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4 episodes with Sicko Mode
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2 episodes with Sicko Mode
2 episodes with Sicko Mode
2 episodes with Sicko Mode
2 episodes with Sicko Mode
Jordan and her personal trainer/boxing coach/therapist/friend Sydney snuggle up on her couch and talk about The Cycle they get into with romantic partners, what Sicko Mode means to them, the different forms that Daddy can take, how not to talk to your inner child, needing turmoil to feel alive, and what their very first sexual fantasy was. Follow Sydney on instagram HERE, and check out her one-on-one coaching HERE. The RIPJJ Patreon is now live! Become a member HERE. Catch Jordan out on the road! Tickets @ https://punchup.live/jordanjensen The RIP Jordan Jensen Theme Song is "Superstition" by Music Band Follow Jordan on YouTube, Instagram & TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textIt's a showdown for the ages! Two of hip-hop's biggest stars go head-to-head in a 7-round VERZUZ battle to see who dominates the mic, the beats, and the culture. Will 21 Savage's gritty bars and street anthems take the crown, or will Travis Scott's psychedelic bangers and chart-topping hits steal the show?We're breaking down each round, hit-for-hit, flow-for-flow — from a lot to SICKO MODE, from Bank Account to goosebumps — and everything in between.You don't want to miss this!Vote for your winner in the comments, and let's settle this debate once and for all.#VERZUZ #21Savage #TravisScott #HipHopBattle #RapVersus #MusicShowdown #LaFlame #SlaughterGangFollow us on Instagram: @Benard.7 @gaslightandchill
In this Forbes Talks interview, Forbes Reporter Zoya Hasan talks with Grammy-nominated Music Producer Tay Keith. Keith discusses his early days getting into music production, his rise to success working with major artists like Drake and Travis Scott, and his decision to launch his own record label Drumatized. Keith also delves into his efforts to give back to his hometown of Memphis through local community initiatives and programs.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Cover 3 crew has you covered with their Week 14 locks episode! The guys recap their bets last week, discuss their locks for this week and even give you some moneyline sprinkles to get you ready for week 14 of college football. (00:00:00) - INTRO (00:01:30) - LAST WEEK RECAP (00:08:50) - THURSDAY SLATE (00:12:05) - FRIDAY SLATE (00:29:05) - CLUB KENZ (00:41:30) - ALABAMA-AUBURN (00:42:50) - TEXAS-TEXAS A&M (00:45:00) - MICHIGAN-OHIO STATE (00:49:20) - SICKO MODE (00:52:00) - LSU-OKLAHOMA (00:55:20) - VANDERBILT-TENNESSEE (00:57:00) - SMU-CAL (00:58:30) - MISSOURI-ARKANSAS (01:00:15) - RAPID FIRE (01:05:10) - TOM SPRAYS THE BOARD (01:06:35) - BUD'S LOCKS (01:07:10) - OREGON-WASHINGTON (01:10:15) - WEEK 14 REVIEW (01:12:45) - MONEYLINE SPRINKLES Cover 3 is available on Apple Podcasts, Spotify and wherever else you listen to podcasts. Visit the betting arena on CBSSports.com for all the latest in sportsbook reviews and sportsbook promos for betting on college football. Watch Cover 3 on YouTube: https://www.youtube.com/cover3 Follow our hosts on Twitter: @Chip_Patterson, @TomFornelli, @DannyKanell, @BudElliott3 For more college football coverage from CBS Sports, visit https://www.cbssports.com/college-football/ To hear more from the CBS Sports Podcast Network, visit https://www.cbssports.com/podcasts/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
The Cover 3 crew has you covered with their Week 13 locks episode! The guys recap their bets last week, discuss their locks for this week and even give you some moneyline sprinkles to get you ready for week 13 of college football. (00:00:00) - Intro (00:02:00) - Week 12 Recap (00:07:00) - Thursday Slate (00:10:55) - Friday Slate (00:14:50) - Indiana-Ohio State (00:19:40) - Penn State-Minnesota (00:23:10) - Colorado-Kansas (00:26:50) - Arizona State-BYU (00:28:20) - Army-Notre Dame (00:31:25) - Alabama-Oklahoma (00:34:00) - CLUB KENZ + DENTIST PICKS (00:39:00) - Ole Miss-Florida (00:41:00) - SMU-Virginia (00:42:00) - Microsoft Player to Watch (00:46:00) - Pitt-Louisville (00:47:00) - Wake Forest-Miami (00:48:30) - Texas-Kentucky (00:51:35) - Illinois-Rutgers (00:53:20) - Clemson-Citadel (00:55:00) - Syracuse-Uconn (00:57:30) - North Carolina-Boston College (01:01:00) - LSU-Vanderbilt (01:02:25) - Texas A&M-Auburn (01:04:30) - Mississippi State-Missouri (01:05:50) - SICKO MODE (01:07:00) - USC-UCLA (01:08:00) - TOM SPRAYS THE BOARD (01:10:00) - WEEK 13 REVIEW (01:13:00) - MONEYLINE SPRINKLES Cover 3 is available on Apple Podcasts, Spotify and wherever else you listen to podcasts. Visit the betting arena on CBSSports.com for all the latest in sportsbook reviews and sportsbook promos for betting on college football. Watch Cover 3 on YouTube: https://www.youtube.com/cover3 Follow our hosts on Twitter: @Chip_Patterson, @TomFornelli, @DannyKanell, @BudElliott3 For more college football coverage from CBS Sports, visit https://www.cbssports.com/college-football/ To hear more from the CBS Sports Podcast Network, visit https://www.cbssports.com/podcasts/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
The Cover 3 crew has you covered with their Week 12 locks episode! The guys recap their bets last week, discuss their locks for this week and even give you some moneyline sprinkles to get you ready for week 12 of college football. (00:00:00) - Intro (00:03:00) - Week 11 Recap (00:09:30) - Thursday Slate (00:11:40) - Friday Slate (00:18:07) - Microsoft Player to Watch (00:19:50) - Texas-Arkansas (00:25:00) - Penn State-Purdue (00:26:50) - SICKO MODE (00:29:45) - Tennessee-Georgia (00:34:45) - CLUB KENZ (00:38:30) - Liberty-UMass (00:40:30) - LSU-Florida (00:42:30) - Utah-Colorado (00:44:16) - DOUBLE SICKO MODE (00:46:00) - Oregon-Wisconsin (00:48:20) - SMU-Boston College (00:51:20) - BYU-Kansas (00:54:10) - South Carolina-Missouri (00:56:10) - New Mexico-Washington State (00:58:00) - CAL-Syracuse (01:01:30) - Clemson-Pitt (01:03:45) - SUN BELT TOTALS (01:05:10) - Ohio State-Northwestern (01:06:00) - Tom's Locks (01:07:20) - Danny's Locks (01:09:50) - Baylor-WVU (01:10:20) - Chips Locks (01:12:00) - Week 12 Review (01:13:50) - Moneyline Sprinkles Cover 3 is available on Apple Podcasts, Spotify and wherever else you listen to podcasts. Visit the betting arena on CBSSports.com for all the latest in sportsbook reviews and sportsbook promos for betting on college football. Watch Cover 3 on YouTube: https://www.youtube.com/cover3 Follow our hosts on Twitter: @Chip_Patterson, @TomFornelli, @DannyKanell, @BudElliott3 For more college football coverage from CBS Sports, visit https://www.cbssports.com/college-football/ To hear more from the CBS Sports Podcast Network, visit https://www.cbssports.com/podcasts/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Junior apologizes for the Ole Miss performance & highlights what the Hog's goals are to finish the season. Then we talk about the Heisman trophy race, the ULM Offensive Line Coach, Pork Chops' Gender, & Juniors favorite things to do on Dickson Street. SUBSCRIBE & HIT THE NOTIFICATION BELL LINK TO BUY SOME OF JUNIOR'S ARKANSAS FOOTBALL MERCH: https://arkansas.nil.store/collections/fernando-carmona-55 INTERESTED IN SPONSORING A SEGEMENT? DM US ON INSTAGRAM Follow George Carmona on Instagram: https://www.instagram.com/mr_george_carmona/ Follow Fernando Carmona Jr. on Instagram: https://www.instagram.com/carmonajrr/ Follow Pin & Pull on Instagram: https://www.instagram.com/pin_and_pull/ Subscribe to us on all podcast platforms: Apple: https://podcasts.apple.com/us/podcast/pin-and-pull/id1640140604 Spotify: https://podcasters.spotify.com/pod/show/pinpullpodcast
The Cover 3 crew has you covered with their Week 11 locks episode! The guys recap their bets last week, discuss their locks for this week and even give you some moneyline sprinkles to get you ready for week 11 of college football. (00:00:00) - Intro (00:01:50) - Week 10 Recap (00:07:30) - Thursday Locks (00:09:10) - Friday Locks (00:15:05) - Microsoft Player To Watch Of The Week (00:16:45) - Billy Napier Stays in Florida (00:22:45) - Florida-Texas (00:23:50) - CLUB KENZ (00:28:50) - Georgia-Ole Miss (00:33:25) - Michigan-Indiana (00:37:05) - Alabama-LSU (00:46:00) - Cincinnati-West Virginia (00:49:10) - Washington state-Utah State (00:50:20) - Colorado-Texas Tech (00:55:10) - UCF-Arizona (00:56:40) - Maryland-Oregon (00:58:30) - Sicko Mode (01:01:00) - Notre Dame-Florida State (01:03:00) - Boston College-Syracuse (01:04:00) - Tom's Locks (01:05:20) - Army-North Texas (01:07:00) - Vanderbilt-South Carolina (01:08:55) - Tennessee-Mississippi State (01:12:20) - WEEK 11 PICKS RECAP (01:14:00) - Moneyline Sprinkles Cover 3 is available on Apple Podcasts, Spotify and wherever else you listen to podcasts. Visit the betting arena on CBSSports.com for all the latest in sportsbook reviews and sportsbook promos for betting on college football. Watch Cover 3 on YouTube: https://www.youtube.com/cover3 Follow our hosts on Twitter: @Chip_Patterson, @TomFornelli, @DannyKanell, @BudElliott3 For more college football coverage from CBS Sports, visit https://www.cbssports.com/college-football/ To hear more from the CBS Sports Podcast Network, visit https://www.cbssports.com/podcasts/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
After going literally SICKO MODE da boyz are back to talk about all the movies Angus watched at SXSW, the games we're playing and of course: Mickey D's.Subscribe to our Patreon where you can hear another episode and get freaky in the official Hey Fam Discord. Hosted on Acast. See acast.com/privacy for more information.
