie. Some were topless, but her free hand covered her nipples. There was still an eye-full of side and under boob, though. “I showed you mine, now you show me yours.” She demanded playfully. I had several shirtless gym “Swole” pics as well as a few cosplay pics, too. None as flattering as her pictures, but she seemed pleased with them. She was definitely excited about my picture with me wearing a Fez and bow tie. As I got up for another drink, I opted to switch back to beer. I offered her one over her shoulder and she took it, letting her hand linger on mine, not taking the bottle, though. She let the cold glass rub her neck and shoulder, and when she finally took it, she pulled me into a bent over, sideways kiss. I'm pretty sure she was feeling similar fireworks to mine. I went ahead and climbed over the couch, letting our head bump in the process. We giggled as we put our beers down and started making out like ninth graders. I was being a complete gentleman and let my hands fall on her face and neck as we kissed. Her hands were in similar places, but soon explored down to my chest. I kept it cool and let her do her thing while both of my hands were now working her neck and tangled in her hair. She reached up and pulled her clips out so I didn't pull on her hair the wrong way. I kept up my aggressive assault above her shoulders as she continued to grope my chest and stomach over my shirt. I was wearing a light, loose button-down and low-rise dark blue jeans. Her hands explored more while undoing a button or two. Her left hand snaked into the opening and now rubbed my chest more over my ribbed tank tee underneath. Once all my buttons were undone, I took some initiative and grabbed her under her thighs and pulled her into my lap. She was now kneeling on both sides of my pelvis. We only broke the kiss long enough to discard my top and then my undershirt. My hands were now under her tee shirt, caressing her back. My fingers roamed and slid over where her bra strap would have been. She felt my mouth peak at the sides in a little smile at that. She giggled and pulled her tee off and tossed it to the adjacent love seat. We were sitting bare chest to bare chest as she started moving her hips in a subtle rocking motion on my lap. My hands found her breasts as I continued to molest her tongue with mine. My cock was rock hard and rubbing against her pussy though my jeans and thin fabric of her underwear. She started undoing my belt and pants as I worked on unbuttoning her skirt and pulling the hip zipper down one handed as my mouth found her right breast. Her strawberry scent was so much stronger with my face in her chest. It was driving me crazy. “Take them off.” She said breathlessly, standing up and discarding her skirt, adding it to her tee. I hopped my butt up and pulled my pants off without standing. She was standing between my legs and I would have prolly head-butted her again if I tried to stand. I decided to leave my boxer briefs on to match her level of dress. She sat back down straddling my lap again, only leaving more room between our pelvises this time. My mouth found her left breast as she blindly reached into the opening of my shorts. I was cupping her left breast with my right hand as my left hand began to fondle her right ass cheek. She was wearing a g-string. My hand would squeeze her ass and slide between her cheeks and back to squeezing again. She gasped as she grabbed my cock with her hand. She couldn't see it past my head or through my shorts, but she was certainly pleased with it's size and current level of petrification. She knelt on her left knee and tried to slide my shorts down. I miscued my attempt at helping by hopping my butt again and we head- butted again. We giggled, took a drink and she took my shorts off and took her place back in my lap again. This time, she was crushing my cock against her slit, covered by the tiniest triangle of fabric I've ever seen… Or felt for that matter. Her rocking increased and she was now dry-humping my cock. I could feel her moistness lubricating my dick through her g-string. My pre-cum was starting to bubble over my mushroom cap. Her nails dug into my chest. I didn't notice them until now… They were French tipped and matched her Quidditch jersey. My hands were both on her ass now, as my fingers were sliding up and down her crack and slipping under the thin thread. Her breathing became ragged as my fingers found her drenched pussy from behind. One hand was holding her string aside and her pussy open for me. My right hand found her opening and clit as she rocked back. She started to cum, grinding harder onto me. She called out my name as she climaxed and crumpled onto my chest. Her head on my shoulder. She was panting hard. My fingers continued to rub her from behind softly, easing several after shocks out of her. “Excuse me a moment.” She finally said through choppy breaths. She made her way to the hallway bath and I took the opportunity to grab a condom from the coffee table drawer. I had just enough time to tear one free from the rest and tuck it into the side of the couch cushion when the bathroom door opened up. Her face and chest were flushed, and she still wobbled a little when she walked. It was a combination of her orgasm and the alcohol, I guess. She was holding her g-string in one hand. Her pussy was clean shaven except for a thin trail of red pubic hair just above her clit hood. My dick jumped in approval. “What are we going to do about that?” She said hitching her head towards my crotch. “What did you have in mind?” I said standing before she got too close. She wrapped her arms around my neck and pulled me into another passionate kiss. My cock was rubbing against her navel and my hands found her ass again. She pushed/eased me back onto the couch and got between my legs. She tossed her undies to the side, this time missing the pile and ending up on the floor. The flimsy fabric wasn't heavy enough to make the whole flight. She also had a condom in her hand that she sat on the couch beside me. She must have snuck it out of the medicine cabinet. Her eyes didn't leave mine as her hands stroked my cock. Her butt lowered to a sitting position on her heels. Her mouth opened wide enough to lick the head as she pumped me. She licked from the root to the tip. Her face was covered from her chin to her hair line when she was at her deepest. My dick was longer than her face. She started to suck me off, never stopping to close her eyes, she barely blinked as she stared right into my mine. I would have loved to close my eyes and roll my head back, but her eyes were entrancing. It was the hottest blow job I have ever gotten. Hands down. She was moaning on my cock, flicking her tongue in my tip's slit, lapping up any pre-cum that was leaking out. There was plenty of it, too. My dick was practically drooling. As soon as she was certain that she killed half of my fortitude, she leaned over and retrieved the condom and handed it to me. I ripped it open and popped it on like a magician doing a close-up magic trick. A dove flew out from under my sack. I'm kidding. I grabbed her and pulled her to the couch letting her fall supine. My cock was already at her moist opening. Her heels dug into the backs of my thighs. My dick slid in a good quarter of the way, our gaze never breaking. Her heels let up some and I retreated only to thrust in again. I found a bit of resistance when I got better than half of my shaft inside her. I finally bottomed out on the fourth stroke. I could feel her cervix give about an inch and then kiss my crown with every pass. It was incredible. I still had about an inch to give her, but she'd have to take that herself, I wasn't going to hurt her. Once I got into a good rhythm, I reached up to place my right hand over her shoulder to support my weight over her a little better. She took my hand and placed it on her neck and gently squeezed my forearm until my fingers mimicked her squeezing. Once she was satisfied with my ministrations on her neck, she started to grind against me from underneath. Her left leg took footing on the floor and bounced up onto me. She was looking for the last inch. My left hand wrapped around her left ankle and lifted her leg up over my shoulder and she finally got what she wanted. I was completely inside her and now, my pubic bone grinding into her clit with each thrust. I shortened my stride and let her clit join in on the fun full-time. I found a nipple with my left hand and rubbed it gently, increasing the sensations more and more. A good deal of my upper body weight was on her neck as I squeezed, but she didn't seem to mind. Her mouth creased into a thin smile as she moaned louder and louder. She was going to cum again, only this time she was cumming on my sheathed cock. Her pussy gripped me tighter and my hands involuntarily did the same to her neck and nipple. Her eyes shot open wide as the convulsions started. My pace quickened and I started to penetrate her deeper again. Her squishing was suddenly louder and more pronounced. Her juices were coating my balls as she continued to shake and moan breathlessly. I released her and leaned back and pulled her legs further apart and rubbed her clit in a similar fashion as before. She shook and gasped as she let a third orgasm pass on by. My strokes came to a halt and stopped rubbing her clit. “Are you okay?” I asked smiling at her. The redness dimmed in her face now that the blood returned, but she was still very flushed. “That…was pretty fucking perfect!” She said honestly. “If you let me turn you over, I can go for extra credit. How does that sound?” I replied. “Oh! You didn't cum yet! Take me anyway you'd like!” She said rolling over onto her hands and knees. My right thumb immediately found her puckered asshole. “Okay, not anyway, Cowboy.” She added, giggling. I leaned in and slid all the way in, missing her cervix this time because of the angle. I was stretching her out while hitting all the right spots. My balls nuzzling her clit as I stroked into her. I could see her pussy pull out with me slightly despite her moisture and the lube on the condom. Her climax surprised us both as she began to ram back onto me. I didn't slow down because her canal tightened up and was now hugging all my favorite spots. I plowed through her narrowing passage looking for my own prize. She didn't have any time to recover as she reached orgasm again and again until I was ready. “Where would you like it?” I asked, being a perfect gentleman. “Don't you… fucking dare… pull out… FUCK!” She gasped between strokes. One last look at the condom to check on it's structural integrity and I was plowing harder, deeper, and faster now. Her moans reached a familiar volume again and I was doing my best to time my nut with her next orgasm. As soon as my seed spilled into her condom-protected cunt, she came hard again. We both grunted our approval as my balls emptied. We stayed like that for a moment, knotted together in pleasure. I could feel my cock softening so I took it as a cue to pull out. I grabbed the base of the condom and my cock and slid it out slowly. She tried backing into me to keep me inside her. The latex held and there was a considerable load sloshing in the tip. It would have produced triplets if that's how sex actually worked. She rolled over and collapsed back onto the couch. Seeing the condom in my hand, she grabbed it and poured it all over her huge breasts and rubbed it in, licking her fingers and popping a nipple in her mouth, purring like a cat. It was the grossest thing I ever saw. I fucking loved it, though. I showed her to my master bath and started the shower. I had a garden tub and a shower stall with just enough room for us both inside. We cleaned up and kissed some under the water, then dried off. She retrieved her clothes in one bundle. Her eyes looked like she had something to say, but her lips didn't move. We were both pretty drunk by now and the trains were far too dangerous to ride. I offered to call her a cab and pay for it, but she declined taking my money, saying something about feeling like a hooker. I assured her that wasn't the case and she smiled. I also offered her my spare bedroom, assuming that sleeping in the same bed would be too intimate for her. She gladly accepted. I grabbed something for her to sleep in. A pair of sweats and a big, soft white tee. I was wearing something similar, although they fit me better. After showing her to the spare bedroom and turning the bed for her, I gave her a sensual kiss on her mouth. No tongue. A peck on her forehead and I walked to the door. “What time do you wake up?” She asked, fiddling with her phone above the covers. “Got somewhere to be?” I jested. “Ten? Maybe? Wake me if you're up first. How does pancakes sound for breakfast?” “Oh my Gaia, He's making me pancakes…” She said laughing out loud. “It's a deal!” As I hit the light, I could see her face lit up by her cell phone screen. She was prolly giving the “all clear” to one of her girlfriends, assuring them that she was alright. Prolly better than alright. I reached my bedroom and wiggled under the sheet and took my rest for the night. My bedside clock said 1:37 AM. Not a bad first date, eh? My eyes were heavy and I surrendered to the best sleep of my life. By Thintri , for Literotica

2020年高考（全国II&III卷）英语听力短对话Excuse me. How can I get to the nearest supermarket?打扰一下，去最近的超市怎么走?It's on Pennings Road. Go past the post office and it's on your left.在彭宁斯路，过了邮局之后就在你的左边。I don't know how you did it, Carl, but the TV works beautifully now. You should get a medal for your work.卡尔，我不知道你是怎么做到的，电视机现在运转得很好。你应该为你的工作获得一枚奖章It wasn't hard at all. It was much easier than preparing for the tests.这一点都不难，比准备考试要容易得多。Good morning, madam. What can I do for you?早上好，女士。您需要帮助吗？Well,the sleeves of this jacket are too long. Can you make them shorter?嗯，这件夹克的袖子太长了。你能把它们剪短一些吗?Let me take a look. OK, I can do it for twenty dollars.我看一下。好的，可以的，20美元。Excuse me. Could you tell me what time Flight AF35 gets in?打扰一下。你能告诉我AF35航班什么时间到达吗?Well,it's due in at 6: 20 p. m., but the announcement said just now that it has a thirty-minute delay because of the bad weather.嗯，应该是下午6点20分到达，但是刚才广播说由于天气不好飞机要晚点半小时。Miss Miller, could you tell me how I can improve this article? I got B plus.米勒小姐，你能告诉我怎么改进这篇文章吗？我得了个B+。It's quite good, actually. The language used is good and the main points are covered. There is just too much repetition. You could have said everything within two pages.说实话，挺不错的。语言使用的很好，并且涵盖了主要观点。重复的地方太多了，你可以在两页纸内把所有的东西都写出来。

This may be the most heartfelt episode I've ever recorded. In this deeply human conversation, Maxwell Ivey: The Blind Blogger, and I talk about what it means to keep moving when life doesn't hand you easy options. Maxwell lost his sight as a child, taught himself to code, built a business, and learned to ask for help without shame.   We talk about the quiet power of asking, the courage to act before conditions are perfect, and a rare take on gratitude-not as politeness, but as the willingness to use what's been given.   Somewhere along the way, we find ourselves reflecting on The Four Agreements and how "don't take things personally" and "don't make assumptions" become essential mindsets in the world of disability and education.   It's unpolished, honest, and full of wisdom that only comes from lived experience. Stay to the end to hear Maxwell sing his original song, Don't Wait on Someday.   You can find Maxwell at theblindblogger.net.

