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Sub to the PPM Premium Feed to access this 3 & 1/2 hr AstroWorld monstrosity & its index in their totality. "Bohemian GrOVO (IV)" will also be an exclusive, so get in here, dood!!! patreon.com/ParaPowerMapping In this penultimate Bohemian GrOVO ep, we finally embark upon the climactic auditory panel in this parapolitical & rap esotericism triptych, namely our forensic recreation of the uncanniness surrounding the AstroWorld mass ritual. Talking AstroWorld as Mass Ritual: a tip of the hat to SK Bain's landmark schizo book; the numerological significance of the date on which AstroWorld fest in Houston fell (11/05/21 & the early morning of 11/06 -> 11s evoking 9/11 & Crowley; a couple 5s—evoking death & thresholds—in both the date & the digit sum of 2021); NukSantiago's firsthand account of seeing a sea of dead bodies on the floor & his characterization of the event as an "Illuminati ritual" & "demonic"; 11/06 — 6's Satanic significance; chaos in the crowd & vid of medic's resuscitating ppl as Travis & Drake cont playing; an ICU nurse & Nuk attesting to dragging dead bodies out; the meta & ARG quality of the AstroWorld advertising, which freakily foreshadowed the fact the fest would become a major cultural moment & source of conspiracy theorizing; Weekly World News & Nat'l Enquirer vibes in promo materials; the metatextual quality is deepened by the full page tabloid ads in the Houston Chronicle; Travis -> Bat Boy; "injecting the city" (glowing in pandemic context); "when the end arrives, it's really the beginning"; "See You On the Other Side" preempting mass casualty; Travis's song "Escape Plan" creepily mirroring ppl's exp of escaping the crush of bodies; Travis's "Franchise" music vid evoking Jodorowsky's "The Holy Mountain"; Qabalistic Sephirot significance of the 3rd iteration of AstroWorld; an occulted close reading of the stage design; a portal w/ rings symbolizing Circles of Hell; the mtns evoking Twin Peaks & vaguely resembling the Bohemian Grove altar; OVO - Bohemian Grove Minervan Owl symmetries; a brief history of the club; its Romantic poetry & literal Bohemian origins; morphing into elite boys club bacchanal; past participants like Hoover, Lyndon Johnson, Nixon, Reagan, OSS founder, Bob Weir (Courtney Love connex), & more recently Clarence Thomas visiting w/ Nazi artifact collecting oligarch Harlan Crowe; the story regarding Drizzy's shell corp LLC "Silence Policy", which likely served some sex traffick purpose, evoking initiatic & secret societies' code of silence; "Weaving Spiders Come Here Not"; "Cremation of Care" play & effigy burning; what are the chances Drizzy has visited Bohemian Grove?; the hyping of AstroWorld as this legendary fest & Travis encouraging ragers to gatecrash; the refusal of the sponsors & streamers ( A p p l e & L I v e N a t I o n, iirc) to stop the proceedings & help the dying; a capitalist sacrifice to Mammon, where profit motive outweighed safety; stories of security guards pricked w/ fent needles dropping after the event (later retracted), perhaps serving as a distraction...; Travis - "No Bystanders" & the Bystander effect; Utopian & Dystopian subtext; Travis's shirt w/ stick figures falling through a portal—an xtra dimension to the ritual sacrificial altar dressing; the "Franchise" vid evoking mass MK w/ its stampede of sheep (sheeple) & possibly hinting at the crowd crush; the Hand of Fatima / Hamsa imagery in the poster; Right Hand & Left Hand Path of magic; a Ouija Board planchette visual allusion; an academic paper on Satanic imagery & symbolism at Travis Scott's AstroWorld published by an Indonesian Uni, which Klonny cites for the Hieronymus Bosch allusion contained in the Travis mouth fest entrance, which evokes "Christ in Lambo", itself a representation of the Gate of Hell; & so much more.... Tracks:  | Travis Scott ft MIA - "Franchise" | | Michael Jackson & Friends - "What More Can I Give" | | Travis Scott ft Drake - "Sicko Mode" | | Drake ft 21 Savage - "Knife Talk" |