The Cover 3 crew has you covered with their Week 8 locks episode! The guys recap their bets last week, discuss their locks for this week and even give you some moneyline sprinkles to get you ready for week 8 of college football. (00:00:00) - Intro (00:01:30) - Week 7 Recap (00:07:45) - Thursday Slate (00:09:20) - Friday Slate (00:16:10) - Nebraska-Indiana (00:20:05) - Alabama-Tennessee (00:24:50) - Michigan-Illinois (00:28:40) - Georgia-Texas (00:30:30) - Mackenzie Brooks' Locks (00:31:45) - Louisville-Miami (00:35:00) - More Georgia-Texas (00:38:55) - Maryland-USC (00:40:30) - Utah-TCU (00:42:00) - Navy-Charlotte (00:43:20) - Army-ECU (00:47:30) - Iowa-Michigan State (00:49:18) - Georgia Tech-Notre Dame (00:50:30) - Dentist Picks (00:54:15) - New Mexico State-Utah State (00:55:30) - Jordan Giorgio Locks (00:59:00) - South Carolina-Oklahoma (01:01:30) - Tom's Picks (01:02:50) - Bud's Picks (01:03:40) - Chip's Picks (01:06:30) - Danny's Picks (01:10:00) - Bud's Sicko Mode (01:12:00) - Week 8 recap (01:13:20) - Moneyline Sprinkles Cover 3 is available on Apple Podcasts, Spotify and wherever else you listen to podcasts. Visit the betting arena on CBSSports.com for all the latest in sportsbook reviews and sportsbook promos for betting on college football. Watch Cover 3 on YouTube: https://www.youtube.com/cover3 Follow our hosts on Twitter: @Chip_Patterson, @TomFornelli, @DannyKanell, @BudElliott3 For more college football coverage from CBS Sports, visit https://www.cbssports.com/college-football/ To hear more from the CBS Sports Podcast Network, visit https://www.cbssports.com/podcasts/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
The Cover 3 crew has you covered with their week 4 locks episode! The guys recap their bets last week, discuss their locks for this week and even give you some moneyline sprinkles to get you ready for week 4 of college football. (00:00:00) - Intro (00:01:30) - Week 3 Recap (00:08:40) - App State-South Alabama (00:09:53) - Illinois-Nebraska (00:13:15) - San Jose State-Washington State (00:14:45) - Stanford-Syracuse (00:16:45) - USC-Michigan (00:20:00) - Utah-Oklahoma State (00:23:50) - Tennessee-Oklahoma (00:29:00) - FresnoState-New Mexico (00:33:40) - Clemson-NC State (00:37:20) - Kansas-WVU (00:40:15) - Indiana-Charlotte (00:43:25) - Miami-USF (00:50:30) - Rutgers-Virginia Tech (00:52:00) - TCU-SMU (00:55:40) - Dentist Picks (00:57:15) - Georgia State-Ole Miss (00:59:30) - Army-Rice (01:01:40) - FSU-Cal (01:05:00) - LSU-UCLA (01:06:00) - Louisville-Georgia Tech (01:07:30) - Arkansas-Auburn (01:08:00) - Michigan State-Boston College (01:09:30) - UL Monroe-Texas (01:10:30) - Bud's Sicko Mode (01:13:00) - Marshall-Ohio State (01:15:00) - Texas A&M-Bowling Green (01:16:00) - Kansas State-BYU (01:18:00) - Betting Recap (01:20:10) - Moneyline Sprinkles Cover 3 is available on Apple Podcasts, Spotify and wherever else you listen to podcasts. Visit the betting arena on CBSSports.com for all the latest in sportsbook reviews and sportsbook promos for betting on college football. Watch Cover 3 on YouTube: https://www.youtube.com/cover3 Follow our hosts on Twitter: @Chip_Patterson, @TomFornelli, @DannyKanell, @BudElliott3 For more college football coverage from CBS Sports, visit https://www.cbssports.com/college-football/ To hear more from the CBS Sports Podcast Network, visit https://www.cbssports.com/podcasts/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
OK, this time we're celebrating 200 episodes for real. We reflect on five years in Sicko Mode and bask in the praise and congratulations of our fans and homies. Anime Sickos Podcast forever
Incredible! We've been in Sicko Mode for 200 episodes! What better way to celebrate this incredible achievement than to discuss our favorite dusts and goops! What, you thought we were gonna read a bunch of kind words from fans? That's next episode!
Become a https://patreon.com/MTMJPodcastwiththewife for behind-the-scenes content and full unedited content you can't get anywhere. https://mtmjpodcast.com This week on the episode, the MTMJ Podcast W/ The Wife back from a one-week break (00:00) then they can't believe no one is talking about the lost Astronauts in space (08:51) and dealing with a smelly co-worker (15:59). Mike asked Sonya how would she feel if I brought home food from a female co-worker (21:45)? They understand why Illinois school worker got a nine-year prison sentence (28:09) then Mike discuss being a director and the responsibility (31:44). Summer is coming to an end so the host recap their summer (34:48) and when you feel like you need a break from everyone and everything (37:27). Mike recaps the #ysltrial with y'all and Sonya (42:40). Episode 164 Music Mix (2:36): "Sicko Mode" Travis Scott "Can't Get Enough" J. Coles (feat. Trey Songz) "Persuasion" Bryson Tiller (feat. Victoria Monet) "Like You" Bow Wow (feat. Ciara)
Hayden Winks of Underdog Fantasy stands alone to deliver his own projections for all 32 NFL Teams while Josh chases ownership of Aston Villa. It's Hot Best Ball Summer, hop on the Underdog app, draft during that family picnic, scoop some NFLSZN picks. Hayden's Projections: https://docs.google.com/spreadsheets/d/1Nr6x07gMeNDiwXQQO9B-2fAUNKjwh6X1KBDUDZZcwD8/edit?gid=0#gid=0
Send us a Text Message.For weekly episodes patreon.com/duhheads Support The Show: patreon.com/duhheadsSupport the Show.
Biden Drops Out!: History happened once again shortly after we recorded our last podcast. Joe Biden dropped out and people think he actually died and has been replaced by "BIGGER BIDEN". Brat Summer: With Kamala now in the running, it is officially BRAT SUMMER! Speaking of, Hawk Tuah's 15 minutes are up! Angry Corey Feldman: Corey Feldman lashes out at his band in front of the crowd at the Loserville Tour, always such class. Also the debut of hornatopia. LET'S JUST TALK!, DON TRUMP!, BOOGIE NIGHTS!, INTRO REMIX!, AI!, BIDEN!, IT'S JOEVER!, THE COMEBACK KINGS!, THIS IS A COREY FELDMAN SHOW!, COREY TALK!, YOUTUBE!, KAMALA HARRIS!, JOE BIDEN DROPS OUT!, HISTORY!, MLC PODCAST!, KEVIN BRENNAN!, CHAD ZUMOCK!, SHULI!, SARAH'S HUBBY!, THE BOY BLUE!, WALMART CANE'S SAUCE!, BURGER SAUCE!, BIG MAC!, CHOPSTICKS!, UPDATE!, PROFESSIONAL!, GRIP!, FAKE BIDEN!, CONSPIRACY!, COVID!, CLONE!, TALLER!, BIGGER BIDEN!, BLUE ANON!, SQUINTED!, WRINKLED!, COCONUT TREE!, MEMES!, RELATABLE!, LAUGHING!, CONTEXT!, BRAT SUMMER!, CHARLI XCX!, SICKO MODE!, GOBLIN MODE!, MANIAC MIKE!, BRAT GIRL MIKE!, 100 GECS!, TRUMP!, WORN DOWN!, USED TO IT!, FUNNY!, MATCH MY VOTE!, HAWK TUAH!, NO REACTION!, BOOED!, HALIEY WELCH!, JELLY ROLL!, COREY FELDMAN!, DECEPTIVE DEBORAH!, MELTDOWN!, YELLS AT HIS BAND!, STOPS THE SONG!, START THE TRACK!, CONDESCENDING!, YELLED AT!, WARDROBE CHANGE!, THE JOKE!, LIMP BIZKIT!, LIFE IN THE FAST LANE!, LIVIN IT UP!, WES BORLAND!, FRED DURST'S WIG!, COREY DANCING!, FREESTYLE!, RIOT FEST!, COMEBACK KING!, ABUSE!, ANGRY!, ROLLIN!, CIRCUS MUSIC!, HORN!, HORNATOPIA!, BLOWING THE HORN! /b> You can find the videos from this episode at our Discord RIGHT HERE!
On this week's episode of The A Show; Meelz and Justin go longform about the return of The Wyatt Family this week, review Clash At The Castle and delve into the sour reception to Jade Cargill when she makes mistakes. They also talk about "Who Killed WCW," and its place in the post-WCW review culture.
