Podcasts about Alium

1573, de Engelse componist Thomas Tallis schrijft Spem in Alium, een koorwerk voor 40 stemmen. Niet toevallig 40 want hij schreef het voor de 40e verjaardag van Queen Elisabeth I. Clara en Sander stressen over wie wanneer dan precies moet invallen tijdens deze indrukwekkende muziek. En wat heeft dit muziekwerk met knoflook te maken? Er wordt alleszins al gefantaseerd over scampi's in knoflooksausje door deze twee foodies.

Anavilhete.comhttps://www.instagram.com/anavilhetehttps://www.linkedin.com/in/ana-vilhete-emba-us-uk-921748103/Ana Vilhete has a London business with offices in London, the Netherlands, the United States and, most recently, South Africa.Alium Consultancy, which Ana founded in London in 2020, now grosses more than £10 million a year — roughly $13.4 million. She also has a London law firm with seven attorneys working under her. She is an entrepreneur, investor, a volunteer and an inspirational speaker. And now, she is bringing her business and her story to America.In her mid-30s, she is by any measure a success, and her story begins with virtually nothing in an inner-city slum in Luanda, Angola. She was born in the middle of that country's 27-year civil war. She lived without hot water until she was 13. She is dyslexic.So, when she says the heart of her message as an inspirational speaker is, “If I can do it, anyone can do it,” she has the credentials.“I think I have a great story to share of resilience and tenacity,” she said, “and I want to share my story, to inspire people. If I am able to be an inspiration to someone, I would love that. That is the legacy I want to leave behind.”The bare-bones outline of her personal story goes from Angola to another inner-city slum in Lisbon, Portugal, when she was 4. She speaks Portuguese because for a couple of centuries Angola was a Portuguese colony and it became a necessary language for the native peoples.That move resulted from a bullet. One night when the shooting was particularly bad, her mother took her into her bed and in the morning found a spent bullet in Ana's cot.From Lisbon, her story goes to London at age 16. Ana herself initiated that move.“It was October 2003. I went home one day and I told my mom I wanted to leave Portugal. I didn't think that I was going to be able to achieve any of my goals. I didn't know what my goals were, but I didn't think I was going to become the person I needed to be there, and I didn't know who I wanted to be, but I just felt limited.”All the girls she knew in Lisbon, her friends, were “getting ready to get pregnant, and I wanted more.”London at first was little better. Her parents were in poverty-level janitorial work, and family members helped, but housing was a constant concern. A year in they became homeless until her father persuaded a friend to take them in for a few months until they could save enough for rent.She learned English, she completed her equivalent to A-levels, roughly comparable to American high school, and went to college, with the help of student loans, to study law and criminology. She didn't know if she wanted to be a lawyer and took a year off — to work in a law firm.“I didn't enjoy working with lawyers, but at the end of that I had loads of friends that were lawyers. So, I decided to go to law school.”She finished law school, going part time. She graduated, then worked for various companies, big and small, a year, two years at a time, and in a small business in the staffing industry, what is called in the United States job placement, she learned the operation and business side of that industry.In 2020, when she founded Alium Consultancy, she fulfilled another lifelong desire — to own her own business.Alium places people in positions in the health, data and technology industries with a focus on empowering success through diversity in the workforce.She insists that she is nothing special.“Coming from where I came from, if I can do it, anybody can do it. Seriously, I'm not particularly smart, and I found out in law school that I'm dyslexic. It was tough — ‘I need to pass this exam. Why is this subject not going in?' — and so I think if I can do it, anyone can.”You don't always have to know what your calling is. You just have to have the tenacity to search for it, grab what's available and continue to search. You try this and you try that. Be willing to try new things. Be willing to spot an opportunity. Be alert to your environment, think about new ideas and be prepared to fail, because I failed a lot.”Be relentless, she says. Listen to your instincts, keep looking for the thing you might enjoy “waking up to,” and be resilient.“Life is tough. It is what it is. There's nothing you can do about it.”“Failure,” she says, “might not be your fault, but it is certainly your responsibility to keep going.”She delivers her message in Great Britain, in Portugal and other places. She tells her story in schools and colleges and is on television as a guest invited to share her opinions on various subjects.America is next, both for Alium Consultancy with its focus on filling positions and promoting diversity in the workforce, and as a speaker with an inspiring story to tell.“I can really demonstrate, like I said, that if I can do it, anyone can do it. I've got the credibility to back it up.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Cam and Wren talk all things Alium.Support the Show.

With Nick back and Tim relieved not to be holding the fort alone, this episode begins with something different - a discussion about the anointing of the sick - and ends with something equally out of the ordinary - a joke that Nick really should have heard before. And if that wasn't enough right in the middle, Nick and Tim settle a matter playing rock, paper, scissors. Intrigued? Have a listen. Here is the music they played as well as the lyrics to the hymn from Glenstal Tim sang. 1. There is a Balm in Gilead sung by Jessye Norman and Kathleen Battle from the album Spirituals in Concert (Kathleen Battle Edition, Vol. 10) 2. The Communion Antiphon for the 33rd Sunday in Ordinary Time, Amen Dico Vobis, Sung by the Dominican Friars. 3. Our Help is in the Name of the Lord from the Hillbilly Thomists 4. Tallis: Spem in Alium - 1. Spem in Alium from the album Spem in Alium - The Tallis Scholars Sing Thomas Tallis 5. Sunctus (sung live!) 6. Duruflé: Requiem, Op. 9: IV. Sanctus from the album Fauré: Requiem, Op. 48 - Duruflé: Requiem, Op. 9 7. The Hymn at Nightfall from the album Vision of Peace: Monks of Ampleforth Abbey 8. Compline hymn from Glenstal (sung live!) 9. Salve Regina : Glissade dans la neige from the album Le grand silence (Bande originale du film) Compline Hymn: As shadows fall and daylight dies, Renew your gift of peace. Be with us as we close our eyes, Let all our troubles cease. Though we may sleep, stay in our hearts Keep your love there ablaze. When darkness of the night departs We'll rise to sing your praise. Watch over us that as we sleep, Our purpose stay aflame. Let angels all-night vigil keep To guard us in your name. To you be glory, God of rest, And glory to your Son, To you be glory, Spirit blest, The Holy Three in One. Amen

