Podcasts about Excuse

Let's talk about Trump finding his excuse for his tariff checks....

Lawyers, When Did the MOST RIDICULOUS Excuse Actually Make the Judge FuriousBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2025--5684156/support.Darkest Mysteries Online

Lawyers, When Did the MOST RIDICULOUS Excuse Actually Make the Judge FuriousBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2025--5684156/support.Darkest Mysteries Online

What if talent isn't what's holding you back and never was? In today's episode, Kevin and Alan expose the truth behind high performance, consistency, and why most people fail long before they ever find their ceiling. You'll hear the uncomfortable reality about hard work, identity, and the discipline required to rise above average effort and average results. This isn't motivation. It's a mirror. And it will force you to rethink what you believe about success, potential, and the grind required to earn it.Learn more about:

A recap of Tommy's Buffalo Bills VS Tampa Bay picks from Friday

A prayer to break every excusehttps://lifemotivationdaily.blogspot.com/

Alonso and Jacks are back to kick off our Netflix Christmas movie journey — and the first one up is A Merry Little Ex-Mas.ABOUT A MERRY LITTLE EX-MASA separated couple tries celebrating one last Christmas together with their kids before their divorce. However, the husband's new girlfriend joins the festivities, causing tension and chaos during the holidays.AIR DATE & PLATFORM FOR A MERRY LITTLE EX-MASNovember 12, 2025 | NetflixCAST & CREW OF A MERRY LITTLE EX-MASAlicia Silverstone as KateOliver Hudson as EverettJameela Jamil as TessPierson Fodé as ChetMelissa Joan HartBRAN'S A MERRY LITTLE EX-MAS SYNOPSISWe're getting a Christmas story. We meet Kate about 20 years ago, fresh out of college and starting a job at an architecture firm. She goes to a party and dances with a guy named Everett. When he decides to settle down and start his own practice, she follows him to his small town of Winter Light.Flash forward 20 years: they've decided they're getting a divorce… sorry, cautiously uncoupling. Obviously, in Winter Light, you need the mayor's approval for that. They tell him they're still going to do Christmas together as a family, and the mayor (along with all their friends) thinks they're completely insane—because apparently you can't divorce nicely.It's going to be a full house for Christmas: Kate and Everett's son Gabriel and daughter Sienna, Sienna's boyfriend Nigel (who is a Harry Potter tour guide), Kate's sister, and… apparently, Everett's new girlfriend. Kate is the last to find out and, shockingly, she's not thrilled.She runs into Everett and his girlfriend, Tess, while out in town, and it is painfully awkward.The next day, Everett tells Kate he wants everyone—including Tess—to have dinner together tonight. Kate and the kids head to Everett's house and are shocked to see how chaotic things are. The vibes are weird, but maybe they'll get better… right?The next day it's time for Christmas traditions! Bright and early, Kate takes the kids to get a tree. At the lot, she meets a hunky young Santa named Chet, who gives her his number. She shrugs it off—until feeling discouraged by all the Tess-ness and her kids rolling their eyes at her eco-friendly traditions—so she decides… yolo.Naturally, their first date is with the entire family: sledding. It does not go well, with Kate crashing. Everett rushes to check on her, and—uh oh—the old sparks start flying.Kate and Tess chat. Tess basically asks, “How did you let him get away?”Everett and Chet chat. Same conversation, obviously.Turns out, Everett worked too much, and she was just too darn environmentally friendly.Everett apologizes to Kate for not being present in their marriage, and it means a lot… until he adds that if he ever marries Tess (or anyone else), he'll be better. That sends Kate spiraling, and she destroys the gingerbread village she made. She blurts out that she “can't wait to get out of this place.” When pressed, she admits that once Gabe finishes high school, she's moving back to Boston to become an architect again.They all have Christmas dinner together and exchange gifts. Kate gets Everett the indoor grill he's always wanted instead of her usual handmade gift. Everett gets Kate her favorite perfume—made from scratch. It's very sweet. And then Tess opens her gift from Everett: AirPods. She's like, “Excuse me… you MADE your ex-wife perfume from scratch?” Things go downhill fast when the Christmas tree catches fire. Chet—naturally—strips down to help put out the fire.Though Kate finds Chet extremely amusing, she ends up breaking things off with him.Later that night, Everett surprises Kate and the kids by showing up to look through their Christmas Eve picture book like they always do—which leads to an almost-kiss.Christmas morning: Tess bows out, knowing Everett is still in love with Kate. Chet comes to pick her up, obviously.With the power out at Everett's house, everyone heads to Kate's place—because of course hers is fully battery-powered. When they arrive, the entire neighborhood is already there, praising Kate for everything she's done. Through her family and friends, Kate realizes that even though she let go of her original dream, she still made a difference.The movie ends with Everett telling Kate he doesn't want a divorce. He wants to move with her to Boston. Kate tells him she's not going to Boston. Then they kiss—big ones.A year later, Kate has opened her own sustainability company. She's the one working all the time… but in a good way. And the movie ends with “You Can Call Me Al.” Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Am I the Genius? is the show where you get real answers to questions you've always wondered but didn't think to ask. Subscribe on YouTube - youtube.com/@amithegenius?sub_confirmation=1 Am I the Jerk? on Instagram - instagram.com/amithegenius Am I the Jerk? on Spotify - ⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/0uEkxvRMpxLuuHeyPVVioF?si=b279dadfe593432b⁠⁠⁠⁠⁠⁠ x.com/amithejerk facebook.com/amithejerk SUBMIT YOUR OWN STORIES HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠http://amithejerk.com/submit⁠⁠⁠⁠⁠⁠ Mint Mobile - Get this new customer offer and your 3-month Unlimited wireless plan for just 15 bucks a month at MINTMOBILE.com/AITJ Quince - Keep it classic and cool — with long-lasting staples from Quince. Go to Quince.com/AITJ for free shipping on your order and three hundred and sixty-five -day returns. EveryPlate - Dig into these flavor-packed meals your household will love. New customers can enjoy this special offer of only $1.99 a meal. Go to everyplate.com/podcast and use code AITG199 to get started. Green Chef - Head to Greenchef.com/50AITJ and use code 50AITJ to get fifty percent off your first month, then twenty percent off for two months with free shipping. Lola Blankets - Get 35% off your entire order at Lolablankets.com by using code AITJ at checkout. Uncommon Goods - To get 15% off your next gift, go to UncommonGoods.com/AITJ Don't miss out on this limited-time offer. Uncommon Goods. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever walked out of your āśrama and had somebody come up to you and say, "You look tired"? Have you ever had that? How do you feel after that? You go to the mirror and you're looking like, "Yeah, maybe I do look tired." All day long you're thinking about it, and you go home and say, "Hey, do I look tired?" They are like, "Yeah, you look tired." Like, "Oh." Or what if somebody comes up to you and they go, "You look terrible"? How do you feel? Yeah. Then you go to other people, "How do I look to you?" We are very protective of our, or deliberate about the way we present ourselves to the world. And everybody wants to look all spruced up when they go out and meet people. They don't like it if somebody says, "Oh, you look tired, you look sick, you look terrible." And all of these affect the consciousness of the person, as soon as somebody observes that, whether it's true or not. What's really true is they're spiritual, and they do have a secret, which is that they're eternal servant of Kṛṣṇa; they have just forgotten it. So if you make the statement, then ask the question, there's a chemical reaction, just like epoxy glue. When I was a kid, there used to be two tubes, because it wasn't like Super Glue, where you just do one thing and it sticks together. It always annoyed me as a kid; I would tell my father, "Why do they have to have two tubes?" Because when they mix together, that's when there's a chemical reaction, and then it becomes a solid on a molecular level, it holds the thing together. So these two things go together, and what are they? Audience: You look spiritual, what is your secret? And if you just walk up to people all day long and said, "Excuse me, you look spiritual. What's your secret?" I guarantee you will sell tons of books, because people are in a state of self-realization when you ask these two questions, and when you hand the book over, they'll remember, "I'm spirit soul." It's like, "Yeah, I've been waiting for this my whole life." ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #livetogive #bookdistribution #sankirtan #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Troy Kinne’s heart is in the right place. As in, it’s on the wrong side.

Invités : - Alexandre Malafaye, fondateur du think tank Synopia. - Jean-Michel Salvator, chroniqueur politique et communiquant. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us a textIn this episode, we continue our discussion about the old law, the law of Moses where the Hebrew writer said it was a shadow of good things to come but not the real thing which is the law of Christ. We talk about a number of things relating to His law and how that pertains to us today. We note that the word of God was preached throughout the whole world and continues to be available to all people today. We discuss the fact that the credibility of the word of God is established by the facts contained in it that cannot be refuted. We look at the New Testament and note that it contains a history of Christ's time on the earth, the history of the early church and the instructions on how Christians should live, worship and serve God. We discuss some of the specific books and what they contain. We talk about how important it is to read, study and do what the New Testament scriptures say to us. The Lord expects us to become teachers of the scriptures as the Hebrew writer specifically directs. We continue discussing the law of Christ and its universal application to all people. We talk about what it says concerning the pattern and truth it contains, and the fact that it is our guide to heaven. We complete this episode by referring to two scriptures that tell us how important God's word is. We will begin the next episode with those two passages. Take about 30-minutes to listen in on our discussion. Have your Bible handy so you can verify what we are saying. There is a transcript of this Buzzsprout episode provided for your convenience.

After Bihar Landslide, Modi Warns W Bengal is Next | MGB Down to 36 | Rahul's Excuse is the Same

As always during this time of year, Steve and Jonathan Lowe keep you updated on the scores and results from the college football landscape across the nation! Game reports made possible by: Kevin Reid on Bemidji State vs UMary Tyler Vandersall on Carleton College vs Concordia-Moorehead Ryan Klinkner on St. Johns vs St. Olaf Jeff Papas on UMD vs Minot State Aaron Worm on Minnesota State vs MSU-Moorhead

Join The GuildCLICK HERE TO LEARN MOREEpisode DescriptionIf you have tried every diet, tracked every calorie, and still find yourself overeating at night or regaining the same weight over and over, this episode is going to hit uncomfortably close to home. Chris pulls back the curtain on five real-life roadblocks that most people never want to say out loud. These are the deeper life choices and dynamics that quietly keep you overweight, out of shape, and exhausted, no matter how badly you say you want to change.Drawing from his own 125 pound weight loss and years of coaching people through morbid obesity into a thin life, Chris calls out the hard stuff. The job you hate. The kids who take everything out of you. The way you hide in helping everyone else. The spouse you blame or fear. The principles and beliefs you have never updated since your twenties. This is not about shaming you. It is about finally telling the truth about the life you built and how that life is shaping your body.If you have ever thought “I just do not have time to take care of myself” or “I cannot change this without blowing up my whole life,” this conversation will challenge that story and give you a way to start taking your power back.In this episode, you will learnWhy a controlling, draining, or boring job can quietly drive emotional eating and long term weight gain, and what it really means to consider changing it.How a lack of boundaries with your kids teaches them that self care is optional and keeps you stuck in chronic self neglect.Why constantly helping everyone else first can be a socially acceptable way to avoid facing your own body, habits, and limitations.How an overbearing spouse, or the story you tell yourself about your spouse, becomes an excuse that blocks your progress and what you can actually do about it.Why outdated principles and unexamined beliefs from your past are running the show and keeping you from becoming the thin, healthy, happy version of you.This episode is for you ifYou feel trapped by your job, your kids, or your relationship and you keep saying they are the reason you cannot lose weight.You are the reliable helper for everyone else, but your own health keeps getting pushed to the bottom of the list.You are ready for straight talk, tough love, and real responsibility without shame.

The Jim Rome Show HR 2 - 11/14/25 You cannot believe how Cleveland Guardians pitcher Emmanuel Clase tries to explain away the gambling allegations. It's actually something close and personal to Jim's Foundation. Then, Detroit Lions DT DJ Reader joins the show. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Excuse the sniffles, and put down your beverage, because we are bringing more ice to chill out those record collecting woes. On the latest JAM PACKED episode of SURFACE NOISE, we kick off with the latest vinyl news and grooves from the Acoustic Sounds + Rhino 45rpm project, the latest MoFi mis-steps, a Tone Poet 2026 mention, and a new box set that could pique your fancy. Then our panel of vinyl purveyors recap the goings on at the WFMU Record Fair in New York City, before discussing opportunities for larger "conventions" in other parts of the country (versus regional shows). The show of record talking about records is back! This is Surface Noise.    ⏬⏬⏬⏬   For more on host Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com IG: @concertbuddie   For more on debuting guest Sam St. John (Americana Sam): https://www.youtube.com/@Americanasam1994 IG: @americanasam94   For more on returning champion Kendall (Spin Doctor & His Vinyl Mayhem): https://www.youtube.com/@spindoctorandhisvinylmayhem IG: spindoctorsvinylmayhem   For more on Arnaldo (fidelios_frequency):  https://www.youtube.com/@fidelios_frequency IG: @fidelios_frequency Link to Arnaldo's great WFMU recap video:  https://www.youtube.com/watch?v=H0BVmVrb3xI&t=1022s     For more on Chris (Groove Seeker): https://www.instagram.com/thegrooveseeker IG: @thegrooveseeker   Back again and it never felt so good, our dear Jose Moreno Rahn (aka John Bong): https://www.youtube.com/@josemorenorahn https://auroracentralrecords.bandcamp.com   For more on David Bianco (Safe & Sound Texas Audio Excursion): https://www.youtube.com/@SafeAndSoundTXAudioExcursion   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com IG: @vinylcommunitypodcasts   . . . . . Don't forget to visit FOTS (friends of the show) Vinyl Storage Solutions for the BEST sleeves to protect your best records (and your worst). Save 10% using the code(s) below: VCP10 https://vinylstoragesolutions.ca   * Link to VMP article briefly mentioned on the show: https://stereogum.com/2476164/who-got-screwed-when-vinyl-me-please-went-bust/columns/sounding-board  

Jon is joined in studio by Brian McDaniel, Kathryn Johnson, and Grace Keating. The conversation turns to Gov. Walz's speech in Texas and rampant education system issues in Minnesota. The group is incensed with a wild HOA story.

Jon is joined in studio by Brian McDaniel, Kathryn Johnson, and Grace Keating. The conversation turns to Gov. Walz's speech in Texas and rampant education system issues in Minnesota. The group is incensed with a wild HOA story.See omnystudio.com/listener for privacy information.

Theater critic Alan Smason is bringing back an annual awards show to recognize excellence in New Orleans' busy performance community. Behold, the first annual Crescent City Theater Awards!

✨ Suis-moi sur Instagram : instagram.com/laurita.socaliente/ Venez je vous fais gagner 10 ans de thérapie en 20 minutes, avec un podcast décousu, comme on les aime ! On aborde divers sujets, vous trouverez forcément votre bonheur. - Parfois, c'est une bénédiction de ne pas comprendre quelqu'un. - Certaines personnes aiment leurs problèmes - Out, les gens qui vous font vous questionner sur si vous êtes ami(e)s - Si vous avez les mains gelées, l'eau froide paraît chaude - Les gens marrants ont grandi dans des environnements "pas marrants" - Vous êtes une personne différente pour chaque personne que vous rencontrez. - Ceux qui veulent te voir gagner, t'aident à gagner. - Comment juger le choix de quelqu'un quand on ne connaît pas ses options ? - Arrêtons de négocier avec la version la plus faible de nous-même Et bien d'autres réflexions. A tout de suite ;)

We're cleaning out the soundfridge...featuring a bull rider...an argument over chickens...Miss World Chile has a special talent and more! See omnystudio.com/listener for privacy information.

“I will maintain my innocence without wavering. My conscience is clear for as long as I live.” (Job 27:6 NLT) If your relationship with Christ is strong, it will be evident in the way you live. Your life will be marked by integrity—in the choices you make, the things you prioritize, the way you interact with others, and in your daily routine. I heard the story of a pastor who boarded a bus one morning, paid his fare, and took his seat. A few minutes later, he realized that the driver had given him too much change. Some people might have put it in their pocket and said, “Lord, thank You for Your provision.” But this pastor knew that would be wrong. At the next stop, he walked to the front of the bus with the extra change and said to the driver, “Excuse me, sir, you gave me too much change, and I wanted to return it to you because obviously you made a mistake.” The driver said, “Pastor, I didn’t make a mistake. I was at your church last night and heard you preach on honesty. I wanted to see if you practiced what you preached.” Fortunately, he did. People are watching you as a Christian, virtually scrutinizing your every move. You should know that they aren’t hoping that you’ll be a godly witness. They’re hoping that you’ll slip up so that they’ll have something on which to conveniently hang their doubts and unbelief. Humorist Will Rogers said, “So live that you wouldn’t be ashamed to sell the family parrot to the town gossip.” That’s the idea of integrity: having nothing in our lives to be ashamed of. Personal integrity is something we develop daily with every thought we think and every action we take. We are either building up character or tearing it down. The author of Proverbs had a lot to say on the subject. “People with integrity walk safely, but those who follow crooked paths will be exposed” (Proverbs 10:9 NLT). “Honesty guides good people; dishonesty destroys treacherous people” (Proverbs 11:3 NLT). “The godly walk with integrity; blessed are their children who follow them” (Proverbs 20:7 NLT). “Better to be poor and honest than to be dishonest and rich” (Proverbs 28:6 NLT). Job got to the heart of the matter when he said, “I will maintain my innocence without wavering. My conscience is clear for as long as I live” (Job 27:6 NLT). And the apostle Peter wrote, “Keep your conscience clear. Then if people speak against you, they will be ashamed when they see what a good life you live because you belong to Christ” (1 Peter 3:16 NLT). Some people cling to the notion that what a person does in private is no one else’s business because it affects no one else. But that’s just wishful thinking. The person you are in private is the real you. That’s who God sees. And, whether we like it or not, that’s who others see as well. So, as believers, we must act with integrity, honesty, and compassion in everything we do. Reflection question: What does integrity look like in your life? Discuss Today's Devo in Harvest Discipleship! — The audio production of the podcast "Daily Devotions from Greg Laurie" utilizes Generative AI technology. This allows us to deliver consistent, high-quality content while preserving Harvest's mission to "know God and make Him known."All devotional content is written and owned by Pastor Greg Laurie. Listen to the Greg Laurie Podcast Become a Harvest PartnerSupport the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.

Welcome back 7-Figure Educator! In this episode, I am joined by none other than Erinn Cottmann, the dynamic CEO of Erinn Cottmann Teacher Development, a company that specializes in delivering results for educators, school leaders, and districts by growing their capacity to support teacher development. Prepare to be inspired as Erinn takes us on a journey from the world of education to the realm of successful entrepreneurship, diving into the transformative power of mindset shifts, the intricacies of launching a business, and the hurdles she overcame along the way. Erinn's story is nothing short of awe-inspiring and her journey from educator to the helm of a flourishing 6-figure enterprise specializing in professional development and leadership coaching for educators is a testament to the importance of strategic planning, building robust systems, and the support of a thriving community. Erinn's narrative showcases the incredible results that await those who invest in themselves, face their fears, and aim for financial and personal success. So, are you an educator with dreams of entrepreneurship or simply seeking a hefty dose of inspiration? If your answer is yes, then this episode is a must-listen. Erinn's journey serves as a shining example of what can be accomplished when you blend passion, skill, and the unwavering support of a community to turn your dreams into reality. KEY POINTS: - If you're feeling undervalued, realize that your worth and knowledge are not determined by your external circumstances - Learn to believe in your ability to make money, view money as abundant, and understand the value you provided - Control your income and the flexibility that entrepreneurship offers - Being a part of a community and a mastermind is crucial, especially for networking, support, and learning from peers RESOURCES: [MEET] Are you an educator looking to start or grow your education consulting business? Click the link below to book a call with our team and learn more about our programs! https://updates.ericajordanthomas.com... [FREE] Don't miss my free 5-Day 7-Figure Business School and learn the blueprint to grow a seven-figure education consulting business. I'm going to teach you the psychology of a millionaire, how to identify million-dollar problems, package and price your offers, master my seven-figure sales process, and identify leads to pitch immediately. Click https://www.7figuredbusinessschool.co... to sign up now! [LIVE EVENT] Join us at Seven Figure Educator Live, a three-day event in Atlanta, Georgia, where you'll experience unparalleled support, community, and fellowship with your fellow educators. Click https://www.7figureeducator.com/ let's make magic happen together in Atlanta! [FB COMMUNITY] Don't miss out on your chance to connect with other education consultants in our free public Facebook group! Click / getlaunchedconsulting and find your 7-Figure community today. Dr. Erica Jordan-Thomas | https://www.ericajordanthomas.com/ IG | / e_jordantho. . LinkedIn | / erica-jordan-thomas-ed-l-d-86314764 Facebook | / ejtconsultingllc Enjoyed this episode? Like, rate, and subscribe to the 7-Figure Educator podcast!