Coming soon: "Diddy Declassified: US Intel & the Zio Influence in Hip Hop ft SLANK" patreon.com/ParaPowerMapping Sub to the PPM Patreon before we begin mapping the Diddler sex trafficking nexus. The full versions of the final 2 Bohemian GrOVO installments available exclusively over there. **Note: Spotify only gives so much space for liner notes, so I'm not going to bother trying to condense the entire index down & squeeze it within 4k characters. Head on over to the Patreon to view the EP notes in their entirety** Here's the monstrous 3rd panel in this Bohemian GrOVO triptych... We've mapped the Drake & Busters sex trafficking nexus, we've covered the XXXTentacion clipping, and now it's time for our forensic recreation of that supremely uncanny, peak pandemic (psychically speaking) mass casualty event, namely Travis Scott's AstroWorld mega ritual in Houston, TX, where Drake & Travis cavorted about on a Satanic set dressed stage dedicated to Mammon while upwards of 10 people (and possibly more, if various firsthand accounts are to be believed) died by crushing, ODing, & possibly syringe pricking in the gatecrashed scrum of ragers before them. Thanks again to Rap Game Edward Bernays for riding shotgun on this mammoth series & bringing his encyclopedic hip hop lore knowledge & deadpan wit to the proceedings. Give him a follow at @edward__bernays on Twitter. Tracks: | Travis Scott ft MIA - "Franchise" | | Michael Jackson & Friends - "What More Can I Give" | | Travis Scott ft Drake - "Sicko Mode" | | Drake ft 21 Savage - "Knife Talk" |
Sub to the PPM Patreon to access all of GrOVO (IV) plus the imminent, exclusive solo EP that rests our Drizzler-as-sex-trafficker argument: patreon.com/ParaPowerMapping Bringing our forensic investigation into the overtly Satanic mass ritual vibes at the AstroWorld fest mass casualty event in Houston to a close, RGEB & I discuss: Interdimensional being materializing in the portal during the "Mr Bodycatcher, slaughter gang soul catcher" lyrics in Knife Talk; a baptism reference; a Kappa Alpha frat reference in said track... We talk the Sicko Mode performance on Nov 5th; Kanye's allegation that "crept thru the light switch" is a subliminal aimed at Ye for max psychic damage, seemingly implying the Drizzler cheated w/ Kim K when they were still together; a comet striking an XXXTentacion lookalike in the music, which almost perfectly mirrors a scene in a film where Kardashian is struck by an asteroid in its choreography, granting further credence to Ye's theory; "my dog would prob do it for a Louis belt" possibly hinting at Drizzy putting out the X hit; the ARG, reality shifting promo of the fest; "out like a light"... RGEB becoming main character for a day on Twitter bc of his Astro thread & the Chapo callout, who passed over the corporate greed critiques in their coverage & just dunked on his purported esoteric conspiracy gullibility; the possibility some private cyberwarfare outfit like Team J o r g e or a US equivalent might have been enlisted to combat AstroWorld conspiracy theories online w/ bots; if an OP, likely US intel pulling the strings; Drake as soul-eater, devouring X's vibe & donning his occulted rap persona like a mask (see: Travis collabs) to peel off his support & buttress his unassailable popularity; the wild pre-prepared disaster & tragedy response protocols, including the order for concert personnel to refer to any dead bodies as "SMURFS", which evokes the Fae, Little People, Leprechauns, Djinn, you-name-it...; not to mention rhyming w/ the Astro merch shirts of lil blue figures passing thru a portal; Pied Piper folkloric valences in the AstroWorld cover art & the "Stargazing" lyrics; the AstroWorld theme park pre-history;... Getting back to our rap esotericism close reading of some of the numerology flowing through the AstroWorld ritualized subtext... We talk K y l i e Cosmetics x Nightmare on Elm Street Halloween Collection promo, which dropped exactly one month prior to the fest, and which is basically just naked Kylie getting smothered w/ fake blood in a darkly lit room... Which Klonny realized is highly evocative of the Thelemic deity known as Babalon, goddess of sex magick & the female sexual impulse; we talk Scarlet Women; Jack Parsons & L. Ron Hubbard's Babalon Working in the Mojave; Scarlet Woman Marjorie Cameron; etc. And we drive home how Kylie's commercial is leaning into these Crowleyian allusions by way of the blood moon behind her, which evokes MoonChildren... From there, we're talking the belief-beggaring Satanic numerology of the fest's dates, namely it falling on the same day as Kris Jenner's 66th BDay (Travis's ex-bb-mama-in-law); the fact that Travis's Bday is on Walpurgisnacht, the pagan holiday filled w/ effigy burning & witches on broomstick legends... And the fact that Apr. 30th (Scott's Bday) is also the date of the founding of the Church of Satan; the beyond-coincidental fact that AstroWorld fell on a day exactly 666 months & 6 days after the Church of Satan formed; and finally, per Ed, there being exactly 66 months & 6 days b/w Scott & Drake's Bdays; RGEB's personal Mandela Effect, where he was cursed by time warlocks & sent into an alt dimension wherein Travis Scott's Bday was moved forward a year (lol); but jokes aside, Ed's belief that Scott's actual Bday was quickly scrubbed from the internet to hide the Satanic significance post-Astro; & much more... Tracks: | Travis (Ft Young Thug & MIA) - "FRANCHISE" | | Ghostmane - "John Dee" | | Ghostmane - "Euronymus" |
Sub to the PPM Premium Feed to access this 3 & 1/2 hr AstroWorld monstrosity & its index in their totality. "Bohemian GrOVO (IV)" will also be an exclusive, so get in here, dood!!! patreon.com/ParaPowerMapping In this penultimate Bohemian GrOVO ep, we finally embark upon the climactic auditory panel in this parapolitical & rap esotericism triptych, namely our forensic recreation of the uncanniness surrounding the AstroWorld mass ritual. Talking AstroWorld as Mass Ritual: a tip of the hat to SK Bain's landmark schizo book; the numerological significance of the date on which AstroWorld fest in Houston fell (11/05/21 & the early morning of 11/06 -> 11s evoking 9/11 & Crowley; a couple 5s—evoking death & thresholds—in both the date & the digit sum of 2021); NukSantiago's firsthand account of seeing a sea of dead bodies on the floor & his characterization of the event as an "Illuminati ritual" & "demonic"; 11/06 — 6's Satanic significance; chaos in the crowd & vid of medic's resuscitating ppl as Travis & Drake cont playing; an ICU nurse & Nuk attesting to dragging dead bodies out; the meta & ARG quality of the AstroWorld advertising, which freakily foreshadowed the fact the fest would become a major cultural moment & source of conspiracy theorizing; Weekly World News & Nat'l Enquirer vibes in promo materials; the metatextual quality is deepened by the full page tabloid ads in the Houston Chronicle; Travis -> Bat Boy; "injecting the city" (glowing in pandemic context); "when the end arrives, it's really the beginning"; "See You On the Other Side" preempting mass casualty; Travis's song "Escape Plan" creepily mirroring ppl's exp of escaping the crush of bodies; Travis's "Franchise" music vid evoking Jodorowsky's "The Holy Mountain"; Qabalistic Sephirot significance of the 3rd iteration of AstroWorld; an occulted close reading of the stage design; a portal w/ rings symbolizing Circles of Hell; the mtns evoking Twin Peaks & vaguely resembling the Bohemian Grove altar; OVO - Bohemian Grove Minervan Owl symmetries; a brief history of the club; its Romantic poetry & literal Bohemian origins; morphing into elite boys club bacchanal; past participants like Hoover, Lyndon Johnson, Nixon, Reagan, OSS founder, Bob Weir (Courtney Love connex), & more recently Clarence Thomas visiting w/ Nazi artifact collecting oligarch Harlan Crowe; the story regarding Drizzy's shell corp LLC "Silence Policy", which likely served some sex traffick purpose, evoking initiatic & secret societies' code of silence; "Weaving Spiders Come Here Not"; "Cremation of Care" play & effigy burning; what are the chances Drizzy has visited Bohemian Grove?; the hyping of AstroWorld as this legendary fest & Travis encouraging ragers to gatecrash; the refusal of the sponsors & streamers ( A p p l e & L I v e N a t I o n, iirc) to stop the proceedings & help the dying; a capitalist sacrifice to Mammon, where profit motive outweighed safety; stories of security guards pricked w/ fent needles dropping after the event (later retracted), perhaps serving as a distraction...; Travis - "No Bystanders" & the Bystander effect; Utopian & Dystopian subtext; Travis's shirt w/ stick figures falling through a portal—an xtra dimension to the ritual sacrificial altar dressing; the "Franchise" vid evoking mass MK w/ its stampede of sheep (sheeple) & possibly hinting at the crowd crush; the Hand of Fatima / Hamsa imagery in the poster; Right Hand & Left Hand Path of magic; a Ouija Board planchette visual allusion; an academic paper on Satanic imagery & symbolism at Travis Scott's AstroWorld published by an Indonesian Uni, which Klonny cites for the Hieronymus Bosch allusion contained in the Travis mouth fest entrance, which evokes "Christ in Lambo", itself a representation of the Gate of Hell; & so much more.... Tracks: | Travis Scott ft MIA - "Franchise" | | Michael Jackson & Friends - "What More Can I Give" | | Travis Scott ft Drake - "Sicko Mode" | | Drake ft 21 Savage - "Knife Talk" |
"Sicko Mode" by Travis Scott, while popular, ultimately falls short of greatness due to its disjointed structure and lack of coherent theme. Despite its catchy beat and impressive production, the song suffers from abrupt transitions between different sections, leaving listeners feeling disoriented rather than engaged. Additionally, the repetitive lyrics fail to offer any meaningful depth or insight, relying instead on tired tropes of excess and bravado. While Travis Scott's energetic delivery may initially grab attention, "Sicko Mode" ultimately fails to leave a lasting impact, overshadowed by its own lack of substance and cohesion.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! If you enjoy our podcast and can afford to shoot some shrapnel our way we would be absolutely bloody stoked about it! You can sign up for as little as $2 a month and receive bonus episodes, extra content and even be a guest on the podcast if you're keen! Jump on our Patreon page now and sign up!Instant Microwave FuzzSketch Comedy Made in an instantListen on: Apple Podcasts SpotifySupport the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew
Michaela thought this was just going to be another episode...another walk in the freakin park...but nope! Roman had other plans! This ain't your grandma's Surprise Mechanics! She thought she could get away with just talking about Like a Dragon: Ishin! and Roman would be normal about it. Maybe he would talk about Helldivers or some bullshit comic book he read, but nope! He had to go SICKO MODE and do something TWISTED. Matthew Rao makes a surprise appearance and from there...well let's just say it gets preeeetttyyyy interesting, okay? That's right: they go all in on The Walking Dead. I'm talking Rick, I'm talking Michonne, and zombies? Uhhhh yeah, we're talking about those too! Is anybody out there? Does anybody care? wth is a Def Leppard anyway?
