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Can reading about the paranormal actually open a door to something otherworldly? Some real-life accounts suggest the act of delving into the supernatural may invite more than just stories – it may invite something far darker.Darkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateInfo on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamInfo on the next WEIRDO WATCH PARTY event. https://weirddarkness.com/TVIN THIS EPISODE: As long as there has been talk of evil spirits, ghosts, and demons, there have been tales of ways to bind, subdue, and imprison them. (Bizarre Real Demon Traps) *** Is it possible that reading about the world of the paranormal can somehow expose a person to it? (Can Reading A Book Open a Paranormal Door?) *** A truck driver passes a specter on a night road. (Night Driving In Alabama Left Me Speechless) *** The 1964 murder of Kitty Genovese – killed in front of 38 people, yet no one came to her aid - became an American legend. But how much of the story is true? (The Woman Killed In Front Of 38 Witnesses) *** The skeleton of a young boy was found on the side of a road and eventually a man named Marcellus Bunch was arrested for the crime – yet he seemed completely unconcerned about himself, the trial, or his fate. (A Hidden Skeleton) *** You don't have to be sleeping with someone to be the victim of a blanket hog. You only need an invisible entity to give you those chills. (The Phantom Blanket Puller) *** Beloved horror author Edgar Allan Poe was a master of terror and mystery – but his greatest mystery may not have been in the pages of his writings, but in the days immediately before his death. (The Last Mystery of Edgar Allan Poe)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Disclaimer and Lead-In00:00:57.852 = Show Open00:03:08.210 = The Last Mystery of Edgar Allan Poe00:06:37.195 = Can Reading a Book Open a Paranormal Door?00:14:09.905 = The Phantom Blanket Puller00:15:27.102 = A Hidden Skeleton00:18:09.483 = Night Driving in Alabama Left Me Speechless00:19:13.808 = The Woman Killed In Front of 38 Witnesses00:29:02.728 = Bizarre Demon Traps00:36:41.566 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…Episode Page at WeirdDarkness.com: https://weirddarkness.com/ReadingParanormal“The Last Mystery of Edgar Allan Poe” by Doug MacGowan for Historic Mysteries: http://bit.ly/2lGCHQk“Can Reading A Book Open a Paranormal Door” by Nick Redfern for Mysterious Universe: http://bit.ly/2m414Yk“The Woman Killed In Front of 38 Witnesses” by Stephanie Merry for the UK's Independent: http://bit.ly/2lFt7xe“A Hidden Skeleton” by Robert Wilhelm for Murder By Gaslight: http://bit.ly/2lHB1pI“The Phantom Blanket Puller” by Megan Amos for MyHauntedLifeToo.com: http://bit.ly/2k7NfYf“Night Driving In Alabama Left Me Speechless” by Alan Orr for MyHauntedLifeToo.com: http://bit.ly/2m0IkZI“Bizarre Real Demon Traps” by Brent Swancer for Mysterious Universe: http://bit.ly/2m9HDNZ=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: November 06, 2022TRANSCRIPT: https://weirddarkness.tiny.us/dz22srx2
Your Humble Host is back with his Jean Shepherd tape in hand, ready to play for you. Today on the Library of Sound (LOS) Volume 353 we'll travel back to April 3, 1975 when I was tape-side and ready to record Shep as he talks late night driving & Shep & Your Humble Host will talk about sign painting. Enjoy another of my EXCLUSIVE Shep tapes as you will only find here.
Penny & Midge discuss some of the first reported alien abductions. What do these abduction claims have in common? How do they align with pop culture of the time? And why are aliens sticking rods in people's belly buttons? Follow the ghouls on Instagram at @ghoulsnightinpod Shop Ghouls Night in Merch! Cover art by Alex Zimdars
There is an uneasy coexistence of cars and bikes on the road, and cyclist injuries & deaths from collisions with cars and trucks are on the rise. So what's being done to address this? What can you do — as a cyclist, and as a driver — to do your part? And what's being done in car & truck technology to help the cause? We talk with the lead engineer of Advanced Driver Assistance Systems (ADAS) at General Motors who works on bicycle detection technology to help keep cyclists safer on the roads.RELATED LINKS:BLISTER+ Get Yourself CoveredEp. Sponsor: Bag BalmCHECK OUT OUR OTHER PODCASTSBlister CinematicCRAFTEDBikes & Big IdeasBlister PodcastOff The CouchTOPICS & TIMES:Avoiding Pedestrians vs Avoiding Cyclists (3:58)The Increase of Cyclist Deaths (9:33)Distracted Drivers (10:27)Evolution of Car Safety Tech (11:40)Chad's Background (17:24)What Can Cyclists Do to Reduce Accidents? (22:10)Laws around Phone Use While Driving (25:32)Night Driving (30:17)Promising Tech? (30:17)Parting Thoughts (31:11) Hosted on Acast. See acast.com/privacy for more information.
Welcome to the Sonic Society Season 16 Premiere! This week we're pleased to chat about what's going on with Sonic Society, Mutual, MAD-CON, and so much more, all while giving you some great audio drama including A Titan's Rise from Shades of Vengeance Productions (be sure to support their Kickstarter!) and CNY Table Read's take on “Night Driving”! It's a new day, and a new season, and brand new audio drama! Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to the Sonic Society Season 16 Premiere! This week we're pleased to chat about what's going on with Sonic Society, Mutual, MAD-CON, and so much more, all while giving you some great audio drama including A Titan's Rise from Shades of Vengeance Productions (be sure to support their Kickstarter!) and CNY Table Read's take on “Night Driving”! It's a new day, and a new season, and brand new audio drama! Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to the Sonic Society Season 16 Premiere! This week we're pleased to chat about what's going on with Sonic Society, Mutual, MAD-CON, and so much more, all while giving you some great audio drama including A Titan's Rise from Shades of Vengeance Productions (be sure to support their Kickstarter!) and CNY Table Read's take on “Night Driving”! It's a new day, and a new season, and brand new audio drama! Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to the Sonic Society Season 16 Premiere! This week we're pleased to chat about what's going on with Sonic Society, Mutual, MAD-CON, and so much more, all while giving you some great audio drama including A Titan's Rise from Shades of Vengeance Productions (be sure to support their Kickstarter!) and CNY Table Read's take on “Night Driving”! It's a new day, and a new season, and brand new audio drama! Learn more about your ad choices. Visit megaphone.fm/adchoices
Relebogile speaks to Matthew Merton the Head of the VW Advanced Driving Academy and Bridget Harpur the Head of Marketing for Volkswagen South Africa about the night driving school initiative to combat nighttime driving fatalities. See omnystudio.com/listener for privacy information.
Driving home from therapy and chattin' it up about traffic and more thrilling topics
You gotta do what you gotta to try and get your kid to sleep which means driving around at ridiculous hours! Kevin's supermarket trip in Home Alone would be much more expensive now vs back then! Kasey had 479 web browser tabs open on her phone last night. All this and more on The Mark and Jess Replay!!
Things have been a little too quiet around Little Asgard — nothing the kidnapping of god-toddler Laussa Odinsdottir can't interrupt. The Babysitters — Sebastian Druid, Kate Bishop, Miles Morales, Simon Williams, and Thori the god-dog — must reunite in a journey across the galaxy to bring her home. Special guests Kate Welch: https://www.instagram.com/katewelchhhh/ Gabe Hicks: https://instagram.com/gabejamesgames/ We're playing the Marvel Multiverse RPG: https://www.marvel.com/rpg Additional Music in this Episode: "A Small Town on Pluto," "Anxiety," and "Night Driving" by Holizna: https://holiznaroyaltyfree.bandcamp.com/; "Conico Mar" by Di Bos: https://dibosmusic.blogspot.com/; "Bye-xx" by Koi-Discovery: https://koi-discovery.lescigales.org/; "Haunts" by Triple5 Here: https://soundcloud.com/steven-stresau; "The Way Forward (Brainquake / Linn Friberg)" by PARADIGM: https://www.discogs.com/label/2202238-PARADIGM-9; "Luminescent' by Mind's Eye: https://soundcloud.com/mindseye4; "Boombox City" by Moon Toad: https://freemusicarchive.org/music/moon-toad/; "neverblinking moon" by voide: https://soundcloud.com/tinshell; and "Electrify" by Eaters: https://open.spotify.com/album/27I9qGQGeEdfBo0g3lVnnQ.
Episode 98 of the D+D Music Factory podcast is live and in this episode we break down our combined top 10 songs to listen to while driving at night. Let us know what your favorites are on social media @dndmusicfactory
Vamos dar mais uma volta na cidade? Venha comigo.