Tom Service surrounds himself in Tallis's Spem in alium, a colossal Renaissance masterpiece for 40 individual voice parts, arranged in eight groups of five voices, each situated all around the listeners. This was the original surround sound experience - one that came about not in 20th-century cinemas but in 16th-century churches. Produced by Dom Wells

En el siglo XVI, la cristiandad volvió a partirse. Tantos años después del cisma entre católicos y ortodoxos, un terremoto religioso se produjo en la alemana ciudad de Wittenberg, con la rebelión de un joven llamado Martín Lutero. Música empleada: -"Danza Inglesa Siglo XIII", Artefactum -"Lachrimae Amantis", John Dowland -"Fortune My Foe", John Dowland, Matthew Wadsworth -"Suite in G Minor for Lute, BWV 995 - IV. Sarabande", J. S. Bach, Göran Söllscher -"Consort Lessons, Book 1: Joyne hands", Thomas Morley, Baltimore Consort -"Suite in E Major, BWV 1006a - II. Loure", J. S. Bach, Göran Söllscher -"Loquebantur variis linguis", Thomas Tallis, Stile Antico "Magnificat primi toni", Nicolas Gombert, Stile Antico "Jubilate Deo", Cristóbal de Morales, Stilo Antico "Spem in Alium", Thomas Tallis, Pro Cantione Antiqua, Mark Brown -"Saltarello I Siglo XIV", Artefactum Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Jess Gillam is joined by composer and multi-instrumentalist Cosmo Sheldrake for a listening party. Music includes Gil Evans and Miles Davis's take on Concierto de Aranjuez, and Thomas Tallis's Spem in Alium. Playlist: Rodrigo arr. Gil Evans - Concierto de Aranjuez [Miles Davis] JS Bach arr. Siloti - Prelude (BWV.855a), transc. for piano in B minor (orig. in E minor, '48' no.10) [Vikingur Olafsson] Mariah - Shinzo No Tobira Sibelius - Symphony No. 5 in E flat major, Op. 82 - III Allegro molto [Sakari Oramo, City of Birmingham Symphony Orchestra] Britten - Friday afternoons Op.7 for children's voices and piano: Cuckoo! [Choir of Downside School, Purley, Viola Tunnard] Bremer/McCoy - Drommer Tallis - Spem in alium for 40 voices [Tallis Scholars, Peter Phillips] Courtney Pine - Haiti

В пятнадцатом эпизоде подкаста Vasia in Space мы разговариваем с Катей Денисовой о: Первом инклюзивном модельном агентстве "Alium"; Московском инклюзивном театре "Чайки"; "Мостиках взаимодействия" между людьми; Футболисте на костылях и неудобных вопросах; Взрослении и книжках об этом; Включении всех и инклюзии; Ваша поддержка делает нашу работу возможной: наш Patreon(если вы не в России), Наш Boosty(если вы в России), чаевые можете оставить здесь, наш PayPal - furezzzz@gmail.com Наш Instagram - @vasia_in_space_podcast Наш Telegram P.S. Alium Agency - сайт и instagram. МИТ Чайки - сайт и instagram. В театре можно купить книги Кати "Тоня не боится расти" и "Макс не боится расти". Мультфильм "Дневник Андрюши" - YouTube, VK Пресс-релиз по мультику у наших друзей из Downsideup

18-III-2022. IN ORBE TERRARUM: ‘Russiae invasio’ ‘contra Ucrainam’ cohibetur. Aggressores ‘pyrobolos conicere continuunt’ et ‘magis magisque cives’ necant. Biden declarat ‘Putin belli scelus esse’. Franciscus Pontifex ‘pro pace’ ‘ad Deum’ clamat. Iam sunt ‘circa 3m Ucrainae profugii’. ‘Boric’ Ciliae praesidens novus est. ‘Octoginta unum captii’ ‘in Arabia Saudania’ executati sunt. ‘Decima missilis coniectio’ ‘in Corea Septentrionalis’ ‘hoc anno’ fuit. ‘In Aethiopia’ ‘assultus contra cives’ continuant. ‘Circa sexaginta personae’ ‘in Respublica Congensis’ ‘fortasse crucesignatis islamicis’ occisi sunt. IN MEXICO: ‘Alium diurnarium’ ‘domi in Zitácuaro’ interficiunt. ‘Triginta duos diurnarios’ ‘hoc sexenio’ necati sunt, et octo ‘tribus mensibus’ necati sunt. ‘Principem Tamaulipae chartelli’ ‘in Tamaulipas’ capitur. ‘Ovum (id est ‘El Huevo’)’ ‘ad Civitates Americae Unitae (id est EUA)’ deportatus est. Propter eum, ‘narcoticarum mercatores’ ‘triginta octo aedificia’ aggrediuntur. Iudex ‘Burgimagistram suspendit’. ‘Sandra Cuevas’ ‘a munere’ ‘ad tempus’ suspenditur ‘quia duos vigiles publicos’ aggressi sunt. ‘Asper (id est El Bronco)’ ‘in carcerem’ detrusus est. ‘De pecuniae lavatio’ et ‘de comitialibus criminibus’ accusatus est. Propaganda ‘pro consultatione de suffragio pro praesidentem removendum (id est revocación)’ ‘per decretum’ imponunt. Salaria prehendent ‘ad pecuniae mutua solvendum’.