This is a preview of a premium episode. We're currently running a sale on Down Round Premium – head here to score an annual membership for $49 instead of $70. Amazing stuff. Last week, we talked about Apple shaky Vision Pro launch, thanks to a number of key developers saying they wouldn't be making apps for the mixed reality headset. This week, the story continues, with Apple officially unveiling its response to recent EU regulation which would force it to open up access to third-party app stores and payment processors in Europe. Of course, in true Apple fashion, the response is a poison chalice. And it's pissed off everyone from Spotify to Epic Games and all in-between. We discuss. Links Apple's response Thread by Spotify CEO Daniel Ek See omnystudio.com/listener for privacy information.
Rohit is back this week and is immediately on the defensive after last week's lampooning in his absence. He tries his best to explain his actions but ultimately he takes the L. We also get some yarns from the boys trip to the Australian Open last week including multiple run ins with Australian tennis royalty as well as an unethical life hack to watching some free tennis.The game this week is “Guess the Person.” No reinventing the wheel here as the boys go head to head rattling off quick fire questions to each other in an effort to guess the individual the other is thinking.Final segment this week is “Sicko Mode.” We've all chucked a sickie before, sometimes for real, sometimes for other nefarious reasons. We discuss the best ways to call in sick, the tactics and some of the worst excuses we've heard.___________________________________________________________FULL PODCAST EPISODES
Pat McLellan fills in for Pat and the guys talk about the NFL playoffs, hall of fames, and check out some coffin reviews online. They also power rank characters from "The Office" and do a mock draft of hated people in sports.Follow the show on twitter: @passthegravypod, @AlexJMiddleton, @RobertBarbosa03, @PMclellanEsq, and @NotPatDionne
Pat McLellan fills in for Pat and the guys talk about the NFL playoffs, hall of fames, and check out some coffin reviews online. They also power rank characters from "The Office" and do a mock draft of hated people in sports.Follow the show on twitter: @passthegravypod, @AlexJMiddleton, @RobertBarbosa03, @PMclellanEsq, and @NotPatDionne
In this installment, we start with Tony Bennett, deet doot through a few live Rock performances then make our way to the 2nd comedy intermesh in VSS history. Shabba Ranks, the reggae artist makes his debut open the show and we also find out that Jay Electronica is a prophet. Six earthquakes within 24 hours but we're still here and fully operational. I was actually pumped on my stupid edit of Sicko Mode. Hope someone actually catches that. Til next time, stay cheesyYour host with the most,Deep Cut Donny
0:00 - Intro 2:03 - Escape Plan 4:47 - Highest in the Room 7:45 - Butterfly Effect 11:06 - Stargazing 14:51 - Carousel 18:31 - Mamacita 21:58 - No Bystanders 23:58 - Way Back 26:28 - The Scotts 29:47 - Ambulance moment 30:51 - Upper Echelon 32:01 - Lost Forever 33:40 - Mafia 37:41 - Skeletons 40:54 - 90210 43:39 - Love Galore 45:51 - Gatti 47:23 - Out West 48:14 - Yosemite 50:35 - Antidote 54:06 - Knife Talk (w/ Drake) 57:36 - TSU (w/ Drake) 59:05 - In 2 Deep (w/ Drake) 1:01:34 - Way 2 Sexy (w/ Drake) 1:03:31 - Sicko Mode (w/ Drake) 1:08:40 - Goosebumps All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY!
Nick brings Stephen back on the show to talk about Stephen's most recent article on Kevin McCullar. They start out by diving deep into McCullar's offensive game, including his spectacular cutting, his vastly improved playmaking, and the ups and down of his shooting. Then, they cover McCullar's exceptional defense, before wrapping up by discussing Stephen's Sicko Mode players at the end of the article. Link to Stephen's article: https://www.noceilingsnba.com/p/kevin-mccullar-jr-a-lasting-impression To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Nick brings Stephen back on the show to talk about Stephen's most recent article on Kevin McCullar. They start out by diving deep into McCullar's offensive game, including his spectacular cutting, his vastly improved playmaking, and the ups and down of his shooting. Then, they cover McCullar's exceptional defense, before wrapping up by discussing Stephen's Sicko Mode players at the end of the article. Link to Stephen's article: https://www.noceilingsnba.com/p/kevin-mccullar-jr-a-lasting-impression To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
This week, we're joined by the wonderful Matt Bone (@boneyabroad) to talk about Strange New Worlds' "Under the Cloak of War", in which a Klingon ambassador with terrible prosthetics gets murdered as part of a terrible plot thread, which is tied to a flashback sequence to an even worse plot thread. Support our nonsense on Patreon at https://www.patreon.com/IQST Buy our merchandise at https://www.teepublic.com/user/i-quit-star-trek DAMCASTERS PODCAST: https://linktr.ee/damcasterspod
It's round three on The Danza Project with Charleston White, the polarizing figure who has had the internet in a headlock throughout 2023. The last time he came to the studio, he was joined by Brittany Renner, who threw water in his face. However, on his latest trip to the Danza Project, he pulls up by himself with plenty of topics to address. Outside of viral topics, such as the ongoing Saucy Santana vs. Akademiks feud and the recent assault at a barbershop, Charleston White provides some insightful details into his ventures. He described his eye-opening experience after working on a movie with Sukihana. While highly critical of her persona, he believes she is one of the most “respectable” and “mannerable” people he's met in a long time. Charleston White also dished on his backstage experience at Travis Scott's Utopia tour, describing the “SICKO MODE” rapper as an amazing performer. Beyond the salacious headlines, Charleston White also got deep into the social and political climate in America and across the globe. Charleston White does share sharp insight into global and domestic affairs, from Critical Race Theory to the ongoing Israel-Palestine war, which he paralleled to the oppression of Black Americans. Charleston White is undoubtedly one of the most provocative personalities on the Internet. Still, the latest episode of the Danza Project proves that there's far more to him than controversial takes. Press play on the latest episode of The Danza Project above, and make sure to subscribe for more raw content. 0:00 - Intro 1:36 - Charleston White breaks down whether there such thing as "High Value Men" 13:15 - This new generation of men is weaker 17:00 - The lack of understanding between Men & Women | Supporting each other 21:00 - “A man can't be measured until he's gone” - Charleston drops gems 26:15 - Saucy Santana's r*pe threat towards DJ Akademiks 33:47 - It's still ok to be a man | A Woman cannot teach a man how to be a Man 40:13 - We're being brainwashed 45:34 - Guests declining to come up and talk with Charleston White 50:44 - The MySpace generation is ruling right now | Charleston on The Danza Project flourishing 54:19 - You can't hide from who you are | Brittany Renner 59:12 - Charleston White describes doing a movie with & studying Sukihana | Sexyy Red | Talks upcoming film 1:10:33 - Will Charleston White get tired of doing content & playing a character? | Tupac 1:16:37 - Charleston White clears up his recent Barbershop incident 1:29:21 - Being strategic when moving around | Snitching 1:41:06 - Charleston's thoughts on 1090 Jake exposing everybody 1:43:29 - Vlad TV Interviews 1:44:55 - Charleston White's view on rappers who count bodies for competition 1:48:25 - Charleston breaks down racism: "Prejudice is a mindset, Racism is an act” 1:57:11 - Being born black in America is a disadvantage 2:05:30 - Charleston speaks on going to court from being in a car wreck 2:10:57 - The Critical Race Theory debate 2:15:04 - Being proud of what race you are | Get with your kind 2:25:11 - Charleston explains that Show may go private for members only for a short time. Skip the line - Click the link below to become a MEMBER FOR $4.99
⭐MAIN TTS⭐https://powerchat.live/theralphretort⭐CHECKYA/STRIPE⭐https://checkya.com/killstream/payme⭐2nd TTS⭐https://killstream.live/tip⭐CASH APP⭐$sunsetsquad⭐ENTROPY SUPER CHAT⭐https://killstream.live/entropyBUY ME A COFFEE!https://www.buymeacoffee.com/theralphretort⭐INTRO ART by SVEN STOFFELS⭐https://linktr.ee/svenstoffels⭐ORIGNAL MUSICE by ROCK SAVAGE DJ⭐https://rocksavage.bandcamp.com/⭐TELEGRAM⭐https://t.me/theralphretort⭐Crypto Support⭐BTC:3H7EKnw4xBwmsNTHVVJbUY4UkWQYBrvYcTBAT:0xac839ec87d9426af0Edac4d4c5fe2f59a7207E6cBCH:qrykmnjejydm7k5sglf6qvael3u3puen7cw6rpcrlvETH:0x044076535672e1604bb79A5889b437D1D54D67f8LTC:MUbzTnQjZ3RqVFC5HPxo1q9vE5quZ74TX8Monero:42z7D2FDSp5bnh2DFhbFnE1RFtPJpEtT6jkEbqb52uBsLid9m7wunrjQCHr3qtgeuMaryNrdrj1tMHa6yUV6iDknM2VVqUJTether:0xd3e8a90fdf2125aaa3c290fe03f7139cc5cd2cc5✅Merch:https://killstream.live/shop✅Extended Support Info, Crypto, & Social Media:https://killstream.live/info✅Apple Podcast Site:https://apple.co/2KSWG8z Hosted on Acast. See acast.com/privacy for more information.
