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Doctress Neutopia's visionary poem about building a galactic civilization. Arcosanti, I see the stars, ecstatic that I can see the stars. Away from samsara of advertising falsehood and political lies far enough from the place where the lights of Phoenix cause us to be blind. Sleeping at the Mind's Garden, I see a galactic civilization Arcosanti struggling to birth the Love Project into existence pulling the parts of the circle into the hub of social harmony to heal the sickness of greed within the structures of humanity. The rainbow bridge of Lovolution crosses over realms of human cognition that block creativity from uniting us with a majestic artistic mission. Underneath the Milky Way, the corporate industries continue to spew out megatons of fossil fuel emissions oblivious to the tipping points to mass extinction. What other cosmic source is wise enough to challenge a murderous Empire that profits from poisoning the precious atmosphere threatening to destroy the livable biosphere? The emerging architectural paradigm for the common good is designed to enlighten the darkness of the ignorant world. What other cosmic force could steer us toward union with the universe? Love so Holy, the mysteries of all universal mysteries, the perfection of the love story embodied in imperfect human beings saves my life from the misery of dying watching ecocide and genocide of settler colonialism decade after decade on the computer screen.
Did you know you can explore your own creative processes as pathways to healing and self-discovery? Creative practices can be powerful tools for processing trauma, moving through somatic programming, and fostering resilience. Today, I'm excited to have Jai Knight, who offers a unique perspective on the healing power of art and embodiment practices. In this podcast episode, Jai takes us through: - Their journey as an artist and their discovery of ancestral artistic connections - The role of art in processing trauma and personal transformation - The transition from recreating trauma through art to healing and presence - The practice of ritual tattooing and its healing potential - Somatic awareness in artistic practices and daily life - The importance of grounding and embodiment in creative and spiritual work - The integration of Hanna Somatics in Jai's tattoo practice and personal life And so much more! Jai knight is an interdisciplinary artist and ritual hand poke tattooist. Their work integrates metaphor and symbol as a tool for communicating deep messages that expand beyond the verbal, the subjective, and into the collective narrative. The work they create is an intimate processing with an individual or group, slowing down time into the kairos. Through Jai's own investigation of slowing down through intensive wilderness emersion, 9-year meditation practice, lifelong art practice, crafting their own artistic material including paper, paint, ink, and fibers, and training as a regenerative land and social systems designer, emotional cpr practitioner, and somatic movement junkie informs the work and experiences they share with the world. Their work has always dealt with transforming trauma into creative action. Their most recent project as channel, creator, illustrator, and author of House Oracle Project weaves together intimate and shared experiences of processing how to be at home in a changing world. This resulted in hundreds of collaborative meaning-making sessions, transformative paper-making workshops, a collaborative publishing project, and more. Their projects have recently been supported by Arcosanti foundation, CA Artsconnection, and the public arts advisory council of 29palms. Jai's work was also invited into several residencies including High Desert Test Sites, Lookout Arts Quarry and Ute mountain studios. Jai currently resides in Joshua Tree, CA where they regularly offer ritualistic tattoos and live simply comnected with land. Connect with Aimee Takaya on: Instagram: @aimeetakaya Facebook: Aimee Takaya And watch the podcast on Youtube @aimeetakaya To learn to release your muscle tension and pain to experience greater success and vitality, go to www.youcanfreeyoursoma.com --- Support this podcast: https://podcasters.spotify.com/pod/show/aimee322/support
Hey all! Welcome to another episode of Mr. P.'s Tales from the Road! In this edition, we head back to the City of Brotherly Love to find out about how the future once looked like to the eyes of those designing it in the 1970's, via a controversial yet intriguing style of architecture called BRUTALISM. It's not all dry history here; I promise the tale leads somewhere, as by the end, I'll be telling tales of the best example of abandoned Brutalism I've ever had the opportunity explore and document; the infamous Pepper Middle School in Philadelphia, PA! Tales told and history abounds, so procure an icy cola of your choice, make yourself a cold-cut sandwich with some Swiss cheese on top, listen in and enjoy the show! Have a great weekend and we'll see you in next week's episode! -Mr. P. Also now available on APPLE PODCAST!: https://podcasts.apple.com/us/podcast/mr-p-s-tales-from-the-road/id1717990959 ARCOSANTI's Official Website: https://www.arcosanti.org/ Architectural Digest article on Arcosanti: https://www.architecturaldigest.com/story/paolo-soleri-arcosanti-arizona MR. P. INFO: The majority of my work gets published at the Mr. P. Explores Facebook Community: https://www.facebook.com/MrPExplores/ Stop by for full photo explorations, history and stories told from the road! Mr. P. Explores Instagram (extras that never make the site or videos, and much more!): https://www.instagram.com/mr.p_explores/@mr.p_explores TWITTER (X?): https://twitter.com/ExploresMr @ExploresMr (come on over and say hello!) Thanks all, and have a great week! I am also now on VERO, @mrpexplores or directly at: https://vero.co/mrpexplores
William Hope Hodgson's The Night Land is without a doubt one of the weirdest entries in the annals of weird fiction. Set in the earth's distant future, after the sun has gone out and the planet has been cleaved in two by an unspecified disaster, a telepathic scientist dons his armour and weapons to brave the monster-haunted yet strangely monotonous wastes that engirdle the massive pyramid in which the last humans took refuge, hundreds of thousands of years earlier. If Samuel Beckett tripped hard on ayahuasca, he might have come up with something like Hodgson's genre-defying novel, which reads more like a report to committee of 17th-century heretics than a piece of speculative fiction from the early twentieth century. MIT Press recently released a (blessedly) abridged edition of The Night Land as part of their Radium Series. Journalist, scholar, and lecturer Erik Davis, who penned a brilliant foreword for the new edition, was kind enough to join Phil and JF to discuss this underrated masterpiece. Support us on Patreon (https://www.patreon.com/weirdstudies) and gain access to Phil's podcast on Wagner's Ring Cycle. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Download Pierre-Yves Martel's new album, Mer Bleue (https://pierre-yvesmartel.bandcamp.com/album/mer-bleue). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! SHOW NOTES William Hope Hodgeson, The Night Land (https://bookshop.org/a/18799/9780262546423) Weird Studies, Episode 37 with Stuart Davis (https://www.weirdstudies.com/37) Walter Ong, Orality and Literacy (https://bookshop.org/a/18799/9780415538381) Charles Taylor, A Secular Age (https://bookshop.org/a/18799/9780674986916) William Hope Hodgeson, House on the Borderland (https://bookshop.org/a/18799/9781492699774) Samuel Beckett, Molloy (https://bookshop.org/a/18799/9780802144478) Sumptuary Laws (https://refashioningrenaissance.eu/archival-work/sumptuary-laws/) Arcosanti (https://www.arcosanti.org/), arcology Olaf Stapledon, Last and First Men (https://bookshop.org/a/18799/9781618950468) Pierre Schaeffer, “Traité des objets musicaux” Schitzophonia (https://en.wikipedia.org/wiki/Schizophonia) H.G. Wells, The Time Machine (https://bookshop.org/a/18799/9780141439976)
EPISODE 183 - Kristina Bak - When The Character You Are Writing About Reaches Out and Touches You Kristina Bak grew up in the Pacific Northwest, dropped out of Reed College in 1969, and spent enough years hiking in the North Cascades to graduate from Western Washington University in Bellingham. She explored utopias via Paolo Soleri's Arcosanti and the University of New Mexico. A graduate degree in architecture at the University of Washington earned her a Fulbright year in Rome before she moved to Australia with her husband and six-month-old daughter for three years. Back in the US, the family lived on Bainbridge Island until Kristina graduated from Antioch, Seattle, with an MA in psychology. They moved to Bend, Oregon, in 1993. Since that time, Kristina has worked as a mental health therapist, taught qigong, and sojourned in Sydney again as a ghostwriter, among other things. She took her first Argentine Social Tango class in 2010, and like countless others, is addicted to the dance.https://kristinabak.com/___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/A podcast is an excellent business card for your book, coaching program or business! Build a community away from the rented land of social media - speak directly to your community and position yourself as the expert that you truly are!Take your passion to the next level - let us help you start and grow your podcast! Podcasts work. Visit https://truemediasolutions.ca/Support the showBuzzsprout is our podcast host for this show!Ready to find a better podcast host for your show? Get a $20 credit applied to your new Buzzsprout Account by using our link! Starting a new show or looking for a better host? Buzzsprout is amazing!https://www.buzzsprout.com/?referrer_id=1855306Please note! To qualify for this promotion. All accounts must remain on a pay plan and maintained in good standing (paid in full) for 2 consecutive billing cycles before credits are applied to either party.