Ryan Dilks and Justin Peach discuss the latest news from across the Championship.Kieran McKenna to Celtic?Could a Sheffield Wednesday takeover be done before the New Year?Liam Manning is safe… for now.What are now Wrexham's expectations for the season?It's the Second Tier.Sign up to our Patreon here for ad-free episodes, bonus content and access to the Discord for $4 a month.You can also join our brand new YouTube Membership here!Please fill out Stak's listener survey! It'll help us learn more about the content you love so we can bring you even more - you'll also be entered into a competition to win one of five PlayStation 5's! Click here: https://bit.ly/staksurvey2025Watch this episode on YouTube here!Follow us on X, Instagram and email us secondtierpod@gmail.com.**Please rate and review us on Apple, Spotify or wherever you get your pods. It means a lot and makes it easy for other people to find us. Thank you!** Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of The ADHD Women's Wellbeing Podcast, we're unpacking the emotional and relational challenges many ADHD women face, especially when it comes to productivity, partnership dynamics, and understanding how ADHD shapes our daily lives.I'm joined by Ari Tuckman, a leading psychologist, sex therapist, ADHD specialist and author of The ADHD Productivity Manual. Ari takes a realistic, compassionate approach to managing ADHD by helping individuals and couples find what truly works for them, rather than quick-fix, unhelpful ADHD hacks.We discuss how recognising and understanding ADHD can transform both productivity and personal connection, from romantic relationships to how we respect ourselves. Ari shares powerful tools from his latest book, The ADHD Productivity Manual, and offers practical guidance for living with more clarity, communication, and compassion.My new book, The ADHD Women's Wellbeing Toolkit, is now available, grab your copy here!Key Takeaways:How couples can navigate ADHD together and build stronger, more understanding relationships.The turning point in a relationship when ADHD becomes a lens for explanation, not blame.The impact of a non-ADHD partner empowering their partner, while the ADHD partner takes active responsibility.The truth about "productivity hacks": why they often fall short, and what really helps in daily life.Exploring the ADHD-autism crossover and what it means to be AuDHD.What to do when your partner isn't interested or supportive of your diagnosis.Why having an ADHD-affirming therapist can be transformative for both individuals and couples.The role of compassion, empathy, and humour in navigating ADHD.Whether you're newly diagnosed, supporting a loved one with ADHD, or simply curious about how to better support your ADHD day-to-day life, this episode offers validation, clarity, and actionable advice.Timestamps:05:27 - Understanding ADHD's Impact on Relationships08:14 - ADHD as an Explanation vs an Excuse 11:53 - Shared Productivity in Couples 17:48 - Tools for Creating a Calmer Life 21:24 - Understand What ADHD Means to You27:00 - Advice for Disengaged Partners During ADHD Diagnosis 30:03 - The Benefits of Working with a Neuroaffirming Therapist 33:19 - The Intention Behind Ari's New BookJoin the More Yourself Community - the doors are now open!More Yourself is a compassionate space for late-diagnosed ADHD women to connect, reflect, and come home to who they really are. Sign up here!Inside the More Yourself Membership, you'll be able...

Before your next interview, watch these 5 levels of interview tips. We'll offer 5 levels of tips plus 5 levels of tests for you to land the perfect church job! The twist at the end, most youth pastors miss!

America has turned excuses into a lifestyle. Everyone wants results, but no one wants responsibility. In this rant, I break down how America's excuse culture got out of control — and how to take your power back through accountability and discipline.

