Podcasts about Stained glass

"It was like stepping into the shallows of a river and being dragged suddenly unexpectedly on an irresistible wild current."   We continue Season Four of Carolyn North OutLoud podcast with a reading by producer, Leslie Jackson of Carolyn's piece from Death, the Experience of a Lifetime, “Alice's Story.” Carolyn's Website is: https://carolynnorthbooks.com/ Music: Composer: Kaila Flexer Performed by Teslim: Kaila Flexer and Gari Hegedus  Carolyn North Out Loud is produced by: Leslie Jackson:   Please rate, review, and share—it is how Carolyn spreads this message of comfort in these weird times.

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How can one person be indifferent to God while another can passionately pursue him? One possibility is that the one who pursues sees something in God that the other doesn't. What do they see? God's glory. And the clearest way to see God's glory is to see how Christ returns to the Father by way of the cross? What does that mean? Guest preacher. Patrick Gilbert, gives us three ways that God reveals his glory through the work of Christ.

We cover the best adaptation of Book of the New Sun. That joke is for two people, but so is the podcast.

David Levering Lewis is an American historian and retired professor from New York University. He's the author of 12 books and the winner of two Pulitzer Prizes for his two volumes on the life of W.E.B. DuBoisC. At 88 years old, Prof. Lewis has written a memoir that, as he says, focuses on "a past I barely knew." He a native of St. Louis, MO, with degrees from Fisk, Columbia, and the London School of Economics. The title of Prof. Lewis' latest book is "The Stained Glass Window: A Family History as the American Story, 1790-1958." In his prologue, he writes: "Africans in America had been both unique victims and unimpeachable critics of a nation corrupted at its inception by a political economy anchored to slavery."  Learn more about your ad choices. Visit megaphone.fm/adchoices

David Levering Lewis is an American historian and retired professor from New York University. He's the author of 12 books and the winner of two Pulitzer Prizes for his two volumes on the life of W.E.B. DuBois. At 88 years old, Prof. Lewis has written a memoir that, as he says, focuses on "a past I barely knew." He a native of St. Louis, MO, with degrees from Fisk, Columbia, and the London School of Economics. The title of Prof. Lewis' latest book is "The Stained Glass Window: A Family History as the American Story, 1790-1958." In his prologue, he writes: "Africans in America had been both unique victims and unimpeachable critics of a nation corrupted at its inception by a political economy anchored to slavery."  Learn more about your ad choices. Visit megaphone.fm/adchoices

Where will you be in five years? Your habits today are shaping that future. Are you happy with the direction they're taking you? Real change isn't just behavioral; it's a spiritual transformation. We'll delve into your Spiritual Who, Why, What, What Not, How, and Impact to understand the root of your actions. Join us as we uncover how to intentionally plant seeds for a purposeful future. #stainedglasssouls #findinggrace #change #spiritualgrowth #sowingandreaping #habits #future #transformation #christianliving #faith #hope #purpose Worship Notes on YouVersion  Please let us know you're listening: Digital Connection Card   #saintchappelle #stainedglasssouls #findinggrace #change #spiritualgrowth #sowingandreaping #habits #future #transformation #christianliving #faith #hope #purpose

It's time for a day of stained glass windows and gothic churches, featuring a visit to three key churches and cathedrals. We begin this day trip with Chartres, a little town to the south west of Paris. Trusty tour guide Bertrand d'Aleman, from award-winning travel company My Private Paris, explains how we're in the midst of a gothic church (and stained glass window) revival. We took the train to Chartres, then spent half a day exploring the cathedral and the town. Then we headed back to Paris for a skip-the-line look at Sainte Chapelle and lastly Notre Dame.   My Private Paris is a local deluxe agency, crafting itineraries for tours in Paris and beyond (including, of course, Champagne). See what they offer here. Here is their full-day trip to Chartres, though this particular excursion was unique to us. Music: Pres Maxson. 

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DICHRO is Pittsburgh's electronic rock act, blending darkwave, alternative, bluegrass or  "Goth Grass."  Fueled by the symbiotic creativity of Peter Guellard and Charmaine Freeman , the band embarked on a journey of sonic exploration, crafting a debut album entitled "Stained Glass" recorded at The Church Recording Studio and later in Psychotribe Studio in Pittsburgh, is released on Distortion Productions. Bringing together a cadre of local musicians, the band consist of Tracey Whorton - Drums,  Dirk Miller - Guitar, Adrian Aideotomo - Guitar, Eric George- Drums, Brad Yoder - Soprano Saxophone, Charmaine Freemonk, Vocals and Peter Guellard - Bass, Programming.The band officially debut with a mesmerizing cover and accompanying music video of Dead Can Dance's "The Ubiquitous Mr. Lovegrove," a bewitching rendition that captivated audiences with its exotic allure.From remote demos to studio sessions and soon an acoustic album, their collaborative spirit breathed life into each track, resulting in a collection of songs that push the boundaries of anthemic darkwave. Blurring the lines between music and visual art, their live performances feature bespoke video backdrops and customized light shows, each show is transformed into a transcendent experience.  Promising a sonic journey unlike any other.  Stained Glass is available now on their bandcamp page. To Watch The Interview on My YouTube Channel- Please go herehttps://www.youtube.com/@DJNocturnahttps://www.distortionprod.comhttps://dichro.bandcamp.com