Join Cheryl Lee - That Radio Chick on STILL ROCKIN' IT for news, reviews, music and interviews with some of our favourite Australian musicians.Join us for a fascinating conversation with the legendary Australian musician, Mark Seymour. Offering a wealth of insights into his life and career, Mark takes us on a journey from his early days with the Jetsonnes, through the mysterious world of songwriting. He shares his fundamental belief that songs should mirror authenticity and truth, and tells us how the guitar became his preferred companion to his singing. Mark's perspective on retirement is sure to inspire, reflecting his conviction that if you genuinely love what you do, it feels less like work and more like an extension of who you are. From his masculine performance style to his fitness training sessions with Tiffanee Cook, Mark's journey is as captivating as it is varied. We delve into the creation of his iconic song "Hey Boys" with Paul Kelly, examining the story it tells and its continuing resonance with audiences today. To wrap things up, we turn our attention to the Undertow, the backing band that has been a crucial part of Mark's musical journey for the past 12 years. We discuss the organic formation of the group, the dynamic chemistry between the members, and their eagerly anticipated upcoming tour. Get a sneak peek into Mark's upcoming album, discover what's been on his playlist lately, and enjoy a song from his last record, "Night Driving". To catch up on podcasts from other favourite artists, or for more radio chick stuff simply go to “ThatRadioChick.com.au”. Includes Songs:Simon & Garfunkel - Mrs RobinsonThe Jetsonnes - NewspaperHunters & Collectors - Say GoodbyeMark Seymour & Paul Kelly - Hey BoysNeil Finn & Eddie Vedder - Throw Your Arms Around MeHunters & Collectors - Holy GrailMark Seymour & The Undertow - Night DrivingWhat has Mark Seymour been up to lately … let's find out!Get out when you can, support local music and I'll see you down the front!!Visit: ThatRadioChick.com.au
RIGHT when you're dreams are starting to come true...can a true nightmare begin? Can God bring you through the hardships and restore you? You bet! Today you'll hear more from Chad Bird, whose story is a true story of a rollercoaster ride in life. Enjoy. Be blessed. Reach Out to Chad:Social Media Channel: https://linktr.ee/chadbirdBooks: https://www.amazon.com/stores/Chad-Bird/author/B00MS544WK?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true Hidden Streams Podcast: https://www.1517.org/podcasts/hidden-streams 40 Minutes in the Old Testament Podcast: https://www.1517.org/podcasts/40-minutes-in-the-old-testament Reach Out to Me:Website: www.dontignorethenudge.comPatreon: www.patreon.com/dontignorethenudgeIG: @dontignorethenudgepodcastPrivate FB group to WATCH interviews: www.dontignorethenudge.com/facebook__________________________________________________________________________________________Business/Personal Coaching with Cori:www.corifreeman.com(951) 923-2674
RIGHT when you're dreams are starting to come true...can a true nightmare begin? Can God bring you through the hardships and restore you? You bet! Today you'll meet Chad Bird, whose story is a true story of a rollercoaster ride in life. Enjoy. Be blessed. Reach Out to Chad:Social Media Channel: https://linktr.ee/chadbird Books: https://www.amazon.com/stores/Chad-Bird/author/B00MS544WK?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true Hidden Streams Podcast: https://www.1517.org/podcasts/hidden-streams 40 Minutes in the Old Testament Podcast: https://www.1517.org/podcasts/40-minutes-in-the-old-testament Reach Out to Me:Website: www.dontignorethenudge.comPatreon: www.patreon.com/dontignorethenudgeIG: @dontignorethenudgepodcastPrivate FB group to WATCH interviews: www.dontignorethenudge.com/facebook__________________________________________________________________________________________Business/Personal Coaching with Cori:www.corifreeman.com(951) 923-2674
Chad Bird joins us to talk about finding God in the most unexpected places. He opens up about his personal life, and he shows us how to reframe our struggles, trials, and how we look at our lives. Chad is the Scholar in Residence at 1517. You can hear him teach through the Old Testament verse-by-verse on his podcast “40 Minutes in the Old Testament.” He's written several books, including “Night Driving,” “Limping with God,” “Unveiling Mercy,” and “Your God Is Too Glorious.” Chad shares short daily devotional videos through the Bible on his Instagram channel, which you can find @chadlbird. Find Chad at 1517 @1517org . Go to www.1517.org. Here's a link to Your God Is Too Glorious: https://www.amazon.com/Your-God-Too-Glorious-Unexpected/dp/1948969807/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1691600360&sr=8-1 Here's a link to the 40 Minutes in the Old Testament Podcast: https://www.1517.org/podcasts/40-minutes-in-the-old-testament #suffering, #hope, #cross, #unexpected, #places, #glory, #humble Follow us on Facebook at: https://www.facebook.com/bumperstickerfaith Find us on Instagram @bumperstickerfaith Won't you please consider becoming part of the BS Crew? To find out more and join, go to https://www.patreon.com/bumperstickerfaith. Feel free to comment and be sure to share. Thanks for listening. Our website: www.bumperstickerfaith.com Join the BS Crew: https://www.patreon.com/bumperstickerfaith Find us on Apple Podcasts: https://podcasts.apple.com/us/podcast/bumper-sticker-faith/id1607763646 Or Spotify: https://open.spotify.com/show/1OZgz7PIQPEmMKSaj75Hc7 Music is by Skilsel
Chegou a hora de dar mais uma volta à noite. Venha nessa jornada comigo.
Chad Bird is a Scholar in Residence at 1517. He has served as a pastor, professor, and guest lecturer ins Old Testament and Hebrew. He holds master's degrees from Concordia Theological Seminary and Hebrew Union College. He has contributed articles to Christianity Today, The Gospel Coalition, Modern Reformation, The Federalist, Lutheran Forum, and the journals and websites. He is also the author of several books, including Night Driving and Your God Is Too Glorious.
Aired on Proton Radio 15.01.2023 • LIKE, SHARE, REPOST • ↻ 01.@aquo_music - Can't Let Go [@horosholabel] 02.@initialeyesmusic - Dreamcatcher (Extended Mix) [@electricimpulserecordings] 03.@dimitrispalikaris - Beam Of Light (@Nerutto Remix) [@inceptionpromo] 04.@tom-tainted, Dj Paize - Sundowner (Club Mix) [@bewildrecords] 05.@jonostephensonmusic - Stardust (@raphael-mader Remix) [Stephenson Music] 06.@carycrank, @obl_techno - Forest of Sin (@twoare Remix) [@sunexplosion-records] 07.@anmaartiste- Higgsino [@modernagenda] 08.@dj-aci-2 - Night Driving (@underground-ticket Remix) [@consapevole-recordings] 09.@weirdsoundingdude - Fallen Poet [@movement-recordings] 10.@futurenowmusic & @rodezmusic - Closing Doors [@wold-records] New episodes every 3rd Sunday at 15:00 EST | 20:00 GMT on Proton Radio and available for streaming on demand. https://www.protonradio.com/shows/768/snapshot
Hello all! Please enjoy the relaxing sounds of night driving in the rain with no talking or music in the background. For the best results, consider wearing some comfortable headphones.
Damon shares his first night stories and impressions about the realities of driving for Lyft as a totally new driver learning the way. Each night is a new lesson learned. Towards the end of the video, Damon gives us his side hustle thumbs-up review regarding making decent quick money. Becoming a rideshare driver can be intimidating. Who will get in your car? Will you be safe? What might I expect? As part of our Penny Stupid Project, Damon is taking one for the team and actually getting in the seat to give you an inside look at what he experienced. Follow along https://pennystupid.com/subscribe-to-penny-stupid/ Are there good things and bad things? Of course, there are, but that's the same with any side hustle opportunity. Your decision should be how much money you can expect to make in your extra hours and what the side hustle is like. If you live out in a rural area, you will probably not have the same results as Damon in Phoenix. However, I've met rideshare drivers who drive towards a busier area, spend the night doing rides, and then go home with heavier pockets. The flip side is if you are in a less busy area, there will be fewer drivers to compete against. Enjoy Damon's experience. He is a great storyteller. Important Penny Stupid Project Links Website - https://PennyStupid.com Facebook - https://facebook.com/PennyStupid All Our Lyft Details - https://pennystupid.com/dive-for-lyft-and-all-the-other-scoop/ Subscribe to Free Email Updates: https://pennystupid.com/subscribe-to-penny-stupid/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/get-out-of-debt-guy/message
We go for another night drive as Kendra attempts to show April the old Army Ammunition Plant again, which was an epic fail again. And April tells about the sad death of Vaclav "James" Parkos in the small town of Comstock, Nebraska, in 1935. Which leads to discussion of state mental hospitals back in the day, and how creepy the abandoned ones are, and THAT somehow leads to pondering why a certain bridge close to our city is called 'Witches Bridge'. Which will be the subject and our destination for April's episode next week! Join Kendra later this week for a spooky season story! ☠️
This Week on Home Improvement… Randy gets his driver's license, but finds that Tim and Jill won't let him drive at night because of Brad's past transgressions. This week on Grunt Work: Nights… Public Speaking This week Truman and Landen discuss American's number one fear: public speaking. Follow Us on Social Media: Twitter | Instagram The post Rebel Without Night Driving Privileges first appeared on Grunt Work Podcast.