Christian College Sex Comedy: Part 20 Zane s Assembly In 30 parts, By FinalStand. Listen to the podcast at Explicit Novels.             Running into a wall is bad, having it fall on you is worse but not being missed is the worst         Since I had mastered the moment so successfully with conversation I shut the hell up and took the crowd toward my room. Halfway up the stairs I expected Jill to call out but it didn't happen. I counted myself lucky, handed out fresh t-shirts to Paris and Leigh, only to have Paige regale them for fifteen minutes about all the female swag I had in my dorm room, from female silk robes in a variety of lengths and colors to thongs and dog collars. Girls should not look at me and lick their lips; it is scary because I thought that men went to college to chase women, not the other way around. Back at the start of the year, I knew that I was such a Man-Stud that I'd pick up more than my fair share too. I now have multiple women in my life and one day soon I hope to chase one down and call her my own, provided the other women let me. "We will see you later," Leigh gave me a sexy nudge with her hip. I nodded and promptly made sure my windows were locked. They had the annoying habit of being unlocked with glowing neon signs outside that said "Kappa Sigmas enter here". This time I was ready for them. I was also on the ball enough to know that when none of the Kappa Sigmas were upset by my action, that indicated there was something going on that I was clueless about. I was hardly convinced to let my guard down by the limited conversation the three sorority sisters and I had as I escorted them out of the house and kissed them goodnight. I diverged to the dryer to warm up Paris and Leigh's shirts. I kissed Aunt Jill goodnight as well. She gave me a bemused, maternal look as I headed back to my room before my 'bed time'. I must have looked like I felt, pretty exhausted. I joined Iona and Paige in the bathroom where we went through the nightly routine before heading for bed. They stripped slowly; I crawled into bed fully clothed and was feeling rather clever with myself. "No, you don't," Paige insisted. "Zane," Iona gave an angelic smile, "you have to do what you feel comfortable with but this is a matter of trust between us." Was Iona beating me up with a variation on the argument I'd used on Vivian a few hours ago? I was definitely undecided so Iona brushed my lips with hers. "It's okay." The only thing worse than being manipulated is being manipulated with sincerity. I shucked my clothes and shot them to the foot of the bed. I took in the view of Paige and Iona stripped out of their bras, then panties. Paige even made a little game of it, shooting her panties at my head. She missed so I snatched them as they sailed past. Paige flashed me a wicked grin as I did so. "Hey, Zane," she purred. Paige put her knee on the bed, followed by the other, so that she was standing on her knees. "Hey," Iona mimicked from the other side. Together, they sensually flowed toward me and each other. When they were settled against my hip they looked down and smiled. "You both look lovely," I sighed dreamily at my slightly-built beauties. They graced me with a smile once more before looking into one another's eyes. Then they kissed, and after that they really kissed, and several steamy seconds later the girls extended their right hands to their opposite's breast. They rolled their tits beneath their palms. I would have wept at this point but it would have been unmanly. When their left hands joined in the fun I nearly lost it. Did I mention they hadn't stopped kissing yet? It was hard enough that I was intimately familiar with their bodies, head to toe. I was the first man either of them had put lips to lust with (discarding Paige's grade school fiascoes). I had licked, teased, and plucked those nipples they were now so readily fondling. I had placed them naked in bed with other women and beheld their first steps into a far more sexually dynamic life than a strict fundamental Christian life would have deposited them in. I would have continued to wax poetic on the vision above me but the horror of my decision to sleep with both their naked bodies without sex was grinding my happiness into despair. "Oh, wow," Paige giggled, "it's throbbing on his stomach." She was referring to my cock. If it had something larger than a series of nerve clusters, my cock would have been screaming at me, questioning my sanity and demanding a passionate reason I wasn't mounting them both, drilling them hard, and going back for seconds, and thirds. They both leaned down onto one arm before reclining to their sides. "Good night, Zane," Iona whispered. She kissed me on the lips, rather chastely, then rolled over so that her back was to me. She wiggled her ass tight against my thigh because, you know, I have a thing for asses. "Sweet dreams of me," Paige gave a sultry roll of the voice. She rested her head on my shoulder and languidly placed her right arm on my chest and her right leg on my groin. Her hand came to rest on the top of my sternum while her knee covered my balls and the base of my cock. My sexual organ gave her limb a sympathetic throb. Paige sighed pleasurably, enjoying the torture she was putting me through. My right arm cradled Paige and drew her tighter. She kissed my chest with a feather-light touch. My left arm draped around Iona with my wrist being poked by her left nipple (it was still aroused by Paige's attentions) while my fingers coasted along her stomach. I drummed my hand on her abdomen; Iona snuggled in deeper and gave me a delightful little murmuring noise. That was enough to send me off to sleep and I was grateful. If I hadn't been asleep I knew I was going to stick my cock into something, even if it was an electric outlet. I couldn't screw Iona and wouldn't sex up Paige because she would never let me get over having broken down and nailed her in defiance of my own word. What woman doesn't want to think her body can drive a man to forgo his honor? Again, she would never, ever let me forget it. I wasn't sure how long I'd been asleep when I heard my bedroom door open. I wasn't sure what Jill would want this late but that wasn't a problem. The first one through the door was Leigh but Paris and Ricky Frasier snuck in right behind her. I need to invest in some home defense apparatus, things like pit-traps, trip-wires, and nests of feral Chihuahuas. "Don't worry, Zane," Leigh whispered. "We are here for Paige." "Ah," I grunted. Paige stirred next to me, rolled onto her back, and smiled at the newcomers. "We won't need you tonight," Paige assured me. "This is all-girl." "I see; I need to go back to campus and spank Barbie Lynn, Opal, and Brandi's bottoms until they glow red," I growled. They had turned Paige onto the whole lesbian orgy theme. "Hold on," I begged the girls as they began stripping. I rapidly moved to the closet, pulled down two comforters and two pillows for Iona and I to use as a bed. I set things out and Iona gave me one of those sleepy, sweet, innocent smiles and joined me on the floor, a comforter as a mattress and the other as a cover. I quickly became obvious to me that the object of Leigh, Paris, Ricky's and Paige's fun wasn't to have intercourse with one another but to drive me nuts. It wasn't ego talking here; statistically, an ass, calf, or grinning head pops over the same side of bed you are on only so many times before it becomes enemy action. It was working too; I was rock hard and sleep was escaping me. Sadly, fate intervened, to my detriment. In movies you often see couples roll out of bed, say 'ow,' then go back to passionate love-making. Paris came off the bed with a squeak; me, I felt a stomach-churning pain and a soundless scream escaped my lips. Paris' knee had come straight down on my nuts and impacted them into the hardwood floor with only a thin quilt providing any absorption. Paris' playful grin and giggle turned into fear as she saw my face. "Zane?" she whispered, "Sorry?" "Zane, are you okay?" Iona inquired at my side. Paris backed off me, allowing me to wheeze and roll over in a ball facing Iona. Iona cradled me in her arms. "Zane, what's wrong?" she worried. I wasn't articulate at the moment but Paris was. "Oh, God," she gasped. "I landed on his nuts." Paige and Leigh immediately poked their heads over the bed, appearing in my peripheral vision. I heard Ricky padding around from the other side of the bed. "Damn it," Leigh moaned. "Now what are we going to do?" "How about show a little sympathy?" Iona grumped at the others. I know her heart was in the right place but pulling me tight to her bosom with a nipple resting on my upper lip didn't do my damaged genitalia any good. There was a light, coastal breeze off Madagascar calling for my cock to get hard once again and damn me if it wasn't answering. The resulting pain was describable, similar to having my testicles used by an 800 pound gorilla to sink the cue ball on a Carom billiards table. And damn if that bastard wasn't determined to get it done no matter how many attempts it took. Next time some psychopath stares me dead in the eyes and asks if I've ever prayed for death, I can match his gaze and say 'Hell yes.' "Leigh, get some ice," Paige whispered. "Paris, go to the bathroom down the hall and get some ibuprofen and salve. Iona, help me get him back on the bed." The girls hurried off quietly, for which I was thankful. I was equally thankful that Iona and Paige were so gentle in moving me off the floor and onto the bed, and yes, I hammed it up a bit. Once the rush of taking charge of events passed, Paige began to flash me guilty looks. This was definitely her plan and she'd miscalculated the body motion dynamics of three women playing sex games on a queen-sized bed. "I, I apologize," Paige admitted. "This was my fault." I was somewhat more than stunned. "Okay," I gasped. "Flesh heals but memories are forever." "That means you are going to get me for this," Paige realized. "I'd buy a seat cushion if I were you, Ms. Spanky-bottoms," I tried to joke, but the pain got in the way of my laughter. Paris padded back in with a pill bottle, a foil tube, and a glass of water. She handed the pill bottle to Paige and the water to Iona. When Paris started unscrewing the top to the salve, things became difficult. "Paris," Iona grumbled, "why do you get to put the cream on his balls? It was your knee that caused his pain." "I know," Paris whimpered, "and I want to make it up to him." Paige popped the pill cap and handed me two ibuprofen; Iona propped me up. I took the pills and she put the water to my lips. "I'll take care of it," Iona insisted. "My plan, my fault, I'll take care of it," Paige countered. "Take care of what?" Leigh panted as she slipped into my bedroom with a bowl of ice. "Massaging Zane's poor crushed nuts," Ricky murmured. "If I've hurt him permanently, I'll never forgive myself," Paris moaned piteously. Was she more afraid of my promise to get her back or the other ladies' retaliation for the maiming I'd gone through? "I said I would take care of it," Paige insisted. "No, I think I will take care of it, if no one minds," I ground out. The implication was that if they didn't let me medicate my massive melons of masculine might, I'd come after them all, in thirty or so minutes when I could freely move once again. It took me a second to realize that no one was arguing with me. "Ricky, could you please get a damp hand-towel from the bathroom," Iona requested. Ricky looked confused so Iona added, "We can't put the ice cubes directly on his scrotum unless we really do want to take him to the emergency room." "Oops, sorry," Ricky sounded embarrassed. "That makes sense. I'll be right back." When Ricky left, Paige and Iona reclined on either side of me. "Hold on," I requested. "I'd like to give Paris a hug." Iona scooted first, letting Paris crawl on all fours over my body. I gave her a kiss with as much strength as I could exert. "I," she mumbled. "We were playing a game and it was an accident. I already feel somewhat better," I assured her. "Besides, I'm pretty sure I have yet to fuck you to orgasm and that's not a challenge my cock takes lightly." Paris wept and collapsed onto my chest. I lay back, head on a pillow, so I could stroke Paris' hair. When Ricky returned I struggled around Paris to kiss her and Leigh as well. I also took the opportunity to coat my scrotum with the salve, which instantly cooled my pain, then started heating damaged parts up. Leigh applied the towel holding the ice gently to balance out the sensations. We hugged, confirmed our date for Saturday night, and parted ways. Iona, Paige, and I returned to the bed and tried to get back to sleep. This time we kept our limbs to ourselves, though we remained close. I waited a while before surrendering to my dreams. A decision was reached internally that the next time I took Iona out for a quiet weekend, I would have to make it somewhere off the beaten path, somewhere in Appalachia no doubt. Iona gave me a precious, sleepy smile as I climbed out of bed in the morning. I looked at her heavy eyes, questioning her intent, when she pulled my pillow into her chest and drifted off into slumber once more. Paige was dead to the world, undoubtedly wrapped up in the remorseless rest of the Damned. I was able to dress uninterrupted and glide downstairs to find Jill already up and puttering around. I was about to find out what she had heard last night. "Good morning, Zane. Are you feeling better?" Jill asked. "Feeling better?" I questioned. "Your, you know, down there, are you feeling better?" she clarified somewhat. I imagine my jaw dropped because she looked at me with an obvious amusement. "How did you know?" I finally responded. "Oh, Iona came to my room last night and explained the situation as well as apologizing for the disruption," Aunt Jill explained. "She's a very forthright and honest young lady, and she doesn't currently have a fianc either." "What, whoa, wait a second, Jill," I stammered. Things were going way too fast for me. "How is it you are okay with two girls sleeping in my bedroom and three more coming over when three months ago we couldn't even discuss sex at all and its only place was in the marriage bed? What happened that I missed?" "Zane," Jill sighed patiently, "when God closes one door he opens another. I had to accept that my life with Tim was over and I had to move forward with my life with you. That means I am going to get more mileage out of counseling you as opposed to dictating abstinence." "And you have this epiphany after you burn all the stuff I brought back from Thailand," I groaned. "We both did things we probably regret," she reasoned. "You've been talking to Iona, or more likely, Iona's been calling you," I began piecing it together. "After you told me about what those girls were making you do, like crawl around on your knees, I tried to get some of your classmates to tell me what was really going on," Jill related. "Iona was the only one who would talk to me and she and I have communicated pretty regularly since then," Jill finished. "She's a truly sweet girl and I think you two make a cute couple." In case you are wondering, there is no good response to that statement. "She tells me you are interested in that 'Christina' girl. She's, elegant," which was Jill's way of saying Christina wasn't a 'humble Christian girl' like Iona. Something in that train of thought made me put a few other faces to the descriptor 'elegant'. "Is that why you didn't like Mom, Dad, and, well, was Uncle Tim snobby as well, elegant?" I mused. Jill stopped looking in the fridge were she was figuring out what we'd be having for breakfast. "Yes," Jill said quietly. Tim hadn't wanted to marry Jill; he'd wanted to marry Jill's older sister, Kathryn. Jill matched herself against Mom, the free spirit, and Dad, the joker, who were both sophisticated Devil-May-Care people born of wealth and privilege. In a way, Tim was from the same background, except that he ended up arrogant and emotionally distant. Of course, Tim had to grow up with Granddad, who was a real peach, and my Dad, who was always larger than life, always doing whatever task their father put before him and always going one step beyond. Worse, Dad always had the courage to be himself. Dad was the brilliant rebel, the Prodigal Son who was always welcomed back home; Tim was the plodding workhorse. The best example of this was the first time each of them ran away from home. Tim ran away to the tree house in the backyard at the house in Wyoming. The first time Dad ran away, he ended up in Hawaii. When the FBI caught him, he was working in a Japanese restaurant, stock-piling Australian dollars, and had a map of the Great Barrier Reef. Now that I think of it, I must get my nuttiness from Dad. "Jill, I'm sorry Tim wasn't the husband you deserved," I told her softly. I rested a hand on her shoulder and she backed into me. I wrapped my arms around her from behind. "Thank you, Zane," she told me in a soft voice. She looked out of the window over the sink for a few seconds. "Do you think we should get a pool?" Jill broke the silence. Huh? "Who are you and what have you done with my Aunt Jill?" I teased her. It took a second for Jill to get it but when she did, she laughed. "Wait," she teased back, "would I be a clone, an alien, or, what were those things I heard about, oh, pod-people?" "I think you are the Pink Power Ranger," Paige snickered from my elbow where she had materialized mysteriously from the ether. Jill squeaked and spun around while I was busy putting my heart back in my chest. Jill struggled out of my arms, blushed, and went back to the fridge. "Did I interrupt something?" "Yes; my desire to live a longer life," I coughed. "Now that we have the useless pleasantries out of the way, what I really want to know is if all the equipment is in working order," Paige smirked. I thought of a smarmy reply, an angry reply, and even ignoring her, but another idea won out. "Hey, Babe," I whispered in a husky voice to Paige as I stepped into body contact with her, "it hurts a little right now but thanks for asking. I'm glad you are watching out for me." I drew a line with right hand along her collarbone and shoulder to her neck and finally circling her ear. "Oh," Paige gulped. Her eyes grew wide. "Of course, Zane. I want to watch out for you, I care." I let my arms drape around her and linked them up at the small of her back, pulling her tight to me. Paige slipped her arms beneath me and did likewise, with the added gesture of placing her ear to my chest. Iona slipped into the kitchen as she did so. She gave me a cute wave, side-stepped us, and went to help Jill. I figured from Iona's actions that she was going to keep Jill busy getting the four of us breakfast, so I took Paige's right hand in my left and led her out into the hall. As I headed for the porch in the back, someone came through the front door, attempting to be stealthy. It was Leigh; I'd clearly caught her doing something wrong. "Yes?" I questioned. She looked to Paige then back to me. "I forgot to return your keys," Leigh evaded. "What are you doing with my keys?" I sounded a bit cross. Paige squeezed my hand tightly, expressing her own tension. "Paige gave them to me to use last night," Leigh gulped. "You are hopeless as a conspirator," Paige growled at Leigh. I took a deep breath instead. I was going to have as little stress in my morning as possible. "Please give them to Iona in the kitchen, Leigh," I sighed. A quick look to Paige showed her that I wasn't angry so she didn't resist as I resumed our journey. Out on the porch I took a large, cushioned, low-swung wooden chair and sat down. "It's cold out here," Paige shivered. I responded by pulling her into my lap. It took her a moment to figure out what to do with herself. She settled on sitting sideways with her left arm over my shoulder and her head laying on top of it. It took twenty-five minutes for Iona to come out and get us. "Breakfast," Iona said. I looked at her curiously, trying to judge how she was taking the loss of the time promised to her this weekend. She winked and went back inside so I guessed everything was okay and our weekend postponed. "Do you want to go inside?" I gently inquired of Paige. "Two more minutes," she whispered. I kissed her on the head and listened to the breeze in the leaves, the birds chatting in the trees, and her breath on my neck. Slowly her head rose after the two minutes had passed and she was staring at me, or rather at the side of my head. "Yes?" I asked, as I turned and looked into her eyes. "You are so dumb," she whispered. Paige kissed me with a tenderness that bespoke a depth of passion that I had not fully realized. "I wouldn't trade this moment for anything in the world," I breathed back. "I would have been better off if I had turned away that very first day I saw you," she got around to responding. I knew she was saying that she could come up with no quick strategy for getting Christina out of the way and that perplexed her. I had to do something. "Don't forget to get that seat cushion," I joked. She seemed a bit cross, then grinned. "If I let you do something else to my bottom will you forgive me?" she teased me with a sensual ass wiggle. "Really?" I perked up. Paige wouldn't consider anal sex before now, though I was all for it. "No!" she giggled. Paige leapt off my lap and raced inside. I made a grab for Paige with no intent of ensnaring her, she was having too much fun being pursued, and pursue I did. "Help me!" Paige squealed. "Help me; he's trying to get my bottom!" So much for any sense of decorum, I sighed. Paige made it to the dining room and quickly was using Leigh as a shield. Jill looked at me quizzically while Iona gave a weary sigh and looked heavenward for guidance. "So, Leigh, are you joining us for breakfast?" I obfuscated the crisis. "Yes," Leigh hesitated. "Your Aunt Jill is thanking me for finding your keys." "If that is okay with you, Zane?" Jill demurred. Huh, and by that I mean, since when has my opinion in this household been sought or even obeyed? "If it pleases you, Jill, I wouldn't mind eating Leigh", I had a slip of the tongue, "I mean eating with Leigh." Leigh's eyes sparkled and Jill totally missed the implication (I assumed because 'eat' a girl made no sense to her sexually repressed mind.) Iona gave my arm a light slap. "Have a seat, Leigh," Jill smiled in a way I wasn't familiar with; it was almost like she was content. The resulting meal of country ham, grits, and cantaloupe was simple but satisfying. We were all hot, sweaty, and laboring for breath. Had we been in bed and undressed, the situation would have been perfect. Instead, we were in my workout room, working out. I had allowed an hour to digest our meal but now we were finishing my daily physical regimen. Paige and Leigh were on their backs, staring at the ceiling and cursing the fact that I was finishing up my final exercise. Iona was on her stomach on the mat next to me, moaning softly. I seriously considered insisting that Paige and Iona take up a sport. Leigh was another story, but I'm sure I could get Tawny, her sorority president, to get her to do something strenuous, that didn't involve me and sex. "I have given up any hope of ever fucking you to death, Leigh panted as she looked my way. "Thanks," I grinned back. "Without the help of several sisters," Leigh gasped as Paige lazily smacked her on the stomach, "to wear you down first. I don't know how Barbie Lynn can walk after those marathon sessions with you." "It usually involves screaming out to God multiple times and a long nap afterwards," Iona groaned. "So," Leigh sat up, "have either of you," "Hammered me through the sheets, and I swear I blacked out as I came," Paige boasted wearily. "Umm," Leigh purred, "good memories." Have I left the room? Should I hand out customer satisfaction surveys? "That night was fantastic, wasn't it?" Iona sighed. "Three damn orgasms I'll never forget, and then there was Rio and her devilish fingers," Leigh murmured happily. "Wait! Iona, you and Zane, Rio too?" Paige propped herself up. "He was a very gentle gentleman," Iona declared. "Oh," taunted Leigh to Iona, "I recall you doing quite a savage dance on the tip of his tongue." Iona blushed and Paige gawked. "So that three-way with you and Barbie Lynn wasn't your first time, well, what do you know?" Paige mused. "All this physical stress has me thirsty," Leigh stated. "Yes, I think a protein drink is in order," Paige agreed, and winked at me. "Oh, hell no!" I defended myself. "Me, no sex weekend, remember?" "But, Zane," Iona rolled over and batted her eyelashes at me, "it was so sweet and salty." "Iona," I nearly wept. "I apologize, Zane," Iona pouted. "I was only teasing." "I can always hope to soak up some of that sexual energy at 12:01 Sunday night," Paige sighed. "Nope, sorry, going out with Heaven Sunday night," I informed them. "Oh, pooh," Iona grumped. "She'll drain him alright." "Is Heaven really that good?" Leigh seemed curious. "Let's not have this discussion," I stood up. I was ignored of course. "Oh, he goes at her five, six, seven times a night," Iona stated. "She walks funny the next day too." "How come there is never any footage of them together?" Leigh persisted. "You would think with that much sexuality and the howling she made from our towel closet at the party that there would be something on his site." "I am not going to be part of this discussion," I repeated as I made for the door. "Now I'm taking a shower." For a group of girls who