Ken Lewis is an American music producer, mixing engineer, multi-instrumentalist, and songwriter based in New York City. With over two decades of experience, he's earned seven Grammy nominations for his work on projects like Eminem's "Recovery," Kanye West's "The College Dropout," and FUN.'s "Some Nights." Ken's diverse discography includes collaborations with top artists, contributing to numerous gold, platinum, and diamond-certified records, such as "Uptown Funk" by Mark Ronson and Bruno Mars and "Gold Digger" by Kanye West and Jamie Foxx. He's also the creator of educational platforms Audio School Online and Music School Online. His impressive resume spans various genres, working with artists like BTS, Taylor Swift, Ariana Grande, Kanye West, and Eminem. Ken has mixed unique projects like the one-of-a-kind Wu-Tang Clan album "Once Upon a Time in Shaolin" and produced hits for Future, J. Cole, Ariana Grande, and others. His versatility and influence in the music industry remain unparalleled. Visit Ken Lewis Socials! instagram.com/kenlewisproducer facebook.com/kenlewis Visit His Website To Learn More! kenlewis.com Check out the Mixing Night YouTube channel! youtube.com/@MixingNight 00:00 - Introduction 02:04 - Ken on Working In-Person with the Artist and Working at Home 04:30 - What's the Main Benefit of Having a Studio? 06:58 - Opportunities in Your Life 08:38 - Ken's Mixing Night Audio YouTube Channel 11:20 - Who Is Ken Lewis? 12:11 - How Did Ken Start Working with Kanye West in 2002? 14:44 - Ken's Role in Taylor Swift's Albums 17:17 - Where Does Taylor Swift Get Most of Her Music Revenue 20:14 - How Do Artists Make Their Music Albums? 22:30 - How Does Ken Generate Revenue as a Producer? 23:47 - Ken on Working with Taylor Swift's Midnight Album 26:17 - Why Doesn't Ken Want to See Kanye West Now? 27:01 - Drake on Not Getting Credits on Travis Scott's "Sicko Mode" 28:28 - Ken Lewis's Thoughts on Artists/Producers Not Getting Credits 29:45 - AI Replacing People Working in the Music Industry and Other Jobs 33:50 - Using AI in the Music Industry 37:42 - What Made Kanye West So Good in Music? 41:26 - How Does Drake Stay Relevant for So Long? 42:20 - Kanye West's Versatility in Creating Music 44:19 - Why Are Every Creative Different? 45:38 - How Can You Make It in the Music Industry? 47:35 - Residuals in the Music Industry 51:57 - Ken Lewis on Developing Des Rocs 54:30 - What Is Sync License and Syncing in the Music Industry? 58:12 - Ken on Sync Agents Inside the Music Industry 01:04:01 - Ken's Thoughts on Rick Rubin 01:05:32 - What Are Ken's Goals in the Music Industry? 01:09:03 - Ken on Working as a Producer vs. as a Sound Engineer 01:10:22 - How Does Mixing Work in the Music Industry? 01:12:53 - How Does Ken Work on Clients' Music? 01:14:13 - How Does Ken Deal with Clients' Revisions? 01:15:58 - Ken as a Producer and a Mixing Engineer 01:17:20 - Ken on Working with Kanye West 01:18:36 - Ken on Working with BTS 01:22:44 - Can Ken Get a Royalty on a Song? 01:24:31 - Can Artists Just Send Their Beats to a Bunch of Producers? 01:25:27 - Taylor Swift's Version vs. the Original 01:27:52 - How Does a Label Work in the Music Industry 01:30:45 - Why Is Recreating a Song Expensive? 01:34:17 - Why Is the KPOP Industry So Big? 01:37:54 - Who Are Hitman and Pdogg of BTS? 01:40:26 - Ken's 50 Miles in His Life and Career 01:43:44 - Do Mixers Have the Ability to Be a Producer? 01:45:24 - Do Artists Have Knowledge of Music Production 01:47:41 - Ken on Working with David Byrne and the Talking Heads 01:51:00 - Who Does Ken Think of as an Artist Whose Career Will Last? 01:52:56 - Ken's Thoughts on Kid Laroi 01:55:22 - Connect with Ken Lewis! 01:56:11 - Outro
01. DIM MAK PICK OF THE WEEK: shndō ft Talii - Risk It All [Dim Mak] 02. aboywithabag - Club Chennai [Dim Mak] 03. juuku ft Jolina Elish - Lavender [Dim Mak] 04. BRKLYN - Only Fanz [Dim Mak] 05. QUIX & SOFI - Drop Em [Dim Mak] 06. Sandro Silva & Angger Dimas - Dance With Me [Dim Mak] 07. Deorro, Dave Mak, Scheffwell - Hands Up [Dim Mak] 08. Solomon France - Sweet Kicks [New Noise] 09. Kultivate ft Blasé - I Don't Need You [New Noise] 10. FRIDAY FLASHBACK: Not Your Dope ft Leo The Kind - Holding On [Dim Mak] 11. Hermitude - Celebrate [Dim Mak] 12. Guest Mix: 4B Good Times Ahead - RNCL 4B & Aazar - Pop Dat (Acapella) Chris Lake vs. James Hype - Turn Off The Lights vs. Lose Control (Netgate Edit) Lights (Netgate Edit) (Clean Extended Edit) Drop It Like It's Hot (Carola Remix) DJ Turn It Up (EURO TRASH 2023 Remix) Chris Lorenzo - Pump Good Times Ahead - The Rhythm 4B - Timeless Sweet Deposition (Gudfella Remix) The Veldt Cinema (Angelo The Kid x Tommy Trash Edit) Just Wanna Rock x Sicko Mode x Charge (RAFAEL x Rivas VIP Edit) Fisher - Atmosphere 13. DIM MAK NEW RELEASE PLAYLIST: Arya & Lynzz - LIE [New Noise]
Travis Scott is in album mode. Utopia will be his first album since 2018, but a lot has changed since then.The industry isn't as hip-hop dominant, hypebeast culture has shifted, and Travis is still navigating things after the 2021 Astroworld Festival tragedy.How will all this influence Utopia? I broke it all down with friend of the pod, Denisha Kuhlor. Here's what we covered:0:43 How hip-hop has changed since Astroworld8:23 Travis sold a lifestyle to success9:29 Why Travis attracted category-leading brand sponsors13:51 Lasting effect of Astroworld Festival tragedy 19:11 How will the “Ragers” respond to Utopia? 24:12 Over/under on Utopia's first-week sales30:01 Pyramid performance in Egypt31:09 Did Travis miss out on building out a major independent brand?Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Denisha Kuhlor, @denishakuhlorThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Denisha Kuhlor: When we look at the caliber of the brands that he was able to pull, I think that was the difference between him being a 10 or 20 million a year artist that we were who we would be praising his work ethic versus this $100 million artist that were like, wow.[00:00:17] Dan Runcie Intro Audio: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital Dan Runcie. This podcast is your place to gain insights from the executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:00:43] Dan Runcie: All right, we're going to get deep into the world of Utopia. Travis Scott is upon the release of his fourth album, and this one has been long anticipated for several years now. But a lot's changed since the last time that Travis Scott released his album, Astroworld, which came out summer 2018. But there's been two big things that have happened.One, the pandemic. And then two, the tragedy of the Astroworld concert, and we have seen the heights of Travis Scott in that era, thinking specifically about the Fornite series that he had, we've also seen the lows of it as well, especially given the aftermath of the people that died and all of the injuries and all of the broader conversations around concert safety.Travis Scott's role in this himself and other things too. And I want to talk about this with you. So we have Denisha Culloran, who's the founder of STAN. You work specifically in artist engagement and have written pieces on many of the superstars. Let's first start with where hip hop is because we're now in 2023, and I feel like we're in a very different spot than we were when Travis Scott released his last album, Astroworld. So what's changed for you? Where were we with hip hop then and music then? And where are we now?[00:01:59] Denisha Kuhlor: Yeah, I think that hip hop is, undergoing a new era, at least from a quantitative or commercial success standpoint, in the last few years and probably in some ways due to the pandemic, I feel like we've seen the emergence of what I like to think of as dance music. I mean, Beyonce released a dance album, Drake, one of the biggest hip hop stars himself released a dance album. Even when you look at the rise of music, non English music, right? Whether that's music coming out of Africa or, you know, what Bad Bunny has done as well. People are, gravitating to music that doesn't necessarily have to do with the lyrics in the way that rap shines.So I would say to sum it up that rap is having, a bit of a fall from dominance.[00:02:46] Dan Runcie: And it's interesting with Travis Scott too, because I feel like he benefited from this transition to an era where people aren't necessarily listening for. The lyrics, the people that love Travis Scott were so much more interested into the vibe, this rager mentality, and he was a hip hop rock star in terms of how he built himself.And I don't know if a song like highest in the room is necessarily 1 that you're trying to hear in a club, or you're trying to hear dancing, but and so do you think that this transition away from lyrics and more divides? Do you think this hurts someone like Travis or helps them?[00:03:22] Denisha Kuhlor: You know, I like that categorization, hip hop, rock star. I mean, if we were to look at the charts, the one person who has waved the flag for hip hop this year, truly from a commercial standpoint, is Lil Uzi Vert. And I would compare him or categorize him the same way. So when I think about, when I think about that, I say it helps him.[00:03:44] Dan Runcie: Lil Uzi Vert did sample System of a Down in his most recent album. And he definitely has a few songs that sound like that post grunge early 2000s types of artists like Switchfoot and stuff like that. So there's a bit of that mixed in there. Travis Scott has benefited from that too. He's also benefited from having songs where.You heard multiple sounds being merged into each other. I'm thinking, of course, like sicko mode where you can break the whole song. It sounds like three parts in one together. But again, that was 2018. We're in a very different time right now for hip hop and its releases. And I say that to say the success that Travis Scott had in 2018 to 2020, because I do feel like in a lot of ways, that was the commercial peak.Said as much about him as it did about the broader streaming era, as it did about where culture was. So 1st, he himself, he emerges on the scene. He speaks to this audience of hip hop fans that. Really didn't have someone that was reaching them specifically Travis Scott born in the early 90s. So he's still millennial, but he definitely reached more of that older Gen Z audience.And let's say someone like Drake or Kendrick or J Cole did and he related to that hype beast culture. He did it with how he dropped his music, how he thought about merch collaborations and any of the partnerships that he had. And we'll get into those in a minute, but that was the ethos of what he did.And especially at that time with the way that Billboard was counting album bundles that really worked to his advantage because he combined his hype beast and his ability to sell things and essentially be a walking Supreme style artists where when he drops Astroworld, he literally has this 24 hour merge operation that is dropping a new product every hour of this.And that's how that album is able to do nearly 50% of its first week. Sales coming from more coming from these albums that come through, or these album bundles that come through. He still did quite well in streaming, but the combination of those leads to him having, I believe it was 537, 000 units selling in his 1st week.And usually the people that project these things are usually pretty on course. And I remember the projections leading up to Astroworld, which like Utopia was also pretty hyped album, but people were expecting things may be in the mid to high 200, 000 range. And he more than doubles that.And you rarely see that much of an artist exceeding the expectations of that perspective. I think a lot of it has to do with people just not expecting him to have dominated things the way that they did. And even though it is 1 of these things where you have to, in some ways, read the fine print to see how those numbers came through.The average person just sees the top line number. No different than you may see. Oh, this movie grossed a hundred and fifty million dollars. You're not trying to read the fine line to say, okay, well, how many of those tickets were IMAX versus cheap movies where it costs less than ten dollars. So go see matinee, you just want to see what's that top line number and it worked really well to his advantage and because there was still model culture definitely wasn't around in 2018 in that way, but we've only become more fragmented since then. So there was still this opportunity, especially with the growth of streaming and these services to really elevate a star. And I think that worked to his advantage as well. So the timing and everything of that Astroworld release couldn't have worked better for him.