Some new remakes of classic shows Wavefront and Deadline Shows- Name Please and Night Driving
This message was given by Chad Bird at Bible Hour in the Tabernacle at Ocean Grove New Jersey on Saturday, July 17, 2021. Not only does Chad speak about the Psalms in this episode, but he also gives an overview of the many resources available at 1517.org including an explanation of some of their many podcasts.Chad Bird is scholar in residence at 1517.org and has served as a pastor, professor, and guest lecturer in Old Testament and Hebrew. He holds Masters Degrees from Concordia and Hebrew Union College. He has contributed to Christianity Today, The Federalist, The Gospel Coalition and other publications. He is the author of several books including "Night Driving" and "Your God is Too Glorious".Length: 55 Minutes.Note: upcoming events can be found at www.oceangrove.org - come join us!This podcast is provided by the Ocean Grove Camp Meeting Association, a non-profit. We invite you to visit oceangrove.org to find more information about our organization including how to take part in our many programs and how to support the organization.
This message was given by Chad Bird at Bible Hour in the Tabernacle at Ocean Grove New Jersey on Friday, July 16, 2021. This message is about how the tabernacle, creation, the temple, and Zion all together preach Christ to us.Chad Bird is scholar in residence at 1517.org and has served as a pastor, professor, and guest lecturer in Old Testament and Hebrew. He holds Masters Degrees from Concordia and Hebrew Union College. He has contributed to Christianity Today, The Federalist, The Gospel Coalition and other publications. He is the author of several books including "Night Driving" and "Your God is Too Glorious".Length: 49 Minutes.Note: upcoming events can be found at www.oceangrove.org - come join us!This podcast is provided by the Ocean Grove Camp Meeting Association, a non-profit. We invite you to visit oceangrove.org to find more information about our organization including how to take part in our many programs and how to support the organization.
This message was given by Chad Bird at Bible Hour in the Tabernacle at Ocean Grove New Jersey on Thursday, July 15, 2021.Chad Bird is scholar in residence at 1517.org and has served as a pastor, professor, and guest lecturer in Old Testament and Hebrew. He holds Masters Degrees from Concordia and Hebrew Union College. He has contributed to Christianity Today, The Federalist, The Gospel Coalition and other publications. He is the author of several books including "Night Driving" and "Your God is Too Glorious".Length: 47 Minutes.Note: upcoming events (including Christmas in Ocean Grove on Dec. 4, 2021) can be found at www.oceangrove.org and oceangrove.org/christmas - come join us!This podcast is provided by the Ocean Grove Camp Meeting Association, a non-profit. We invite you to visit oceangrove.org to find more information about our organization including how to take part in our many programs and how to support the organization.
#TBI has made driving at night a horrible experience. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/jose-betancourt2/message Support this podcast: https://anchor.fm/jose-betancourt2/support
Eletrika #35 - Night Driving 2
Often in Scripture, the faithful falter. For example, Abraham is called “the man of faith” by Paul, and he is upheld as the model of justification by faith in all of the Bible. Yet, he sold his wife into defilement and adultery–twice. Or, consider the disciples. In the aftermath of Jesus’ death and resurrection, they are hiding together in a room, terrified. What do we make of these things?Semper Reformanda: The guys talk about preaching the Old Testament–and in particular, preaching on the lives of Old Testament saints. What are better and worse ways to do that? What are some common objections raised against redemptive-historical preaching?Scripture references:Genesis 12:10-20John 20:19-23Resources:Justin’s sermon: Faith, Fear, and God's Faithfulness | Genesis 12:10-14:24Jon’s sermon: John 20:19-23 – When Jesus Says “Peace”Giveaway: “Night Driving” by Chad Bird Podcast TranscriptJustin Perdue: Hi, this is Justin. Today on Theocast, we’re going to talk about when the faithful falter. For example, Abraham is called by the apostle Paul “the man of faith”, and he is upheld as the model of justification by faith in all the Bible. Yet this is a man who, on two different occasions, sold his wife out to defilement and adultery. What do we do with that? Even the disciples, as they are sitting in a room, huddled up together, terrified in the aftermath of Christ’s crucifixion and resurrection—what do we do with that account? Why are passages like this in the Bible? That’s what John and I are going to have a conversation about today. We hope that you leave this episode being encouraged in the faithfulness of the Lord Jesus Christ and how he has you and has saved you. So stay tuned.The title of the episode, everybody has seen it, is When the Faithful Falter. Why this topic today? I’m preaching through Genesis. This past Sunday Was in Genesis 12:10 and following all the way through the end of chapter 14. One piece of that section of Genesis is Abraham and Sarai in Egypt. Many may know that that’s the first of two situations where Abraham effectively sells his wife out to defilement, basically motivated by selfishness, self-preservation, and fear. Abraham, of course, has held up as the man of faith and the model of justification by faith in all of Scripture, but it’s quite clear that his faith faltered at points. In other words, his faith was like ours.And then Jon, you are preaching through John’s gospel. Where were you this past Sunday?Jon Moffitt: This is the disciples hiding in a room with the door locked. This is right after Jesus’ resurrection. He meets Mary, and John’s gospel sends Mary off to go tell the disciples that he is going to their God and to their Father. Then Jesus appears in the room. From the moment of Jesus’ arrest in the garden to the moment that Jesus is standing there in that room, you don’t see the strong disciples who said, “We’ll go with you anywhere. We’ll die for you.” All you see is the constant faltering of the disciples. We’re going to take both the New Testament and the Old Testament and show how the narrative seems to be the same.Justin Perdue: Totally. So this is going to be a conversation about Genesis; it’s going to be a conversation about John. And then we’ll probably talk a little bit about redemptive-historical preaching, and that’s probably where we’re going to go in the SR portion, maybe in more detail. So get ready. If you like Genesis and John, today’s podcast is for you.Let’s start out in the book of Genesis. If you have a Bible near you and you want to look along, you totally can. It’s Genesis 12:10-20. We’re not going to go verse by verse or anything, but if you want to read the account that we’re talking about, that’s where you can find it.Basically the situation is there’s a famine in the land where Abraham is, and that famine drives him into Egypt to find food. This is going to happen again with Abraham’s descendants as we know. Jacob and his children are going to go down into Israel as well. Kind of cool how those patterns repeat themselves over and over again in redemptive history, but that’s another podcast for another day.So as Abraham is driven down into Egypt for food, he’s faced with a decision. Because he’s going down there as a sojourner, which means that he doesn’t have rights, he doesn’t have legal recourse, he doesn’t have protection in those ways. He’s vulnerable as a Sojourner and he knows that. So as they’re going down into the land of Egypt, Abraham says to his wife, “Okay, look, you’re a beautiful woman. When the Egyptians see you, they’re going to notice that. And they’re going to want to get rid of me because you’re so beautiful. They’re going to want to eliminate me from the equation so that they can do with you what they want to do.”Jon Moffitt: At what point do you think she’s thinking, “Aww. This is a great compliment.” And then she goes, “Oh, he’s being real. He’s being serious.”Justin Perdue: He’s like, “For real, for real.” Basically, he says this: they’ll kill me, but they’ll let you live. So in verse 13, he pitches the plan. This is what he says: “Say you are my sister, that it may go well with me because of you, and that my life may be spared for your sake.” So it’s very straightforward in terms of what his plan is and what his hopes are. Because Sarai is beautiful, she is going to tell them that she’s not Abram’s wife—she is his sister—so now they will treat Abram well Because of that. And in verses 14-16, that’s exactly what happens. They go into the land of Egypt and it all unfolds according to Abram’s plan. (I’m using Abraham and Abraham interchangeably—forgive me for doing that. The studious amongst us will know that he is not called Abraham until Genesis 17.)Verses 14 to 16, the Egyptians see that Sarai is beautiful when they enter into the land. And then the princes of Pharaoh commend her to Pharaoh, Pharaoh takes her into his house to be his wife. He treats Abram well—verse 16, “And for her sake he dealt well with Abram,” and gives him a bunch of stuff. It’s all working out according to Abram’s plan.But then in verse 17 is where it really takes a very interesting turn. We read that the Lord afflicts Pharaoh’s house on account of Sarai because of the defilement, the adultery that’s going on. Then Pharaoh, in verse 18, approaches Abram. It’s wild. This whole scenario is insane in how it unfolds. In this account, it’s almost as though Pharaoh is set up as the one who is the righteous man and Abram is the one who is the selfish liar. So Pharaoh confronts Abram in verse 18, “What is this that you have done to me? Why did you not tell me that she was your wife? Why did you say, ‘She’s my sister,’ so that I took her for my wife?” In other words, he wouldn’t have done that if he had known that she was married to Abram. “Here is your wife; take her and go.” And Pharaoh gave men orders concerning him and they sent him away with his wife and all that he had.This is a remarkable account because Pharaoh is very upright in the way that he deals with Abraham here. When he finds out about the adultery, not only does he stop the adultery, he doesn’t continue, but he confronts Abraham and even rebukes Abraham for lying about it all. He doesn’t kill Abraham, which would have not been uncommon, and he had been giving a bunch of stuff to Abraham because of Sarah and he doesn’t demand any of that stuff back; he lets Abraham keep it all. Then he sends them away out of the country and gives orders to his men to make sure they get out safely. He is kind and merciful and all these things. It’s like the Pharaoh is more concerned for Sarah’s welfare than Abraham is. It is not Abraham’s finest day; he does not handle this in an exemplary manner. That’s very clear.Let me just say this at the outset before we riff on this. Disclaimer—we’ve got to do this because we don’t want to be misunderstood: sin is wrong and sin is