couldn't stand a minute ago, they clearly were capable of nearly killing me as they stampeded for the shower, women. Before Iona and I got in, I held her back by the arm. "Five, six, seven times, walks funny the next morning, I'm sure Heaven will like that," I whispered. "I thought a little embellishment couldn't hurt," Iona smiled with an earnestly pure face. She knew Heaven's nature and would help conceal it until Heaven decided it was no longer necessary; Iona was that kind of best friend. "Do you ever get tired picking up after my shipwrecks?" I had to ask. "Come on, Zane," Paige called from inside the shower as the water cascaded down on her and Leigh. I decided that keeping them occupied was my best bet to keep the volume down. As I pulled the curtain aside, I caught a glimpse of Iona behind me, shaking her head 'No'. Undercover  Underage Willa was waiting for Valarie and I when we arrived. She had strategically placed her bike at a break between the groups of hotel units so she could quickly duck out of sight. I had no desire to do anything stupid like get in a fight. She rested on the seat of her ride. I was following Val's advice so I pulled up some distance away and kept to the middle of the parking lot because you never knew what could come popping out a door. I approached alone, again, I didn't want to freak Willa out any more than she already was. "I've got a line on those IDs," she greeted me. I'd asked her for some fake IDs so me and some of the girls could get into clubs. "Yeah," I said deadpan, "I'm sure you did." She keyed on my mood but didn't outwardly react. How should I handle this? "Willa, you are an undercover cop," I sighed. "I don't know who you are with and I don't care. I don't want to cause you trouble, I simply want a favor." Willa rocked off her ride and took a few steps toward me. "Asshole," she growled, "that isn't funny. I ought to fucking slap you like the punk-ass bitch you are." "You won't, you are a cop and that's still assault because I'm not threatening you or threatening to blow your cover so that your life would be at risk," I related. Seeing Willa's consternation, I explained. "Valarie has been through this a time or two." "Zane, I'm not a cop and I'm not kicking your ass because you are a cute guy, but stop screwing with me," Willa changed up her defense. "Fine," I shrugged. "I'm going to have a talk with Belle. I'm sure she will believe me. I felt I owed you a chance because you are a law enforcement officer and you are risking your life for me, the general public." "Don't go to Belle," Willa reached out and put an arm on my bicep. "It doesn't matter that your idea is a load of crap; Belle will tell Deacon and then I'm screwed." "Willa, you can walk away from this situation whenever you want," I told her. "Belle can't. This is her life and I'd prefer she not die living it." "Zane, you hadn't even met her before Thursday night." she groused. "That's pretty much what I said," Valarie finally chimed in. "I'm only here because Zane doesn't know anyone else who could be relied on to keep their mouth shut." "You don't believe this crap about me being a Fed, do you?" Willa joked. "Absolutely," Valarie said without hesitation. "Zane is crazy but he's spot-on when dealing with women. Case in point: Zane took that little fluff with him to the bathroom while peeling off Rio's girlfriend, a black belt in Karate, to guard me. He knew he would get you bitches to give Rio up, though he didn't have a plan going in. If he tells me you are a cop, you are a cop." I clearly had Willa flummoxed. After a minute in silence I shook off Willa's hand and turned for my car. I stopped when I had the door open. "I'm going to see Belle at the Fallout Shelter tonight," I said. "If you do something to stop me, I'll make sure Tara knows, and while she and Belle have problems, they are twins and she won't let her sister do serious time." "I'm not confessing to anything but I think there is something you should know. Deacon Baker served with Belle's husband and brother-in-law. Her brother-in-law ran the Warlords chapter but he and his brother got caught up in an ATF sting. They wrapped up Belle's husband but before they could grab the brother, who could tie up the whole criminal enterprise, he vanished. He was last seen with Deacon," Willa explained. "Deacon didn't wait around to see if the guy would stay loyal; he removed the threat," Willa added. "If he thinks I'm a threat, he'll have me removed too." "Cry me a river," Valarie rolled her eyes. "You are sticking your nose where it doesn't belong." "I'm not a damn cop," Willa snarled. "Where are you from?" I asked Willa. I caught her off-guard but she snapped back soon enough. "Tampa Bay, Florida," she shot off. "Nope. I think you are from Wisconsin or Minnesota, it's your skin complexion and the way you roll some of your consonants off your tongue and lips," I said. Willa's eyes narrowed. Now she was pissed. "Are you going to shoot us with the 9mm at your back or help Zane out'?" Valarie sounded bored. "This is totally wrong," Willa persisted. She tried to stare me down but I could see something inside give way. "I'm not saying I am an undercover cop but if I was, what would you want?" "Give Belle as much shelter as you can. Hopefully she ends up with probation," I offered. "What is in it for me?" Willa sighed. "What can I do for you?" I answered. "Do you know who took out Deacon?" Willa inquired. "Yes," I replied. I could feel Valarie's head snap behind me and her eyes bore into the back of my head. "Who was it?" Willa increased her intensity. "I would tell you but I like living without the benefit of life support," I joked. "I'd cry bullshit, damn you, except I saw the beating they took and that scares the crap out of me," Willa grumbled. "Okay, Zane, if you ever get the chance to tell me, do so." "Deal," I agreed. "Great; we are all friends," Valarie stated sarcastically. "Now fuck his face, suck his cock, and we can get going; I have to eat dinner with my sister, Dad, and the cunt he married." "What?" I glared at Valarie. "No way!" Willa declared. "Listen, bitch, you are going to need to describe what it feels like on your tongue from the ball-sack to the tip of his cock," Valarie lectured. "I've seen a video," Willa countered. "And you are such a bang-up storyteller that the 18-year old boy genius ID'd you in two minutes, or have you missed the last ten minutes of your life?" Valarie mocked her. "He seems to be the exception," Willa noted. "The average girl that attracts Zane's attention can do calculus in her head, and the one who can't is his family," Valarie responded. "Now consider his interest in Belle; she's probably a poor girl raised in a college town. That means she could have gone to college but was already soured on the whole establishment idea by a string of college fuck wads. Her sister went on to become a Law-dog that busts UV assholes all day long; Belle became an ass-kicker who flaunts her body at a bar frequented by the very higher education types that screwed with her in high school," Valarie continued. I wasn't sure how much of this Val was fabricating but it didn't matter. "Now she dangles her forbidden fruit in front of them, yet none ever get a taste, am I wrong?" Valarie queried. "You see an outlaw biker and think they are too lazy or stupid to get a real job. I see someone who wants to do their own damn thing, you don't fuck with us and we don't fuck with you." "Belle is smarter than you think she is, Willa, or whoever you are. If you don't think you are fucked yet, consider this: When was the last time Belle gave a college guy the time of day, much less walked one out of a beat-down dictated by her chapter president?" Valarie smirked. "Zane had me fighting side-by-side with him against half of the FFU faculty and students so I can attest to his peculiar form of magic." "Fuck," Willa growled. "Now, get on your knees and blow him so we can all go about our business," Valarie rumbled back. "I'm still in the midst of a no-sex weekend so I'm going to say 'No'," I intervened. "Can't we just shake and part as friends?" Willa tried. "At least kiss him," Valarie suggested. "Val, stop it. We have some level of understanding and that's good enough for now," I told her. I was checking on Valarie's okay so I only saw Willa's closure at the last moment. One look into her eyes told me she was deceiving herself that this was going to be a quick kiss to get it over with. Our lips met and my hands found their way to her hips. I pulled her to me without trapping her. A few seconds later she broke the kiss. I could read the confusion in her eyes. Her plan was to do it and be done but her impulse was to come back again. She kissed me again but his time, her tongue caressed my lips and I let it slip in. After that, I really couldn't stop myself from kissing her back intensely. Soon my lips wandered to her cheeks, chin, and neck before nibbling on an ear until she moaned and thrust up against my body. "Ugh, ah, fuck," Willa moaned. "It has been too damn long." I rotated us around, pressing Willa's back against my car. I lowered my body down Willa's, nibbling and tickling with my tongue as I did so until I was chewing on the top of her low-cut t-shirt. "You are not happily married, are you?" I inquired between a tongue stroke and some suction. "Umm, ah, no." she replied. "Why do you ask?" "I don't want you to do something you'll regret," I answered before working my way back up her throat. Willa lolled her head back, extending her throat for my attention. "Nope," she gulped with sexual tension, "no one at all." That was my cue to work with both hands to pull her shirt out of her jeans. That done, I let my fingers roam under the shirt and caress the flesh of her stomach. "Oh, stop that, no, wait, don't stop, yessss," Willa moaned. When her shirt was high enough, I began working over her tender flesh. She was clearly getting into it but I wanted more from her. I popped the button on her jeans and unzipped them. Willa's underwear was appropriately lacy. I pulled the panties down as I peeled the jeans open until I could make out her finely trimmed landing strip. I kissed along the line from her cunt fur to her hip bringing forth a hearty moan of pleasurable release. My fingers made small circles back to her ass, squeezing both cheeks and rubbing them together. Willa was stroking the top of my head and lightly yanking on my hair. I took that to be a positive endorsement of my efforts so far. When I started back up her body, Willa spread her legs wide apart and coaxed me along. I got to the base of her bra; I could sense her nervousness so I stopped pushing up her shirt there and went back to her shoulder. I had just made it back to Willa's lips when Valarie cleared her throat. "Excuse me, but I do have somewhere else to be," Valarie teased us. Willa had to reorient herself. The look she gave me was somewhat accusatory but happily, it transformed into some level of understanding. "Damn, you are sexy," she purred. She rested her elbows on my shoulders and looked me over with sensuality on her lips. "I mean, you really are sexy and I want to do this again, and we didn't even have sex yet," Willa grinned. "What makes you think we are going to have sex? Don't we have a professional relationship?" I mused. Willa reacted by putting more pressure on my shoulders, then hopping up so she could put her legs around my waist. "I kinda-sorta owe you," she gave me a wicked look. "Besides, you might like it." I had to dissuade her somehow; my life had far too many complications to get this close to the Warlords right now. "I don't know, Willa. I like lots and lots of anal sex," I cautioned her. I figured that would buy me some space. "Oh," she grunted, "I love it. A big cock like yours would feel fantastic in my ass," she added with a deep pant. Wow, that backfired spectacularly. Maybe I should inform her that I've been called needle cock by women who know me well. To add insult to injury, Valarie broke out in uproarious laughter. "There you go, Tiger," Val chuckled. "That will keep her in her place. It just so happens her place is face down and ass up with you riding roundup." Willa took a deep breath, then dismounted me. She patted me on the chest and gave me one final kiss. "We need to be going," she sighed. "I'll make sure to stay in touch." Valarie and I waited behind as Willa got on her ride and drove away. Only then did Valarie give me one last jibe herself. "Dude, I swear your lips are dusted with cocaine because I've never seen women act so nuts around a normal guy," she teased. "Are you saying I'm abnormal?" I shot back. "Ha," she laughed. "I'm calling it like I see it. I'd caution you about a girl and handcuffs but you have six sets that I know of so all I can advise is dodging when they shoot at you and lawyer up the moment they read you your rights, and I'm gone." Her bike roared to life and she peeled out, leaving me to contemplate what further screw-ups I'd added to my life. Girls, all I can say in any of our defenses is that none of us had been to a college block party except Rio, and we were dumb enough to listen to her advice on what to wear and what it would be like. We didn't even know how screwed we were until we arrived at the party destination and by then, it was too late. My only excuse was that Vivian had sworn Rio and Mercy had behaved themselves last night. Of course, first we had to get the clothes we were going to wear. The salesgirls eyed us with a devilish curiosity when we filed into the chic women's boutique, the only one in town. I was getting away with jeans and a red t-shirt from a local band called "Confetti". According to Rio, girls had to dress 'rough and ready', which translated to tight leather pants, shot boots, and either halter tops or sleeveless shirts. In retrospect, I should have known that when the salesgirls began regarding me as a pimp, I'd fucked up royally. "What do you think?" Barbie Lynn came flouncing over to where I was sitting, showing off her bright yellow halter top (that wasn't much into halting anything) and buckskin pants with the prerequisite frills along the outside of each leg. "Don't those things come with a bra?" I gulped. On the grave of my Viking ancestors, I swear those two orbs were just, right there, free and mouth-wateringly delicious. "What?" Barbie pouted. "Don't you like them?" she leaned forward, pressed her boobs together, and wiggled them in front of me. "Best ever," I panted. Barbie Lynn glowed at that declaration, then turned around and presented her ass mere inches from my face. "Better than this?" she taunted. "Ah!" I cried out; my pledge was in immoral danger. I tried to get out of my chair by brushing by her tush but only managed to flip the chair over on its side with me still in it. Eyes tracked me as I struggled to stand. "It has the Zane seal of approval," Barbie Lynn addressed the room. "I'll take it." "Wait! Zane? The Zane?" One of the salesgirls inquired. Multiple girls nodded. "That would make you the girl in the shower," she directed to Barbie Lynn. "Sure thing," Barbie Lynn boasted. "You've got, stamina," the other girl blushed, "both of you." "That's where I've seen all of you before," the first girl said as she put it all together. "Except you," she pointed at Vivian. "Honestly, I was suspicious it was a porn hoax. I mean, what kind of guy scores that many hot babes?" "Umm," Rio patted Mercy's bottom, "we're hot babes." "Are you two really, actually, the second girl stammered to Rio. "You do those things?" "Do you mean is she my bitch toy? Then yes, she is," Rio answered smugly. "Mercy, lift your top." Mercy paled, gulped, but did as requested. Rio put her arms around Mercy's midsection and pulled her close, latching onto a nipple as they came together. "No!" Vivian shouted. "There will be no public displays of pornography." Rio made a lip-smacking noise as her lips released Mercy's breast. Mercy kept her shirt raised as Rio looked back to the salesgirl. "Satisfied?" Rio gloated. The girl nodded in stunned amazement and Vivian coughed as a reminder. "Mercy, you can lower your shirt now," Rio added without even looking at Mercy. "Wow, this is so weird." The first girl shook her head, then that light came on and she looked at me with amazement and amusement. "You are trying for your 'No Sex' weekend? Well, if we can't get you laid before this weekend, we aren't selling you the right clothes." "I'm counting on it," Paige smirked. Her choice was a slick black bustier and leather pants that laced up on the side. In fact, they were more lacing on the sides and less leather. I'm not saying she looked bad; I merely vowed to get a few pictures of her in the outfit for my spank bank collection, not that I have any realistic hope of spanking the monkey anytime soon. Whoa, are women I don't even know now ganging up on me? What the hell? Adelaide and Ginger, our two salesgirls, went all out to get the ladies the skimpiest outfits allowed by law. I didn't mention the occasion because that would make me feel bad about not inviting them. "So, what are you getting all dressed up, or down for?" Ginger asked innocently enough. "Oh, there is a college-student-only bloc party tonight. Zane got an invite and he's sneaking us in with him," Iona responded with the naivet of a girl who had nil knowledge of social networking or class distinction. "Oh," Ginger muttered, and cast a sideways glance to Adelaide before looking at me. "Well, Addie's husband doesn't like doing that kind of stuff," she said lamely, "and Finn, my boyfriend, has to work late anyway." She was giving me an out and I wanted to take it. Somehow this seemed to be one too many times sticking out my neck foolishly. I'd already bent my invitation by inviting my FFU crowd. I then told myself that I'd double back and invite them, on the sly. I recalled the little discussion Valarie had with Willa only a few hours ago. Yes, I could act like your standard college cock and tell the townies it was okay to come in the back door. If I did that, I could only pray Rio punched me in the face. I'd say 'kick me in the nuts' but I clearly didn't have any. "Ginger and Adelaide, we are gathering by the water tower around 9:45 before we head to the spot," I told her. "You and your guys join us there and we'll go in as a group. It is the warehouse on Hammond Street and the word is 'Comet', in case you show up later." "Oh, I'm not sure we can make it," Adelaide responded. What she was also saying was 'are you sure you know what you are doing?' "There is one condition," I added. Now the two salesgirls were suspicious. "You have to dress like the rest of them do," I motioned to my girls. "You sold these ladies these clothes so it is only fair you dress similarly." Now the two exhaled, then smiled and groaned playfully. They could hardly say no after the money they'd taken from me, my credit card, actually. If I carried that much cash and a cop searched me, I'd mistake me for a drug dealer too. "We'll see what we can do," Ginger evaded. "Oh, that won't be a problem," Opal chimed in. "Go around the store and pick out what you want; Zane will pay for it." "For the love of God, would you stop spending my money? You are as bad as Rio," I griped. "Who is trying to be worse to you than I am?" Rio sounded both offended and up to the challenge of making me even more miserable than I was. "Oh, come on, Zane," Brandi complained. "You are a gazillionaire." "You've been listening to Rio," I shot back and glared Rio's way. "It was Mercy who told me that," Brandi corrected me. I shifted my gaze to Mercy, as did Rio. "We'll talk when we get outside," Rio cautioned Mercy, who seemed decidedly uneasy. I had to hand it to Ginger and Adelaide; for ten minutes they showed constraint, and then they went bonkers. I really don't think a woman can wear a pink gossamer scarf wrapped around her chest and call it clothing but Ginger was giving it a shot. Ginger had a small chest - 32A, but her nipples were works of art. I couldn't keep quiet about them. "Ginger, if your boyfriend lets you walk around in your domicile with a top on, he's committing crimes against the male and female, worship of the female form," I blathered. Ginger blinked, and then blushed before grinning at me wickedly. "Yes?" she prodded me. I took that as an invitation to walk up, bend at the waist until I was at eye level with her chest. Her nipples swelled under my scrutiny. "Zane, if you lick or bite them, I will stomp on your foot and break some toes," Vivian warned me. I was, in my estimation, good. I leaned forward a few more inches until I could blow forcefully upon each nipple. Ginger rolled forward on the tip of her toes, thrusting her chest forward, but I retreated just in time. She fell back and I pursued with long, continuous breaths this time. Her nipples didn't come out and say 'Hi', they launched rescue flares and lit bonfires on the beaches of my desire. Ginger was moaning and whimpering as she kept trying to force physical contact while I kept frustrating her. Her thighs were working back and forth as her cunt began burning her up. "Ginger," Adelaide worried, "what about Finn?" "I know," pleaded Ginger, "but you've seen the cock on this guy and he's driving me crazy-horny, and he hasn't even touched me yet." "Friends," Adelaide insistently reminded Ginger. "All his friends are here and watching." "I'll be her friend," Brandi volunteered, though Opal hooked her waist before she could show everyone how much of a friend she wanted to be. "Oh, we don't mind," Rio remarked. "Most nights with Zane are a learning experience for all of us." "I mind," grumbled Paige. "Paige, honey, he always comes home to us," Barbie Lynn reassured Paige. "Besides, we know where he's sleeping tonight and who will be with him," Iona added. "Fine, okay," Paige decided. "Zane," she beckoned me with a 'come hither' finger curl. "Sorry, Paige," I quickly responded between puffs of air on Ginger's nipples, "I'm busy." "Zane," Paige warned me. "Paige, not now," I grumped. "Zane!" Paige became more insistent. I didn't respond so what she said next was inevitable. "Zane, bouncy, bouncy." My groan was fueled by stymied lust; I stood up and walked over to Paige. Once I was in front of her, I used both hands to brush Paige's hair off her shoulder blades. I brought my hands together at the back of her head, wrapping my left hand in her ponytail while dropping my right down her side before snaking it to the small of her back. I pulled the hair back gently, tilting her head up as I pressed my hand on the small of her back until we were rubbing against one another. I leaned in for a slow, intensive kiss which Paige intercepted by standing on her toes. Our kiss was a see-saw affair that saw our tongues roll together and our lips shifting from lingering touch to gentle caress that lasted over a minute. "What are they doing? Or more like it, what is she doing to him to make him do that?" Adelaide quizzed the ladies. "Oh, that's a game they play," Rio explained. "He pretends she's a witch who has put a spell on him and she pretends she's going to be the first Mrs. Zane Braxton." "Say those words and Zane will perform any sexual act on you that you desire," Barbie Lynn teased. "No, it doesn't work like that," Iona got out right before Ginger interrupted. "Zane, bouncy, bouncy," Ginger demanded. That earned a round of chuckles. "Sorry, I tried that too," Brandi admitted. "Apparently each girl has to find her own command phrase." "Are you okay now?" I whispered to Paige. I really had to deal with these girls going wacky around me; we had things to do before the party started. "You are worth every gold doubloon I've spent on you," she smiled back. "Um, I'm the one spending money on you," I corrected her. Paige turned half-way around, bumped me with her hip, and wiggled her ass. "As I said, you are worth every coin," she winked. Hardy-har-har. "Okay, friends and acquaintances, let's finish with our purchases," I commanded. "We've still got some ground to cover before tonight." "What else do we have to do?" groaned Vivian. "I'm getting Mercy tattooed," Rio grinned with a dire mirth. "I want a design right above the ass, both subtle and understated; I don't know if I'm going with '1-800-HoT-SLuT' or 'Nothing Under 6 inches Allowed." "No, you are not!" growled Vivian. "No way, no how. Zane?" "Vivian, Rio is yanking your chain," I calmed my guardian. "You have to understand that Rio wouldn't put anything on Mercy that she wouldn't wear herself. She definitely wouldn't put something on Mercy that Mercy couldn't live with; trust me on that." "That's right, Viv," Rio chortled. "I can't tell you how many times I've regretted having 'Eat at the Clam Shack' tattooed right below the beltway." "You don't have a tattoo there!" Vivian countered. "Someone's been peeking," Rio skewered Vivian with a shark-like grin. Iona shook her head and walked up to Vivian, presenting her phone. "Here is the design they've chosen," Iona explained. It was an intricate weaving of lines and shadows I'd been shown once before. "See, in this end is Songs of Solomon 2:16 and on the other end is a Chi Rho woven into the greater design. It clearly has Christian imagery," Iona explained. "It's" Vivian sounded surprised, "actually rather, nice looking." "What's Songs of Solomon 2:16?" Ginger inquired. "'My lover is mine and I am', it should say 'his' but I think in this case it is 'hers'," I answered. "That's sweet," Adelaide said. "You can bet it was Mercy's choice, then," Opal smirked. "No, it was Rio's idea,&quo