[00:07:20] Denisha Kuhlor: Yeah, I agree. I think he was really disciplined or it just came natural in terms of building a business that exuded a lifestyle. And it was around the time where having this, like, flywheel of products, benefited, of course, not only the product that he was selling or pushing, but also counted towards his streams. And I think, you know, in the past, a lot of artists maybe didn't get to show their dominance in that way, and our catalog episode, we talked about Beyonce, and Beyonce's numbers and whether they met expectations or didn't meet expectations in terms of her streaming numbers, or in some ways, how she shows up on the charts.But when you see what that fandom looks like mobilized in the form of her live shows, one, you know, a few data points in aggregate, especially when it relates to, streaming or listening habits, clearly don't tell the full story about the fandom. and I think that's where Travis Scott was really able to at that time, show us the power of what he was building.[00:08:25] Dan Runcie: It's good that you mentioned Beyonce too, because that's another example of people just looking at the high level number. People see how many first week sales that Renaissance did, or even the streams that Renaissance has had afterward. There's other artists, whether it's SZA and others that have had albums that have had longer shelf life on streaming versus others, but it's a completely different fan base.This fan base is older. They're not going to sit in front of a computer and just stream your music all day. They're working, but when it's time to show up. They may fly to Vancouver, they may fly to Europe to go look at your tour and go check out what it is. And I think Travis Scott, similarly, he had a fan base that was very beneficial for him with things that were related to e commerce, especially around drops, especially around releases and that worked to him.So when we're talking about artists, finding what product market fit looks like, finding what everything has that's available, it worked to his advantage. So if we fast forward a couple months after the release of Astroworld, Sicko Mode becomes a big hit, it ends up charting, and then that brings Astroworld back to the top of the charts.That February, he performs at the Super Bowl alongside Maroon 5, so then that works to his advantage, and he just continues to have a very strong year. He ends up releasing that documentary and he didn't end up winning a Grammy as we saw the documentary was quite disappointed about that. But then that sets up everything for 2020 and in a year where most musicians struggle because they can't tour and they may have planned to release certain things.Travis Scott's one of the few that actually did win. There was this Forbes article that came out towards the end of 2020 that looked at all of the partnerships that he had with various companies. And we're talking about his collaborations with Nike, Fortnite, McDonald's PlayStation 5, I believe he even had drops associated with the tenant movie that came out that year.They expected that he would gross over a 100Million dollars or that the revenue that he would generate from these things would gross over a 100Million dollars and. It said so much about where we were, especially because people were inside. They didn't have anything better to do than just get the latest merch, get the latest drops.That worked so well to his advantage. And his songs were still popular. I do feel like Astroworld was probably one of the last hip hop albums that felt like it had some legitimate staying power. And then I think that was probably The peak of him, at least what we've seen so far in his career.[00:10:59] Denisha Kuhlor: Yeah, no, I completely, I completely agree. he was in many ways on top of the world. I think he was really thoughtful about how he got to that position. in some ways, even, you know, when you look at things like, the fortnight show, he was really a pioneer, and the days to follow when it came to Web3 or embracing the Internet or new models for artists, who was frequently cited and maybe he doesn't even really get the credit he deserves, for that, and, you know, I'd be remiss if I'd say, I think, he's lucky in a way that, his fan base demographics skew, a population that consumers or that brands want to attract, right? So the brands that really saw an appeal in his music, were brands willing to spend, I mean, Video games, Nike, the brands that he was able to attract, some artists and a lot of hip hop artists, especially, even when we did our ice spice episode, female artists, right? They're able to get a lot of, brand attention.But when we look at the caliber of the brands that he was able to pull, I think that was the difference between him being a 10 or 20 million a year artist that we were who we would be praising his work ethic versus this 100 million. artist that were like, wow.[00:12:18] Dan Runcie: He literally had the biggest brands in their category, right? It wasn't like he had some subcategory. I feel like the only thing he was missing was a visa or master card type of partnership to be like, or American express or one of those, right? It was always the leader space.[00:12:33] Denisha Kuhlor: The time is now with that. I mean, with Kendrick's tour, I don't know if we would have all guessed that, his partner would be in tech company. So I think it'd be really interesting for his next tour to see who he aligns himself with.[00:12:47] Dan Runcie: The interesting thing with Travis though, is that. As I mentioned, I feel like the 2020 was that peak that we had seen, but then by early 2021, this is when we first start hearing about this forthcoming album, Utopia, he announces that he has this, or he posts a screenshot, which is quite cryptic, but he has this movie coming out with a 24.That seems like it may be titled Utopia. Fans are already anticipating it, and it did feel similar to the Astroworld, but Hype in some ways, because even 2 years before that album came out, even before birds of the trap sing McKnight, he was talking about Astroworld. So we felt like we're back to this era and things seem to be cruising.He had already had successful Astroworld festivals on the ground, especially that 1st 1 he had after, the Astroworld Album that came out in 2018. I believe he had another one in 2019 was quite successful. Obviously, he didn't have one due to the early part of the pandemic in 2020, but he then comes in 2021 and you could say that things were already starting to shift at this point because fans were already in that anticipation point. Okay, when's it going to come? We thought the album is going to come, but then everything changes after the tragedy of the Astroworld festival that he has, as we talked about in the beginning, many people died.There was a stampede. And I think there's a few things that we can dig into, but we don't necessarily need to dig into the depths of that in this conversation here. But how do you feel like that event, set the tone for Travis's career and how much it impacted and everything else that we've seen and maybe we'll expect coming forward.[00:14:28] Denisha Kuhlor: Yeah. So, you know, when I, recently rewatched the documentary, his documentary, Look, Mom, I Can Fly and it kind of highlighted some of the culture, right? Around his shows, how his fans showed up at his shows and the overall like tempo of his performances. while in a lot of ways, I think, it didn't matter if people didn't like it, right? Because the ones that did loved it and were truly embracing that culture. I feel like it showed a new light, and light actually probably is the wrong word, but it cast him, in a way, where I think it was the first Big events in a long time, especially post pandemic or post COVID, in which fans were forced to grapple, with like the predicament of other fans, right?whether you're Travis Scott fan or not, we all know what it's like to be at a show, hopefully, or a big show. And so I think it's really tricky, his reaction and his response. I mean, he did the follow up interview with Charlemagne, and in some ways laid a bit low, obviously his legal stuff was sorted out and things like that.I think that it positions him in a way that as fans or casual fans or listeners. Want to really get to know more of him and his ethos the documentary helped a bit with that to understand him better but I think that social relationship or feeling like that one to one relationship is there is going to be stronger than ever, for the success of this album is, I'm sure in that, that events, divided many of his fans, whether it was the event himself or his reaction and follow up to it.[00:16:25] Dan Runcie: I want to dig into that last point, because this may be a tough question to ask. There obviously was very strong reaction to the tragedy of the event, especially considering the lives lost. There was a lot of discussion around that too. Do you think more of the discussion or change in tone about Travis himself was more from the broader people who may not be a rager themselves?Or do you feel like the ragers themselves, Actually changed after this event.[00:16:56] Denisha Kuhlor: Yeah, that's a great question, definitely tough in a way, but in some ways it's simple. It was from the non ragers, right? Because that in itself, in some ways, being at a show like that in itself was difficult for people to understand. So seeing the results of the show, I think, invited many people to cast their opinions in a way that was easy, especially because something went wrong.But, it's like for any show or any artist that has a fan base, you really can't explain the momentum of why you're there in the first place. Now, I do think, though, when it comes to, you know, the second option for that question, if there was to be any, maybe, divide or discussion amongst the fan base, it would be around Travis's follow up after, especially given they're all a part of this culture or all a part of this fandom. But in terms of deciding whether to go, and being critical of that in the first place, definitely from non ragers.