Episode 7 of Season 5 aired on 17 February 2022.  We kicked off with a track called 'Bulletproof' of Paul Stanley's second solo album titled Live To Win.  It was topical given the difficult times we are living in, it seems like everyone is going through some serious shit.   We added a bit more inspiration to the airwaves with Billy Squiers' track 'Stronger' off Here and Now.  It was a fairly quiet night by TSORR standards not a lot of people calling in so the show sort of had a life of its own. Cold Chisel's cover of 'Knocking on Heavens Door' showed once again just what a great live band they were.  Ian Moss's guitar work as always just shines.  Speaking of guitar work, there was plenty of it, Black Label Society, Exodus, Megadeth, and Iron Maiden all showcasing some of the greatest guitarists around.  For a bit of UK Punk, we called on Sex Pistols with 'Did U No Wrong' and Stiff Little Fingers with 'Wait and See'.  The latter perfectly demonstrates the wonderful ability of Jake Burns to shift quickly into 'really aggressive now' mode.Local music was ably handled by Roland Suttie, Johnathan Martin, and a seriously powerful track from Code 106 of a new EP called Alium.  Code 106 are sounded really good on this, I was suitably impressed.  From there we went on a Southern Rock jag for a few tracks, Kid Rock, Lynryd Skynyrd, and Whisky Myers all delivering the goods.  'Fill My World' the sad tale of Myles Kennedy's little dog Mozart alone in a storm and Sixx A.M. with 'Maybe It's Time' gave us a good 10 min of emotional stuff and it was tempting to mine that vein further, instead I opted for a mood-lifting end of show blitz of high octane 3 min tracks from The Offspring, The Distillers and Joan Jett (with her Blackhearts of course).  We closed out with UK Metal stalwarts Desolation Angels and a sublime track from Piet Botha.  Hope you enjoy it.       Artists featured:  Paul Stanley, Rainbow, Black Sabbath, Billy Squier, Anthrax, Manowar, Black label Society, Rose Tattoo, Cold Chisel, Powderfinger, MC5, Megadeth, Children of Bodom, Exodus, Rage Against the Machine, Code 106, Johnathan Martin, Roland Suttie, Kid Rock, Lynyrd Skynyrd, Whiskey Myers, The Black Crowes, Sex Pistols, Stiff Little Fingers, Iron Maiden, Saxon, Motörhead, Slash (feat Myles Kennedy), Sixx A.M., Kreator, Warrior Soul, The Offspring, The Distillers, Joan Jett & The Blackhearts, Desolation Angels, Piet Botha 

CEO and founder of the Alium group of companies in Peru. Rolando is a dentist, a service provider for the local dentistry sector, and a medical device distributor of dental products. Rolando's academic credentials include a global executive MBA from the IESE business school, a fellowship in endodontics, and a degree in dental surgery.

One of the greatest composers of sacred music in English was Thomas Tallis.  His greatest work composed when he was  seventy years old is the 40 voice 'Spem in Alium'. A tapestry of voices about putting hope in God 

 ¿Qué es la ley del ritmo? En este episodio te hablo sobre esta ley y cómo se combina con las otras leyes durante las temporadas de nuestro crecimiento. ✨Aprende conmigo las leyes universales ✨► Ley del mentalismo https://www.youtube.com/watch?v=uTftRsWoB2o&t=91s&ab_channel=SomosIngobernables► Ley de la correspondencia https://www.youtube.com/watch?v=5ZqvUbcqtsY&ab_channel=SomosIngobernables► Ley de vibración https://www.youtube.com/watch?v=R73WjF4kg_M&t=1s&ab_channel=SomosIngobernables► Ley de polaridadhttps://www.youtube.com/watch?v=W2XEcCGwn9o&ab_channel=SomosIngobernables ► Escucha el motete Spem in Alium de Thomas Tallis  https://www.youtube.com/watch?v=FRpoB1mfSso&ab_channel=FredFirth  ***** ¡Saludos Cordiales! Soy Yarelis Calderón y desde Puerto Rico

These views are NOT pointed at anyone in particular but at the audio community as a whole. Discord: https://discord.gg/kuHQQRS5qB YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer :2049” - sub bass extension Cher: Believe - sibilance Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation Houston Person - You are my Sunshine - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for the channel. https://www.paypal.me/dbsylvia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

Allium och narcisser, dessa vackra lökar som det finns en så stor variation av. Vilka sorter ska en egentligen välja, och hur kan en komponera dem med andra växter? Varför slutar narcisserna blomma efter några år, och vad gör en då? Hur förökar en allium och narcisser, och hur gör en med lökarna en planterat i kruka. Ulrika och Linda delar med sig av sina bästa tips. See acast.com/privacy for privacy and opt-out information.

In this podcast I discuss my random thoughts about what is an audiophile and audio enthusiast. I haven't done any scientific research or polls; I am just basing my conclusions off of my personal experiences and observations. I am an audiophile; I am pursuing an accurate, natural and realistic reproduction of instruments and vocals. Discord: https://discord.gg/kuHQQRS5qB YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ The Honest Audiophile research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer: “2049” - sub bass extension Cher: “Believe” - sibilance Stanley Clarke - “Passenger 57 main title” - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - “The Pine of the Appian Way” - soundstage, imaging and separation Houston Person - “You are my Sunshine” - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for the channel. https://www.paypal.me/dbsylvia If you would like to contact the channel please send an email to: dbstechtalk@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

Written Review: https://www.thehonestaudiophile.com/post/tin-hifi-t2-a-musical-reference-iem-for-the-small-budget Discord: https://discord.gg/kuHQQRS5qB YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer :2049” - sub bass extension Cher: Believe - sibilance Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation Houston Person - You are my Sunshine - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for the channel. https://www.paypal.me/dbsylvia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

written review: https://www.thehonestaudiophile.com/post/empire-ears-esr-empire-studio-reference YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer :2049” - sub bass extension Cher: Believe - sibilance Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation Houston Person - You are my Sunshine - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for  the channel. https://www.paypal.me/dbsylvia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

HiFiGo: https://hifigo.com/products/kinera-bd005-pro-3d-printed-hybrid-in-ear-earphone Written review: https://www.thehonestaudiophile.com/post/kinera-bd005-pro-how-much-wwwhhhaaattt YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer :2049” - sub bass extension Cher: Believe - sibilance Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation Houston Person - You are my Sunshine - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for  the channel. https://www.paypal.me/dbsylvia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

Blon Mini (written review) https://www.thehonestaudiophile.com/post/blon-mini-the-best-blon YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer :2049” - sub bass extension Cher: Believe - sibilance Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation Houston Person - You are my Sunshine - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for the channel. https://www.paypal.me/dbsylvia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

On this week's Rokfin premium exclusive episode, the team are joined by Andy Malafarina to discuss some reasonable discourse around aliums, the ubiquity of sodomy pride and french bread. To hear and watch this FULL episode visit www.rokfin.com/historyhomos and subscribe for our premium content. It's the best way to support the show You can find Andy's podcast Panties in the Mouth on Itunes, Spotify and wherever you find podcasts and follow Andy @Andymalafarina on twitter, IG and twitch --- Support this podcast: https://anchor.fm/historyhomos/support

