Podcasts about Drive Like Jehu

Host Jason Schreurs brings Adam Eckhoff of Oh, Are They? onto the show to talk about anxiety and ways to acknowledge the self-doubt and other difficult emotions that come along with it. Adam explains some of the tools he uses when his anxiety interferes with his creative process and everyday life. http://oharethey.bandcamp.com Featured song clips: Oh, Are They? - "Mistaken Identity" From Guilt (2024) Oh, Are They? - "Long Live the New Flesh" From Guilt (2024) Drive Like Jehu - "Golden Brown" from Yank Crime (Interscope Records, 1994) Oh, Are They? - "A Stranger Revelation" From Guilt (2024) The SCREAM THERAPY BOOK is now available! Scream Therapy: A Punk Journey through Mental Health is a memoir-plus that has been heralded by New York Times best-selling authors. Like the podcast, it links the community-minded punk rock scene with the mental wellness of the punks who belong to it. ORDER A COPY OF THE BOOK! screamtherapyhq.com/book SCREAM THERAPY MERCH! teepublic.com/user/scream-therapy About this podcast: Scream Therapy explores the link between punk rock and mental health. My guests are members of the underground music scene who are living with mental health challenges, like myself. Intro/background music clips: Submission Hold - "Cranium Ache" Render Useless - "The Second Flight of Icarus" Contact host Jason Schreurs - screamtherapypodcast@gmail.com

⁠⁠⁠⁠Join our PATREON for bonus episodes.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This week we have Joseph Grillo of Garrison, Her Head's On Fire, and Iodine Records on to talk about Yank Crime by Drive Like Jehu. We also discuss: it's hot too, the truest love, moving upstate, 3am sushi, having kids in the city, natty wine, label subsidiaries, Mike Patton, Time Bomb records, evolution of post-hardcore, “I'm not listening to Nada Surf”, Iodine Records (revisited), being a fan of the present tense, Empire State Games, Her Head's On Fire, no shade to Little Rock, Bitch Magnet - Ben Hur, Yank Crime first listens, the interscope deal, “Do You Compute”, Limited To One, the Yank Crime LP pressing, and so much more. ________ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Order our post-hardcore hat here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ // Follow us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@danbassini⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mysprocalledlife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @her_heads_on_fire⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@runintotheground⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

This week we're discussing every album by Hot Snakes. Led by the prolific guitar duo of Rick Froberg and John Reis (Drive Like Jehu, Rocket from the Crypt, Obits), Hot Snakes takes the post-hardcore technicality of Drive Like Jehu and condenses into shorter and more energetic song structures. An incredible band whose life was cut short due to the untimely death of Froberg in 2023. Turn these guys up loud, they rule.Closing track: "Paid in Cigarettes" from Suicide Invoice (2002)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTube, AppleSubstackWebsiteMike's Picks:Automatic Midnight (2000) -- Best AlbumAudit in Progress (2004) -- Personal FavoriteJericho Sirens (2018) -- Worst Album, Least FavoriteAlex's Picks:Audit in Progress (2004) -- Best Album, Personal FavoriteSuicide Invoice (2002) -- Worst Album, Least FavoriteAlbums we discussed this episode...Automatic Midnight (2000)Suicide Invoice (2002)Audit in Progress (2004)Jericho Sirens (2018)

Lickers Jay and Deon wax poetic on ten of their favorite records from their respective collections which are filed under the letter J. Their choices lead to discussions on Blindboy Boatclub (he rules), the origins of their nicknames (do you even know these guys?), another blind-bought Burger Records beauty (Jay is a total Burger fanboy), Steve Albini (R.I.P.), and much more. Tune in and rock out! --- In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past half century, countless artists and professionals across the globe have benefited from utilizing the oblique strategies technique when attempting to overcome a lull in creative output. In 2024, idiotic, introverted yet somehow still award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential theme of their upcoming thirty-seventh episode. Together, they decided... to default back to the alphabet. Because they have a reasonably solid grasp of the alphabet and how it works. They had previously utilized the letters A thru I, so naturally, they went with J. Sonic contributors to the thirty-seventh episode of Lightnin' Licks Radio podcast include: Brothers Johnson, Holland-Dozier-Holland, Lee Moses, Steve Albini, L.L. Cool J, Patience, Prince Paul, De La Soul, Freddie King, Little Walter, Blinboy Boatclub, SHANNON, Cornbroom Jenkins, Mighty Mista Knapps, Lucy Givens, Sesame Street, Huey Lewis & the News, The Jesus Lizard, Jonathon Wolffe, Kenny Gamble, Leon Huff, The Three Degrees, EMINIM, Labi Siffre, Marilyn Manson, Hootie & the Blowfish, Drive Like Jehu, Led Zepplin, Helmet with David Yow, Junk Monkeys, Goo Goo Dolls, Syl Johnson, Howlin' Wolf, Wu-tang Clan, Kanye West with Jay-Z, Hank & Kieth Shocklee with Public Enemy, Charlie Rich, Cypress Hill, The Luniz, R2D2, Jessie Jones, Death Valley Girls, Pete Jolly, Art Pepper, Jessica McQuarter, Herb Alpert, Jerry Moss, Ugly Duckling, DJ Einstein, Jimmie & Vella, Bobby Womack, Dead Prez, J. Cole, Kendrick Lamar, Anthony Fantano, Drake, Timmy Thomas, Post-POTUS George W. Bush, Childish Gambino, Jobriath, David Bowie, Stephen Trask, Vernard Jonson, Peter C. Johnson, Paul Vance & Lee Pockriss, Cody Jinks, Shellac, the Radiolab archives, The Clockers. LLR “J” mixtape: [SIDE A](1) The Jesus Lizard - Mouth Breather (2) Jimmie & Vella - Well (3) Peter C. Johnson - Snowblind (4) J. Cole - No Role Modelz (5) Vernard Johnson - Soul Metamorphosis Medley MegaMix [SIDE B] (1) Pete Jolly - Springs (2) Junk Monkeys - Round and Round (3) Syl Johnson - Is It Because I'm Black (4) Jessie Jones - Sugar Coated (5) Jobriath - World Without You Thanks for listening. Tune in again sometime within a few weeks for another bonus episode. Have a great summer! *former REVIEW magazine best live streaming production --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

This week we are talking about Rocket From the Crypt's 1995 major label debut, Scream, Dracula, Scream!New Major Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopJoin our Patreon to get bonus audio, videos, blog posts, and access to our Discord for only $1 at patreon.com/punklottopodPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Rocket From the Crypt - Born in '69Rocket From the Crypt - On a RopeRocket From the Crypt - Young Livers

Andrea Belfi discusses his latest album, Eternally Frozen, a canon-based composition for percussion, electronics, and brass ensemble. Inspired by a visit to LA's Museum of Jurassic Technology, Belfi draws upon the story of Deprong Mori, a mythological bat that could use its powers of echolocation to phase through solid matter, before being captured by an American researcher, “eternally frozen” in lead. Movement, circularity, and stasis are all terms that also describe Belfi's interests as a composer. We discuss his origins in Italy's punk scene, his time as drummer of the noisy instrumental rock band Rosolina Mar, opening for Thom Yorke, and the development of his unique approach to solo performance as a drummer. TRACKLIST Andrea Belfi - “Golden” [edit 1] (Eternally Frozen, Maple Death, 2023) SP INTRO Andrea Belfi - “Golden” [edit 2] (Eternally Frozen, Maple Death, 2023) Andrea Belfi - “Cera Persa 1” (Cera Persa, Latency, 2016) Andrea Belfi - “Wege B” (Wege, Room40, 2012) Andrea Belfi - “Ton”  (Ore, Float, 2017) Thom Yorke - “Atoms for Peace” (The Eraser, XL, 2006) Four Tet - “Pyramid (Atoms For Peace remix)” (Pink Remixes, Bandcamp, 2014) Andrea Belfi - “Pulsing” (Eternally Frozen, Maple Death, 2023) Carla Bozulich - “Pissing” (Evangelista, Constellation, 2006) Andrea Belfi & Ignaz Schick - “Myth 5” (The Myth Of Persistence Of Vision Revisited, Zarek, 2011) Steve Reich / Ulrich Krieger (performer) - “Pendulum Music” (An Anthology Of Noise & Electronic Music / Fourth A-Chronology 1937-2005, Sub Rosa, 2006) Andrea Belfi - “Shale” (Strata, Float, 2019) Steve Reich - “Drumming, Part I” (Works 1965-1995 (Disc 02 - Drumming), Nonesuch, 1997)  John Zorn / Ennio Morricone - “The Battle of Algiers” (The Big Gundown, Nonesuch, 1986) Ennio Morricone - “L'Attentato” (C'era una volta il west, RCA, 1969) Egisto Macchi - “Gare Spatiale” (I Futuribili, Gemelli, 1971) Egisto Macchi - “Jungla I”(Africa Minima, Anya, 1972) Vladislav Delay - “Nesso” (Multila, Chain Reaction, 2000) Vladislav Delay - “Mustelmia” (Tummaa, Leaf, 2009) Medves [Andrea Belfi, Giuseppe Ielasi, Renato Rinaldi, Riccardo Wanke, Stefano Pilia] - “Untitled” [Figures Side] (Medves, Fringes Recordings, 2004) Rosolina Mar - “Malpensa Social Club” (Rosolina Mar, Wallace, 2004) Swell Maps - “Harmony In Your Bathroom” (A Trip To Marineville, Rough Trade, 1979) Antioch Arrow - “David” (Gems Of Masochism, Amalgamated, 1995) Clikatat Ikatowi- “Science Fiction Reality” (Orchestrated And Conducted By…, Gravity, 1996) Antioch Arrow - “Date With Destiny”  (Gems Of Masochism, Amalgamated, 1995) Drive Like Jehu - “If it kills you” (Drive Like Jehu, Headhunter, 1992) Clikatat Ikatowi - “Rise and Shine” (River of Souls, Gravity, 1998) Heroin - “Indecision” [rework] (All About Heroin, Vinyl Communications, 1991) Hiroshima Rocks - “Walking Like US Maple” (Around Isolation Bus Blues, NO=FI, 2001) Stereolab - “Metronomic Underground” (Emperor Tomato Ketchup, Elektra, 1996) Gastr del Sol - “Thos. Dudley Ah! Old Must Dye” (Crookt, Crackt, Or Fly, Drag City, 1995) Gastr del Sol - “The Japanese Room At La Pagode” (The Japanese Room At La Pagode / May [Split with Tony Conrad], Table of the Elements, 1995) Rosolina Mar -  “La Bottega Del Krapftwerk” (Rosolina Mar, Wallace, 2004) Rosolina Mar - “Before And After Dinner” (Before And After Dinner, Wallace, 2005) Rosolina Mar - “L'ora Di Religione” (Before And After Dinner, Wallace, 2005) Rosolina Mar - “Mingozo di Mongozo (Claudio Rocchetti Remix)” (Rosolina Mar Meet Trumans Water, Robot Radio, 2007) Rhythm & Sound - “Trace” (Rhythm & Sound, Rhythm & Sound, 2001) Andrea Belfi - “Picture Burning” (...a gift for (°!°)..., Afe/Grey Sparkle/et. al, 2004) 3/4hadbeeneliminated - “Loop Recorder in the Patient with Heart Disease” (a year of the aural gauge operation, häpna, 2005) Andrea Belfi - “Iso” (Ore, Float, 2017) Andrea Belfi - “Pastorale” (Eternally Frozen, Maple Death, 2023) -—- Sound Propositions produced by Joseph Sannicandro. --- Support this podcast: https://podcasters.spotify.com/pod/show/soundpropositions/support

Episode 84 is a conversation between myself, Lia Friedman and Britt Neubacher celebrating the life of artist and musician Rick Froberg. Lia and Britt have been friends for decades and the two were close friends of Rick's going back to the 80's. Britt tells us how in recent years her relationship with Rick transformed into an intimate partnership that she felt was still only beginning at the time of his untimely death. While Britt is a new friend of mine, I've known Lia since we were classmates at San Dieguito HS in Encinitas, California.  The two share their memories of coming of age in the vital and influential North County San Diego punk/post-hardcore scene of the 80's and 90's, a scene that produced bands like Crash Worship, Heavy Vegetable, Boilermaker, powerdresser and Rick's bands Pitchfork and Drive Like Jehu among others. Of course, most of the conversation focuses on celebrating the immensely talented, perpetually intellectually curious, self-educated, complicated genius that was Rick Froberg the man and the artist and musician. Rick Froberg Forever! Links: RickFrobergForever instagram Britt Neubacher's Tend Project Lia Friedman instagram Deathlesss Neverborn Podcast powerdresser Heavy Vegetable Boilermaker Music: Hot Snakes: Audit in Progress Big Boys: Red/Green TMpod theme by Jason --- Support this podcast: https://podcasters.spotify.com/pod/show/jason-traeger/support

Scott sits with lead guitarist and singer of legendary Emo-punk pop band Jim Adkins of Jimmy Eat world, the morning of their NYC performance at Central Park Summerstage…They get into a brief history of Jimmy Eat world from early teenage years listening to hair metal to eventually getting into their early influences like Pixies, Fugazi, Rocket from the Crypt and more…They discuss how the band got together, the early years, the Capitol record years leading up to being dropped and how they secured a new deal w Dreamworks and made the iconic record Bleed American…They discuss the process behind that record leadiing up to other subjects like Taylor Swift, AI and how Prince came to cover "The Middle"..They finish out talking about the tour with Manchester Orchestra and a great set of top 5s, from the greatest Jimmy Eat world songs to the best pop punk songs… Tune in to a great episode!