Heavy Songs for a heavy card... Alice In Chains Sea Of Sorrow, Shinedowns 45 and Ozzy Osbourne's See You On the Other Side and Road To Nowhere help us look deeper into this card

**PROGRAMMING NOTE - WE'RE TAKING NEXT WEEK OFF (11/23) FOR AMERICAN THANKSGIVING! SEE YOU ON 11/30!** After 21 episodes of strange men, loose health privacy rules, iffy security practices, and Jinxo, Babylon 5 decides to let loose for a chill and completely uneventful New Years Eve, where nothing can possi-blay go wrong. Whoops - possibly! We're on twitter! https://twitter.com/lastbestb5 We're on instagram! https://www.instagram.com/lastbestb5/ Tell your friends: there's a New (old) Babylon 5 podcast in town!! They'll love you forever for it!

This chat features Kyla Atlas, a Toronto-based stop motion animator who is also the co-founder of See You On the Moon animation studio. Atlas shares her journey into stop motion, what it's like running her own business, and how she got to work on Ultra City Smiths at the new Stoopid Buddy Stoodios in Toronto. And as a bonus, Nicole Honderich, my former Stoopid Buddy Studio coworker is also joining me to interview Kyla. You'll also learn: *How Atlas picks up animation gigs *How demanding running an independent studio can be *Why Atlas put her business on hold to work at Stoopid Buddy Stoodios ~[Sponsored Message]~ This episode is sponsored by HUE, makers of colorful, affordable USB cameras and animation software for creative teaching, work and play. Available from huehd.com and Amazon, the new HUE HD Pro camera features 1080p image and video resolution, a built-in microphone and LED lights. HUE's funky, flexible, Plug & Play cameras are easy-to-use and they are compatible with any apps that recognize USB cameras including Discord, Dragonframe, OBS, Twitch, Google Meet, Zoom and many more. In fact, if you go to YouTUbe and watch my interview with laura, I'm actually using a Hue camera as my webcam, so you can see what it's like firsthand there. Visit www.huehd.com for more information and follow @HUEcameras on Instagram or Twitter for news, freebies and giveaways! ~ Social Links: *Follow Kyla on Instagram: https://www.instagram.com/seeyouonthemoon/ *Check out Kyla's website: https://www.seeyouonthemoon.ca/

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.

The Lunar Saloon
 Every Friday from 10P - 12A PST
 99.1 FM Long Beach Streaming at KLBP.org Air date : January 1, 2021 -=-=-=-=-=-=-=-=-=- Vanishing Twin, The Age Of Immunology, The Age Of Immunology Sordid Sound System, See You On the Other Side( Featuring Eva Geist), Cape Perpetua Robert Slap & Steve Powell, Congo, Drive Foodman, Kazunoko, DOKUTSU Hamid El Shaeri, Law Konty, Shara Kilamanzego, Everything Goes Black, These Roots Are On Fire EP The Sunburst Band, Turn It Out (Ig Culture Remix), Breaking The Beats (A Personal Selection Of West London Sounds) Intelligent Communication, Drive (2015) Radio Edit, Drive RAMZi + River Yarra, Skweezi Burd VS Wooding Frog, Household Choirs Space Dimension Controller, Planète Contraire, Dekmantel Best of 2020 Kit Sebastian, Durma (Baris K Dub), Mantra Moderne (Deluxe Edition) Golden Bug, Physical Disco (Cowboy Rhythmbox Edit), Grieve Not, But Try Again Ibu Selva, Membrana, Ecologia Prins Emanuel, Stigmata Disparata, Household Choirs Yardley, Fresh Purpose, Antipodal Movements Yak, Umbra, Umbra / Kaepora Iñigo Vontier, Lugar Querido [Exclusive], La​Ga​Sta Late Summer Compilation Vol​.​10 (Part II) Sun Genam, Signy Hall, Angry Gods Andras, Goggles, Joyful Moon Wiring Club, Bewitched By A Derelict Windmill, Cavity Slabs Panther Modern, Ask Yourself, Ask Yourself Tolouse Low Trax, Milk In Water, Jumping Dead Leafs? Y-DRA, Goyang Tobong, No-Brain Dance TRjj, Fuse (Locked Groove), KSUN Encounter Double Geography, Yucca, The Indoor Gardener Mark Barrott, Der Stern, Der Nie Vergeht, Sketches From An Island 2 Tony Palkovic, Born With a Desire, NuLeaf Yves Tumor, A Greater Love, Heaven To A Tortured Mind Cass. & Gianni Brezzo, Koli, Masala Kiss