destructive; it ruins lives; we ought to flee from it; we ought to pursue righteousness. Nothing that we are about to say excuses, sin in any way. We are just going to have an honest conversation about the nature of life in this fallen world and the fact that God’s people still sin—sometimes heinously. What can we learn from these kinds of accounts about God, about ourselves, and about His ways with us? That’s the question.Jon Moffitt: There you go. You have to make the observation that Abraham is one of the few men who had the privilege of speaking with the Lord, he has conversations with Him. We do know that Abraham believes in God. What his theology is at this point, I don’t know. Obviously, if Pharaoh knows what he’s doing is wrong, Abraham knows what he’s doing is wrong. So let’s just get this clear: it’s obvious Abraham knows what he’s doing is wrong and yet fear is what seems to be his reason.Justin Perdue: Yeah. Self-preservation. Selfishness.Jon Moffitt: Fear and selfishness seem to be his motivation. It’s a random story. Let’s just think about the narrative here for a moment: we understand that the story of the Bible is the unfolding redemption of sinners by Christ. What did this really add to the unfolding story of the redemption of Jesus Christ? We know that Abraham is in the line of Christ’s seed. It’s from Abraham we get to the Messiah. Why did the Holy Spirit find it necessary to put that in there? I think it’s very important because every word, according to Paul to Timothy, is profitable for reproof, for instruction, and in doctrine. I’m going to say very clearly for reproof, instruction, in doctrine, and for holiness; it’s obvious to see that men who are often raised to be faithful are the ones who Scripture describes as faltering. So if you want to talk about the faithful one, we’re going to have to point to Christ. But in this narrative, I can see very clearly why the Holy Spirit put this in here because one of the most famous important men in bringing us the Messiah faltered—not once, but multiple times.Justin Perdue: Some observations here. What I said before I do think matters in terms of a pattern for Israel, because Abraham is going down into Egypt, has dealings with Pharaoh, is brought out by God into the promised land, and Israel will be, too. But I agree with you. Why all the details of his failure? This is one of the things, too, that people have said about Scripture for ages—and I agree; I know you do, too. One of the things that commends Scripture in terms of its truthfulness is the fact that it does not give a flattering presentation of its major figures. This is not a flattering presentation of Father Abraham, the man who is called by the apostle Paul “the man of faith”, who is the pattern for justification by faith in all of the Bible, and yet we see him doing this. I just want to be super clear: the point of none of this is that sin is no big deal. That’s ridiculous. It’s absolutely absurd.Jon, I think to what you just said, the point of this is that God saves sinners, that God justifies the ungodly, and that he doesn’t just save upright, likable, virtuous people. The point is that he saves wretches in need of mercy and gives us the righteousness of Christ—a righteousness that we don’t deserve and could never earn. That’s what he did with Abraham.Here’s the deal—and you pointed at this, too—as Christians, we all sin and some of us will commit sins as Christians that are shameful. But God will keep us through it all. People will then raise that we can’t be engaged in habitual sins. We’re doing something that’s heinous; surely we should learn from that first experience and never do it again. People would say that about Abraham here. After this and this whole thing and how it shook out, surely he’ll never do this again. Well, he does in chapter 20—and he does the same thing again. He’s going to sell his wife out to defilement again. Not excusing his behavior, but the point is that he is going to fall in the same way again, yet at the end of it all, he will be finally saved on account of the righteousness of Christ—and so will we.Now, if you hear that and—in the face of that mercy, that grace, and that love—your immediate thought is, “Oh, good. Well, we can just go sin now,” I don’t know that you’ve understood the gospel. When we are confronted with that kind of mercy and grace, and that kind of love in the face of our sin and failure, our thoughts should be, “What a God. What a Savior. What good news. I want to go out of here now, love my neighbor, and pursue righteousness because of what God has done for me.”Jon Moffitt: Outside of Christ, there are temporal consequences and there are eternal consequences. The world knows there’s temporal consequences. That is why things like AA exist. People don’t like the effects of sin; most don’t. Look at Pharaoh; he even knows this is wrong. He said, “Why are you doing this?” To think that to promote grace is to make sin acceptable is wrong. I will say that a lot of times I encourage men in my own church to say, “Hey, look, you need to take a long, hard look at your fight against sin and realized that there’s no condemnation for those who are in Christ Jesus, but the temporal punishment or consequence is you don’t want to go through that.” Justin and I both have had to walk people through absolute shattered lives. The scars they carry with them until death are horrendous. It’s disgusting.Justin Perdue: A guy from my congregation and I were having a conversation after the service on Sunday. He was greatly affected by the sermon and the service in general. He was just astonished at thinking about Pharaoh and Abraham and all this. Abraham committed this heinous sin, yet God’s going to deliver him. That’s true. And at the same time, we’re not told all of the details in terms of the fallout that Abraham and Sarai and everybody had to go through. And there’s going to be more in subsequent chapters when he sleeps with Hagar, and then Ishmael was born, and all of those absolutely tumultuous stuff that occurs in his household as a result of that. In chapter 20, when he sells Sarai out again, we’re not told about all of the fallout in terms of their lives on earth. Our lives are wrecked by sin and we ought to flee from it for the good of our neighbor, for the good of everyone who loves us and is close to us, and we ought to pursue righteousness and flee from sin because it does honor the Lord.One thing to comment on before we leave this Old Testament section and jump into John’s gospel—and we may pick up more on this later even in SR—something I said on Sunday is we would do really well to talk honestly about the lives of saints as they are described on the pages of Scripture. In other words, we would do well not to whitewash them. We ought not try to domesticate things and edit out the ugly parts in this kind of flannel board presentation of the lives of the saints. I am convinced that the Scriptures are such a tremendous gift from God to those who seek to be honest about our struggle with sin. We’re able to look at texts even like this and see how Abraham, this man of faith, sinned and struggled and yet is going to be finally delivered. We are able to see something there of how the Lord will deal with us.Are there things commendable about Abraham’s life? Absolutely. We talked about some of those in our service on Sunday; we’ll talk about some of those things moving forward. But there are plenty of things about his life that are not exemplary, and this is why we don’t preach sermons on how to be like Abraham. We don’t preach a sermon series on “Dare to be a Daniel”, or “7 Ways to be Like David”, or a 31-part series on the life of Jeremiah. There’s a reason that we don’t do that. Abraham, if he were sitting here today, would be the first to say, “Be like me? That’s not a good idea.” Because seriously, Jon, you and I both have a number of godly men in our congregations who have not sold their wives out to defilement for their own protection and profit.Jon Moffitt: Nope. 30 years of marriage. Never once.Justin Perdue: Abraham, I think, would tell us, “Look, there’s really only one thing about me that you would want to imitate—and that is to believe God. Believe in the one who justifies the ungodly. Believe in Jesus, God’s promised One who has saved us from our sin.” Abraham’s best moments were when he took God at His word.Jon Moffitt: To defend what you’re saying, let me quote Paul. In 1 Corinthians 10, he is describing the fall of Israel, and he describes a lot of falter. He says, “Now these things happened to them as an example, but they were written down for our instruction, on whom the end of the ages has come. Therefore let anyone who thinks that he stands take heed lest he fall. No temptation has overtaken you that is not common to man.” If you think that you don’t have the same capacity to fall as they did, you better take heed. When someone says, “Well, Jon, these are examples,” I’m like, “Yes. That you too can fall.”Justin Perdue: In other words, that’s an example because you are just like Abraham and Abraham is just like you. You could end up doing the exact same thing that Abraham did, though you shouldn’t.I don’t think it takes a lot from us to be able to look at our people and say, “You know, it’s probably not good to sell your spouse out to defilement.” If I need to open the Bible to convince you of that, we need to have another conversation.Jon Moffitt: That’s called “the law in our hearts”.Justin Perdue: For real. The law is written into the human heart and there’s a civil use of it where, like you even said, Pharaoh is clearly aware that to commit adultery or to take another man’s wife is inappropriate.Jon Moffitt: Let’s transition to John. This is going to be a slightly different perspective but the same conclusion—it’s always Jesus—but let’s look at it from a different perspective.Jesus recruits these men and in this narrative, someone even argued that maybe even Mary and some other people are in this room. Obviously Thomas is not because Thomas asked to see later. But at this point, the disciples have abandoned Jesus. Peter has denied him three times. It’s a mess of a story. Of course, Jesus told them this would happen. Some of the disciples here walk with Jesus and eat with him; they don’t know it’s him and they’re trying to figure it out. Then he appears in this locked room. John describes that Jesus appears within this locked room and uses a phrase that’s not uncommon: “peace be to you”. It’s a very common phrase.I think John has an unbelievable sense of humor and he is very sarcastic and snarky at times, in my humble opinion. In Greek, Jesus magically appears and the words he uses are like, “Hey, guys!” To which Luke describes them as yelling out and saying, “It’s a ghost!”John describes the very next thing that makes Jesus’ words come to life. It makes sense. It’s not just a simple, “Hello. Peace to you.” So in Jeremiah, twice Jeremiah yells out to the people—and I would never want to have to have Jeremiah’s job because all he did was preach doom and gloom and wrath upon Israel—and twice he comes