Podcasts about sexing history

We discuss the current state of teaching history, from K12 through the college level, and the AHR's first major entry into the teaching discussion with the new #AHRSyllabus Project. Organizers Kathleen Hilliard, Laura McEnaney, and Katharina Matro join two of the first syllabus contributors, Saniya Lee Ghanoui (for the podcast Sexing History) and William Tullett (for the historical smells researchers of Odeuropa), to preview this new teaching resource and what we hope it will add for history teachers interested in engaging with the journal.

For nearly half a century, Curtis Boyd and Glenna Halvorson-Boyd have devoted their lives to providing safe and affirming abortion care. Curtis, a former Baptist minister, began providing abortions in Texas before the procedure was legal in the state. After Roe v. Wade, with the help of an interfaith network of clergy, Curtis opened up a clinic in Dallas. In the 1970s, Glenna came to work there as well, and the two eventually fell in love. Their partnership and shared commitment to abortion care has enabled them to withstand the increasing violence of the anti-abortion movement and to continue providing abortions to this day. This episode was produced by the podcast Sexing History. It is the inaugural entry in AHR's new podcast collaboration initiative.

For nearly half a century, Curtis Boyd and Glenna Halverson Boyd have devoted their lives to providing safe and affirming abortion care. Curtis, a former Baptist minister, began providing abortions in Texas before the procedure was legal in the state. After Roe, with the help of an interfaith network of clergy, Curtis opened up a clinic in Dallas. In the 1970s, Glenna came to work there as well, and the two eventually fell in love. Their partnership and shared commitment to abortion care has enabled them to withstand the increasing violence of the anti-abortion movement and to continue providing abortions to this day.Hosts and Creators: Gillian Frank and Lauren GuttermanSenior Producer: Saniya Lee GhanouiProducer and Story Editor: Rebecca DavisAssistant Producers: Mallory SzymanskiTo learn more about our podcast, please visit us at www.sexinghistory.com If you enjoyed this episode, please review us on iTunes or Soundcloud and share us on social media. Please support our work and keep new episodes coming by making a small donation to Sexing History.

In this episode, we’ll be taking a cue from Santa Claus and sketching a naughty and nice history of festive sexual expressions. So, grab your eggnog, curl up by the fire and join us as we explore the ghosts of Christmas nights past.Hosts and Creators: Gillian Frank and Lauren GuttermanSenior Producer: Saniya Lee GhanouiProducer and Story Editor: Rebecca DavisAssistant Producers: Stephen Colbrook and Mallory SzymanskiResearch Associates: Caroline Azdell, Katie Kenny and Felix Yeung.To learn more about our podcast, please visit us at www.sexinghistory.com If you enjoyed this episode, please review us on iTunes or Soundcloud and share us on social media. Please support our work and keep new episodes coming by making a small donation to Sexing History.

How do you come out in a religious community that loves you conditionally? What do you tell yourself about your faith and your desires when your Church views your sexuality as disordered? In this episode of Sexing History, we focus on the experiences of three gay men who were priests or seminarians in the St. Louis diocese beginning in the 1990s. Their overlapping stories, their friendships, their faith, and the ways in which they came out to themselves and each other within Catholic institutions, speak to the intertwined histories of desire and devotion.Hosts and Creators: Gillian Frank and Lauren GuttermanSenior Producer: Saniya Lee GhanouiProducer and Story Editor: Rebecca DavisAssistant Producers: Stephen Colbrook and Mallory SzymanskiResearch Associates: Katie Kenny and Felix Yeung.Interns: Hugh MacNeil, Ian McCabe and Emily Vaughn. Thank you to Brian McNaught, Gary Meier, Phil Tiemeyer, and Jeff Vomund for sharing their stories with us.To learn more about our podcast, please visit us at www.sexinghistory.comIf you enjoyed this episode, please review us on iTunes and share us on social media.

Almost a year ago, on my second interview for this podcast, I talked to Howard Philips Smith about Unveiling the Muse: The Lost History of Gay Carnival in New Orleans. I invited him back to tell us about his follow up book: Southern Decadence in New Orleans. Co-written with Frank Perez (the president of the LGBT+ Archives Project of Louisiana) and published by the Louisiana State University Press in 2018, Southern Decadence in New Orleans provides the first comprehensive historical look at another important event in the Crescent City’s LGBTQ+ calendar. Commonly referred to as “Gay Mardi Gras,” the Southern Decadence festival began in 1972 as a spontaneous end-of-the-summer celebration of a group of friends who felt like outcasts because of their political views, sexual orientation, and/or racial identity. Over the last four decades, it has transformed into a gay extravaganza lasting almost a full week and culminating on a grand parade on the Sunday before Labor Day. It attracts hundreds of thousands of revellers from all over the world and is one of the city’s largest (and most lucrative) annual events. Smith and Frank combined interviews, participant observation, and archival materials to do document the trajectory of this fascinating phenomenon. Dr Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Almost a year ago, on my second interview for this podcast, I talked to Howard Philips Smith about Unveiling the Muse: The Lost History of Gay Carnival in New Orleans. I invited him back to tell us about his follow up book: Southern Decadence in New Orleans. Co-written with Frank Perez (the president of the LGBT+ Archives Project of Louisiana) and published by the Louisiana State University Press in 2018, Southern Decadence in New Orleans provides the first comprehensive historical look at another important event in the Crescent City’s LGBTQ+ calendar. Commonly referred to as “Gay Mardi Gras,” the Southern Decadence festival began in 1972 as a spontaneous end-of-the-summer celebration of a group of friends who felt like outcasts because of their political views, sexual orientation, and/or racial identity. Over the last four decades, it has transformed into a gay extravaganza lasting almost a full week and culminating on a grand parade on the Sunday before Labor Day. It attracts hundreds of thousands of revellers from all over the world and is one of the city’s largest (and most lucrative) annual events. Smith and Frank combined interviews, participant observation, and archival materials to do document the trajectory of this fascinating phenomenon. Dr Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Almost a year ago, on my second interview for this podcast, I talked to Howard Philips Smith about Unveiling the Muse: The Lost History of Gay Carnival in New Orleans. I invited him back to tell us about his follow up book: Southern Decadence in New Orleans. Co-written with Frank Perez (the president of the LGBT+ Archives Project of Louisiana) and published by the Louisiana State University Press in 2018, Southern Decadence in New Orleans provides the first comprehensive historical look at another important event in the Crescent City’s LGBTQ+ calendar. Commonly referred to as “Gay Mardi Gras,” the Southern Decadence festival began in 1972 as a spontaneous end-of-the-summer celebration of a group of friends who felt like outcasts because of their political views, sexual orientation, and/or racial identity. Over the last four decades, it has transformed into a gay extravaganza lasting almost a full week and culminating on a grand parade on the Sunday before Labor Day. It attracts hundreds of thousands of revellers from all over the world and is one of the city’s largest (and most lucrative) annual events. Smith and Frank combined interviews, participant observation, and archival materials to do document the trajectory of this fascinating phenomenon. Dr Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast.