A lot of things are unique about Arizona. One of them is our architecture, from the beautiful buildings to the overpasses on the highway that include decorations you just don't see in other states. People from all over the world come here to be inspired by Arizona and incorporate it into their designs. And about an hour north of Phoenix is another remarkable feat of architecture. It's off the beaten path, and the signs are easy to miss. And the buildings were designed with the environment in mind, so they blend in perfectly. This is the artist collective known as Arcosanti. It was the brainchild of Italian-born architect Paolo Soleri in 1970. Today, the Valley 101 podcast will give you an audio tour. Along the way, we'll answer three key questions: What is Arcosanti? How did it get started? What are the residents up to today? Learn more about your ad choices. Visit megaphone.fm/adchoices
S03E14: Celebration, Florida and Arcosanti, Arizona: Two very different approaches to building a (mostly failed) utopia. Learning how to almost successfully thrive in the desert, and why we wouldn't want Disney in charge of our HOAs. Show notes: https://www.bonesandbobbins.com/2022/09/26/season-3-episode-14
SHOW THEME Catherine and James discuss the "greatest conspiracy in ancient art" while summarily dismissing Minimalism, Architecture, and Modern Design. SHOW NOTES - 00:10 - Cohost identifies as chromophobic, but not really? - 00:48 - The Greatest Conspiracy In Ancient Art - 01:05 - Breaking news: Ancient monochromatic statues are just faded - 02:14 - Natural weathering takes a toll - 02:43 - The "art historian elites" object! - 03:40 - Restoration erases patina and the passage of time - 05:05 - Refurbish recoil and "The Archer" - 06:10 - Nobody paints Baby in a corner! - 07:15 - "Ancient ancient" color gap - 11:07 - Going mad with color! - 12:37 - Clean away the goth (and forget Plato)! - 13:24 - High Renaissance ghostly minimalism - 14:05 - Michelangelo was the first Western abstract artist! - 15:09 - "Hard no" on "nipple tattoo" - 16:04 - Black, white, and grey = garbage palette - 18:15 - James has a purple door (but it's actually red) - 20:25 - "Visual stillness" vs design degradation - 21:05 - Architectural stasis - 23:05 - Arcosanti - 24:38 - "Modern humans are just boring" - 25:40 - Arcosanti bell loses a dangle - 26:15 - Christopher shows up and ends the show
Today we're talking about Phoenix, Arizona, home of Frank Lloyd Wright's Taliesin West, Paolo Soleri's Arcosanti, Modernist architect Al Beadle, and the world's worst-named golf tournament, the Waste Management Open. Joining us is Phoenix architect John Anderson of 180 Degrees and legendary founder of Modern Phoenix.net, historian and preservationst Alison King.
Peggy and Liz Martin-Malikian, CEO & executive director, The Cosanti Foundation, talk about ecology, digital transformation, architecture, and the future of the city. They talk about the idea of live, work, learn, and how we are reimagining our cities. They also discuss: Arcosanti, which is a demonstration project of what a sustainable community could be. The mission, vision, and goals of The Cosanti Foundation. The definition of the word community and building the architectural spaces. arcosanti.org (7/19/22 - 780) IoT, Internet of Things, Peggy Smedley, artificial intelligence, machine learning, big data, digital transformation, cybersecurity, blockchain, 5G, cloud, sustainability, future of work, podcast, Liz Martin-Malikian, The Cosanti Foundation This episode is available on all major streaming platforms. If you enjoyed this segment, please consider leaving a review on Apple Podcasts.
Peggy and Liz Martin-Malikian, CEO & executive director, The Cosanti Foundation, talk about ecology, digital transformation, architecture, and the future of the city. They talk about the idea of live, work, learn, and how we are reimagining our cities. They also discuss: Arcosanti, which is a demonstration project of what a sustainable community could be. The mission, vision, and goals of The Cosanti Foundation. The definition of the word community and building the architectural spaces. arcosanti.org (7/19/22 - 780) IoT, Internet of Things, Peggy Smedley, artificial intelligence, machine learning, big data, digital transformation, cybersecurity, blockchain, 5G, cloud, sustainability, future of work, podcast, Liz Martin-Malikian, The Cosanti Foundation This episode is available on all major streaming platforms. If you enjoyed this segment, please consider leaving a review on Apple Podcasts.
What is a sitopia, and why does it matter? The term was coined by Carolyn Steel in Hungry City, referencing a utopia which ideologically pivots around food in some way. How has farming been wielded by creatives' in their visions of the future? How have architects and artists imagined sitopias which bring human systems back into harmony with ecology in experimental societies through food? We visit Arcosanti, an architectural and social experimental community in the Arizona desert, and Biosphere 2, the world's largest analog earth system, to examine the role of food in futurist speculation and utopia projects. We look back at food ecologies in sci-fi and NASA's 1970s space farming projections, and hear insight from David Tollas, the general manager of Arcosanti Agriculture, and John Adams, the Deputy Director of Biosphere 2. Follow Fields for more dives into the futures (and futures-past) of urban agriculture.Heritage Radio Network is a listener supported nonprofit podcast network. Support Fields by becoming a member!Fields is Powered by Simplecast.
When Paolo Solari died in 2013, the New York Times dubbed him "the architect of the counterculture." An apprentice of Frank Lloyd Wright's, Solari founded Arcosanti, a projected visionary city embodying Solari's philosophy of "archology"--a life affirming melding of architecture and ecology. Ada Louise Huxtable, writing in Time magazine, called Solari's renderings “some of the most spectacularly sensitive and superbly visionary drawings that any century has known.” When Solari visited Louisville in 1976, he was at the height of his countercultural fame. Our second episode is devoted to a reconsideration of Solari's legacy through a conversation with Jeff Stein, past president of Solari's Cosanti foundation and Sue Kirsch, Arcosanti's archivist.
Chatting in with Jessica about arcosanti. Be sure to follow them on IG @jessicajamesonphoto
Today we look to the ancient technologies of indigenous ecosystems to provide guidance for the future (and survival) of humanity in the face of climate change. We are thrilled to welcome designer, activist, academic, and author, Julia Watson to SOUNDFOOD. Julia is a leading expert in the field of Lo—TEK nature-based technologies for the built environment and climate-resilient design. Her bestselling book with Taschen, Lo-TEK: Design by Radical Indigenism has been featured in The New York Times, The Guardian, Monocle, Architectural Digest, and more. Regularly teaching at Harvard and Columbia University, Julia's studio work involves landscape and urban design, along with public speaking and consulting with brands on sustainability. In her studio, she collaborates with a horticulturist as Watson Salembier, with a focus on rewilding, and has just completed the summer gardens for Rockefeller Center using a native plant palette inspired by the American meadow. Julia has written for Topos, Landscape Architecture Frontier, ioARCH, Kerb, Water Urbanisms East and co- authored A Spiritual Guide to Bali's UNESCO World Heritage. She's a 2020 TED speaker, and a fellow of Summit REALITY, Pop!tech, & The Christensen Fund. Born in Australia, she regularly treks across the globe. Above all, Julia is a master observer. In today's conversation, she reflects on the greater understanding that has been revealed to her through her explorations of Earth's sacred spaces- what makes them sacred, who makes them sacred, and whether those experiences can be recreated in design. Her combination of extensive research and awareness of natural processes has resulted in the most visually stunning, nutrient dense, empowering, design forward book we could dream of. Julia possesses an exquisitely comprehensive view of the world, with attention to both the micro and macro, she has dedicated herself to applying critical thinking and understanding of indigenous ingenuity to the design of modern, climate resilient technologies. Through her eyes and mind, we have a glimpse into the ways that global communities have interactacted synergistically with nature for millenia. Watson invites us all to reflect on what we can learn from the past and present to envision what a Lo—TEK future could behold. Thank you Julia for sharing your wisdom, insights, and vision with us! Where to find Julia: JuliaWatson Julia's Instagram Books Mentioned In This Episode: Lo―TEK. Design by Radical Indigenism by Julia Watson USING THE DESIGN OF BALI'S WORLD HERITAGE CULTURAL LANDSCAPE TO EMPOWER BALINESE COMMUNITIES- Prof. Julia N. Watson and Prof. J. Stephen Lansing Also Mentioned In This Episode: Eva Marie Garroutte- Radical Indigenism ArcoSanti by Paolo Soleri SOUNDFOOD Episodes Mentioned: A VOICE FOR THE VOICELESS: Film, Farming, Fungi and the Future with Nathalie Kelley Catch our first ever JAM SESSION with Rocío Graves here! MIKUNA SPECIAL CODE FOR LISTENER: Use the code SOUNDFOODFAMILY for 25% off first purchase 30% off subscriptions from mikunafoods.com (chocho based superfood products) TUNE INTO SOUNDFOOD: WEBSITE INSTAGRAM TEXT US ON OUR TELEPORTAL for high vibrational updates on all things SOUNDFOOD @ 1-805-398-6661 MERCURIAL MAIL Subscribe to our newsletter HERE. Connect with our Host: @nitsacitrine Lastly, we would be so grateful if you felt inspired to leave us a review on APPLE PODCAST! Julia's Last Meal on Earth in a nutshell: The beauty of Julia's last meal on Earth would be centered around who cooks it. The creative agency that her partner would take with the meal would make it more meaningful than the details of what he would make. As Julia says, being cooked for by someone you love- and who loves you- is an incredibly powerful thing. Whether it's a cup of tea made by a parent or truly a last meal made by a loving partner, what makes it so deeply engaging is that it's accompanied by the people who you love and who give you love in return.