Alium Finance is a MultiChain DeFi ecosystem with an ambitious roadmap of CrossChain DeFi and NFT products. Their aim is to offer its users a single interface multichain ecosystem so they can enjoy different DeFi products on different Blockchains without having to hop from one platform to another. We interview Denis Denisov, Chief Business Development Officer of Alium Finance to learn more about their project and what's in store. Learn more about Alium Finance: https://alium.finance/ Twitter: https://twitter.com/AliumSwap Medium: https://aliumswap.medium.com/

How do you say something new when everything's been said. On this months edition of the Andrew Special, we dive into "waves of saturation" and how humans tend to create something new when it seems as though there's nothing left to say. https://andrewmaxfield.orgwww.soundofageschoir.comAudio Credit: 30 second clip of Spem in Alium by Thomas Tallis (Performed by The Tallis Scholars)

It's the Wikicast... after dark... (warning: may contain nipple nori roll nibbling) -------- Forniphilia: https://en.wikipedia.org/wiki/Human_furniture  Nyotaimori: https://en.wikipedia.org/wiki/Nyotaimori  Spem in Alium documentary: https://www.youtube.com/watch?v=Gv1zZwppTuc  Lamentations of Jeremiah: https://www.youtube.com/watch?v=dbczcKGgcwM  Our patreon: https://www.patreon.com/thewikicast -------- Email us at: spongyelectric@gmail.com Follow us on Twitter: @DanielJMaw @simonoxfphys This week's article: https://en.wikipedia.org/wiki/Jeff_Gord  Our facebook page: https://www.facebook.com/TheWikicast/  Fan facebook group: https://www.facebook.com/groups/268878873600832/  Fan discord channel: https://discord.gg/SZu6e2F

Hoboïst Arthur Klaassens heeft een wonderbaarlijk, hallucinant album samengesteld. Met een Vioolpartita van Bach, en drie hedendaagse stukken van Steve Reich, Berio, Jesse Broekman, en het befaamde Spem in Alium, van Thomas Tallis. Klaassens bewerkte alles zelf, en speelt alles zelf. Dus ook dat koorwerk van Tallis, dat veertig verschillende stemmen herbergt? Precies. Dat is het bijzondere. Je hoort telkens verschillende instrumenten (hobo, hobo d'amore, althobo en bashobo) en stemmen, maar slechts één speler, Arthur Klaassens. Hij speelt alle partijen. Een voor een. En legt ze over elkaar heen als laagjes. Veelvoudigheid. Soms zijn het er twee, soms tien, hij gaat dus zelfs tot veertig. De titel, Ratio, wijst op wat voor hem de essentie is: niet zozeer getalsverhoudingen als wel verhoudingen tout court. Tussen hem en de componisten, tussen hem en al die verschillende facetten in zichzelf. En, dat voor ook, tussen hem en opnameleider Frerik de Jong. Die is eigenlijk veel meer dan dat, hij geeft Klaassens tegenspel als een ware musicus. In feite is dit album ook het verslag van een vriendschap: de twee hebben er vijf jaar over gedaan, en honderden opnames gemaakt. Dat kan alleen in een verstandhouding van vertrouwen. Ik sprak Arthur Klaassens op een frisse zondagochtend in Den Haag, vanwege corona hadden we buiten afgesproken, in een stads speeltuintje. De geluiden van spelende kinderen en beierende klokken kregen we er gratis bij in dit Haagse Counterpoint, ook dat vormde weer een mooi extra laagje.

I'll be honest, I edited this episode yesterday and I cannot remember for the life of me what we talk about. Something about Sea Beet I think? You're on your own. -------- Everything is Brassica: https://cdn0.vox-cdn.com/uploads/chorus_asset/file/3395076/brassica-oleracea.0.jpg  Sea Beet (read as Nigella Lawson): https://en.wikipedia.org/wiki/Sea_beet  Documentary about Spem in Alium: https://www.youtube.com/watch?v=Gv1zZwppTuc&ab_channel=JaakkoMantyjarvi  Internet Historian: https://www.youtube.com/channel/UCR1D15p_vdP3HkrH8wgjQRw  Simon's shorts channel: https://www.youtube.com/channel/UCBGWHb1P0Z07SYUqjuOnCmw  Simon's shitposting channel: https://www.youtube.com/c/SimonClarkErrata/  Simon's twitch: https://www.twitch.tv/drsimonclark Our patreon: https://www.patreon.com/thewikicast -------- Email us at: spongyelectric@gmail.com Follow us on Twitter: @DanielJMaw @simonoxfphys This week's article: https://en.wikipedia.org/wiki/Keith_Brooking  Our facebook page: https://www.facebook.com/TheWikicast/  Fan facebook group: https://www.facebook.com/groups/268878873600832/  Fan discord channel: https://discord.gg/SZu6e2F    

Una forma distinta de hacer coaching. María Dolores conversa con Elizabeth Alium, directora internacional de Mens Venilia, acerca del shadow coaching. Alium explica que el shadow coaching fue creado en Canadá, a finales del siglo XX. La práctica consiste en asistir a un perfil ejecutivo que ocupa una posición de liderazgo dentro de la empresa, a manejar su inteligencia emocional y a crear un equipo de alto rendimiento. Inicialmente, el cliente debe compartir al coach sus objetivos y plantear metas concretas, posteriormente el coach observa la interacción del cliente con su equipo de trabajo como un espectador, sin intervenir ni generar comentarios. Durante el procedimiento el coach detecta las incongruencias entre los objetivos planteados y las prácticas personales y comparte retroalimentaciones a su cliente en privado.

The Sonnet Sessions continue... You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can subscribe to the podcast at  iTunes, Stitcher, Soundcloud, or download direct from Libsyn. William Shakespeare, Sonnet IX  Is it for fear to wet a widow's eye, That thou consum'st thy self in single life? Ah! if thou issueless shalt hap to die, The world will wail thee like a makeless wife; The world will be thy widow and still weep That thou no form of thee hast left behind, When every private widow well may keep By children's eyes, her husband's shape in mind: Look what an unthrift in the world doth spend Shifts but his place, for still the world enjoys it; But beauty's waste hath in the world an end, And kept unused the user so destroys it. No love toward others in that bosom sits That on himself such murd'rous shame commits.  Music:  Ralph Vaughan Williams, “Fantasia on Greensleeves“, from Sir John in Love, opera adapted from William Shakespeare’s The Merry Wives of Windsor, 1928 Benjamin Britten, Corpus Christi Carol - performed by boy soprano Sebastian Carrington  Thomas Tallis, Spem in Alium (1750)