Almost a year ago, on my second interview for this podcast, I talked to Howard Philips Smith about Unveiling the Muse: The Lost History of Gay Carnival in New Orleans. I invited him back to tell us about his follow up book: Southern Decadence in New Orleans. Co-written with Frank Perez (the president of the LGBT+ Archives Project of Louisiana) and published by the Louisiana State University Press in 2018, Southern Decadence in New Orleans provides the first comprehensive historical look at another important event in the Crescent City’s LGBTQ+ calendar. Commonly referred to as “Gay Mardi Gras,” the Southern Decadence festival began in 1972 as a spontaneous end-of-the-summer celebration of a group of friends who felt like outcasts because of their political views, sexual orientation, and/or racial identity. Over the last four decades, it has transformed into a gay extravaganza lasting almost a full week and culminating on a grand parade on the Sunday before Labor Day. It attracts hundreds of thousands of revellers from all over the world and is one of the city’s largest (and most lucrative) annual events. Smith and Frank combined interviews, participant observation, and archival materials to do document the trajectory of this fascinating phenomenon. Dr Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Almost a year ago, on my second interview for this podcast, I talked to Howard Philips Smith about Unveiling the Muse: The Lost History of Gay Carnival in New Orleans. I invited him back to tell us about his follow up book: Southern Decadence in New Orleans. Co-written with Frank Perez (the president of the LGBT+ Archives Project of Louisiana) and published by the Louisiana State University Press in 2018, Southern Decadence in New Orleans provides the first comprehensive historical look at another important event in the Crescent City’s LGBTQ+ calendar. Commonly referred to as “Gay Mardi Gras,” the Southern Decadence festival began in 1972 as a spontaneous end-of-the-summer celebration of a group of friends who felt like outcasts because of their political views, sexual orientation, and/or racial identity. Over the last four decades, it has transformed into a gay extravaganza lasting almost a full week and culminating on a grand parade on the Sunday before Labor Day. It attracts hundreds of thousands of revellers from all over the world and is one of the city’s largest (and most lucrative) annual events. Smith and Frank combined interviews, participant observation, and archival materials to do document the trajectory of this fascinating phenomenon. Dr Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Almost a year ago, on my second interview for this podcast, I talked to Howard Philips Smith about Unveiling the Muse: The Lost History of Gay Carnival in New Orleans. I invited him back to tell us about his follow up book: Southern Decadence in New Orleans. Co-written with Frank Perez (the president of the LGBT+ Archives Project of Louisiana) and published by the Louisiana State University Press in 2018, Southern Decadence in New Orleans provides the first comprehensive historical look at another important event in the Crescent City’s LGBTQ+ calendar. Commonly referred to as “Gay Mardi Gras,” the Southern Decadence festival began in 1972 as a spontaneous end-of-the-summer celebration of a group of friends who felt like outcasts because of their political views, sexual orientation, and/or racial identity. Over the last four decades, it has transformed into a gay extravaganza lasting almost a full week and culminating on a grand parade on the Sunday before Labor Day. It attracts hundreds of thousands of revellers from all over the world and is one of the city’s largest (and most lucrative) annual events. Smith and Frank combined interviews, participant observation, and archival materials to do document the trajectory of this fascinating phenomenon. Dr Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by Routledge in 2019, Drag, Interperformance, and the Trouble with Queerness is a comparative ethnography of drag king and drag queen performances in Cleveland Ohio. It uses the concept of interperformance as a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community. Katie Horowitz’s Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer life in this growing midwestern hub and the first to focus simultaneously on kinging and queening. It shows that despite the shared heading of drag, these iconically queer institutions diverge in terms of audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. Horowitz argues that the radical (in)difference between kings and queens provides a window into the perennial rift between lesbians and gay men and challenges the assumption that all identities subsumed under the queer umbrella ought to have anything in common culturally, politically, or otherwise. Drawing on performer interviews about the purpose of drag, contestations over space, and the eventual shuttering of the bar they called home, Horowitz offers a new way of thinking about identity as a product of relations and argues that relationality is our best hope for building queer communities across lines of difference. Dr. Katie Horowitz is Assistant Professor of Gender & Sexuality Studies at Davidson College. Her teaching and research areas are situated in rhetoric, gender and sexuality studies, performance studies, and American studies. Broadly, she is interested in the tensions between discursive and embodied experiences of racial, sexual, and gender identities as they emerge from "low," marginal, and underground cultures. More specifically, this has led her to study and write about pornography, abortion, drag, sex work, and queer, feminist, and transgender performance art. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by Routledge in 2019, Drag, Interperformance, and the Trouble with Queerness is a comparative ethnography of drag king and drag queen performances in Cleveland Ohio. It uses the concept of interperformance as a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community. Katie Horowitz’s Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer life in this growing midwestern hub and the first to focus simultaneously on kinging and queening. It shows that despite the shared heading of drag, these iconically queer institutions diverge in terms of audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. Horowitz argues that the radical (in)difference between kings and queens provides a window into the perennial rift between lesbians and gay men and challenges the assumption that all identities subsumed under the queer umbrella ought to have anything in common culturally, politically, or otherwise. Drawing on performer interviews about the purpose of drag, contestations over space, and the eventual shuttering of the bar they called home, Horowitz offers a new way of thinking about identity as a product of relations and argues that relationality is our best hope for building queer communities across lines of difference. Dr. Katie Horowitz is Assistant Professor of Gender & Sexuality Studies at Davidson College. Her teaching and research areas are situated in rhetoric, gender and sexuality studies, performance studies, and American studies. Broadly, she is interested in the tensions between discursive and embodied experiences of racial, sexual, and gender identities as they emerge from "low," marginal, and underground cultures. More specifically, this has led her to study and write about pornography, abortion, drag, sex work, and queer, feminist, and transgender performance art. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Published by Routledge in 2019, Drag, Interperformance, and the Trouble with Queerness is a comparative ethnography of drag king and drag queen performances in Cleveland Ohio. It uses the concept of interperformance as a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community. Katie Horowitz’s Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer life in this growing midwestern hub and the first to focus simultaneously on kinging and queening. It shows that despite the shared heading of drag, these iconically queer institutions diverge in terms of audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. Horowitz argues that the radical (in)difference between kings and queens provides a window into the perennial rift between lesbians and gay men and challenges the assumption that all identities subsumed under the queer umbrella ought to have anything in common culturally, politically, or otherwise. Drawing on performer interviews about the purpose of drag, contestations over space, and the eventual shuttering of the bar they called home, Horowitz offers a new way of thinking about identity as a product of relations and argues that relationality is our best hope for building queer communities across lines of difference. Dr. Katie Horowitz is Assistant Professor of Gender & Sexuality Studies at Davidson College. Her teaching and research areas are situated in rhetoric, gender and sexuality studies, performance studies, and American studies. Broadly, she is interested in the tensions between discursive and embodied experiences of racial, sexual, and gender identities as they emerge from "low," marginal, and underground cultures. More specifically, this has led her to study and write about pornography, abortion, drag, sex work, and queer, feminist, and transgender performance art. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by Routledge in 2019, Drag, Interperformance, and the Trouble with Queerness is a comparative ethnography of drag king and drag queen performances in Cleveland Ohio. It uses the concept of interperformance as a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community. Katie Horowitz’s Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer life in this growing midwestern hub and the first to focus simultaneously on kinging and queening. It shows that despite the shared heading of drag, these iconically queer institutions diverge in terms of audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. Horowitz argues that the radical (in)difference between kings and queens provides a window into the perennial rift between lesbians and gay men and challenges the assumption that all identities subsumed under the queer umbrella ought to have anything in common culturally, politically, or otherwise. Drawing on performer interviews about the purpose of drag, contestations over space, and the eventual shuttering of the bar they called home, Horowitz offers a new way of thinking about identity as a product of relations and argues that relationality is our best hope for building queer communities across lines of difference. Dr. Katie Horowitz is Assistant Professor of Gender & Sexuality Studies at Davidson College. Her teaching and research areas are situated in rhetoric, gender and sexuality studies, performance studies, and American studies. Broadly, she is interested in the tensions between discursive and embodied experiences of racial, sexual, and gender identities as they emerge from "low," marginal, and underground cultures. More specifically, this has led her to study and write about pornography, abortion, drag, sex work, and queer, feminist, and transgender performance art. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by Routledge in 2019, Drag, Interperformance, and the Trouble with Queerness is a comparative ethnography of drag king and drag queen performances in Cleveland Ohio. It uses the concept of interperformance as a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community. Katie Horowitz’s Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer life in this growing midwestern hub and the first to focus simultaneously on kinging and queening. It shows that despite the shared heading of drag, these iconically queer institutions diverge in terms of audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. Horowitz argues that the radical (in)difference between kings and queens provides a window into the perennial rift between lesbians and gay men and challenges the assumption that all identities subsumed under the queer umbrella ought to have anything in common culturally, politically, or otherwise. Drawing on performer interviews about the purpose of drag, contestations over space, and the eventual shuttering of the bar they called home, Horowitz offers a new way of thinking about identity as a product of relations and argues that relationality is our best hope for building queer communities across lines of difference. Dr. Katie Horowitz is Assistant Professor of Gender & Sexuality Studies at Davidson College. Her teaching and research areas are situated in rhetoric, gender and sexuality studies, performance studies, and American studies. Broadly, she is interested in the tensions between discursive and embodied experiences of racial, sexual, and gender identities as they emerge from "low," marginal, and underground cultures. More specifically, this has led her to study and write about pornography, abortion, drag, sex work, and queer, feminist, and transgender performance art. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by Routledge in 2019, Drag, Interperformance, and the Trouble with Queerness is a comparative ethnography of drag king and drag queen performances in Cleveland Ohio. It uses the concept of interperformance as a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community. Katie Horowitz’s Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer life in this growing midwestern hub and the first to focus simultaneously on kinging and queening. It shows that despite the shared heading of drag, these iconically queer institutions diverge in terms of audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. Horowitz argues that the radical (in)difference between kings and queens provides a window into the perennial rift between lesbians and gay men and challenges the assumption that all identities subsumed under the queer umbrella ought to have anything in common culturally, politically, or otherwise. Drawing on performer interviews about the purpose of drag, contestations over space, and the eventual shuttering of the bar they called home, Horowitz offers a new way of thinking about identity as a product of relations and argues that relationality is our best hope for building queer communities across lines of difference. Dr. Katie Horowitz is Assistant Professor of Gender & Sexuality Studies at Davidson College. Her teaching and research areas are situated in rhetoric, gender and sexuality studies, performance studies, and American studies. Broadly, she is interested in the tensions between discursive and embodied experiences of racial, sexual, and gender identities as they emerge from "low," marginal, and underground cultures. More specifically, this has led her to study and write about pornography, abortion, drag, sex work, and queer, feminist, and transgender performance art. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by Routledge in 2019, Drag, Interperformance, and the Trouble with Queerness is a comparative ethnography of drag king and drag queen performances in Cleveland Ohio. It uses the concept of interperformance as a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community. Katie Horowitz’s Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer life in this growing midwestern hub and the first to focus simultaneously on kinging and queening. It shows that despite the shared heading of drag, these iconically queer institutions diverge in terms of audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. Horowitz argues that the radical (in)difference between kings and queens provides a window into the perennial rift between lesbians and gay men and challenges the assumption that all identities subsumed under the queer umbrella ought to have anything in common culturally, politically, or otherwise. Drawing on performer interviews about the purpose of drag, contestations over space, and the eventual shuttering of the bar they called home, Horowitz offers a new way of thinking about identity as a product of relations and argues that relationality is our best hope for building queer communities across lines of difference. Dr. Katie Horowitz is Assistant Professor of Gender & Sexuality Studies at Davidson College. Her teaching and research areas are situated in rhetoric, gender and sexuality studies, performance studies, and American studies. Broadly, she is interested in the tensions between discursive and embodied experiences of racial, sexual, and gender identities as they emerge from "low," marginal, and underground cultures. More specifically, this has led her to study and write about pornography, abortion, drag, sex work, and queer, feminist, and transgender performance art. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Duty Beyond the Battlefield: African American Soldiers Fight for Racial Uplift, Citizenship, and Manhood, 1870-1920 (Southern Illinois University Press, 2020), Le’Trice D. Donaldson investigates how African American soldiers used their military service to challenge white notions of an African American second-class citizenry and forged a new identity as freedom fighters, demanding the rights of full citizenship and manhood. Donaldson identifies the often-overlooked era between the Civil War and the end of World War I as the beginning of black soldiers’ involvement in the long struggle for civil rights. Donaldson interrogates the association between masculinity and citizenship and the ways in which performing manhood through military service influenced how these men struggled for racial uplift. Following the Buffalo soldier units and two regular army infantry units from the frontier and the Mexican border to Mexico, Cuba, and the Philippines, she investigates how these locations and the wars therein provide windows into how the soldiers’ struggles influenced black life and status within the United States. Duty beyond the Battlefield demonstrates that from the 1870s to 1920s military race men laid the foundation for the “New Negro” movement and the rise of Black Nationalism that influenced the future leaders of the twentieth century Civil Rights movement. Dr. Le’Trice Donaldson is an assistant professor of history at the University of Wisconsin–Stout and the author of A Voyage through the African American Experience. She is also the creator and co-editor of The Blerdy Report a blog dedicated to all things Black and nerdy in film, television, and the comic universe. You can find her on Twitter @eboninerd and on Instagram @letrice_blackladynerd Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Duty Beyond the Battlefield: African American Soldiers Fight for Racial Uplift, Citizenship, and Manhood, 1870-1920 (Southern Illinois University Press, 2020), Le'Trice D. Donaldson investigates how African American soldiers used their military service to challenge white notions of an African American second-class citizenry and forged a new identity as freedom fighters, demanding the rights of full citizenship and manhood. Donaldson identifies the often-overlooked era between the Civil War and the end of World War I as the beginning of black soldiers' involvement in the long struggle for civil rights. Donaldson interrogates the association between masculinity and citizenship and the ways in which performing manhood through military service influenced how these men struggled for racial uplift. Following the Buffalo soldier units and two regular army infantry units from the frontier and the Mexican border to Mexico, Cuba, and the Philippines, she investigates how these locations and the wars therein provide windows into how the soldiers' struggles influenced black life and status within the United States. Duty beyond the Battlefield demonstrates that from the 1870s to 1920s military race men laid the