after them and says, “The false prophets are saying ‘Peace, peace,’ when there is no peace. You better beware and you better repent because if you don’t, judgment’s coming upon you.” And of course, what ends up happening is judgment does come upon Israel and it’s a mess.Jesus walks into the room of men who have abandoned him, who are afraid of being killed because they’re followers of Jesus, who are doing everything wrong. He appears before them and he says, “Peace be to you.” What does John say? Immediately, he showed him his hands and his side, and then said again, “Peace be to you.” Why do they now have peace with the Father? Jesus is showing them it is not their actions, it is not their faithfulness, it’s not their dedication; it is his scars in his hands and in his side. He received the wrath that Jeremiah was talking about that was coming because there was no peace between God and man, and now there’s peace between God and man.This is where things are a little bit different. I want to talk about the motivation for obedience. Because in this same section, it says, “When he had said this, he showed them his hands and his side. Then the disciples were glad when they saw the Lord. And Jesus said to them again, ‘Peace be with you.'” I love this. This is their motivation. They’re all good because of Jesus. This is what he says: “‘As the Father has sent me, even so I am sending you.'” Men who are locked in a room, afraid that they may be caught as a Jesus follower, Jesus comes in and uses what to motivate them? Not fear, not dread, not death, not warning. What does he motivate them with? “All wrath and anger and punishment has been put upon me. Here’s the proof. Now I’m sending you out to finish what the Father has started.” you want to talk about your motivation to obey coming from the gospel? What a point, right?Justin Perdue: Yeah. I’m just sitting here listening to you talk about it. I’m looking at the text, I’ve got my Bible open over here, and it’s very clear. What is it that is to drive and propel and motivate the disciples? It’s peace with God that Jesus alone has accomplished.Like you just said, all the wrath that is due sin, all of the righteous indignation that God has against all of the wickedness that all of His people have ever committed, all of his wrath against just our inherent corruption and rebellion against him and all of those things, all of His righteousness and holiness and everything that that requires, in one sense, in terms of His justice. All of these things have been poured out in full on Christ. His scars are evidence of that. It’s like Romans 5:1: because we have now been justified by faith, we have peace with God because of what Christ has done. It’s like what I was saying earlier: in the face of this astonishing grace and mercy, to be crushed by the Father is what we deserve, but instead Jesus was crushed for it. When we think about how we deserve that, but now we have peace and love and grace and fellowship and security and all of these things, now I get to go be part of what the Father is doing in this world through His Son.Then the question is, “Why would we then want to go sin?” And the answer to that question is because the flesh is real. It is a reality where we are born again, we have been united to Christ, and his Spirit has taken up residence within us. And by virtue of that, we now have become obedient from the heart, we delight in God’s law in our inner man, and we want to obey. Because we hear the gospel and we see how good it is, and we’ve considered the mercy and the privilege and all that that is ours in Christ, we want to go and love and preach Jesus, flee from sin, and pursue righteousness. Yet the flesh remains, it’s real, and the flesh at times overcomes the saints. But yet the confidence that we have is that at the end of the day, Christ is victorious because he brings judgment to victory.Jon Moffitt: Which is not a justification for sin.Justin Perdue: No. That’s a huge disconnect and a non-sequitur.I, for the life of me, don’t understand it. Because we’ve got to have this conversation when it comes to sin: what is your motivation to flee from sin and pursue righteousness? Is it fear? Is it dread? Is it merit? Because if you’re talking in those terms, those are legal terms where you still, in some way, are thinking that you’ve got something to escape or something to earn before the Lord. But God has told us that Christ has handled that. So the motivation has to be something else: and it’s love, peace, security, and knowing that the wrath that was due me, Jesus took it.Jon Moffitt: As we’re talking through this, there’s been all kinds of failures in the last five years. My wife says it’s inevitable.Justin Perdue: It’s never ending. From various theological streams.Jon Moffitt: There’s a reason why Paul says, “Take heed lest you fall,” because it doesn’t matter what your theological knowledge is; if you find confidence in yourself in any part of your journey with Christ, whether it be your assurance or your fight against sin, you are priming the pump for Satan to come knock you off that stool, buddy.Justin Perdue: What causes sin? The flesh and the tempter. It’s not theological positions. Granted, we care a ton about sound doctrine and theology. It’s why we do this podcast. Doctrine matters a ton for our peace before the Lord and for our lives in the local church and all of those things, but good theology has never made anyone immune to sin. And sin does not directly come—in every case—from bad doctrine. It comes from the flesh and the cravings of the flesh that overcome the saints at points. It comes from the work of the enemy, even, in his is battling and waging war against us.Jon Moffitt: Dare I say, if you have good theology, you probably have a bigger target on your back because you’re doing greater work. You think about some of the things that Paul even experienced and suffered. If he wasn’t preaching the gospel faithfully, he probably would have been left alone. In some ways, you’re going to be targeted even more if your theology is correct. I just think it’s foolish to think your theology is what makes you immune to temptationWe have things in our lives—protections and fences and gateways—because we know that our flesh is weak. We can be Abraham. We can be the disciples. This is why Paul says these are examples for us. The strongest are the ones who fall the hardest, so don’t take your faith in your strength; you put it in Christ.Justin Perdue: This is why we preach, on the one hand, our weakness and the strength and faithfulness of Christ: because it is the only hope for sinners. I imagine that every one of us have all done things that we swore we would never do, and we’ve all certainly thought things that terrify even us. Personally, I think that has to be true. It’s true for every Christian I know, and every member of our church, our pastors included. We all see this in ourselves and realize that were it not for the grace of God, there go I. But the point of all that is, my goodness, Christ is our only hope. This is why we need the church and we need each other, and we need to be in one another’s lives talking honestly about the cravings of our flesh and our battle against sin, so that we have people in our lives that can look at us and say, “That’s really hard, brother, but don’t go there. That will destroy you and it’s going to destroy all these people who love you. It will dishonor God. That doesn’t please the Lord. He has told you that’s terrible. This over here is a good thing—you know that. Keep pursuing this and let me help you walk that way.”We come back to this: If we’re saved not only by our faithfulness, but even by the quality of our faith, may the Lord help us. This is a little teaser for what we’re going to talk about next week. We started by talking about Abraham and we mentioned how Paul calls him the man of faith and how he is held up as the model of justification by faith and Scripture. Yet his faith faltered big time at several points in his life that are recorded on the pages of holy Scripture. In light of that, I think the takeaway should be Abraham’s faith is just like mine and just like yours. It isn’t always strong. Sometimes it’s like we can’t even find it.I said this in the sermon on Sunday, and I said this to you earlier: we need to talk honestly, and well, and accurately about faith. We ought not make too big a deal about faith itself because sometimes evangelicals, in wanting to not preach salvation by works, will emphasize salvation by faith—and that’s good, but you gotta gotta be accurate about this because faith has never saved anybody. Faith in and of itself has never saved anybody. That is the conversation that we’re going to have next week. It’s actually something else, someone else who saves us and we’ll talk about how faith relates to that.Jon Moffitt: And what the confusion looks like.Justin Perdue: What the confusion looks like and why it has everything to do with our assurance and our peace before God when our faith is faltering.Jon Moffitt: In our next podcast, Justin will explain what that is. We should talk about some of the objections that we receive when it comes to Old Testament and even New Testament faltering, and how we, as Theocast, have tried to help people walk through these objections as it relates to preaching Old Testament saints.Justin Perdue: And we may riff a little bit on Old Testament saints, redemptive-historical preaching, the “Dare to be a Daniel” kind of mentality. There could be some humor and some lightheartedness, but we hope to be helpful to the listener in trying to be precise about what we mean, and even, like you said, let’s respond to some objections that are really quickly thrown at us. For example: “Would you guys never want to make moral demands of any kind?” And that is not true. We’ll talk about why over on the Semper Reformanda podcast.We’re going over to the Semper Reformanda podcast, sometimes shortened to just SR. What that is a podcast for those of you who have partnered with Theocast and have joined Semper Reformanda, and you have partnered with us, not only financially, but you’re supporting the ministry and wanting to be a part of this community that we are seeking to build where there are many of you who want to continue to be able to have conversations about the podcast, about this kind of theological stuff and the transitions that you’re walking through, and things that you’re learning. Semper Reformanda is a community being built to facilitate those conversations.A piece of Semper Reformanda is this podcast that we record weekly alongside the regular episodes. So that’s where Jon and I are headed. If you want to find out more information about SR and how you could partner with Theocast in those ways, become a part of this pretty cool community of people, and help spread the Reformation, you can find that information over at our website, theocast.orgWe appreciate all of you who have tuned in. We hope this has been encouraging to you. Continue to trust Christ, flee from sin, pursue righteousness.We’ll talk with you again next week.