The Sonnet Sessions continue... You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can subscribe to the podcast at  iTunes, Stitcher, Soundcloud, or download direct from Libsyn. William Shakespeare, Sonnet VIII  Music to hear, why hear'st thou music sadly? Sweets with sweets war not, joy delights in joy: Why lov'st thou that which thou receiv'st not gladly, Or else receiv'st with pleasure thine annoy? If the true concord of well-tuned sounds, By unions married, do offend thine ear, They do but sweetly chide thee, who confounds In singleness the parts that thou shouldst bear. Mark how one string, sweet husband to another, Strikes each in each by mutual ordering; Resembling sire and child and happy mother, Who, all in one, one pleasing note do sing: Whose speechless song being many, seeming one, Sings this to thee: 'Thou single wilt prove none.'  Music:  Ralph Vaughan Williams, “Fantasia on Greensleeves“, from Sir John in Love, opera adapted from William Shakespeare’s The Merry Wives of Windsor, 1928 Thomas Tallis, Spem in Alium (1750)

Khách mời: ông Hà Anh Tuấn – CEO Vinalink; Ủy viên Ban chấp hành Hiệp hội Thương mại điện tử Việt Nam; Giám đốc điều hành Hệ sinh thái khởi nghiệp EMI và bạn Lê Thị Thanh Nhàn – Founder, CEO dự án Alium. --- Send in a voice message: https://anchor.fm/vov1umkn/message Support this podcast: https://anchor.fm/vov1umkn/support

BANG! @southernvangard #radio Ep231! Make room, Vangardians, as Doe & Meeks crank out another two pieces of stellar content to get you through the week! First, Ep231 is chock full of brand spanking new hip-hop joints, side splitting commentary AND has an EXCLUSIVE interview with our good friend, COUNT BASS D! Count called in to give us the inside scoop on “Edibles”, his brand new instrumental project that drops THIS FRIDAY, NOV 15 as well provide some insight on his upcoming album “CBD”. You can also hear a preview of the project throughout the talk breaks in this episode, make sure you pre-order or pre-add this album on your preferred platform today! We don’t stop there - for this weeks interview session we head to the District of Columbia to talk with ANKHLEJOHN! Interview snippets are at the end of the mix, you’ll have to wait until Thursday for the full interview. So press play and say hooray for what is ALWAYS #SmithsonianGrade #TwiceAWeek #ThriceAWeek #WeAreTheGard // southernvangard.com // @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube // #hiphop #rap #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live November 11, 2019 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #applepodcasts #soundcloud #youtube #spotifypodcast #googlepodcasts #stitcherradio #mixcloud #SmithsonianGrade #TwiceAWeek #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Talk Break Inst. - "See You On the Map" - Count Bass D "We The Ones" - Ankhlejohn "B.P.O.S" - Vic Spencer ft. Ankhlejohn "Fleeting Of The Lord" - Dango Forlaine & Tone Beatz "Black Gestapos" - Elcamino & Bozack Morris ft. Rome Streetz "Wordly Ways" - Asun Eastwood x Vago "Kelly's Korner" - Westside Gunn ft. Fat Joe (prod. Statik Selektah) Talk Break Inst. - "CBD Type Beat" - Count Bass D ** INTERVIEW ** - Count Bass D "Take Flight (Militia, Pt. 4)" - Gang Starr ft. Big Shug & Freddie Foxxx "Street Light" - KRS-One "They Wanna Kill You" - Dave East "A Level" - 1520 (Nomadic Poet & Drematic XL) ft. Illogic & Vodka "Duppy Mecca" - Nomad Carlos X Inztinkz ft. Falcon Outlaw "Hustle Economics" - Cas Metah ft. Yukmouth & Ras Kass Talk Break Inst. - "Pretticize" - Count Bass D Talk Break Inst. - "Just Pray" - Count Bass D "Earl Simmons" - JAY NiCE feat. Left Lane Didon & Rome Streetz (prod. Farma Beats) "Str8 Drop" - Jamal Gasol ft. Flee Lord "INFINITEBLACKMIND" - Estee Nack X Superior "Alium" - Crimeapple (prod. Buck Dudley) "Situated" - Brother Ali ft. Pharoahe Monch (prod. Evidence) "Burnt Tree" - Step Brothers (Evidence & The Alchemist) "Size 42" - Westside Gunn (prod. Daringer) Talk Break Inst. - "You Still Care" - Count Bass D Interview Snippets - Ankhlejohn

Investing through the cycle and targeting 10-15% returns net of fees is Alium’s focus, and in this episode Martin explains how Alium is able to accomplish this. The Alium Market Neutral strategy is an alternate strategy that utilizes both long and short positions globally with a thematic based approach. Martin describes how his strategy operates differently to traditional market-neutral strategies that utilise a sector-based approach. From inception in May 2017 through August 2019, the fund has not produced a negative year.

Are we living through an era of madness? Stephen Blackwood sits down with best-selling author Douglas Murray to discuss manifestations of madness in contemporary culture. They explore the metaphysical system sustaining present ideologies, consider the necessity of meaning and forgiveness, and move beyond to discuss the transcendent values and works of art that enlighten, and perhaps offer an antidote for, the madness of the present. Works mentioned: Literature: T. S. Eliot, especially The Four Quartets; Philip Larkin; C. Day-Lewis; Shakespeare Music: Palestrina; Orlando Gibbons; Thomas Tallis, especially Spem in Alium and Lamentations of Jeremiah; Gustav Mahler, especially Symphony No. 3; Igor Stravinsky; Olivier Messiaen; Johannes Brahms, piano; Benjamin Britten; Michael Tippett

Cuando se promulgan leyes y se nos reconocen derechos al colectivo LGBTI, es un gran paso adelante, pero luego, en ocasiones, hay que reclamarlos, hay que defenderlos ante los juzgados y tribunales. Para esa labor, están los profesionales del Derecho. Y que mejor que acudir a profesionales que te van a entender, que van a conocer todo el proceso jurídico como profesionales pero también, todo el proceso personal por el cual, una persona tiene que pasar para defenderlo.Hoy charlamos con Estrella y Gines, del despacho "Ad-Alium" https://www.adaliumabogados.com radicado en Sevilla, pero con alcance en todo el Estado. Con ellos charlamos de diversos temas jurídicos que nos afectan: familia, laboral, discriminación, agresiones, etc.Tienes toda la información en: https://mundo.lgbt/062/¡Hasta el próximo episodio!Si quieres ponerte en contacto con nosotros, puedes hacerlo por medio del formulario de contacto de la web Mundo.lgbt y hacerme llegar temas a tratar, colaboraciones, noticias ¡lo que se te ocurra relacionado con el movimiento sobre diversidad!Recuerda, el próximo o próxima puedes ser tu, y compartirnos tu proyecto para darlo a conocer a toda la comunidad de habla hispana, sea de donde seas.También recordarte que puedes encontramos en las plataformas de Apple Podcast, Google Podcasts, Spreaker, Ivoox, IHeartRadio, SoundCloud y Spotify. en Android pero lo que te recomendamos es que te suscribas mediante tu aplicación de podcasts mediante RSS y seguirnos en las redes sociales: Twitter, Facebook e Instagram como lgbtmundolgbt.