Vinicius Jr a présenté ses excuses ce mercredi pour son accès de colère lors du clasico entre le Real Madrid et le FC Barcelone dimanche en Liga (2-1). L'ailier brésilien a confirmé son implication et sa motivation au sein du club merengue. Une déclaration qui fait réagir Jérôme Rothen. 

Perfectionism can feel like a badge of honor in business, but in reality, it's often a mask for fear. In today's episode, we're unpacking how perfectionism shows up in your business and how it quietly keeps you stuck. Maybe you've been holding off on launching that new offer, or you keep tweaking your website or product because it doesn't feel "ready" yet. Sound familiar? The truth is, that hesitation isn't about high standards, it's about fear. Fear of being judged, fear of failure, or fear that what you've created simply isn't good enough. We'll talk about where that fear comes from, how to recognize when it's running the show, and what it really takes to move forward with confidence, even when things aren't perfect. Because perfection isn't what builds momentum. Action is. Important Links: Ready to take the next step? Then sign up for She's Equipt! Save TIME & MONEY by running your biz on a single platform… Check out my software, Equipt360

Lots of Hebrew learners find it hard to discern between ‘speak,' ‘talk,' and ‘tell' when they talk with their Israeli friends, colleagues, classmates, and flatmates. It's time, once and for all, for Guy to imprint it on our memories. Don't worry, it's not difficult! Hear the All-Hebrew Episode on Patreon New Words and Expressions: Ledaber – To speak – לדבר Medaber – Speaking – מדבר “Ratsiti ledaber itcha al hakol” – I wanted to talk to you about everything – רציתי לדבר איתך על הכל Ani medaber im – I am talking to – אני מדבר עם Hu amar – He said – הוא אמר “Az ma ratsinoo lehagid be'etsem” – So what did we actually want to say? – אז מה רצינו להגיד בעצם “Tagid li eich la'atsor et ha-dma'ot” – Tell me how to stop the tears – תגיד לי איך לעצור את הדמעות Tagid / tagidi / tagidoo li – Tell me (imperative) – תגיד / תגידי / תגידו לי Emor / imri / imroo – Tell (archaic imperative) – אמור, אמרי, אמרו  “Slicha, ata yachol lehagid li eifo ha orez?” – Excuse me, could you please tell me where the rice is? – סליחה, אתה יכול להגיד לי איפה האורז “Rak al tagid she-” – Just don't say that… – רק אל תגיד ש Hu diber romanit kshe-hu haya katan – He spoke Romanian when he was little – הוא דיבר רומנית כשהוא היה קטן Hu diber im Eyal etmol – He spoke to Eyal yesterday – הוא דיבר עם אייל אתמול Hu amar – He said, he told – הוא אמר Mi amar lecha / lach? – Who told you? – מי אמר לך Daber, daber – You can talk – דבר, דבר Efshar ledaber im Benny? – May I speak to Benny? – אפשר לדבר עם בני Mi amar? – Who said so? – מי אמר Zot omeret – This is to say – זאת אומרת Ma zot omeret? – What does it mean? – מה זאת אומרת   Playlist and Clips: Nasreen Qadri – Ratsiti Ledaber Itcha (lyrics) Shlomo Artsi – Ma Ratsinoo Lehagid (lyrics) Ofra Haza – Le-orech Ha-yam (lyrics) Maya Buskila – Rak Al Tagid Li (lyrics) Ha-yehudim – Kach Oti (lyrics) Roni Daloomi – Mi Amar (lyrics) Dori Ben-Ze'ev – Radio, Daber Elai (lyrics)

Solomon wrote: Anger is cruel and fury overwhelming, but who can stand before jealousy (Proverbs 27:4). Who indeed? Fran is discovering just how dangerous it is to work with a jealous coworker. A woman named Jenny transferred to Fran's office and accepted a lower position. She has become more and more vocal about how over-qualified she is for her job. Today Fran and her good friend, Louise, are walking to the cafeteria when Jenny walks in behind them. Fran and Louise have tried unsuccessfully to be friendly to Jenny, but they try once again. “Want to join us for lunch?” Louise asks. “Yeah, why not,” Jenny responds. As they sit down to eat, Jenny says to Fran, “You had a presentation today, didn't you, Fran?” “Yeah, we're trying to get the Edwards Construction account,” Fran replies. Jenny says, “I landed the largest construction company in the Southeast when I worked in Atlanta, you know.” Fran can feel the anger start to creep up within her. She sends up a wordless prayer before she responds. “I wish I had known, Jenny. I could have used your help.” “Well, they should have let me have that account,” Jenny says. “I've got the experience that would have guaranteed we would get it. How did the presentation go?” It's all Fran can do to answer Jenny with a civil tone of voice. “I really couldn't tell. They said it would be a week before they decide.” Louise is angry, too, and she just can't sit there without defending her friend. She says, “I can assure you, if anyone can get that account, Fran can. I'm sure you did a great job, Fran.” Jenny laughs and says, “Well, Louise, I'd expect you to say that about your good friend, but I'm looking at it from a business perspective. With my experience, I would have done a better job.” “Excuse me,” Louise retorts, “but that's your opinion and you ought to keep it to yourself.” “Oh, Louise, don't take everything so personal. I'm just saying it like it is,” Jenny replies. “I call that rude,” Louise says. “Hey,” Fran interjects, “this conversation is getting out of hand. Thanks for your loyalty, Louise, but Jenny has a right to her opinion. Maybe we better get back to work.” As they start to leave, Jenny says, “You know, it's stupid for women to be so emotional about these things. I'm just talking business, and you two keep taking it personal.” Fran and Louise walk away without another word to Jenny, but steam is coming out of Louise's ears. “Can you believe that woman? She's just jealous of you, Fran.” And jealousy can be dangerous.

Sean “Diddy” Combs allegedly woke up in his Brooklyn prison cell with a knife pressed against his throat. According to a close friend, it was a warning — a scare that could've ended with blood on the floor. But here's the question that needs to be asked: why is this the story everyone's talking about? Because if even half of what's been alleged about Diddy is true, then the real horror didn't start behind bars. It started long before — behind locked hotel doors, studio walls, and a decade of silence. In this episode, Tony Brueski breaks down why sympathy for Diddy's so-called “brush with danger” feels misplaced. The federal indictment, the civil lawsuits, the survivors — their stories paint a picture of inhuman treatment that makes one prison scare seem like poetic irony. Cassie Ventura's decade of abuse allegations. The infamous 2016 hotel video. Claims of “freak-off” sex parties, drugging, beating, coercion, and threats. Lawsuits describing a pattern of violence, humiliation, and control that allegedly spanned decades. The minors. The staffers who say they were forced to procure drugs or keep secrets. The federal charges of racketeering and sex trafficking. The witnesses. The verdicts. This isn't about celebrity gossip. It's about power — the kind that corrodes every soul it touches.  And it's about what happens when the man who allegedly used fear as a weapon finally feels it himself. If you came here looking for a redemption story, you won't find one.  Because waking up to a knife at your throat isn't the same as living years with one metaphorically pressed against your soul. This is Hidden Killers with Tony Brueski — where we stop pretending that predators deserve sympathy, and start remembering the victims who were never headline news. #Diddy #SeanCombs #HiddenKillers #TonyBrueski #TrueCrime #CassieVentura #DiddyTrial #DiddyPrison #CelebrityCrime #Justice Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Sean “Diddy” Combs allegedly woke up in his Brooklyn prison cell with a knife pressed against his throat. According to a close friend, it was a warning — a scare that could've ended with blood on the floor. But here's the question that needs to be asked: why is this the story everyone's talking about? Because if even half of what's been alleged about Diddy is true, then the real horror didn't start behind bars. It started long before — behind locked hotel doors, studio walls, and a decade of silence. In this episode, Tony Brueski breaks down why sympathy for Diddy's so-called “brush with danger” feels misplaced. The federal indictment, the civil lawsuits, the survivors — their stories paint a picture of inhuman treatment that makes one prison scare seem like poetic irony. Cassie Ventura's decade of abuse allegations. The infamous 2016 hotel video. Claims of “freak-off” sex parties, drugging, beating, coercion, and threats. Lawsuits describing a pattern of violence, humiliation, and control that allegedly spanned decades. The minors. The staffers who say they were forced to procure drugs or keep secrets. The federal charges of racketeering and sex trafficking. The witnesses. The verdicts. This isn't about celebrity gossip. It's about power — the kind that corrodes every soul it touches.  And it's about what happens when the man who allegedly used fear as a weapon finally feels it himself. If you came here looking for a redemption story, you won't find one.  Because waking up to a knife at your throat isn't the same as living years with one metaphorically pressed against your soul. This is Hidden Killers with Tony Brueski — where we stop pretending that predators deserve sympathy, and start remembering the victims who were never headline news. #Diddy #SeanCombs #HiddenKillers #TonyBrueski #TrueCrime #CassieVentura #DiddyTrial #DiddyPrison #CelebrityCrime #Justice Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

In Hour 2, Andy and Randy talk about the injured players that the Falcons were missing, the notable results from Week 8 in the NFL, and take calls from Falcons fans.