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My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
My new album. ‘When The Saints’ was written during the pandemic. It imagines the inner-lives of citizens of a stopped culture, while also ruminating on the healing power of love. A note on the songs: New York Rain -- Reinvention is always a statement of power. But true identity is more complicated. We live in our contradictions -- the characters in this song may not be morally pristine -- but they are also willing to love within their contradictions. True lovers are the champions of the world. Untroubled Summer: Virginia Liston sings the 'Titanic Blues.' I'll See You On the Beach in Better Days: This was the first song I wrote during the pandemic. The character is a vain failure. He disregards safety measures, takes a cynical position on science even as his existence hinges on the cure, and frequently embarrasses the woman he loves. But he's also a true romantic. And there's something admirable about his devotion to individuality. An unaffiliated man -- accomplishes nothing and breaks nothing. A Free Citizen Sleeps: “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” -- Henry David Thoreau Cold Twilight: Apathy must be investigated. Not immediately rebuked on moral grounds as a show of sincerity. Civic responsibility may feel grounded in assumption when compared to the abstract quality of individuality and memory. Broken State: The coda is a prayer. Often, it is up to us to answer our own prayers. At the End of This Earth: The testament of one roadie's life and times in the twenty-first century. Except much of his life has been spent gazing at the singer whom he services. One person's burdens are another's blessings. The Watchman Reflects: One professional's life stored in the eyes of a painted woman on a wall. When the museum is closed, he goes alone to look. Intelligence: You may notice several songs on the album reference the world stopping. For a brief moment last spring, before it all went mad, there was an existential angst amid the fear and anger. One could actually see the system stopping -- almost like the sidewalks had reversed -- so we walked forward to get backward. Temporarily, loss and gain were negated. All had become theoretical. I actually was not what I thought I wanted. I was less, so therefore more. Such a mentality seemed to suit a character who'd done extremely consequential things in a highly conscious way, for a specific end. To fool them he had to fool himself too. Hidden Green: As society inevitably revolutionizes itself we must find ways of strength which cannot wear out -- changeless as the world can seem when we are in love in it. Night Driving: Holy headlights, guide us safely on our journey through evening's mystery. The imperceptibility 'tween 45 MPH and 50 -- dark matter where sound becomes song. (Night Driving was inspired by Sylvia Plath's poetry) New Year's Dream: Inspired by my love. Presiding: Ultimately the quietude of space was rather lost on me until I was looking *up* with the one I love. Finally Tonight: Waiting, finitude, forever -- these great forces we graze against in our simple little lives animated by love. Luck & Love: This song was never supposed to be this song. It was supposed to be something which I now do not remember. These lyrics I believe to the fullest.
ChillDaBeats is the brand new show from Phil Taggart. Every week he brings you a soft focus selection of the best alternative chill sounds along with the biggest guests picking some brain soothers in the Soul Food Selection. ChillDaBeats goes live every Sunday with two themed shows (Night Driving, Ambient Sounds, Electric Concentration etc...) will be made available during the week. Sink into the sounds and take your foot off the gas for a little bit.Listen On SpotifyJoin the DiscordJoin the Patreon Support this show http://supporter.acast.com/phil-taggarts-slacker-podcast. See acast.com/privacy for privacy and opt-out information.
Welcome to The Camping Crew podcast with Aaron Burchael & Chris Byrne This is meant to be a fun podcast, we are just enthusiasts and what we discuss on the podcast are just our own personal views. You can now support us and get hold of some of our goodies at the same time, just go to TheCampingCrew.ie to see what's available. Or alternatively if you can afford it you can buy us a coffee at https://ko-fi.com/thecampingcrew Follow-ups & shout-outs: How is the Bee Baw coming on? Started wiring this week most of the lights and all the 220v sockets are done. Peeled off "some" reflectives also .. that's going to take a long time! This weeks follow-up came in on Monday from Tony Grant regarding the MMM magazine and campsite prices. Campsites or stop overs: LiamK left another review on campsitereview.com from Cumberlands Campsite Fort Agustus Scotland Where will Charlie and Me be this week? Tips & Camping hacks: Driving your Motorhome or camper at night in the dark. Products: Energizer Cup Holder Inverter with 2 uSB Ports - 12V to 230V - 120W Camp life: If restrictions are eased is anyone out there planning to have Christmas dinner away somewhere in their motorhome/camper/Caravan? If you are get in touch. ---oOo--- We love getting your messages, ideas, campsite suggestions/reviews, products, news items to discuss on the podcast. If you would like a sticker for your Motorhome, Campervan, Caravan or Car just send us your address and we will pop it in the post to you. To get in touch with us: Email: CampingCrewPodcast@gmail.com Twitter: @TheCampingCrew Instagram: @TheCampingCrewPodcast Facebook: All the good motorhome and camping groups Forum: MotorhomeCraic.com or Boards.ie We wrap up this podcast with a quick shout out for Aaron's Vlog on YouTube called: Charlie and me our Camping Vlog and his website http://www.campsitereview.com We hope that you like our podcast. If you did please subscribe and tell your camping friends about us.