Cuando se promulgan leyes y se nos reconocen derechos al colectivo LGBTI, es un gran paso adelante, pero luego, en ocasiones, hay que reclamarlos, hay que defenderlos ante los juzgados y tribunales. Para esa labor, están los profesionales del Derecho. Y que mejor que acudir a profesionales que te van a entender, que van a conocer todo el proceso jurídico como profesionales pero también, todo el proceso personal por el cual, una persona tiene que pasar para defenderlo.Hoy charlamos con Estrella y Gines, del despacho "Ad-Alium" https://www.adaliumabogados.com radicado en Sevilla, pero con alcance en todo el Estado. Con ellos charlamos de diversos temas jurídicos que nos afectan: familia, laboral, discriminación, agresiones, etc.Tienes toda la información en: https://mundo.lgbt/062/¡Hasta el próximo episodio!Si quieres ponerte en contacto con nosotros, puedes hacerlo por medio del formulario de contacto de la web Mundo.lgbt y hacerme llegar temas a tratar, colaboraciones, noticias ¡lo que se te ocurra relacionado con el movimiento sobre diversidad!Recuerda, el próximo o próxima puedes ser tu, y compartirnos tu proyecto para darlo a conocer a toda la comunidad de habla hispana, sea de donde seas.También recordarte que puedes encontramos en las plataformas de Apple Podcast, Google Podcasts, Spreaker, Ivoox, IHeartRadio, SoundCloud y Spotify. en Android pero lo que te recomendamos es que te suscribas mediante tu aplicación de podcasts mediante RSS y seguirnos en las redes sociales: Twitter, Facebook e Instagram como lgbtmundolgbt.

Yksityisyys ja julkisuus esitetään usein toistensa yksinkertaisina vastakohtina, vaikka todellisuudessa ne helposti sekoittuvat keskenään. Erityisesti sosiaalisen median aikakaudella aikaisemmin yksityisinä pitämämme asiat muuttuvat usein erittäin julkisiksi, ja neuvottelua oman elämän esittämisestä käydään jatkuvasti. Tila-teemaisen tuotantokauden päättävässä jatkossa paneudumme julkisen ja yksityisen tilan rajanvetoihin liittyviin kysymyksiin. Lisäksi teemme poliittista tilanneanalyysiä Suomen tuoreesta hallituksesta ja muista ajankohtaisista kysymyksistä. Jakson lopussa saamme vieraaksemme runoilija Raisa Marjamäen, joka lukee neljä runoa tulevasta kolmannesta runokokoelmastaan Ihmeellistä käyttäytymistä (Poesia). Fiilistelyt & suositukset: Mia: Alkoholiton olut Chernobyl-sarja (HBO) Kaarettomat rintsikat Taija: Salaisuudet Maria Matinmikko: Kolkka (Siltala, 2019) Raisa: Marguerite Yourcenarin koko tuotanto Kolmiot Thomas Tallis, Spem in Alium, kuoroteos 40 äänelle vuodelta 1570

It's Time To Stretch Your Soul This is a sacred time of year, no matter what your beliefs. Spiritual traditions of every flavor honor this special season. Even if you have no spiritual belief system it's still a time for reflection, generosity and new resolutions. It's a time of year for gratitude, showing others how much you love them, and thinking about who you want to grow into as the next year spins into focus -- for everyone. It's also the perfect time to cultivate the practice of unconditional love. In the near future, you will likely have fork-in-the-road moments with friends, family, your kids, siblings, and your partner, in all their disappointing, annoying, frustrating, and hurtful humanity. At these moments you can choose judgment or empathy; contempt or compassion; anger or acceptance; grudge-holding or forgiveness. Its easy to love when your ego is stroked, when you feel gratified, and when you're awash in pleasurable "loving" feelings. But the heart of every religion teaches us that our purpose here is something else: To love when it’s hard. It can be challenging to stay compassionate and understanding with people who behave badly. The grand, beautiful paradox of this time of year is that -- with all it's unique stressors -- you will have many opportunities to practice staying soft and loving in the face of challenging relational moments. Accept the Challenge of Unconditional Love Choosing love even when it's hard feels selfless, but truthfully, you're the one who wins. Choosing love expands your soul, softens your spirit, and makes you a happier person. In giving love, you receive it -- whether or not anyone else participates. Learning how to do this will not only help others, make you feel good, improve your relationships, and contribute to world peace... it will help you grow into the self-actualized, "best self" that you were meant to be. With love to you,  Dr. Lisa Marie Bobby www.growingself.com The Season For Unconditional Love: Listen Now Music Credits: The Kronos Quartet, Black Angels: "Spem in Alium"   P.S. Are you on the Love, Happiness and Success Express? Sign up on my website and I'll send you a monthly roundup with the latest from the blog. 

01 - Emiko & KiriSute Gomen “Otemoyan (part 4)” from Shyohatto  02 - For Tracy Hyde “SnoWish; Lemonade” from In Fear Of Love 03 - Ether Feels “lightwave” from When the First Time We Met 04 - 死んだ僕の石川 “a nervous addict in the nittoh mall kumagaya” from 幸せの谷の死体 05 - Dhidalah “GRB” from NO WATER 06 - Petridisch “TALLIS: Spem in Alium” from Classical Vocaloid 07 - Jobanshi “BIG FISH” from The Incidental Lost Tapes 08 -  Die Miserable “Pale Light” from Decay 09 - The Piqnic “krs” from ZyouK 10 - The Florist “Marigold” from Blood Music Notes: Another show, another sunset! Thank you kaala.jp for you support! -Tyler Abstract.