Hey guys before you listen to this one, do realize this is part 4 on a series about General Kanji Ishiwara, so if you have not already done so I would recommend listening to Part 1-2-3.    This episode is General Kanji Ishiwara part 4: Ishiwara vs Hideki Tojo So I promised this would be the last one and it is, rest assured. Sheesh what started as a suggested episode turned into an entire series, but then again Ishiwara Kanji was quite a figure. I recently did a podcast with Cody from AlternateHistoryHub, and at the end of the podcast he poked at me for some alternate history ideas related to the Pacific War. My first thought was what if the Triple Intervention after the Russo-Japanese War never occurred, but then I thought….hell what if Ishiwara Kanji never existed or I dunno got hit by a car. Imagine how different things would have been if not for this one, I am just gonna say it, instigator haha. Now I think when one looks at this mans life, we attribute much of the story towards the Mukden Incident and the eventual full scale China war, but thats not where it ends of course. Ishiwara did a lot during the war and after, so to close it all up lets jump back into it.   Ishiwara is now a Major General , chief of the most powerful office on the general staff. He was fighting tooth and nail to limit operations in what was the new China War. A month before everything hit the fan he declared in front of the General staff “I shall never send a single soldier to China as long as I live”. But in mid-June of 1937 rumors emerged that the China garrison was planning another incident in the Beijing area, similar to Ishiwara's famous Mukden incident of September 1931. Two weeks later the Marco Polo Bridge incident occurred on July 7th. The Japanese army were divided on the issue. There was the expansionists who sought to smash China in a single blow and the non-expansionists who sought to settle everything between their nations before the conflict became too large. Ishiwara was on the side of the non-expansionists and from the earliest hours of the war he directed a losing fight to try and localize the conflict. Fight as he must to stop mobilization of further forces, he was forced to relent multiple times and to his horror the conflict grew and grew. Ishiwara's efforts or some would say meddling, ironically made things worse for the non-expansionists. Some of the expansionists would go on the record to state Ishiwara bungled the situation, years after the China incident, Colonel Shibayama would say with bitterness “The idea that Ishiawara Kanji opposed the expansion of the China incident is nonsense. If he really had opposed it he wouldn't have agreed to the mobilization. There were certainly other ways of solving the problem” Ishiwara was stuck between a rock and a hard place. While he wanted to stop the mobilization of more forces to China, the men at the front kept sending reports that Japanese citizens were underthreat in areas like Beijing, his wrists were turned as they say. Ishiwara did not cave in without a fight however, as I said in the last episode he turned to Prime Minister Konoe to strike a deal with Chiang Kai-shek, and Konoe nearly did, but at the last minute he canceled his flight to Nanking.   When the North China incident saw action spring up in Shanghai, it then became officially the China incident and Ishiwara attempted once more to push for a peace settlement in September. However by that point Ishiwara's influence had dropped considerably, few in the Operations division were still following his lead. Many of the expansionists began to bemoan Ishiwara as nothing more than a nuisance. Prince Sainji would go on the record telling Konoe “Ishiwara is like a candly in the wind ready to be snuffed out at any moment”. By late september Ishiwara was removed from the General staff by General Tada. The expansionists had won the day. There were other non-expansionists like Horiba Kazuo and Imai Takeo who carried on fighting the non-expansionist cause, but in january of 1938 Konoe decalred the Japanese government would not treat with Chiang Kai-shek. It was the nail in the coffin.   The war escalted, by 1938 24 divisions were tossed into China, in 1939 it would be 34 bogged down. The IJA was without mobilization divisions and less than half the ammunition necessary for the 15 divisions assigned to the borders with the USSR and that critical weakness became only to apparent with two border clashes in 1938 and 1939. To Ishiwara it was all too predicatable, he had continuously argued the folly of a China War. He lectured about how it was impossible to conquer China “China is like an earthworm. Cut it in two and it will still keep on wriggling”. Ishiwara believed China's territory and self-sufficiency built upon its masses would always make up for Japanese military might. Ishiwara unlike his colleagues believed Japan was not capable of dealing a knock out blow against China. He would criticize many for promoting the idea stating “those who excite the public by claims of victory, just because the army has captured some out of the way little area, do so only to coneal their own incompetence as they squander the nation's power in an unjustified war”.   In the fall of 1937 Ishiwara found himself back in mainland Asia with an appointed as the vice chief of staff of the Kwantung army. But he came back with a scarred reputation now, for his non-expansionist fight earned him a lot of scorn. All of his ideas of a political independent and racially equal Manchukuo in 1932 had all but disappeared. The Japanese military and civilians occupied all important positions in the puppet state. The Kwantung army authorities, particularly that of Hideki Tojo wgo was at the time a provost marshal in Manchuria had taken a stern line against any efforts to revive East Asian League or their ideals. So when Ishiwara arrived, he quickly realized his influence had deminished significantly. None the less he took up his old cause trying to work with the barely relavent Concordia association, but they were fighting against Tojo who received a promotion to chief of staff in Manchuria in March. Tojo was now Ishiwara's superior, it was a hopeless cause, but Ishiwara persisted.    Ishiwara began insisting the Kwantung army must step asie to allow for self-government to reing over Manchuria. He argued Japan's special holdings in Manchuria should be turned over to the Manchukuo government and that the Concordia association should act as a guiding source. He also pointed out how dangerous the USSR was too Manchuria and that Japan must increase its forces in the border areas of Manchuria. For all of this he recommended a solution would be a Asian union, that if Manchukuo flourished under racial equality and harmony, perhaps it would show the rest of China Sino-Japanese cooperation was possible and maybe China would join an East Asian league. Ishiwara would continously hammer the idea, that the solution to the China war was to create an effective east asian league. With China in the fold, they would have unrivaled airpower, a prime element in his preparation for the Final War. Not a single one of his arguments were given any consideration.   Ontop of his radical ideas, Ishiwara also advised reducing salaries for Japanese officials in Manchuria and was as you can imagine denounced quickly by his colleagues for this. Then Ishiwara found out Tojo was embezzling Kwantung army funds to the officers wives club, a pet project of Mrs Tojo. So Ishiwara went ahead by pointing out Tojo's corruption and added a large insult by suggesting Tojo had the mentality of a mere sergeant. In a public speech at the Concordia association infront of a mixed Japanese/manchurian audience he tore into many of his colleagues like General Hashimoto Toranosuke who was an honorary president of said association and Ishiwara said “he did nothing but sit around and draw a high salary, setting a disgraceful example to junior officers”. So yeah Ishiwara soon found himself very very isolated in the Kwantung army staff. Tojo received a promotion to vice minister of war in May of 1938, with the support of notable expansionist types. As for Ishiwara he had became quite a headache to his colleagues. Depressed and disgusted with the situation, Ishiwara decided to quit the army before he was tossed out. He first tried to apply at the war ministry to be placed on the reserve list but was told the matter required approval of the minister of war. At that time, it was actually his old buddy Itagaki Seishiro as minister of war. While the decision was being made, Ishiwara was authorized to return to Japan, but when he did the Kwantung army inisted he had departed without authorization to do so, basically arguing he just walked away from his desk one day.   Itagaki made no move to summon Ishiwara once he was back in Tokyo, but Tojo as vice minister got wind of the situation and was all too eager to pounce. It turned out Tojo had Kenpeitai waching Ishiwara and some of his closest colleagues for awhile and he chose this moment to haul Ishiwara up for military indiscipline. The case against Ishiwara was quite a controversy and in the end all Itagaki could do for his old friend was get him an command over the Maizuru fortress area on Japan's seacost of Kyoto prefecture. The day before the orders were posted, Tojo managed to toss one last punch at Ishiwara. He order his Kenpeitai friend, special service commander Colonel Otani Keijiro to carry out a lightning raid on the Tokyo offices of the Concordia Association which saw the arrests of some of Ishiwara's close colleagues.   1939-1941 marked a terrible time for Ishiwara's military career, but he did take the time to build more so upon his Final War theory, the national defense state, the Showa restoration and the East Asian league. Ishiwara's lackluster Maizuru assignment was a quite backwater, not demanding much attention. During his leisure time he came to the conclussion based on his analysis of military history with some fresh readings of Buddhist texts that the Final War was destined to break out within the next 40 years or so. On March 10th of 1939 he made an address to the Concordia association in Toyko “a concept of world war “sekai sensokan”. He stated based on his analysis that Japan had to prepare for the final war because “world conflict is now in the semifinal round and it is for this reason that the necessity has arrived for an east asian league”. In August of 1939 Itagaki resigned as war minister to take up a position on on the chief of staff in the China expeditionary army which was then grinding to a halt. But before he did so, he made one of his final acts as war minister to give Ishiwara command of the 16th reserve division in Kyoto.   It was not a frontline position, but it was an important one, as the Kyoto command was notable for developing infantry tactics. Japan had just received some major defeats to the USSR at the battle of Lake Khasan and Khalkhin Gol so Ishiwara went to work developing some anti soviet tactics. This led to some infiltration techniques that would see application with the IJA during the early battles of the Pacific War. But despite his work on tactics, what really consumed his mind was pressing for the East Asian League. He argued a Showa restoration needed to happen, like the Meiji restoration, but this new one would be pan-asian, to face the west. In May of 1940 he put all of his arguments together in a public address that gained fame under the title “on the final war”. It was here he unleashed two decades of his thoughts into the Japanese public. He added some new features to his theories such as a “the world had entered a second industrial revolution”. He pointed out German had pioneered in the field of electrochemistry, producing energy for both industrial production and weapons of war. Such discoveries he argued would permit Asian nations to catch up and eventually overtake the west in productive and destructive power. But above all else he kept hammering the necessity for an east asian league, which required a Showa restoration to finally bring pan-asianism.   In November of 1939, as a successor to the Concordia Association, the association for an east asian league was established with its HQ in tokyo. Ishiwara was unable to officially become a member because he was part of the military, but he was an unofficial advisor and more importantly in the eyes of the public it was his association. By 1941 the association blew up to 100,000 members, mostly ex-soldiers, businessmen, journalists, farmers and such. They had a monthly magazine, training courses, meetings, lectures, the works. They extensively studied Ishiwara's writings on the history of war, the Showa restoration and his Final War theory. They spent extensive resources securing bases on the asian mainland trying to recruit supporters amongst other asian peoples to create a federation. Within Japanese controlled portions of China, they propagated the concept of the East Asian league. For the small group of collaborationists in China, many were attracted to it. In February of 1941 the General China assembly for the east asian league, was established in Nanjing with Wang Jingwei as chairman. Oh Wang Jingwei…having spent so much time learning about the Warlord Era and Northern Expedition, it never surprises me this guy would cling to anything for power. The influence of the league even found its way to Chongqing, and Chiang Kai-shek allegedly declared that peace negotiations could be pursued based on some aspects of the movement. But come spring of 1941, all of the leagues efforts would be dashed by Tojo. In early 1941, Tojo as war minister began plotting against the league and its architect Ishiwara. Tojo believed the east asian league was very defeatists and antithetical to his own hard line stance on Sino-Japanese relations. It also provided his nemesis Ishiwara with a political base to generate public opposition to his government's policies. Tojo obviously thought Ishiwara would use such a thing to overthrow him, so he went to war. His first move was to put Ishiwara on the retired list in december of 1940. However Ishiwara was still a influential figure and held some considerably powerful friends like Prince Higashikuni, so he was unable to safely pull this off. Instead he chose to harass the league.    Initially Premier Konoe was backing the league, but Tojo began to pressure Konoe to take a position against it. On January 14th, the konoe cabinet stated “as it appears that they violate respect for the nation and cast a shadow on the imperial authority, theories advocating leagues of states are hereby not permitted”. Thus the east asian league became illegal. Taking the cue on the cabinets decision, the Japanese media began a running hit pieces on the league, kind of like how America works today, ompf. By february of 1941 the criticism towards the league was smashing them. All of Ishiwara's allies within the league were hit hard, some even tortured, it was a purge. For Ishiwara nothing really happened, except for the continual surveillance by the Kenpeitai. Ishiwara proceeded to vent his wrath in public speeches, pretty bold ass move if you ask me and he delivered one fiery one at Kyoto university on east asia problems where he told his audience “the enemy is not the chinese people, but rather certain Japanese. It is particularly Tojo Hideki and Umezu Yoshijiro, who, armed and pursuing their own ambition, are the enemy of Japan. As disturbers of the peace they are the enemies of the world. They should be arrested and executed”. Excuse my french, but the fucking balls on this guy haha. Ishiwara made this statement in public and at the time he was still in military service, its simply incredible he did not suffer horrible punishment after slandering the minister of war and commander of the kwantung army. Why was he not punished, well again it was awkward as he still had a cult following and going after him might see violence. Ishiwara would later state the reason he was not persecuted was because “Tojo was a coward who never had the courage to arrest me. The fact that a man like Tojo and his henchmen came to power was one reason for Japan's downfall”.    Regardless Ishiwara's public statements finally led to him being placed on the retirement list on March 1st of 1941 and yes it was 100% Tojo who pushed this. Tojo ordered the Kenpeitai to watch Ishiwara closely for weeks after his forced retirement. Ishiwara enthusiastically went into retirement as he now was fully dedicated to his four great concerns: the east asian league, the showa restoration, the national defense state and of course the final war theory.   In the meantime another league had opened up, the Greater East Asia Co-prosperity sphere and you would be forgiven to believe it was the same as the east asian league if not its successor. Both perpetuated common ideology, like racial harmony, stemming from the Concordia association. Ishiwara's concepts of national defense also found their way in the Greater east asia co-prosperity sphere. It advocated for most of the basic principals of the league, common defense, political independence and integration of economic systems. How did they differ you might ask? Well Ishiwara's east asian league did not share the formers racial superiority of the Japanese as its cornerstone. The east asian league was not built upon the premise that China was incompetent as a modern state and needed to be led. For you american listeners, its actually pretty easy to summarize the co-prosperity sphere idea, its was Japan's monroe doctrine. The east asian league had been undone by the China War and then Pacific War, leaving the co-prosperity sphere to monopolize the asian continent and it did so through brute force and undermined any chance of pan-asianism. Ishiwara sought the east asian league solely because he truly believed pan-asianism would be required to build up enough forces to fight the final war.    During his retirement Ishiwara went on lecturing in major universities, but Tojo unleashed the Kenpeitai upon him, whom often demanded he cancel a lecture or not talk about certain subjects. I guess its like Youtube today, haha. Though ever the more isolated, when the Pacific War kicked off, Ishiwara could not be fully muzzled. He did not opposed the surprise attack on pearl harbor publically, but privately he predicted Japan had begun a war it would lose, based solely on material terms. A famous thing he once said to Satomi Kishio which appears in an cooky anime called Zipang where some member of the SDF accidentally go back in time to june 4th of 1942 if you were curious, really funny premise, but anyways, Ishiwara said this “inevitably, we shall lose this war. It will be a struggle in which Japan, even though it has only a thousand yen in its pocket, plans to spend ten thousand, while the United States has a hundred thousand yen, but only needs to spend ten thousand…we simply cannot last. Japan started this war without considering its resources beforehand”. I love this passage. It's an excellent way to speak to a general public, very effective I find.   Ishiwara criticized the military for spreading themselves out too thinly in the early months of the war, dispersing countless men on small islands in the pacific. But above all else, he kept hammering the fact the China war needed to end. China was sucking up the vast majority of Japan's military resources and men, how could Japan hope to wage a war against a nation like the US when it was stuck in China? When Saipan fell in 1944, Ishiwara said all hope was lost. He believed the only possible way Japan could avoid disaster was if the USSR broke its pact with its allies and offered a settlement to Japan, but he knew that was a long shot given how anti-communist Japan was. I have to make a point here to say a LOT of Ishiwara's talk, comes postwar and feels like a “i told you so”. Ishiwara gave testimony at the Tokyo war crime trials and declared “despite its material inferiority, Japan did not need to suffer a defeat, if its strategy had been well planned and carried out”. He even made a remark to an American correspondent named Mark Gayn in 1946 stating if he held command of the forces he would have ended the war with China, consolidated Japanese defensive lines and made a proper stand.   Throughout the war, Ishiwara battled Tojo, often referring to him as a simpleton. In fact in late 1942 he arranged an audience with Tojo and told him to his face that he was too incompetent to run the nation or wage a war and that he should step down. There was a rumor Ishiwara was part of a plot to assassinate Tojo in the summer of 1944. This was a scheme hatched by some junior officers in the central HQ, and one of their members was a east asian league associate. Ishiwara was called upon to Tokyo during an investigation of the plot and as much as Tojo and his team tried to find evidence of his involvement, they were unable to nail him. The Kenpeitai chased after Ishiwara until Tojo's regime collapsed.    By the end of the war, Ishiwara was asked by Prince Higashikuni if he could join the “surrender cabinet' as an advisor. Ishiwara declined on the grounds he wanted to be unsullied by Japans defeat.    It should be noted again, Ishiwara was a man of countless contradictions. While he was one of the first to be outspoken against the Pacific War and predicted Japan's defeat, during the end half of the way he got really caught up in the war fever. For example in 1944 he began stating Japan needed to prepare to “shed the blood of a million lives in the south seas in a do or die battle”. He also had this blind faith that a German victory in Europe would turn the tide of the war in the east. He said of Hitler in 1944 “he is the greatest hero in Europe since Napoleon”. Some argue his later public stances were the result of him not being in the military and thus he had to conform to the wartime propaganda to get his message across to the general public. He also began linking concepts of the east asian league to the greater east asian co-prosperity sphere, which is quite the contradiction. Again personally I see him as a fence sitter, he loved to always have a backdoor in his arguments.   One major thing that he faced during the Pacific War, was trying to explain to his followers, the current war was not the Final War. As he stated publicly in February of 1942 “Many people think that the greater east asian war is the final war. Nothing could be further from the truth… the greater east asian war is the grand rehearsal for the final war. In other words, it will lead to the liberation of east asia and the establishment of an east asian league and will provide to the league the necessary material and strategic base for the final war”. Well the failure of the China War, Pacific War, the complete military collapse of Japan, the take over of communism in mainland asia, the emerging cold war….I guess that all kind of ruined his final war theory.    With Japan's defeat looming in 1944, Ishiwara began to shift his focus towards a reconstruction effort. He began as early as 1944 to talk about what would happen to Japan. He predicted she would lose much overseas territory, her cities would be in ruins, her people would be starving. He turned his attention to agriculture, how could food production be increased, he became particularly interested in fertilizers. By the end of the war he gathered a farming community to discuss how things could be improved. When the surrender proclamation was made, he began to ponder the meaning of his life's work. After the emperor made his speech, Ishiwara gathered his followers to speak to them about how Japan could regain world power and thus keep his theory intact. Ishiwara had many ideas going forward about how Japan could take a positive footing. He advocated Japan dismantle the remnants of its bureaucratic despotism, abolition the special police force, apologize to the global community for war crimes, but he also argued America needed to answer for her war crimes as well. He especially pointed fingers at President Truman for two atomic bombs and that efforts needed to be made to use bombings to lessen Japan's punishment. Ishiwara also argued Japan should gain sympathy from asia so their former enemies could come together to form an east asian league.   Emperor Hirohito proclaimed the surrender and abolition of all stocks of war materials, and Ishiwara said that was fine because he believed the final war would require new armaments that would be completely different from what existed. He predicted the future wars would be more scientific, fought with decisive weapons developed in laboratories that did not require large organized military forces. He thought perhaps a small body of underground scientists could create terrible new weapons to prepare for the Final War, thats a terrifying idea. In autumn of 1945, Ishiwara found himself in the limelight again. His lectures had made him a viable alternative to the Tojo regime during the last year of the war and his reputation as an opponent and victim of said regime made him special. Many journalists, both Japanese and American came flooding to him followed by a legion of followers who were unable to publicly come forward during the Tojo years.   Ishiwara took advantage of this new situation to make some very large speeches. He spoke about how the Tojo clique was the reason for Japan's defeat, how they all needed to establish a new Japan. He brought out the usual theories he had spoke about for years, and argued the necessity for national reconstruction to prepare for the final war. However he changed his argument a bit, stating while Japan had military been crushed, it now must prepare for the final war by building the highest culture. In this new age, Japan needed to obtain supremacy in fields of science, because he now believed that was the new power. “A single laboratory, a single factory, or perhaps a single man working alone will make the most fantastic discovery that will make war decisive”. He would continue to make speeches throughout 1945, but come 1946 the high authority, one Emperor Douglas MacArthur, haha sorry I had to say it, General MacArthur stamped down on any Japanese leader, especially former military leaders. So Ishiwara had a few months of fame, but then he found himself yet again purged, though not arrested. Alongside this came a ban on the East Asian League association.    Ishiwara was then incapacitated by illness, something that plagued his life. His condition became so bad he required surgery in Tokyo. In April of 1946 he was interviewed by American correspondent Mark Gayn who left with a very memorable impression of the man, he had this to say “ Ishiwara received us in his small room, whose window frames were still buckled from bomb explosions. He is a lean man with a deeply tanned face, close shaven head and hard, unblinking eyes. He was sitting Japanese style on his cot, his hands in his lap. Even in a shapeless gown of yellow silk, his body looked straight as a steel rod… We asked Ishiwara just two questions: what of Japan in defeat and what of himself? He answered readily and at length, in a sharp firm voice. He talked like a man who believed every word he said”. Ishiwara told his life story, the Mukden incident, the China war escalation, his feud with Tojo all of his failed attempts with the East Asian League.    In 1947 Ishiwara was put on a list of those Japanese who were purged from public life. He was extremely bitter about this and at the same time he was called as a defense witness in the Tokyo War Crimes Trials. Ishiwara was too sick to travel to Tokyo, so a special military court was convened in Sakata city. He made his deposition in front of 50 people, talking about his role in the Mukden incident and China War. He stated President Truman should be indicted for the atomic bombs and firebombing campaigns and turned upon his American audience about the denunciation for Japanese expansionism. “Havent you ever heard of Perry? Don't you know anything about your country's history? Tokugawa Japan believed in isolation; it didnt want to have anything to do with other countries, and had its doors locked tightly. Then along came Perry from your country in his black ships to open those doors; he aimed his big guns at Japan and warned that ‘if you don't deal with us, look out for these; open your doors, and negotiate with other countries too'. And then when Japan did open its doors and tried dealing with other countries, it learned that all those countries were a fearfully aggressive lot. And so for its own defense it took your country as its teacher and set about learning how to be aggressive. You might saw we became your disciples. Why dont you subpoena Perry from the other world and try him as a war criminal?”    In November of 1948 Ishiwara declared on a home recorded video “we must utterly cast war aside. We must firmly avoid questions of interest and advantage and judge our national policy purely on a spirit of righteousness…Japan may be devastated, but we must live by a complete rejection of war. The nation must compose itself like Nichiren at Takenoguchi or Christ on his war to the crucifixion”. It seems Ishiwara at the very end gave up on his theories, and supported Japan attaining a permanent peace. That last years of his life were spent in constant pain due to his illness. In 1949 he contracted a fatal case of pneumonia and realizing he was going to die, dictated a message that summed up all his speculation in the recent years on Japan and its future. The document was originally done in English and directed at General Douglas MacArthur. A month after Ishiwara's death, a Japanese version came out titled “the course for a new Japan / Shin Nihon no Shinro”. The primary purpose of the document was to get MacArthur to lift the ban on the east asia league, but it was also a last apologia. He talked about how Germany, the USSR, Italy and Japan had started on the path of state control, and they all fell prey to group despotism, because all decisions were being made by a few men in the center. He argued Britain's socialist government, the United States New Deal and Marshall plan were great example of a good control system. He argued pure liberalism no longer existed anywhere, not even in the US, yet the US was trying to make Japan a liberal nation. He argued all nations should be allowed to move ahead freely. To end it all of he said this as well “I realize now in my predictions concerning a final war between the east and west I was supremely overconfident and that the facts have proven my wrong. I fear that the real final conflict may be the United States and USSR”   At the age of 61 Ishiwara died in August of 1949, in a small house with some of his followers gathered around him. He said to them before dying he was glad to die at the same age as Nichiren