[00:18:07] Dan Runcie: Yeah, that's the sentiment that I captured too. I remember his initial response. It didn't necessarily feel like it. Sure, I think there's things that you can say we're left to be desired. I think we think about the broader context of who Travis Scott is in himself. It's this balance between do we feel like the person actually does feel sorrow and disappointment for what happened or do they speak in a way that makes us feel that and I know those are two separate things, but I do think that I believe that Travis does have sorrow for these things. I don't know if he in any interview that he's necessarily had ever had those bullet points or those breakaways. That's like, oh, yeah, when Travis Scott said this 1 thing, you know, that's the thing that, you know, stuck with and not saying that necessarily as a knock that just isn't him. It isn't like how Kendrick Lamar may drop some shit in an interview and you're like, oh, wow, never thought of it that way or even how I think Drake does this as well. Some of that could be a bit of an age thing. I know Travis is now I think he's like 31 and, you know, these guys straight Kendrick and Cole are closer to 40 than they are 30, but it's also a bit of a personality and a dynamic thing too. So I think it's like, just because that it just because a tragedy happened, even though a person may feel bad, I don't know. Even the best P. R. crafted statement doesn't turn them into Michael Eric Dyson in terms of how eloquent they may be with using words and things like that. So that was 1 thing that I thought about with the response[00:19:45] Denisha Kuhlor: I do think when we think about the potential ramifications or how it might affect this upcoming album, that like, this culture of likeability and cancel culture do play a role. And I feel like that's why the documentary was so fascinating in some ways because For so many of us, we're probably at the casual Travis Scott, fans or listeners.We definitely, you know, have audio recognition of the songs. at this point we attribute the songs to him. but little did we know or little did the world know the depth and the passion of, his core fans and his stance. And maybe because, you know, this is a thing with the media. So often, the concept of a stan has been profiled as like the teenage girl, right?The Swifties back when Taylor Swift was coming up, or the One Direction fans, or the Justin Bieber fans that, which is not necessarily Travis fan base, but the similarities in terms of passion. What he means to them, and the music are right there.[00:20:50] Dan Runcie: And I think that's a good place to transition into what we then expect for Utopia. Do you think that those same fans will show up in the same way that we've seen them show up with Astroworld, show up with these merch drops, show up with these product sales year in year out, especially the way they did from that 2018 to 2020 stretch.[00:21:10] Denisha Kuhlor: You know, it's what I'm most curious about myself. When we look at four to five years, it'd be easy to say, you know, obviously, that was a big part of people's lives for whatever age or part of their life they were going through, and naturally, they'll at least give him the first look or first right of refusal to do.So, I'd be remiss though. If I'd say these last 4 or 5 years will really go down in history. And it changed so many people, and truly transformative ways. So I wonder if the conversion in terms of the amount of, like, stands that he'll be able to keep from, the last album to Utopia will be as high as maybe it could have been if the world looked a little different four or four or five years ago.What I do think, though, is, and we saw this with SZA. It really can stand the test of time, especially if the relationship is strong. Fans are ready, audiences are excited. And they want to show up and give that power in a lot of ways. I wonder what's the difference between a fan base that stays.I would point to a Taylor Swift fan base, for example, obviously the Swifties versus a fan base that moves on, you know, you think of the J. Cole song, I think when he's 1985 and he talks about like the actual cyclical nature of hip hop and rap, right? From an artist perspective and for the majority of the artists. They don't hang on and they don't convert. So it's going to be really interesting, but my hunch is that he's going to have to pick up a lot of new fans along the way, only because his fans are in such a stage of adolescence or figuring things out, at least his biggest diehard fans, and can very much be in a new place in their lives now.[00:23:08] Dan Runcie: If the over under on what Travis Scott could do for this album. I'm thinking purely on a first week sales metric here, as you mentioned, Astroworlds did 537. If that's the over under I'm taking the under if the over under is 400. I'm taking the under. And to be honest with you, even if the over under is 300, I'm still taking the under.And here's why, there's so much that has changed in streaming and music since then. And when Travis Scott released Astroworld, hip hop had such an early mover advantage on streaming that it was in the streaming services benefit to push hip hop and to push the hip hop stars that are out in front. So that same summer that Astroworld comes out, Drake had released his album, Scorpion, maybe like 6, 7 weeks before, and there were a few other ones that were strong on the charts, but there were no Taylor, no Beyonce, or no other, you know, big artists that were there at least releasing from that perspective, but a lot's changed now where I don't think the streaming services necessarily need to rely on hip hop in that same way as heavily because of all the growth that's there.Morgan Wallen is still doing over 100, units sold per week and we're almost 20 weeks running now. Country artists weren't doing that in 2018. So it's a very different landscape now. So that's one aspect of it. The 2nd aspect of it is this album will be, at least to my knowledge, 1 of the 1st to take advantage of billboard reintroducing album bundle packs.And that is 1 of the things that Travis benefited from. They took it away for several years. So we saw a lot of hip hop artists take a decline. They'll now bring it back. It's going to be slightly different. However. I think what's changed a bit is that I don't know if hype beast and hype culture is necessarily the same as it as it was in 2018, because I feel like that was the height of when Supreme was doing its best and getting those big, P E deals from Carlisle group.And all of these companies were just, and you're seeing all these specials and document mini documentaries on what is hype and why do these companies start? And why are all these? Gen Z and young millennials lining up at whatever hour across the street. And in a way that, yeah, that stuff still happens, but it doesn't happen in the same aspect.And I don't think someone like Travis Scott has much of a monopoly on that culture, the way that he did then. So I think that hurts it a little bit. And I think the 3rd thing with the absence of a song as big as sickle mode, and even if Travis Scott has better songs on this album, the sickle mode, I haven't heard it. I can't speak to that. It's harder for even a single song in hip hop to capture as much mindshare today in 2013, 2023, as Sicko mode did in 2018. And I remember there was some study that. or some analysis, I think the New York Times or 1 of those places put out where they looked at all the streams of Astroworld and an overwhelming majority of them were people streaming Sicko mode.That's no surprise. That's just the way it is. And you know, it's a power law thing. You need that 1 or 2 hits really to drive things forward, will he pull a few singles that have been loose ones that have done? Well, potentially, Yeah, probably, but we'll see, I think actually, and I know you want to talk about this in a little bit, but Lil Uzi Vert's pink tape could probably be a helpful proxy here.So he released a album in, 2020, and I think it did just under 300, 000, units, and then he released another album a couple of weeks ago, the pink tape, and then that did around one 67. So almost a 50% drop. I mean, he still did number one, but there was a pretty sizable drop. I think Lil Uzi Vert is a different, you know, case than Travis Scott, but this is kind of what we've seen even artists like Drake and others. It's tough to reach those numbers that they did at the height of streaming when they were doing strong numbers and everything else. So I think that if you want to even say someone like J Cole is a cop, I think that his last album was still under 300, 000 or so. So I'd be surprised if Travis Scott got to that level.And the 1 thing I'll say, 2, is I know you mentioned, you know, SZA and just how that fan base stays. We did have some hard numbers to be able to show that just seeing how scissors control stayed on the charts for the past 5 years. I don't yeah, I don't see Astro world on the charts in that same type of way.So if that indicates anything from a staying power perspective, I don't know, but that's where I sit with it.[00:27:36] Denisha Kuhlor: Yeah, no, I'm aligned. I think we're going to see somewhere between 200 K to 300K optimistically. I think that's a great, outcome. I also think the point you made about, hype culture. Is really important, right? we're now in an era where people are covering, the outfits on secession, right?Where people are leaning towards old money or, you know, that culture. it's a lot different. you've seen, you know, even when you look at major houses like LVMH or conglomerates, the efforts and the investment that they've had to put just to stay on top of consumers minds and gain that attention share.I think while bundles are exciting and while it's super exciting that bundles are back and will be counted. It really is going to take a lot for it to garner fans attention. Even with Beyonce, I think maybe, I mean, what she did was really interesting with the mystery boxes, but it'll need to have some type of true pull or gravitas beyond really just the product itself, because consumers have built affinity to a lot more brands, a lot more rising brands, a lot more, influencers even, to justify potentially just that much.[00:28:58] Dan Runcie: What do you make of the Pyramids performance that's upcoming for Travis Scott?[00:29:03] Denisha Kuhlor: Yeah. So the first thing that comes to mind is Russ and Russ's tweet saying that he, you know, he did it first and his fans reminded everyone, what I will say is. I do think it's a testament to his artistry, and his ability to truly want to or have this desire to maybe think outside the box and try new things.As someone who, goes back and forth between, I guess, Africa and, the States, I think those types of things are always tricky, in terms of going to any place, right? And maybe in some ways wanting to encompass it as part of your art, while not always fully immersing yourself in the location. So I know he's, an artist and obviously want to respect his artistic will. But when it comes down to how it might be more broadly perceived outside the United States. I'm really curious to actually see the sentiment. What are your thoughts there?[00:30:05] Dan Runcie: That's a good point. And something that isn't necessarily talked about a lot, right? A lot of the Westerners may see that and be like, oh, dope. Cool. Did it in one of the seven wonders of the world, right? But yeah, what do Egyptians feel about that? What do people from the Middle East feel about that? Is this a stunt to capture attention?And in many ways, we know that it is an opportunity to capture attention. Just the statement itself. Oh, I'm doing this. You want to make it big. You do want to make it big. It definitely captured my attention. I'm not going to act like I'm above it, right? Oh, this could be interesting to see, but I think you bring up a very good point about it.And is there some type of tie in or some type of relationship there? We'll see, I don't know, but I think that's a good thing to think about there. The 1 question I do want to ask you before we wrap things up here is. We talk a lot. Oh, you and I've talked a lot about artists, market fit, creator, market fit, and just how they find products and things that work well for them.And I look at people like Mr. Beast and he's someone who they've launched products. Off of his likeness and off of his brand, some of those products haven't worked as well. We recently heard that beast burgers had shut down and there's also been several P. E. and venture capital firms that have tried to spin up investment company or investment firms that are specifically focused on either, A, trying to find the next Mr. Beast or be trying to fund projects or businesses that are based off of the likeness of the influence that these creators do have. Travis Scott has a lot of similarities, especially we think about the influence from an e commerce perspective. I don't know if the timing was now, maybe the time it could have been a few years ago.But do you think there was an opportunity for him to have launched a more traditional business off of Cactus Jack, the same way that we see he's so synonymous with drop culture and he's so synonymous with those things. Was there an opportunity to do something like that?