Friend of the podcast, musician, and artist Rick Froberg, who fronted Drive Like Jehu and many noted bands, sadly died on June 30th of this year. We have wanted for the last couple of months to do something to remember him, so in his memory, we are replaying his episode. Rick was as talented as he was kind, and he will be assuredly missed.

Today, we celebrate the 20th anniversary of Pretty Girls Make Graves' sophomore album, The New Romance. Originally released in 2003, this was the Seattle punk band's Matador Records debut. After more than a decade out of print, the album will return to us in a limited edition white vinyl pressing in stores on November 3. A deluxe digital version also lands today on digital services and features two b-sides “Magic Lights,” newly available on streaming, and a cover of Bow Wow Wow's home-taping anthem, “C-30 C-60 C-90 Go!” And what's more, singer Andrea Zollo and guitarist J. Clark guest on the latest installment of our Matador Revisionist History podcast series alongside producer Phil Ek and our host, Matt Sweeney.  Pretty Girls Make Graves formed in Seattle in 2001. The members – Andrea Zollo, Derek Fudesco, J. Clark, Nick Dewitt, and Nathan Thelen – were already local underground luminaries, owing to their time in punk and hardcore bands like Death Wish Kids, Area 51, and Murder City Devils. The quintet released an EP, a handful of 7” singles, and a full-length, Good Health (Lookout! Records), before getting a cold email from Matador Records founder Chris Lombardi, who may or may not have read a positive review in Pitchfork. A deal was struck and the band decamped to the bucolic Bear Creek studio to track The New Romance with Ek.  On this episode, Zollo and Clark go deep on the band's early years, talking influences (Drive Like Jehu, Ink & Dagger, Fugazi), rock band do's / don'ts, and what it's like to practice riffs in a freezing cold paper maché igloo.

Chris Slorach of METZ is BACK and he is here to talk about playing a house show with The Armed, the magic of the late Rick Froberg, Hot Snakes, Drive Like Jehu, the magic of Dunable Guitars, new Metz music, more horror movie yapping, and beyond!!!   Rad things: If you are in a band and are looking to cut shortcuts in developing a website, no company can help you more than SUPERTAPE.com.  It is the easiest way to streamline your entire online presence from merch sales to video, press, and beyond... ALL done with only a few clicks.   Ross put out an album under the name COGENTS. It's available wherever you listen to music and highly recommended for those looking to scratch their weird ambient-score itch. Ian has some MUST LISTEN TO MUSIC over at the Interesting Times Gang Bandcamp Page. Ian and Ross will both be opening up for Botch this coming winter.  Be sure to check out those dates if you can find tickets. The Rigs of Dad Patreon Page is bumping with the extended version of this conversation where we talk in depth about The Exorcist, more gear, PLUS a new, round 2, unedited interview with Jordan Buckley of Better Lovers and Every Time I Die fame is now up on patreon, as is a conversation wit Gina Gleason from Baroness, and Rayshele from Harlow about the next round of Bands on the Run eliminations.. Getting ANYWHERE in life is ten times more fun if you are doing it in style, and the best way to do that is through the ONLY method of transportation worth booking:  GILLIBUS. Big shout out to the homies at www.shearrevival.com Take care of yourself.  Look good, smell good, and feel good.  Treat your body and neighbor's nose with love using Shear Revival!  Use the code CLEANTONE10 to get 10% off your next order!   Huge loves to the incredible Sacha Dunable from Dunable Guitars.  The guys is building the absolute BEST axes in the game and I am a firm believer that EVERYONE needs to own one.  Check out www.dunableguitars.com if you need some real tone in your life. Much love to the fine folks at Custom District Pedalboards for allowing me to pack the heaviest tones on the lightest boards.  Get yours over at www.customdistrictpedalboards.com Do you have a ton of guitars?  Does the show not go on unless you have at least three guitars with you?  Then you need to check out Quantum Industries.  These dudes are putting out true tanks of guitar cases.  Check out https://www.quantumindustries.jp/ BE SURE to enter ROD10 for a discount on your order!!!

This week we have our longest episode yet as we take a deep dive into the work of Rick Froberg, the singer of Hot Snakes, Drive Like Jehu and Obits who sadly passed away in June 2023. Enlisting the help of post-punk encyclopaedia, and literal Doctor in punk music, our friend Ferruccio Quercetti, we take a real good look at the work of Nick Froberg through the lens of Hot Snakes. With work on their fifth album said to be nearing completion at the time of his passing, this episode serves as a tribute to the man's talent. Whilst we do mostly focus on Hot Snakes for most of this episode, we do touch on every project he, and John Reis, have been part of to some extent. We didn't want to dwell on the other projects too long though, as there's a really good chance we'll come back and do episodes on Drive Like Jehu and Rocket from the Crypt at some point in the future. Both Chris and Ferro chose their favourite Hot Snakes albums for this episode. Sucide Invoice, the band's second album, is Chris' pick, whilst Ferro plumps for their third album, Audit in Progress. Now that isn't to say that one is necessarily better than the other - truth be told, all four of their albums are really bloody good - but Chris and Ferro have their reasons for picking these two specifically, and we get into that in this episode. Along the way we also cite a ton of other bands that influenced Rick, as well as a whole bunch more bands that were influenced by him too. So please, grab yourself a beverage of any kind, raise it in a toast to Rick Froberg, and get stuck into this monster episode.  

DITZ is an English noise rock/post-punk band that formed in Brighton in 2016. The band is most well known for an erratic live show influenced by the hardcore punk and noise rock of the 80s and 90s, which sets them apart from their peers in the UK post-punk scene. DITZ consists of Cal Francis (vocals), Anton Mocock (Guitar), Sam Evans (Drums), Jack Looker (Guitar) and Caleb Remnant (bass). In this episode, a compilation of the five playlists created by each member of the band during the COVID lockdown, and published with a popular audio streaming provider (that shall remain unnamed), in May 2020. Lineup: Polevaulter, Home Counties, Our Family Dog, Self Defense Family, Modest Mouse, Orville Peck, Johnny Cash, The Wants, Fugazi, Famous, Drive Like Jehu, Thank, Comadre, Red House Painters, Dionne Warwick, Blood, Interpol, DIIV, Porridge Radio, Lime Garden, Silverbacks, Black Kids, Julia Jacklin, Amelia Caesar, Bicep, Grimes, BABii, Tzusing, clipping., The Rita, Elcamino, Benny The Butcher, Kills Birds, LIFE, Death Grips, Metz, Fontaines D.C., The Jesus Lizard, IDLES, Autolux, CLT DRP, ScHoolboy Q, Freddie Gibbs, Madlib, LICE, Heavy Lungs, Gilla Band, Danny Brown, Kendrick Lamar, Ab-Soul, Earl Sweatshirt, Pure Adult, Nina Hagen, Egyptian Blue, HMLTD, Velvet Revolver, Kesha, Sick Joy, Pom Poko, PROJECTOR, Chris Isaak, Polvo, At the Drive-In, Q And Not U, Crack Cloud, Test Icicles, Faraquet, Thundercat, LCD Soundsystem, Die! Die! Die!, Lightning Bolt, Refused, The Blood Brothers, Daughters, Black Eyes, Tyler, The Creator, toe

Join our PATREON for bonus episodes.  This week we have Justin Pearson from Three One G, The Locust, Some Girls, Head Wound City, Retox, etc on the pod to talk about the debut self titled album from Drive Like Jehu. This is an extremely special opportunity to discuss the band and their impact on music due to the passing of Rick Froberg. In this episode we discuss: needs no introduction, San Diego, Kasher in Tinseltown, Roskilde Festival scene report, strange hardcore, touring Japan, Melt Banana, Jungle Rules Live, Misunderstood, Septic Death, John Waters, Danzig, will Justin give Mike Patton the shirt?, love the USA or gtfo, the Drive Like Jehu origin, RFTC, tension in San Diego, Swing Kids, Fugazi, the Deftones cover, The Locust tone, what does Jehu mean, percussive guitars, Some Girls, and so much more. // Follow us at @danbassini, @mysprocalledlife, @justinpearson31g @threeoneg and @runintotheground.  Listen to our RITG Mixtape Vol. 12 Best of 2022 here.

Oxbow frontman Eugene S. Robinson is our guest this week! We discuss the new record Love's Holiday coming out July 21, how his lyrical approach changed on the new album, approaching his vocals in an almost live format while in studio, and why he's always been fascinated with artists that have proven to be troublesome humans. We also talk about becoming a father and how he this has made him view his relationship with his father, writing his memoir “A Walk Across Dirty Water And Straight Into Murder's Row,” his experience of missing out on interviewing Prince, and the importance of not missing band's you love perform love these in modern times. Petar and Brandon discuss the passing of Drive Like Jehu frontman Rick Froberg, Better Lovers dropping a surprise E.P. to its fans, Frank Bello giving an update on a new Anthrax record, and Mick Mars' latest statement about his former bandmates in Motley Crüe. Song: Drive Like Jehu  Yank Crime Song: “Here Come the Rome Plows” Song: Oxbow “Dead Ahead” Song: Oxbow “Icy White & Crystalline” Song: Cadaver “The Age Of The Offended” Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode is dedicated to the life, music and art of Rick Froberg, singer and guitarist for the bands Pitchfork, Drive Like Jehu, Hot Snakes, and Obits. I can remember the first time I heard Pitchfork at Fallout records in Seattle. From the moment I heard his cracking voice, the hooky jangle of his riffs, I was hooked on everything Rick. His stage presence, his vinegary and potent version of Fuck The Man messaging and of course his visual art that delivered the same message in such a beautifully sarcastic fashion. I had that chance to spend time with Rick here and there over the years, and I feel so fortunate to know him on and off the stage . I'll always remember that constant half smirk that somehow both intimidated me and brought me in to his warmth at the same time. If you are unfamiliar with Rick's body of work both visually and musically, seek it out and enjoy. Rick inspired my ears, my eyes and my heart. RIP TRACKLIST Pitchfork: Burn pigs burn Pitchfork: Placebo Dive Like Jehu: Caress Drive Like Jehu: Do you compute  Drive Like Jehu: Luau Drive Like Jehu: Bullet Train To Vegas Hot Snakes: LAX Hot Snakes: If Credit's What Matters I'll Take Credit Hot Snakes: Checkmate Obits: I Blame You Obits: I Want Results Obits: No Fly List Drive Like Jehu: Hand Over Fist

Following the devastating news of his shocking death on June 30, 2023, I remember Rick Froberg, who is someone I've admired most of my life and became friends with over the past 20 years. Featuring my recollections about his artwork, songwriting, and bands like Pitchfork, Drive Like Jehu, Hot Snakes, and Obits, and archival interviews I conducted with Rick about such things in 2005, 2009, and twice in 2011. Rick was truly unique, warm, and supportive, and I love him. Thank you, Rick. Photo by: O.Related listening:Ep. #383: Hot Snakes' Rick Froberg (March 12, 2018)Ep. #217: Do You Compute – The Story of Drive Like Jehu (October 8, 2015)Ep. #125: John Reis of Drive Like Jehu (August 22, 2014)Ep. #177: Sohrab Habibion on Obits calling it quits (April 2, 2015)Ep. #29: Sohrab Habibion of Obits (September 3, 2013)Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

This weeks episode is sponsored by one of our Patrons, Zach. He selected Him Kerosene's 1997 album, Start. Stop. Swedish post hardcore meets indie rock.If you want to sponsor an episode head to our Patreon at patreon.com/punklottopod and sign up for the $10 tier. Call our voicemail line: 202-688-PUNKLeave us a review and rating.linktr.ee/punklottopodSongs featured on this episode:Jawbox - Jackpot PlusHim Kerosene - UntiedHim Kerosene - Whatever Gets You ByHim Kerosene - LadybugsKent - Om Du Var Har

Part 2 of my conversation with guest Phil Stacey about the music of 1994. Show notes: - Jay's non-top 5s: Superchunk, Jeff Buckley, Drive Like Jehu, Rollins Band, Pearl Jam, Nine Inch Nails, Helmet, Pulp Fiction soundtrack, Mark Lanegan, Nirvana - Phil's #5: Pearl Jam's third album gets a little adventurous and rough-edged - Jay's #5: The Tragically Hip gets more atmospheric after more straight-ahead rockers - Phil's #4: Debut album from Jeff Buckley showcases his vocal range and a flair for different styles - Jay's #4: The super-prolific Guided By Voices brings lo-fi rock into the forefront - Phil's #3: Nirvana reinvented the Unplugged format in a historic recording - Jay's #3: No sophomore jinx for Pavement, who broke through in an indie rock way - Phil's #2: Soundgarden breaks through to the mainstream - Jay's #2: Frank Black does a Bob Pollard impression with a lot of short bursts of awesomeness on his second solo album - Phil's #1: Green Day explodes into popular culture with a classic blast of snotty pop-punk - Jay's #1: An abrupt shift in sound from Sloan that led to them getting dumped by Geffen and briefly breaking up...but it's amazing - This was the peak of the '90s indie rock scene - Favorite songs: "Longview" (Phil), "Coax Me" (Sloan)   Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Episode #25 Album|Artist #1: Hell Below / Stars Above|Toadies Album|Artist #2: Yank Crime|Drive Like Jehu Song|Artist: American Life|Primus For Episode #25 of THE BEST FATHER & SON MUSIC COMMENTARY PODCAST EVER, Rich and Jack discuss the sophomore album from Fort Worth Band, Toadies, “Hell Below/Stars Above”, and the 1994 release from Drive Like Jehu, “Yank Crime” This week's song chat focuses on the track “American Life” from the 1991 Primus album, "Sailing the Seas of Cheese" .  Good times all around! This episode contains excerpts from the songs “Back Again” by Jaymes and “Call Me” by JJ BlueFlame. Both songs are licensed for use through Tripple Scoop Music.