Nicole reminisces on her experience visiting Arcosanti before even knowing what it was. Now, years later, she researches its purpose and considers its future. Would you ever visit this desert(ed) urban experiment?
In this episode of BPA, we explore Arcosanti, a society based on gearing human society towards sustainable development. For more information on this society, please visit there website: https://www.arcosanti.org/ Instagram: https://www.instagram.com/backpackingamerica/ Twitter: https://twitter.com/bpapodcasting Facebook: https://www.facebook.com/bpapodcasting YouTube: https://www.youtube.com/channel/UCbBW87amp3o6j0Zfi3yPYuw Spotify: https://open.spotify.com/show/2IpWT8Xh8BkTIlNw7oBap7?si=fTtnuf5gSomjedJoBhgydw Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZC5jby9iYWNrcGFja2luZy1hbWVyaWNh?sa=X&ved=2ahUKEwjf9erVsZXuAhW0D1kFHTnXAr0Q9sEGegQIARAE
Michael P. Johnson's wanderlust, thirsty curiosity, as he will tell us, to explore and experience a sort of nomadic life never in one place, has allowed him to deepen friendships with exceptional, extremely stimulating men, that we could define visionary. Doing so, he had the chance to assimilate and share their openness and futuristic way of thinking. Among these exceptional encounter there will be the one with Bruce Goff, an eccentric but extremely intelligent man, who cultivated many different forms of passions from art to music, receiving the title of chairman in the School of Architecture at the University of Oklahoma, despite being self-taught. The encounter over the years turned into a long term friendship. A long time written correspondence will imprint the relation with another famous man of the desert, Paolo Soleri, who at that time was working on his Arcosanti. Michael in several occasions will visit the ideal city under construction, sharing Paolo's ideas against the insane, ruinous frenzy for the automobile and growing consumerism. Their passionate conversations focus on the aspiration towards an architecture more ecologically and environmentally respectful. Michael, as Aris Georges states, with an absolutely true and objective praise, is one of the few “artists who have never drawn a line between their life and work”. He has amply demonstrated his commitment both in architecture and in life, actively dealing with social and political struggles, marching alongside Martin Luther King, advocating for woman rights, for Native Americans, experiencing the attempts against oppression by the revolutionary movement, Black Panthers.
川普CPAC演講 參與者熱烈 川普 點名要彈劾他的共和黨議員 明日之星 反隔離口罩的南達科達女州長Noem 美國各州共和黨將加強選舉規定 紐約州長為性騷擾道歉 維吉利亞州 合法花大麻 取消文化和作弊2020為主軸 印度的治新冠病毒草藥Coronil 金球獎華人趙女士以Nomadland得最佳導演 金球獎87位評選沒有黑人 法國前總統沙克奇 賄賂被判有罪 敘利亞攔截以色列飛彈攻擊 伊朗拒絕美國談判建議 緬甸示威18死 香港 審判47位違法國安法人士 中國 可能去年10-13讓孟買電力失控 孟晚舟律師辯論 川普干涉違法 亞力桑那州的建築烏托邦Arcosanti新走向 丹佛堆雪的花樣雪蛇雪虎
Tim Bell is an experienced community developer from his work at the famous experimental town of Arcosanti to helping run a village at the infamous Burning Man.We dive deep into the importance of shifting business culture to become more people-centric and finding the courage to say yes to his own personal desire to become a writer.Follow Tim on Instagram: @timjimbearFollow Nathan on Instagram: @nathancouryFollow Freak Brothers Pizza on Instagram: @freakbrospizza
Paolo Soleri, architetto italo americano e allievo di Frank Lloyd Wright, fu autore di un incessante lavoro teorico il cui centro ruotava attorno a temi come l'ecologia, la vita comunitaria, l'etica sociale e il sovraffollamento globale. Temi di straordinaria attualità che affrontò con impeto già dagli anni Cinquanta, con la realizzazione di Cosanti, e vent'anni dopo con l'esperienza, ancora in corso, di Arcosanti: il “laboratorio urbano” che “si contrappone alle grandi metropoli e alle loro periferie degradate” fondamentale per l'evoluzione delle “città del futuro”.
In this episode, we’ll be exploring the topic of Arcology, an idea, movement, and culture of people looking to create highly-dense architecture that works to reduce the human environmental footprint in a radical way. More specifically, we’ll look into the “experimental town” of Arcosanti, “an attempt at a prototype arcology, integrating the design of architecture with respect to ecology”. This “experimental town” and its citizens, shows a lot about how Architecture can transform not only the environment but the behaviors and thinking of people interacting with these radical spaces. Keep up with Student Architect on: Instagram - http://ow.ly/xPzq50BizRc LinkedIn: http://ow.ly/cWQj50BizRe Twitter - http://ow.ly/qF8Y50BizRi Facebook - http://ow.ly/NBH250BizRh Student Architect Website - http://ow.ly/62lL50BizRf Thanks for continuing to support the podcast! See you in the next episode. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/studentarchitect/message
Wolfgang Van Halen hace homenaje a su recién fallecido padre. La hija del rey del pop con música que nada tiene que ver con el legado de MJ. Una nueva experiencia musical para presentar lo más reciente de Puscifer. Caro y Drew Citron, dos increíbles propuestas que tienes que escuchar.
Bruce Springsteen, John Legend, Big Data - Gunnar Olsen has worked with these artists; his recent work with Puscifer is what brings him to the show today. Puscifer is a side project started by Maynard James Keenan, of TOOL fame. Gunnar appears on two studio tracks and the entire live performance of their latest album, "Existential Reckoning - LIVE at Arcosanti". Join us for a couple of beers and stories about his experiences with Springsteen, Puscifer, and growing up as the son of a broadway musician.
Puscifer recently released their fourth full-length album, Existential Reckoning on Oct. 30 and played a stunning live streamed set in the Arizona desert at Arcosanti to coincide with its release.We caught up with Carina Round for The Faction and Everblack Podcast to talk about the new album and it’s synth driven direction, the Existential Reckoning: Live at Arcosanti stream where they played the record in full and the challenges leading up to it, her initial thoughts on the crazy concepts cooked up by mastermind Maynard James Keenan, parenting and staying productive during the pandemic and more!Puscifer - Existential Reckoning is OUT NOW and can be ordered HERE : Puscifer.lnk.to/ExistentialReckoningExistential Reckoning: Live at Arcosanti livestream tickets, as well as a selection of limited edition merchandise exclusive to attendees, are available now via pusciferlive.comEVERBLACK PODCAST: SUBSCRIBE - SPOTIFY PODCAST : https://open.spotify.com/show/4znToU3ETh4dJyMTv0lFG9 ITUNES PODCAST: https://podcasts.apple.com/au/podcast/everblack-metal-podcasts-tracks/id1287458669 YOUTUBE : https://www.youtube.com/channel/UCau_EiKKLEwZ22aWMu9ASVA www.everblackmedia.com www.facebook.com/Everblackmedia Thanks to : RW Promotion Blacklight AD Screenprinting Electric Witch The Faction Lumberpunks Axe Throwing Everblack theme and intro by Wade Norris from Our Last Enemy
With the imminent release of latest album Existential Reckoning, as well as an upcoming Livestream concert dubbed Existential Reckoning: Live at Arcosanti, Puscifer are set to explode at us from differing angles – a change from the normally quiet and subdued approach adopted by Maynard’s “creative subconscious”.In a rare chat with Australian media, Carina Round sat down last week for a chat with HEAVY’s very own Olivia Reppas for what was more of a social catch up between friends in a fascinating interview that goes behind the curtains of this mysterious group and touches subjects which normally would be taboo on the media circuit.