foundation for the “New Negro” movement and the rise of Black Nationalism that influenced the future leaders of the twentieth century Civil Rights movement. Dr. Le'Trice Donaldson is an assistant professor of history at the University of Wisconsin–Stout and the author of A Voyage through the African American Experience. She is also the creator and co-editor of The Blerdy Report a blog dedicated to all things Black and nerdy in film, television, and the comic universe. You can find her on Twitter @eboninerd and on Instagram @letrice_blackladynerd Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In her new book Duty Beyond the Battlefield: African American Soldiers Fight for Racial Uplift, Citizenship, and Manhood, 1870-1920 (Southern Illinois University Press, 2020), Le’Trice D. Donaldson investigates how African American soldiers used their military service to challenge white notions of an African American second-class citizenry and forged a new identity as freedom fighters, demanding the rights of full citizenship and manhood. Donaldson identifies the often-overlooked era between the Civil War and the end of World War I as the beginning of black soldiers’ involvement in the long struggle for civil rights. Donaldson interrogates the association between masculinity and citizenship and the ways in which performing manhood through military service influenced how these men struggled for racial uplift. Following the Buffalo soldier units and two regular army infantry units from the frontier and the Mexican border to Mexico, Cuba, and the Philippines, she investigates how these locations and the wars therein provide windows into how the soldiers’ struggles influenced black life and status within the United States. Duty beyond the Battlefield demonstrates that from the 1870s to 1920s military race men laid the foundation for the “New Negro” movement and the rise of Black Nationalism that influenced the future leaders of the twentieth century Civil Rights movement. Dr. Le’Trice Donaldson is an assistant professor of history at the University of Wisconsin–Stout and the author of A Voyage through the African American Experience. She is also the creator and co-editor of The Blerdy Report a blog dedicated to all things Black and nerdy in film, television, and the comic universe. You can find her on Twitter @eboninerd and on Instagram @letrice_blackladynerd Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Duty Beyond the Battlefield: African American Soldiers Fight for Racial Uplift, Citizenship, and Manhood, 1870-1920 (Southern Illinois University Press, 2020), Le’Trice D. Donaldson investigates how African American soldiers used their military service to challenge white notions of an African American second-class citizenry and forged a new identity as freedom fighters, demanding the rights of full citizenship and manhood. Donaldson identifies the often-overlooked era between the Civil War and the end of World War I as the beginning of black soldiers’ involvement in the long struggle for civil rights. Donaldson interrogates the association between masculinity and citizenship and the ways in which performing manhood through military service influenced how these men struggled for racial uplift. Following the Buffalo soldier units and two regular army infantry units from the frontier and the Mexican border to Mexico, Cuba, and the Philippines, she investigates how these locations and the wars therein provide windows into how the soldiers’ struggles influenced black life and status within the United States. Duty beyond the Battlefield demonstrates that from the 1870s to 1920s military race men laid the foundation for the “New Negro” movement and the rise of Black Nationalism that influenced the future leaders of the twentieth century Civil Rights movement. Dr. Le’Trice Donaldson is an assistant professor of history at the University of Wisconsin–Stout and the author of A Voyage through the African American Experience. She is also the creator and co-editor of The Blerdy Report a blog dedicated to all things Black and nerdy in film, television, and the comic universe. You can find her on Twitter @eboninerd and on Instagram @letrice_blackladynerd Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Duty Beyond the Battlefield: African American Soldiers Fight for Racial Uplift, Citizenship, and Manhood, 1870-1920 (Southern Illinois University Press, 2020), Le’Trice D. Donaldson investigates how African American soldiers used their military service to challenge white notions of an African American second-class citizenry and forged a new identity as freedom fighters, demanding the rights of full citizenship and manhood. Donaldson identifies the often-overlooked era between the Civil War and the end of World War I as the beginning of black soldiers’ involvement in the long struggle for civil rights. Donaldson interrogates the association between masculinity and citizenship and the ways in which performing manhood through military service influenced how these men struggled for racial uplift. Following the Buffalo soldier units and two regular army infantry units from the frontier and the Mexican border to Mexico, Cuba, and the Philippines, she investigates how these locations and the wars therein provide windows into how the soldiers’ struggles influenced black life and status within the United States. Duty beyond the Battlefield demonstrates that from the 1870s to 1920s military race men laid the foundation for the “New Negro” movement and the rise of Black Nationalism that influenced the future leaders of the twentieth century Civil Rights movement. Dr. Le’Trice Donaldson is an assistant professor of history at the University of Wisconsin–Stout and the author of A Voyage through the African American Experience. She is also the creator and co-editor of The Blerdy Report a blog dedicated to all things Black and nerdy in film, television, and the comic universe. You can find her on Twitter @eboninerd and on Instagram @letrice_blackladynerd Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book Duty Beyond the Battlefield: African American Soldiers Fight for Racial Uplift, Citizenship, and Manhood, 1870-1920 (Southern Illinois University Press, 2020), Le’Trice D. Donaldson investigates how African American soldiers used their military service to challenge white notions of an African American second-class citizenry and forged a new identity as freedom fighters, demanding the rights of full citizenship and manhood. Donaldson identifies the often-overlooked era between the Civil War and the end of World War I as the beginning of black soldiers’ involvement in the long struggle for civil rights. Donaldson interrogates the association between masculinity and citizenship and the ways in which performing manhood through military service influenced how these men struggled for racial uplift. Following the Buffalo soldier units and two regular army infantry units from the frontier and the Mexican border to Mexico, Cuba, and the Philippines, she investigates how these locations and the wars therein provide windows into how the soldiers’ struggles influenced black life and status within the United States. Duty beyond the Battlefield demonstrates that from the 1870s to 1920s military race men laid the foundation for the “New Negro” movement and the rise of Black Nationalism that influenced the future leaders of the twentieth century Civil Rights movement. Dr. Le’Trice Donaldson is an assistant professor of history at the University of Wisconsin–Stout and the author of A Voyage through the African American Experience. She is also the creator and co-editor of The Blerdy Report a blog dedicated to all things Black and nerdy in film, television, and the comic universe. You can find her on Twitter @eboninerd and on Instagram @letrice_blackladynerd Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada. Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Exile Within Exiles: Herbert Daniel Gay Brazilian Revolutionary (Duke University Press, 2018), James N. Green tells the story of Herbert Daniel, a significant and complex figure in Brazilian leftist revolutionary politics and social activism from the mid-1960s until his death in 1992. As a medical student, Daniel joined a revolutionary guerrilla organization but was forced to conceal his sexual identity from his comrades, a situation he described as internal exile. After a government crackdown, he spent much of the 1970s in Europe, where his political self-education continued. He returned to Brazil in 1981, becoming engaged in electoral politics and social activism to champion gay rights, feminism, and environmental justice, achieving global recognition for fighting discrimination against those with HIV/AIDS. In Exile within Exiles, James N. Green paints a full and dynamic portrait of Daniel's deep commitment to leftist politics, using Daniel's personal and political experiences to investigate the opposition to Brazil's military dictatorship, the left's construction of a revolutionary masculinity, and the challenge that the transition to democracy posed to radical movements. Green positions Daniel as a vital bridge linking former revolutionaries to the new social movements, engendering productive dialogue between divergent perspectives in his writings and activism. James N. Green is Carlos Manuel de Céspedes Professor of Latin American History at Brown University and the author of several books, including We Cannot Remain Silent: Opposition to the Brazilian Military Dictatorship in the United States and Beyond Carnival: Male Homosexuality in Twentieth-Century Brazil Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In Exile Within Exiles: Herbert Daniel Gay Brazilian Revolutionary (Duke University Press, 2018), James N. Green tells the story of Herbert Daniel, a significant and complex figure in Brazilian leftist revolutionary politics and social activism from the mid-1960s until his death in 1992. As a medical student, Daniel joined a revolutionary guerrilla organization but was forced to conceal his sexual identity from his comrades, a situation he described as internal exile. After a government crackdown, he spent much of the 1970s in Europe, where his political self-education continued. He returned to Brazil in 1981, becoming engaged in electoral politics and social activism to champion gay rights, feminism, and environmental justice, achieving global recognition for fighting discrimination against those with HIV/AIDS. In Exile within Exiles, James N. Green paints a full and dynamic portrait of Daniel's deep commitment to leftist politics, using Daniel's personal and political experiences to investigate the opposition to Brazil's military dictatorship, the left's construction of a revolutionary masculinity, and the challenge that the transition to democracy posed to radical movements. Green positions Daniel as a vital bridge linking former revolutionaries to the new social movements, engendering productive dialogue between divergent perspectives in his writings and activism. James N. Green is Carlos Manuel de Céspedes Professor of Latin American History at Brown University and the author of several books, including We Cannot Remain Silent: Opposition to the Brazilian Military Dictatorship in the United States and Beyond Carnival: Male Homosexuality in Twentieth-Century Brazil Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Exile Within Exiles: Herbert Daniel Gay Brazilian Revolutionary (Duke University Press, 2018), James N. Green tells the story of Herbert Daniel, a significant and complex figure in Brazilian leftist revolutionary politics and social activism from the mid-1960s until his death in 1992. As a medical student, Daniel joined a revolutionary guerrilla organization but was forced to conceal his sexual identity from his comrades, a situation he described as internal exile. After a government crackdown, he spent much of the 1970s in Europe, where his political self-education continued. He returned to Brazil in 1981, becoming engaged in electoral politics and social activism to champion gay rights, feminism, and environmental justice, achieving global recognition for fighting discrimination against those with HIV/AIDS. In Exile within Exiles, James N. Green paints a full and dynamic portrait of Daniel's deep commitment to leftist politics, using Daniel's personal and political experiences to investigate the opposition to Brazil's military dictatorship, the left's construction of a revolutionary masculinity, and the challenge that the transition to democracy posed to radical movements. Green positions Daniel as a vital bridge linking former revolutionaries to the new social movements, engendering productive dialogue between divergent perspectives in his writings and activism. James N. Green is Carlos Manuel de Céspedes Professor of Latin American History at Brown University and the author of several books, including We Cannot Remain Silent: Opposition to the Brazilian Military Dictatorship in the United States and Beyond Carnival: Male Homosexuality in Twentieth-Century Brazil Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Exile Within Exiles: Herbert Daniel Gay Brazilian Revolutionary (Duke University Press, 2018), James N. Green tells the story of Herbert Daniel, a significant and complex figure in Brazilian leftist revolutionary politics and social activism from the mid-1960s until his death in 1992. As a medical student, Daniel joined a revolutionary guerrilla organization but was forced to conceal his sexual identity from his comrades, a situation he described as internal exile. After a government crackdown, he spent much of the 1970s in Europe, where his political self-education continued. He returned to Brazil in 1981, becoming engaged in electoral politics and social activism to champion gay rights, feminism, and environmental justice, achieving global recognition for fighting discrimination against those with HIV/AIDS. In Exile within Exiles, James N. Green paints a full and dynamic portrait of Daniel's deep commitment to leftist politics, using Daniel's personal and political experiences to investigate the opposition to Brazil's military dictatorship, the left's construction of a revolutionary masculinity, and the challenge that the transition to democracy posed to radical movements. Green positions Daniel as a vital bridge linking former revolutionaries to the new social movements, engendering productive dialogue between divergent perspectives in his writings and activism. James N. Green is Carlos Manuel de Céspedes Professor of Latin American History at Brown University and the author of several books, including We Cannot Remain Silent: Opposition to the Brazilian Military Dictatorship in the United States and Beyond Carnival: Male Homosexuality in Twentieth-Century Brazil Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Exile Within Exiles: Herbert Daniel Gay Brazilian Revolutionary (Duke University Press, 2018), James N. Green tells the story of Herbert Daniel, a significant and complex figure in Brazilian leftist revolutionary politics and social activism from the mid-1960s until his death in 1992. As a medical student, Daniel joined a revolutionary guerrilla organization but was forced to conceal his sexual identity from his comrades, a situation he described as internal exile. After a government crackdown, he spent much of the 1970s in Europe, where his political self-education continued. He returned to Brazil in 1981, becoming engaged in electoral politics and social activism to champion gay rights, feminism, and environmental justice, achieving global recognition for fighting discrimination against those with HIV/AIDS. In Exile within Exiles, James N. Green paints a full and dynamic portrait of Daniel's deep commitment to leftist politics, using Daniel's personal and political experiences to investigate the opposition to Brazil's military dictatorship, the left's construction of a revolutionary masculinity, and the challenge that the transition to democracy posed to radical movements. Green positions Daniel as a vital bridge linking former revolutionaries to the new social movements, engendering productive dialogue between divergent perspectives in his writings and activism. James N. Green is Carlos Manuel de Céspedes Professor of Latin American History at Brown University and the author of several books, including We Cannot Remain Silent: Opposition to the Brazilian Military Dictatorship in the United States and Beyond Carnival: Male Homosexuality in Twentieth-Century Brazil Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Exile Within Exiles: Herbert Daniel Gay Brazilian Revolutionary (Duke University Press, 2018), James N. Green tells the story of Herbert Daniel, a significant and complex figure in Brazilian leftist revolutionary politics and social activism from the mid-1960s until his death in 1992. As a medical student, Daniel joined a revolutionary guerrilla organization but was forced to conceal his sexual identity from his comrades, a situation he described as internal exile. After a government crackdown, he spent much of the 1970s in Europe, where his political self-education continued. He returned to Brazil in 1981, becoming engaged in electoral politics and social activism to champion gay rights, feminism, and environmental justice, achieving global recognition for fighting discrimination against those with HIV/AIDS. In Exile within Exiles, James N. Green paints a full and dynamic portrait of Daniel's deep commitment to leftist politics, using Daniel's personal and political experiences to investigate the opposition to Brazil's military dictatorship, the left's construction of a revolutionary masculinity, and the challenge that the transition to democracy posed to radical movements. Green positions Daniel as a vital bridge linking former revolutionaries to the new social movements, engendering productive dialogue between divergent perspectives in his writings and activism. James N. Green is Carlos Manuel de Céspedes Professor of Latin American History at Brown University and the author of several books, including We Cannot Remain Silent: Opposition to the Brazilian Military Dictatorship in the United States and Beyond Carnival: Male Homosexuality in Twentieth-Century Brazil Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to a bonus track from Sexing History. This track features an extended version of Gillian Frank’s interview with Marabel Morgan from our episode “Touch Me, I’m Yours.” That episode explores how Evangelical women responded to and contributed to the sexualization of American culture in the 1970s. In 1973, Marabel Morgan’s marriage guide, The Total Woman, became a bestseller and a cultural sensation. Millions of people read The Total Woman and thousands signed up for her classes. These classes offered marital advice and included sexual assignments for wives such as asking them to dress up in sexy lingerie, exotic costumes and “to be prepared for sexual intercourse every night for a week.” Historians and cultural commentators frequently refer to Marabel Morgan’s ideas and to her influence. Although she was a fixture on television during the 1970s, recorded interviews with Marabel Morgan are nearly impossible to find. We are therefore delighted to share this extended interview with Marabel Morgan in which she shares her memories about her childhood, her marriage, the changing meaning of her faith, and how writing The Total Woman changed her life. Hosts and Creators: Gillian Frank and Lauren Gutterman Senior Producer: Saniya Lee Ghanoui Producer and Story Editor: Rebecca Davis Assistant Producers: Chris Babits, Isabel Machado and Mallory Szymanski If you enjoyed this bonus track, please review us on iTunes or Soundcloud and share us on social media.  Please support our work and keep new episodes coming by making a small donation to Sexing History. 