This week Jeremy interviews Cody Votolato of The Blood Brothers, JR Slayer, Head Wound City, Waxwing, and more! On this episode Cody and Jeremy discuss growing up in a rural part of Texas and moving to Washington, discovering Drive Like Jehu and Jawbreaker, meeting the other members of The Blood Brothers, Gibson SG's, forming the Blood Brothers sound, the first show he ever played, recording with Jake Snyder from Minus the Bear, joining Waxwing, working with Matt Bayles, when Justin Pearson saved his band, being approached by Ross Robinson, signing to Artist Direct, the first Blood Brothers tour, the release of March on Electric Children and Burn Piano Island in the same year, getting to work with Guy Picciotto from Fugazi, Matador Records, the genesis of Head Wound City, what inspired JR Slayer and how it formed, working with Will Yip, and so much more!  SUBSCRIBE TO THE PATREON to hear a bonus episode where Cody answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

The moniker "post-hardcore" was used to describe the wave of bands following the hardcore-punk sound but pushing the musical envelope. In the 80s it was Husker Du and Minute, the 90s Fugazi, Drive Like Jehu, Jawbox. None were exactly the same, each stretching and pushing the boundaries of what made up post-hardcore. New York City, home to Helmet, Quicksand, and Chavez, was fertile ground for the sound, which included Into Another. On their 1994 sophomore album, Ignaurus, the band take the edge and energy of post-hardcore, combine it with some progressive rock, and end up with a sound unlike just about anyone else was making at the time.   Songs In This Episode: Intro - Running Into Walls 14:44 - Maritime Murder 30:24 - Anxious 45:02 - Poison Fingers Outro - Ungodly   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

The moniker "post-hardcore" was used to describe the wave of bands following the hardcore-punk sound but pushing the musical envelope. In the 80s it was Husker Du and Minute, the 90s Fugazi, Drive Like Jehu, Jawbox. None were exactly the same, each stretching and pushing the boundaries of what made up post-hardcore. New York City, home to Helmet, Quicksand, and Chavez, was fertile ground for the sound, which included Into Another. On their 1994 sophomore album, Ignaurus, the band take the edge and energy of post-hardcore, combine it with some progressive rock, and end up with a sound unlike just about anyone else was making at the time.   Songs In This Episode: Intro - Running Into Walls 14:44 - Maritime Murder 30:24 - Anxious 45:02 - Poison Fingers Outro - Ungodly   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

iTunes          Spotify          Youtube           Patreon Greg Jacobs: 
One of these things is not like the other ... Author, 
Band Manager, Photographer, 
Record Label Employe…… Insurance Agent?? In 1980, during high school, I was swallowed up by punk rock in Southern California. That scene was a creative incubator where I developed my vision and passion. It started with photography and expanded from there. Later in the 1980's, I worked at several record labels (SST, CRUZ, Enigma, Cargo and even Capitol for 1 day). Throughout most of the Nineties I took a hiatus from photography – I moved to San Diego, had a book published (Hell On Wheels 1994) and was managing bands (Rocket From The Crypt, Drive Like Jehu, Big Drill Car, Supernova), then in 2001, it was over. I moved to Long Beach, CA, and got a straight job. Bored with my straight job, (yet maintaining it) I started photographing live music again. I started contributing my photos to a few magazines, record covers, websites and music videos. And, in 2020 I started working on a revised version of my book Hell On Wheels. Working on the book during the pandemic was a great distraction and I found that many of the musicians I was trying to connect with were available since the pandemic left them unable to tour. I'm very proud of this book and can't wait for others to read it. The fan-boy in me wants to list all of the bands right here and now ...But I guess I should wait until we are closer to the release date. There are 50 new bands and 54 new stories. The book will be released by University of Hell Press in the Spring of 2023. From the list of jobs above, I still consider myself active in all of them except “Record Label Employee” but who knows what the future may bring? Special Mentions: Hell on Wheels: A Tour Stories Compilation, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Steve Walsh Gofund Me, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87, Soundgirls.org

Drive Like Jehu's short-lived but influential recording career ended with "Yank Crime". The boys discuss earning a long song length, shouted vocal performances, and comparisons to 1970s prog music. Listen to our episode companion playlist (compilation of the songs we referenced on this episode) here: https://open.spotify.com/playlist/56l6WEKk1vNi7GdjdpBkss?si=bba4e679d6c54701 (https://open.spotify.com/playlist/56l6WEKk1vNi7GdjdpBkss?si=bba4e679d6c54701) Listen to Yank Crime here: https://open.spotify.com/album/7AHbaRIYnilUwe981nZpmi?si=guNV38fmStyACWuXP2ozqg (https://open.spotify.com/album/7AHbaRIYnilUwe981nZpmi?si=guNV38fmStyACWuXP2ozqg) Email us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.com Intro music courtesy of https://open.spotify.com/artist/6iUot3X4FwzuZVHMQ4xh4P?si=TOpyXme9QU-Hf71jjj7_DQ&dl_branch=1 (The Beverly Crushers) Outro music courtesy of https://open.spotify.com/artist/4ehOaXsBSc6eMO2fnveJU2?si=UrpyPkbrQh2AB9wQBLVbOg&dl_branch=1 (MEGA) Next week's album: Röyksopp - Melody A.M.

https://linktr.ee/_red_river_podcast Parker and I saw this documentary and we both loved it. I reached out to the director to tell him how cool it was he made a movie where Drive Like Jehu and Failure were focal points and next thing you know we are talking about it on a podcast. The future is pretty cool. Thank you Shaun for making this and also for making time to talk to us about it. Here is the link to the movie https://www.undergroundincfilm.com/projects Watch it and spread it around!

No know Jack? No, know Jack! Jack Reacher, that is, as we for some reason decide to experiment with CBS-grade Reacher-adjacency with Diane Capri's series-starting Don't Know Jack. This is a gaiden, in which the titular Jack is most present in his absence, as a wise-cracking pair of FBI Human Resources Detectives are looking to reconstruct a series of events more or less clearly laid out in a book available at any airport bookstore. NOTE: this is probably not a gaiden, but either way, absolutely do not @ us. Anyway, if you want to hear some serious airport positivity, this is the episode for you! So grab your earbuds and make sure to leave early for your flight, because by the time this episode is over, you'll be saying "I Know 'Don't Know Jack'!".   Recommendations: "Nancy" comics by Olivia Jaimes "My Dark Vanessa" by Kate Elizabeth Russell Music: "Happy Jack" by The Who "jack shit" by Teen Angels "Atom Jack" by Drive Like Jehu

On Flex Your Head episode 7 host Jason Schreurs welcomes back the impeccably bearded Drue Swalwell to talk about Drive Like Jehu's mid-'90s frayed-nerves classic Yank Crime. https://open.spotify.com/artist/7FbdCzKUwoZs1v9bCl43Ev?autoplay=true Featured song clips: Drive Like Jehu - "Here Come the Rome Plows" from Yank Crime (Interscope Records, 1994) Drive Like Jehu - "Luau" from Yank Crime (Interscope Records, 1994) Drive Like Jehu - "Sinews" from Yank Crime (Interscope Records, 1994) Hot Snakes - "Golden Brown" (Drive Like Jehu cover) live at FYF Fest, 2012 Deftones - "Caress" (Drive Like Jehu cover) from Covers (Warner Bros., 2011) Drive Like Jehu - "Do You Compute?" (live at the Showbox in Seattle, 2016) Drive Like Jehu - "Sinews" from Yank Crime (Interscope Records, 1994) About this podcast: Flex Your Head is a spinoff of the Scream Therapy podcast where host Jason Schreurs welcomes a guest each episode to discuss a classic punk album. The main Scream Therapy podcast explores the link between punk rock and mental health. My guests are members of the underground music scene who are living with mental health challenges, like myself. Intro/background music clips: Submission Hold - "Cranium Ache" from The Buzz of a Buzzless Situation Minor Threat - "12XU" (originally by Wire) from V/A - Flex Your Head (Dischord Records, 1982) Contact host Jason Schreurs - jasonschreurs@telus.net

Vasant Ramamurthy fills in for Jim & Patrick and discusses some unexpected major label albums from the '90s, including works by Shudder To Think, Jawbox, Drive Like Jehu, Mercury Rev, Flaming Lips and Mike Watt. Become a Rockin' the Suburbs patron - support the show and get bonus content - at Patreon.com/suburbspod Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com (c) Artie S. Industries LLC

In this week's episode, Frank and Marc are lookat a band that many have not heard of: Drive Like Jehu.   See what they guys think of their second and major label album Yank Crime!  Want a one stop shop for all things guitar? Head over to www.guitarexclusive.com for product reviews and more!!! If you want us to review an album let us know! Join our facebook group: https://www.facebook.com/groups/285306009517804/ Instagram: @checkoutthisrecord Youtube: https://www.youtube.com/channel/UCkdRbGfkOFg5V58uFx8qoUg/videos Twitter: @checkrecord

Rob Crow is a singer, guitarist and founding member of  San Diego luminaries Pinback, Physics, Heavy Vegetable and Goblin Cock to name a few.  His newest effort,  PLOSIVS,  includes John Reis (Drive Like Jehu, Hot Snakes, Rocket From the Crypt),  Atom Willard (Against Me!, The Offspring)  and Jordan Clark (Mrs Magician).  In this episode Joe and Rob talk west coast hardcore, the process of making the new PLOSIVS record and why taking his kids on tour is so important to him. Also Rob also tells us the tale of the Jersey Devil and we hear some tunes from both his newest solo record and the new PLOSIVS single Hit The Breaks (out on Swami Records soon). All this and.....surprise! Rob gives us a couple bonus tour stories!   Music by PLOSIVS, Rob Crow,  Hew Time and Joe Plummerhttps://swami-records.myshopify.com/https://robcrow.bandcamp.com/http://www.tgrec.com/bands/band.php?id=17Use Code Fret10 for a free month of Music Production Suite Pro and a 10% discount on all other software. Visit Izotope.com

Drive Like Jehu was an American post-hardcore band from San Diego active from 1990 to 1995. It was formed by rhythm guitarist and vocalist Rick Froberg and lead guitarist John Reis, ex-members of Pitchfork, along with bassist Mike Kennedy and drummer Mark Trombino, both from Night Soil Man, after their two bands disbanded in 1990. Drive Like Jehu's music was characterized by passionate singing, unusual song structure, indirect melodic themes, intricate guitar playing, and calculated use of tension, resulting in a distinctive sound amongst other post-hardcore acts and helped to catalyze the evolution of hardcore punk into emo. In this episode all songs by bands selected by Drive Like Jehu to play All Tomorrow's Parties 2.0 April 22-24, 2016. Lineup: Hot Snakes, The Blind Shake, Mrs. Magician, Flamin' Groovies, The King Khan & BBQ Show, The Schizophonics, Metz, Mission Of Burma, The Gories, King Khan and the Shrines, The Spits, Rocket From The Crypt, Betunizer, The Monkeywrench, Holly Golightly, Dan Sartain, Martin Rev, Tortoise, The Ex, PyPy, Gary Wilson, Claw Hammer, Wau y Los Arrrghs

This week we're SUPER excited to review the 1994 album Yank Crime by Drive Like Jehu. We hit up a little “Jobs with Mike” and jobs with Jamie. Talk about dirty keyboards, and dirty news anchors as well. Mike is a crazy person when it comes to pillows, and reveals his nick name as a kid.. which I promise you is hilarious! Other Topics Include: Dirty Keyboard I have spoken Jamies current pillow The Octagon --- Send in a voice message: https://anchor.fm/goldenshower/message Support this podcast: https://anchor.fm/goldenshower/support

In this unlocked Patreon episode Yesi and Rara interview Flynn Nicholls (@icelevel) about what it was like for he and his co-workers to fight for union recognition at Donut Friend in LA, a vegan donut shop owned by Drive Like Jehu drummer Mark Trombino. Subscribe to the Patreon for more exclusive bonus episodes! patreon.com/hotgirlagenda Follow us on IG & Twitter @hotgirlagenda Produced by Rara Imler Episode recorded on 9/2/21 Theme song by Nouga Jr. A Not Safe For Wonks production

Issue no: 508. August 20th 1994. This week we talk about Metallica, Lynyrd Skynyrd, Morbid Angel, MOD, Drive Like Jehu, Terrorvision, Manic Street Preachers, Tesla, The Jesus Lizard, Leatherface, dEUS, Status Quo, plus all of the regulars including kommunikation, koncertz, rekordz, news, and much more

For 20+ years singer/guitarist John Reis has fronted and co-founded legendary San Diego bands Pitchfork, Drive Like Jehu,  Rocket From the Crypt, Hot Snakes and The Sultans.  He also works as a producer, operates his record label Swami Records and is a local disc jockey.   In this episode John shares his pandemic habits and what he realized was most important to him in that time.   Joe and John also discuss how supply chain issues have effected rock n roll,  why streaming platforms may not be the best custodians of music and John shares his brilliant idea for lives shows if things don't soon return to normal.  We learn about his latest project The Plosives and hear a couple un released tunes from his new record Swami John Reis. Sponsored by Izotope, https://www.izotope.com/ Enter code Fret10 for a discount on your software purchase.