The Time Riders: Part 3 What happens when you mix clock-block with priapism? Based on a post by BiscuitHammer, in 16 parts. Listen to the Podcast at Explicit Novels. Ain't Nobody Got Time For That Shit! Mark and Becky sat in the small cottage, looking around in wonder. They were still in Seventeenth Century France, but found themselves surrounded by technologies that they hadn't even heard of. The walls were lined with clocks, some of which were mechanical, some seemed to be digital or binary, while others told time in ways they couldn't fathom. Sitting across from them at the stout, round oaken table, Chester Edgerton smoked a pipe and observed them casually. "How; how can you have this all out on display?" Mark asked, still gaping. "I mean, isn't it against the rules to have this sort of tech from the future lying around where the locals might bump into it?" "That's the beauty of it, my' boy," he said cheerfully, exhaling a cloud of smoke. "They can't see it." "Well, I get it if you try to restrict entry to your house," Mark pressed, wanting to understand. "But what if you're gone and bandits break in? Becks and I can account for banditry in this day and age, for sure." "Mayhap," the man replied. "But I brought you through the door that leads to my actual house. The front door, the one the local peasantry sees, leads into a simple cottage, typical of the period, and owned by a pudgy man of indeterminate nationality." "Your; house is in two places at once?" Mark asked, trying to understand. "No, it's the same place," Chester answered simply. "Two different times, however. We're sitting in my actual abode, Twenty-First Century." Mark shook his head. "That's some weird Tardis shit right there." "Only at first." Chester allowed. "I notice you have all your windows shut," Becky remarked. "You said we're in the Twenty-First Century, but I take from further ahead than Mark and I are from, so you're not showing us?" "Clever girl," mused the man, smiling. "While I won't absolutely stop you from looking or even going outside, I would warn you that if you do and see something you don't like, you're committing yourself to that future, no matter how hard you try to undo it." "We'll stay put then," she said readily. "You were kind enough to bring us here and sort of explain how we might acquire goods in the time stream?" He nodded. "I know it might seem counter-intuitive, but the simple fact of the matter is that if people are going to insist on time travelling, the least they can do is be well-prepared for it so they don't hurt themselves or others." He leaned forward. "The first question you need to ask yourself is, why are you so intent on time-travelling to begin with? Is it simple curiosity? Are you planning to make a living somehow? Are you just trying to get laid?" He looked at Mark during this last question and the young man blushed, while Becky giggled and patted his hand. "Mark was a dud in Physics in his last year of high school," she explained. "Come to think of it, he was in little or no danger of getting into any post-secondary education facility." "Thanks." Mark muttered. "But, then he found his time machine, something called a Holmes Field Device, and he resolved to go back in time a few months and convince me to give him an A in Physics with the promise of earth-shaking sex." "This story sounds worse every time I hear it." Mark complained. "Fortunately, I acquiesced, rather than disemboweling him for breaking into my home, and not only did we become lovers, but now we're adventuring the time stream together." "Hmm, a teacher and a student, eh?" mused the man, smiling at them as he smoked. "Teachers and students are plentiful, of course, but they're usually from the far, far future and on very strictly-controlled excursions into the past. Hands-on history classes, if you will." "That makes history sound kinda fun." Mark said. "Oh, I daresay it is," agreed Chester. "Nothing quite as exciting as going back to the Cretaceous Period and taking a ride on the back of a trained Styracosaurus. Or watching Dromer races." "Isn't that screwing with the timeline?" Becky inquired. "I mean, humans weren't around for another sixty-three million years following the demise of the dinosaurs." "It's all very carefully regulated on remote islands," Chester explained. "It does nothing to mess with the ecosystem and the specimens are trained to interact with humans, for the most part." "Riding one of those big horned dinosaurs would be a kick." Mark mused, grinning. "You've already got a perfectly good horn I like to ride," Becky giggled, squeezing his hand again. "Besides, this is where our host tells us that it won't be possible for us any time soon." "You're a very perceptive young lady," he allowed. "We can't have just anyone mucking up the time stream, you know. It's especially difficult when people who lived before time travel was commonly accepted try to get involved. They inevitably get exposed to technologies they shouldn't be aware of, or events that weren't known during their own time;” "I'll give you a tiny example," he said, leaning forward now, as if he was confiding a secret. "Have you heard of the Tunguska Incident?" "Sure, the Tunguska region in Siberia, 1908," Becky answered, nodding. "A large meteor slammed into the ground, creating a blast equal to sixty megatons and flattening everything for nearly a hundred miles around." "No, that's what you need to think," he corrected, pointing the stem of his pipe toward them. "It was, in fact, an advanced weapon that was stolen from a future date, and before temporal agents could recover it, the thieves blew it up to cover their escape. Granted, there are people in your time who have conspiracy theories about nuclear blast, nearly forty years before the first atomic tests, but they're wrong as well. It wasn't a nuclear device, simply a weapon with an incredibly high conventional yield by your age's standards." "So; why can you tell us this now?" Becky asked. He grinned and spread out his arms in a gesture of farce. "Who would believe you?" "So how did you know that we were time travelers?" Mark asked as they followed their host and guide through the woods. "Well, I heard snippets of your conversation," Chester said as he led the way. "But to be honest, even though your outfits might pass with locals for 'reasonably authentic', you couldn't possibly hide your origins from a fellow time-traveler. Mark claimed to be Spanish, he doesn't look at all Spanish, certainly not from this era. Miss Rebecca is remarkably tall for a woman." "Well there's something I don't hear very often back home!" she giggled. "And you're both in strangely good health, with unblemished skin and full heads of hair," Chester added. "I was relatively certain, and then I heard you discussing your relative inexperience, so I sought to introduce myself." "I'd' have thought that you wouldn't introduce yourself to newbies," Mark stated, helping Becky over a log. "Isn't it safer to keep your chatter to people who know what they're doing?" "It's actually the exact opposite," replied Chester. "The best thing you can do around veteran time travelers you don't need to talk to is to not talk to them. Their timelines are probably very intricate and you don't want yours getting snarled up with them. Newbies, as you call them, probably still have linear experiences that are simple to understand and educating them about what awaits is the simplest way to keep things from getting weird." Getting up to leave the cottage, Mark asked; "So this device the time cops gave me," Mark stated, holding up his chronometer. "It's actually pretty useful then, because it warns me when I'm getting too close to myself or something I've affected." "That was very generous of them," Chester said in a serious tone. "They don't do that for just everyone who shows up suddenly in the time stream. Sometimes they let matters work themselves out, if you know what I mean." Chester's Forest Farewell.  The meadow they stepped into, had a mature lush forest further back. They reached a small clearing in the forest they'd been tromping through and stopped for a bit, sitting on a fallen tree trunk. Chester looked at them both and slapped his hands on his thighs. "Now then, I've brought you here so that you can witness a casual event that is due to happen just outside the woods. Nothing major, but it will give you a taste of what can await you. I have something to attend to and should be back in a few hours. Just stay out of sight and don't leave the tree line." "You're leaving?" Mark protested. Chester turned to look at him. "It might be that the events you will see unfold work better for me if I am nowhere near them," the man replied. "Fear not, I shall return. Enjoy yourselves." And then he walked into the woods and was gone. Mark looked around and finally sighed. "Helluva way to mentor someone," he muttered as he stood to take in a panoramic context. "Take 'em somewhere and then just fuck off? Nice." "He's not your mentor, Mark," Becky chided, sitting on a log and smiling at him. "He's a fellow time traveler who is doing you a favor. He's given you plenty of valuable information free of charge already, something I doubt he does frequently." "Well, okay," Mark allowed. "So, we just wait until we see something happen?" "No idea when that'll be, he didn't really tell us, did he?" Becky pointed out. "Yup," Mark sighed. "So, now what?" Becky tilted her head slightly as she looked at him, like there was something wrong with his brain. "Here's an idea. How about you come over here and fuck me?" Mark was so determined to be bent out of shape for having no instructions that he'd overlooked the completely obvious. He laughed and stepped forward, pulling Becky to her feet. They were holding their hands between them and staring into one another's eyes, smiling. "Now this is what time travel is all about," she purred, her eyes shining with delight. "You're going to fuck me in the woods in Louis the Sun King's France, Mark. For all we know, this is some sort of royal ground and we're trespassing. How many people can say they've done that?" "Just the lucky ones;” he replied, beginning to unfasten the clasps on her dress, freeing her chest from its confines. As the dress fell away, she was left standing on in a low-cut, blouse-like shirt and some panties, having chosen to forego the usual layers of buntlings and knickers. She bit her lip as he pulled her blouse over her head, exposing her glorious tits. Kneeling now, he slowly slid her panties down, feeling a thrill as her hairless, smooth cunt came into view. She stepped out of the tiny thong panties, letting him drink in the sight of her. Yes, he'd been with her for over a week now in France, but he never tired of seeing her beautiful body. "Your turn now, my lord." Becky whispered as she began removing his clothing, peeling away the layers until he was as naked as herself. She stood up again and moved close, her nipples gently kissing against his chest. Unable to hold back any more, Mark pulled his teacher to him and kissed her deeply, making Becky moan into his mouth. Their hands wandered over one another's now-familiar forms, seeking to stimulate, tease and pleasure. His hands found her pert ass cheeks and he squeezed them, causing her to moan again. "Hmm, can't wait to get some grass stains on this dress," she murmured, looking up into his eyes. "And maybe a few on my knees." She slowly knelt in front of Mark, kissing and nipping at his skin on the way down. His swelling phallus was in front of her face now and she licked her lips hungrily before taking gentle hold and kissing it. Mark closed his eyes and shivered, loving the feel of her lips on him. Everything about his teacher was incredible. He was just sorry it had taken so long to realize it. Becky now had the head of his cock inside her warm, wet mouth, swirling her tongue around flicking the tip of her tongue against him. She giggled as his rod throbbed and grew longer and harder. She loved how turned on he could get by her, it made her feel so primal and sexual. She then slid her mouth a little further down his shaft before pulling back, shivering in delight at the sight of his glistening skin. Mark's fingers were in her hair and flexing gently as she began to bob back and forth, taking more and more of him into her mouth. She hummed lightly, vibrating her lips around him and making him groan. Her hand rested on the shaft, pumping as it followed her lips, making a gentle twisting motion on the sensitive skin. Becky loved sucking cock, and Mark's was ridiculously perfect for her, in just about every possible way. She hoped that wouldn't be a problem down the road. She took gentle hold of his hips with both hands and moved back and forth along his shaft, breathing through her nose as she deep-throated him. Mark groaned in pleasure, his fingers flexing into her scalp and tugging her hair. She looked up at him, maintaining eye contact, which she knew he found so erotic. She could feel his skin growing warm and knew now was the time to stop and change things up if she intended to have his cock inside her. There was indeed one good thing about them being out of sync, with her current self three months behind him; they already knew she wasn't pregnant in his current timeline, so he could cum deep inside her as much as they liked. She pulled her mouth off his with a wet 'pop!' and smiling seductively. "I'm thinking maybe my girl wants to say hello too;” she purred. Mark nodded and spread out her dress before lying down on it, his rock-hard cock standing straight up and throbbing. Becky crawled over him, straddling his face, her creamy, wet cunt mere inches from his mouth. She faced down his body, giggling and he snaked his tongue out to taste her, but she kept her prize just out of reach. "So that's how it is, eh?" he said from below her before suddenly wrapping his arms around her thighs and pulling down on them and causing her to lurch unexpectedly (for her) onto his eager mouth. Becky shuddered and moaned loudly as his tongue snaked along and massaged her nether lips, before flickering against her throbbing clit to make her gasp and almost double over. "No fair;” she panted, trying to regain control of herself, but Mark seemed inclined to cheat. He kept her pinned to him, leaving her to squirm helplessly above him while he lashed her with his tongue. "Uh, you bastard; yes, right there; Oh, God, Mark;” Her pleas exhorted him to even greater measures. He was determined to make her cum on his mouth at least once before they fucked. And he seemed to be pretty damned good at making her cum with oral sex, he had to say. Becky squirmed on top of him, playing wither tits, pinching and pulling on her pink nipples, her eyes squeezed shut, because it almost felt too good if she was looking at him. His eager tongue snaked deep inside her hungry cunt, making her wetter still. He had this maddening technique where he formed shapes or letters inside her with his tongue, reaching almost every nook and cranny of her. She whimpered, knowing he intended to make her cum and she was more than happy to oblige. She leaned forward while sitting on his face, reaching out to his twitching cock, caressing and massaging it gently; she didn't want him to cum, she just wanted to keep him stimulated. She felt the thrill of anticipation, knowing it would soon be inside her, pumping in and out, throbbing and finally releasing his creamy essence into her, something she accepted gladly because of the temporal mechanics between them. Mark sucked her clit into his mouth, rolling it around and making her shudder, groaning deeply as something started to build within her. She pushed down onto his face with her hips, grinding eagerly, while her clit throbbed. Then her released it and pushed his tongue deep inside her again, probing and lashing her until she was writhing and panting heavily. "Oh, God, Mark;” she gasped, sweat streaming from her sensual form. "Oh, fuck, yes, please; Uh, so close, baby;” He pushed into her as hard as he could and she jerked and squeaked arching her back. Her whole frame was wracked with pleasure as she cried out loudly, the orgasm crashing through her until she almost couldn't breathe. She shook violently, her eyes rolling into her head before she collapsed on top of him, her body limp and her chest heaving. Her limbs felt like tingling lead, but she managed to lift one to find his cock, determined to keep him hard until she had recovered. She stroked him gently while he kissed at her gooey nether lips, his face glistening with her cum. Fortunately, Becky was insatiable and recovered quickly, slowly rising and then sidling forward down his body so she could look back at him and smirk. "How about it, big boy?" she asked coyly. "You ready for the main event?" Mark grinned and nodded while she slithered down his body, finally hovering over his hips while facing his feet. She took hold of his throbbing cock and teased it against her slippery entrance before sinking down, making them both sigh in relief. "Hallelujah;” she moaned as he bottomed out inside her, filling her completely. "Oh, that's exactly what the doctor ordered." Mark nodded and took hold of her silken, pert ass cheeks and gripped them firmly, making his teacher purr. Becky loved having her ass played with, and while she began to sink up and down slowly on his cock, he massaged the peach-like orbs, eliciting moans from her when he spread them wide, giving her a delicious stretch. "Hmm, get me nice and ready back there," she cooed as she moved up and down on him. "Because once you're done in my cunt, I want you in my ass and I want to feel your cum in it." Mark nodded eagerly, because he loved fucking Becky's ass. Her cunt was incredibly tight, but even that couldn't match her exquisite back passage, which gripped him so strongly and always made him cum so hard he thought he might faint. His fingers teased against her little puckered, pink knot, sending the most divine tingles through her luscious body. Becky undulated on him, picking up the pace and counting on Mark to control himself until her was in her ass. She bit her lower lip, working herself on that thick, throbbing tool, pulling up until it was almost out of her and then sinking back down in one long stroke, filling her completely. Her heart was strumming in her chest as she thrilled to the notion of the oncoming climax. She was hissing now, struggling to hold on just a few seconds longer, to draw out this wonderful pleasure for them both. But then she felt the point of no return and willingly stepped over it, moaning loudly as her cunt fluttered and she began to cum, hard. She wailed and rocked on her lover, bathing his middle with her excitement. Her head lolled for several seconds as she came down from her orgasm, but she remembered that she still had Mark inside her and needed him, promised him, that he would be cumming in her ass. Slowly, lethargically, she raised herself until his cock fell out of her, still rock-hard and yearning for more. For such a young man, he had exceptional control. She inched forward, until she felt his pulsing head teasing against her notch. She reached underneath herself and took hold of the shaft, holding him steady while she pressed down, slowly but surely. She heard him groan as the head popped through her tight ring suddenly and then he was sliding inside her. It was Heaven. She sat still for several seconds, just reveling in the feel of him filling her ass. She felt the need to be sensual, and she leaned backward, until she was resting her back on his torso, her head next to his. But her knees were still bent and she groaned like she was going to burst, the angle of his penetration in this position more than she could bear. Whispering for him to wait patiently, she slowly, sinuously slid her legs out from beneath herself and straightened them, relaxing in pleasure as they rested on Mark's thighs. "Sorry, that would've downright killed me right now," she whispered to him, her glassy, heavily-lidded eyes looking into his. "And I wanted to be down her to kiss you and let you fondle me as you fucked me and came in me." "Sounds like a plan," he agreed readily, his strong, but gentle hands coming up to rest on her opulent tits. Her began caressing and massaging them in circles while Becky started moving her ass on top of his cock, squeezing him inside her tight confines. "God, I love your ass, Becky." "Umm, it loves your cock, Mark," she purred, undulating on him, the throb of his tool being felt through her whole body like another heartbeat. "You always make me cum so hard;” They squirmed and ground together, with Mark tilting his hips up to push inside her while Becky squeezed him, the lovers shuddering as they kissed feverishly. His hands were squeezing her tits now, pinching and pulling on the nipples again to make her groan with the delicious sting. But Mark felt his climax approach and he knew it wouldn't be long before he was pumping his cum inside her. Becky moaned into his mouth as she felt his cock swelling and twitching erratically, a sure sign he was about to cum. She squeezed him tighter, feeling the buildup inside herself, yearning to share that unreal ecstasy. The groaned into one another mouths at first, but then the kiss was broken as they panted, fighting for air, their voices carrying around the woods they were in. He pushed up hard inside her, pulling down on her tits while she squeezed with all her might, his cum almost searing hot inside her, filling her up. Mark went limp, breathing heavily and clearly spent, not that he minded. Becky could barely move, bound in ropes of silken bliss that kissed every nerve in her body. Her own heartbeat plus the relentless throb of Mark's rigid cock, still oozing inside her, almost meant she didn't know how to center herself. But they relaxed together finally, kissing gently, eyes closed while they clasped hand on top of her tits. Tongues softly tangled, tasting one another while they let their rapture slowly ebb. Minutes passed and they lay silently, waiting for Mark's cock to soften so Becky could sit up. Finally, she giggled, squeezing his hands. "Feels like somebody doesn't wanna go to sleep," she said cutely, wiggling her ass on him, feeling her ass refusing to relinquish its hard-earned prize. "What're we gonna do?" "Iono," he said drowsily. "We just wait, I guess. If I try to have another orgasm right now, I'm pretty sure he'd just spontaneously combust inside you." "Alas, poor cock," she cooed, stroking his cheek. "I guess we happily wait, then." They closed their eyes and relaxed, waiting for Mark's erection to subside so that they could get up without difficulty. Their hands remained at rest on her tits while they nuzzled their cheeks together. Then there was a 'click!' sound. Arrest in Flagrante delicto. Becky's eyes snapped open and she goggled up at a man dressed in rather colorful and opulent period clothing, staring down at them as he pointed a flintlock rifle at their face. Looking around, she now saw they were surrounded by men carrying pikes and muskets, all of whom stared at the naked couple with varying level of interest. The man directly over them moved his musket muzzle, indicating they should sit up. Mark's eyes were open by now and he glanced around in confusion as well, clearly not understanding what had happened. The man's eyes narrowed and he moved the musket muzzle again. Becky, sensing the danger they were suddenly in, tried to move, but shivered; she was still impaled on Mark's solid cock, which had shown no signs of softening and kept her pinned against him. She couldn't get up. "Great time to develop priapism, Mark;” she said sourly. "Maybe Louis the Sun King's France just isn't for us after all," Mark sighed as he hiked along behind Becky, who had been stuffed hurriedly back into her dress while he was allowed to put on his breeches again. Neither of them even had shoes on as they followed the soldiers. Their hands were tied behind their backs. "This is twice now that we've;“ "I know, Mark, I was there," Becky said somewhat tersely, wondering if Chester Edgeworth was now someone she had to add to her shit list. She hated adding names to the shit list. "I guess we were so busy fucking that the event our host meant for us to witness has found us." "Tais-tois!" one of the men guarding them said as he walked nearby with a musket. "Vou ne pouvez-pas parler!" Becky scowled at the man and continued trudging. She wasn't really embarrassed about being caught fucking, it wasn't the first time it had happened to them here in France. But at least this lot had the decency to let her have an orgasm first before taking them prisoner. She couldn't even enjoy the grass stains on her clothes! They had exited the woods and were now tromping through a field, heading toward a much larger cluster of soldiers. Mark couldn't help but notice that a lot of them were wearing red. "Shit;” Becky muttered as she saw them as well. "That's all we need." "Huh?" Mark asked, but he was silenced when a soldier shoved him roughly from behind with his musket, indicating he was to stay quiet. They approached the encampment and Mark soon realized there were several hundred soldiers. The tents were spread out around one rather illustrious red tent of grand size. He then saw a cluster of cavaliers milling about and they seemed to be headed in that direction. Soldiers stared at them as they entered the perimeter of the camp, usually at Becky. Mark and Becky found themselves hauled in front of the cavaliers, who parted, making way for a single man on horseback. He was at least middle-aged, with a somewhat grey pallor to his skin and thin, hawk-like features. His expression was a rather lemony one, as if he felt inconvenienced by this entire incident. For all that, though, his dark eyes glinted with intelligence. He was wearing the flowing red habits of a high-ranking member of the Catholic church, although he had a burnished breastplate on his chest as well. "You stand in the presence of his Eminence, the Cardinal Richelieu," announced the captain of the troops that had taken them prisoner. Mark's eyes went wide. He didn't speak French, but he'd seen enough Three Musketeers movie reboots to know who Cardinal Richelieu was and exactly what sort of deep shit they were suddenly in. "Show respect!" Becky dropped to one knee and bowed her head, looking at the ground. Mark rapidly followed suit, since she probably had a better grasp of the situation than he did. He could feel everyone's eyes and on them and it was beginning to weigh heavily, like a yoke around his neck. His face flushed, but he said nothing. "Who are these persons?" the cardinal asked finally. "Your names, my children." "My name is Rebecca, your Eminence," Becky said humbly, still not looking up. "And you, good sir?" the Cardinal asked, looking over at Mark now. "M; me llamo Marco del strade, tu Eminencia." Mark stammered. "A Spaniard," mused the Cardinal, pursing his lips. "In the presence of a peasant girl. And you both have unusual accents, I admit." "Your Eminence," said one of the captains, looking at them suspiciously. "This man, why is he here traipsing about Champagne like this? With this peasant girl? We found them in the woods, doing unspeakable carnal acts to one another." The Cardinal's eyebrow arched and he looked on in seeming distaste. "You don't say." "Very likely he is a spy for King Phillip, your Eminence!" said the captain, almost sneering. "No, your Eminence," Becky said suddenly, her voice full of concern. "I assure you, he is no spy!" Mark hadn't heard or understood everything the Frenchmen were saying to one another, but he understood 'espion' and his teacher's reaction indicated that he was in some kind of trouble. Go figure. "And what grounds can you give me to believe you, child?" the Cardinal asked with feigned interest. "Please," she begged, her head still bowed. "You have my utmost assurances he is no spy, he's an idiot!" This made the men around them laugh and even Richelieu grunted in amusement. "Both of you rise." Mark saw Becky get to her feet and he did the same. All around them, men with pikes and muskets were watching them warily, some of them levelling weapons at the pair. Clearly they took the Cardinal's safety seriously. Richelieu observed them with interest. "The girl is very unusual," he mused. "Tall, very healthy and very beautiful. Very, very beautiful. I know only one other of such unmatched attractiveness." Mark wasn't sure where this was going, but he doubted it was good. The Cardinal's interest in him was waning. "And yet you say you found her acting in a most carnal and un-ladylike manner in the woods, hmm?" Richelieu continued. "Well, it certainly won't do for her to be out here alone in the countryside, rutting like a nymph, would it? Perhaps her majesty could make use of the girl, once we fix her atrocious accent." "My what?" Becky snapped, looking offended now. "Put her in the cart, we'll bring her to the capital, with regards to the Queen." Richelieu declared, turning his horse about and riding off. Men began to try and wrangle Becky into one of the carts, many of them laughing and leering as they took the opportunity to grope her. Gut shot. "Hey, stop that!" Mark said angrily, surging forward, but he suddenly found himself confronted by a captain, who stared at him impassively. There was a sudden and frightfully loud 'crack!' sound and Mark halted suddenly, his eyes wide. Becky's head snapped around at the noise and her eyes went wide. Blinking, Mark slowly looked down and saw there was a very red puncture hole in his abdomen. Sounds slowed down, taking on an almost syrupy quality and he started to feel confused. Becky screamed and tried to force her way to him, but she was being hustled away by many guards. The man who had shot him wandered off, sliding his flintlock pistol back into a holster, clearly no longer caring about Mark. Everyone seemed to be wandering off now. He felt cold, and vaguely nauseous. The ugly red wound in his stomach pulsed, blood welling from it slowly. He felt himself toppling over, white light bathing the field around him. He could still see things, but they seemed distant. He tried to focus on something, finally identifying Becky's voice as she screamed for him. He could just make out the soldiers wrestling her into a cart while she struggled and kicked savagely, her face contorted in rage. "I'll Get You For This, Richelieu!" she roared as Mark's world was absorbed by the soft white light. "You Just Made The Shit List Of High Doom!! See If I Ever Dance A Sarabande For You, Pal!" Mark bolted upright suddenly, gasping. His eyes were wide and he was covered in sweat. His heart thundered in his chest and he fought to control his panic. The white light was slowly replaced by close walls of grey stone. He squeezed his eyes shut and tried to control his breathing. His hands bunched against sheets that were covering him. Finally, he could breathe normally and he tried to organize his thoughts. He still felt confused, everything a total jumble. "Calm yourself. Think!" He'd been fucking Becky in the woods. Apparently they were waiting for Cardinal Richelieu to go by, which he guessed passed for a historical event, seeing the man. But the Cardinal's soldiers heard the two of them and took them prisoner. Then they took Becky and Mark tried to stop them and got shot in the stomach; His eyes snapped open and he was frozen in place. He forced himself to look down at his middle, seeing that he was still covered in a sheet. His hand was trembling as he moved it slowly toward the heavy, dun-colored blanket, sweat trickling from his brow as he felt fear rise in his throat. He flung away the sheet suddenly, unable to bear not knowing. He wasn't bleeding. There was no puncture wound, only a strange, round scar about two inches in diameter. Eyes wide, he slowly lifted his head and looked around, now noticing his environs; he was indeed in a small bedroom, the curtains drawn to keep out the light and very little in the way of décor. Just a chair and a table in one corner, some other surfaces with candles spaced around the room. His bed was solid and comfortable. "Ah, there you are," Chester Edgerton said as he came through the door. "I was beginning to think you had no intentions of waking up." "Where;” Mark said somewhat feebly. "Back at my place," Chester answered, sitting down in the chair and settling in for what was no doubt going to be a long and perhaps trying conversation. "I found you lying in the middle of the field nearly a kilometer from where I'd left you and you were very close to dead." "How did I;” "You should have died," Chester continued. "But ultimately you wouldn't have, due to a time lock, I'm assuming. You weren't meant to die there in that field. Luckily for you, there are still plenty of ways to get yourself killed for doing absurd things." "Why did you leave us in the first place?" Mark asked. "I've been around Richelieu and several of his captains at various points in the time stream, and it's getting difficult to manage," Chest replied, shrugging. "Best way to deal with that issue is to simply not be present." "So why leave us there?" "To see Richelieu, of course," the man said simply. "One of history's truly great men, certainly more so than that twit of a king he serves. I was just trying to ease you into the idea of witnessing historical events. It never occurred to me that you'd be found because you made your teacher yodel like a Swiss Miss when you flagranting the delicto with her. I admit I hadn't planned for that nonsense." Mark blushed. "So, what, I wasn't meant to die here, so my body just healed itself?" Chester laughed. "Oh, no, dear boy, nothing of the sort. I came back to the woods, as promised, as when you weren't there, I began noticing the tracks of many solid shoes and boots in the vicinity. Not to mention the clothes you left behind." "Yeah, sorry, I was kinda tied up at the moment." Mark muttered. "In any event, I followed the tracks, noticed that Richelieu had broken camp and then found you. You'd been lying there for nearly three hours, you should have been dead from blood loss, but you weren't. I brought you back here, removed the ball from your stomach and then healed you." "You can do that?" Mark asked. "I thought you said you were a dealer in chroniques." "It helps to have a few irons in the fire and some hidden talents if you're going to mess around in the time stream," Chester replied. "But I was under no obligation to complicate my life and save you." "I guess I'm glad you did," Mark sighed. "Thanks. But wouldn't I have healed anyway?" "Yes, but maybe not fully," replied the enigmatic dealer. "You might've been found by some local peasants, brought back to their hovel and spent life as a weakened vegetable until you died of the Plague. People die in the past all the time, Mark, and everyone in their own era thinks they just disappeared and mourns them. It's frightfully common." "Can I; can I see the tools you used to heal me?" Mark asked hopefully. "Nope," Chester replied, shaking his head. "They're from your future by a few hundred years, the only reason I used them at all was because you were out cold." "Uh, how long was I out, anyway?" "Almost a month," Chester answered, smoothing a corner of his pencil moustache. "I had you fully healed and ready for action by the next day, to be honest, but you just refused to come to. So, I just left you to it, figuring you would wake up when you felt like it." "Oh, shit," Mark breathed, realizing something. "Where's Becky?" Chester raised his hands. "Why would I know? I wasn't there. What do you remember?" Mark tried to concentrate while Chester got up and poured a glass of water. Mark drank it thirstily and placed the glass on the table. He found himself wishing that he'd taken French instead of Spanish in school. He'd thought Spanish might be more useful, but all it did was get him shot. Fuck that. "I don't really speak French, so this is hard. Umm; they thought I was a spy because they thought I was Spanish." "Because you've been presenting yourself as Spanish while you're here," Chester mused. "In spite of your outrageous accent. France has been at war with Spain on and off for some time now." "Whatever," Mark grumbled. "They seemed really interested in Becky." "To be expected, she is quite lovely. I dare say I've only known one woman in this entire era to match her beauty." "Well, I think I heard them say 'capital', and then I think 'la reigne', which means queen, right?" "Indeed it does," Chester agreed. "My bet, then, is that your teacher has been taken by the Cardinal to be presented as a gift to her majesty, Queen Anne, to serve as one of her ladies-in-waiting." "Why would he do that?" Mark asked, frowning. "I've seen enough Three Musketeers movies to know that the Cardinal and the Queen hate each other." Chester smiled. "It's a game he plays with her. As the years go on, Anne is, sadly, getting 'a little long in the tooth', to borrow a phrase. She remains dignified and regal, but her best days are behind here, where attractiveness is concerned. Richelieu now takes great delight in surrounding her with women of magnificent beauty, seemingly a gesture of devotion, but really meant to hurt the queen's feelings." "What a dick." Mark muttered. "You have no idea," Chester said dryly. "If they got her back to the city roughly a week after she was taken, then she's been with the royal court for three." "Meaning that she's either loving life as a lady-in-waiting, or she's killed and eaten them all," Mark said heavily. "I guess I have to go get her." "I can't imagine this not being amusing," Chester said, smirking. "But out of morbid curiosity, how, exactly, will you affect this rescue?' "I dunno," Mark said, shrugging. "But I can't leave her. She'd kill me." "She probably thinks you're dead, I feel obliged to point out." Chester mentioned. "She saw you suffer a mortal wound at point-blank range. You should be dead and only an as-yet undetermined temporal snarl has kept you alive. I wouldn't count on that again if I were you." "Well I can't do nothing!" Mark insisted in frustration. Chester tilted his head, observing his guest for a moment. "Do you love this woman?" Mark blushed furiously. "I; no, I don't love her, or if I do, then I'm not in love with her. There's a difference, ya' know." "Well and truly said, Boccaccio," Chester chuckled. "Well, if there's no stopping you, then I'll see what I can do to discretely help you." "Why?" Mark queried. "I've got a friggin' time machine. All I need to do is get there, zip in and zip out." "Correct me if I am wrong," interjected his host. "But did you not tell me, early on in our association, that your current self is from three months in the future of the Miss Rebecca that I know." Mark nodded. "And you plan to add another layer of temporal travel on top of that wedding cake of disaster?" Chester mused. "Rebecca could be subtly altering the timelines in Paris now with her very presence, involuntary as it might be. Your oh-so-carefully laid plan could simply not work because of a slight temporal consideration." "So you're saying no time machine." Mark stated flatly, not impressed. "I'm saying the idea is bad. Atari Jaguar bad," Chester replied. "If you intend to do this hare-brained thing, allow me to assist you in what moderate ways I can." "What, you've got some funky tech or weapons you can loan me?" "We'll see about that, but more importantly, I guess I'll call in a favor. A certain person who moves in the circle of the royal court owes me a small boon, and I can use it to assist you. They happen to be an accomplished master of intrigue and getting out of sticky situations, with a blade if necessary." Mark's eyes lit up. "Is it D'Artagnan?" "Only if you want to get Clock-Hammered out of existence," Chester laughed, shaking his head. "Everybody wants to meet Charles de Batz, thinking they're going to see D'Artagnan of Three Musketeers fame, and then it just turns out he's a bad-tempered Gascon who loves to punch people who bother him. He's punched more time-travelers than Jesus, I'm pretty sure." Chester then went over to a drawer and rummaged around inside it, finally pulling out a yellowing envelope that was sealed with wax. "I assure you, the agent I am referring you to will be much more effective than D'Artagnan. I will send you with instructions about where in Paris to meet them and offer them this envelope. Warning, though, if they see it is opened, they will simply refuse to help and go away to where you cannot find them. Are you strong enough to keep from opening the letter?" Mark nodded. "Well, then," Chester announced, opening a bottle of wine and pouring two cups. "Shall we drink a toast to your success, o Macro del Strade of Seville?" Palace Mission. Mark was sitting on the back of a hay wagon, wondering if he could really pull this insane plan off. In addition to the letter, Chester Edgeworth had indeed furnished him with a few small devices and curious that they hopefully would help him, though it cost him almost all the rest of his money. Chester pointed out he was a businessman and didn't intend to take a loss just because some idiot created a time crisis for himself. Fair enough. Mark tried not to play with the little bud that sat deep in his ear; Chester had sold it to him, saying that it could translate languages, speaking into Mark's ear whatever he was focusing on. It could also possibly formulate phrases; if he spoke in English, it could tell him the closest translation to what he was saying. This model was old, though, and only spoke the French of this period. Chester didn't want him getting any clever ideas with a more powered-up version, since if something bad happened, it might come back on him. The reasoning initially annoyed Mark, but the more he thought about it, he reminded himself that he was here to rescue Becky. Nothing else. He thought about the conversation he'd had with their host while drinking wine and planning his initial move, heading to Paris. "So why did you begin time-travelling at all?" the man had asked. "Well, I;” Mark started saying, unsure of how to answer. "I found a time machine. Seems perfectly logical to use it." "Granted, but what's your personal motivation, Mark?" he asked. "Is it to see glorious historical events, are you a treasure hunter, a thrill-seeker who wants to run with the Dromaesaurs?" Mark blushed now. "Honest? I thought it'd be cool to have sex with women from history." To his amazement, Chester didn't laugh uproariously, he simply smiled and shrugged. "More common than you would think, especially amongst men your age, who are full of hormones. Let me ask, then; was getting laid in your own time-period difficult?" "Not really, no." "Well it's not any easier in the time stream, just so you know," Chester pointed out. "In some periods of history, it can be even harder, where religious fervor runs rampant and sexual repression is the law of the land. I assume you wouldn't go as far as to rape a girl." Mark shook his head. "Lots of men do when they find out that having sex in the past is harder than they anticipated," Chester said almost sadly, shaking his head. "You're one of the better ones. But for all that, the problem remains; getting into bed or a rug with Cleopatra is pretty much next to impossible. You might as well hope to seduce Scarlett Johansson when you're no one in particular." "Hey, I got Becky, didn't I?" Mark had protested. "Dumb luck, really, and she's a remarkable woman. Have you had sex with any women aside from Becky since you came to the Sun King's France?" He shrugged. "A few, I shared 'em with Becky." "Peasants, I assume?" "Mostly, yeah," Mark admitted. "There was one sophisto girl, but Becky did the talking and charmed the knickers off her for us." "If it weren't for Becky, you'd be completely out of your league here, boyo," Chester said simply. "And trust me, it won't get easier. Even history buffs who think they know everything get caught and pay the price. There's the history you know, the history you don't know, and the history that you don't know that you don't know." "What?" "What year did World War Two end?" Chester asked. "Simple. 1945." "So you know that. What year did the Crimean War start?" "I've heard of it, but I don't know anything about it." "Something you know that you don't know. Okay, tell me about the League of Ages Twelfth Nicean Temporal Council." "The what?" "Exactly," Chester had said emphatically, leaning forward and pointing with his wine glass to make a point. "An incredibly important historic event that you've never even heard of, but it happened all the same. Can you imagine trying to do something that conflicted with that? You wouldn't even know what clock-hammered you, or why; because only a practiced temporal traveler would be aware of the event at all. Time travel can be tedious." "It's certainly becoming less and less fun by the moment." Mark grumbled. "Probably the smartest thing you've said since you found that Holmes-Field Device," Chester agreed. "Life would be a lot easier if casual nitwits like yourself walked the other way when a time machine appeared in their path." "But don't you make a living selling to people like me?" Mark asked. "Hardly," Chester almost snorted. "Nitwits like you rarely have anything to even pay me with and usually require drastic amounts of assistance. No, my friend, the majority of my income is derived from customers who hail from the far future where time travel is an established industry and carefully regulated. Now those people are my bread and butter." "Did Becky and I really stand out?" Mark asked somewhat dully. "More and more with each passing moment," Chester answered. "You're too tall, too healthy, you have all your teeth, and your accents are absurd." Mark said nothing. "And by the way," added his host. "Those little packets of Airborne that you both carry in your pockets? The little Vitamin C boost things to ward off the sniffles? I can guarantee you that those will in no way, shape or form protect you from illnesses in this era. Only thing it'll do is turn your piss such a bright yellow that people will think you're possessed and the Inquisition will burn you." Mark ended up leaving the packets as a curio that Chester could sell to people from the future who wanted to snicker at how dumb people from the turn-of-the-millennium were. Carting to Paris. He had arranged transport to Paris with the wagon he was now on, making sure the farmer put some extra perk in his horse's step by offering him twice as many sou as was normal. The journey, which would normally take a week, with good weather, was promised to six days because of the extra money. Whatever the difference was between six-day speed and seven-day speed, Mark sure couldn't tell it. His communication with the farmer had been sluggish, certainly, mostly on his end, because he would try to say exactly what his little translator bud told him and he probably sounded like he'd had a stroke when he was speaking. The farmer laughed at his speech, but still did as he was asked. Mostly they slept at the side of the road in the piled hay, but one night they stayed in a roadside inn. Mark's funds were running out fast, even though the food he ate was paltry and rather unappetizing. He had to reach Paris. They then trundled through the town where Mark and Becky had first come to; and Mark hid himself in the straw, figuring it was best to not be seen by people whom he might be familiar with. Even if the innkeeper's two daughters would no doubt readily fuck him again. He fought the temptation to ignore Chester's instructions and simply go get his Holmes-Field Device and use it to rescue his teacher. But he disciplined himself and refrained, he was in enough trouble as it is.  Then he meditated; Known knowns. Known unknowns. Unknown unknowns. Fuck. The days and nights passed with Mark trying to keep himself from growing crazy by practicing his French and thinking of his plan. He had no idea whatsoever about what to do once he reached Paris. Get inside the royal palace? He couldn't exactly Google the plans for it, could he? "Regardez la!" the farmer said finally, calling back to Mark and pointing toward the west. As the sun was rising behind them, he could make out a sprawling sea of darkness in the distance, the silhouette of which prickled the sky. Endless plumes of smoke hung over the city as deep grey gave way to dawn behind them. He thought it might actually be pretty. And then the wind wafted over them from the west, bringing the unique scent of fabled Paris. "Jesus!" Mark croaked as he turned green, leaning over the side of the wagon and puking his guts out while the farmer roared with laughter. They entered the city. Mark wandered through the choking maze of streets, gaping at the chaos of architecture around him; houses seemed to almost be built on top of houses, to the place where some of them were leaning over almost drunkenly. The cobblestones of the road were wet and sticky with effluence, there was no way to avoid it. The stench was beyond belief. How had people ever lived like this? He had asked on repeated occasions where he could find La Rue de Grenuie, the place Chester had told him he would find the agent he'd referred to. Mark was reasonably certain most people were being helpful, even if they stared at him like he was an alien. He might as well have been, he was a head taller than just about everyone, clearly well-fed and had all his teeth. Mark had seen jack-o-lanterns with more teeth than most of the denizens of Paris' infamous streets. He took many wrong turns, because where he thought people had told him to go was often a dead end. Eventually, by divine providence, he found himself on the street he'd been asking for, evidenced by an ancient, worn rectangle of wood that said the name in faded green letters. Certain he was on the right track, he headed down the crowded street, stuffing his purse into the front of his breeches, since Chester had told him Paris was home to countless scoundrels who could remove his wealth without him even noticing. The crowds began to thin out somewhat, and the street got narrower, as if that was possible. The cobblestones were also surprisingly dry, not sticky or running with the sewage of the city behind him. Before long, it was barely wide enough to accommodate one person and he felt very uneasy about the rickety buildings that loomed over his head, almost blocking the sky. He then stopped in front of a black iron fence, pitted with age and with a chain wrapped around it. He tilted his head and unwrapped the chain, finding that the gate now swung open freely and with decidedly little noise. He stepped in, closed it behind himself and then fixed the chain back in place as best he could. He found himself walking through a tunnel, the buildings about him now made of stone. Dank and foreboding, he resisted the urge to run, not knowing what lay ahead. Eventually, he came to a small, bare courtyard. It might have been thirty feet by thirty feet and was devoid of almost all decoration. High brick and stone walls concealed it from the chaos of Paris. It was surprisingly quiet, as if the city dared not disturb the austere serenity. There was a single, grey stone bench in the middle of the courtyard. Facing away from him, clad in a great cloak, was a person, the hood thrown over their head to keep the merciless sun off them. Mark swallowed and took a deep breath before beginning to move forward. Was this Chester's agent? If he was, Mark had to be careful, because he'd been told the man was dangerous. He approached slowly, finally coming to a stop some five paces away, still facing the stranger's back. "Hello," he said faltering French. "My name is Mark. I have; sent; to you; today; for big help. I is need big help." "That you do, my friend," replied the person in a strangely lyrical voice. Then closed a small book of devotionals wwhich had clearly been studied and stood, still facing away. "That much is obvious, because your French is painful." Mark blushed in embarrassment as the translator bud told him what the person had said. Still concealed beneath their voluminous midnight-blue cloak, the mysterious person turned around and approached him. He resisted the urge to take a step back as the shrouded presence stood right in front of him. He couldn't help but notice the person was on the taller side, strange for a Parisian. Gloved hands pulled down the hood and Mark's eyes widened in amazement. Shining golden hair spilled in luxurious tresses down the person's back. The eyes were a dazzling blue, glinting with intelligence. The smile was serene, the teeth within white and perfect. Lady Alexandra. <