In the 1960s and early 1970s many Americans believed that rape was a rare and violent act perpetrated by outsiders and sociopaths. Popular culture taught men that women needed to be tricked or coerced into sex, and psychiatrists accused rape victims of secretly inviting their attacks. Susan Brownmiller’s best-selling book Against Our Will shattered these myths about sexual violence. Informed by the broader feminist anti-rape movement, Against Our Will portrayed rape as a systemic, pervasive, and culturally sanctioned act of power and intimidation.Yet even as Brownmiller provided a framework for naming sexual violence as a mechanism of patriarchy, she also minimized the importance of race and denied the ways that rape accusations have long justified the criminalization and murder of men of color. At a moment when #MeToo has brought about yet another national reckoning with sexual violence and male power, Brownmiller’s book, its legacy, and the contexts that produced the anti-rape movement of the 1970s demand re-examination.Hosts and Creators: Gillian Frank and Lauren GuttermanSenior Producer: Saniya Lee GhanouiProducer and Story Editor: Rebecca DavisAssistant Producers: Chris Babits, Isabel Machado and Mallory SzymanskiIntern: Julian HarbaughThank you to Susan Brownmiller for sharing her story with us.If you enjoyed this episode, please review us on iTunes or Soundcloud and share us on social media.Please support our work and keep new episodes coming by making a small donation to Sexing History.