They say you should never meet your heroes. Well, you probably shouldn't be having them on your shitty podcast, either. Here's how to fuck up an interview with one of your favorite musicians (in this case, Mr. Rick Froberg — the great singer and guitarist for the thoroughly excellent rock combos Drive Like Jehu, Hot Snakes and Obits). 1. Ignore said musician's warnings that he doesn't have good luck with Zoom and set up an interview via Zoom. 2. As the pretext for some sort of half-assed “surprise”, keep your equally enamored co-host in the dark about said musician's appearance on your shitty podcast — thereby robbing your co-host (who's supposed to be your fucking friend, by the way!) of his chance to prepare thoughtful questions to ask one of HIS favorite musicians, too. 3. Proceed to ask this favorite musician of yours a bunch of dumb fucking questions. But one seriously botched (and lo-fi) interview isn't all this episode has to offer: There's some talk about a shitty Rush bootleg, an idiotic discussion between Gabe and Scott (and—unfortunately for Rick—Rick, as well) about which is the better record: “Yank Crime” or Drive Like Jehu's self-titled debut (there is no correct answer, by the way), and Ben reads a complete list of emo bands. Plus there's ice cream. Companion Playlist: https://open.spotify.com/playlist/0UyMc3KB5RcyuFbDdkZnHP?si=0e8f10f002b64fc8 LIFERS Coffee Mugs: www.gandprecords.com/store/p180/The…offee_Mug.html Local H on tour: http://www.localh.com/tour.html

Nine months ago Youtube commenter Eric Gabbard wrote the following about the seminal San Diego band Drive Like Jehu: I've listened to a “shit ton” of music in my life...obsessively at times...and I'm about to turn 46. This band was amazing. I keep coming back to it. I was a teenager at the time and listened to this, along with the Melvins, Fugazi, and another big one was Faith No More's Angel Dust. Great times driving around at night listening to this disc without a care in the world... So goddamn good Musician and artist Rick Froberg fronted Drive Like Jehu and many noted bands that have inspired the same type of devotion and admiration in music fans like Eric. These bands include Pitchfork, Hot Snakes, and The Obits. Rick also has a devoted following as an artist. To date, Rick has created album covers and posters for all his bands—often under the moniker "Rick Fork". He has worked at Funny Garbage (Gary Panter's interactive design company), contributed illustrations to the New York Times, created a line of T-shirts for Altamont Apparel, and shown his art at galleries across the country.

Before we start, feel free to support the podcast if you’ve been listening for a while by signing up for my Patreon for $1 and I will love you forever. Garrison was a post-hardcore/punk band based in Boston, Massachusetts from 1996-2004. Ed McNamara and Joe Grillo shared lead vocal, guitar, and songwriting duties. Their sound was largely influenced by early post-hardcore, most notably Drive Like Jehu, and also incorporated components of post-punk, shoegaze, and emo. In their eight years, Garrison released two full-length albums, both on Revelation Records, as well as three EPs, two split EPs, and one early single released as a 7" vinyl record. After officially disbanding in 2004, members of Garrison went on to play with Pointillist, Instruction, Fires, The Fly Seville, Gay for Johnny Depp, Campaign for Real-Time, The Rise Park, Placer, and Kill Verona. Thank you to Casey from Iodine Records for the intro. I got Joe on the Skype and this is what we chat about: Rush Limbaugh How he helped promote shows Never being 100% satisfied with certain milestones His thoughts about Revelation Records Their song Come On Die Young How the band ended Releasing recorded tracks on Iodine Records And a ton more Check out his band Judas Knife and Her Head’s On Fire and follow iodine records to stay up to date when all the Garrison stuff is released. Check out my new book The Couples' Checklist for my webcomic dailyBred. It's a great gift for Valentine's Day. If you market aggressively on Instagram Stories and want custom stickers then go here to get custom stickers or just email mike@drive80.com and I can send you samples. These are great for B2C companies and Realtors. Feel free to support the podcast for as little as $1 a month through Patreon Or go to thiswasthescene.com to possibly buy some merch.

Conan Neutron's Protonic Reversal

This week your boys decide they need new names, so please welcome Brenocide, Joe Thrasnkool, and uhhhh... 365 Days of Horror. Breno remembers Alexi Laiho (1979-2020) and music that impacted us in high school. We're delving into the punk rock donut shop union busting going on by former Drive Like Jehu drummer and punk producer Mark Trombino. Not very punk rock! Joe tracked down an old external hard drive and we're talking about the CANCELLED MySpace-era shit we used to listen to that is thankfully lost to the sands of time, old MP3 players increasing in value, and other Old Ways in Music. Finally, we're talking about Jon Schaffer getting arrested and speculating WILDLY on what will happen next (with a musical contribution). It's a good one. Music featured on this episode: FULCI - Zombie Slam Squad Don’t forget to rate, review, and subscribe to Toilet Radio on iTunes so you’ll get new episodes automatically. Or use Stitcher if you don’t fuck with Apple. (The image up top is from Attack of the Killer Donuts, a movie I have not yet seen but features the acting talents of C. Thomas "Soul Man" Howell so uhhhh ymmv)

Welcome to Part 2 of our discussion on the legendary Inside Out 7" EP. This time we have Chris Bratton (Justice League, Chain of Strength, No For An Answer, Inside Out, Statue, Drive Like Jehu, Wool) who drummed on the 7" EP and was in the band from September 1989 to May of 1990. We are also joined by guest co-host Tim McMahon AND a cameo from Pat Flynn (Have Heart, Fiddlehead, Free, etc.). This is not one to be missed. Bidip Bo to this Episodes sponsor War Records. Make sure to check out their website at www.war-rec.com for lots of great releases from bands like Strife, Terror, Berthold City & more. Use code WHEREITWENT at checkout to save 10%.

Jason and Rick became friends in the mid 80's through their respective punk zines Leading Edge and Subculture. Their bond only deepened through a shared background and love of all things BMX. This episode is very BMX heavy, so get ready to get gnarly! Among all the bike talk the two get into the story of Rick's path to punk and how he qualified to be the singer of his first band Pitchfork through his willingness to do it and more importantly his ability to buy a cheap P.A. set up. Also discussed: San Diego's Punk scene's Anarchy Picnics! ENJOY! TM Theme: Jason Music: Drive Like Jehu: Here Come the Rome Plows Hot Snakes: Six Wave Hold Down --- Support this podcast: https://anchor.fm/jason-traeger/support

Few bands can really be described as influential, most either affecting the latest pose or regurgitating a nostalgic vibe. On the other hand, some bands are so ahead of the curve, it can take time for the rest of the world to catch up. That's the case with Drive Like Jehu's sophomore 1995 album Yank Crime, which in the worlds of 90s rock, sounded like a runaway train of mixed up genres - post-hardcore, math rock, emo, post-punk, and more that weren't invented yet. It's not speculation to call this record and this band influential - members of At The Drive-in, Deftones, Modest Mouse, Jimmy Eat World, and more have weighed in over the years on DLJ's unique place in 90s rock canon.   Songs in this Episode: Intro - Here Come The Rome Plows 22:22 - Luau 32:22 - New Intro Outro - Do You Compute   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Few bands can really be described as influential, most either affecting the latest pose or regurgitating a nostalgic vibe. On the other hand, some bands are so ahead of the curve, it can take time for the rest of the world to catch up. That's the case with Drive Like Jehu's sophomore 1995 album Yank Crime, which in the worlds of 90s rock, sounded like a runaway train of mixed up genres - post-hardcore, math rock, emo, post-punk, and more that weren't invented yet. It's not speculation to call this record and this band influential - members of At The Drive-in, Deftones, Modest Mouse, Jimmy Eat World, and more have weighed in over the years on DLJ's unique place in 90s rock canon.   Songs in this Episode: Intro - Here Come The Rome Plows 22:22 - Luau 32:22 - New Intro Outro - Do You Compute   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Interview No. 30 with Rick Froberg of Pitchfork, Drive Like Jehu, Hot Snakes, and Obits.

This week we’re discussing the powerful Drive Like Jehu. Made up of members of Rocket from the Crypt, Pitchfork, Hot Snakes, and Obits, Drive Like Jehu helped perfect an extremely complex brand of noise rock. These guys were phenomenal musicians who managed to make complicated song structures accessible enough for anyone. While they only have two albums, their influence is abundant and obvious. Everyone wanted to sound like these guys, but very few came close.Closing track: “Do You Compute?” from Yank Crime (1994)Check out our episode playlists on Spotify! https://open.spotify.com/user/motherpuncherincMike’s Pick:Yank Crime (1994) — Best Album, Personal FavoriteAlex’s Pick:Drive Like Jehu (1991) — Best Album, Personal FavoriteAlbums we discussed this episode…Drive Like Jehu (1991)Yank Crime (1994) Follow Mike on Instagram @popejesseventura for show updates and @pandermonkey for original musicFollow Alex on Instagram @motherpuncher

Swedish post-hardcore guitarists Per Stålberg and Viktor Lager show off gear inspired by heroes J Mascis, Sonic Youth, Radiohead, Drive Like Jehu, and … Ace Frehley.

Filmmaker Christopher Jason Bell brings on two of the deepest crust choices yet on the podcast, Drive Like Jehu's landmark "Yank Crime" and Peter Watkins' "The Gladiators". Enjoy!!!! :) Means TV: https://means.tv/pages/about Chris Bell on Vimeo: https://vimeo.com/christopherjasonbell Noah on Everything Now: https://www.youtube.com/watch?v=B5kY31kUXoU&ab_channel=Everything%2CNow%21 Join us on: Twitter: twitter.com/itsonthelistpod
 instagram: www.instagram.com/itson_thelist/
 facebook: https://www.facebook.com/everybodywants2getonthelist/
 email the show: everybodywants2getonthelist@gmail.com Mason's other podcast, The Barn: @thebarnpodcast Noah’s Other Podcast, My Favorite Podcast: https://www.instagram.com/myfavorite_podcast/ Noah’s writing: https://noahmarger.wordpress.com/ Noah's Letterboxd: letterboxd.com/moahnarger/
 Mason's Letterboxd: letterboxd.com/MasonMaguire/ Noah's Instagrams: www.instagram.com/noahdotmarger/ www.instagram.com/ylg.world/ Mason's Instagrams: www.instagram.com/hotdogdebicki/
www.instagram.com/goodskytonite/ It's on the (Play)List: open.spotify.com/playlist/4MO0fkK…1YTemtnQfOTzNQiw

We start out comparing this record to Kid A, and then end up bashing Kid A for a bit. Why not? Jamie keeps trying to convince Mike that he knows about contemporary things. Mike has friends that have won Juno awards, so of course Jamie makes fun of this regional award he pisses all over the Grammys and they get into the argument over country size again. Other topics include: Swipes at Husker Du and Zen Arcade. Spinet pianos Tuning at full volume with a Marshall. Laika the Russian space dog Don't make friends with Chickens. The Afghan Whigs being high school wrestlers We blast Rolling Stone with an uncountable amount of F-Bombs for their bullshit 500 greatest albums of all time list. 'Yank Crime' by Drive Like Jehu, Rachel Demys DJ name. Eddie Vedder and Pirate Radio. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/goldenshower/message Support this podcast: https://anchor.fm/goldenshower/support

A talk with Justin Pearson of Three One G records, active in countless bands since the early Nineties, such as The Locust, Swing Kids, The Crimson Curse, Dead Cross, Planet B, Retox and many more. Highly inspirational to me and many of my peers in the late 90s. JP talks about moving to San Diego from Arizona as a twelve-year-old punk kid, Kiss, Misfits, The Cramps, skateboarding, Struggle, Swing Kids, why he started Three One G records, the impact of Drive Like Jehu and politics. An episode sub-titled Influences, Inspirations, Imitations and Innovation a.k.a the four big I's of Hardcore.