Welcome to the Sonic Society Season 16 Premiere! This week we're pleased to chat about what's going on with Sonic Society, Mutual, MAD-CON, and so much more, all while giving you some great audio drama including A Titan's Rise from Shades of Vengeance Productions (be sure to support their Kickstarter!) and CNY Table Read's take on "Night Driving"! It's a new day, and a new season, and brand new audio drama! Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to the Sonic Society Season 16 Premiere! This week we're pleased to chat about what's going on with Sonic Society, Mutual, MAD-CON, and so much more, all while giving you some great audio drama including A Titan's Rise from Shades of Vengeance Productions (be sure to support their Kickstarter!) and CNY Table Read's take on "Night Driving"! It's a new day, and a new season, and brand new audio drama! Learn more about your ad choices. Visit megaphone.fm/adchoices
The night-driving simulator at Mercedes-Benz in Sindelfingen
The Storm Skiing Podcast #20 | Download this episode on iTunes, Spotify, Google Podcasts, Stitcher, TuneIn, and Pocket Casts | Read the full overview at skiing.substack.com.Who: Mike Rogge, Owner and Editor of Mountain GazetteBack issues of Mountain Gazette. Photo by Chris Segal.Why I interviewed him: Because even as the founder of a publication that lives entirely and eternally online, I have always loved the depth and expressiveness of print media in general and ski magazines in particular. I learned how to ski from fat newsstand-bought issues of the middle- to late-90s, and I learned everything else I knew about skiing there too. When I commenced the series of explosive yardsales and ever-farther roadtrips that constituted my early ski career, I knew almost no one who skied, and certainly no one who had skied the amazing snowy West. The magazines were my Yoda. There were four mainstream publications available in the Midwestern pharmacies and grocery stores of my teens, as indistinguishable as leaves on a tree to passersby, but to me, to a skier, each distinct and vital and alive. Skiing was attitude. Powder was poetry. Ski was groomers. Snow Country, trying to be a little bit of each, felt scrambled. I bought them all. Inside these glossy magazines lay an immense landscape, frantic and relentless and always stomping through snowy netherworlds put suddenly at my reach. They may as well have been tales of Narnia, so absorbing did I find these steeps and snowfields and snow-choked woods, these far-off resorts and the characters that animated them, their legends hardened through writing sharp and piercing and explosive. That’s all so diminished now. Snow Country and Skiing evaporated. Powder is down to four issues per year. Ski survives, but in a massively slimmed-down state. Yes, Freeskier popped out of the glossy halfpipe at some point in the late ‘90s, and it still exists and does good work, though with a diminished print run. While Mountain Gazette has never been explicitly or solely a ski magazine, the publication is an important part of the ski media’s print legacy, and its return – the magazine had two previous print runs, from the ‘60s to 1979 and from 2000 to 2012 – as a high-end, twice-annual expression of modern mountain life is a positive development, and something I wanted to hear more about. A Mountain Gazette cover from the 1970s. Yes, I chose this one because the kid on the right is rocking a Michigan sweatshirt, but this photo perfectly captures the less-geared-up rambling spirit of the mountain days of yore.What we talked about: Covid life in Tahoe; remembering the shutdown; Mountain Gazette’s history and legacy as literary journal and freewheeling transmitter of the mountain town zeitgeist; the magazine’s legendary writers and editors and what drew Rogge to them; the failed professional quest that preluded his purchase of Mountain Gazette; how he reacted when he found out the magazine was for sale and how that sale went down; why now is the right time to bring it back to life; the power of a known brand; cultivating a place for explosive and hungry young writers; what you get when you buy a publication; how former readers have reacted to the magazine’s resuscitation; what you do when 50 boxes of archived magazines show up at your house; how to honor a publication’s legacy while pushing its evolution forward; you can help Mike complete his Mountain Gazette collection; the magazine’s editorial vision; the forces behind the overall decline of ski media; Rogge’s Eastern roots and how that may push the Gazette’s coverage area outside of its traditional Western zone; what it means to run the magazine out of Tahoe for the first time; the blend of print, videos, and podcasts that will power the reborn publication and which of those will be the main focus; what feature stories might look like in a magazine once known for printing 100-page waxings on the joys of mountain life; the broken and tired ski mag feature story template; the regal size and presentation of the revitalized, two-times-per-year Mountain Gazette; what the super-premium print model is and why now is the right time to try it; why you won’t be able to throw Mountain Gazette in the trash; why you won’t see stories from previous eras on the publication’s website; the current status of the first issue and what we can expect from it; why there’s an imperative to pay the magazine’s staff well and what that staff will look like; the advisory group guiding the publication back to life; who was trying to talk Rogge out of buying Mountain Gazette; how advertisers, writers, photographers, and the ski media in general are reacting to the relaunch; the former Gazette writers who may contribute to the mag; what Rogge sees as the biggest issues hitting mountain towns over the next several years.Photo by Chris Segal.Why I thought that now was a good time for this interview: Because I’ve gotten so accustomed to the shuffle-and-cut dance of XYZ media company purchasing XYZ decades-old ski mag and cutting the number and length of issues that it began to feel like I was watching the sand drain from the top of an hourglass that had had its bottom cut out, forever emptying and never to be refilled. With the return of Mountain Gazette, we may have found the bottom, and I feel like Rogge may even be able to turn the ski media hourglass back over. The super-premium, ski journalism-as-work-of-art model, built around ferociously unconventional writing and photography, should be welcomed in a world weary of the cheapness of social media and the unrelenting troll armies that populate its domain. While what remains of the legacy ski media is doing its best to find a sustainable print-digital hybrid, Rogge, by tapping the enormous power of a beloved but dormant magazine, is able to start with both tremendous brand recognition and a totally new-to-skiing concept. It took some vision to get there, and I wanted more insight into how we could expect this thing to unfold over the coming months. Additional reading:A brief history of Mountain Gazette by ski writing legend Dick DorworthRead Dorworth’s classic Night Driving, to get a sense of the 1970s Mountain Gazette, where the stories first appeared.Jason Blevins’ Colorado Sun profile of Rogge’s Gazette resurrectionRecorded on: July 21, 2020COVID-19 & Skiing Podcasts: Author and Industry Veteran Chris Diamond | Boyne Resorts CEO Stephen Kircher | Magic Mountain President Geoff Hatheway | NSAA CEO Kelly Pawlak | Berkshire East/Catamount Owner & Goggles for Docs founder Jon Schaefer | Shaggy’s Copper Country Skis Cofounder Jeff Thompson | Doppelmayr USA President Katharina Schmitz | Mt. Baldy GM Robby Ellingson | Alterra CEO Rusty Gregory | NSAA Director of Risk & Regulatory Affairs Dave ByrdThe Storm Skiing Podcasts: Killington & Pico GM Mike Solimano | Plattekill owners Danielle and Laszlo Vajtay | New England Lost Ski Areas Project Founder Jeremy Davis | Magic Mountain President Geoff Hatheway | Lift Blog Founder Peter Landsman | Boyne Resorts CEO Stephen Kircher | Burke Mountain GM Kevin Mack | Liftopia CEO Evan Reece | Berkshire East & Catamount Owner & GM Jon Schaefer | Vermont Ski + Ride and Vermont Sports Co-Publisher & Editor Lisa Lynn | Sugarbush President & COO Win Smith | Loon President & GM Jay Scambio | Sunday River President & GM Dana Bullen | Big Snow & Mountain Creek VP of Sales & Marketing Hugh Reynolds | Mad River Glen GM Matt Lillard | Indy Pass Founder Doug Fish | National Brotherhood of Skiers President Henri Rivers | Winter 4 Kids & National Winter Activity Center President & CEO Schone Malliet | Vail Veterans Program President & Founder Cheryl Jensen Get on the email list at www.stormskiing.com
Night Driving by Verlag Kunst und Kapitalismus
Home Impodcast: A Home Improvement TV Show, Tim Allen, and '90s Podcast
This week on the show we’re talking “Rebel Without Night Driving Privileges.” Topics discussed include: how the Home Improvement cast would quarantine, Brad eating sandwiches, and driver’s tests. The episode is available here.
It's Monday morning and Carl muses on his weekend in Newcastle, driving home late at night, meditating on a rock and the panic surrounding the coronavirus.
Mais um Eletrika para vocês. Dessa vez eu fiz uma seleção de músicas perfeitas para se ouvir enquanto se dirige a noite, principalmente em longas viagens. Espero que gostem! O post Eletrika #24 – Night Driving apareceu primeiro em GameFM » Eletrika.
Eletrika #24 - Night Driving
Do you enjoy driving at night while all alone in the middle of nowhere? Don't get stranded... --- Support this podcast: https://anchor.fm/wolfscampfire/support
WE ALMOST MADE IT TO 3 HOURS OF CREEPYPASTA IN ONE WEEK. So close. Maybe next time...CREEPYPASTA STORIES-►0:00 "My little sister says a monkey visits her bedroom each night at 3am" Creepypasta►29:43 "If you use sleep sounds at night, STOP" Creepypasta►44:20 "10 Years ago I survived an airplane crash. What I saw there scarred me" Creepypasta►1:41:11 "Violet Skies" Creepypasta►1:55:41 "The Trees in My Town Have Bodies in Them" Creepypasta►2:17:29 "We made first contact with a new tribe. What we found was not human" Creepypasta►2:34:26 "I don’t think this violates HIPAA but I changed the names just in case" CreepypastaCreepypastas are the campfire tales of the internet. Horror stories spread through Reddit r/nosleep, forums and blogs, rather than word of mouth. Whether you believe these scary stories to be true or not is left to your own discretion and imagination.CREEPY THUMBNAIL ART BY►Kenny Carmody: https://www.artstation.com/artwork/oGv5wCREEPYPASTA MUSIC/ SFX- ►http://bit.ly/Audionic ♪►http://bit.ly/Myuusic ♪►http://bit.ly/incompt ♪
In this episode we interview our friend, Chad Bird. We discuss his book, "Night Driving." We cover a number of topics, including the pain we experience in this life, repentance, forgiveness, the struggle against sin, and the love of God for sinners. The post Interview with Chad Bird appeared first on Theocast - Reformed Theology.
In this episode we interview our friend, Chad Bird. We discuss his book, "Night Driving." We cover a number of topics, including the pain we experience in this life, repentance, forgiveness, the struggle against sin, and the love of God for sinners.
Jamie and Travis return for a little late night conversation in the car to prep for Season 4!
In which your hero drives at night, which is a huge (and terrifying) deal. There is WAAAAYYY more cussing than normal. Listen along as I cheat death & talk to not freak out. Find out why and as always, appreciate you listening.
Professor of English at Transylvania University and former Kentucky Poet Laureate, Dr. Richard Taylor, reads one of his own poems titled “Night Driving.”