Follow Dansor > https://soundcloud.com/dansor Natural Flow > https://soundcloud.com/natural-flow-3 Comport Records> https://soundcloud.com/comport-records Stay Tuned on Fb > www.facebook.com/8daymtl Follow 8day > @8day-montreal Inverted Moments(inc. Natural Flow and Andrea Ljekaj Remixes) OUT on 24th November 2016 on Comport Records 'Dansor returns to her Comport Records imprint with a mesmerising single featuring remixes from Mexican duo Natural Flow and Croatia's Andrea Ljekaj. Having just toured Europe, the first of the remixes comes from Alium regulars Natural Flow, aka Hugo Ibarra and Antu Coimbra, who have risen to become hot prospects within Mexico's electronic music scene. Ibarra manages Intemporal Music whereas Coimbra is known for appearances on Hope Recordings and Sullivan Room NYC. Meanwhile, Andrea Ljekaj's productions have landed on Get Physical and Save Us Records, picking up support from the BBC not to mention names such as Luciano, Jamie Jones, Damian Lazarus and M.A.N.D.Y . Featured on Dansor's debut album ‘Theory Of Love' released earlier this year, ‘Inverted Moments' is a hypnotizing production utilizing distorted vocals, soaring strings and echoing effects. Next, Natural Flow's twisted remix strips things back whilst employing a tantalizing hook and ominous atmospherics before introducing a sinister organ riff in the latter half. Concluding the package, Andrea Ljekaj's rendition features crunchy percussion and offbeat stabs for a groove led dancefloor workout.' http://www.comportrecords.com https://www.facebook.com/comportrecords http://www.dansor.net https://twitter.com/dansormusic https://www.facebook.com/dansormusic /

Simon Heighes recommends a recorded version of Tallis's Spem in alium

Anthony Fiumara over Spem in Alium van Thomas Tallis

I’m excited to share a new mix I’ve curated with dublab for the organization’s upcoming event Sleepless: The Music Center After Hours at the Dorothy Chandler Pavilion in Los Angeles. This set traverses many eras, weaving together decades in an exhibition of classical ambient music’s various roots and branches. From the awesome folks at dublab: “Travel through the Light Lock corridor as it is transformed by a dublab produced soundtrack of “furniture music.” Considered as the origins of ambient music and coined by French composer Erik Satie, this soundtrack along with lighting inspired by the work of James Turrell will be the perfect passage between the Grand Stern Hall and the Founders Room.” Tracklist below. Overture: Claude Debussy – Prelude to the Afternoon of a Faun: Très Modéré (Herbert Von Karajan, Berliner Philharmoniker) (c. 1894) - First Movement: Frédéric Chopin – Nocturne No. 11 in G minor Op. 7 No. 1 – Andante sostenuto (Nelson Freire, piano) (c. 1840), Erik Satie – Gnossienne No. 5 (Jean-Yves Thibaudet, piano) (c. 1889), John Cage – In a Landscape (c. 1948), Max Richter – Written on the Sky (c. 2004), Sylvain Chauveau – Nuage II, Nuage III (c. 2007), David Lang – Memory Pieces: III. Wed (Lisa Moore, piano) (c. 2005), Erik Satie – Trois Gymnopédies (Jean-Yves Thibaudet, piano) (c. 1888), Arvo Pärt – Spiegel Im Spiegel (Angèle Dubeau, violin; La Pietà orchestra with piano) (c. 1978), Federico Mompou – Mùsica Callada, Cuaderno Uno (Herbert Henck, piano) (c. 1974), Ólafur Arnalds – Romance (c. 2009), Nils Frahm – Over There, It’s Raining (c. 2013), Jóhann Jóhannsson – Melodia(III) (c. 2008), Erik Satie – Vexations (Excerpt) (Ars Nova Ensemble) (c. 1894), Toru Takemitsu – Uninterrupted Rest I-II (Yuji Takahashi, piano) (c. 1973), Hauschka (Volker Bertelmann) – Alma (c. 2008), John Cage – Dream (Hildegard Kleeb, piano; Roland Dahinden, trombone) (c. 1948), Erik Satie – Gnossiennes No.1-4 (Jean-Yves Thibaudet, piano) (c. 1890-91), Federico Mompou – Mùsica Callada, XXIII. Calme-XXIV. Moderato (Herbert Henck, piano) (c. 1974), Hauschka (Volker Bertelmann) – Early in the Park (c. 2010) Second Movement: Greg Haines – Two Rotations (c. 2011), Bang On a Can All-Stars – 1/1 (c. 1978, Brian Eno/Robert Wyatt; arr. Michael Gordon), Olivier Messiaen – Fête des Belles Eaux (Ensemble d’Ondes de Montreal, ondes martenot) (c. 1937), Arnold Schoenberg – III. Farben (from Five Orchestral Pieces) (Berliner Philharmoniker) (c. 1909), Gustav Mahler – Adagietto: Sehr Langsam (Gunther Herbig, conductor) (c. 1902), Kronos Quartet – Spem in Alium (c. 1570, Thomas Tallis), Erik Satie – Tapestry of Wrought Iron (Ars Nova Ensemble) (c. 1917), Max Richter – Sunlight (Louisa Fuller, violin) (c. 2006), Arthur Russell – Tower of Meaning – 2 (c. 1981), Brian Eno/Johann Pachelbel – French Catalogues (Variation on the Canon in D Major) (c. 1975; c. 1696) Finale: Gavin Bryars – Jesus’ Blood Never Failed Me Yet (Excerpt) (c. 1971), Morton Feldman – Rothko Chapel: V (c. 1971)