Selby Wynn Schwartz writes about gender, performance, and the politics of embodiment. Her articles have been published in Women & Performance, PAJ, Dance Research Journal, TSQ: Transgender Studies Quarterly, Critical Correspondence, Ballet-Dance Magazine, In Dance, The Oxford Handbook of Screendance Studies, and the forthcoming anthology (Re)Claiming Ballet. She holds a PhD from UC Berkeley in Comparative Literature and currently teaches writing at Stanford University. The Bodies of Others: Drag Dances and Their Afterlives (University of Michigan Press, 2019) covers four decades of drag dances, exploring the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances. It takes us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Selby Wynn Schwartz writes about gender, performance, and the politics of embodiment. Her articles have been published in Women & Performance, PAJ, Dance Research Journal, TSQ: Transgender Studies Quarterly, Critical Correspondence, Ballet-Dance Magazine, In Dance, The Oxford Handbook of Screendance Studies, and the forthcoming anthology (Re)Claiming Ballet. She holds a PhD from UC Berkeley in Comparative Literature and currently teaches writing at Stanford University. The Bodies of Others: Drag Dances and Their Afterlives (University of Michigan Press, 2019) covers four decades of drag dances, exploring the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances. It takes us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Selby Wynn Schwartz writes about gender, performance, and the politics of embodiment. Her articles have been published in Women & Performance, PAJ, Dance Research Journal, TSQ: Transgender Studies Quarterly, Critical Correspondence, Ballet-Dance Magazine, In Dance, The Oxford Handbook of Screendance Studies, and the forthcoming anthology (Re)Claiming Ballet. She holds a PhD from UC Berkeley in Comparative Literature and currently teaches writing at Stanford University. The Bodies of Others: Drag Dances and Their Afterlives (University of Michigan Press, 2019) covers four decades of drag dances, exploring the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances. It takes us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Selby Wynn Schwartz writes about gender, performance, and the politics of embodiment. Her articles have been published in Women & Performance, PAJ, Dance Research Journal, TSQ: Transgender Studies Quarterly, Critical Correspondence, Ballet-Dance Magazine, In Dance, The Oxford Handbook of Screendance Studies, and the forthcoming anthology (Re)Claiming Ballet. She holds a PhD from UC Berkeley in Comparative Literature and currently teaches writing at Stanford University. The Bodies of Others: Drag Dances and Their Afterlives (University of Michigan Press, 2019) covers four decades of drag dances, exploring the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances. It takes us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Selby Wynn Schwartz writes about gender, performance, and the politics of embodiment. Her articles have been published in Women & Performance, PAJ, Dance Research Journal, TSQ: Transgender Studies Quarterly, Critical Correspondence, Ballet-Dance Magazine, In Dance, The Oxford Handbook of Screendance Studies, and the forthcoming anthology (Re)Claiming Ballet. She holds a PhD from UC Berkeley in Comparative Literature and currently teaches writing at Stanford University. The Bodies of Others: Drag Dances and Their Afterlives (University of Michigan Press, 2019) covers four decades of drag dances, exploring the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances. It takes us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Selby Wynn Schwartz writes about gender, performance, and the politics of embodiment. Her articles have been published in Women & Performance, PAJ, Dance Research Journal, TSQ: Transgender Studies Quarterly, Critical Correspondence, Ballet-Dance Magazine, In Dance, The Oxford Handbook of Screendance Studies, and the forthcoming anthology (Re)Claiming Ballet. She holds a PhD from UC Berkeley in Comparative Literature and currently teaches writing at Stanford University. The Bodies of Others: Drag Dances and Their Afterlives (University of Michigan Press, 2019) covers four decades of drag dances, exploring the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances. It takes us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel The Cult of the Mask, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: Unveiling the Muse and Southern Decadence. In this interview, we discuss Unveiling the Muse: The Lost History of Gay Carnival in New Orleans (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes. Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich history and important contribution to the city’s defining festival, gay New Orleans Carnival remained a hidden and almost lost history thanks in part to moments of crisis such as the AIDS epidemic and Hurricane Katrina. In Unveiling the Muse Howard Philips Smith not only recovers the story of these organizations and the fascinating people behind it, but also compiles an impressive collection of information/documents/sources/images that will certainly be extremely useful to those investigating not only the history of New Orleans, but also of festivities and of queer urban experiences across the globe. The book contains a list of all the balls, themes, and royalty of each krewe, along with stunning images of the colorful ephemera associated with the gay Mardi Gras balls: posters, invitations, costume and stage set sketches, and programs. Also of note are the photographs of the everyday lives and celebrations of queer people in the city in the post-World War II era, which help Philips contextualize these stories. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel The Cult of the Mask, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: Unveiling the Muse and Southern Decadence. In this interview, we discuss Unveiling the Muse: The Lost History of Gay Carnival in New Orleans (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes. Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich history and important contribution to the city’s defining festival, gay New Orleans Carnival remained a hidden and almost lost history thanks in part to moments of crisis such as the AIDS epidemic and Hurricane Katrina. In Unveiling the Muse Howard Philips Smith not only recovers the story of these organizations and the fascinating people behind it, but also compiles an impressive collection of information/documents/sources/images that will certainly be extremely useful to those investigating not only the history of New Orleans, but also of festivities and of queer urban experiences across the globe. The book contains a list of all the balls, themes, and royalty of each krewe, along with stunning images of the colorful ephemera associated with the gay Mardi Gras balls: posters, invitations, costume and stage set sketches, and programs. Also of note are the photographs of the everyday lives and celebrations of queer people in the city in the post-World War II era, which help Philips contextualize these stories. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel The Cult of the Mask, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: Unveiling the Muse and Southern Decadence. In this interview, we discuss Unveiling the Muse: The Lost History of Gay Carnival in New Orleans (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes. Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich history and important contribution to the city’s defining festival, gay New Orleans Carnival remained a hidden and almost lost history thanks in part to moments of crisis such as the AIDS epidemic and Hurricane Katrina. In Unveiling the Muse Howard Philips Smith not only recovers the story of these organizations and the fascinating people behind it, but also compiles an impressive collection of information/documents/sources/images that will certainly be extremely useful to those investigating not only the history of New Orleans, but also of festivities and of queer urban experiences across the globe. The book contains a list of all the balls, themes, and royalty of each krewe, along with stunning images of the colorful ephemera associated with the gay Mardi Gras balls: posters, invitations, costume and stage set sketches, and programs. Also of note are the photographs of the everyday lives and celebrations of queer people in the city in the post-World War II era, which help Philips contextualize these stories. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel The Cult of the Mask, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: Unveiling the Muse and Southern Decadence. In this interview, we discuss Unveiling the Muse: The Lost History of Gay Carnival in New Orleans (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes. Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich history and important contribution to the city’s defining festival, gay New Orleans Carnival remained a hidden and almost lost history thanks in part to moments of crisis such as the AIDS epidemic and Hurricane Katrina. In Unveiling the Muse Howard Philips Smith not only recovers the story of these organizations and the fascinating people behind it, but also compiles an impressive collection of information/documents/sources/images that will certainly be extremely useful to those investigating not only the history of New Orleans, but also of festivities and of queer urban experiences across the globe. The book contains a list of all the balls, themes, and royalty of each krewe, along with stunning images of the colorful ephemera associated with the gay Mardi Gras balls: posters, invitations, costume and stage set sketches, and programs. Also of note are the photographs of the everyday lives and celebrations of queer people in the city in the post-World War II era, which help Philips contextualize these stories. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel The Cult of the Mask, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: Unveiling the Muse and Southern Decadence. In this interview, we discuss Unveiling the Muse: The Lost History of Gay Carnival in New Orleans (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes. Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich history and important contribution to the city’s defining festival, gay New Orleans Carnival remained a hidden and almost lost history thanks in part to moments of crisis such as the AIDS epidemic and Hurricane Katrina. In Unveiling the Muse Howard Philips Smith not only recovers the story of these organizations and the fascinating people behind it, but also compiles an impressive collection of information/documents/sources/images that will certainly be extremely useful to those investigating not only the history of New Orleans, but also of festivities and of queer urban experiences across the globe. The book contains a list of all the balls, themes, and royalty of each krewe, along with stunning images of the colorful ephemera associated with the gay Mardi Gras balls: posters, invitations, costume and stage set sketches, and programs. Also of note are the photographs of the everyday lives and celebrations of queer people in the city in the post-World War II era, which help Philips contextualize these stories. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel The Cult of the Mask, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: Unveiling the Muse and Southern Decadence. In this interview, we discuss Unveiling the Muse: The Lost History of Gay Carnival in New Orleans (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes. Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich history and important contribution to the city’s defining festival, gay New Orleans Carnival remained a hidden and almost lost history thanks in part to moments of crisis such as the AIDS epidemic and Hurricane Katrina. In Unveiling the Muse Howard Philips Smith not only recovers the story of these organizations and the fascinating people behind it, but also compiles an impressive collection of information/documents/sources/images that will certainly be extremely useful to those investigating not only the history of New Orleans, but also of festivities and of queer urban experiences across the globe. The book contains a list of all the balls, themes, and royalty of each krewe, along with stunning images of the colorful ephemera associated with the gay Mardi Gras balls: posters, invitations, costume and stage set sketches, and programs. Also of note are the photographs of the everyday lives and celebrations of queer people in the city in the post-World War II era, which help Philips contextualize these stories. Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