[00:32:06] Denisha Kuhlor: Yeah, I think absolutely, you know, nowadays it's really interesting in terms of some of the biggest brands have, skewed beyond the celebrity. People had a lot to say about Skims, right? But we can't deny, that it's a great business and people really like the product. Kim Kardashian or not, they like the product. I think during that period when he was on top of the world, that was a really interesting time, especially during COVID when he wasn't, traveling as much or touring as much, to be able to bring something to market that would really excite fans and fans and consumers, it almost feels like that opportunities past now, because that like height of fandom is not the same. But I also think that a lot of artists don't want to, and maybe that is very much okay, when I watched the documentary, I kept reflecting back on. The ownership that he gravitated to taking when it came to the control of his shows.I mean, getting in the weeds about his lights, his sound, his pyrotechnics, to a level that almost reminded me of Beyonce. In the sense of how much he wanted to direct and produce the show in real time and how passionate he was about that. So while, the answer is yes, right?And if I was talking to a manager, an agent, they'd be like, hell yeah. I also think it's okay to maybe recognize that he had, like we said, some of the biggest brands in the world, cutting him really, really great checks that required him to be hands on, Yes, but also gave him a certain level of ability to turn off his laptop for the day or walk away while being able to tap into the supply chains and resources and expertise that they had at their disposal.So, while yes, in some ways he's done a great job at becoming really liquid off just his likeness. , and maybe he's not necessarily from an artist market fit standpoint, the archetype of artists that would have done it long enough for it to be lucrative or successful in comparison to his other ventures.[00:34:23] Dan Runcie: Great comparison on Beyonce. We've clearly seen some of the e commerce and brand struggles that some of her products have had recently, but people will show up for the concert people would show up for the event and you talking about how particular and focused Travis is on the ownership of the performance and the stage. It makes me think of that line in antidote where he's like kicking the camera man off of my stage. Cause I don't like, I always capture my angles, which was literally from something that he did at a national concert. So I think that's a good point there. And of course, underlying, let's say he launched something either end of 2019 and, or beginning of 2020, like right when things were taken off. It's one thing for the Travis Scott brand itself to have taken a hit after the Astroworld tragedy. I could even imagine where that company would be today. And especially just given where anything that we just talked about, how, you know, hype beast culture and things like that just aren't where they are right now.So we'll see, I say all that to say, I know that you shared a bunch of caveats in this conversation. I'm still going to listen to the album. I'm still intrigued. I do want this person to succeed. I very much like Travis Scott, but I also realized that for the average artist having a four to five year peak run is much more common, especially for someone that reaches those levels. And then even someone having a true generational career like Drake or Jay Z is few and far between. So even if it doesn't hit the same numbers, I don't think it's necessarily a knock. It's more so reality of the business.[00:35:51] Denisha Kuhlor: Yeah, I think, the Drake's JC's, even the J Cole's are only going to become rare and rare as attention gets harder, but a strong 5 year, strong 5 to 7 year career that makes truly like, good income that an artist can then use to divest or maybe even sell their catalog, is like the 1% nowadays, for the industry. I agree.[00:36:13] Dan Runcie: Indeed. Well, Denisha, this was fun. Thanks again for coming on. And who knows, maybe we'll have to check in after Utopia at some point to see what the post Travis Scott return looks like. Thanks again for coming[00:36:25] Denisha Kuhlor: We definitely need an update. Of course, thanks for having me.[00:36:28] Dan Runcie: All right. Great.[00:36:29] Dan Runcie Outro Audio: If you enjoyed this podcast, go ahead and share it with a friend, copy the link, text it to a friend, post it in your group chat, post it in your Slack groups, wherever you and your people talk, spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple podcast.Go ahead, rate the podcast, give it a high rating and leave a review. Tell people why you like the podcast that helps more people discover the show. Thank you in advance. Talk to you next week.
On this week's episode of IDEA GENERATION, producer Tay Keith takes us on a journey from his early days taking piano lessons, to meeting BlocBoy JB and building their careers together, to producing smash hits for artists like Beyonce, Drake, and Travis Scott, including the Diamond record "Sicko Mode." The Idea Generation Podcast is brought to you by Tres Generaciones Tequila. The perfect tequila for creatives who are ready to fail twice, but get up Tres! @TresGenTequila Credits Noah Callahan-Bever Creator & Host, Idea Generation Starring: Tay Keith Executive Producer: Helena Ox Producer: Jack Erwin Lead Editor, Creative Director & Sound Designer: Sarathi Garimella Producer / Editor: Xan of Mars
The legendary Hit-Boy stopped by our podcast and shared stories which shaped hiphop forever. From making "Ni***s in Paris" with Kanye West, to working with Travis Scott on "Sicko Mode" and "Carousel", Hit-Boy has solidified himself as a cultural icon. Hit-Boy also shared his secrets on how to get the perfect drum bounce, and why experimentation is vital for a successful career in music.
Staying in the March Madness spirit, Jonathon and Elijah are back with another bracket. This week, we'll be deciding which song is the best in Travis Scott's catalog. From chart topping hits like “Goosebumps” and “Sicko Mode” to fan favorites like “Drugs You Should Try It” and “90210,” see which song wins it all. They also discuss Drake & 21 Savage's upcoming tour, JPEGMAFIA & Danny Brown's upcoming project, and more!
Buy a ticket to a Travis Scott show at your own risk... Early Wednesday morning, Travis dropped by a New York nightclub to perform, and things went downhill fast. The “SICKO MODE” rapper got into a physical altercation with the sound engineer, which left him in the hospital, and allegedly caused $12,000 in damages to Club Nebula. There are conflicting stories about what *exactly* went down, but given Travis's track record with live performance disasters – Astroworld, anyone? – it's definitely not a good look for him. And we wonder if he's becoming too big a liability for live performances.Listen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. Support us by supporting our sponsors!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
i got sick at a renaissance faire go subscribe and vote in the poll here if you're a patron: https://www.patreon.com/mistermovies show will be back next week
#50-46Intro/Outro: Radioactive by Imagine Dragons50. Feel It Still by Portugal. The Man49. Queen by Perfume Genius48. Hold On, We're Going Home by Drake47. Redbone by Childish Gambino46. SICKO MODE by Travis ScottVote on your favorite song from today's episodeVote on your favorite song from Group 2
A full house this week as the guys talk major CFB storylines and an upcoming winner-take-all game in the NFL. Time Stamps: 0:00 - CFB - Playoff, Bowl Games, Draft Prospects 49:30 - Titans Talk 1:01:45 - Outro, Sports are Always On
This week the guys are joined by Hip-Hop legend, Cyhi the Prynce to discuss paying for samples, the importance of a marketing budget, the "college" era of hip-hop, top 5 artists of the moment, the negative connotation on ghost writing, drug rap vs drill rap, Kanye's GAP & Adidas beef, Cyhi's favorite G.O.O.D. Music artists, and much more.
The Cover 3 crew is back with another batch of fresh, hot LOCKS for Week 1! First, we recap what was a very profitable Week 0 slate! Next we hit the marquee games on Thursday (6:03), along with a few Sicko Mode plays courtesy of Bud Elliott. The guys then move on to Friday's schedule (17:50) with plays on Michigan State-Western Michigan and Illinois-Indiana. Then we move to Saturday's slate starting with NC State-East Carolina (25:17) and hit all the top ranked matchups with Ohio State-Notre Dame (30:20) and Georgia-Oregon (33:24)! And finish it up with Moneyline Sprinkles (58:00)! Cover 3 is available on Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox and wherever else you listen to podcasts. Watch Cover 3 on YouTube: https://www.youtube.com/cover3 Follow our hosts on Twitter: @Chip_Patterson, @TomFornelli, @DannyKanell, @BudElliott3 For more college football coverage from CBS Sports, visit https://www.cbssports.com/college-football/ To hear more from the CBS Sports Podcast Network, visit https://www.cbssports.com/podcasts/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
For my 6th session of therapy we talked about the Belle Isle slide being harmless fun, white people sending us to extinction and Deshaun Watson being placed on the Sicko Mode list.
Tragedy struck Travis Scott's sold out Astroworld festival at NRG Park on Friday, November 5th 2021 in Texas leaving 10 dead and hundreds injured. Alright I'm about to throw some numbers at you. Among the victims was a 14, 16, two 21, two 23, one 27, a 9 year old unidentified. Out of the hundreds that were injured, 25 were transported to the hospital, 13 remain hospitalized...5 of that 13 are under the age of 18. Somewhere in the range of 50,000 people attended the event. So potentially, alot of witnesses.
A tangent-filled breakdown of the Bishop Sycamore scandal, a breakdown of the viral lad fight that occurred across the pond, 5 minutes of Bachelor in Paradise, the James Corden x Nadele Dazeem flash mob, and This Weekend in Fun. Support us on Patreon and receive weekly episodes for as low $5 per month: www.patreon.com/circlingbackpodcast Watch all of our full episodes on YouTube: www.youtube.com/washedmedia Shop Washed Merch: www.washedmedia.shop (0:00) Fun & Easy Banter (17:32) Bishop Sickomode (34:50) Slap Fights with the Lads (41:30) 5 Minutes in Paradise (49:14) Flash Mobs (1:00:04) This Weekend in Fun Support This Episode's Sponsors Vizzy: www.vizzyhardseltzer.com/washed Public Rec: www.publicrec.com/circlingback (BACK for 10% off) Black Dog River Guides: www.blackdogriverguides.com (Backer15 for 15% off!) Fichi: www.fichisnacks.com
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