In this episode, Jonathon talks about the Drive Like Jehu album Yank Crime with podcaster/guitarist/poker enthusiast Matt Ivey.

You could call Cory Stier one of the most plugged-in people in the San Diego music scene. While cutting his teeth originally in the band Pistolita, Stier eventually found himself behind the local label Thrill Me Records and behind the drum kit for bands including Cults, Mrs. Magician, Hideout and others. As a talent buyer, his home base for the last 10 years has been Soda Bar while he also branched out into presenting shows at the Irenic, Casbah, the Belly Up, the Che Cafe, House of Blues and other clubs. Fittingly, Stier ended up purchasing Soda Bar with Casbah owner Tim Mays, Andrew Montoya (from Beaters, the Sess, Teach Me, etc.) and Angie Ollman in 2018. Be sure to visit SodaBarMusic.com to purchase merch, with proceeds going directly to staff, and of course, head there for shows when life gets (somewhat) back to normal.Listen/subscribe to the SoundDiego Podcast on your favorite podcasting platform: Apple Podcasts | Google Play | Spotify | StitcherEpisode 10 Show Notes:Soda Bar celebrated its 10th anniversary just last year — and who else would Cory tap to ring in the momentous occasion than his own band, Cults! Relive the show with the band's SoundDiego TV performance here.Also, read the SoundDiego interview with Cory about the big birthday here, where he recaps what his journey over the last 10 years has been like.For our sharp-eared listeners, Cory mentions "Rosey" around 2:05 in the episode. He's referring to none other than Rosemary Bystrak, who handles marketing for the Casbah, is a regular SoundDiego contributor and runs the blog SD: Dialed In.Similarly, while talking about the Whistle Stop around 2:15 in the episode, Cory also throws out the name "Craig" — a reference to Craig Oliver, owner of one of San Diego's best independent labels, Volar Records.The first album Cory bought himself was Lagwagon's 1994 sophomore full-length "Trashed" — here's a little background on it.We joined hundreds of other rabid Frights fans for their huge, free Balboa Park show at Spreckels Organ Pavilion back in February (doesn't that seem like a lifetime ago?) — check out the SoundDiego TV recap here.Also, who could forget Drive Like Jehu's epic predecessor to the Frights' Balboa Park show? Go back in time here with our SoundDiego TV video.The co-founder of Spalding Sporting Goods, Albert Spalding, indeed built a magnificent house in Point Loma in 1900, which eventually became a focal point of Point Loma Nazarene University. Take a look inside here.The episode's Spotlight artist of the week is (naturally) one of Cory's own bands, Cults! Their latest album is titled "Offering" (also the name of the single we played on the episode) and if you'd like to order yourself some merch from the band, head to CultsCultsCults.com and do your thing. Be sure to follow them on Facebook, Instagram and Twitter and catch 'em at a show when bands are on the road again.Join us for a new episode of the SoundDiego Podcast every Saturday morning. Upcoming guests on the pod include Nickel Creek's Sara Watkins, No. 1 New York Times bestselling author Scott Sigler, the B-Side Players' Karlos Paez, Nine Inch Nails' Ilan Rubin, and Verbatim Books' Justine Epstein! Thanks for listening, and until next time, enjoy the music.If you enjoyed this episode of the SoundDiego Podcast, subscribe, rate and review us on your favorite podcasting platform:Apple Podcasts | Google Play | Spotify | StitcherThe SoundDiego Podcast is executive-produced by Eric S. Page, and hosted/edited by Dustin Lothspeich (reach him here).

Musician and visual artist Rick Froberg can't help it, he f*&#ing loves rock and roll. Throughout his career he has fronted loud, uncompromising, agressive, totally original and influential bands like Pitchfork, Drive Like Jehu, and Hot Snakes with his partner in crime John Reis as well as Obits, last of the Juanitas, and others. He continues to record and perform all over the world. Rick creates the album artwork for all of his projects, as well as working as a commercial artist. We talked about getting along with Satan, shitty gigs in front of the culchies, being at the same Fugazi show when someone drew blood, saying what you mean with lead and bludgeoning guitars, the wonders of the internet, cigarette Nazis in Australia, learning analog art design, and a whole lot more. Episode sponsor: Ultra Lubricants. Opening music: Marchandise by Fugazi, performed by Pierre de Gaillande with James Fletcher, drums. Songs: Burn Pigs Burn by Pitchfork. Ant Farm by Night Soil Man. Luau, Super Unison, New Math by Drive Like Jehu. No hands, Death Camp Fantasy, Six Wave Hold Down by Hot Snakes. Military Madness, Two Headed Coin by Obits.  http://www.drive-like-jehu.comhttps://www.obitsurl.comhttp://hotsnakes.com

Musician and visual artist Rick Froberg can't help it, he f*&#ing loves rock and roll. Throughout his career he has fronted loud, uncompromising, agressive, totally original and influential bands like Pitchfork, Drive Like Jehu, and Hot Snakes with his partner in crime John Reis as well as Obits, last of the Juanitas, and others. He continues to record and perform all over the world. Rick creates the album artwork for all of his projects, as well as working as a commercial artist. We talked about getting along with Satan, shitty gigs in front of the culchies, being at the same Fugazi show when someone drew blood, saying what you mean with lead and bludgeoning guitars, the wonders of the internet, cigarette Nazis in Australia, learning analog art design, and a whole lot more. Episode sponsor: Ultra Lubricants. Opening music: Marchandise by Fugazi, performed by Pierre de Gaillande with James Fletcher, drums. Songs: Burn Pigs Burn by Pitchfork. Ant Farm by Night Soil Man. Luau, Super Unison, New Math by Drive Like Jehu. No hands, Death Camp Fantasy, Six Wave Hold Down by Hot Snakes. Military Madness, Two Headed Coin by Obits.  http://www.drive-like-jehu.comhttps://www.obitsurl.comhttp://hotsnakes.com