Larry Snow with the Secure Transportation and Executive Protection News for Wednesday, August 22nd, 2018 In Driver News Night Driving Some security drivers spend a considerable amount of time driving in darkness. There are special hazards that night driving presents and effective ways to deal with them. The major difference between day and night driving is the accident rate. When you consider that 90% of a driver’s reaction depends on vision, and vision is severely limited at night, it is no surprise that the night driving accident rate is roughly three times that of daylight driving. The cause of the decreased vision varies. At night, the driver’s normally wide field of vision is narrowed to the field of view illuminated by your headlights, the headlights of other vehicles and fixed road lights. Depth perception, color recognition, and peripheral vision are compromised after sundown. Older drivers have even greater difficulties seeing at night. A 50-year-old driver may need twice as much light to see as well as a 30-year old. Read More ====================== In Technology News From CNET Phone case claims to detect weapons and explosives from 40 feet There are plenty of iPhone cases and adapters which add functionality to your phone, ranging from battery cases to 360-degree cameras, thermal imaging, wireless charging, and even a stun gun. But how about a case that can scan people for hidden weapons? That's exactly what Royal Holdings, a Los Angeles-based startup focused on real-time intelligence and threat detection, and run by former intelligence contractor Barry Oberholzer, aims to do with its SWORD smartphone attachment. We at the ISDA would like to your feedback – do you see this technology being useful as an executive protection professional? How effective do you think this technology would be? Is it something you’d be interested in purchasing? Let us know in the comments. Read More ====================== Links to all news stories mentioned in this podcast are available at the archive website securitydrivernews.libsyn.com. You can also listen to past news briefings and leave comments. As a reminder, the news briefing is available on all variations of Apple and Google Play podcast apps and Spotify. ====================== This podcast is brought to you by the International Security Driver Association. Whether you are exploring a career in executive protection, new to the profession, honing your expertise, or an established security executive, ISDA offers its Members benchmark educational, networking, and marketing programs. For more information about the ISDA membership, articles related to secure transportation, security, and executive protection, go to isdacenter.org. Thanks for listening to the Security Driver and Executive Protection News podcast. Have a great weekend everybody.
Helping some friends get to Hawaii Sending the boys to private school Planning for retirement
In this episode, Jason talks with Chad Bird about his two new books Night Driving and You're God is Too Glorious. An Old Testament PhD and one-time Lutheran Pastor, Chad Bird is a Texas oil-truck driver and prodigal son who knows first hand that the Father's love comes by way of the cross.
In this episode, Jason talks with Chad Bird about his two new books Night Driving and You're God is Too Glorious. An Old Testament PhD and one-time Lutheran Pastor, Chad Bird is a Texas oil-truck driver and prodigal son who knows first hand that the Father's love comes by way of the cross.
***I did not write this creepypasta, nor do I claim any credit for its creation. I am merely using this platform to share the work in a different format.*** Episode 1 - The Cage Credited to Snowblinded Found on the CreepyPasta App on the apple app store. What would you do if you woke up in a cell and only had your phone with no service?
WARNING: Scary Creepy Pasta Story. Listen at your own risk. You may never sleep again once you have listened to this podcast episode.
Peter Behren’s first novel The Law of Dreams won the Governor-General's Award, Canada's most prestigious book prize, and has been published in nine languages. The New York Times Book Review called his second novel, The O'Briens, "a major achievement." Carry Me, his third novel was published in February 2016. He is the author of two collections of short stories, Night Driving and Travelling Light. His stories and essays have appeared in The Atlantic, The New York Times, and many anthologies. A native of Montreal, he held a Wallace Stegner Fellowship in Creative Writing at Stanford University and was a fellow at Harvard University's Radcliffe Institute for Advanced Study. He teaches fiction and television writing at Colorado College and will teach at the Banff Centre in 2018. This podcast was produced by Aaron Lakoff and Simone Lucas.
Chad Bird joined the Thinking Fellows at the Here We Still Stand conference in San Diego to talk about his new book. Night Driving: Notes from a Prodigal Soul. This book wrestles with sin and grace in the midst of turmoil. The entire book points to the redemptive work of Christ and the extra nos gift of life and salvation. On this episode, Chad gives a sneak peek at a handful of the chapters. Sit back, relax, grab a drink, and enjoy the show. Show Notes: Night Driving on Amazon Chadbird.com 40min in the Old Testament 1517 Blog: Chad Bird The Prodigal Son Being Dad: Father as a picture of God's Grace
Behind the wheel when the sun goes down: The mood, the mystery, the mayhem, and the magic.
Marcus Bronzy and Funk Butcher discuss Night Driving, time travelling with Google & MacBook Pro Solutions! Plus they kill time with:- Google Time Travelling MacBook Pro SolutionWhat you think of the show? Let us know by clicking here! See acast.com/privacy for privacy and opt-out information.
Greensboro-based folk band Lowland Hum stopped by the WKNC studio on Nov. 20 before their show at Motorco. DJ Cauliflower talked with the husband and wife duo about touring, making their self-titled sophomore album and whether they are a pie or cake couple. The interview also includes the songs “Older, Wiser” and “Night Driving.” Listen in, and don't forget to subscribe to the WKNC Interviews Podcast.
DOWNLOAD: 80 to 89 Ep. 12 “May 30th, 1981” Tonight’s show is brought to you by me the ~Z~ and special guest Chad “The Canman” Canfield. Listen as Doug McCoy teaches me that Night Driving is a good thing, and listen as we discuss the news, movies, music, and technology for the month of May in 1981. Enjoy! … More 80-89 Ep. 12 “May 30th, 1981”
DOWNLOAD: 80 to 89 Ep. 12 “May 30th, 1981” Tonight’s show is brought to you by me the ~Z~ and special guest Chad “The Canman” Canfield. Listen as Doug McCoy teaches me that Night Driving is a good thing, and listen as … Continue reading →
Sami's driving home late at night and the winding highway lit only by headlights is starting to scare him. Ghost stories, vengeful murdered brides, and kangaroos with crooked arms. (image credit: John Brosio)
David is stuck in a cold cave with a blizzard roaring through the mountains, as he thinks warmly about Harry Strange and some more CKDU's King's College Infringement Festival including with a new version from Electric Vicuna Productions of an old favourite "Night Driving" starring Colleen MacIssac, Sonja Gould, and Dorian Lang. M. Sieiro Garcia continues as Bumper Girl.
Discover the joy of the journey with the AMERICAN ROAD. AMERICAN ROAD with Thomas and Becky Repp, co-hosted by Foster Braun is a talk show that celebrates travel across the two-lane highways of North America. This unique broadcast is an extension of AMERICAN ROAD, an internationally distributed magazine, which celebrates the people and places along America's two-lane jewels. What is the least favorite part of a trip? I bet that no matter where you are headed or how long the trip is, the least pleasant aspect of the journey is driving at night. Signs are harder to read, the fellow coming at you won’t dim his headlights and there’s always the concern that something will dart out in front of you, particularly on winding rural roads. Of course you could decide to drive only in the daytime but for most of us that isn’t a reasonable option. Fortunately my guest, Dr. Cristina Schinder, the Senior Director, Medical Affairs for Johnson and Johnson Vision Care, has great advice that will help you keep trucking through the darkest night safely.
Discover the joy of the journey with the AMERICAN ROAD. AMERICAN ROAD with Thomas and Becky Repp, co-hosted by Foster Braun is a talk show that celebrates travel across the two-lane highways of North America. This unique broadcast is an extension of AMERICAN ROAD, an internationally distributed magazine, which celebrates the people and places along America's two-lane jewels. What is the least favorite part of a trip? I bet that no matter where you are headed or how long the trip is, the least pleasant aspect of the journey is driving at night. Signs are harder to read, the fellow coming at you won't dim his headlights and there's always the concern that something will dart out in front of you, particularly on winding rural roads. Of course you could decide to drive only in the daytime but for most of us that isn't a reasonable option. Fortunately my guest, Dr. Cristina Schinder, the Senior Director, Medical Affairs for Johnson and Johnson Vision Care, has great advice that will help you keep trucking through the darkest night safely.
Discover the joy of the journey with the AMERICAN ROAD. AMERICAN ROAD with Thomas and Becky Repp, co-hosted by Foster Braun is a talk show that celebrates travel across the two-lane highways of North America. This unique broadcast is an extension of AMERICAN ROAD, an internationally distributed magazine, which celebrates the people and places along America's two-lane jewels. What is the least favorite part of a trip? I bet that no matter where you are headed or how long the trip is, the least pleasant aspect of the journey is driving at night. Signs are harder to read, the fellow coming at you won’t dim his headlights and there’s always the concern that something will dart out in front of you, particularly on winding rural roads. Of course you could decide to drive only in the daytime but for most of us that isn’t a reasonable option. Fortunately my guest, Dr. Cristina Schinder, the Senior Director, Medical Affairs for Johnson and Johnson Vision Care, has great advice that will help you keep trucking through the darkest night safely.
Grab the Wheel, Part 6: Night Driving
Jack and Shannon say goodbye to summer with some Zug calls and two brand new shows out of the Sonic Summertime Clearinghouse. The first, "Blue Defender- Rebirth Part 1" post produced by the amazing John Bell from Bells in the Batfry. The second, a Dead Line Short called "Night Driving" with post production by the phenomenal Alexa Chipman from Imagination Lane.Two great shorts to say goodbye to summer with! THANKS!
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