Ken Carman and Anthony Lima continue with their complaints about the Cleveland Browns.

Hour 2: Browns tanking is an "excuse" + Browns next best QB option? full 1947 Mon, 10 Nov 2025 12:57:50 +0000 CMRCaNMAQvCohN1NVIdWPpX8bd2WlRKe sports The Ken Carman Show with Anthony Lima sports Hour 2: Browns tanking is an "excuse" + Browns next best QB option? The only place to talk about the Cleveland sports scene is with Ken Carman and Anthony Lima. The two guide listeners through the ups and downs of being a fan of the Browns, Cavaliers, Guardians and Ohio State Buckeyes in Northeast Ohio. They'll help you stay informed with breaking news, game coverage, and interviews with top personalities.Catch The Ken Carman Show with Anthony Lima live Monday through Friday (6 a.m. - 10 a.m ET) on 92.3 The Fan, the exclusive audio home of the Browns, or on the Audacy app. For more, follow the show on X @KenCarmanShow. 2024 © 2021 Audacy, Inc. Sports False https://player.amperwavep

We recap Tommy's picks from this Sunday's Bills loss in Miami

On this subsequent episode of the Shut Up & Sit Down Podcast, Matt and Tom are returning to a couple of the games they were excited about in the Essen Special, as well as covering one that was missed from the billing!Excuse the occasional odd buzzing on this one - we tried to scrub it as much as possible but there's only so much you can do to heal a dodgy microphone before you start making Matt sound like a blender.Have a great weekend, everybody!Timestamps:02:33 - Winning Ticket15:41 - Feya's Swamp37:04 - Sanctuary

On this FULL CAPS CHUNKY episode of the Shut Up & Sit Down Podcast, Tom and Matt are talking about all of the games they played at Essen 2025!This is an audio-only reupload of the video we just put out on the main channel - so if you'd like to enjoy a physical tier list alongside these wobbly words? Then that's where it is, and will be, forever and ever.Excuse the mildly iffy audio on this one!Have a great weekend, everybody!Timestamps:01:00 - Chemical Overload07:50 - Collect!12:45 - Tolleno19:05 - A Carnivore Did It!21:40 - Echoes of Time23:55 - Pyradice29:07 - Tax The Rich32:09 - 3 Witches37:53 - Agent Avenue43:33 - Recall46:59 - Feya's Swamp54:43 - Wie Die Karnikel58:20 - Milch Mit Abführmittel1:03:34 - Big Shot1:08:07 - Night Soil1:11:24 - The White Castle: Duel1:16:58 - National Economy1:21:05 - Railway Boom1:23:38 - Pulitzer1:30:28 - Sanctuary1:34:29 - River Rats1:39:32 - Ghost Lift

Brittany Spears deleted her Instagram account. Milly Bobby Brown Jovi and David Harbour appear to be on good terms at the Stranger Things premier. Carol Burnett is donating all of her awards to UCLA, and Sarah is insisting you check out her cameo in the latest season of ‘Hacks.' Antonio Brown has been extricated from Dubai to face attempted murder charges in the US. The Atmospheric River may or may not come back, it's up to her! Sometimes you need to fake it ‘til you make it - especially over the holidays. Fa La La La La!