HAPPY NATIONAL EMO DAY! ... I guess join us, as we talk about emo music or whatever. Do what you want, I don't feel good today. Today I guess we're celebrating with a super cool person and we're surprised he even noticed us, comedian and musician Cory Barringer (Twitter: @HunkyCory / Instagram: HunkyCory / The Kelps on Bandcamp)!! LET'S PARTY!! Find Holiday Party online – Patreon: patreon,com/HOLIDAYPARTY Twitter: @HOLIDAYPARTYPOD / Instagram: HOLIDAYPARTYPODCAST / Facebook: @HOLIDAYPARTYPODCAST / HOLIDAYPARTYPODCAST.COM Find Alyssa – Twitter: @alyssapants / alyssapants.com Find Disa – Spotify: open.spotify.com/user/1243777842 SHOW NOTES History/Fun facts about the topic Definition and history--What exactly is emo, you ask? To start, Dictionary.com gives a two-part definition of emo as a noun 1. A type of guitar-based music developed from emocore but having a softer, pop, or mainstream sound 2. A fan of emo, especially a person who is overly sensitive and full of angst or adopts a certain style characterized by dyed black hair, tight t-shirts and jeans Wikipedia further defines Emo as “a rock music genre characterized by an emphasis on emotional expression, sometimes through confessional lyrics.”  Urban Dictionary has over 1400 entries for the definition of emo, with the top entry outlining three applications of the word as: an emotional person, a style, and a genre of music, from user “One of the few people who will say what the labels are instead of my opinion on them” in February 2008. This was their only submission to the site According to NME, emo might be “music’s dirtiest word,” one that “attracts scorn like few others.”  As a genre, It emerged as a style of post-hardcore from the mid-1980s hardcore punk movement in Washington DC, where it was known as ‘emotional or emotive hardcore’ or ‘emocore’.” The origin of the term itself is hard to pin down, though evidence shows that it was coined in 1985. Some attribute its birth to a 1985 Thrasher article in which Embrace and other Washington DC bands were referred to as “emo-core,” while others claim that Minor Threat frontman Ian MacKaye used it self-mockingly in a magazine, and yet other people give credit to an audience member at an Embrace show, who shouted as an insult that the band was “emocore.” Either way, the general consensus is that the term was intended as an insult from the very beginning, and none of the flagship bands wanted anything to do it Though The Beach Boys’ 1966 album “Pet Sounds” was labelled “the first emo album” by Treble Zine’s Ernest Simpson, the first Emo band is often cited to be Rites of Spring, ostensibly because of their lyrics, such as, “I woke up this morning with a piece of past caught in my throat/And then I choked,” from their song “For Want Of.” Apparently the members of Rites of Spring hate being called emo, though, with Guy Picciotto once saying, “I’ve never recognized ‘emo’ as a genre of music… the reason I think it’s so stupid is that--what, like the Bad Brains weren’t emotional? What--they were robots or something? It just doesn’t make any sense to me.” In 1980, Minor Threat frontman Ian Mackaye founded the Dischord record label where it signed many DC hardcore punk bands. Later on, it went on to sign MacKaye and Picciotto’s iconic band Fugazi. Fugazi were not emo, drawing in elements of hardcore, funk, and jazz instead, but they did inspire bands in the mid 90s to abandon conventional hardcore roots The first wave of emo took off with Revolution Summer 1985, which was an attempt deliberately sought by emo-core bands like Gray Matter, Beefeater, Dag Nasty, Soulside, and Embrace to break the limitations of hardcore punk in favor for a fresh idea of creativity. It was a social movement that challenged the initial wave of hardcore music, the attitudes of fans and bands before them, and also the image mainstream media protrayed of punks. The bands that spawned from Revolution Summer often took a stand against violence, especially at shows in the form of slamdancing, as well as standing up against the sexism of the scene. During the 90s, a second wave of emo began to spread out and started splintering into different subgenres, and became to be defined by an emotional intimacy between bands and their fans. According to the altpress.com article “What is Emo, Anyway? We Look at History to Define a Genre,” this is where we saw the birth of screamo, with bands like Antioch Arrow and Swing Kids.  In Seattle, Sunny Day Real Estate drew elements of grunge and alt-rock, and were in fact often pegged as the “next Nirvana” by industry insiders before they broke up for the first time in 1995. Farther down the West Coast in California, Green Day, Rancid, Jawbreaker, and Weezer were exploding onto the national scene The emo scene was particularly prolific in the Midwest at this time, giving us bands such as The Promise Ring, Cap’n Jazz, American Football, and The Get Up Kids, as well as many of the stereotypes that continue to this day--that emo is “boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music,” according to author Andy Greenwald, who wrote “Nothing Feels Good: Punk Rock, Teenagers, and EMO,” a 2003 book that explores the evolution of the emo scene and how this culture has affected its largest group, teenagers. According to The Chicago Reader critic Leor Galil, Midwest, or second-wave, emo was critical in transforming DC emo into “something malleable, melodic, and cathartic--its common features included cycling guitar parts, chugging bass lines, and unconventional singing that sounded like a sweet neighbor kid with no vocal training but plenty of heart.” The 2000s saw a third wave of emo music, and saw pop-punk and emo become inexorably intertwined. It was during this period when bands like Jimmy Eat World, Thursday, Taking Back Sunday, At The Drive-In, Saves The Day, and Brand New were at their respective peaks. We also saw the likes of Atreyu, the Faint, Bright Eyes, and Coheed and Cambria. As altpress notes, “one thing about all of these bands [is that] they all sound wildly different from one another. The sonic palette of emo is widening as quickly as outside influences can be embraced.” With the advent of MySpace in the mid 2000s, emo blew up into a full-blown counter-culture, with groups such as Fall Out Boy, AFI, My Chemical Romance, Paramore, Relient K, Plain White T’s, and Panic! At the DIsco at the forefront, giving us all the inspo to go full “mall emo.”  Through that entire decade, emo purists were incensed, claiming that “emo” is already dead, horrified that bands like the Used and Senses Fail were being called “screamo,” and referring to their precious OG screamo bands as “skramz” instead.  According to NME, “this is an era that countless emo purists like to reject, but it saw the genre take flight like never before.” The last decade has seen emo take two clear paths. There has been something of an underground revival, with many newer bands finding inspiration from emo’s second wave the 90s, while the emo acts from the mid-2000s explosion have gone on to huge pop success and transitions to other genres.   With artists such as Lil Peep, Princess Nokia, nothing, nowhere, and Ghostmane, the next generation of emo may see the continuation of blending emo elements with hip-hop. Wherever it goes, we can surely expect the OG emo gatekeepers to keep their pearls clutched close and their tissues even closer The most significant update to the world of emo, as least to me, is taking place practically as we speak. The return of My Chemical Romance commences tomorrow, December 20th, at the Shrine Expo Hall In LA. The saga to this reunion has been a long and painful one. First, they stomped on the souls of emos around the world when they announced their breakup on March 22nd, 2013.  Then in July 2016, they posted to their social media for the first time in years a video with the piano intro from “Welcome to the Black Parade,” ending with a cryptic date, “9/23/16”, which stoked hopes for a reunion announcement. It ended up being the reissue date of The Black Parade with unreleased demos.  Next, in June of this year, Joe Jonas claimed that he saw the band was rehearsing in a New York studio space. Frank Iero sort of quashed these rumors, and a lot of people speculated that Joe Jonas may have confused Iero’s band, Frank Iero and the Future Violents, with My Chemical Romance.  Turns out that MCR just sucked at being sneaky. They announced on Halloween 2019 that they would be performing in LA, then followed up that announcement a week later with more dates in Australia, Japan, and New Zealand for 2020 Since the reunion announcement, Pitchfork issued a retrospective review of Three Cheers for Sweet Revenge, giving it an 8.2 score, describing it as “an operatic pop-rock behemoth that became an icon for outcasts.” Criticisms and controversies (from Wikipedia) Emo music was blamed for the suicide of teenager Hannah Bond by the coroner at her inquest and her mother, with emo music reportedly glamorizing suicide. She had an online presence in emo forums where she discussed the “glamour” of hanging, as well as telling her parents that her self-harm was an “emo initiation ceremony.” A qualitative study showed emo respondents reporting “attitudes including high acceptance for suicidal behavior and self-injury,” and concluded, “the identification with the emo youth subculture is considered to be a factor strengthening vulnerability towards risky behaviors.” Emo has been criticized for being androcentrist, with Andy Greenwald citing that there are few women in emo bands and those who are have little influence on lyrical content. “Emo’s popularity and its “lonely boy’s aesthetic” have lead to a litany of one-sided songs in which men vent their fury at the women who have wronged them. Some emo bands’ lyrics disguise violent anti-women sentiments with a pop-music veneer.” The emo genre experienced backlash in response to its rapid growth. Some bands rejected the label for its social stigma and controversy. The backlash intensified in 2008, when anti-emo groups attacked teenagers in Mexico City, Queretaro, and Tijuana. Legislation was proposed in Russia’s Duma regulating emo websites and banning emo attire in schools and government buildings, with the subculture perceived as a “dangerous teen trend” promoting anti-social behavior, depression, social withdrawal, and suicide. In 2012, the BBC reported that Shia militias in Iraq shot or beat to death as many as 58 young Iraqi emos.  As we know, “emo” isn’t a term only to denote a genre of music, but also a fashion statement, a lifestyle, and a collection of personality traits Wikipedia succinctly informs us that “emo fashion was originally clean-cut and tended towards geek chic”, with comparisons made to Fred Rogers and Buddy Holly. As emo entered the mainstream, fashion began to include skinny jeans, tight t-shirts, studded belts, converse sneakers, Vans, and black wristbands. Thick black eyeliner and black fingernails also became common, though the most ubiquitous facet of emo fashion is the hairstyle: flat, straight, usually jet-black hair with long bangs covering much of the face.  As emo became a subculture, people who dressed in emo fashion and associated themselves with its music were known as “emo kids” or “emos”.  An “emo kid,” according to Urban Dictionary is: A social classification that has been bastardized by scenesters, rich preps, and wannabe goths united. A true emo kid does not label him/herself as being “emo”...often this label is foisted on him or her against the alleged emo kid’s will. True emo kids listen to whatever the hell music they feel like, and it is often poetic or expressive. Emo is not a clothing style, cutting our wrists, or being a frequent buyer at Hot Topic. Those who call themselves “emo” are most likely just trying to be “scene” and have really screwed up the genre through wearing generic, borderline gothic clothing that all their sad little friends wear.” In other words, a “true” emo kid is someone who gatekeeps being an emo kid The most common Emo stereotypes, as taken from thetoptens.com, wikipedia,  Emos hate themselves They self harm or are suicidal They’re Emo for attention Emos have fake cut marks They whine a lot They’re depressed Their poetry is bad Emo songs are bad Emos wear their mom’s makeup (pro-tip: don’t share mascara or eyeliner with anyone unless you want some attention-grabbing eye infections) They wear black clothing in hot weather (this is a good idea though!) Have spiky hair Only wear converse Their hair covers one of their eyes (sounds painful if hair is indeed spiky) Worship the devil According to National Today, emo is responsible for starting some well known trends, including Ear gauges, which NT describes as “the default millennial piercing option Social media--”Back when you couldn’t see the point in getting a Facebook page, emos were tricking out their Myspaces with glitter, animations, and their favorite songs on autoplay” Selfies: “Emos pioneered the art of self-photography, before phones even had a selfie camera!” And skinny jeans, “the official ‘00s pants style for both men and women started in the emo community first” History of National Emo Day From definithing.com, “national emo day takes place on december the 19th, and is celebrated all around the world, by emo’s and non-emos alike. It is a day for emos to celbrate their sub-culture, and for non-emos to pretend to be emo, for a day, sometimes people use the day, as an excuse tyo National emo day A day for the all emos to congregate together for a m-ss non-celbration, and general whine about life. Celebrated on the 19th of december “Oh my god… my life is like, so totally hard.” “Yeah me too… i hate my life, like so much” “What” “Go to national emo day” “Omg yeaaaah!! I mean, like. Okay, whatever, man.” Also known as-ned Its where you act emo, dress emo, be emo! Its always on may 4th. Its to make fun of the fake emo kids who are scene! “Hey are you celebrating national emo day?” “H-ll yeah i am! I cant wait to act depressed all day!” Now according to Uncyclopedia, National Emo Day “was created in 1927, created by a group of Christians who wanted to reach out to more people. In a desperate attempt they had 10K people sign a document stating they would created a holiday to celebrate the life of Emos. As they continued to publicize the petition to create the holiday they got little to know [sic] results so they decided to change their approach on the topic, They decided to instead of publicising it as an emo holiday to publicise it as a petition to make “Girls Gone Wild” videos for free. Within only 6 days they had achieved 10k signatures.” But for real, the earliest reference I could find to National Emo Day was an Urban Dictionary entry by BlackSouledBeast from December 5th, 2009, which states, and this may sound familiar, “National Emo Day takes place on December the 19th, and is celebrated all around the world, by emo’s and non-emos alike. It is a day for emos to celbrate their sub-culture, and for non-emos to pretend to be emo, for a day. Sometimes people use the day, as an excuse tyo” There was another UD entry from December 5th, 2009, by user Johnatronn, which stated, “a day for the all emos to congregate together for a mass non-celbration, and general whine about life. Celebrated on the 19th of December.” There are a grand total of 4 entries on Urban Dictionary entries for National Emo Day. The other two were added May 1st, 2018, by CRIMSON_WOLF, and June 9, 2018, by Moncricket Killer. So take that information for what it’s worth Activities to celebrate Take part in our National Emo Day social media challenge, which is to post as many sad sack updates as you can throughout the day, ending each of them with the hashtag #NationalEmoDay and the :( emoji Become emo! WikHow gives a helpful breakdown of precisely how to be an emokid. First, look the part and get an emo appearance.  Start with getting “emo hair,” which usually refers to a layered haircut in which long bangs are swept and styled to one side usually held in place with mousse, hair gel, or pomade. The color is mainly natural, but sometimes “emo hair” is dyed black and sometimes features a bright highlight of blonde or other “punky” colors Then break out the black eyeliner and don’t be shy with it. Get your full waterlines, and don’t skimp on the corners of your eyes You’re also going to need nail polish, specifically black. Don’t be afraid to wear different colors or mix them Consider getting piercings! Snake bites in particular are a very common piercing among the emos  Dress in emo fashion. Stock your closet with skinny jeans, hoodies, vintage t-shirts, and checked shirts that will pair great with your concert tees. Wear emo bands t-shirts, even if you’ve never seen them live Wear thick horn rimmed glasses, even and especially if you have perfect eyesight Shoes should be converse or vans. WikiHow says that you do not have to buy them new, and that’s a lie. If you don’t have an outlandish collection of limited edition high-tops and canvas slip-ons, you’re a poser and not doing emo correctly Accessorize with scarves, stripy socks, wristbands, studded belts, safety pins that are doing nothing, badges, and fingerless gloves.  Embrace androgyny.  Don’t forget to cuff your jeans, cut thumb holes into your hoodies, and be sure to own at least two items with characters from The Nightmare Before Christmas Next, you have to understand Emo, so learn all about it. You’re off to a good start with this episode. Learn about the history as well as the subgenres, including emocore (Rites of Spring); post-emo indie rock/Midwest emo (Sunny Day Real Estate); Emo pop (Jimmy Eat World); screamo (Heroin); and emo rap (MC Lars).  Understanding emo includes appreciating emo music. You can listen to the classics of the subgenres, as well as explore using music streaming services like SoundCloud, Bandcamp, Pandora, Spotify, and Youtube to find less well-known emo bands. Develop a passion for different kinds of music. Generally speaking, all emo music has two things in common: big, sweeping, extremely melodramatic guitar-based music, either aggressive and harsh or acoustic and gentle, that contain confessional or explicitly personal lyrics, often about heartbreak and loneliness. You can listen to Death Cab for Cutie or My Chemical Romance or both (you lunatic) and still be emo. Learn to tell the difference between emo and other subcultures.  Emo is a subculture that is based around music, and deals with emotions, self-expression, and self-exploration. Being emo means you understand your roots, listen to emo music, and participate in the community Scene is a subculture which emerged from members of the chav subculture in England experimenting with alternative fashions. It’s a mixture of several styles including emo, indie pop, rave, and punk. Scenes tend to wear brighter colors, and have teased or backcombed hair which may feature “cool tails.” Scene kids tend to listen to genres like metalcore, deathcore, and crunk core Goth is a subculture which emerged from the British post-punk scene in the late 70s/early 80s. Goths primarily listen to goth rock, cold wave, deathrock, and darkwave. And finally, participate in emo culture by going to shows, cultivating a creative persona, picking up an instrument, or making or customizing your own clothes (pins, patches, color on your shoes) If you don’t know where to start with your emo music adventure, you have some options. If you’re feeling brave, you could throw a dart at Wikipedia’s list of emo artists, You can get some recommendations from Rollingstone’s article “40 Greatest Emo Albums of All Time”, which lists the top ten as  10. MCR “Three Cheers for Sweet Revenge (2004) 9. FOB “From Under the Cork Tree” (2005) 8. JEW “Bleed American” (2001) 7. Cap’n Jazz “Burritos, Inspiration Point, For Balloon Sports…” (1995) 6. American Football “American Football” (1999) 5. Braid “Frame and Canvas” (1998) 4. Jawbreaker “Dear You” (1995) 3. The Promise Ring “Nothing Feels Good” (1997) 2. Rites of Spring “Rites of Spring” (1985) 1. Sunny Day Real Estate “Diary” (1994) Make sure to check out our NATIONAL EMO DAY Mixtape. This is the first one I’ve made that intentionally doesn’t have a specific listening order, though I did put them in order of their album release dates. Since I don’t know what kind of ~emotions~ you’ll be needing to connect with when you listen, I encourage you to hit shuffle and keep clicking “next” until you find your emo unicorn song.  Wouldn’t it Be Nice by The Beach Boys (1966) For Want of by Rites of Spring (1985) In Circles by Sunny Day Real Estate (May 10, 1994) Buddy Holly by Weezer (May 10, 1994) Here Come the Rome Plows by Drive Like Jehu (1994) Red & Blue Jeans by The Promise Ring (1997) Napoleon Solo by At The Drive-In (1998) Never Meant by American Football (1999) At Your Funeral by Saves the Day (2001) The Middle by Jimmy Eat World (2001) A Favor House Atlantic by Coheed and Cambria (2003) A Decade Under the Influence by Taking Back Sunday (2004) Vindicated by Dashboard Confessional (2004) I’m Not Okay (I Promise) by My Chemical Romance (2004) All That I’ve Got by The Used (2004) Sugar, We’re Going Down by Fall Out Boy (2005) Streetcar by Funeral For A Friend (2005) I Write Sins Not Tragedies by Panic! At The Disco (2005 Everything is Alright by Motion City Soundtrack (2005) Misery Business by Paramore (2007) 20 Dollar Nose Bleed by Fall Out Boy (featuring Brendon Urie) (2008) In Exile by Thrice (2009) Your Eyes Are Bleeding by Princess Nokia (2018) Uncomfortably Numb by American Football (featuring Hayley Williams) (2019) SOURCES https://en.wikipedia.org/wiki/Emo https://www.urbandictionary.com/define.php?term=emo https://www.urbandictionary.com/define.php?term=emo%20kid https://www.thetoptens.com/false-emo-stereotypes/ https://www.dictionary.com/browse/emo https://www.wikihow.com/Be-Emo https://www.altpress.com/features/what_is_emo_history_definition/ https://www.nme.com/blogs/nme-blogs/emo-wave-guide-evolution-2302802 https://www.facebook.com/events/national-emo-day/1304009436379814/ https://nationaltoday.com/national-emo-day/ https://www.urbandictionary.com/define.php?term=National%20Emo%20Day http://mirror.uncyc.org/wiki/The_Only_Emo_Holiday:_National_Emo_Day https://definithing.com/national-emo-day/ https://www.rollingstone.com/music/music-lists/40-greatest-emo-albums-of-all-time-23526/my-chemical-romance-three-cheers-for-sweet-revenge-2004-158842/ https://en.wikipedia.org/wiki/List_of_emo_artistshttps://www.ranker.com/list/emo-bands-and-musicians/reference

Brian continues his recent theme of bringing on 2019 Riot Fest performers by spinning Suicide Invoice by Hot Snakes. Hotmail: volcanovinyl@gmail.com Tweet Snakes: twitter.com/volcanovinyl Snake-agrams: instagram.com/volcanovinyl

Bukka White is featured with three songs, including a rare live performance from 1967, as well as the world premier of Jack Houston's band The Factory Girls, plus tracks from San Diego punks Drive Like Jehu, Portland band Black Belt Eagle Scout, soul/funk pioneer Don Covay, and veteran rockers NRBQ (who Bob will likely fast forward through if he ever listens to this episode again).