The season two premiere of Pod the Life! On this episode, Adam, Andy, and Travis discuss Korn's risky record deal with EMI, the album See You On the Other Side, and the departure of drummer David Silveria

BANG! @southernvangard #radio Ep231! Make room, Vangardians, as Doe & Meeks crank out another two pieces of stellar content to get you through the week! First, Ep231 is chock full of brand spanking new hip-hop joints, side splitting commentary AND has an EXCLUSIVE interview with our good friend, COUNT BASS D! Count called in to give us the inside scoop on “Edibles”, his brand new instrumental project that drops THIS FRIDAY, NOV 15 as well provide some insight on his upcoming album “CBD”. You can also hear a preview of the project throughout the talk breaks in this episode, make sure you pre-order or pre-add this album on your preferred platform today! We don’t stop there - for this weeks interview session we head to the District of Columbia to talk with ANKHLEJOHN! Interview snippets are at the end of the mix, you’ll have to wait until Thursday for the full interview. So press play and say hooray for what is ALWAYS #SmithsonianGrade #TwiceAWeek #ThriceAWeek #WeAreTheGard // southernvangard.com // @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube // #hiphop #rap #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live November 11, 2019 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #applepodcasts #soundcloud #youtube #spotifypodcast #googlepodcasts #stitcherradio #mixcloud #SmithsonianGrade #TwiceAWeek #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Talk Break Inst. - "See You On the Map" - Count Bass D "We The Ones" - Ankhlejohn "B.P.O.S" - Vic Spencer ft. Ankhlejohn "Fleeting Of The Lord" - Dango Forlaine & Tone Beatz "Black Gestapos" - Elcamino & Bozack Morris ft. Rome Streetz "Wordly Ways" - Asun Eastwood x Vago "Kelly's Korner" - Westside Gunn ft. Fat Joe (prod. Statik Selektah) Talk Break Inst. - "CBD Type Beat" - Count Bass D ** INTERVIEW ** - Count Bass D "Take Flight (Militia, Pt. 4)" - Gang Starr ft. Big Shug & Freddie Foxxx "Street Light" - KRS-One "They Wanna Kill You" - Dave East "A Level" - 1520 (Nomadic Poet & Drematic XL) ft. Illogic & Vodka "Duppy Mecca" - Nomad Carlos X Inztinkz ft. Falcon Outlaw "Hustle Economics" - Cas Metah ft. Yukmouth & Ras Kass Talk Break Inst. - "Pretticize" - Count Bass D Talk Break Inst. - "Just Pray" - Count Bass D "Earl Simmons" - JAY NiCE feat. Left Lane Didon & Rome Streetz (prod. Farma Beats) "Str8 Drop" - Jamal Gasol ft. Flee Lord "INFINITEBLACKMIND" - Estee Nack X Superior "Alium" - Crimeapple (prod. Buck Dudley) "Situated" - Brother Ali ft. Pharoahe Monch (prod. Evidence) "Burnt Tree" - Step Brothers (Evidence & The Alchemist) "Size 42" - Westside Gunn (prod. Daringer) Talk Break Inst. - "You Still Care" - Count Bass D Interview Snippets - Ankhlejohn