In this impactful and inspiring episode of Unstoppable Mindset, host Michael Hingson sits down with Ronald Cocking—performer, educator, and co-founder of the Looking Glass Studio of Performing Arts—to reflect on a remarkable life shaped by rhythm, resilience, and love. Ron's journey into the performing arts began at just five years old, when his passion for tap dance ignited a lifelong commitment to dance and musical theater. From his first professional role at age 15 in My Fair Lady to founding one of Southern California's most impactful arts schools, Ron's story is one of dedication, creativity, and community.   But perhaps the most moving part of Ron's story is his 49-year partnership—both personal and professional—with the late Gloria McMillan, best known as Harriet Conklin from Our Miss Brooks. Together, they created a legacy of mentorship through the Looking Glass Studio, where they taught thousands of students across generations—not just how to act, sing, or dance, but how to live with confidence and integrity.   Ron also reflects on the legacy Gloria left behind, his continued involvement in the arts, and the words of wisdom that guide his life:   “Teach a man to fish and you feed him for a lifetime.” “To find happiness, take the gifts God has given you and give them away.”   This is more than a story of a career in the arts—it's a touching tribute to passion, partnership, and purpose that will leave you inspired.   Highlights:   00:48 – Hear how early radio at home shaped a lifetime love for performance. 03:00 – Discover why drumming and tap both trained his ear for rhythm. 06:12 – Learn how a tough studio change led to ballet, jazz, and tumbling basics. 08:21 – See the “sing with your feet” method that makes tap click for students. 10:44 – Find out how a teen chorus role in My Fair Lady opened pro doors. 13:19 – Explore the drum-and-tap crossover he performed with Leslie Uggams. 15:39 – Learn how meeting Gloria led to a studio launched for $800. 18:58 – Get the long view on running a school for 44 years with family involved. 23:46 – Understand how Our Miss Brooks moved from radio to TV with its cast intact. 32:36 – See how 42nd Street proves the chorus can be the star. 41:51 – Hear why impact matters more than fame when students build careers. 43:16 – Learn what it takes to blend art and business without losing heart. 45:47 – Compare notes on marriage, teamwork, and communication that lasts. 48:20 – Enjoy a rare soft-shoe moment Ron and Gloria performed together. 56:38 – Take away the “teach to fish” approach that builds lifelong confidence.   About the Guest:   My father was a trumpet player, thus I heard music at home often in the early 50's and was always impressed and entertained by the rhythms and beats of Big Band music… especially the drummers.  Each time I would see Tap dancers on TV, I was glued to the screen.  It fascinated me the way Tap dancers could create such music with their feet!   In 1954, at age 5, after begging my Mom and Dad to enroll me in a Tap class, my Dad walked in from work and said “Well, you're all signed up, and your first Tap class is next Tuesday.  I was thrilled and continued studying tap and many other dance forms and performing and teaching dance for all of my life.     In my mid teens, I became serious about dancing as a possible career.  After seeing my first musical, “The Pajama Game” starring Ruth Lee, I new I wanted to do musical theatre.  I got my first professional opportunity at age 15 in “My Fair Lady” for the San Bernardino Civic Light Opera Association and loved every minute of it… and would continue performing for this organization well into my 30's   I met Gloria McMillan in the late 60's while choreographing a summer musical for children.  Gloria's daughter was doing the role of Dorothy in “The Wizard of Oz”.  Then, about 3 or 4 years later I would meet Gloria again and the sparks flew.  And, yes, she was Gloria McMillan of “Our Miss Brooks” fame on both radio and television.  Wow, was I blessed to have crossed paths with her.  We shared our lives together for 49 years.   On November 4, 1974, Gloria and I opened a performing arts school together named “The Looking Glass Studio of Performing Arts”.  We would teach and manage the school together for 44 years until we retired on June 30, 2018.  We moved to Huntington Beach, California and spent 3 beautiful years together until she left to meet our Lord in heaven on January 19, 2022.   Ways to connect with Ron:   Lgsparon@aol.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi there, wherever you are and wherever you happen to be today. Welcome to unstoppable mindset. I'm your host, Mike hingson, and today we get to chat with Ron Cocking, who is Ron. Well, we're going to find out over the next hour. And Ron was married for many years to another person who is very famous, and we'll get to that, probably not as well known to what I would probably describe as the younger generation, but you're going to get to learn a lot about Ron and his late wife before we're done, and I am sure we're going to have a lot of fun doing it. So let's get to it. Ron, welcome to unstoppable mindset. We're glad you're here.   Ron Cocking ** 01:59 Thank you. I'm so glad to be here. Michael, this. I've been looking forward to this.   Michael Hingson ** 02:04 I have been as well, and we're going to have a lot of fun doing it.   Ron Cocking ** 02:08 Do you one note on that last name? It is cocking. Cocking, he comes right? Comes from a little townlet in the coal mining country of England called Cockington.   Michael Hingson ** 02:20 I don't know why I keep saying that, but yeah, cocky, no   02:23 problem.   Michael Hingson ** 02:24 Well, do you go up to the reps recreations at all?   Ron Cocking ** 02:28 Oh my gosh, Gloria. And I know you and Gloria, did do you still do it? I've it's on my schedule for September.   Michael Hingson ** 02:35 I'm gonna miss it this year. I've got a speech to give. So I was going to be playing Richard diamond at recreation. Well, I'll have to be Dick Powell another time, but I thought that you you were still doing   02:50 it. I'm planning on it cool.   Michael Hingson ** 02:53 Well, tell us about the early Ron cocking and kind of growing up in some of that stuff. Let's start with that.   Ron Cocking ** 02:59 Well, the early part of my story was when I was born just a little before television came in, before everyone had a TV in their home. How old are you now? If I maybe, you know, I am now 76   Michael Hingson ** 03:12 Okay, that's what I thought. Yeah, you're one year ahead of me. I'm 75   Ron Cocking ** 03:16 I was born in 49 and so my earliest remembrances my mom and dad and my brother and I lived with our grandfather, and we had no television, but we had this big it must have been about three to four foot tall, this big box on the floor in a very prominent spot in the living room. And that was the Sunday afternoon entertainment. I remember my family sitting around, and I listened and I laughed when they did, but I had no idea what was going on, but that was the family gathering. And just, I know we'll talk about it later, but I I just have this notion that at that time I was laughing, not knowing what I was laughing at, but I bet I was laughing at my future   Michael Hingson ** 04:02 wife, yes, yes, but other things as well. I mean, you probably laughed at Jack Benny and Amos and Andy and   Ron Cocking ** 04:09 yeah, I remember listening to all those folks, and it was just amazing. Then when television came about and my father was a trumpet player, and I loved his trumpet playing, and he practiced often at home. He would sit in his easy chair and play some tunes and scales and that sort of thing. But what captured my ear and my eyes when I went to on rare occasions when I could go to his engagements, it was always the drummer that just stuck out to me. I was mesmerized by the rhythms that they could produce. And when TV came about, I remember the old variety shows, and they often would have tap dancers like. Had a stair gene, Kelly, Peg Leg Bates and the Nicholas brothers, and I just, I was just taken back by the rhythms. It sounded like music to me. The rhythms just made me want to do it. And so I started putting that bug in my parents ears. And I waited and waited. I wanted to take tap dance lessons. And one day, my dad walks in the back door, and I said, Dad, have you signed me up yet? And he said, Yep, you start next Tuesday at 330 in the afternoon. So I was overjoyed, and I went in for my first lesson. And mind you, this was a private tap class. Total Cost of $1.25 and we had a pianist for music, no record player, live piano, wow. And so I, I rapidly fell in love with tap dance.   Michael Hingson ** 05:56 And so you did that when you weren't in school. Presumably, you did go to school.   Ron Cocking ** 06:00 Oh, yeah, I did go to school. Yeah, I did well in school, and I enjoyed school. I did all the athletics. I played little league, and eventually would be a tennis player and water polo and all that stuff. But all through the years, after school was on the way to the dance classes.   Michael Hingson ** 06:16 So you graduated, or I suppose I don't want to insult drumming, but you graduated from drumming to tap dancing, huh?   Ron Cocking ** 06:24 Well, I kept doing them both together. I would dance, and then when my dad would practice, I would beg him to just play a tune like the St Louis Blues, yeah, and so that I could keep time, so I pulled a little stool up in front of an easy chair, and one of the arms of the chair was the ride cymbal, and the other one was the crash cymbal, and the seat of the chair was my snare drum. I would play along with him. And eventually he got tired of that and bought a Hi Fi for my brother and I, and in the bedroom I had a Hi Fi, and I started to put together a set of drums, and I spent hours next to that, Hi Fi, banging on the drums, and I remember it made me feel good. One day, my mom finally said to me, you know, you're starting to sound pretty good, and that that was a landmark for me. I thought, wow, somebody is enjoying my drumming,   Michael Hingson ** 07:18 but you couldn't do drumming and tap dancing at the same time. That would have been a little bit of a challenge. A challenge.   Ron Cocking ** 07:23 No, I would practice that the drums in the afternoon and then head for the dance studio later. And in this case, I was a local boy. I grew up in Riverside California, and my first tap teacher was literally maybe two miles from our house. But that didn't last long. She got married and became pregnant and closed her studio, and then I she recommended that I go see this teacher in San Bernardino by the name of Vera Lynn. And which I did, I remember walking into this gigantic classroom with a bunch of really tall kids, and I was maybe seven or eight years old, and I guess it was kind of an audition class, but after that evening, I she put me in the most appropriate classes, one of which was ballet, which I wasn't too excited about, but they all told me, If you're going to be a serious dancer, even a tap dancer, you need to get the basic body placement from ballet classes. And I said, Well, I am not going to put any tights and a T shirt on. But they finally got me to do that because they told me that the Rams football team took ballet class twice a week at that time. Ah. Said, no kidding. So they got me, they they got you. They got me into ballet class, and then it was jazz, and then it was tumbling, and so I did it all.   Michael Hingson ** 08:43 I remember when we moved to California when I was five, and probably when I was about eight or nine, my brother and I were enrolled by my mother. I guess my parents enrolled us in a dance class. So I took dance class for a few years. I learned something about dancing. I did have a pair of tap shoes, although I didn't do a lot of it, but I, but I did dance and never, never really pursued it enough to become a Gene Kelly or Fred Astaire. Well, few of us do. I didn't dislike it. It just didn't happen. But that was okay, but it was fun to, you know, to do it and to learn something about that. And so I even today, I I remember it, and I appreciate it. So that's pretty cool.   Ron Cocking ** 09:32 Well, you would understand what I always told my students, that tap dancing is like singing a song with your feet. Yeah. And I would sing, I would say, you all know, happy birthday, right? So I would sing it, and they would sing it along, and then I'd said, then I would sing it again, and I would sing it totally out of rhythm. And they would wrinkle their nose and look at me and say, okay, so what are you doing? And I'd say, Well, you don't recognize it because the rhythm is not correct. So then I would. Would tap dance Happy birthday, and I'd say, you sing along in your mind and I'm going to tap dance it. And that would always ring a bell in their mind, like, Oh, I get it. The rhythm has to be right on the button, or the people aren't going to recognize   Michael Hingson ** 10:16 that was very clever to do.   Ron Cocking ** 10:18 Yeah, thank you. And they got it, yeah, they got it, yeah,   Michael Hingson ** 10:22 which is even, even more important. That's pretty clever. Well, so you did that, and did you do it all the way through high school,   Ron Cocking ** 10:30 all the way through high school? And I think when I was 15, I was, I think I was in the eighth grade, maybe ninth, but I was 15 and got my first chance to I was cast in a professional show for San Bernardino civic light opera Association. And the show was My Fair Lady, and it was my English and journalism teacher at the junior high who had been cast. He was a performer also, but something came up and he couldn't follow through, so he had given the association my name, and I was out in the backyard. My mom came out. Said, Hey, San Bernardino clo just called and they want, they want to see it tonight at seven o'clock. So I put on my dance clothes and went over, and the director, by the name of Gosh, Gene Bayless, came out, and he showed me a couple of steps. And he said, Yeah, let's do it together. And he said, Boy, you unscramble your feet pretty well there kid. And he he looked over into the costumers and said, measure this guy. Let's put him in the show. So I was beside myself. And long story short, I Gosh, I'm over the over the years, I my first show was at age 15 with them, and I participated, did shows with them, until I think my last show, I was about 38 years old, and that last show was anything goes with Leslie uggums, wow.   Michael Hingson ** 11:52 So what part did you play on my fair lady?   Ron Cocking ** 11:55 I was just a chorus kid. I remember in the opening when Eliza sings, that wouldn't it be lovely? Wouldn't it be lovely? I was a street sweeper. I remember I had a broom, and there were three of us, and we were sweeping up that street and working in and around. Eliza Doolittle, of   Michael Hingson ** 12:11 course, being really spiteful. You just said a little while ago, you were beside yourself. And the thing that I got to say to that, quoting the Muppets, is, how do the two of you stand each other? But anyway, that's okay, good in the original Muppet Movie, that line is in there. And I it just came out so fast, but I heard it. I was going, Oh my gosh. I couldn't believe they did that. But anyway, it was so cute, very funny. That's great. So and then you were, you eventually were opposite Leslie UB,   Ron Cocking ** 12:39 yes, that was one of the high points talking about dancing and drumming at the same time. In fact, I used to give a drum a basic drum summer camp where I would teach tappers the basics of music notation, quarter notes, eighth notes, 16th notes. And then we would put a tap orchestra together. Everybody had their own music stand and their own drum pad. I would conduct, and we would play little pieces, and they would they would drum a rhythm, tap, a rhythm, drum, a rhythm, tap, a rhythm. And so anyway, it came full circle. One of the highlights of my dance slash drumming career was this show I did with Leslie uggums, the director had done this prior, and he knew it would work, and so so did the conductor in the entre Act. The top of the second act, the pit orchestra starts and plays like eight measures. And then there were six of us on stage, behind the main curtain, and we would play the next 16 bars, and then we would toss it back to the pit, and then toss it back to us, and the curtain would begin to rise, and we were right into the first song that Leslie uggums sang to get into the second act. Then she wanted to add a couple of songs that she liked, and she was very popular in with the audiences in San Bernardino, so she added a couple of songs, and I got to play those songs with her and and that was just so thrilling. And I with the scene finished, I had to have my tap shoes on, on the drum set. I had to hop down from the riser, and came out, brought one of my Toms with me, and played along with another featured tap dancer that kind of took over the scene at that point. So it was, it was really cool.   Michael Hingson ** 14:31 So with all this drumming, did you ever meet anyone like buddy rip?   Ron Cocking ** 14:35 No, I never met any famous drummers except a man by the name of Jack Sperling, which was one of my drumming idols,   Michael Hingson ** 14:44 Donnie Carson was quite the drummer, as I recall,   Ron Cocking ** 14:48 yeah, he did play yeah and boy, his his drummer, Ed Shaughnessy on his on The Tonight Show was phenomenal. Yeah, he's another of my favorites, yeah,   Michael Hingson ** 14:57 well, and I remember. I guess Johnny Carson and Buddy Rich played together, which was kind of fun. They   Ron Cocking ** 15:07 played together, and so did Ed Shaughnessy and Buddy Rich did a little competition on the show one time I realized, yeah,   Michael Hingson ** 15:15 right, yeah. Well, and it's interesting to see some of the performers do that. I remember once trying to remember whether what show it was on, maybe it was also a Tonight Show where Steve Martin substituted for Johnny, but he and the steel Canyon, the Steve Canyon band, came out. Of course, he was great on the band, and then flat and Scruggs or flat came out. Or which one? Yeah, which one did the banjo flat, I think, but they, but they banjo together, which was fun?   Ron Cocking ** 15:51 Oh, wow, yeah, yeah. Steve Martin is a tremendous band. He is, Whoa, yeah. I,   Michael Hingson ** 15:56 I have a hard time imagining fingers moving that fast, but that's okay, me too. I saved my fingers for Braille, so it's okay. So where did you go to college?   Ron Cocking ** 16:07 I went to for two years to Riverside City College, Riverside Community College, and then I went for two years to San Bernardino Cal State, San Bernardino, and I was majoring in English because I thought I may want to do some writing. But in the meantime, I became married, I became a father, and so I was trying to work and study and maintain a family life, and I just couldn't do it all. So I didn't quite finish a major at Cal State San Bernardino. I continued actually a nightclub drumming career. And now, now we're getting up to where this our performing arts studio began between Gloria and I.   Michael Hingson ** 16:50 So was it? GLORIA? You married first?   Ron Cocking ** 16:53 No, okay, no, Gloria was married. Gloria was a prior, prior marriage for 20 some years, or 20 years, I guess. And I had been married only two years, I think. And when we first, well, we actually met while we were both. I'll tell you the story in a minute, if you want to hear it. Sure, the first time I ever met Gloria Macmillan, I had no idea who she was, because she her name was Gloria Allen at the time that was, that was her married name that she took after the arm is Brooks TV show. Well, she took that the new name before the TV show even ended. But I was choreographing a children's summer musical, and the director came up said, hey, I want you to meet this young lady's mom. So the young lady was Gloria's daughter, her oldest daughter, Janet. And I said, Sure. So he said, This is Gloria. Allen, Gloria, this is Ron. And we shook hands, and I said, Nice to meet you. And that was it. And so the show happened. It ran for a couple of weeks, and Gloria was a wonderful stage mom. She she never bothered anyone. She watched the show. She was very supportive of her daughter. Didn't, didn't stage manage   Michael Hingson ** 18:09 whatsoever, which wasn't a helicopter mom, which is good,   Ron Cocking ** 18:12 definitely that, which was just really cool. So and so I was maybe three, four years later, so Gloria obviously knew that I could dance, because she had seen me choreographed. So I got a phone call from Gloria Allen, and I said, Okay, I remember her. She wanted to meet because she was thinking about starting an acting school and wanted someone to teach actors some dance movement. So I went over for a interview and took my little at that time, about two and a half year old, daughter, three year old, and we chatted, and oh my gosh, I just this, this beautiful woman swept me off my feet. And of course, I by the end of the conversation, I said, Gosh, you know, we talked about how we would integrate the acting and the dance, and I said, Can I have your phone number? Nope, I got the old well, we'll call you. Don't call us. And so I had to wait for a few days before I got a call back, but I got a call back, and I don't remember a lot of details, but the sparks flew really, really quickly, and we started planning our school. And if you can believe that this was 1973 when we started planning, maybe it was early 74 and we invested a whole total of $800 to get ourselves into business. We bought a record player, some mirrors, some paint, and a business license and a little shingle to hang out front. We had a little one room studio, and we. Opened on November 4, 1974 and we would close the studio on June 30, 2018 Wow.   Michael Hingson ** 20:08 Yeah. So you, you had it going for quite a while, almost, well, actually, more than 40 years. 44 years. 44 years, yes. And you got married along the way.   Ron Cocking ** 20:20 Well along the way, my my wife always said she fell in love with my daughter, and then she had to take me along with her. Yeah. Well, there you go. So we were together constantly, just running the school together. And then eventually I moved over to San Bernardino, and it was, gosh, some 1213, years later, we got married in on June 28 1987 and but nothing really changed, because we had already been living together and raising five children. GLORIA had four from a private prior marriage, and I had my little girl. So we we got all these five kids through elementary and junior high in high school, and they all went to college. And they're all beautiful kids and productive citizens, two of them still in show biz. Her son, my stepson, Christopher Allen, is a successful producer now and of Broadway shows. And our daughter, Barbara Bermudez, the baby that Gloria fell in love with. She's now a producer slash stage manager director. She does really well at big events with keynote speakers. And she'll, if they want her to, she will hire in everything from lighting and sound to extra performers and that sort of thing. And she's, she's just busy constantly all over the world, wow.   Michael Hingson ** 21:43 Well, that's pretty cool. And what are the other three doing?   Ron Cocking ** 21:47 One is a VP of Sales for it's a tub and shower company, jacuzzi, and the other one is a married housewife, but now she is a grandmother and has two little grandkids, and they that's Janet, the one that I originally had worked with in that children's show. And she and her husband live in Chino Hills, California, which is about 40 minutes from here. I live in Huntington Beach, California now,   Michael Hingson ** 22:14 well, and I'm not all that far away from you. We're in Victorville. Oh, Victorville, okay, yeah, the high desert. So the next time you go to Vegas, stop by on your way, I'll do that, since that's mainly what Victorville is probably most known for. I remember when I was growing I grew up in Palmdale, and Palmdale wasn't very large. It only had like about 20 703,000 people. But as I described it to people, Victorville wasn't even a speck on a radar scope compared to Palmdale at that time. Yeah, my gosh, are over 120,000 people in this town?   Ron Cocking ** 22:51 Oh, I remember the drive in the early days from here to Vegas in that you really felt like you could get out on the road all alone and relax and take it all in, and now it can be trafficking all all the   Speaker 1 ** 23:04 way. Yeah, it's crazy. I don't know. I still think they need to do something to put some sort of additional infrastructure, and there's got to be another way to get people to Vegas and back without going on i 15, because it is so crowded, especially around holidays, that one of these days, somebody will get creative. Maybe they'll get one of Tesla's tunnel boring tools, and they'll make a tunnel, and you can go underground the whole way, I don't know,   Ron Cocking ** 23:32 but that would be, that would be great. Something like that would happen.   Michael Hingson ** 23:38 Well, so you you started the school and and that did, pretty cool. Did, did Gloria do any more acting after our Miss Brooks? And then we should explain our Miss Brooks is a show that started on radio. Yes, it went on to television, and it was an arm is Brooks. Miss Brooks played by e vardin. Was a teacher at Madison High, and the principal was Osgood Conklin, played by Gail Gordon, who was absolutely perfect for the part. He was a crotchety old curmudgeon by any standards. And Gloria played his daughter, Harriet correct. And so when it went from radio to television, one of the things that strikes me about armas Brooks and a couple of those shows, burns and Allen, I think, is sort of the same. Jack Benny was a little different. But especially armas Brooks, it just seems to me like they they took the radio shows and all they did was, did the same shows. They weren't always the same plots, but it was, it was radio on television. So you, you had the same dialog. It was really easy for me to follow, and it was, was fascinating, because it was just like the radio shows, except they were on television.   Ron Cocking ** 24:56 Yeah, pretty much. In fact, there were a lot, there's lots of episodes. Episodes that are even named the same name as they had on the radio, and they're just have to be reworked for for the television screen,   Michael Hingson ** 25:08 yeah, but the the dialog was the same, which was so great,   Ron Cocking ** 25:13 yeah, yeah. And to see what was I going to add, it was our Miss Brooks was one of the very few radio shows that made the transition to television with the cast with the same intact. Yeah, everybody looked like they sounded. So it worked when they were in front of the camera. Yeah,   Michael Hingson ** 25:33 it sort of worked with Jack Benny, because most of the well, all the characters were in it, Don Wilson, Mary, Livingston, Dennis day, Rochester, world, yeah. And of course, Mel Blanc, yeah, oh.   Ron Cocking ** 25:49 GLORIA tells a story. She she and her mom, Hazel, were walking down the street on the way to do a radio show in the old days in Hollywood, and here comes Mel blank, he says, he pulls over. Says, Hey, where are you girls headed because I know that he probably recognized them from being at at CBS all the time, and they said, We're headed to CBS. He said, hop in. Oh, that's where I'm going. So Mel Brooks gave her a ride to the Mel Blanc, yeah, would have been   Michael Hingson ** 26:15 fun if Mel Brooks had but that's okay, Young Frankenstein, but that's another story. It is. But that's that's cool. So did they ever? Did she ever see him any other times? Or was that it?   Ron Cocking ** 26:30 No, I think that was it. That's the one story that she has where Mel Blanc is involved.   Michael Hingson ** 26:36 What a character, though. And of course, he was the man of a million voices, and it was just incredible doing I actually saw a couple Jack Benny shows this morning and yesterday. One yesterday, he was Professor LeBlanc teaching Jack Benny how to play the violin, which was a lost cause.   Ron Cocking ** 26:59 Actually, Jack Benny was not a bad view. No,   Michael Hingson ** 27:01 he wasn't violent. No, he wasn't. He had a lot of fun with it, and that stick went straight in from radio to television, and worked really well, and people loved it, and you knew what was going to happen, but it didn't matter. But it was still   Ron Cocking ** 27:16 funny, and I'm sure during the transition they there was a little bit of panic in the writers department, like, okay, what are we going to do? We got to come up with a few shows. We got to get ahead a little bit. So the writing being just a little different, I'm sure that's part of the reason why they went back and kind of leaned on the old, old script somewhat, until they kind of cut their teeth on the new this new thing called television   Michael Hingson ** 27:39 well, but they still kept a lot of the same routines in one way or another.   Ron Cocking ** 27:45 Yeah, when they work, they work, whether you're just listening or whether you're watching,   Michael Hingson ** 27:48 right, exactly what other shows made it from radio to television with the cast   Ron Cocking ** 27:53 intact? You know, I am not up on that number. I   Michael Hingson ** 27:57 know there were a couple that did. RMS, Brooks was, well, oh no, I was gonna say Abbott and Costello, but that was different, but our Miss Brooks certainly did. If   Ron Cocking ** 28:09 the Bickersons did, I forget the two actors that did that show, but that was a really, Francis   Michael Hingson ** 28:13 Langford and Donna Michi could be, but I think burns and Allen, I think, kept the same people as much as there were. Harry bonzell was still with them, and so on. But it was interesting to see those. And I'm awake early enough in the morning, just because it's a good time to get up, and I get and be real lazy and go slowly to breakfast and all that. But I watched the Benny show, and occasionally before it, I'll watch the burns and Allen show. And I think that the plots weren't as similar from radio to television on the burns and Allen show as they weren't necessarily in the Benny show, but, but it all worked.   Ron Cocking ** 28:58 Yeah, yeah. That's why they were on the air for so long?   