In 1970, The Cosanti Foundation began building Arcosanti, an experimental town in the high desert of Arizona, 70 miles north of metropolitan Phoenix. An ambitious project envisioned as an experiment in living frugally and with a limited environmental footprint, Arcosanti is an attempt at a prototype arcology, integrating the design of architecture with respect to ecology. Based on a set of four core values that include Frugality and Resourcefulness, Ecological Accountability, Experiential Learning, and Leaving a Limited Footprint. The Cosanti Foundation operates Arcosanti as a counterpoint to mass consumerism, urban sprawl, unchecked consumption of natural resources, and social isolation.The iconic structures at Arcosanti are designed to be multi-use to extend their utility and usefulness in facilitating the many performances, workshops, and cultural programming that happen year in and year out. Throughout its 50-year history, thousands of volunteers have participated in constructing Arcosanti through intensive six-week-long workshops where they learned by doing and developed a uniquely specialized set of skills. Close to 8,000 people have given their time and talents by taking part in building Arcosanti.Email: info@arcosanti.orgPhone: (928) 632-7135Address: 13555 S Cross L Road, Mayer, AZ 86333
Carina Round sits down with Robert on this edition of The Film Cult Podcast to discuss the new Puscifer album Existential Reckoning out October 30, 2020 and her amazing solo work. Make sure to check out the Puscifer live stream that night (October 30, 2020) when they will be taking to the Arizona Desert to play Arcosanti. Info for that can be found at www.pusciferlive.com Intro: The Smalls Outro: Zak Pashak and Choke Chomsky
On the very first episode of We've Never Met, I talked to Ian M. White (@ianmwhite23) about writing, directing, acting school, glitter, and queer weddings. Some podcasts Ian recommends: Las Culturistas Confronting Demons The SAG-AFTRA Podcast --//-- Ian's wedding jewelry is made by unbelievably talented Alex Ozers, who you can find on Instagram at @aozers --//-- I also highly recommend following Arcosanti (@arcosanti) to transport yourself our of your quarantine cave and into another world of desert and modern architecture. --//-- We've Never Met is completely 100% gluten-free, animal-cruelty-free, and made by me, Charlotte T. Martin. If you want to support this podcast and help me make it even better, you can become a Patreon backer at https://www.patreon.com/charlottetmartin?fan_landing=true!
SONIC ACTS ACADEMY 2020 Dehlia Hannah – Cloud Walking: Meditations on 'A Year Without a Winter' 23 February 2020 – De Brakke Grond, Amsterdam, The Netherlands Lauded curator and professor Dehlia Hannah delivers a lecture stemming from her environment-focussed publications and research projects. The meeting point of climate change and art – from the volcanic eruption that led to Mary Shelley’s Frankenstein to Paolo Soleri’s utopian architecture in experimental town Arcosanti – is an estuary that for Hannah yields imaginary places, creatures and technologies. In her talk Cloud Walking: Meditations on ‘A Year Without a Winter’, Hannah enters into the discussion of how, as the world warms and seasonal patterns betray historical records, we are called to rethink key concepts of environments that we inhabit both physically and imaginatively. From regional weather systems to the lived abstraction of a global climate, rising mean temperature, shifting shorelines, disturbed migratory routes and phenological clocks, to new avenues of economic exploitation and militarisation, the boundaries of our environs are open to radical contestation. Published two hundred years after Mary Shelley’s Frankenstein; or: The Modern Prometheus – which was written amidst a global climate cooling crisis remembered as the ‘year without a summer’ – Hannah’s book A Year Without a Winter (2018) and associated exhibitions explore the literary and visual aftermaths of the 1815 eruption of Mount Tambora, in parallel with emerging narratives of environmental crisis. In this talk Hannah moves through a series of clouds generated by historical events, literature and visual art – volcanic eruptions, poems, climate models, smoke bombs and burning jungles – in search of a new way of conceptualising climate that is responsive to contemporary atmospheric conditions. Dehlia Hannah is a philosopher of science and curator. She holds a PhD in Philosophy from Columbia University, with specialisations in philosophy of science, aesthetics and philosophy of nature. Presently, she is Mads Øvlisen Postdoctoral Fellow in Art and Natural Sciences at Aalborg University-Copenhagen and Visiting Assistant Professor at the University of Toronto’s Daniels Faculty of Architecture, Landscape and Design. Her forthcoming monograph Performative Experiments examines contemporary artworks that take the form of scientific experiments. Her book, A Year Without a Winter (2018), reframes contemporary imaginaries of climate crisis by revisiting the literary and environmental aftermath of the 1815 eruption of Mount Tambora. Among her recent exhibitions are Emerge: Frankenstein (2017), Control | Experiment (2016) and Placing the Golden Spike: Landscapes of the Anthropocene (2015). Her current research examines the role of imaginary places, creatures and technologies in the history of philosophy.
We here at the Talkhouse Podcast have been nominated by the International Academy of Digital Arts and Sciences for a Webby Award! Woo hoo! It’s in the "Best Live Podcast Recording” category, and we got the nod for our musical episode with Snail Mail, Fred Armisen, and Mary Lynn Rajskub. The show took place last summer at FORM Fest in Arcosanti, Arizona, and the three of them play, sing, and talk… at the same time. In case you missed it the first time around, or are in the mood to crack up again, check it out! ~~~ BREAKING NEWS! Indie rock it-band Snail Mail has an all-new lineup! Don't worry, Lindsey Jordan is still there — only now, so is Fred Armisen and comedian Mary Lynn Rajskub (24, It’s Always Sunny in Philadelphia). On our second Talkhouse Podcast episode recorded backstage at the wonderful FORM Fest, the three form a group on the spot, then, with instruments in hand, improvise songs about: How they’re actually the new Snail Mail lineup; Chef Boyardee; Neil Young; "lemon squares that Mommy made"; Jesus’ selective saving tendencies (that one's titled called “Here Comes The Son”), and loads more. We also witness spoofs of Queen and Beyonce; hear thoughts on fergiepeepants.jpg; learn about foot fetishists and Wikifeet; take in some sarcastic breakdancing; consider gentle piss modulators; and find out why Mary Lynn is convinced Lindsey needs to get pregnant immediately. This Talkhouse Podcast and video was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: Kelsey Lu & Yrsa Daley-Ward Julianna Barwick & Mary Lattimore American Football & Pelican L’Rain & Melanie Faye You can also check out the just-released first episode from the fest, featuring jazz and hip hop legend Robert Glasper with a giant of African music, Malian guitarist Vieux Farka Touré, plus an appearance by Lonnie Holley. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.
Doom Tomb Podcast- Stoner Rock, Doom Metal and Sludge Metal.
We had a hang at the practice space with Hovenweep . We have a lot of gear talk, how they came together, their current release and we find out why he's a Jesse of ALL trades ! (and the pizza issue continues) Links: Hovenweep: https://www.facebook.com/hovenweep/ ***** Arcosanti: https://www.facebook.com/arcosanti/ ***** Sunn O))): https://www.facebook.com/SUNNthebandOfficial/ ***** Stone Witch: https://www.facebook.com/Stonewitchband/ ***** Elder: https://www.facebook.com/elderofficial/ ***** Casey Moores: https://www.facebook.com/CaseyMooresOysterHouse/ ***** Time Out Lounge : https://www.facebook.com/timeoutlounge/ ***** Ruby The Hatchet: https://www.facebook.com/rubythehatchet/ ***** High Priest of Saturn https://www.facebook.com/highpriestofsaturn/ ***** Electric Moon : https://electric-moon.bandcamp.com/album/stardust-rituals ***** Hatework: https://youtu.be/-RlzczOwoVk https://youtu.be/XnLwpXTDKo0 ***** Carcass: https://www.facebook.com/OfficialCarcass/ ***** Lamb of God: https://youtu.be/AWG4uP8SQlM ***** Surf Through Death: https://surfthroughdeath.bandcamp.com/releases ***** Death of the Cool: https://youtu.be/szdusvB9fQc ***** Hudu Akil: https://huduakil.bandcamp.com/music ***** Moon Custom Cabinetry: https://www.facebook.com/mooncabinets/ ***** Earthless: https://www.facebook.com/earthlessrips/ ***** Crawl: https://crawldeath.bandcamp.com ***** Joan Osborne: https://youtu.be/3Wd2DveN0R0 ***** Errowid: https://www.erowid.org ***** Paul Harvey(Mike talking about "The Last Ones" reminded me of this): https://youtu.be/x9dkgOZhKQk ***** Fever Dog(played at end): https://feverdog.bandcamp.com ***** doomtombpodcast@gmail.com Say hey. ***** Cranium Radio(Sunday 6-9PM EST): http://craniumradio.com/ ***** STAY HEALTHY...and support local businesses.