Patrick's coverage of the 2018 Haunted America Conference! Appearances by the band Sunspot and the See You On the Other Side Podcast, Troy Taylor, Lisa Taylor-Horton, Cody Beck and the American Hauntings Podcast, Jennifer Jones and The Dead History, Missouri State Penitentiary, Sarah Soderlund, Luke Naliborski, Rob Garcia and the 1858 Garnett House Hotel, Sherri Brake and Haunted Heartland Tours, Darla Moore of Darla Tours, April Slaughter, Haunted Atchison Kansas, Kari Bergen and Ephemera Obscura, Albert Kelchner and Haunted Willow Creek Farm, and Rosemary Ellen Guiley! Visit BigSeance.com for more info.          Other Android OptionsListen in Spotify Listen in Stitcher Listen in iHeart Radio Direct Download Link   In this episode:  Intro :00 I had so much fun at Haunted America Conference this year! :43 Pouring the tea. 1:58  Mike and Wendy, members of the band Sunspot and co-hosts of the See You On the Other Side Podcast, which can be found at OtherSidePodcast.com. You can find more of their music at SunspotUniverse.com. Also on Facebook and @SunspotMusic & @OtherSideTalk on Twitter. 2:12 A portion of a LIVE performance of I Was a Teenage Zombie by Sunspot 5:50 Lisa Taylor-Horton of American Hauntings Haunted History, Books, Tours & Events - Facebook  6:40 Cody Beck is the producer and co-host (along with Troy Taylor) of the American Hauntings Podcast - AmericanHauntingsPodcast.com 8:45 Troy Taylor of American Hauntings Haunted History, Books, Tours & Events Facebook/Twitter 11:32 Jennifer Jones and The Dead History - Facebook/Twitter 14:44 Sheila and Melanie from Missouri State Penitentiary - Visit MissouriPenTours.com - Facebook 17:06 Sarah Soderlund (aka Paranormal Sarah) can be found at SarahSoderlund.com or by contacting her at TheParanormalSarah@gmail.com 19:10 Luke Naliborski is the owner of I Had That in Belleville, Illinois. He also leads tours at Alton Hauntings. Facebook 24:20 Rob Garcia from the 1858 Garnett House Hotel - 1858hotel.com - Facebook/Twitter 26:53  Sherri Brake of Haunted Heartland Tours - HauntedHistory.net - Facebook/Twitter 29:27 Darla Moore of Darla Tours - DarlaTours.net - Facebook 32:35 April Slaughter - Author of Reaching Beyond the Veil and Disconnected from Death - AprilSlaughter.com - Facebook/Twitter 35:48 Maria Miller of Haunted Aitchison, Kansas - VisitAtchison.com 37:22 Kari Bergen and Ephemera Obscura - EphemeraObscura.com - Facebook 38:30 Albert Kelchner of Haunted Willow Creek Farm - Facebook - Contact Albert at HauntedWillowCreekFarm@Yahoo.com for more information or a visit. 41:12 Rosemary Ellen Guiley on Strange and Weird Experiences, Black Mirror Scrying, Dumb Suppers as a remembrance ritual - VisionaryLiving.com and VisionaryLivingPublishing.com - Facebook/Twitter 53:17 Patrick’s Final Thoughts! 57:20 A special THANK YOU to Patreon supporters at the Super Paranerd and Parlor Guest level! 58:22 Outro 59:10   Record your voice feedback directly from your device on my SpeakPipe page! Call the show at (775) 583-5563 (or 7755-TELL-ME). I would love to include your voice feedback in a future show. Visit BigSéance.com for more information. Please help The Big Séance Podcast by subscribing to the show on Apple Podcasts, Google Podcasts, Spotify, TuneIn Radio, Stitcher, Google Play Music, and iHeart Radio.