Michael Hingson ** 29:02 Yeah, so what other kind of acting did Gloria do once? So you guys started the school   Ron Cocking ** 29:10 well after she well, when we started the school, we found ourselves, you know, raising five children. And so I continued playing nightclub gigs. I had one, one nightclub job for like, five years in a row with two wonderful, wonderful musicians that were like fathers to me. And Gloria actually went to work for her brother in law, and she became a salesperson, and eventually the VP of Sales for a fiberglass tub and shower business down here in Santa Ana. So she drove that 91 freeway from San Bernardino, Santa Ana, all the time. But in,   Michael Hingson ** 29:47 yeah, you could do it back then, much more than now. It was a little better   Ron Cocking ** 29:51 and but in, but twist in between, she managed. Her mom still did a little bit of agency. And she would call Gloria and say. Want you to go see so and so. She did an episode of perfect strangers. She did an episode with Elliot of the guy that played Elliot Ness, stack the show Robert Stack the show was called Help Wanted no see. I guess that was an in but wanted, anyway, she did that. She did a movie with Bruce Dern and Melanie Griffith called Smile. And so she kept, she kept her foot in the door, but, but not, not all that much she she really enjoyed when John Wilder, one of her childhood acting buddies, who she called her brother, and he still calls her sis, or he would call her sis, still. His name was Johnny McGovern when he was a child actor, and when he decided to try some movie work, he there was another Johnny McGovern in Screen Actors Guild, so he had to change his name to John Wyler, but he did that mini series called centennial, and he wanted Gloria for a specific role, to play a German lady opposite the football player Alex Karras. And they had a couple of really nice scenes together. I think she was in three, maybe four of the segments. And there were many segments, it was like a who's who in Hollywood, the cast of that show   Michael Hingson ** 31:28 does that was pretty cool.   Ron Cocking ** 31:32 But anyway, yeah, after Gloria finished armas Brooks, she became married to Gilbert Allen, who, who then became a Presbyterian minister. So Gloria, when you said, Did she continue acting? There's a lot of acting that goes on being a minister and being a minister's wife, and she would put together weddings for people, and that sort of thing. And she did that for 20 years. Wow. So she Gloria was a phenomenon. She did so many things. And she did them all so very well, in my   Speaker 1 ** 32:04 opinion. And so did you? Yeah, which is, which is really cool. So you, but you, you both started the school, and that really became your life's passion for 44 years. Yes,   Ron Cocking ** 32:16 we would get up in the mornings, go do a little business, come home, have a little lunch, go back about 132 o'clock, and we would normally crank up about four after the kids get out of school, and we would teach from four to nine, sometimes to 10. Go out, have some dinner. So yeah, we pretty much 24/7 and we had had such similar backgrounds. Hers on a national radio and television scale, and mine on a much more local, civic light opera scale. But we both had similar relations with our our moms after after the radio tapings and the TV things. GLORIA And her mom. They lived in Beverly Hills, right at Wilshire and Doheny, and they had their favorite chocolate and ice cream stops. And same thing for me, my mom would take me there, two doors down from the little studio where I was taking my tap classes. There was an ice cream parlor, haywoods ice cream. And that was, that was the the lure, if you go in and if you do your practicing, Ronnie, you can, I'll take it for an ice cream so that I did my practicing, had plenty of little treats on the way, so we had that in common, and we both just had very supportive moms that stayed out of the way, not, not what I would call a pushy parent, or, I think you mentioned the helicopter, helicopter, but it   Michael Hingson ** 33:37 but it sounds like you didn't necessarily need the bribes to convince you to tap dance, as you know, anyway, but they didn't hurt.   Ron Cocking ** 33:46 No, it didn't hurt at all, and it was something to look forward to, but I I just enjoyed it all along. Anyway, I finally got to to really showcase what I could do when I was cast as the dance director in the show 42nd street. Oh, wow. And I was lucky. We were lucky. San Bernardino clo was able to hire John Engstrom, who had done the show on Broadway. The earlier version that came, I think it was on Broadway in the mid or to late 70s. He had worked side by side with Gower Champion putting the show together. He told us all sorts of stories about how long it took Gower to put together that opening dance. Because everything in the opening number you you see those steps later in the show done by the chorus, because the opening number is an audition for dancers who want to be in this new Julian Marsh show. So the music starts, the audience hears, I know there must have been 20 of us tapping our feet off. And then a few seconds later, the curtain rises about two and a half feet. And then they see all these tapping feet. And then the main curtain goes out, and there we all are. And. I my part. I was facing upstage with my back to the audience, and then at some point, turned around and we did it was the most athletic, difficult, two and a half minute tap number I had ever done, I'll bet. But it was cool. There were five or six kids that had done it on Broadway and the national tour. And then during that audition, one more high point, if we have the time, we I was auditioning just like everybody else. The director had called and asked if I would audition, but he wasn't going to be choreographing. John Engstrom was so with there was probably 50 or 60 kids of all ages, some adults auditioning, and at one point, John pulled out one of the auditioners, and he happened to be one of my male tap dance students. And he said, Now I want everybody to watch Paul do this step. Paul did the step. He said, Now he said, Paul, someone is really teaching you well. He said, everybody that's the way to do a traveling timestamp so and that, you know, I'll remember that forever. And it ended up he hired. There were seven myself and seven other of my students were cast in that show. And some of them, some of them later, did the show in Las Vegas, different directors. But yeah, that, that was a high point for me.   Speaker 1 ** 36:19 I'm trying to remember the first time I saw 42nd street. I think I've seen it twice on Broadway. I know once, but we also saw it once at the Lawrence Welk Resorts condo there, and they did 42nd street. And that was a lot of that show was just a lot of fun. Anyway,   Ron Cocking ** 36:39 it's a fun show. And as John said in that show, The chorus is the star of the show.   Speaker 1 ** 36:45 Yeah, it's all about dancing by any by any definition, any standard. It's a wonderful show. And anybody who is listening or watching, if you ever get a chance to go see 42nd street do it, it is, it is. Well, absolutely, well worth it.   Ron Cocking ** 37:00 Yeah, good. Good show. Fantastic music, too. Well.   Michael Hingson ** 37:03 How did you and Gloria get along so well for so long, basically, 24 hours a day, doing everything together that that I would think you would even be a little bit amazed, not that you guys couldn't do it, but that you did it so well, and so many people don't do it well,   Ron Cocking ** 37:21 yeah, I don't know I from, from the the first time we met, we just seemed to be on the same wavelength. And by the way, I found out as time went by, Gloria was like Mrs. Humble. She wasn't a bragger, very humble. And it took me a while to find out what an excellent tap dancer she was. But when we went to the studio in the early days, we had, we just had one room. So she would teach actors for an hour, take a break. I would go in teach a tap class or a movement class or a ballet class. I in the early days, I taught, I taught it all. I taught ballet and jazz and and and and   Michael Hingson ** 38:01 tap. Well, let's let's be honest, she had to be able to tap dance around to keep ahead of Osgoode Conklin, but that's another story.   Ron Cocking ** 38:09 Yeah. So yeah, that. And as our studio grew, we would walk every day from our first studio down to the corner to a little wind chills donut shop wind chills donuts to get some coffee and come back. And about a year and a half later, after walking by this, this retail vacant spot that was two doors from our studio, we said, I wonder if that might be, you know, something for us, it had a four lease sign. So, long story short, we released it. The owner of the property loved knowing that Gloria Macmillan was that space. And so luckily, you know when things are supposed to happen. They happen as people would move out next to us, we would move in. So we ended up at that particular studio with five different studio rooms. Wow. And so then we can accommodate all of the above, acting, singing classes, all the dance disciplines, all at the same time, and we can, like, quadruple our student body. So then we made another move, because the neighborhood was kind of collapsing around us, we made another room and purchased a building that had been built as a racquetball club. It had six racquetball courts, all 20 by 40, beautiful hardwood. We made four of them, five of them into studios, and then there was a double racquetball racquetball court in the front of the building which they had tournaments in it was 40 by 40 we moved. We made that into a black box theater for Gloria. And the back wall of the theater was one inch glass outside of which the audiences for the racquetball tournaments used to sit. But outside the glass for us, we had to put curtains there, and out front for us was our. Gigantic lobby. The building was 32,000 square feet. Wow, we could it just made our heart, hearts sing when we could walk down that hallway and see a ballet class over here, a tap class over there, singers, singing actors in the acting room. It was beautiful. And again, it was just meant for us because it was our beautiful daughter, Kelly, who passed away just nine months after Gloria did. She's the one that said, you guys ought to look into that. And I said, Well, it's a racquetball court. But again, the first moment we walked in the front door, you start. We started thinking like, whoa. I think we could make this work. And it worked for another 20 years for us and broke our hearts to basically rip it apart, tear the theater down, and everything when we were moving out, because we we couldn't find another studio that was interested in in coming in, because they would have had to purchase the building. We wanted to sell the building. Yeah. So anyway, of all things, they now sell car mufflers out of there.   Michael Hingson ** 41:02 That's a little different way, way. Yeah, social shock, did any of your students become pretty well known in the in the entertainment world?   Ron Cocking ** 41:11 I wouldn't say well known, but a lot of them have worked a lot and made careers. Some of our former students are now in their 50s, middle 50s, pushing 60, and have done everything from cruise ship to Las Vegas to regional some national tours, even our son, Christopher, he did the national tour of meet me in St Louis with Debbie Boone, okay, and he's the one that is Now a successful producer. He's his latest hit. Well, his first, what can be considered legitimately a Broadway hit show was the show called shucked, and it opened about two years ago, I think, and I finally got to go back to New York and see it just a month before it closed. Very hilarious. Takes place in Iowa. The whole show is built around a county in which everybody that lives there makes their living off of corn, making whiskey. And it is a laugh, way more than a laugh a minute. But anyway, we had one of Gloria's acting students who was hired on with a Jonathan Winters TV sitcom called Davis rules. It ran for two seasons, and here he was like 16 or 17 years old, making, I think it was. He was making $8,000 a week, and he was in heaven. He looked like the Son he played, the grandson of Jonathan Winters and the son of Randy Quaid and so he, yeah, he was in heaven. And then after that, he did a very popular commercial, the 711 brain freeze commercial for Slurpee. The Slurpee, yeah, and he made the so much money from that, but then he kind of disappeared from showbiz. I don't know what he's doing nowadays,   Speaker 1 ** 43:00 but it's, it's, it's interesting to, you know, to hear the stories. And, yeah, I can understand that, that not everybody gets to be so famous. Everybody knows them, but it's neat that you had so many people who decided to make entertainment a career. So clearly, you had a pretty good influence on a lot of, a lot of kids.   Ron Cocking ** 43:20 Yes, I over the years, Gloria and I felt like we had 1000s of children of our own, that they that we had raised together. It's really a good feeling. And I still get phone calls. We got a phone call once a few years back from from one of our students who had been trying to crack the nut in New York, and she called us like 530 in the morning, because, of course, it was Yeah, but she had just signed her first national tour contract and was going to go out with the show cabaret. So fortunately, we were able to drive up to Santa not let's see, it's just below San San Jose. The show came through San Jose, and we got to see her up there. But those kinds of things are what made us keep teaching, year after year, all these success stories. Of course, we have former students that are now lawyers. Those are actors. Well, we   Michael Hingson ** 44:17 won't hold it and we understand, yeah and they are actors, by all means. How many teachers did you have in the studio when you had the big building?   Ron Cocking ** 44:26 Gosh, at one time, we had 10 or 12 teachers, teaching vocal teachers, two or three ballet teachers, jazz teachers, and you both taught as well. And we both continued teaching all through that time. We never just became managers, although that's that was part of it, and mixing business with art is a challenge, and it takes kind of a different mindset, and then what an unstoppable mindset you have to have in order to mix business with performing, because it's too. Different sides of your brain and a lot of patience and a lot of patience. And guess who taught me patience? Uh huh, Gloria Macmillan.   Michael Hingson ** 45:09 I would Conklin's daughter, yes, and I'll bet that's where she learned patience. No, I'm just teasing, but yeah, I hear you, yeah. Well, I know Karen and I were married for 40 years, until she passed in November of 2022 and there's so many similarities in what you're talking about, because we we could do everything together. We had challenges. Probably the biggest challenge that we ever had was we were living in Vista California, and I was working in Carlsbad, and the president of our company decided that we should open an office, because I was being very successful at selling to the government, we should open an office in the DC area. And so we both got excited about that. But then one day he came in and he had this epiphany. He said, No, not Virginia. I want you to open an office in New York. And Karen absolutely hated that she was ready to go to Virginia and all that.   Speaker 1 ** 46:15 But the problem for me was it was either move to New York or take a sales territory that didn't sell very much anymore. The owner wasn't really willing to discuss it, so we had some challenges over that, but the marriage was strong enough that it that it worked out, and we moved to New Jersey, and Karen made a lot of friends back there, but, you know, we always did most everything together. And then when the pandemic occurred, being locked down, it just proved all the more we just did everything together. We were together. We talked a lot, which is, I think one of the keys to any good marriages, and you talk and communicate.   Ron Cocking ** 46:56 Yes, in fact, when after we closed the studio in 2018 it took us a few more months to sell our home, and then when we moved down here, it was only about, I don't know, I don't know if it was a full year or not, but the pandemic hit and but it really didn't bother us, because we had, we had been working the teaching scene for so many years that we basically Were done. We basically walked out of the studio. We did. Neither of us have the desire to, well, let's continue in at some level, no, we cherished our time together. We have a little porch out in front of our home here, and it gets the ocean breeze, and we would sit for hours and chat. And oddly enough, not oddly, one of our favorite things to do, we have a website that we went to that had, I think, every radio show of armas Brooks ever made. And we would sit listen to those and just laugh. And, in fact, Gloria, there are some. She said, You know what? I don't even remember that episode at all. So yeah, that that was an interesting part. But yeah, Gloria and I, like your wife and you really enjoyed time together. We never talked about needing separate vacations or anything if we wanted to do something. We did it   Speaker 1 ** 48:16 together, yeah, and we did too. And you know, for us it was, it was out of desire, but also was easier for us, because she was in a wheelchair her whole life. I was I'm blind. I've been blind my whole life. And as I tell people, the marriage worked out well. She read, I pushed, and in reality, that really is the way it worked, yeah, yeah. Until she started using a power chair. Then I didn't push. I kept my toes out of the way. But still, it was, it was really did meld and mesh together very well and did everything   Ron Cocking ** 48:49 together. That's fantastic. I'm proud of you, Michael, and it really   Michael Hingson ** 48:53 it's the only way to go. So I miss her, but like, I keep telling people she's somewhere monitoring me, and if I misbehave, I'm going to hear about it. So I got to be a good kid,   Ron Cocking ** 49:04 and I'll hear I'll get some notes tonight from the spirit of Gloria McMillan too. I prayed to her before I went on. I said, please let the words flow and please not let me say anything that's inappropriate. And I think she's guided me through okay so far.   Michael Hingson ** 49:20 Well, if, if you do something you're not supposed to, she's gonna probably hit you upside the head. You know, did you two ever actually get to perform together?   Ron Cocking ** 49:30 Oh, I'm glad you asked that, because, well, it had been years since I knew that she was a darn good tap dancer. In fact, I had a tap dancing ensemble of of my more advanced kids, and if they wanted to dedicate the extra time that it took, we rehearsed them and let them perform at free of charge once they made it to that group, they they did not pay to come in and rehearse with me, because I would spend a lot of time standing there creating so. So we were doing a performance, and we wanted to spotlight, I forget the exact reason why we wanted to spotlight some of Gloria's career. Talk about radio a little bit. And I said, Gloria, would you do a little soft shoe routine? And because we had invited a mutual friend of ours, Walden Hughes, from the reps organization, and he was going to be the guest of honor, so I talked her into it. At first she wasn't going to go for it, but we had so much fun rehearsing it together. And it wasn't a long routine, it was relatively short, beautiful music, little soft shoe, and it was so much fun to say that we actually tap danced together. But the other times that we actually got to work together was at the old time radio conventions, mostly with reps, and that's really when I got to sit on stage. I was kind of typecast as an announcer, and I got to do some commercials. I got to sing once with Lucy arnazza. Oh, life, a life boy soap commercial. But when Gloria, Well, Gloria did the lead parts, and oh my gosh, that's when I realized what a superb actress she was. And if I don't know if you've heard of Greg Oppenheimer, his father, Jess Oppenheimer created the I Love Lucy shows, and so Gloria loved Jess Oppenheimer. And so Greg Oppenheimer, Jess Son, did a lot of directing, and oh my gosh, I would see he came in very well prepared and knew how the lines should be delivered. And if Gloria was not right on it, he would say, No, wait a minute, Gloria, I want you to emphasize the word decided, and that's going to get the laugh. And when he gave her a reading like that man, the next time she went through that dialog, just what he had asked for. And I thought, Oh my gosh. And her timing, after watching so many armist Brooks TV and listening to radio shows. GLORIA learned her comedic timing from one of the princesses of comedy timing is Eve Arden, right? They were so well for obvious reasons. They were so very similar. And if you have time to story for another story, do you know have you heard of Bob Hastings? He was the lieutenant on McHale's navy. McHale's Navy, right? Yeah. Well, he also did a lot of old time radio. So we went up to Seattle,   Michael Hingson ** 52:32 our two grandkids, Troy Amber, he played, not Archie. Was it Henry Aldridge? He was on,   Ron Cocking ** 52:40 I think you're right. I'm not too up on the cast of the old time radio show. Yeah, I think you're right. But anyway, he was there, and there was an actress that had to bow out. I don't know who that was, but our grandsons and Gloria and I, we walked in, and as usual, we say hi to everybody. We're given a big packet of six or eight scripts each, and we go to our room and say, Oh my gosh. Get out the pencils, and we start marking our scripts. So we get a phone call from Walden, and he said, hey, Ron Bob. Bob Hastings wants to see Gloria in his room. He wants to read through he's not sure if he wants to do the Bickersons script, because he you know, the gal bowed out and right, you know, so Gloria went down   Michael Hingson ** 53:23 couple of doors, coming   Ron Cocking ** 53:26 Yes, and she so she came back out of half an hour, 40 minutes later, and she said, well, that little stinker, he was auditioning me. He went in and she went in and he said, Well, you know, I don't know if I want to do this. It doesn't seem that funny to me. Let's read a few lines. Well, long story short, they read the whole thing through, and they were both, they were both rolling around the floor. I'll bet they laughing and so and then jump to the following afternoon, they did it live, and I was able to watch. I had some pre time, and I watched, and they were just fantastic together. I left after the show, I went to the green room, had a little snack, and I was coming back to our room, walking down the hall, and here comes Bob Hastings, and he says, oh, Ron. He said, Your wife was just fantastic. So much better than the other girl would have been. So when I told GLORIA That story that made her her day, her week. She felt so good about that. So that's my Bob Hastings story. Bob Hastings and Gloria Macmillan were great as the Bickersons.   Speaker 1 ** 54:29 Yeah, that was a very clever show. It started on the Danny Thomas show, and then they they ended up going off and having their own show, Francis Langford and Donna Michi, but they were very clever.   Ron Cocking ** 54:42 Now, did you realize when now that you mentioned Danny Thomas? Did you realize that Gloria's mom, Hazel McMillan, was the first female agent, talent agent in Hollywood? No, and that's how you know when the. They moved from from Portland, Oregon, a little city outside of Portland. They moved because Gloria's mom thought she had talent enough to do radio, and it wasn't a year after they got here to LA that she did her first national show for Lux radio at the age of five. That was in 1937 with with Edward G Robinson. I've got a recording of that show. What's what show was it? It was a Christmas show. And I don't remember the name of the of it, but it was a Christmas show. It was Walden that sent us. Sent   Michael Hingson ** 55:33 it to us. I'll find it. I've got it, I'm sure.   Ron Cocking ** 55:35 And so, yeah, so, so Gloria was a member of what they called the 500 club. There was a group of, I don't know, nine or 10 kids that by the time the photograph that I have of this club, it looks like Gloria is around 12 to 14 years old, and they had all done 500 or more radio shows. Wow, that's a lot of radio show. There's a lot of radio So Gloria did, I mean, I got a short my point was, her mom was an agent, and when Gloria was working so consistently at armas Brooks, she said, Well, I'm kind of out of a job. I don't need to take you. GLORIA could drive then. And so she came back from the grocery store, Ralph's market near Wilshire and Doheny, and she came back said, Well, I know what I'm going to do. I ran into this cute little boy at the grocery store. I'm going to represent him for television. And she that's, she started the Hazel McMillan agency, and she ran that agency until she just couldn't anymore. I think she ran it until early 1980s but she, my god, she represented people like Angela Cartwright on the Danny Thomas show and Kathy Garver on, all in the family a family affair. Family Affair. Yeah. Jane north. Jane North went in for Dennis the Menace. He didn't get the role. He came back said, Hazel, I don't think they liked me, and they didn't. They didn't call me back or anything. Hazel got on that phone, said, Look, I know this kid can do what you're asking for. I want you to see him again. He went back and they read him again. He got the part, yeah,   Michael Hingson ** 57:21 and he was perfect for it.   Ron Cocking ** 57:22 He was perfect for that part was, I'm sorry.   Michael Hingson ** 57:27 It's sad that he passed earlier this year.   Ron Cocking ** 57:29 Yeah, he passed and he had, he had a tough life, yeah,   Michael Hingson ** 57:36 well, you know, tell me you, you have what you you have some favorite words of wisdom. Tell me about those.   Ron Cocking ** 57:45 Oh, this goes back to the reason why I came across this when I was looking for something significant to say on the opening of one of our big concert programs. We used to do all of our shows at the California theater of Performing Arts in San Bernardino, it's a really, a real gem of a theater. It's where Will Rogers gave his last performance. And so I came across this, and it's, I don't know if this is biblical, you might, you might know, but it's, if you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime. And that's what I felt like Gloria and I were trying to do. We wanted to teach these kids as as professionally. We treated our students as they were, as if they were little professionals. We we expected quality, we expected them to work hard, but again, Gloria taught me patience, unending patience. But we knew that we wanted them to feel confident when the time came, that they would go out and audition. We didn't want them to be embarrassed. We want we wanted them to be able to come back to us and say, Boy, I felt so good at that audition. I knew all the steps I was and I and I read so well it was. And thank you. Thank you. Thank you. And so that aspect of it, we felt that we were feeding them for a lifetime, but we also were creating all of these arts patrons, all these lovers of the arts, 1000s of kids now love to go to musicals and movies and plays because they've kind of been there and done that at our studio. And so anyway, that's and whether, whether or not it was their confidence in show business or whether it was their confidence we've had so many calls from and visits from parents and former students saying, Boy, I just was awarded a job. And they said my my communication skills were excellent, and I owe that to Gloria. I was on the beach the other day, and I looked over and there was this young man and his wife. I assumed it was his wife. It was they were setting. Up their beach chairs, and I looked and I say, Excuse me, is your name Brandon? And he said, No, but he said, Is your name Ron? And I said, Yes. He said, No, my name is Eric. And I said, Eric puentes. And so we reminisced for a while. He took tap from me. He took acting from Gloria, and he said, you know, he was sad to hear of Gloria's passing. And he said, You know, I owe so much to Gloria. I learned so much about speaking in front of groups. And he is now a minister. He has his own church in Redlands, California, and he's a minister. And of all the billion people on the beach, he sits next to me. So that's one of those things when it's supposed to   Michael Hingson ** 1:00:41 happen. It happens. It does. Yeah, well, and as we talked about earlier, you and Gloria did lots of stuff with reps, and I'm going to miss it this time, but I've done a few, and I'm going to do some more. What I really enjoy about people who come from the radio era, and who have paid attention to the radio era is that the acting and the way they project is so much different and so much better than people who have no experience with radio. And I know Walden and I have talked about the fact that we are looking to get a grant at some point so that we can train actors or people who want to be involved in these shows, to be real actors, and who will actually go back and listen to the shows, listen to what people did, and really try to bring that forward into the recreations, because so many people who haven't really had the experience, or who haven't really listened to radio programs sound so forced, as opposed to natural.   Ron Cocking ** 1:01:46 I agree, and I know exactly what you're saying. In fact, Walden on a couple of at least two or three occasions, he allowed us to take some of Gloria's acting students all the way to Seattle, and we did some in for the spurred vac organization Los Angeles, we did a beautiful rendition of a script that we adapted of the Velveteen Rabbit. And of all people, Janet Waldo agreed to do the fairy at the end, and she was exquisite. And it's only like, I don't know, four or five lines, and, oh my gosh, it just wrapped it up with a satin bow. And, but, but in some of our kids, yeah, they, they, they were very impressed by the radio, uh, recreations that they were exposed to at that convention.   Speaker 1 ** 1:02:37 Yeah, yeah. Well, and it's, it is so wonderful to hear some of these actors who do it so well, and to really see how they they are able to pull some of these things together and make the shows a lot better. And I hope that we'll see more of that. I hope that we can actually work to teach more people how to really deal with acting from a standpoint of radio,   Ron Cocking ** 1:03:04 that's a great idea. And I know Walden is really sensitive to that. He Yeah, he would really be a proponent of that.   Michael Hingson ** 1:03:10 Oh, he and I have talked about it. We're working on it. We're hoping we can get some things. Well, I want to thank you for being here. We've been doing this an hour already.  