For a short time in the 1970s, Canary Conn was everywhere. She was on television. On the radio. And on bookshelves. Her story, that of a Texas-born recording artist, husband and father who transitioned into a woman whom the media described as “young,” “lithe” and “with flowing blonde hair,” captured national attention. Although some newspaper interviews with Canary have been preserved, there are very few accessible recordings of Canary’s many public performances, or her radio and television interviews. What’s more, the trail of evidence disappears after 1980, when Canary inexplicably left the public spotlight and returned to private life. In this episode we introduce and then play a rare extended audio interview with Canary that she recorded with the magazine Psychology Today in 1977. The interview profiles Canary’s childhood, her transition, her sexuality, and her gender identity.Hosts and Creators: Gillian Frank and Lauren GuttermanSenior Producer: Saniya Lee GhanouiProducer and Story Editor: Rebecca DavisAssistant Producers: Chris Babits, Isabel Machado and Mallory SzymanskiResearch Assistance: Devin McGeehan MuchmoreIntern: Julian HarboughMusic: “Night Disco,” “Find the Right Spot,” by Audioblocks.“Suburbanite,” “Boston Landing,” “Dirty Wallpaper,” by Blue Dot Sessions.Danny O’Connor, “Imaginary Worlds”Canary Conn, “Oh Baby,” “When I Fly, I Fly High”“An Interview with a Transsexual,” (1977) courtesy of Psychology Today.If you enjoyed this episode, please review us on iTunes or Soundcloud and share us on social media.Please support our work and keep new episodes coming by making a small donation to Sexing History.