June 1994 and 1999 Anniversaries

This week we talk about four albums that have “birthdays” this month, and are actually all pretty special to us. Albums of the Week: Scott: Matmos—The West JimJam: Florence + the Machine—Ceremonials

The members of I.O.U. describe themselves as "Three hacks trying but failing to rip off Drive Like Jehu, The Jesus Lizard, and Unwound." That being said I dig the energy of their debut release "I.O.U. One" and they were fantastic to hang out with at Radio Free Brooklyn. You can pick your copy of the EP from their page on Bandcamp or you can stream it on Spotify. https://iounyc.bandcamp.com/releases Playlist I.O.U. - Swamp Fugulele - Repeater Nick Cage - Heroin I.O.U - Captain Howdy Colfax Speed Queen - Hooked Sheena & Thee Nosebleeds - Thee Deuce of Spades/ Coop's Wall I.O.U. - My Maytag Thick - So Sick Bee Bee Sea - Be Bop Palooza SNFU - Painful Reminder The Rodent Hour plays independent rock ‘n' roll from Brooklyn & beyond every Monday evening at 8 PM EST on Radio Free Brooklyn. Matt Attack welcomes independent artists to the studio for tunes and talk about the music they create and play. Please like or follow us on social media: Facebook Twitter Instagram

HeAr wE gO pOdCaSt – weclome to an episode with Uncommon Time Signature, try to follow along our off-beat path. www.lead.deals SPOILER ALERT TRACKLIST: “Golden Brown” by the Stranglers, “Spoonman” by Soundgarden, “Say a little prayer for you” by Aretha Franklin, “Sex Jam 2: Insect Incest” by Milemarker, “” by Drive Like Jehu, “Lateralus” by Tool, “YY Milk” by DJ Cummerbund, “Pyramid Song” by Radiohead, “Videotape” by Radiohead, “Barbie Dreams” by Nicki Minaj, “Dangerzone” by Cherlene, “Question” by System of a Down

Nerds Wait For The Blackout, The Light Is Too Bright. This week on Footnotes, Chris & Damian take a deep dive into the John Reis Episode to talk Pushead, Nemesis Records & Rocket From The Crypt. Also, a disaster of a news segment & the mailbag toooooooooooooooooooo! BROUGHT TO YOU BY VANS

WHAT A WEEK?!?! Damian & his kid's are very proud to have Yo Gabba Gabba’s own JOHN REIS ON THE PODCAST! John of course plays the music loving Swami on the show & also plays in a few bands as well… THAT’S RIGHT, THE SWAMI HIMSELF, A.K.A. SPEEDO FROM RFTC, HOT SNAKES, PITCHFORK & DRIVE LIKE JEHU IS ON THE SHOW!!! THIS ONE RULES!!!  Also Touched On: A White Whale Guest Growing Up A Theatre Kid Ian Brings A Dictaphone Black Flag Over The Sex Pistols Listening To Kiss Like Audio Comic Books Hearing The Saints Battalion Of Saints RFTC: Keeping The Flame Going For Vinyl Seeing The Jackson 5 Live Seeing Kiss Seeing Black Flag In 84' Coatis Interruptis Becomes Conservative Itch Cops Bust Parties The Origins Of The Legendary Casbah Going To LA To Escape The Violence Of San Diego  TFM: Totally Fast Music DRI Discharge Being Into Strumming Really Fast SPEEDO DROPS SONS OF ISHMAEL!!!! What Was Wrong With Chicago? The Origins Of Che Cafe No All Punk Band Gigs Forming Pitchfork The Origins Of The Name & How Rocket From The Tombs Was Even On The Radar  No Fitting In With The Jock Scene Smoking Pot Straight Edge Drive Like Jehu Forms Cargo and Headhunter Start The LEGEND Of O Forming Rocket From The Crypt Getting Into The Damned Retroactively  Not Liking Grunge Music & Wanting To Be The Opposite Not Being Into Nation Of Ulysses, But Still Loving Them California Shaping Your Sound Touring Japan With Long Gone John and Pushead Meeting Sakevi From GISM Why Touring Japan Is The Best Dealing With Majors AND SO MUCH MORE!!!! BROUGHT TO YOU BY VANS

Pastor Igor Botansky

Episode #1830: Sign up to support Allison's future BRAND-NEW podcast at patreon.com/allisonkilkenny for as little as $1/month! Faith (@bohemianfaith) and Erek (@erek_smith) join the show to discuss aura readings, help answer a Patreon question about raising a radical leftist, and offer media recs: Gender Trouble, french comedy Playtime, Halsey, Grace & Frankie, Black Eyes, and Drive Like Jehu. Also, the Los Angeles Times votes to unionize, White House's latest religious freedom protections could allow doctors to withhold abortion and gender reassignment procedures, Aly Raisman tells Nassar "You are pathetic" after he complains about sentencing hearing, more than a dozen Michigan state staffers were told of Nassar's sexual abuse and nothing happened, prosecutor asks judge to let 19 more women testify that Cosby drugged and sexually assaulted them, and Hungarian police have a warrant out for former Trump adviser Sebastian Gorka Check out Sorry Mom's latest vid about the 5 stages of grief! https://www.youtube.com/watch?v=mCycWJeDyJo&t=1s *** Desi calendars are available again for the Patreon supporters who sign up or upgrade to $10/month! patreon.com/allisonkilkenny

Nesse episódio tocamos: Dinosaur Jr, Replicantes, Raimundos, Roberto Carlos, Stray Cats, Clash, Autoramas, Cachorro Grande, Tequila Baby, Vespas Mandarinas, Drive Like Jehu, Fugazi, Husker Du, Titãs, Falling in Reverse, Bad Religion, Project 46 e Greta Van Fleet. Episódio 051 do Aperta O Play veiculado na WebRadio Mutante Rádio em 13/01/2018! Apresentação: Alexandre Okubo, Danilo Soares e Eduardo Ferreira. Artwork by: Paulo Floriani.

Los gallegos Diola presentan su primer largo, un homónimo editado por el sello Bcore. Durante la entrevista pinchamos algunos de sus referentes como Faraquet y Drive Like Jehu; paisanos como Cró y Trilitrate, y compis de sello como Futuro Terror y The Unfinished Sympathy. Enjoy!

Snakes! Of the hot persuasion. We go back with the outstanding Drive Like Jehu and take look at the US elections (because they hadn’t happened yet) at Primavera Sound 2016 in Porto. John, Mike and Rick talk to Antonio about healthcare, but also getting back together and becoming young conductors. Also, check the video version… Continue reading 47 Drive Like Jehu & fistula

Episode 92 is with producer, musician and Donut Friend owner Mark Trombino. Mark has had a huge impact on the independent scene not just drumming for Drive Like Jehu but for being a producer, mixer or engineer on some of the most important records of emo. From Boilermaker, Garden Variety, Knapsack, No Knife, Rocket from the Crypt, Mineral, The Jealous Sound, Finch, The Starting Line, Weston, Motion City Soundtrack, Pinback, All Time Low just to name a few… and of course can’t forget his work with Blink-182 and Jimmy Eat World. We discuss growing up in Orange County, CA, his time in college learning how to record plus insight into many of the albums he was a part of and how his talents had to evolve as emo hit the boom in the mid 2000s. I also ask extensively about working with Jimmy Eat World and learn why “Goodbye Sky Harbor” was sixteen minutes. Finally, we spend time talking about his most recent success, Donut Friend. Mark explains how he started the store, the donut puns and the time Ian from Fugazi came into the shop. Support the show (https://www.patreon.com/washedupemo)

Although they were only active for five years during their initial run, Drive Like Jehu was one of the most beloved and influential rock bands of the 90s. Mark Trombino's grooves, which achieved a crucial balance between cerebral cleverness and visceral power, were--in part--the product of his obsessive nature. He tells Joe about how, after the band broke up, he was able to channel his perfectionism into a successful career as a producer, and yet another career as a restaurateur.

I sat down with one of my oldest and dearest friends Cam Gillard of Apparitions and we spoke about a number of different topics super-late on a Thursday night at VIA Studios, Brisbane. LINKS: https://www.facebook.com/apparitionsmusic/ https://www.facebook.com/viastudios MUSIC: “Track 1” by Existence is Dead (from ‘split with Asherah’) “Lost” by Against (from ‘Won’t Be Your Fall’) “Anti-jock Revolution” by Conation (from ‘The Dichotomy of Earth and the Human Race’) “The Silence” by Conation (from ‘Troubled Waters & Fortresses’) “Tattoos Are For Lonely People” by Little Shadow (from ‘Possessions’) “Audience“ by Farside (from ‘Rigged’) “Movement is Vital” by Little Shadow (from ‘Healing’) “Akira” by Deafcult (from ‘self-titled’) “Denigrating in the Tanks” by Idylls (from ‘Prayer For Terrene’) “Don't Make a Sound” by Sleepwell (from ‘Rose-Tinted Gold’) “Japam” by Botch (from ‘An Anthology of Dead Ends’) “Death Dealer” by Sect (from ‘self-titled’) “Exit Fears” by Ceremony (from ‘The L-Shaped Man’) “Living Hell” by Ceremony (from ‘Violence Violence’) “Bleeder” by Ceremony (from ‘The L-Shaped Man’) “Keeper” by Super Unison (from ‘Auto’) “Super Unison” by Drive Like Jehu (from ‘Yank Crime’) “Time & Distance” by Super Unison (from ‘Auto’) “Peculiar People” by Frameworks (from ‘Smother’) “Marathon” by Birds in Row (from ‘Personal War’) “New Zealand” by Caravels (from ‘Lacuna’) “Chasing New York (feat. Aesop Rock)” by Atmosphere (from ‘Fishing Blues’) “Burgundy (feat. Vince Staples) by Earl Sweatshirt (from ‘Doris’) “Really Doe (featuring Kendrick Lamar, Ab-Soul and Earl Sweatshirt) by Danny Brown (from Atrocity Exhibition) “Smokin and Drinkin” by Danny Brown (from ‘Old’) “Lively Hood” by Doomstarks (from ‘Adult Swim Singles Series’) “Ray Guns (feat. DOOM) by BadBadNotGood with Ghostface Killah (from ‘Sour Soul’) “New Halloween” by Touche Amore (from ‘Stage Four’) “~” by Touche Amore (from ‘Parting the Sea Between Brightness & Me’) “Youreyeah” by Title Fight (from ‘Kingston’) “I Don’t Blame You” by Cat Power (from ‘You Are Free’) “The Greatest” by Cat Power (from ‘The Greatest’) “I Can’t Get No (Satisfaction)” by Cat Power (from ‘The Covers Record’) “Riot Season” by Planes Mistaken For Stars (from ‘Prey’) “World of Hope and No Pain” by Full of Hell & The Body (from ‘One Day You Will Ache Like I Ache’) “Postdoc Blues” by John K Samson (from ‘Winter Wheat’) “In Remission” by The Menzingers (from ‘Rented World’) “Refusal” by Strike Anywhere (from “Change is a Sound’) “We Amplify” by Strike Anywhere (from ‘Exit English’) “Unknown Road” by Pennywise (from ‘Unknown Road’) “Victim of Me” by Descendents (from ‘Hypercaffiam Spazzinate’) “Hope” by Descendents (from ‘Milo Goes to College’) “You Don’t Tell Me” by Super Unison (from ‘Auto’) “Second Son of R.” by Oathbreaker (from ‘Rheia’) “Control” by Manhunt (from ‘Permanent Pain’) “A Promising Future Behind You” by Shackles (from ‘split with Fissure’) “The Man” by Blister (from ‘Hoots Mon’) “Indiscretion” by To the North (from ‘Lustre’)

Seattle sucks! Cars suck! Hotdogs at baseball stadiums suck! A lot of things suck, but a couple things that don’t suck is Sammy being able to see Drive Like Jehu, Jerry going to a Mariner’s game, and Dan fixing his car. The guys also annouce what each other will have to do for next week’s [...]