We recap Tommy's Buffalo Bills picks from Friday!

Never Use the Law to Excuse the Death of the Innocent: Scripture Reflection for October 27, 2025 by Priests for Life

Wolfie dissects yet another defeat to Bournemouth and Dyche's Premier League debut match! To Buy Wolfie A Coffee! Click Here: https://buymeacoffee.com/forestfantv Join Wolfie on Forest Fan TV for a candid breakdown of yesterday's Premier League defeat at the Vitality Stadium on Sunday, where the Reds fell 2-0 to bogey team Bournemouth, marking just 2 wins in 15 meetings. Fresh off the Europa League high against Porto, this was a harsh reality check—Sean Dyche's first league game ended with no goals for Forest, with goals from Tavernier and Kroupi exposing a lacklustre Forest side still winless in the league since September and rooted in 18th. The performance lacked spark: disjointed play, few shots on target, and Bournemouth capitalised on Forest's sluggish transitions. Morgan Gibbs-White and Callum Hudson-Odoi showed flashes, but the defence crumbled under tired legs and weak pressing, undoing the Porto momentum. Wolfie labels it a “step back,” questioning if the bogey curse will ever lift and whether Dyche's approach needs a rethink to fire up the attack. In the post-match interview, Dyche cited “tired players” after the Thursday game—Wolfie dismisses it as a “excuse,” expecting more from a squad with depth and only being in October. Is this just early struggles for Dyche, or a deeper issue? Share your thoughts in the comments: Gutted by the loss? What's next? Like, subscribe, and hit the bell! #nffc #premierleague #nottinghamforest Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sean “Diddy” Combs allegedly woke up in his Brooklyn prison cell with a knife pressed against his throat. According to a close friend, it was a warning — a scare that could've ended with blood on the floor. But here's the question that needs to be asked: why is this the story everyone's talking about? Because if even half of what's been alleged about Diddy is true, then the real horror didn't start behind bars. It started long before — behind locked hotel doors, studio walls, and a decade of silence. In this episode, Tony Brueski breaks down why sympathy for Diddy's so-called “brush with danger” feels misplaced. The federal indictment, the civil lawsuits, the survivors — their stories paint a picture of inhuman treatment that makes one prison scare seem like poetic irony. Cassie Ventura's decade of abuse allegations. The infamous 2016 hotel video. Claims of “freak-off” sex parties, drugging, beating, coercion, and threats. Lawsuits describing a pattern of violence, humiliation, and control that allegedly spanned decades. The minors. The staffers who say they were forced to procure drugs or keep secrets. The federal charges of racketeering and sex trafficking. The witnesses. The verdicts. This isn't about celebrity gossip. It's about power — the kind that corrodes every soul it touches.  And it's about what happens when the man who allegedly used fear as a weapon finally feels it himself. If you came here looking for a redemption story, you won't find one.  Because waking up to a knife at your throat isn't the same as living years with one metaphorically pressed against your soul. This is Hidden Killers with Tony Brueski — where we stop pretending that predators deserve sympathy, and start remembering the victims who were never headline news. #Diddy #SeanCombs #HiddenKillers #TonyBrueski #TrueCrime #CassieVentura #DiddyTrial #DiddyPrison #CelebrityCrime #Justice Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

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Join in with the gang as they jump into some fun banter with a little bit of churched up conversation, they even bless a guy that got in trouble for kissing a methed up person and says it wasn't him..... Like Share and Subscribe