Who is Andrea?Andrea Stenberg is a social media whiz who really knows her stuff when it comes to video marketing. She loves helping business owners figure out how to use video to get noticed online and turn viewers into customers. Andrea's all about sharing simple, practical tips that actually work, no jargon or tech headaches. As a guest on “It's Not Rocket Science: Five Questions Over Coffee,” Andrea brings her friendly vibe and tons of helpful advice for anyone looking to grow their business with video.Key Takeaways00:00 “Aligning Video with Brand Strategy”04:45 Building Trust Through Videos07:39 Authentic Video Marketing with AI11:25 Authentic Video Outperforms Polished Content17:21 “Start Marketing with Video”21:23 Instagram & LinkedIn Content Strategies22:29 Challenges of Creating Short Videos25:53 Improving Videos Through Feedback_________________________________________________________________________________________________Subscribe to our newsletter and get details of when we are doing these interviews live at www.systemise.me/subscribeFind out more about being a guest at : link.thecompleteapproach.co.uk/beaguestSubscribe to the podcast at https://link.thecompleteapproach.co.uk/podcastHelp us get this podcast in front of as many people as possible. Leave a nice five-star review at apple podcasts : https://link.thecompleteapproach.co.uk/apple-podcasts and on YouTube : https://link.thecompleteapproach.co.uk/Itsnotrocketscienceatyt!Do You Need a P.A.T.H. to Scale?We help established business owners with small but growing teams:go from feeling stuck, sceptical, and tired of wasting time and money on false promises,to running a confident, purpose-driven business where their team delivers results, customers are happy, and they can finally enjoy more time with their family -with a results-based refund guarantee: if you follow the process and it doesn't work, we refund what you paid.This is THE P.A.T.H. to scale your business.————————————————————————————————————————————-TranscriptNote, this was transcribed using a transcription software and may not reflect the exact words used in the podcast)SUMMARY KEYWORDSvideo marketing, social media video, lead generation, customer conversions, coaches, course creators, healers, expertise marketing, personal branding, seat of your pants marketing, marketing strategy, brand consistency, going viral, target audience, client journey, personalized videos, AI in video, video editing tools, video content repurposing, audience trust, showing up on camera, authentic video, video length, LinkedIn Live, Instagram Reels, closed captions, video accessibility, video engagement, video production quality, content funnel, repurposing contentSPEAKERSAndrea Stenberg, Stuart WebbStuart Webb [00:00:00]:Hi, and welcome back to It's Not Rocket Science. Five questions over coffee. The important thing here is the coffee. And I want to really welcome Andrea, Andrea Stenberg, who's going to talk to us about the importance of doing a video in your social media and helping us to increase our lead generation and help us to increase our customer conversions by using effective video in, in lead generation. So, Andrea, welcome to It's Not Rocket Science. Five questions over coffee. And I hope you're ready to give us some pearls of wisdom.Andrea Stenberg [00:01:08]:Oh, thank you, Stuart. Thanks for having me.Stuart Webb [00:01:11]:So let's start by trying to understand exactly who, who, who the who, who the people are that you help with understanding how to use video better. And how do you, how, how you understand what their needs are?Stuart Webb [00:01:25]:Well, I, I work with coaches, course creators, healers, anyone who's selling sort of what's up here, their expertise and their knowledge. And they're usually people who are really good at what they do and they're really passionate about helping people. In fact, they're almost more passionate about helping people than they are about growing their business. But they're also serious about growing their business. And one of the things that that happens is, you know, they've learned along the way that video is becoming really important and they understand that video is important. So they've started using video, but they don't really know what they're doing. So what happens is like, so they've got over here, their website, their social media, their emails, all their marketing is kind of professional and branded. And then they put their video and it's over here and it almost looks like they're not even coming from the same business because they've just kind of added it on.Stuart Webb [00:02:22]:And they're doing what I call seat of your pants marketing, where they're just, when they, you know, on the rare occasions they have a few spare minutes, they do a video because, and they model it on somebody else's. But they don't really figure, haven't really figured out where it fits in their marketing and really is, I want your marketing and your video to like work together seamlessly like this so that they all support each other, they all work together, they all look like they're from the same business and they're all sharing a similar message. And so that's, you know, that's, that's who I work with. And that's my, my end goal for everybody is to have their video and their, the rest of their marketing all working seamlessly together.Stuart Webb [00:03:05]:You've kind of already Excuse me, you've already sort of answered the second part of my question which is, you know, we, you're right, we're all, we're all very aware of the fact that video is really important in, in marketing nowadays because it starts to help to sort of demonstrate who you are as a person. And you know, we have to remember at the end of the day even big businesses buy people. So, so what is it you've seen people do that perhaps doesn't quite gel? You've sort of talked about the website not looking the same as the video or the video somehow not looking as if it's coming from. What are some of those things that people have done that you've sort of spotted potential problems for them?Stuart Webb [00:03:42]:Well, I mean some of the problems is like, so everybody gets focused on the idea of going viral and I want to go viral and get discovered. And yes, part of video is getting discovered. But for most coaches, course creators, consultants, healers, going viral is actually not good for your business. For example, I had a video that went viral like it didn't get millions of people but it was like easily 10 times my normal viewership of videos. And the interesting thing was the vast majority of this new audience were 18 to 24 year old boys. And they're not my target audience, they're not going to be a customer of mine. Like I don't know why they liked this video but you know, like it was not really of any business value to me that these 18 year old boys were liking this video. So, so going viral, like yes, it's nice to be discovered but it's if you're being discovered by the wrong people, that doesn't help you.Stuart Webb [00:04:45]:The other thing about that is when people come into your world like they don't just hear of you today and become a customer today. I mean sometimes that happens but usually there's a process and there's a journey where people have to get to know like and trust you and, and that's where video becomes really powerful because not just from being discovered, but as people are getting closer and closer to making that decision, to becoming your client, you can build that trust. You can let them see that you have some expertise. They can, you can get them to experience what it might be like to work with you in a completely non threatening way. So if you're posting a video on LinkedIn or YouTube, somebody doesn't even have to give you their email address to watch your video. So it's a very low risk on their part to get a taste of what it's like to work with you. And then, of course, you know, once people get closer to becoming a client. For example, one of my favorite strategies is you can do personalized videos that you create one video for one person and you can say, hey, Stuart, I really enjoyed talking with you.Stuart Webb [00:05:52]:I just wanted to remind you about A, B and C and send a video to them and that, you know, really creates that. Wow, that's. This person really heard me. This person is really interested in me. And look, they sent me a video just for me. So there's lots of different places where you can use video, not just at the top of the funnel of just getting discovered by new people. And I think that's. That's the biggest change that people can make is start incorporating it into all the stages of your marketing, not just at the beginning.Stuart Webb [00:06:27]:I think that's a very, very, very, very interesting way of doing things because I've. I've seen and done similar things where. And that personalization, even if that video that you create for that one person is, you know, it's just their name and everything else is exactly the same to something you sent to somebody else, they feel it's theirs, don't they? Because you can't create a video easily without putting some effort in and making it very personal to them. We ought to just sort of COVID off the AI thing because is that something that you think AI generated videos are helping or hindering in these respects?Stuart Webb [00:07:08]:Well, I mean, for people who I work with. So, like, for example, if you're a coach or a healer, like, say you're a healer and you're going to help me make my child healthier or do better at school or whatever that you do. I need to trust you a lot, Especially if it's about my child. Like, if it's about me, I might be willing to take some risk. But if it's my child, I want to trust you a lot. And having an AI video like that doesn't build any connection to me. Whereas. But AI is useful.Stuart Webb [00:07:39]:But I really think if you're an expert and you're sharing your expertise and you work closely with your clients and they need to trust you, I think there's real power in getting your face on camera, getting your voice, letting people hear your enthusiasm, your passion for your industry, and getting a taste of what it's like to work with you. So having an AI avatar do the talking for you, I think is not going to help you grow your business. That being said, there are lots of ways you can Use AI as part of your video marketing. For example, I have a video editing tool that I use that creates a transcript so that instead of editing video, you actually edit the transcript. And when you delete a sentence in the transcript, it deletes it from the video. That's AI but it's like, it's still me, I'm just editing what I said. Or the same AI, you can go in and say, put in a 15 minute video and say, pull out five 30 second clips that I can share on social media. It's still my words.Stuart Webb [00:08:46]:It's just doing it for me. So it's kind of like having an assistant rather than, than, you know, AI creating everything. So I, I am very, very passionate about the idea of people showing up on camera, showing their faces. And you know, I, I sometimes get pushback from people saying they don't want to. And it's like, you know what? I, I don't like being on camera either. I'm, you know, I'm pushing 60, I'm not as thin. I have, you know, gray hair and wrinkles like everybody else. But you know what, my ideal clients don't care about that.Stuart Webb [00:09:17]:What they care about is how I can help them. And that's the same with anybody watching this. Your ideal clients ultimately don't really care that much about what you look like. It's like, how can you help them and do they trust you enough that you can actually do the things you say and video is really the thing that's going to help you?Stuart Webb [00:09:33]:I think you've got a valid point actually, Andrew. And you know, to an extent, I can remember talking to one consultant who actually said, at long last, I've got the gray hairs. Because now it looks like I've got the experience to help you rather than just having the experience to help you. So sometimes those gray hairs and wrinkles are really helpful and useful. Andrea, let's, let's move on to your, the way that you can help people. You've given us an offer that we've put into our vault at Systemize Me Free Stuff. What, what's the offer that you've got available for people if they go there and they, they read about this?Stuart Webb [00:10:09]:Well, the number one question I get from people is, okay, I get video is important, but what do I say? And it goes back to what, you know, what I said earlier about having that, that kind of funnel is you want to have videos for each stage. And so I have, I have a free guide that's called this seven Essential Videos for Explosive Growth. And it is, it's seven videos that are for different stages of a client, of the client journey. And if you follow that, you will create seven videos that speak to people in different stages of that journey. And then, you know, if you do one video a week, that's two months worth of videos you've created following this guide.Stuart Webb [00:10:53]:One video a week is so easy to do as well, isn't it? Let's face it, I mean I've, I've had a, I've had a look myself and they are not, these are not, these are not very difficult videos to create, are they? You're not, you're not telling people they need to book a studio or go and spend time learning how to be a professional presenter. This is how normal people, I'd like to consider myself normal. Normal people can just do these things in a very simple way just to get themselves started, even if they don't, even if they don't have all of the necessary professional equipment.Stuart Webb [00:11:25]:Well, and what's really interesting is there's actually lots of data now that shows that if your video is too polished and too well edited and too slick looking, they actually perform worse than somebody taking their cell phone and holding it up and, and talking and walking and it's jiggly and it's not perfect. And I think the reason is we're all used to, you know, commercials. As soon as a commercial comes up on television, what do you do? You get up and you go get a snack or you go and, and go use the, the, the facilities or you do any commercial. So when you're on, on social media, if you see something that feels like a commercial, your blinders go up and you go, no, I'm not going to listen to that. But if you get on camera and it's not perfect and you make a mistake or you stumble over a word, people go, this is a real person.Stuart Webb [00:12:20]:Do you know we've had a comment in from Derek. Derek's another video person I know, and he said, he's just said AI videos are great and can be personalized. What love said. But it's still easy to insert. Some of you, it's the dynamic captions that annoy the heck out of me. And I think Derek's got a point there. You're talking about the fact that we need to be us on those videos, don't you? You're saying that having the jiggliness sometimes just shows that you're a human being and you're still relatable. And that's the really key thing to making your video hit home with people.Stuart Webb [00:12:53]:And I've even seen, like, you know, Tony Robbins was doing video back when we were still using VHS to watch video. And I've seen him now online doing videos where he's clearly holding the cell phone and speaking to the cell phone. So even, you know, somebody who has been doing video for decades is recognizing that sometimes this off the cuff, just speaking to your audience, speaking from your heart, sharing a message resonates better than a really polished professional done in a studio. And all the flashy bells and whistles, sometimes those, those convert better.Stuart Webb [00:13:30]:So, Andrea, tell us how you, how you got to who you are. Was there a book or a course or something which sort of, which you used as a way to sort of help you to understand how video marketing was going to help your business grow?Stuart Webb [00:13:45]:Well, it's kind of. I felt really long and hard about this question because there's lots of things that got me to where I am and when I started learning video, because as a marketing professional, I knew my. I had to learn it for me so that I could help my clients figure it out. And there, there wasn't a lot available, but I came across, I think it was about 20, 20, 19. Somebody had an ad online for a course and it was going to be like, learn how to do video. And I was like, oh, yay, I'm going to get support, I'm going to get coaching, I'm going to get accountability. And I swear, I think my credit card was smoking. I pulled it out of my wal about to pay for this course.Stuart Webb [00:14:27]:And then imagine my crushing defeat when I opened up the course and the course was a PDF with 30 topics to do. When I went live every day for 30 days and the hashtag to you to post with my videos, I was like, this wasn't what I was looking for. But I went live every day for 30 days, including one day I was at my sister visiting my sisters. And the only place in the house that was quiet enough was. Was the bathroom. And I sounded like I was at the bottom of the toilet because it was all echoey. It was terrible. And so at the end of that, I thought, well, okay, if I can do that.Stuart Webb [00:15:05]:Okay, so I'm not scared of being on video because, like, that was bad. And I did it. I didn't die of embarrassment. Nobody threw virtual tomatoes at me. Like, it was fine. But I still didn't have a strategy. So I had to spend. I spent the next year being very UN Canadian.Stuart Webb [00:15:22]:I started like If I saw people doing interesting things with video, I would like message them. Can we get on zoom? Can we get on the phone? I'd like to pick your brain and what you're doing. And I just like, sort of, I just spent time talking to people and looking at people and just trial and error and learning from people because there wasn't really good guidance back then for how to use video as marketing. And so it kind of. But then the other thing, other side about it is video marketing. While it. It is different, it's actually still the same principles as offline marketing. And, you know, a lot of times I have older entrepreneurs come to me and say, well, I don't know if I can do video because I'm not a digital native.Stuart Webb [00:16:05]:I didn't grow up with this stuff. And I was just, you know, what? If you have the knowledge and the skills to talk to people and talk to customers and. And find out what their pain points are and talk to them about how you can help them, all you have to do is learn which buttons to push on video, because it's the same skill set because you're still talking to human beings. And that's. That's really the most important part.Stuart Webb [00:16:31]:Yeah, absolutely, Andrea. That there's a. There's a sense in which I'm sure that you've sort of got a question at the moment which you're wondering why I haven't asked yet. And I'm sure that that question is the one that you sort of really will help us to sort of to nail what the next step is or something. So I don't have that question because I've got to admit, I haven't thought that deeply about it. But you have got a question that you think I should ask. So what's the question that I should have asked you by now? And therefore, once you've asked it, you can have to answer it for us.Stuart Webb [00:17:05]:Well, earlier when I said you want to take your. Your marketing and your videos and make them work together, like, you know, a handshake. It's like, well, how do you do that when you're busy and, you know, busy entrepreneurship?Stuart Webb [00:17:19]:I like the question very much.Stuart Webb [00:17:21]:And so my answer is what I like, you know, people to do is turn their marketing on its head and start with video. So if you start with one video that has your message, has your voice, has your face, you start with the video and then repurpose that video. So you take your video and then you're repurposing it into a bunch of other Content. And you can do it quickly, you can do it easily, AI can help you, but it still sounds like you because you started with your words, your ideas, your voice. So, for example, you take a transcript of your video that you created and turn it into an email or a blog post, or do some LinkedIn posts based on content that you've created. And, and that does a number of things. I mean, first of all, it saves you time because you're starting with your words and then you're just recreating it. The second thing is one of the fundamental marketing principles is people need to hear the same message over and over again.Stuart Webb [00:18:27]:That's why, like, if you're watching commercial television, the advertisers don't make a commercial play at once and they never play it again. They play it over and over until we're sick of it because it takes that long for us to remember it. So if you take a video and then maybe you do an email or a blog post, then you do a LinkedIn post and maybe a LinkedIn carousel post, that's all on the same messaging. People start recognize it, remembering it. And sometimes they may even think, oh, I've heard that before. That Stuart must be really smart because I've heard that before, even though they heard it from you. So it's the repetition and the different formats that help. So that's, that's for me, is if you start with the video and then build from there, but using, you know, the same basic messaging, you can speed up your marketing.Stuart Webb [00:19:15]:You can make your, make it easier for you and more effective.Stuart Webb [00:19:21]:Brilliant. Brilliant. Absolutely brilliant. I love it. Andrea. I mean, you've left us with what can only be described as the action for the rest of the day. We. Which is to do that, start with video and take that first step and go, go live.Stuart Webb [00:19:37]:I mean, you're right. It didn't kill you to go live 30 times in 30 days. Nobody is yet violently objected to me going live on video. Although personally I have. But that's another story. Andrea, thank you so much for encouraging us to sort of go and do these things and really make it happen. I think it's brilliant that you're pushing this message. I wish more people were taking it on board.Stuart Webb [00:20:00]:And I'm just going to ask people if they would value, like Derek was earlier, being alive and listening to us live, talking. If you can go to www.systemize.me, subscribe, that takes you to a simple form which allows you to actually just ask for my email once a week where I Send you who's coming up so that you can do like Derek, join and listen to the comments that are being made. We've got, we've got other people here talking as well and I'm just going to share these you Andrea, so that you can answer them. Derek, what is the sweet spot regarding video length?Stuart Webb [00:20:38]:That is a fabulous question. It's one of my most common questions and my answer is a terrible answer. And it's terrible because the answer truly is. It depends and it depends on a number of things. One, it depends on what your audience is expecting and what they're used to. Two, it depends on your skill as a presenter. You know, if you're really skilled and engaging and interesting and speak and sound bites, you can go longer. The other thing, the third thing it depends on is the actual content of the video because you need to give be long enough to give all the information that you promised at the beginning, but not so long that people are dropping off.Stuart Webb [00:21:23]:For example, I know I, I have two clients, one who is doing massively good reach with seven second Instagram reels. People are commenting, people are DMing her. They're, you know, you know, they're not just top of the funnel. These are people reaching out and taking the next step from 7 second reels. And then I also know somebody who does. This is also an Instagram example, but hour long live videos on Instagram five days a week and has hundreds of people showing up live, have people commenting, people are staying all the way through and engaging. So I know it's a terrible answer but it really is true. But if you're just starting out and you know, for example, If Derek's on LinkedIn, if you're doing a LinkedIn Live, often 10 to 15 minutes is a good place to start because there's that, you know, that quota that's been attributed to Mark Twain and a few other people is I apologize, my letter is so long I didn't have time to make it shorter.Stuart Webb [00:22:29]:So making a really short video that has a complete message and is really succinct is actually challenging. Where it's talking for 10 to 15 minutes, you know, if you have an intro that's one to two minutes, you maybe you have three talking points and you have an example or a story for each one of those, that's probably two to three minutes each. And then you have your, your closing statement which is probably at least a minute. There you go. You're already over 10 minutes. So, so that's a good place to start. And then you can sort of adjust up or down as you figure out what your audience expects from you and wants from you, and also what you're. Your skill as a presenter and how much work you want to put into making them shorter or making them longer.Stuart Webb [00:23:14]:Love it. We've got one question from Nicholas. Closed captions are on nearly every video now. They're always wrong somewhere. Do you have a comment on that, Andrea? As closed captions, I've always thought the closed captions were useful because, you know, we do have people who don't necessarily understand all of our accents. We do have people who are not able to hear everything we're saying. Sometimes they're in a busy office and they've got to have the sound off. There are a whole range of reasons why closed captions might be useful.Stuart Webb [00:23:40]:Are you a fan?Stuart Webb [00:23:42]:Yeah, absolutely. I actually have a client who is hearing impaired, so even when we're in person, she's got an app that will do closed captioning. So, yes, I think it's important for all sorts of reasons. There's also lots of data that show a lot of people watch videos with the sound off. So if you want to engage your audience having captions and really it's. The problem with closed captions is most of them are done with AI and the AI is mostly trained with American accents. So if you don't have an American accent, that's problematic. I speak quickly, and some.Stuart Webb [00:24:21]:Some of the AI has trouble with the way I speak. And then if you have, you know, particular terminology for your industry, they may not understand them. Now, depending on what you're like in a live stream, if there's closed captionings, there's not really anything you can do while you're live. If you're editing videos, people, you know, it just depends how much of a perfectionist you are, whether you go in and edit the closed captioning that the AI created or whether you just go, you know what? This is close enough. I'll just. I've got more important things to do in my business and. But closed captioning has gotten better. A year ago, I just about always edited, even on Instagram, the AI closed captioning because they were so wrong.Stuart Webb [00:25:09]:Now a lot of times I'll just leave them because they're close enough and they may get better as time goes on.Stuart Webb [00:25:19]:Andrea, thank you for answering those questions. I really appreciate you spending a bit of time doing that. I think that's great advice there. So just to repeat, go to Systemize me Free stuff. Pick up Andrea's excellent course on how to get your seven messages across and go to the Systemize me. Subscribe and be like Nicholas and Derek. Get your questions answered live by real experts like Andrea, rather than having experts like me tell you something wrong. So Andrea, thank you so much for spending a few minutes with us.Stuart Webb [00:25:53]:I really appreciate what you've been able to do teach us today and I look forward to getting my videos better because of the advice you've given.Stuart Webb [00:26:01]:Thanks for having me, Stuart, that. Get full access to It's Not Rocket Science! at thecompleteapproach.substack.com/subscribe