As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism. Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism. Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism. Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism. Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism. Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism. Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism. Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Neil, Natalia, and Niki discuss segregation academies, the death of an American missionary, and the declining market share of lingerie giant Victoria’s Secret. Support Past Present on Patreon: https://www.patreon.com/pastpresentpodcast Here are some links and references mentioned during this week’s show:  Mississippi Republican Cindy Hyde-Smith, who is in a runoff contest to hold on to her Senate seat, sparked backlash when she made an offhand comment about a “public hanging” that many perceived as racist. The fact that Hyde-Smith attended a “segregation academy,” as reported by this Jackson Free Press article Natalia recommended, shed important light on how she developed such a worldview. Last week, American missionary John Allen Chau was killed when he traveled to the remote island of North Sentinel. Niki recommended this viral thread by Twitter user @RespectableLaw on the historical context for the hostility of the Sentinelese to outsiders. Neil discussed the case of evangelical Jim Elliot, who was killed on a mission in Ecuador. Natalia recommended Sadatru Sen’s book, Disciplining Punishment: Colonialism and Convict Society in the Andaman Islands and Jonathan Zimmerman’s Innocents Abroad: American Teachers in the American Century. Lingerie giant Victoria’s Secret is losing market share, and CMO Ed Razek hasn’t been shy about disdaining new upstarts like Third Love. Natalia cited this Slate article about the founding of Victoria’s Secret to cater to men’s shopping needs. Natalia also recommended Elizabeth Matelski’s Reducing Bodies: Mass Culture and the Female Figure in Postwar America and this episode of the Sexing History podcast about “sweater girls.”    In our regular closing feature, What’s Making History: Natalia discussed the new movie Ralph Breaks the Internet. Neil recommended Natalie Escobar’s Atlantic article, “The Changing Ways Parents React to Their Kids Coming Out of the Closet.” Niki shared Joe Pinsker’s Atlantic article, “The 30-Year Reign of Lunchables.”