Tim Bell of Arcosanti
I met Shells at a Cold Coaching event located at Arcosanti called the Convergence Festival. Upon her return to Phoenix, and post ice bath, she reached out to me to continue her cold water immersion exposure. Here we talk about what that has been like, and the changes she has seen since embarking on this path. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/adrienne68/support
What a FOOKIN' TRULY RAD YEAR it's been here at the Talkhouse Podcast! Thx for being on this wild ride with us! As we hurtle towards 2020, I've been doing a bit of year-end tallying; can I share just a few stats with you? Please? Ok, thx. We released a whopping FORTY NINE new episodes in 2019. (WHO DOES THAT?! WHAT WERE WE THINKING?!) This year we featured artists like Brian Wilson, Joseph Gordon-Levitt, Tierra Whack, Harmony Korine, Chelsea Peretti, Portugal. The Man, Fred Armisen, Shabazz Palaces, Nikki Glaser, Drew Carey, Chris Redd, The Flaming Lips, Robert Glasper, Snail Mail, The Magnetic Fields, Animal Collective, Karen O, Tim Heidecker, Kate Nash, Karen Gillan, Jon Cryer, and Ariel Pink, plus so many more greats. The Talkhouse Podcast held live tapings from LA Comic Con to Rough Trade NYC, with stops at SXSW in Austin, both Tomorrow Never Knows and Pitchfork x The Art Institute of Chicago's Midwinter in Chi, Life Is Beautiful in Las Vegas, and loads more. Oh, and did you see the videos from our time at FORM Fest in Arcosanti, Az?? They're gorgeous! We celebrate 2019 on the show this week with a roundtable of Talkhouse's editorial team looking back on some of our fave moments from the show this year. Enjoy, and happiest of holiday seasons to you! Can't wait to share the incredible episodes we've already got in store for you next year. xoxo Elia Today’s show was recorded at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.
Laboratories are facilities that allow research, experiments or measurements to be performed. Arcosanti is an Urban Laboratory located in central Arizona. Paolo Soleri started the project with an idea to demonstrate an alternative to urban sprawl. It's an attempt to show how a city can develop and thrive within the beauty and landscape around it. Tim Bell, Director of Communications at Arcosanti, shares the vision of and the continued work that is being done at Arcosanti. We recorded on site amongst the beautiful backdrop of the structures and landscape that Arcosanti calls home. It's truly a beautiful facility that needs to be experienced in person to fully appreciate. Its a short drive north on the Interstate 17 and worthy of your time and support. We were also lucky enough to be able to interview an Italian pianist who was playing that evening. Enjoy! Special Guest: Tim Bell.
We kick off Season 4 with a bang! We had the honor and pleasure of spending the day with Roger Naylor. Roger is writer whose work can be found in his many books, The Arizona Republic, and state publications. After breakfast at Crema, one of The Haunted Groups many delicious Cottonwood restaurants, we travel to Dead Horse Ranch State Park just a few minutes from Old Town Cottonwood. Rather than attempting to write about the man who makes a living doing just that, enjoy our conversation with Roger and be sure to pick his works which can all be found on his website www.rogernaylor.com. Enjoy! Edited by: Alexander Payan of Huntington University in Peoria, Arizona Special Guest: Roger Naylor.
Kim Hastreiter identifies as a “punk at heart.” The co-founder of Paper magazine, which she started in 1984 with David Hershkovits, she served as the publication’s co-editor-in-chief until handing it off, in 2017. At 67, she remains the cool mom of downtown New York. A curator, editor, writer, and artist, as well as a perpetually delighted connector of people, she witnessed—and amplified—the fledgling careers of Keith Haring, Vivienne Westwood, Jean-Michel Basquiat, and countless others.Hastreiter is, and has always been, New York hustle incarnate. From spending the Summer of Love building Paolo Soleri’s Arcosanti in the desert, to cultivating Paper in 1979 in her loft kitchen, to printing the first issue in 1984 as a black-and-white zine, her gritty commitment to beauty and inspiration has never wavered. There’s never a dull moment with Hastreiter: Throughout Paper’s ascent to pop-culture bible, she curated several art and design shows, authored or co-authored four books, and hosted countless parties for her kaleidoscopic assortment of collaborators and friends. She is currently a mentor for Jim’s Web, a scholarship and mentorship program for emerging creatives, started in memory of her close friend the late design consultant and collector Jim Walrod.On this episode of Time Sensitive, Hastreiter sits down with Andrew Zuckerman to share her experiences of being a Mudd Club kid, selling clothes to Jackie Kennedy, curating in New York at the turn of the millenium, and “breaking the internet” with Kim Kardashian.
Our latest installment of the Talkhouse Podcast at FORM Fest 2019 is a love letter to Chicago's post-rock, punk and emo scenes from the '00s to today. Windy City music legends — and old friends — Trevor de Brauw (Pelican, RLYR, TUSK) and Nate Kinsella (American Football, Joan of Arc, Make Believe) caught up backstage for a warm and hilarious convo, as well as a rad improvised ambient musical collaboration. The guys' talk takes in a lot: playing in bands with family members; having your musician father hate on your experimental work; and balancing parenthood and tour life. Oh and, of course: tone clusters, alternate tunings, death metal, and odd time signatures. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a dope backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend. You can also check out the other episodes in this series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley, Julianna Barwick & Mary Lattimore, and Kelsey Lu with Yrsa Daley-Ward. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton, and Ian Jones. Research assistance was provided by Madalyn Feltus. The performance includes Trevor de Brauw on guitar and Nate Kinsella playing the drums. The Talkhouse Podcast’s theme song was composed and performed by The Range.
This week’s guest is Magenta Ceiba, Executive Creative Officer (ECO) for the Bloom Network, a worldwide constellation of regenerative design hackers working in ecology, economics, civil engineering, software design, restorative justice, organizational development, and more. Bloom is hosting Pollination, an “unconference” or immersive in-person hack-a-thon, this coming weekend in San Francisco – a place for this amazing extended international network (including you, potentially) to convene for design sprints for new practices and systems to restore the health and value of our world.I hope you’ll treat this episode as a gateway into an amazing profusion of awesome ideas and people, just the very tip of a very deep and well-furnished rabbithole.Here are some leads to get you started: • See the Pollination 2019 program on Bloom Network’s website.(If you have friends in the Bay Area who might like to come, here’s a promo code for a $50 discount: BLOOM50 so they can join for just $195. The Bloom Network also has low income/scholarship tickets available: please fill in the form here. I am not an affiliate and get no reward from this, other than knowing that you attended and got to participate.)• Magenta’s personal website.• Another excellent conversation with Magenta (plus copious resource links) at Abundant Edge Podcast.• Mark Heley interviews Pollination 2019 MC (and Future Fossils guest) Maya Zuckerman.These three quotes came in Rob Breszny’s email newsletter today and couldn’t be more appropriate:“You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”—Buckminster Fuller“We have to encourage the future we want rather than trying to prevent the future we fear.”—Bill Joy“The secret of change is to focus all of your energy, not on fighting the old, but on building the new.”—Dan MillmanRelated Episodes:• Episode 46 - Magenta Ceiba’s first appearance on Future Fossils.• Episode 56 - Sophia Rohklin on the inter-relationship of ecology & economy.• Episode 61 - Jamaica Stevens on crisis, rebirth, and transformation.• Episode 98 - Decentralization Panel at Arcosanti w/ members of NuMundo Project, Unify, & The Institute of Ecotechnics.Credits:• Theme Music: “God Detector” by Evan “Skytree” Snyder (feat. Michael Garfield).• Additional Music: “Single & Feeling” by Michael Garfield.• Episode Cover Image: Concept Art for The Fifth Sacred Thing by Jessica Perlstein. See acast.com/privacy for privacy and opt-out information.
Our latest installment of the Talkhouse Podcast at FORM Fest 2019 pairs the brilliant poet/actress Yrsa Daley-Ward with avant-pop singer/songwriter/cellist Kelsey Lu in powerful conversation and musical collaboration. Their talk takes in a lot, including just how much effort is the right amount to put into a piece of art; how to make spaces your own when on the road; and how important the right clothes and hair are to each of their attitudes. They also touch on what it’s like to date a taurus (comfy!), and the devilish fun of writing disco revenge tracks. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: American Football & Pelican L’Rain & Melanie Faye You can also check out the first three episodes in this series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley, and Julianna Barwick & Mary Lattimore. For their performance, Lu and Daley-Ward are joined by Max André Rademacher. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.