In this episode we talk with the talented actor, writer, director Wonder Russell about her upcoming directorial effort “See You On the Other Side”. We also touch on all things acting and craft as well as what it is about to live a creative existence. It’s always fun to talk to Wonder. She has a sharp wit and a big heart.

Patrick's coverage of the 2017 Haunted America Conference in Alton, Illinois. Appearances by April Slaughter, Adam Drendel, Robb Demarest, Traveling Museum of the Paranormal and the Occult, Sarah Soderlund, Rosemary Ellen Guiley, and the History Goes Bump Podcast! Visit BigSeance.com for more info.   In this episode:  Episode Teaser :00 Intro :20 On our way to the 2017 Haunted America Conference! :55 I know not everyone can attend events like this, so that’s why I like to bring it to you! 2:09 The band, Sunspot, was playing before Troy Taylor kicked off the weekend and the Friday night speaker’s panel. Band members Mike and Wendy co-host the See You On the Other Side Podcast, which can be found at OtherSidePodcast.com. Enjoy this sneak peek of their song, Skeleton Key (Secret Lives of Ghosts). I’ll include the entire track at the very end of this episode. You can find more of their music on iTunes or Bandcamp. Also on Facebook and @SunspotMusic & @OtherSideTalk on Twitter. Thanks, Mike & Wendy! 3:33 April Slaughter, who is involved in a lot of ITC (Instrumental TransCommunication) and other spirit communication research, shares the frightening story from her last public seance from last year’s conference. April is also and artist, and she produces beautiful creations out of skulls. You can find April’s site at AprilSlaughter.com. She can also be found on Facebook and @April_Slaughter on Twitter.  4:58 Adam Drendel is the founder of HauntedIllinois.com, which has been promoting everything haunted from the state since 1999. 10:48 Robb Demarest of Ghost Hunters International and Haunting: Australia gets real and honest. He talks about passion, as well as his frustration with the paranormal community. He can be found of Facebook and @RobbDemarest on Twitter. 12:17 The return of Dana Matthews and Greg Newkirk of The Traveling Museum of the Paranormal and the Occult. Hear about their 3D scanning project including haunted items, and the growth of the museum, plus an update to Ruby’s story! For more paranormal deliciousness, visit ParaMuseum.com, and also find them on Facebook and @TheParaMuseum on Twitter. For their full interview right here on the Big Seance Podcast, check out episode 81 from December of 2016. 17:25 A very popular speaker at the event this year, Sarah Soderlund is a forensic psychologist, author, and parapsychology researcher. Find her at SarahSoderlund.com and @ParanormalSarah on Twitter. 25:07 Checking in again with THE Rosemary Ellen Guiley, who spoke on Interdimensional Paraphysical Sasquatch at this year's conference! Find more on Rosemary at VisionaryLiving.com, on Facebook, and @Rosemary_Guiley on Twitter. 29:50 Investigating the Mineral Springs Hotel overnight on Saturday! Check out my photos from the investigation, and definitely listen to the second episode of Troy Taylor’s brand new podcast, The American Hauntings Podcast, which covers everything you’d want to know about the Mineral Springs Hotel!  34:25 Diane Student and Denise Moormeier from The History Goes Bump Podcast make a special return visit to the show to report back with their takeaways from the conference this year. You can also find them on Facebook and @HistoryGoesBump on Twitter. 35:35 For last year’s coverage of the conference, check out episode 67 from July of 2016. 53:43 #Paranerd Hashtag 53:43 Outro 54:30 Skeleton Key (Secret Lives of Ghosts) by Sunspot 56:06   Record your voice feedback directly from your device on my SpeakPipe page! Call the show at (775) 583-5563 (or 7755-TELL-ME). I would love to include your voice feedback in a future show. Visit BigSéance.com for more information. Please help The Big Séance Podcast by subscribing, rating, and reviewing the show on iTunes, TuneIn Radio, Stitcher, Google Play Music, and iHeart Radio.