Welcome to a bonus track from Sexing History. This track features an extended version of Gillian Frank’s interview with Mark S. King from our most recent episode “Sex Over the Phone.” That episode explores how phone sex lines and dial-a-porn transformed the intimacy of phone conversations into a multi-million-dollar sexual enterprise during the 1980s.Mark S. King worked on gay phone sex lines and also owned his own phone sex business. His story helps us better understand the complex relationships between gay history, the history of sex work, the history of the AIDS epidemic and the telecommunications revolution of the 1980s.Hosts and Creators: Gillian Frank and Lauren Gutterman.Producers: Rebecca Davis, Saniya Lee Ghanoui, Devin McGeehan Muchmore and Jayne Swift.Intern: Alexie Glover.If you enjoyed this bonus track, please review us on iTunes or Soundcloud and share us on social media.Please support our work and keep new episodes coming by making a small donation to Sexing History.

Chances are you’ve never heard of Ruth Wallis, one of the greatest singers, comedians, and performers of sexually suggestive lyrics in the postwar United States. Most of her catalogue remains on vinyl and historians have forgotten her. But from the 1940s until the early 1970s, Ruth Wallis was a bestselling performer and a mainstay at supper clubs and hotels. At a time when it was legally risky for entertainers to sing about sexuality for profit and pleasure, Ruth sold millions of records that used innuendo to playfully hint at a variety of straight and queer sexual pleasures. https://www.sexinghistory.com/episode-8 Hosts and Creators: Gillian Frank and Lauren Gutterman. Producers: Rebecca Davis, Saniya Lee Ghanoui and Devin McGeehan Muchmore. Intern: Jayne Swift. Special thanks to Alan Pastman, Mitch Douglas and Rusty Warren for sharing their stories with us. Thank you to Jennifer Caplan and Lauren Sklaroff for sharing their historical expertise with us. Thank you to Alan Pastman for sharing his personal archive. If you enjoyed this episode, please review us on iTunes or Soundcloud and share us on social media. Please support our work and keep new episodes coming by making a small donation to Sexing History.

In this episode, Niki, Neil, and Natalia debate the blockbuster film Black Panther, the ascendancy of Olympic figure skater Adam Rippon, and the preponderance of plastics in contemporary life. Support Past Present on Patreon: https://www.patreon.com/pastpresentpodcast Here are some links and references mentioned during this week’s show:  The release of blockbuster film Black Panther is being hailed as a watershed moment in African American, and mainstream, popular culture. Niki and Natalia both referenced Laurence Ware’s New York Times article on black nerds. Figure skater Adam Rippon has attracted media attention for using his platform to defend LGBTQ rights. Natalia mentioned this episode of Pop Culture Happy Hour featuring journalist Sam Sanders describing what it’s like to cover the Olympics. Niki referenced this Newsweek article about the “frozen closet” and Natalia commented on this New York Times article about disordered eating among male figure skaters. The Anglican Church is recommending that people give up plastics for Lent. Natalia noted the role of plastics in the 1967 film The Graduate and Niki referred to this Washington Post article on the magnitude of plastic pollution in in the United States. In our regular closing feature, What’s Making History: Neil shared historian Josh Clark Davis’ Atlantic article on the FBI crackdown on black-owned bookstores. Natalia discussed this Sexing History podcast episode on the sexual harassment of flight attendants. Niki commented on Fergie’s rendition of the national anthem at the NBA All-Star Game and shared Cindy Boren’s Washington Post article that placed it in the context of poorly regarded national anthem performances.

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