Julianna Barwick and Mary Lattimore are two of ambient music's most brilliant artists working today. On our third Talkhouse Podcast episode recorded backstage at FORM Fest, the two sit down for an in-depth conversation, as well as a wonderful improvised musical collaboration. Their talk takes in a lot, including making up stories about your art for the press; creating a 24-hour long score; hanging with an oracle friend of Grouper’s; and a “dead corpse” putting babies to sleep. This Talkhouse Podcast — and video of the performance element of today's show — was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: Kelsey Lu & Yrsa Daley-Ward American Football & Pelican L’Rain & Melanie Faye You can also check out the first two episodes in the series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, and Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.
BREAKING NEWS! Indie rock it-band Snail Mail has an all-new lineup! Don't worry, Lindsey Jordan is still there — only now, so is Fred Armisen and comedian Mary Lynn Rajskub (24, It’s Always Sunny in Philadelphia). On our second Talkhouse Podcast episode recorded backstage at the wonderful FORM Fest, the three form a group on the spot, then, with instruments in hand, improvise songs about: How they’re actually the new Snail Mail lineup; Chef Boyardee; Neil Young; "lemon squares that Mommy made"; Jesus’ selective saving tendencies (that one's titled called “Here Comes The Son”), and loads more. We also witness spoofs of Queen and Beyonce; hear thoughts on fergiepeepants.jpg; learn about foot fetishists and Wikifeet; take in some sarcastic breakdancing; consider gentle piss modulators; and find out why Mary Lynn is convinced Lindsey needs to get pregnant immediately. This Talkhouse Podcast and video was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: Kelsey Lu & Yrsa Daley-Ward Julianna Barwick & Mary Lattimore American Football & Pelican L’Rain & Melanie Faye You can also check out the just-released first episode from the fest, featuring jazz and hip hop legend Robert Glasper with a giant of African music, Malian guitarist Vieux Farka Touré, plus an appearance by Lonnie Holley. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.
FORM is a festival unlike any other. It takes place in the “eco-city” of Arcosanti, an architectural marvel in the middle of the Arizona desert. Attendance is limited to 2,000, but they still bring in massive headliners like Florence + The Machine and Anderson .Paak. Fans get to see their favorite stadium artists in an incredibly beautiful and intimate space — and discover their next five favorite bands, all in the same day. There’s no VIP section, but there is a cliffside pool with DJs, rooftop yoga, and immersive listening stations. I'd been hearing rave reviews for years from musicians who'd played the fest, so this spring Talkhouse Podcast producer Mark Yoshizumi and I headed out to FORM to get our glamping on, and record some amazing artists in convo. As an added dimension, we also paired them in musical collaboration. Pulp Arts and Patreon teamed up to co-present The Conservatory, a backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: Snail Mail, Fred Armisen & Mary Lynn Rajskub Kelsey Lu & Yrsa Daley-Ward Julianna Barwick & Mary Lattimore American Football & Pelican L'Rain & Melanie Faye Our first episode from the fest features jazz and hip hop legend Robert Glasper with a giant of African music, Malian guitarist Vieux Farka Touré. The two were excited to meet and chop it up, and immediately found a lot of common ground. They get into a lot, including: the role their musician parents played in their own artistic development; the difficulties of being a professional musician in Mali; Vieux’s fear of playing jazz; and the inspiration Vieux drops that Robert wants tattooed on his… well, check it out. After the talk, keep it locked for a trio of breathtaking improvisations between Vieux on guitar and Robert on keys, accompanied by Vieux’s rhythm section of bassist Marshall Henry and drummer Tim Kiper. The uniquely brilliant singer, songwriter, and sculptor Lonnie Holley, who’d stopped in to watch the session after his own incredible set at the fest, also jumped in to sing on a jam. Sinat Giwa, Events Director at OkayPlayer, OkayAfrica, and OkaySpace, joins me to intro this first episode from FORM. You can also enjoy today's show as a video via Talkhouse.com —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn. Research assistance provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.
USModernist took 25 fans of the podcast to tour Phoenix, Arizona last November. Phoenix is the home of the Chimichanga, which Tucson disputes, but more importantly for us, the city is home to some really great Modernist architecture. We saw the Musical Instrument Museum, Frank Lloyd Wright’s Taliesin West, Paulo Soleri’s Cosanti and Arcosanti, Wright’s First Christian Church, and the David and Gladys Wright House, among many other amazing buildings. One of these was Phoenix Central Library, designed by Arizona’s Will Bruder. Largely self-trained, Bruder apprenticed with Paolo Soleri in woodwork, metal work, and masonry and contributed to Soleri's book Arcology. After graduating from college in 1969, Bruder apprenticed with Gunnar Birkerts, assisting in design of the Contemporary Arts Museum in Houston. He opened his first studio in 1974 and in 1987 was a fellow at the American Academy in Rome. Host George Smart interviewed Bruder in the lobby of the Embassy Suites right off Central Avenue, just a few blocks up from his Phoenix Central Library.
This week we are full of chaos and surprises as we talk about Arcosanti, Seaquest, Shadow of the Tomb Raider, Plastic Man in the DCU, Toxie goes mainstream, Chris Columbus works fro Netflix now, Disney Parks add more Marvel, The Watch, The Outsider, Mysterio, The Game Awards, Night of the Living Dead part 2, Ghost in the Shell, Console Wars, Free Guy, and Canada's 9/11. So hold on to your Tim Bits, it's time for a Geek Shock!
It’s a deep and wide investigation of decentralized networks of many kinds this week, drawing on the insights and wisdoms of five very different panelists in a discussion held at the legendary experimental city-under-construction Arcosanti, Arizona. Like it’s a rainforest, I don’t even know how to start talking about this conversation – too many points of entry, too many species living in it! Here are this week’s fabulous guests:Emaline Friedman of Holochainhttps://herlinus.com/Sarah Johnstone, COO of The NuMundo Projecthttps://numundo.org/aboutJacob Devaney of Unify http://www.culturecollective.org/about/“Raven” Mitch Mignano, loosely “of” Reality Sandwich & Institute of Ecotechnicshttps://facebook.com/mitch.mignano.77––Support this show, and Michael's many other awesome projects, on Patreon: https://patreon.com/michaelgarfieldSubscribe on any platform you desire:https://shows.pippa.io/futurefossilsJoin the Facebook Group: https://facebook.com/groups/futurefossilsRecommend a sponsor:futurefossils@protonmail.comWe Discuss:The three forms of decentralization (architectural, logical, and political);The historical centralization of human culture around resources;Why technological decentralization is insufficient to achieve the goals of a more humane and equitable society;Decentralization of civilization through the emergence of digital nomadism and the ecovillage movement;The transition from a value of ownership to a value of access;Decentralization as an adaptation to the unscaleability of imperialism and colonialism;How the free market capitalist ideology rewards success and punishes failure, even though those are largely dependent on luck;How can we make planetary culture NOT a pyramid scheme?Distributed trust and trustless transactions, and their political consequences;Data ownership, data security, and the vital importance of restoring our ability to communicate through “unenclosable carriers”;How can we divest from abusive and exploitative giant tech companies?How decentralization as an ideology can conceal the ways that enforced consensus is a kind of “shadow centralization”;Who is affected by this decision? Who has stake in the outcome of this issue?How can we avoid #algocracy when technological literacy is a constant challenge?Incentive structures and incentive landscapes: What kind of behaviors are we encouraging?Why Facebook and Google will be seen by history as a humanitarian crisis (and what we can do about it);Market-driven shifts in consciousness;The limits of crypto-economic governance;William Irwin Thompson - At The Edge of HistoryJoshua Ramey - The Politics of DivinationJustOne OrganicsFairBnBArcade CitySteemitTrybeScuttlebuttMiVote See acast.com/privacy for privacy and opt-out information.