What does it mean to truly use your voice—to tell stories, bring words to life, and inspire others even when life throws challenge's your way? My guest this week, Amber Ba'th, embodies that Unstoppable spirit. Amber is a professional voice actor, a Bible narrator for the Dwell app, and a functional nutritionist who turned a life-changing diagnosis into a deeper calling. Amber opens up about performing on stage, finding her place in the booth, and learning resilience after being diagnosed with transverse myelitis. Her story reminds us that creativity and courage don't fade—they evolve. I think you'll be moved by her honesty, her strength, and her Unstoppable commitment to sharing her voice with the world.   Highlights:   00:10 – Hear how early curiosity in theater grew into a lifelong love for performance. 03:21 – Learn how family roots in the arts shaped a career in acting and voice. 07:21 – Discover why live theater creates a unique audience experience you can't get in film. 14:03 – See how studying Theater Arts Administration opened doors beyond the stage. 17:24 – Find out what moving to LA taught her about auditions, hustle, and opportunity. 25:37 – Get the real entry point into voiceover and why COVID pushed her to record at home. 27:26 – Understand the scope and process of narrating the entire CSB Bible for the Dwell app. 32:07 – Learn how leaning into “villain” characters can expand your VO range. 35:06 – Take why acting classes matter for believable, persuasive voiceover reads. 38:05 – Hear her journey with transverse myelitis and how she reframed ability. 43:47 – See how diet changes and self-advocacy supported healing and daily function. 54:14 – Learn practical nutrition tips VO pros use to protect tone and clarity.   About the Guest:   Hi, I'm Amber Ba'th—pronounced By-ee-th! I'm a Philadelphia native with roots in Los Angeles and Washington, D.C. I earned my BFA in Theatre Arts Administration from the legendary Howard University, and from the very beginning, storytelling and performance have been a huge part of my life. Whether through stage, screen, or sound, I believe creative expression has the ability to inspire, uplift, and connect people. That belief and my faith in Christ, has guided every step of my journey in the entertainment industry.   With over 20 years of experience in theater and film, I've worn many hats—actor, voice actor, producer, company manager, and coach. My early days at Philadelphia's Freedom Theatre gave me the foundation to work on national tours and major productions, such as The Fabric of a Man (national stage and film), and the national tour of If This Hat Could Talk under Tony Award-winning director George Faison. I've also stepped in front of the camera, appearing in Ice Cube's Friday After Next and national print campaigns for McDonald's that landed me in Essence, O Magazine, and Woman's World.   Voice acting has become one of my deepest passions. I've had the privilege of lending my voice to projects for Delorean, Holler Studios, Amazon, Make Originals, and most notably, narrating the greatest story ever told for the Dwell Bible App; just to name a few. I'm known for being versatile—able to bring warmth, humor, authority, and charisma into every read. Whether a character needs to feel animated, compassionate, bold, or simply relatable, I approach every project with creative precision and care.   I've been fortunate to learn from incredible mentors like Nick Omana, Art Evans, Queen Noveen, Linda Bearman, Al Woodley, Joyce Castellanos, JD Lawrence, and Rolonda Watts, and to collaborate with talent across every corner of this industry. I'm always growing, always listening, and always grateful. My goal is not only to entertain but also to reflect God's grace through my work. Faith is my anchor—it's the reason I'm able to keep showing up in this ever-changing field with joy and purpose.   Outside of my career, I'm a mother of two, and I live with a “different ability” that has only strengthened my walk and testimony. I believe that what God has for me is for me, and I want other artists to feel empowered to claim that same truth for themselves. As someone in the faith, You are royalty—act like it, speak like it, know it. I'm here to tell stories, give voice to vision, and ultimately to help others feel seen, heard, and deeply valued in this industry.   Ways to connect with Amber:   LinkedIn- https://www.linkedin.com/in/iamamberbath/   IG- https://www.instagram.com/iamamberbath/   YouTube- YouTube.com/@iamamberbath   Website- www.iamamberbath.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well, hello everyone. Wherever you happen to be, I am Michael Hingson, and this is unstoppable mindset. We are really excited that you're here with us today. And we have a fascinating guest who was referred to us by another fascinating guest who is coming on unstoppable mindset, and we'll get to all that, I am sure. But Amber bath is how she pronounces her last name by eth. I'm saying that right. I assume that is correct. Oh, good. Never want to get it too wrong, you know. Anyway, Amber is a voice actor and does a lot of different things. And we learned about Amber from someone who we were referred to by Walden Hughes, that reps in yesterday USA, and Walden has been on unstoppable mindset a couple of times. Amber, do you know Walden? I know I don't. Well, then we can spread all sorts of rumors and you'll believe everyone, right, absolutely. Anyway. So anyway, what Linda Berryman, you know, so that works. Anyway, I want to welcome you to unstoppable mindset. It's really a joy and a pleasure to have you, and thank you for being here.   Amber Ba'th ** 02:42 Thank you for having me. This is such an exciting moment. Well,   Michael Hingson ** 02:46 I'm anxious to learn all about voice acting and some of those things. But why don't we start by maybe you telling us a little bit about kind of the early Amber growing up and all that sort of stuff. Well, always a good place to start. You know, a   Amber Ba'th ** 03:02 long time ago   Michael Hingson ** 03:03 in a galaxy, far, far away, yes,   Amber Ba'th ** 03:07 oh my gosh. Well, I I'm a suburbian girl here. I'm from the suburbs, actually Philadelphia. I was actually born in DC, raised in Philly, went back to DC, then moved all the way across country to La La Land. Is that where you are now, I'm not. I'm actually back in DC.   Michael Hingson ** 03:33 Go figure. Right now I'm, I'm really curious to hear the history of all these moves. But anyway, so you were raised in Philadelphia. Did you ever meet Rocky Balboa? Just checking,   Amber Ba'th ** 03:45 no, just ran the steps. You did run the steps. I did run the steps. Yeah, actually got a heat stroke. But I did. I was, I was young at the time, and it was super hot. And you know, it's like, yeah, you know, I'm gonna run the steps. Ran the steps, and just shouldn't have   Michael Hingson ** 04:04 done that, not in the middle of the day. No, when did he run them? It was in the morning, wasn't it?   Amber Ba'th ** 04:11 Yeah, he always ran in the morning. So no, I was this was in the heat of the day.   Michael Hingson ** 04:16 So huh, we all have our growth issues that we have to deal with so so you but you were raised in Philadelphia, and you went to school there and so on, and what kind of were your interests and so on, growing up   Amber Ba'th ** 04:32 theater, I was really, I mean, I come from A family who has always been in the spotlight. I had two aunts who actually had a touring show titled The sisters, the Stuart sisters. And, you know, I've always been wanting either to dance, to sing, to act. That was just. Just my thing.   Michael Hingson ** 05:02 So they you came by, it pretty honestly. Then exactly anything else. They were actors in the show.   Amber Ba'th ** 05:10 They were, yeah, one was a singer and one was an actress.   Michael Hingson ** 05:12 Yes, oh, cool, yeah. Well, and what was the show about?   Amber Ba'th ** 05:18 Actually, it was about Harriet Tubman, Sojourner, Sojourner, truth. And it was it they actually toured different toward the country and talked about the Underground Railroad and and and how they were able to escape and free other, other slaves.   Michael Hingson ** 05:42 Now that show isn't whether it's your parents or not, but that show is not on now. It's not running.   Amber Ba'th ** 05:50 This was a stage play. This was many, many years   Michael Hingson ** 05:52 ago, right, right, yeah, but they but no one has continued. I would think it would be a very valuable thing to keep around you.   Amber Ba'th ** 05:59 Would think it would be that, you know, the traditional way, but we kind of moved in different directions, you know. So   Michael Hingson ** 06:06 everything closes eventually. The fantastics eventually closed, and that was on for the longest time, yeah? Well, even cats was on for a long time. Oh, yeah. I, I think, although I don't know, but the producers, I think, has closed,   Amber Ba'th ** 06:22 yeah. And I really wanted to see that. I saw the film, but I wanted to see the stage play.   Michael Hingson ** 06:28 Oh, the stage play was much better than the film, I'm sure. You know, I don't know what it is about Matthew Broderick, but he just doesn't sound natural in films. But we went to see it. It was in August of 2001 and we were living in New Jersey, and I was in New York, because that's where we had our offices, on the 78th floor of Tower One of the World Trade Center. And on a Tuesday in 2001 in August, I went over to the theater where the producers was, and I figured, I'll see if I can get tickets. Because my wife, Karen, who was now she's my late wife. She and I were married for 40 years, and then she passed away. But anyway, we I decided that we would try to see it, and I went over to the theater, and I said, so I want to see if I can get two tickets to the producers. And I knew that the media had said all the news media said, you can't get a ticket before March of 2002 and I said, well, but the deal is that my wife is in a wheelchair. Can we by any chance get a matinee to to go see it? And the guy said, I'm sorry, there's just nothing until at least no December. And I said, Well, okay, is there any chance of any other time other than the weekend, or anything that we could get? And he said, Well, just wait a minute. And he goes away, and he comes back and he goes, What are you doing Saturday night? I went, I guess I'll go see the producers, right? And we did. We got to see the original cast, of course, Matthew Broderick, Nathan Lane and Katie Huffman, who played Ulla. And was so wonderful to see that show. We had seen Matthew Broderick and Sarah Jessica Parker in How to Succeed in Business Without Really Trying. And then we saw Nathan Lane, and A Funny Thing Happened on the Way to the Forum. So we had seen them all perform before, but that was so fun to see.   Amber Ba'th ** 08:27 That's awesome, yeah, yeah.   Michael Hingson ** 08:29 And I think that the film wasn't nearly as good as the play, but   Amber Ba'th ** 08:34 I'm sure it wasn't. So my theater is so dear to me. I I don't know, it's something about the willingness, suspension of disbelief, of breaking out of reality and just, you know, getting away from it all, and just sitting and enjoying yourself, laughing at just sometimes it can be nonsensical. Sometimes it can be sort of reality, you know, whatever, whatever genre you like, and it's nothing like being in the audience when you're when you're having when you're in there as live theater. So it's always a great opportunity to go and see a show, if you are able.   Michael Hingson ** 09:18 Why is it so much more fun, and so many people feel as you do about that, as opposed to going to a movie,   Amber Ba'th ** 09:29 it's, it's a it's a cultural thing for me, and it's immersing yourself in the culture of theater, seeing the different nuances. There's sometimes there's interaction, like, they'll break the fourth wall. Sometimes in that, in every show, is not the same. That's the great thing about theater, because you could go to a show on a Monday and then you go back to see it on a Friday, and it's like, totally different. Yeah, you.   Michael Hingson ** 10:00 It was 93 or 94 whenever they had the big baseball strike. And I went to see Damn Yankees, which has always been one of my favorite movies, because I've always been a ray Walston fan anyway, but went to see it, and during the the and I don't remember who was, who was in it, but at one point, Mr. Applegate, the devil, said, we've got to do something to to disrupt this whole baseball thing and get Joe Hardy back in line with what we want. He said, I got it. Let's organize a baseball strike right there in the middle of the theater. I mean, you know that that had to be ad libbed and just done, but it was so funny to see.   Amber Ba'th ** 10:44 Yeah, you never know what you're gonna get. You know, it's always exciting to see. And   Michael Hingson ** 10:49 I think that the reason that I like theater over over movies is, in part, you're hearing a lot more. Even though there's still audio and electronics, you're still hearing the PA system. You're not hearing the PA system as much. You're really hearing voices exactly you're hearing and seeing so many things. We did go to see Damn Yankees again a few years later, we had moved to New Jersey by that time, and Jerry Lewis was playing Mr. Applegate. Wow. It was the only time he ever did anything on Broadway and and did such a wonderful job. It was incredible, really.   Amber Ba'th ** 11:26 You know, it's the last show that I actually saw. Was Daniel at the sight and sound Oh and oh my goodness, I'm gonna go back. I'm gonna go see Noah. But I was literally sitting on the floor at the end aisle, and when the animals came out, I could actually reach out and touch them if I wanted to. But it was just so beautifully done. It was so amazing. It I can't, I can't even there are words that can't describe the the acting, the set, set design, the sound, everything about that show was amazing.   Michael Hingson ** 12:12 We went to see the Lion King. Karen's brother got us tickets. He was a certified ski guide in France, and he was coming back for the summer with his family, and got all of us tickets. So we went to see Lion King. It was a matinee on a Wednesday, and we got into the theater and the show started. And I knew kind of how it started, with the music and so on, but there's still nothing like hearing it live. But we it live. But we, we, we were listening. And then at one point, of course, the hyenas come in, and they meet with scar but in the play, in the in the musical, they come in from the back of the theater, down the stairs, and Karen, of course, being in a wheelchair, sitting in her chair on the aisle, and the hyenas are growling and they're coming by, and one of them gets right up next to her and goes, you've never seen a lady in a wheelchair jump out of her chair. Oh, it was so funny, but we were talking about it later, and she said, It wasn't long before you got completely used to all these animals, these puppets, and you didn't think of them as anything but the actual animals, wow, which, you know, you you you get in a theater, which you don't get the same in the movies at all. But it was, it was a lot of fun. We actually did get to go backstage afterward and meet some of the actors, and I actually got a chance to look at one of the animals, which was kind of fun.   Amber Ba'th ** 13:47 That's awesome, you know, I'm sorry. The other thing is that when you are in live theater, there's an intermission, and you get to actually mix and mingle with other people, other theater goers. So that's always another thing. I mean, you know, going to the movies. Yeah, you see other people walking back and forth, but they're, you know, rushing for their seat, going to the restroom, getting, you know, and going to the concessions. But there are moments where they're either taking pictures. Sometimes the cast members may come out during intermission, take pictures, and it's more of an interaction with everybody.   Michael Hingson ** 14:24 We went to see God spell once in San Diego, and what we didn't know was there was a guy out there who was coming up to people and wanting to clean their windshields and so on. And what we didn't know until later was that was the actor who played John. He was in character. He was being a servant. It was, it was great. That was so clever. That's awesome. So what did you do for college? Well, I went, as if we don't know,   Amber Ba'th ** 14:55 and I know, right? I went to Howard University. Yeah, and I majored in theater arts administration, uh huh, yeah. So it's the funny thing about that was I always, you know, was in the theater, and my mother told me, I am not paying for you to be an actor. I'm like, Well, I don't know anything else. And this particular year, when I came in, they had just started the theater arts administration program, and I said, Well, I can't do acting. I don't know anything else. This is it. And I really didn't know what that entailed until I got in and I said, Hmm, let's see I get to know the behind the scenes aspects. I can also be a producer to director. I could, you know, basically tell people what to do. That is for me,   Michael Hingson ** 15:50 there you go. So you so you got your degree in that. How come your mother wouldn't pay for you to be an actor?   Amber Ba'th ** 15:59 Because, I mean, back then it was just like, you know, that's something that that's not a real job, no. And even though she did it, they think like that, you know, that's not a real job. You know, it'll never amount to anything. You won't you get, you won't get where you want to be, you know. So I said, you know, I don't know anything else but, but this so, you know, so thank God that that was something that was there when I did come in there.   Michael Hingson ** 16:27 Well, so you, you got your degree in theater arts, production, administration, administration, and so you, you learned how to tell everybody what to do, which sounds a good thing to do, right? And so then what happened after college?   Amber Ba'th ** 16:47 Well, after college, I was I had always been one of those types that said, Oh no, I just got out of college, and maybe two days later I don't have a job, and I'm always worried about that, but I had someone, a classmate, say, You know what, I think you'd be a good fit for this. And what is she talking about? And I don't know if you recall HBO taxicab confessions, uh huh. Okay, so they actually came to DC, and, you know, they chose me. I was chosen to be their production assistant, and I was in the follow vehicle with the cab, you know, all that kind of stuff. And it was like, Okay, this is a lot. This is a lot. They never aired it because a little too risque. But, I mean, they could air it now, but, you know, and they asked me to come to LA, you know, as, and that was a funny thing, because when, before then, I said, oh gosh, I'll never go to LA. It's like Sodom and Gomorrah. And so I wound up going to LA they said, you know, I'll give you, you know, get you a round trip ticket, you know, you can either stay, you can go back, you know, giving me that option. And I took it. I took it, and it was the best thing that I've   Michael Hingson ** 18:14 ever done. What did you do when you got out here?   Amber Ba'th ** 18:17 When I got out there? I, of course, I was working with them for a little bit, and then I decided, You know what, I want to be an actress. This is what this is. I'm here. I am in Hollywood.   Michael Hingson ** 18:29 Mom, not withstanding.   Amber Ba'th ** 18:33 I said, Oh my gosh. And of course, what did I do? I got whatever most actors got was a waitress, a way a serving job, you know, just something enough that I could act flexible enough that I could actually go on auditions and things like that. And I did. I went on auditions. I met a lot of different celebrities. I was in McDonald's had their quote, unquote, adult happy meal that I actually was the poster girl for. I was like, Oh my goodness. And I was in magazines, you know, things like that. And then one day, a friend of mine who graduated with me in theater arts administration, she was actually doing a production, a touring play as the company manager, which is like a tour manager. And she she got another invite to be the company manager on TD Jason's TD Jakes show, and she really wanted to take that so the producer said, Well, you're gonna have to find a replacement. So she called me up and I started working on a show with David Talbert called the fabric of a man who had starred Shamar Moore, and we toured for. Oh, wow. This is interesting, because I didn't really think about this until I started talking. We toured until let's see 910 and I remember because something happened in Houston, Texas, and we had to refund money to all of the audience members, and we're leaving. And what I would do after each show is make sure that the hotel was was taken care of, everything was taken care of. And we went home. Everyone went to their destinations, and we went home. And that morning, I called the hotel, and he told me that different people were still there, and I'm and I just didn't understand why, you know, at the time, because it was really early in the morning in LA and so I'm calling, and I'm like, Well, what's happening? He said, You don't know what's going on. And I said, No. He said, planes are going down everywhere. And I'm like, What are you talking about? I turned on the TV, and that's when I saw the second plane going into the tower. And I just Oh my gosh, this is kind of bringing back some stuff, because I am a woman of faith, and I actually prior to us leaving for seven days, prior to us going to to to Houston. I kept having these dreams about a plane going down in a field, you know, but it would be continuous things. And then the next night, there were planes. There were planes. Looks like two planes colliding. Then there was, I saw people falling out of the sky, and I was like that, this is not making any sense. I didn't know anything. I mean, I was, I didn't know what was going on. And I just kept dreaming these dreams. This is what's happening. Then when we when we were leaving Houston, I had a dream prior to us leaving of the exact shape, color of this plane that went down in the field. And we were, I was at the airport, and I'm looking, and I'm like, okay, that's not the plane that I saw. And so I get on the I get on the plane, and as I'm about to settle in, about to, you know, leave Houston, go to LA, there's a man dressed in Arab garb with, you know, something on his head. And I don't know why I said this, but I just said, I hope he doesn't want to jack the plane. And I went to sleep, and i The dream that I had was that I really saw who was falling out of the sky, but they had on business suits. So when I called the hotel and he told me this, it, it just took over me. You know, I was in shambles. I was like, What? What did I just dream? What happened? Something is not right. I didn't know what was wrong with me at the time. I thought there was something actually wrong with me. Like, why am I dreaming this? What is happening? So that was just something that you happened to ask me the question, and that brought it back. And then I'm thinking about you, you know, so,   Michael Hingson ** 23:44 ah, you know, so many people, many people that I've talked to who didn't at first know what was happening, and they they either turn on their TV, or they were at an airport or something, and they saw the second plane hit the towers and they thought it was a movie. And I've heard so many people say that then, of course, they realized that it wasn't a movie. But you know, a lot of people just thought it was a movie at first, because nobody could imagine it. And you know, that is true. How who would have thought that somebody would deliberately crash airplanes like that into the towers and into the Pentagon? And, of course, now the the one falling out of the sky was that flight 93 in Pennsylvania, Yes, uh huh. And eventually, when you saw the plane, or whatever that was, the plane that you dreamed about, exactly, yeah, uh huh, and that's not surprising. Yeah, there are so many stories of of different things that people experienced that day. We didn't know anything about what was going on until actually we got out of the. Towers, and both towers had collapsed, and my wife was the first one who told us that aircraft had been hijacked and so on. And of course, people say to me all the time, well, of course, you didn't know because you couldn't see it. Excuse me, the last time I checked as I tell people Superman and X ray vision are fiction, and the reality is the airplane hit about 18 floors above us on the other side of the building, no one knew all the way down the stairs, the hundreds of people that I interacted with going down the stairs didn't know what happened. We figured, we figured an airplane hit the building because we were smelling burning jet fuel fumes as we were going down the stairs. So we figured an airplane hit the building. But we had no details. We had no information. Blindness. Didn't have anything to do with it at all. But yeah, it's, it's just one of those things. Well, so you were in, you were still in the business of telling people what to do, which was really good. And how did you eventually, then get into voice acting?   Amber Ba'th ** 26:04 Well, I had always first, it's funny because you people who get into voice acting, oh, I really want to get into voice acting, and they think it's just this one thing that was me. I i always like to do voices. I like to play around with different things. My favorite is the villain. I don't know what it is, but I like to play the villain. But what happened was,   Michael Hingson ** 26:30 you and Cruella de Vil, okay,   Amber Ba'th ** 26:34 it was actually covid. You know, it was. The thing was that I literally was a preschool teacher at the time. And, you know, because after I left, I left LA, I got married and I had kids, and, you know, that kind of thing. So I was back in DC, and so, you know, after that, I covid happened, and I don't want to say it forced me, but it forced me. Nudged me, you know? And I said, you know, this would be great, because different things were happening. Where I was meeting people on on an on an app called clubhouse, and I said, Oh, this is cool. And I've always loved audio dramas too. So I actually about a $40 mic. I bought an eye rig, and I just hooked it up, and I just started talking. And I was in some acting workshops, some improv workshops. I was cast in an audio drama on clubhouse, you know? So it was, I was like, Oh, this is fun, you know, I like talking to myself anyway, so why not? So I created space in my walk in closet, and there you have it.   Michael Hingson ** 28:00 And the rest, as they say, is history. That's right. So what kind of roles have you had, and what kinds of voices and so on, have you created and done?   Amber Ba'th ** 28:11 Well, I I actually, I did the Bible, you know. And whenever I tell the person I narrated the Bible, they're like, the whole Bible, yeah, the whole Bible, technically, that would be 66 books that I narrate, yeah, you know. But yeah, I did the whole Bible for a Bible app, the CSB version for the dwell app, and it was just amazing, because just a little story behind that, I was someone wanted me to narrate their book, and they said that, you know, we want you to narrate it, but we don't want to use your name. We want you to. We want to, we want to use your voice, but we want the narrow, the author to be the narrator. Is this like a ghost Narrator or something, really, that's a   Michael Hingson ** 29:10 little strange, you know? And, oh, we'll give you this   Amber Ba'th ** 29:13 amount of money. Like, okay? And then I actually was praying about it. And, you know, the Lord spoke to me, and he said, I gave you that voice. So I had to decline. And then someone else came to me to narrate a book, and they were taking forever. Oh, it's not ready yet. It's ready. It's not ready yet. And I said, look, okay, I can't do this. I had auditioned for the Bible. And normally it takes, it's like a 2448 hour turnaround time to really know if you if this is for you. Yeah, and I didn't hear anything for about maybe three weeks. And I was like, I guess they found their person. And. I get an email saying that we got good news. You just booked the CSV version. I think I dropped whatever I had in my hand and fell before and, you know, it was just, it was just amazing. So, you know, because what I what happened was I read the Bible every day, and this particular and I read it in a year. So this particular year, I decided to listen to it, and, you know? And I said, You know what, Lord, it would be cool if I could narrate this. And then I had this audition, and I was blessed to read the Bible, and I did it in less than a year.   Michael Hingson ** 30:41 Wow, yeah, it's clearly, you know, it's a long thing. Do you know who Carl Omari is? No. Carl Omari, well, he's probably most known for having recreated the Twilight Zone radio broadcasts. So he, years ago, he took all the Twilight Zone episodes. He got permission from Rod Serling estate, and he created radio broadcasts of them, but he also did the Living Bible, and he got people like Michael York to to be involved in other actors and so on. So I know having, and I own a copy, and I didn't even know about Carl doing it at the time, but it's 98 hours long. It's a long it's a big one.   Amber Ba'th ** 31:22 It's a long one. It is long. But, yeah, that was exciting. Also, I recently just narrated a book called heaven, not by Patricia Robinson, and it's very Orwellian. I should say, you know, I, as I was renarrating it, I'm like, this stuff is happening now. And she wrote it years ago. And I'm talking about, as my children would say, in the 1900s you know. So it was, it was amazing. It was amazing to do that and and I love it, but I do love animated characters. So one of the characters that I never actually thought that I was someone to do impersonations. You know, it's like I got my own voice. You don't need to do anybody else voice. But I was in a workshop for with a good friend, Chris Woodsworth, and he's over in the UK. And he said, Well, what do you like to do? And I said, I like villains. So he thought of a villain, and I never would have thought about Isma from the Emperor's New Groove, and when I was researching, when I was going over the lines, I had to stop myself, because it scared me, because I said, Wait a minute, I really sound like her.   Michael Hingson ** 32:56 All right, really creepy. We need to hear you sound like a villain.   Amber Ba'th ** 33:00 Oh, my goodness, Isma. Okay, so Isma is Cronk. Why did I think that you got this one simple thing? It's like you're a dude, a really, really big stupid monkey named Cronk. And do you want to know something else? I never licked your spinach puffs, never Oh, oh, gosh, oh, goodness. And then, you know, I love, it's the last the laugh that a villain does. I did that, you know, I, I did one. It's called a micro animation called house in the Outlands, and I played a character named sathagawa. And it was one of those, you know, one of those. It was so cool. You know,   Michael Hingson ** 33:49 I've, I've always been impressed with listening to voices and so on, and voice acting, to a large degree, one of the things that I that really made me appreciate a lot of it was, of course, James Earl Jones playing Darth Vader on Star Wars. And then I had the opportunity, while I was in New York once, to go see James Earl Jones and Christopher Plummer in Othello. What an amazing performance, because at the end, when Othello falls on his sword, you know, you know what's going to happen. People have read the play. It's not like Othello is a secret, right, right? The whole crowd just went when he did that. I mean, they were so drawn in by the power of both of their voices and the acting, which is, I've just always loved the fact that people can do that.   Amber Ba'th ** 34:48 Yeah, it's it's amazing. Sometimes I listen to myself and I'm like, That's me.   Michael Hingson ** 34:56 Well, your prejudice. So I. But still, it's just amazing how people can can do so much with with voice collecting old radio shows, as I do, it's really fascinating to to hear all the old shows and the different things that that people do, and the way they can sound so natural doing so many different kinds of voices and so on. And I think we've lost that art, to a degree, at least for a lot of people who try to go off and recreate radio shows, it sounds forced. And we've we've not been able to really train people, although I think one of the things that the radio enthusiast of Puget Sound wants to do is to actually start providing some acting classes to teach people how to use their voices in really doing radio shows, right.   Amber Ba'th ** 35:54 Yeah, yeah, you're so right. I mean, when I was I was actually a a moderator and assistant to a improv workshop coach. I always told students it is so imperative to take acting classes. I mean, I know with voiceovers, it's a lot of it's commercial and things like that, but you have to understand that when you are conveying a message, you know, I don't care how great your voice sounds, if the listener cannot feel, you cannot really get into what you're saying. Or even, let's just say it's a commercial for food. If they can't say, Okay, I gotta go and get some food. Now, you know, then you didn't do your job, right? You know? And I tried to let I said, Listen, it's not just people, you know. They will say, Oh, I'm selling burgers. No, you're not. You're not selling burgers. You know, it's people are hungry. You know, you're telling people this is what they should do because you're hungry, it's mouth watering, yeah, you know, describe what you're eating, and you have to do it in such a way, in such in such a short amount of time, that it just leaves people salivating, you know? And that's, that's what they want, that's what sells the food, the product, or or whatever, whatever it is that you are sharing. So I really tell students, please take acting classes. Yeah, you have to see it, envision it. Sometimes you got to get up and, you know, move around. Sometimes when you're doing auditions, or when you're actually doing a session or performances, you know, and nobody can see you.   Michael Hingson ** 37:50 And it's about the voice. I know that the again, reps the radio enthusiast at Puget Sound does a number of radio recreations. I participated in a couple, but one of the things that I do, and a few of the actors who have been around for a long time, Margaret O'Brien and Beverly Washburn and other people like that, before they will undertake one of the parts that they're they're asked to do in recreating a radio show, they go back and listen to the original show because they want to get into the character.   You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