Janet Cardiff’s Forty Part Motet is composed of forty speakers arranged in eight groups of five, configured as a large oval facing each other in the center of the room, and resting on stands so they are roughly just above eye level. The Motet, as Cardiff referred to it in our conversation, is a reworking of the English composer Thomas Tallis'sSpem in Alium (1570), which translates as “Hope in Any Other” and is sung in Latin by a choir of forty voices. The composition is arranged so that the choir, like the speakers, is divided into eight groups of five singers; each group consists of a soprano, tenor, alto, baritone, and bass. The groups alternate singing: first one, than another, sometimes alone, and at a few moments, all together, rising in a crescendo that breaks open the room to a place beyond the physical world. To hear the Motet in its entirety is profound. Spem in Alium is considered one of the greatest works of English music. The Forty Part Motet is equally a contemporary masterwork. It was a privilege, then, to sit down with Cardiff on November 12, 2015, to speak about her practice.  - Patricia Maloney Janet Cardiff lives in British Columbia, where she works in collaboration with her partner George Bures Miller. The artist is internationally recognized for immersive multimedia works that create transcendent multisensory experiences and draw the viewer into often unsettling narratives. Cardiff and Miller’s work has been included in recent group exhibitions and biennales such as Soundscapes at the National Gallery, London, the 19th Biennale of Sydney in 2014, and dOCUMENTA (13). Representing Canada at the 2001 Venice Biennale, Cardiff and Miller received the Biennale’s Premio Prize and Benesse Prize. Recently, the artists debuted new site-specific commissions for Fondation Louis Vuitton, Paris, the Menil Collection, Houston, TX, and the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.  The Forty Part Motet is on view at Fort Mason Center for Arts and Culture, in San Francisco, through January 18, 2016; it is co-presented by the San Francisco Museum of Modern Art.  

Preludio Do mayor de Bach (arreglo de J. Loussier) J. Loussier TríoRequiem Op 5 (selc) de Berlioz, Orq y Coro de ParísGayaneh (selc) de Khachaturian, Orq. Fco. VienaSpem in Alium de Tallis , The Thallis Scholars Escuchar audio

With Mark Lawson. Hattie Morahan and Dominic Rowan are currently starring in Ibsen's drama A Doll's House, and audiences have been booing Dominic's portrayal of the heroine's chauvinistic husband. The actors discuss handling negative audience reaction, which also happened when Dominic played an egotistical hunk in Penelope Skinner's play, The Village Bike. John Lydon, lead singer of the iconic 1970s punk band The Sex Pistols, says it would be a compliment if their song, God Save the Queen, was included in the Olympic opening ceremony. He explains why the song is not a vicious assault and, as his band PiL release a new album, he talks about his National Treasure status and why retiring is not an option. A third volume of T S Eliot's correspondence has just been published, the product of many years of scholarship - but will such collections continue in the age of email and text message? Professor Steve Connor, from Birkbeck College, London, and Megan Barnard, from the Harry Ransom Centre in Texas, consider the future of the literary letter. A mention in fiction bestseller Fifty Shades of Grey has pushed Thomas Tallis' 40 part motet Spem in Alium to the top of the classical chart. We count down other unexpected cultural hits which have followed an appearance in fiction or film. Producer Nicki Paxman.

This month we have a very exciting feature. We will be celebrating the 10th year of the recording label CORO which was established in 2001. Bringing together live concerts and recording plans has allowed The Sixteen to develop a glittering catalogue which now boasts over ninety releases, spanning six hundred years of sacred choral music from the earliest plainsong through to contemporary composers such as James MacMillan.The back-catalogue contains some of the most magnificent choral works ever written including Handel’s Messiah, Allegri’s Miserere, Fauré’s Requiem and Tallis’s Spem in Alium - all of which are best sellers. Added to this list are the entire Eton Choirbook, Bach’s Mass in B minor and Victoria’s Requeim of 1605 all of which have received critical acclaim worldwide. Many of the CDs on CORO are award-winners and many more have been nominated for awards. The accolades include a MIDEM Award, two Gramophone Awards, three Diapason d’Or and four Schallplattenkritiks as well as two Grammy® nominations.We will be celebrating with pieces from 5 of CORO's albums today. The Sixteen/Harry Christophers"Stabat Mater Dolorosa" from "Allegri - Miserere/Palestrina - Missa Papae Marcelli" (Coro) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 Buy at mTraksThe Sixteen / Harry Christophers"Libera Nos" from "Philip & Mary: A Marriage of England & Spain" (Coro) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraksThe Sixteen/ Harry Christophers "Magnificat in D major (BWV 243)" from "Vivald: Gloria in D major / Bach: Magnificat in D major" (Coro) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraksThe Sixteen, Harry Christophers"Messiah" from "Handel: Messiah" (Coro) Buy at Napster Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraksHandel & Haydn Society, Harry Christophers, Elizabeth Watts, Phyllis Pancella, Andrew Kennedy, Eric Owens"Requiem, K. 626" (mp3) from "Mozart: Requiem" (The Sixteen Productions Ltd.) Buy at Amazon MP3

Here's a hint: forty musicians can eat a lot of cake…

Here’s a hint: forty musicians can eat a lot of cake…

Nick Robeson of Alium Partners provides advice on communicating changes to staff.

Thomas Tallis's work is one of the most elaborate and spectacular pieces of choral music ever written. Scored for 40 voices, the piece is best sung and heard in the round in order to appreciate an extraordinary sonic experience. Choral conductor Simon Halsey, Michael Morpurgo and others discuss the music's spine-tingling effect on both performers and listeners.

Sue Lawley's castaway this week is the death row lawyer Clive Stafford Smith. Clive Stafford Smith spent more than 25 years representing people on death row. He's saved hundreds of lives and counts his clients among his friends. He says his work is his calling - one he was drawn to after writing an essay on capital punishment while at school. Initially he thought it was a history essay and was appalled to find the death sentence was still in use. He planned to become a campaigning journalist, but a summer spent meeting prisoners on death row inmates convinced him that he would be able to achieve more by representing them directly. So he trained in law and set up his own legal practice to enable him to do so. He has received several awards for his work including, in 2002, the OBE.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Spem in Alium by Thomas Tallis Book: The Koran (in Arabic and English) Luxury: My computer

Sue Lawley's castaway this week is the death row lawyer Clive Stafford Smith. Clive Stafford Smith spent more than 25 years representing people on death row. He's saved hundreds of lives and counts his clients among his friends. He says his work is his calling - one he was drawn to after writing an essay on capital punishment while at school. Initially he thought it was a history essay and was appalled to find the death sentence was still in use. He planned to become a campaigning journalist, but a summer spent meeting prisoners on death row inmates convinced him that he would be able to achieve more by representing them directly. So he trained in law and set up his own legal practice to enable him to do so. He has received several awards for his work including, in 2002, the OBE. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Spem in Alium by Thomas Tallis Book: The Koran (in Arabic and English) Luxury: My computer