This week’s guest is one of my favorite living musicians, acoustic guitarist Andreas Kapsalis. We linked up at the magical experimental city of Arcosanti, Arizona last year during their Convergence event, at which we both performed, and talked about life as itinerant musicians drawing on a wealth of world cultures and traditions. This is a humbler and more human episode of Future Fossils – hope that you enjoy it!http://www.akguitar.com/https://www.facebook.com/Andreaskapsalisguitar/Watch a video of Andreas playing his composition, “Ethnos”: https://www.youtube.com/watch?v=MnogdfXyWIoWe Discuss:Being raised in a musical family and how being musical changes one’s experience of time.The cultural influences of Greece and Andalusian musics and their vocabulary of odd time signatures and harmonies and energies.His love for the Old West and Arizona’s cowboy movie landscape…and the “freaking weird mutation” of Arcosanti’s aberrant European retro-future architecture in the desert.Why is the West Coast of anywhere like the West Coast of anywhere else?Living off-grid and the importance of getting away……but silence is awkward!Cultivating a relationship with plants.“You don’t really matter. Being reminded of that is really important.”The integration of nature and city living, architecture as biology, the legacy of Paolo Soleri and Arcosanti.Touring is amazing. People are amazing.“Well, yeah, there is something to be said about stability.”Nomads and nomadism.Empathy and Introversion.“Two handed tapping has allowed me to take a leak and fill a glass of water at the same time, and they say that that’s not good for you…”The spiritual practice of multi-tasking.The future of musical communication.Support this show on Patreon: https://patreon.com/michaelgarfieldJoin the Facebook Group: https://facebook.com/groups/futurefossilsSubscribe on Apple Podcasts: https://itunes.apple.com/us/podcast/future-fossils/id1152767505?mt=2Subscribe on Google Podcasts: http://bit.ly/future-fossils-googleSubscribe on Stitcher: https://www.stitcher.com/podcast/michael-garfield/future-fossilsSubscribe on Spotify: https://open.spotify.com/show/2eCYA4ISHLUWbEFOXJ8C5vSubscribe on iHeart Radio: https://www.iheart.com/podcast/269-FUTURE-FOSSILS-28991847/ See acast.com/privacy for privacy and opt-out information.
So Bill and I recorded this right after Arcosanti and were unable to release due to audio issues. But now, for the first time ever, listen to our shitty opinions about a music festival. Enjoy.
Antony Brown is an architect/educator who has dedicated the past 40 years to working to transform education, teaching how design can preserve the natural world. He spent 13 years at Paolo Soleri’s Arcosanti exploring urban design and systems thinking. In 1998 he founded the Ecosa Institute in Prescott, AZ to connect design and ecology. Watch TEDx Talk HERE Connect with Antony HERE. BeTheTalk is a 7 day a week podcast where Nathan Eckel chats with talkers from TEDx & branded events. Tips tools and techniques that can help you give the talk to change the world at BeTheTalk.com !
Antony Brown is an architect/educator who has dedicated the past 40 years to working to transform education, teaching how design can preserve the natural world. He spent 13 years at Paolo Soleri's Arcosanti exploring urban design and systems thinking. In 1998 he founded the Ecosa Institute in Prescott, AZ to connect design and ecology. Watch TEDx Talk HERE Connect with Antony HERE. BeTheTalk is a 7 day a week podcast where Nathan Eckel chats with talkers from TEDx & branded events. Tips tools and techniques that can help you give the talk to change the world at BeTheTalk.com !
This week is also a new year, looking back, have we made any progress? Bisbee Arizona https://en.wikipedia.org/wiki/Bisbee,_Arizona Paolo Soleri’s Arcosanti, urban laboratory http://arcosanti.org/ Scott Galloway on the Four Horsemen https://www.youtube.com/watch?v=XCvwCcEP74Q Brotopia by Emily Chang https://www.vanityfair.com/news/2018/01/brotopia-silicon-valley-secretive-orgiastic-inner-sanctum Thriving in an Age of Acceleration https://www.youtube.com/watch?v=WSh2kHa29cE Crime in New York plunges to a level not seen since the 1950s https://www.nytimes.com/2017/12/27/nyregion/new-york-city-crime-2017.html?_r=0 Scott Galloway at 5:46 discusses the Manhattan project https://www.ted.com/talks/scott_galloway_how_amazon_apple_facebook_and_google_manipulate_our_emotions/transcript#t-788449 American life expectancy is getting worse https://www.theatlantic.com/health/archive/2016/12/why-are-so-many-americans-dying-young/510455/ Rietveld Schröder House https://en.wikipedia.org/wiki/Rietveld_Schr%C3%B6der_House Shenzen https://en.wikipedia.org/wiki/Shenzhen Blobitecture https://en.wikipedia.org/wiki/Blobitecture Ai Wei Wei http://aiweiwei.com/ Xu Zhen aka MadeIn Company https://www.youtube.com/watch?v=MOwj8S0K2I8 Xai Guo-Qiang, Chinese artist who uses fireworks (Jeremy got this very wrong!) https://news.artnet.com/art-world/cai-guo-qiang-sky-ladder-netflix-652061 Dieter Rams https://en.wikipedia.org/wiki/Dieter_Rams Want to fight climate change? Have fewer children https://www.theguardian.com/environment/2017/jul/12/want-to-fight-climate-change-have-fewer-children Zuckerberg’s goal for 2018: ‘fixing’ Facebook http://money.cnn.com/2018/01/04/technology/mark-zuckerberg-2018-goal/index.html Lo and Behold, Herzog, 2016 https://www.youtube.com/watch?v=Zc1tZ8JsZvg ** Commercial Break ** Jordan Draper’s TOKYO SERIES game http://www.darkflightgames.com/#/tokyo-jidohanbaiki/ Steven Pinker on progress https://www.youtube.com/watch?v=PnitLNObR7c Chomsky responds to Steven Pinker on Violence https://www.youtube.com/watch?v=zy0n4dbHbdA Al Gore’s Inconvenient Truth 2 https://www.youtube.com/watch?v=1u9meHJFGNA Survival shows https://www.google.ca/search?q=survival+shows&rlz=1C5CHFA_enCA727CA728&oq=survival+shows&aqs=chrome..69i57j0l5.3539j1j4&sourceid=chrome&ie=UTF-8 Bomb Cyclone shuts down thousands of flights http://www.businessinsider.com/new-york-airports-cancel-flights-bomb-cyclone-winter-storm-2018-1 Steve Turner gallery http://steveturner.la/ There Will be Blood milkshake https://www.youtube.com/watch?v=s_hFTR6qyEo Clayton Christensen milkshake https://www.youtube.com/watch?v=sfGtw2C95Ms
Building and blending the communities of sustainability and social justice in one event. In This Podcast: Sean-Paul tells us how he found his purpose with the community of sustainability and traveling the world learning and understanding from movements and people all over. He landed at Arcosanti just north of Phoenix and is now working to help merge the communities of sustainability and social justice. He shares Arcosanti with us and then introduces the Convergence event happening over the second weekend in November. There is so much happening you need to hear him explain it to even get a taste of it all. Don't miss an episode! Click here to sign up for weekly podcast updates or visit www.urbanfarm.org/podcast Sean-Paul is an urbanist and community developer with a degree in planning & sustainability from the University of New Mexico. He is concerned with growing resilient food systems, and advancing ideas of good urban design. As an event producer and community organizer, his work facilitates civic engagement, conflict resolution, and social justice. Contemporary social, environmental, and economic injustice inspire Sean-Paul to join arms with activists and cultural catalysts of all varieties and from all backgrounds. His goal is to bend and blend movements together to embody and expound a new urban/social paradigm. Go to www.urbanfarm.org/arcosanti for more information and links on this podcast, and to find our other great guests.
Arcosanti is an artist community in Arizona unlike others. They're in a place of a transition asking themselves: "What's Next?" A Gritty Birds short, created for the @xrayfm #radioisyourscontest Official Contest Selection Produced by Jeni Wren Stottrup Featuring music by Miro Belle
With Benjamin von Mendelssohn, Activist and Community Pioneer Intentional community projects such as Arcosanti in Arizona, Auroville in Southern India and Damanhur in Northern Italy have all contributed to the sustainability equation, which is as much about personal psychology, lifestyle choices and social dynamics as it is about well designed infrastructures and renewable resources. Tamera was founded two decades ago … Read more about this episode...