Thursday Headlines: Reasons for Erin Patterson’s appeal revealed, Donald Trump blames record US government shutdown for three Democratic victories, France suspends retail giant Shein over sale of child-like sex dolls, push for national inquiry into workplace racism, and tell us how you really feel ... Deep Dive: From Neo-Nazi's to Satanists, sadistic criminals are wreaking havoc via a new wave of online offending. They target vulnerable victims for notoriety and clout, coercing them to carry out horrific acts of self-harm, sexual abuse, animal cruelty, and suicide. In this episode of The Briefing, Tara Cassidy speaks with Australian Federal Police Commander Helen Schneider about the extremists and the new task force catching them in their tracks. Follow The Briefing: TikTok: @thebriefingpodInstagram: @thebriefingpodcast YouTube: @TheBriefingPodcastFacebook: @LiSTNR Newsroom See omnystudio.com/listener for privacy information.

We recap Tommy's picks from Sunday's Bills VS KC game

Charlie Munger was one of the wealthiest men who ever lived. He also wrote about his own “wit and wisdom.” Yet Munger apparently spoke little of God, let alone Christ, in the large number of words he deliberately spoke or wrote for public consumption, including his fondess for “backward thinking.” Join Kevin for a peek at the life of Charlie Munger…and for a word or two from the Word of God! // Download this episode's Application & Action questions and PDF transcript at whitestone.org.

Welcome back to the show! In this episode, Steve discusses the most misused and abused excuse in existence when it comes to avoiding the responsibility of achieving financial independence. What is that excuse you ask? Well, simply put, it is the excuse of "I just don't have the time." At Total Wealth Academy, we recognize that everyone leads a hectic life. We ourselves are swamped! But does that excuse actually hold water when it comes to securing your future? Join Steve now to find out!  Please remember to take the time to write Steve and start a personal conversation with him! Please send your questions, comments, and concerns to AskSteve@TotalWealthAcademy.com now.

Ever catch yourself saying you'll start later?After Halloween. After Thanksgiving. After the holidays.It sounds reasonable. Like you're planning. But really, it's just fear wearing a calendar.This week, we're talking about why we wait, what's really hiding behind “I'll start later,” and how to get out of that loop with small steps that actually build momentum.Because nothing changes when the date changes.It changes when you do.*Tried every diet out there and nothing sticks?Imagine having a coach checking in on you EVERY day—keeping you on track and adapting your plan to whatever life throws your way.A personalized, 1:1 coaching program designed just for you can really change the game.➤ https://www.mybodytutor.com/coaching/weight-lossWhy don't we talk and see if we're a good fit for each other? Let's set up a chat.➤ https://www.mybodytutor.com/book-a-callWhat've you got to lose?

True story: I bumped into Reinhold Messner at the base of Mount Sabyinyo in Rwanda on December 31, 2016.Because I had read several of his books, I instantly recognized him with his signature disheveled hair and gray beard.Still, I politely asked, "Excuse me. Are you Reinhold Messner?"He looked at me, grumbled an unclear non-answer, and turned away to join his small group.I shuffled over to Rejoice Tapon and said, "I'm 95% sure that that man over there is Reinhold Messner, the greatest mountaineer ever!"She'd never heard of him, but she said, "I'll get a selfie with him!"Rejoice boldly asked him for a selfie. Perhaps Messner was impressed with her beauty, or didn't want to appear racist by turning down what he figured was a local Rwandan (Rejoice is from Cameroon). Regardless, he agreed. And she triumphantly showed it off to me to rub it in. I mention this story because I laughed when I read Messner's confession on Kindle Location 3057 of "Against the Wind." He wrote: "Approachability and sociability have never been my strong points."This sums up what I hope is NOT his final book. His book is full of criticisms of Messner. Most criticisms originate from journalists, climbers, or partners. However, sometimes he criticizes himself (like his poor social skills).For Messner, all these criticisms are a constant "headwind" that he has faced throughout this remarkable long life (he's over 80).This book is NOT what I expected. I've read five of his books and loved them all, especially "Crystal Horizon," which is about his solo climb up Everest's north face in 1980 without oxygen.I expected profound reflections and wisdom. The book's subtitle even promises "reflections." However, the reflections are shallow.The subtitle should be, "Defending Myself Against an Army of Critics." He spends about 25% of the book discussing the tragic loss of his brother, Gunther, on Nanga Parbat. Throughout the book, he has long excerpts of articles that heavily criticize Messner, especially about how he "abandoned" his brother after summitting. I admire Messner for sharing what his critics say and then offering his rebuttal. He could have made a series of strawman arguments that he could easily tear down.Instead, he gives his critics a strong platform, and they crucify him.I never doubted his story, which I read in one of his previous books.He said that after he and Gunther summited, they traversed the mountain by descending the Rupal Face instead of returning the way they ascended.Reinhold was significantly ahead of Gunther, who died in an avalanche.Messner spends MANY pages refuting idiotic claims that others have made. For example, they claim Messner went down one way while he told his brother to go down a different way, alone. They claim that he planned all along to traverse the mountain, which he denies.What's sad is that you don't need to invent lies to make Messner look bad. Just use his words against him.I'll do so by just taking three points from his latest book.1. Messner repeatedly said that Gunther was extremely weak at the summit and suffering from altitude issues.2. His book says, "Reinhold reported that he was about one and a half hours in front of his brother and had lost sight of him."3. However, later in the book, Messner writes, "During the descent, I was convinced that he was right behind me."I'm a mountaineer who has been in many difficult situations and sometimes been with a weak or injured partner. I would certainly get ahead of my weak partner to scout the terrain, to find the easiest path down.However, I would ALWAYS remain within sight or earshot, ESPECIALLY if my partner is feeble.If they're suffering from high altitude issues, they could collapse at any moment.This is common sense & prudence.How can Messner claim, "I was convinced that he was right behind me," and admit that he was "about one and a half hours in front of his brother and had lost sight of him."That's a ridiculous contradiction.It's normal that in the darkness, you might get ahead of your partner and lose visual and auditory contact for several minutes.The moment you realize that you're disconnected, you should stop and wait for your partner to catch up.If he doesn't appear after 15 minutes, it's time to backtrack. To get 90 minutes ahead of your weakened partner is negligent. That fact is all I need to know that Messner was wrong, negligent, and irresponsible.He screwed up.That's all he needs to say. However, instead of addressing this obvious failure, Messner spends pages proving that his critics are wrong about many of their false claims.Enough about their claims! Shut up, Messner! Address the elephant in the room, which you readily admit!And yet, he doesn't clearly and unambiguously say that he was a horrible brother and climbing partner during that descent. The closest he comes to admitting his mistake is when he writes:"Felix Kuen was also one and a half hours ahead of his climbing partner when he reached the summit. Sigi Löw lagged behind during the descent from the summit in 1962 and fell. The very nature of the glacier also caused us to be so far apart."B******t. No glacier forces two climbers to be 90 minutes apart!On the contrary! Most glaciers force climbers to rope up together in case one falls into a crevasse. Instead, "Messner explains that it's standard practice among mountaineers for the partner who is feeling fitter to go first to find the best way down through crevasses."Yes, but not 90 minutes ahead!!!I hoped that 80-year-old Messner would not spend 25% of the book disproving the lies or stupid hypotheses of his critics.Instead, he should have simply said, "I regret not staying close to Gunther throughout the descent. Yes, that might mean that we would both get caught in a deadly avalanche, but given his weakened state, I should never have gotten 90 minutes ahead of him. Ten minutes max. I screwed up."Another bewildering part of the book:"I have been ostracized, slandered, and harmed by people I have shared personal bonds with. The worst thing for me was when I was kicked out of my family home at the age of seventy-five, by my wife. I was given no warning or reason. Despite being often apart from my wife and children while on my many expeditions, I am a family man.We also traveled to places together and I was often at home for months at a time."WTF? Really? "No warning or reason"? C'mon, Messner. If you have no clue why your 2nd wife kicked you out, you're not only the Greatest Mountaineer of All Time (GOAT), but you're also the Most Oblivious Man of All Time. OTHER TIDBITSHe writes, "I've had heart surgery twice." I didn't know, but that suggests he's probably in his final decade.He writes, "I failed three times on an eight-thousander."I wish he reflected on those failures. As Nietzsche puts it: “There are two types of tragedy in our lives. Not reaching our goals—and even worse, reaching our goals.”CONCLUSIONThis book is filled with flaws and is disappointing. Messner wastes all his reflections on his critics. How shallow.You'd think a god like Messner would rise above such petty people and their words. You'd think one of the most mentally tough people in history would not have such thin skin and a fragile ego that any stupid critic can make mighty Messner squirm and get defensive.Who cares?! You're MESSNER! The GOAT!Messner should make a poster in his house that quotes Finnish composer Jean Sibelius, who said, "No one ever erected a statue of a critic." Messner will have statues and accolades forever. His critics will be forgotten.It's so sad to see that they get underneath his thin skin.I was hoping he was tougher and could brush them off like he brushes off the lack of oxygen.So why do I give it 4 stars instead of 1 star?Because, like it or not, the book is a window into Messner's soul.And I find that revealing and interesting, even if it's a bit disappointing. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ftapon.substack.com

This may be the most heartfelt episode I've ever recorded. In this deeply human conversation, Maxwell Ivey: The Blind Blogger, and I talk about what it means to keep moving when life doesn't hand you easy options. Maxwell lost his sight as a child, taught himself to code, built a business, and learned to ask for help without shame.   We talk about the quiet power of asking, the courage to act before conditions are perfect, and a rare take on gratitude-not as politeness, but as the willingness to use what's been given.   Somewhere along the way, we find ourselves reflecting on The Four Agreements and how "don't take things personally" and "don't make assumptions" become essential mindsets in the world of disability and education.   It's unpolished, honest, and full of wisdom that only comes from lived experience. Stay to the end to hear Maxwell sing his original song, Don't Wait on Someday.   You can find Maxwell at theblindblogger.net.

Ryan Dilks and Justin Peach discuss the latest news from across the Championship.Kieran McKenna to Celtic?Could a Sheffield Wednesday takeover be done before the New Year?Liam Manning is safe… for now.What are now Wrexham's expectations for the season?It's the Second Tier.Sign up to our Patreon here for ad-free episodes, bonus content and access to the Discord for $4 a month.You can also join our brand new YouTube Membership here!Please fill out Stak's listener survey! It'll help us learn more about the content you love so we can bring you even more - you'll also be entered into a competition to win one of five PlayStation 5's! Click here: https://bit.ly/staksurvey2025Watch this episode on YouTube here!Follow us on X, Instagram and email us secondtierpod@gmail.com.**Please rate and review us on Apple, Spotify or wherever you get your pods. It means a lot and makes it easy for other people to find us. Thank you!** Hosted on Acast. See acast.com/privacy for more information.

Perfectionism can feel like a badge of honor in business, but in reality, it's often a mask for fear. In today's episode, we're unpacking how perfectionism shows up in your business and how it quietly keeps you stuck. Maybe you've been holding off on launching that new offer, or you keep tweaking your website or product because it doesn't feel "ready" yet. Sound familiar? The truth is, that hesitation isn't about high standards, it's about fear. Fear of being judged, fear of failure, or fear that what you've created simply isn't good enough. We'll talk about where that fear comes from, how to recognize when it's running the show, and what it really takes to move forward with confidence, even when things aren't perfect. Because perfection isn't what builds momentum. Action is. Important Links: Ready to take the next step? Then sign up for She's Equipt! Save TIME & MONEY by running your biz on a single platform… Check out my software, Equipt360

Lots of Hebrew learners find it hard to discern between ‘speak,' ‘talk,' and ‘tell' when they talk with their Israeli friends, colleagues, classmates, and flatmates. It's time, once and for all, for Guy to imprint it on our memories. Don't worry, it's not difficult! Hear the All-Hebrew Episode on Patreon New Words and Expressions: Ledaber – To speak – לדבר Medaber – Speaking – מדבר “Ratsiti ledaber itcha al hakol” – I wanted to talk to you about everything – רציתי לדבר איתך על הכל Ani medaber im – I am talking to – אני מדבר עם Hu amar – He said – הוא אמר “Az ma ratsinoo lehagid be'etsem” – So what did we actually want to say? – אז מה רצינו להגיד בעצם “Tagid li eich la'atsor et ha-dma'ot” – Tell me how to stop the tears – תגיד לי איך לעצור את הדמעות Tagid / tagidi / tagidoo li – Tell me (imperative) – תגיד / תגידי / תגידו לי Emor / imri / imroo – Tell (archaic imperative) – אמור, אמרי, אמרו  “Slicha, ata yachol lehagid li eifo ha orez?” – Excuse me, could you please tell me where the rice is? – סליחה, אתה יכול להגיד לי איפה האורז “Rak al tagid she-” – Just don't say that… – רק אל תגיד ש Hu diber romanit kshe-hu haya katan – He spoke Romanian when he was little – הוא דיבר רומנית כשהוא היה קטן Hu diber im Eyal etmol – He spoke to Eyal yesterday – הוא דיבר עם אייל אתמול Hu amar – He said, he told – הוא אמר Mi amar lecha / lach? – Who told you? – מי אמר לך Daber, daber – You can talk – דבר, דבר Efshar ledaber im Benny? – May I speak to Benny? – אפשר לדבר עם בני Mi amar? – Who said so? – מי אמר Zot omeret – This is to say – זאת אומרת Ma zot omeret? – What does it mean? – מה זאת אומרת   Playlist and Clips: Nasreen Qadri – Ratsiti Ledaber Itcha (lyrics) Shlomo Artsi – Ma Ratsinoo Lehagid (lyrics) Ofra Haza – Le-orech Ha-yam (lyrics) Maya Buskila – Rak Al Tagid Li (lyrics) Ha-yehudim – Kach Oti (lyrics) Roni Daloomi – Mi Amar (lyrics) Dori Ben-Ze'ev – Radio, Daber Elai (lyrics)

Solomon wrote: Anger is cruel and fury overwhelming, but who can stand before jealousy (Proverbs 27:4). Who indeed? Fran is discovering just how dangerous it is to work with a jealous coworker. A woman named Jenny transferred to Fran's office and accepted a lower position. She has become more and more vocal about how over-qualified she is for her job. Today Fran and her good friend, Louise, are walking to the cafeteria when Jenny walks in behind them. Fran and Louise have tried unsuccessfully to be friendly to Jenny, but they try once again. “Want to join us for lunch?” Louise asks. “Yeah, why not,” Jenny responds. As they sit down to eat, Jenny says to Fran, “You had a presentation today, didn't you, Fran?” “Yeah, we're trying to get the Edwards Construction account,” Fran replies. Jenny says, “I landed the largest construction company in the Southeast when I worked in Atlanta, you know.” Fran can feel the anger start to creep up within her. She sends up a wordless prayer before she responds. “I wish I had known, Jenny. I could have used your help.” “Well, they should have let me have that account,” Jenny says. “I've got the experience that would have guaranteed we would get it. How did the presentation go?” It's all Fran can do to answer Jenny with a civil tone of voice. “I really couldn't tell. They said it would be a week before they decide.” Louise is angry, too, and she just can't sit there without defending her friend. She says, “I can assure you, if anyone can get that account, Fran can. I'm sure you did a great job, Fran.” Jenny laughs and says, “Well, Louise, I'd expect you to say that about your good friend, but I'm looking at it from a business perspective. With my experience, I would have done a better job.” “Excuse me,” Louise retorts, “but that's your opinion and you ought to keep it to yourself.” “Oh, Louise, don't take everything so personal. I'm just saying it like it is,” Jenny replies. “I call that rude,” Louise says. “Hey,” Fran interjects, “this conversation is getting out of hand. Thanks for your loyalty, Louise, but Jenny has a right to her opinion. Maybe we better get back to work.” As they start to leave, Jenny says, “You know, it's stupid for women to be so emotional about these things. I'm just talking business, and you two keep taking it personal.” Fran and Louise walk away without another word to Jenny, but steam is coming out of Louise's ears. “Can you believe that woman? She's just jealous of you, Fran.” And jealousy can be dangerous.

Sean “Diddy” Combs allegedly woke up in his Brooklyn prison cell with a knife pressed against his throat. According to a close friend, it was a warning — a scare that could've ended with blood on the floor. But here's the question that needs to be asked: why is this the story everyone's talking about? Because if even half of what's been alleged about Diddy is true, then the real horror didn't start behind bars. It started long before — behind locked hotel doors, studio walls, and a decade of silence. In this episode, Tony Brueski breaks down why sympathy for Diddy's so-called “brush with danger” feels misplaced. The federal indictment, the civil lawsuits, the survivors — their stories paint a picture of inhuman treatment that makes one prison scare seem like poetic irony. Cassie Ventura's decade of abuse allegations. The infamous 2016 hotel video. Claims of “freak-off” sex parties, drugging, beating, coercion, and threats. Lawsuits describing a pattern of violence, humiliation, and control that allegedly spanned decades. The minors. The staffers who say they were forced to procure drugs or keep secrets. The federal charges of racketeering and sex trafficking. The witnesses. The verdicts. This isn't about celebrity gossip. It's about power — the kind that corrodes every soul it touches.  And it's about what happens when the man who allegedly used fear as a weapon finally feels it himself. If you came here looking for a redemption story, you won't find one.  Because waking up to a knife at your throat isn't the same as living years with one metaphorically pressed against your soul. This is Hidden Killers with Tony Brueski — where we stop pretending that predators deserve sympathy, and start remembering the victims who were never headline news. #Diddy #SeanCombs #HiddenKillers #TonyBrueski #TrueCrime #CassieVentura #DiddyTrial #DiddyPrison #CelebrityCrime #Justice Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Sean “Diddy” Combs allegedly woke up in his Brooklyn prison cell with a knife pressed against his throat. According to a close friend, it was a warning — a scare that could've ended with blood on the floor. But here's the question that needs to be asked: why is this the story everyone's talking about? Because if even half of what's been alleged about Diddy is true, then the real horror didn't start behind bars. It started long before — behind locked hotel doors, studio walls, and a decade of silence. In this episode, Tony Brueski breaks down why sympathy for Diddy's so-called “brush with danger” feels misplaced. The federal indictment, the civil lawsuits, the survivors — their stories paint a picture of inhuman treatment that makes one prison scare seem like poetic irony. Cassie Ventura's decade of abuse allegations. The infamous 2016 hotel video. Claims of “freak-off” sex parties, drugging, beating, coercion, and threats. Lawsuits describing a pattern of violence, humiliation, and control that allegedly spanned decades. The minors. The staffers who say they were forced to procure drugs or keep secrets. The federal charges of racketeering and sex trafficking. The witnesses. The verdicts. This isn't about celebrity gossip. It's about power — the kind that corrodes every soul it touches.  And it's about what happens when the man who allegedly used fear as a weapon finally feels it himself. If you came here looking for a redemption story, you won't find one.  Because waking up to a knife at your throat isn't the same as living years with one metaphorically pressed against your soul. This is Hidden Killers with Tony Brueski — where we stop pretending that predators deserve sympathy, and start remembering the victims who were never headline news. #Diddy #SeanCombs #HiddenKillers #TonyBrueski #TrueCrime #CassieVentura #DiddyTrial #DiddyPrison #CelebrityCrime #Justice Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

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