Part 1 of my conversation with guest Brian Salvatore as we look back at the music of 1995. Show notes: - Recorded live from Brian's back porch in Ringwood, NJ - Check out Brian's podcast Input/Output - Baby Ben hanging out - In 1995, we were on to the second-generation grunge bands - Bands were copying Bush and Stone Temple Pilots - Brian was 12-13, Jay was 27-28 - Jerry Garcia died - More '95 deaths: Eazy E, Shannon Hoon - Back then, you checked out music based on a review - Blind Melon's rise and fall - Beatles released new song - Bill Berry had a brain aneurysm during an R.E.M. show - Van Halen released their last Hagar album - Superhero movies in the '90s - Singles charts had a lot of R&B, some jam rock - Jay tells his Trey Anastasio story again - Cursing Greg Ginn - Jay: Listened to Mellon Collie and the Infinite Sadness for first time in 20 years - Formed in '95: Blonde Redhead, N SYNC, Pedro the Lion, Eels, Sleater-Kinney - Broke up in '95: Grateful Dead, Bronski Beat, Dire Straits, Drive Like Jehu, Oingo Boingo, Kyuss, Sugar - To be continued    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.

Play your records, England! Tital sued. New Masked Intruder. Fest 15 announces first wave. Drive Like Jehu’s ATP cancelled.

April 24, 2016 Out of Step Show Page ABOUT THE EPISODE John and Kyle bring you a packed episode filled with punk/hardcore discussion. These guys have endless knowledge and passion for music and, in this episode, it shows through. They share a lot of news, updates, and spend some time just chatting about the scene. If you're in to music, you're going to want to listen. We want to hear from you! If you have any questions, comments, or ideas for the next episode, contact us at info@mountainbikeradio.com. -------------- RELATED SHOW NOTES NEWS Burn will returning with a new EP titled “...From The Ashes” on July 15th through Bridge Nine. A stream of the effort is currently available via Noisey. Frontman Chaka Malik says “Burn has so much left to share that it was inevitable that we would regroup at some point in time. With the flames stoked high in our personal lives, the intensity and passion that makes us who we are as a band needs to come to light once again.” Pre­orders are now available at b9store.com SUMAC (Baptists, ex­Isis, etc.) have announced a May/June west coast/southwest tour, coinciding with the June 10th release date of their sophomore album, “What One Becomes“. Trap Them have finished recording their new album at God City Studio in Salem, MA with Converge guitarist Kurt Ballou handling the production duties. A fall release through Prosthetic is in the works. The daily lineups have been revealed for the 2016 ‘This Is Hardcore Fest‘, which will take place in Philadelphia, PA from August 04th­07th. Head over to www.thisishardcorefest.com. Cruel Hand recently entered The Wild Arctic Recording Studio in Portsmouth, NH. This marks the 5th album and will be released via Hopeless Records. Code Orange will be playing a few headlining shows around their spring tour with the Deftones: 04/30 York, PA – The Shop 05/12 Savannah, GA – Dollhouse 05/21 St. Louis, MO – Firebird 05/23 Dekalb, IL – The House Cafe Norma Jean have a new album being released September 9th release on Solid State Records. A 20th anniversary edition of Integrity‘s “Humanity Is The Devil” is being pressed by Organized. Crime Records for a ‘Record Store Day‘ (April 16th) release. As to what’s featured on this latest pressing, the label had the following to say of it: Limited color vinyl housed in a stunning five-color gatefold jacket featuring the iconic art by the legendary Pushead and layout by vocalist Dwid Hellion. This edition includes an updated version of the rare Humanity Is The Devil pamphlet, 16.5′′ x 22′′ poster, expanded artwork by Josh Bayer, and liner notes by guitarist Aaron Melnick. This version also includes the first appearance of the narrative story of Humanity Is The Devil by Frank Araca on vinyl, and will be pressed in a run of 1,000 copies.” The date has been set for Bane‘s farewell show. It will take place at the Palladium in Worcester, MA on June 18th and feature Title Fight, Terror, Modern Life Is War, The Promise, Right Brigade, Cruel Hand, Rude Awakening and one guest TBA. Poison The Well have announced a number of live dates, marking their first shows since their live reunion last spring. Here’s what they have booked: 06/21 New York, NY – Gramercy 06/22 Toronto, ON – Opera House 07/07 Los Angeles, CA – The Roxy ­ 07/08 Pomona, CA – The Glass House 07/09 Anaheim, CA – Chain Reaction Thursday, Quicksand, Deafheaven, Etc. Set For 2016 ‘The Wrecking Ball ATL’. Drive Like Jehu, L7, CIV, Burn, Gorilla Biscuits, American Nightmare and more also booked SUMAC (Baptists, ex­Isis, etc.) have debuted “Rigid Man” from their upcoming album “What One Becomes“. That effort will see a June 10th release date on Thrill Jockey Records and was produced by Kurt Ballou of Converge. You can pre­order it now at Thrilljockey.com. RLYR will drop their debut album “Delayer” on June 17th through Magic Bullet Records. The outfit are comprised of Trevor de Brauw (Pelican), Steven Hess (Locrian) and Colin DeKulper (Bloodiest, ex­Russian Circles). The release of Vanishing Life‘s debut album got sidetracked in the whole Collect Records mess, but it looks as though the group are putting the pieces back together. The band have just signed a deal with Dine Alone Records for the release of the effort, as well as a new EP for their song “Exile“, which will hit stores this weekend.   HOUSECLEANING/LISTENER QUESTION First race of the season is in the books “John and Kyle, Great to hear a new episode guys! My favorite show to date for sure. A question I've had for you guys that I've been wanting to ask for a while is whether or not either of you actually listen to music when putting in miles on the bike? I definitely refrain from plugging in when riding singletrack most importantly due to just being aware of other trail users, but when it comes to gravel or road riding, are tunes a necessary component for your training? Finally, thanks for the tip on Achilles! Super sweet stuff. Take care guys. Grant”   RECORD REVIEW World Be Free – 'The Anti­Circle' Released: February 5 2016 – Revelation Records World Be Free's story began in the fall of 2014, when Scott Vogel (Terror, Buried Alive), Joe Garlipp (Envy), Andrew Kline (Strife), and Sammy Siegler (Judge, CIV, Rival Schools) met monthly to write classic­influenced, melodic and positive hardcore. All of this developed without a label, budget or any mention to the outside world. When Siegler scored some recording time at Hurley, they flew in Arthur Smilios (Gorilla Biscuits, CIV) to cover on bass and hustled into the studio. Vogel and Terror bandmate Nick Jett then tracked vocals at Jett's studio, passing the ball to Walter Schreifels (Rival Schools, Quicksand, Gorilla Biscuits) for one final guest spot. With their album finished and its release fast approaching, Top 5 – Primal Reaction Records. Something about these 5 records speaks to that dark place in your soul. Pure raw aggression and power..   UNBROKEN – Life Love Regret – 1994 New Age Records Life. Love. Regret. is everything that hardcore is. It is the heart, the soul, the sound, and the attitude. The music is loud and in your face, but most importantly, passion is put at the top. This album is a monument by a monolithic band. From the crushing riff and sinister notes at the beginning of "D4" to the ending feedback in the nine minute "Curtain."   Breather Resist – Only In The Morning – March 25, 2003 Deathwish Inc Breather Resist formed in 2002 and recorded 8 songs, 4 of which were on handmade demos. These 8 songs became their first EP, "Only in the Morning", released on Deathwish, Inc.. Their first LP, Charmer, was released on Jade Tree Records in October 2004, having been produced by Kurt Ballou. In December 2005, lead singer Steve Sidoni left the group; Buried Alive – Death Of Your Perfect World – April 20, 1999 Victory Produced by Steve Evetts at Trax East Studios. It is the band's only album with Jesse Muscato on drums.   CURSED – I – February 23, 2005 Deathwish Inc Formed in 2001 a year after the break­up of The Swarm aka Knee Deep in the Dead. Known for their trademark nihilistic and dystopian lyrical themes, stark classic horror imagery and loud, abrasive live shows. Integrity – Those Who Fear Tomorrow – 1991 Overkill Records Integrity's For Those Who Fear Tomorrow is a hardcore juggernaut that has lurked in infamy for over 15 years. Recorded in 1991, For Those Who Fear Tomorrow is often credited as on of the first true metalcore" albums. While hardcore crossover bands like the Cro Mags and Corrosion of Conformity had existed before Integrity, few were prepared for the world Integrity brought to life with their debut album. FTWFT's razor sharp metallic edges, driving hardcore verses, and gloomy breakdowns set a stage for one of hardcore's most messianic and charismatic front men: Dwid Hellion. The album has been issued in close to 10 different editions and formats. It has never received proper distribution or promotion, but it has survived: a truly bastardized child of hardcore, metal, and a darkness of the soul.   BUMPER MUSIC SEGMENTS Intro: Minor Threat  ­ ‘Out Of Step’ News: UNBROKEN ­ ‘D4’ Housekeeping: Breather Resist ­ ‘Just Do It’ Record Review: World Be Free ­ ‘Shake The Ghost’ Primal Records: Cursed ­ ‘1974’ Outro: Integrity ­ ‘Micha ­ those who fear tomorrow’   FIND MBR Mountain Bike Radio Facebook Page Mountain Bike Radio on Twitter Mountain Bike Radio on Instagram Mountain Bike Radio on Pinterest

Especial Primavera Sound 2016 con una veintena de melocotonazos de ayer, hoy y siempre seleccionados por Toi Brownstone y Luis Benavides. Lo mejorcito del festival, ordenado cronológicamente y comentado con mucho rigor (o no), en una horita y pico. ¡Dale al play! Suenan Suede, LCD Soundsystem, Air, Explosions in the Sky, Beach Slang, Tame Impala, Cala Vento, Drive Like Jehu, Viva Belgrado, John Carpenter... ¡Y muchos más!

Part 3 of my conversation with guest Brian Salvatore as we look back at the music of 1994. Show notes: - Recorded via Skype - Jay's #4 - Pavement was a shock to the system at the time - Malkmus continues to be a solo force - Brian's #3 - Ween's second-based album - Brian: Ween made 5 perfect albums in a row - Jay's #3 - Drive Like Jehu delivers scorching rock - Brian's #2 and Jay's #2 - Jay: Frank Black's Guided by Voices album - Black had serious writer's block during the making of this record - Brian's #1 - Weezer's debut features 10 perfect pop songs - Videos helped the album take off - Jay's #1 - One of Sloan's greatest albums got them dropped by DGC - Abrupt shift from first album's sound - Other '94 notables: Soundgarden, Nas, NIN, Portishead, Neil Young, Helmet, New Bomb Turks, Pearl Jam - Also: Magnetic Fields, TMBG, R.E.M., Outkast - Next up: 1992 - Jam bands became popular - Jay: Covered the best of the 2000s in CompCon episodes 96-99   Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!   The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.

Drive Like Jehu is a rock ‘n’ roll band from San Diego, California consisting of guitarist and vocalist John Reis, drummer Mark Trombino, bassist Mike Kennedy, and vocalist and guitarist Rick Froberg. On August 31, 2014, they played a free show in San Diego’s Balboa Park, which was their first public performance in 19 years and has […]

Henry Rollins' suicide apology. Drive Like Jehu reunion. Death From Above 1979 single.

John Reis is a fantastic guitarist and songwriter based in San Diego California. Over the past 25 years he has played in remarkable and influential bands like Pitchfork, Rocket From the Crypt, Hot Snakes, Sultans, and the Night Marchers among others, and he also started a cool label called Swami Records. One of his most […]

Opening a Donut Shop(?!?), Jimmy Eat World, Blink 182 Dude ranch, the making of Yank Crime, thoughts on a Jehu reunion, Primus in Alaska update, Neutron sports analogies. PRFBBQ2013 roundup, Evan is on painkillers, Airplane stories and more.

Part 2 of my conversation with guest Matt Phillion about our narcissistic society. I've also got the Bonehead of the Week and music from Thee Oh Sees, Fidlar, The Kills and Drive Like Jehu. Show notes: - Anybody can have a show or self-publish a book - Everybody's a photojournalist now - Online commenters are the worst - Talk radio callers are moving online - Onion AV Club comment sections can be great - Matt: Arguing on the Internet makes everyone dumber - So easy to hit "send" - Begging for RTs from celebs on Twitter is pathetic - The ridiculousness of Google Glass - How much information do you really need? - Can you watch a movie or TV show without checking your phone? - Staying off social media to avoid spoilers - The need to live tweet TV shows - The moviegoing experience sucks - Matt can go entire days without dealing with a live human - Bonehead of the Week Music:Thee Oh Sees - Toe Cutter - Thumb Buster Fidlar - Gimme Something The Kills - Future Starts Slow Drive Like Jehu - Caress Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The Thee Oh Sees song is on the album Floating Coffin on Castle Face Records. Download the song for free at Epitonic. The Fidlar song is on the band's self-titled album on Mom + Pop. Download the song for free at Epitonic. The Kills song is on the album Blood Pressures on Domino Records. Download the song for free at Epitonic. The Drive Like Jehu song is on the band's self-titled album on Cargo. Download the song for free at Epitonic. The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.