Sharon Skinner is an award-winning writer who received her B.A. in English from Ottawa University and her M.A. in Creative Writing from Prescott College. She is currently a board member for Anthology, inc. and the AAGP (American Association of Grant Professionals). From 1996 to 2004 she served as the Executive Editor of Anthology magazine, a small press literary magazine published in Mesa, Arizona. Her work has appeared in a number of periodicals including Green's Magazine, New Moon Rising, Sage Woman, El Sol, The Mesa Legend, Mosaic Minds and The Barnes and Noble Metaverse Poetry Anthology. In addition to writing poetry, Sharon has been a featured reader at many events throughout the state, including the opening of the M.A.D. Linguist in Prescott, AZ and the 2002 Slab City Slam at Arcosanti. She has been the Master of Ceremonies (in 2001) and a judge (2001 through 2004) for the Mesa Public Library's annual Battle of the Bards poetry contest and is the founder and host of Radiant Readings, an internet radio show that features the work of classic and contemporary authors and information about their lives. Sharon moved to Arizona in 1981 after a four-year stint in the U.S. Navy where she learned electronics and traveled halfway around the world on the U.S.S. Jason, a repair ship and the first Naval vessel to take a contingency of women on a full six-month WestPac cruise. During her tour, she was the first enlisted female to stand shore patrol in the Philippines and, as the Saturday morning FM Rock Jock, served as the first female DJ to be heard on the Armed Forces Radio Station airwaves issuing from the island of Diego Garcia in the Indian Ocean. http://www.brickcavebooks.com
Kulturradion: Den amerikanska drömmen 2012. På den amerikanska landsbygden, där på den amerikanska landsbygden bland vita ofta fattiga och bidragsberoende har det republikanska partiets sina mest lojala väljare. Petra Socolovsky har varit i Ozarks Missouri och mött bland andra medverkande filmen Winter`s bone. I Ozarks - en kärv bygd som blivit snuvad på den amerikanska drömmen - är tradition och Gud är viktigare än vad politikerna i Washington säger. Följ också med till Arcosanti i Arizona utanför Phoenix, ett urbant experiment i öknen. Och hör om hur amerikansk stadsplanering påverkar röstdeltagande, om anklagelserna om republikanernas anti-intellektualism och fiktiv fakta. Programledare Cecilia Blomberg Kulturredaktionen har varit i Ozarks i Missouri. Där på den amerikanska landsbygden bland vita ofta fattiga och bidragsberoende har det republikanska partiets presidentkandidat Mitt Romney sina mest lojala väljare. Hör röster från filmen Winter’s bone, lokala kulturpersonligheter och politiker i Petra Socolovskys reportage. De beskriver en verklighet där tradition och Gud är viktigare än vad politikerna i Washington säger, en kärv bygd som blivit snuvad på den amerikanska drömmen. Och följ med till Arcosanti i Arizona utanför Phoenix, ett urbant experiment där man skulle vilja rösta grönare men ändå väljer att stödja Obama. ”Vi lever i en tvåparti-stat”, säger Nadia Begin. Vad är det som gör att amerikaner går och röstar? Hör arkitekturprofessor Jeff Stein om hur amerikansk stadsplanering påverkar röstdeltagandet. Och så kollar vi fakta kring anklagelserna om republikanska lögner och anti-intellektualism. Programledare: Cecilia Blomberg Producent: Marie Liljedahl
In 1971 Italian Architect Paolo Soleri, after having studied with Frank Lloyd Wright at Taliesin in Arizona, purchased a large plot of land in the high desert 60 miles north of Phoenix and began Arcosanti, a model ecocity project. A nexus of Soleri’s extensive output over 70+ years, an event venue, and an educational center that has hosted over … Read more about this episode...
The featured poet at the 2006 Slab City Slam was Christa Bell. To explain further, we will need the words of the poet herself: "FonkGoddess is alive and Coochie Magic is afoot through the revivalist poetry of internationally acclaimed poet, SpokenWord artist and cultural activist Christa Bell of Seattle, Washington. Her conundrum: How to make the Goddess fonky. How to make the resurrection of women’s spiritual consciousness sexy while maintaining its urgency and emphasizing its relevance to popular culture. The solution: Sanctifying women’s experience on the altar of the stage. Taking responsibility for her conceptual reality out of the hands of men through performance ritual, emphasizing the Word, that reconnects woman to her primal identity as sexual mystic, conjurer, healing artist, and divine visionary." Christa received her BA in Creative Writing from San Francisco State University, has studied in France and lived in East Africa. She is currently the third ranked Performance Poet in the United States and, having lost the competition to a time penalty, after receiving the highest score in the individual event. Christa is Seattle’s 2005 Grand Slam Poetry Champion and the Northwest’s 2005 representative at the Individual World Poetry Slam Competition (IWPS). As founder of the Healing Is A Political Act (HIAPA) Creative Recovery Workshop Series, Christa is concerned with more than the technical aspects of writing and performing. She believes that expressing individual creativity is a form of power. A way to actively engage and transform our spiritual, emotional, social and political realities. Her workshops hold as their emphasis the healing of ancestral, emotional, and spiritual scars as a path to higher creativity. She is the author of three collections of poetry, Revival (2004), Arise My Beautiful One, Come With Me (2005), and YoniVerse (to be released 2006), the producer of a live Spoken Word EP entitled, WordMedicine, 2006, and is currently recording a full length live LP of her first SpokenWord tour also entitled YoniVerse: Live. For more info about Christa Bell and her work, click on http://www.christabellonline.com/ For more info about Coyote Radio, click on http://www.coyoteradio.org/
The young Gabrielle Bowers writes passionate pieces about identity, love hardships and growth. This very descriptive poet paints vivid pictures in the mind of her audiences. Indulged in many of the fine arts Gabi aims to improve on her crafts as time goes on. Nurtured in Maricopa County's west valley just budding into adult hood, this 19 year old wordsmith has inspired minds double her age. A definite old soul reincarnated.
I was on the Counter Culture team. I've been reading poetry at various open mics for the last three and a half years, and have read at Arcosanti the last two years. In the later half of 2005 I started to get become more focused on slam-specific poetry, and have been tailoring my poems to fit the specifications required by slam. I'm 25 years old, and attending ASU for a Creative Writing degree. My writing is very much influenced by Raymond Carver. Words on the poem: I wrote this based on a former bar in Phoenix called the Emerald Lounge. Once on my way to California, I stopped in early in the morning to have a drink and relax before heading out, and I noticed I wasn't the only one there. So this piece is for the opener's and closer's of the bar. Of the lonely grace we stumble through the days with. Creative Commons License Attribution-ShareAlike 2.5 You are free: • to copy, distribute, display, and perform the work • to make derivative works • to make commercial use of the work Under the following conditions: Attribution. You must attribute the work in the manner specified by the author or licensor. Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one. • For any reuse or distribution, you must make clear to others the license terms of this work. • Any of these conditions can be waived if you get permission from the copyright holder. For more information about the Slab City Slam or other poetry doings in Northern Arizona, click on http://www.norazpoets.org/
Roanna Shaundini Shebala, of Flagstaff also known as Rowie Shebala, born on the Navajo Reservation, Ft. Defiance AZ. She has a family, which finds their way in a lot of her poetry. She has a brother Lamont, and two sisters, Kendra and Tanya. She is the oldest out of these so in a lot of ways she has the role modal thing down. Her parent are Lamentino and Kenita Shebala. If you ask her questions about herself she is willing to tell you what needs to be known, a very shy girl, who graduated from Window Rock High School, and now Northern Arizona University with a degree in Theater studies. She has been writing her poetry ever since she could remember, from the roses are red violets are blue poems to slam poetry. A girl who has played video games since she was small, from the original Nintendo to the Super Nintendo, and then to Xbox. When she’s not playing video games she usually trapped in a metaphor. Rowie Shebala is brought up in the traditional setting of the Navajo culture. She cares a lot about her family and her poetry, the two elements in her life that keeps her sane. Rowie Shebala first started to slam in January 2005 and by April, was a finalist at the 2005 NORAZ Poetry Grand Slam, and also became a finalist for the 2006 Grand Slam. What is interesting is that her first slam she ever witnessed was the 2004 NORAZ Poetry Grand Slam and was a judge, so that year the poets with whom she now slams with might have boo’ed her. After that, she was a judge at a number of the slams in Flagstaff. After a while, her brother had basically pushed her onstage, and encouraged her that she had talent and it belonged on a Poetry Slam Stage. Her first time on the mic with her poetry was during the November 2004 Presidential elections when she wrote a poem telling everyone to vote. She is a short Navajo girl, just looking to be heard. This is Rowie Shebala, a little shy, but always a sweet little short Navajo woman. Creative Commons License Attribution-ShareAlike 2.5 You are free: • to copy, distribute, display, and perform the work • to make derivative works • to make commercial use of the work Under the following conditions: Attribution. You must attribute the work in the manner specified by the author or licensor. Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one. • For any reuse or distribution, you must make clear to others the license terms of this work. • Any of these conditions can be waived if you get permission from the copyright holder.
There's no better way to kick off our coverage of the 2006 Slab City Slam Spoken Word Festival than Christopher Lane's poetic call to arms. The slam competition starts off with a poet working the cold audience, bringing them into a headspace open to poetic thought and performance. This poet will receive no points, advance no further in the state of national competition from this performance, but holy cow, if they've got game the rest of the night is going to rock. Such was the case this year when NorAZ Pooh-bah Christopher Lane stepped to the mic and let 'er rip. In a space of less than 4 minutes, Christopher made us laugh, pissed all over jingoism of all stripes and made the case for the poet as life-saving force of nature. And that was just the start for one amazing night of slam poetry in rural Arizona.