HAPPY FRIGGIN' "A" FRIDAY EVE!!!! A Family's Boat Caught On Fire While Out Boating, Finders Keepers Doesn't Work Here, Mamma Can't Have A Boyfriend, AI Music, Conspiracy Theory Thursday, Top List, & That's An Excuse!!!

In this episode of 'Fit Fueled, and Busy,' formerly known as 'Boost Your Metabolism Over Age 30,' the host discusses the rebranding of the podcast and its new focus areas: nutrition, fitness, mindset, and real-life unfiltered topics. The episode addresses five common excuses people use for not prioritizing their health and fitness: lack of time, putting others first, perfectionism, lack of energy, and conflicting information. The host provides practical insights and tips to overcome these excuses, emphasizing the importance of consistency, intentionality, and planning. Listeners are also invited to visit Couture Fitness Coaching for personalized support.00:00 Welcome to Fit Fueled and Busy00:38 Podcast Schedule and Themes01:10 Unfiltered Episode: Debunking Common Excuses01:35 Excuse #1: I Don't Have Time04:52 Excuse #2: I Have to Put Everyone Else First06:13 Excuse #3: If I Can't Do It Perfectly, It's Not Worth Doing07:13 Excuse #4: I Don't Have the Energy08:13 Excuse #5: There's Too Much Conflicting Information08:52 Conclusion and Next Steps Thanks for listening, we hope you enjoyed it. Grab our FREE fast food guide here. Book a FREE strategy call here. Reserve your spot with a Couture Coach: Buy a 1:1 coaching packageSign up for our FREE newsletter here.Follow us for more tips, tricks, and support in our private Facebook Group, Boost Your Metabolism After Age 30.Follow us on Instagram @couture_fitness_coachingCheck at our website and blog. Grab our free mini course - The REAL Reason you can't lose weightWant to start boosting your metabolism today? Buy our $79 DIY, self-paced "Master Your Metabolism" course.Want customized plan for boosting your metabolism? Learn more about our 1:1 coaching

SEGMENT - After last night's preseason finale, Celtics Head Coach Joe Mazzulla offered a new explanation for making the media members face off with C's coaches? Are you buying Joe's selling?

Because we lived along the East Coast for so many years, we had the opportunity to see many of America's old lighthouses. I mean, we came up over the top of a hill on an interstate one day and I saw what I certainly never expected to see hundreds of miles from the ocean. It was a lighthouse with a bright, functioning light on top. Obviously, it wasn't there to point any ships in the right direction. Actually, it was part of a church that stands right near the highway. This lighthouse is for people! I'm Ron Hutchcraft and I want to have A Word With You today about "The Great Lighthouse Shortage." It seems to me that Jesus intended for every church to be a lighthouse, whether or not they have a lighted tower as part of their building, as He intended for every Christian to be a lighthouse, every ministry. Tragically, there are so many lives around us headed for eternal disaster, and there is a terrible lighthouse shortage. We know that Jesus said that those who belong to Him are "the light of the world" (Matthew 5:16). And Matthew 4:16, our word for today from the Word of God, tells us which direction our light should be pointing. Jesus says, "The people living in darkness have seen a great light; on those living in the land of the shadow of death, a light has dawned." See, it's the people in spiritual darkness, the people who are spiritually dying who should be the focus of all this light that God has given us. The problem is that often we're content to have all the lights inside the church, shining on those who are already headed for heaven. Meanwhile, we let countless lost people just get another day closer to hell. We do what's easy. We just work with the sheep who are already in, when Jesus said He would leave ninety-nine of those just to go out and find one lost one. But notice, you have to go out to find them. You can't just stay in the Christian cocoon waiting for someone to stick their head in the door and say, "Excuse me, but is there any light in here?" The lighthouse needs to be out where they are! We can go to all our Christian meetings, and fellowship with all our Christian friends, and enjoy all our Christian books and programs, and we feel like we must be winning. Well, not when two-thirds of Americans can't tell you half of the Ten Commandments or who did the Sermon on the Mount! Not when the number of people who say they believe in nothing has doubled in just a few years, not when the number of those who are self-declared witches grew over 1,500% in a decade. Even in one Bible Belt state, the statistics came in this way: two-thirds of the people even there are essentially un-churched! You have working near you, living near you, going to school with you - people who have no idea that what Jesus did on the cross was for them and that He's their only hope! If our Christian subculture makes us feel like we're winning, it's the illusion of winning. How can we be content to spend all our time with the already rescued when we're living surrounded by a sea of dying people? How can we say that we're following the One who came, as He said, to "seek and save what was lost" and not be doing that with all our heart? If you're following Jesus, I'll tell you where He's going. He's always headed for a sea of lost people. That should be where we end up, too. Oh, it's bright inside the lighthouse, but it's very dark outside the walls. So many headed for eternal destruction! They desperately need a lighthouse - a lighthouse that's out where they are, pointing them to life in Jesus Christ. Please, be their lighthouse!

Minneapolis Star Tribune keeps trying to excuse Rick Kupchella's "A Precious State." Great wisdom from GL emailers. Ilhan Omar makes it official and endorses Omar Fateh. Johnny Heidt with guitar news.Heard On The Show:Last-minute plea deal in Feeding Our Future case involving accusation of witness tamperingMultiple people injured, home demolished in Hibbing house explosionGovernment shutdown could be the longest ever, Speaker Johnson warnsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Investigative journalists Mandy Matney and Liz Farrell have a lot to cover before the release of Murdaugh: Death in the Family, which premieres Oct. 15 on Hulu and  Disney+. And we're equally excited for the launch of our Official Podcast, also premiering on Hulu and Disney+, with extended audio episodes on all audio platforms! Last week, (4:30) Houston's alleged wife and baby murderer Lee Gilley filed a motion to… go home to South Carolina for Thanksgiving? Excuse me, sir? One year after he was charged with killing Christa Bauer and her unborn baby, Gilley is putting his mama's boy arrogance on full display. Also on the show (8:30) Congresswoman Nancy Mace exposes South Carolina Attorney General Alan Wilson's horrible record prosecuting child sexual abuse materials cases and demands an explanation. The two are running against each other in the GOP primary for governor and Mace is pulling no punches in the fight to expose the broken justice system Wilson has overseen for 14 years.  Plus, (26:50) new video is released in #SquiresgateGate showing more of off-duty Deputy Billy Squires' unhinged behavior in his Hilton Head Island neighborhood as he and his sheriff's posse harassed local teenage boys.  How does this case keep getting worse? And who does (33:50) Beaufort County Sheriff PJ Tanner think he's fooling? Not us… So much to cover, so let's dive in!

Peace or pause, and does it matter?

Today's word of the day is ‘interview' as in Aaron Boone as in the Yankees as in the Blue Jays as in comeback win! Let's start by talking about the interview Boone did mid-game. How do you feel about these? Aaron Judge finally had his moment. What a monster home run by him when the team looked to be dead. The Blue Jays were hot to start, but that Judge moment may loom big in this series. (21:30) Cal Raleigh HR. Eugenio Suarez HR. And the Mariners take a 2-1 lead vs the Tigers. (24:00) Jerry Jones got fined $250K for giving the middle finger. Excuse me? That's all he did? (33:30) The Arizona Cardinals fined head coach Jonathan Gannon $100K for slapping Emari Demercado in the chest during Sunday's loss to the Titans. $100K!?!? (40:00) Review: It's Never Over, Jeff Buckley. (43:00) The Rays new ownership group met the media yesterday. The team wants a new stadium by 2029. The team won't comment on payroll. The team wants to win the big one. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today's word of the day is ‘interview' as in Aaron Boone as in the Yankees as in the Blue Jays as in comeback win! Let's start by talking about the interview Boone did mid-game. How do you feel about these? Aaron Judge finally had his moment. What a monster home run by him when the team looked to be dead. The Blue Jays were hot to start, but that Judge moment may loom big in this series. (21:30) Cal Raleigh HR. Eugenio Suarez HR. And the Mariners take a 2-1 lead vs the Tigers. (24:00) Jerry Jones got fined $250K for giving the middle finger. Excuse me? That's all he did? (33:30) The Arizona Cardinals fined head coach Jonathan Gannon $100K for slapping Emari Demercado in the chest during Sunday's loss to the Titans. $100K!?!? (40:00) Review: It's Never Over, Jeff Buckley. (43:00) The Rays new ownership group met the media yesterday. The team wants a new stadium by 2029. The team won't comment on payroll. The team wants to win the big one. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Cleveland Browns are going with Dillon Garbiel in London! Not Shedeur Sanders. Not Joe Flacco. So much noise around this team. It's ridiculous! It is always a mess with this team! (16:00) The Colorado Rockies have fired its GM. One of the worst seasons of all time. Bill Schmidt has been there since 1999, GM since 2021. Three straight 100-game losing seasons. 119 losses this year. Terrible farm system. (25:30) Bruce Bochy will not be the Giants manger. Not happening said Buster Posey. (30:20) What is going on with the Cardinals? What happened to the winning? Chaim Bloom is trying to change it. (37:00) Electronic Arts is being acquired for $55 billion… by the Saudi Public Investment Fund. Excuse me? (44:00) The Big Ten is about to get into bed with private equity. A $2 billion plan? What does that mean for the future of that conference? Learn more about your ad choices. Visit podcastchoices.com/adchoices