Tired of the same old patterns? This week let's explore the powerful connection between breaking negative habits and spiritual transformation, inspired by the story of King Louis IX and his devotion to the Crown of Thorns. Discover how to identify the cues that trigger your negative habits, interrupt these patterns, and build lasting positive habits that align with the person God has called you to be.  Worship Notes on YouVersion  Please let us know you're listening: Digital Connection Card 

The raw brilliance and color of glass are primary inspirations in Rita Shimelfarb's work. The deeper she explores the technical side of working with glass, the more it leaves her in awe at the range of possibilities for something new and beautiful to emerge. Building upon the millennia-long tradition of stained glass art, Shimelfarb pushes her material beyond traditional imagery and conventional construction methods by utilizing both time-proven as well as innovative contemporary glass forming and painting techniques. By combining modern and traditional, play and purpose, she makes the seemingly conflicting entities sing together in harmony. Shimelfarb's unforgettable series, The Sacred Feminine Grace Archetypes, recognizes the universal interconnectedness and divine essence of all living beings. Through moving portraits of strong, wise and soulful female subjects, the work embodies beauty in movement, thought and action, reflecting an inner harmony that transcends physical appearance. This state is not just external; it is a quality that emanates from within, allowing individuals to navigate life's challenges with poise and dignity. It's an acknowledgment that life's challenges are opportunities for growth, and by flowing with these experiences, one can find wisdom and serenity.  States Shimelfarb: “The subjects I choose are meant to slow you down mentally for long enough to have the light start working its magic. To me, the purpose of my art is not about making you see something pretty, or having your brain analyze a specific story, or having your heart be overtaken by a specific emotion. It is more about the whole re-tunement. I feel that there is no end to the myriad ways glass allows me to do this. I prefer to mix the techniques, for instance, combining traditional glass painting and contemporary fused elements with dichroic glass. Engineering new ways to not just approximate, but zero in on evoking the exact frequency I am after is a never-ending quest, sometimes frustrating, sometimes surprising, but always hopeful and exciting.”  Born in the USSR in 1972, Shimelfarb immigrated to US from Ukraine in 1989. A refugee, she eventually made Chicago her home. She completed a Bachelor's degree in Math and Computer Science and finds her analytical background indispensable in solving various glass-construction challenges and in developing new processes for image and medium manipulation. She has worked extensively with her mentor Sylvia Laks, a celebrated stained glass painter, and has taken several glass forming and painting workshops with world renown glass artists.   Shimelfarb has exhibited her work nationwide and is included in numerous public and private collections. Commission work by her Glass Can Dance Studio has been featured on the cover of Ed Hoy's catalog, at the Ronald McDonald House near Central Du Page Hospital, IL, and at Chute Middle School in Evanston, IL.  In 2025, Shimelfarb will teach a glass painting / mosaic workshop for Campanella Choir kids at the Children's Educational Center Campanella in Northbrook, IL, March 15 – 16. The solo exhibition of her glass paintings there just closed January 18. She will also teach a glass painting workshop at Delphi Glass, Lansing, MI, April 19 – 20. Her work can be seen in a group show of Chicago area glass painters to take place in April and May at the Illumination Art and Design Gallery in Chicago as well as at EvanstonMade's summer member exhibit. Meanwhile, there is a new series of glass paintings in progress on her bench with the working title Unintegrated. 

Mary Austin is a pastor in Kalamazoo, Michigan. She writes Stained Glass in the City on Substack. It's deep and delightful.  Help Zak continue making this show by becoming a Best Advice Show Patron @ https://www.patreon.com/bestadviceshow---Call Zak on the advice show hotline @ 844-935-BEST---Share this episode on IG @BestAdviceShow

Dr Siobhán Doyle, Curator of Glass, Ceramics and Asian collections, National Museum of Ireland joins us to tell us about this amazing exhibition currently running at Collins Barracks beside Heuston Station in Dublin

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Actually a very active lifeLife-long art lover Ted Pfohl of Little Falls wholeheartedly recommends that people see the work of Charles Gilbert Kapsner while it's on view at Studio Pintura Fine Art Gallery in the Northrup King Building in northeast Minneapolis. Kapsner is based in Little Falls but trained in Florence, Italy in the studio of Nerina Simi (1890-1987). The retrospective includes over 30 still lives, portraits and other works, gathered under the title of “Odyssey — A 50-Year Artist's Journey: Not a Still Life!” The show's run has been extended through Feb 8. Ted Pfohl muses on the odyssey of Kapsner's work: I can in all integrity state that I am captivated by the stories within the works of Master Artist Kapsner, a designation earned within and from his colleagues in the world of fine art. Today, he voyages within oil and charcoal. He has been at several harbors within fresco. He has created a monument of paintings honoring the five branches of the United States military. Each carefully chosen and curated piece provides glimpses into the creativity of a gifted helmsperson. There are flowers, bottles of wine, his wife — whom he calls Lady Catherine — still lives and portraits. As I was moving within the currents of the visuals before me, there were several times where my feet would not move as my gaze rested upon the piece before me.— Ted PfohlTickets to ParadiseJewelry artist and silversmith Jessica Prill of Faribault works across the street from the Paradise Center for the Arts, and she says the exhibits there are always a source of inspiration. She recommends taking in the new visual arts show, which opened this week and features painters Laura Andrews and Montana Becker as well as stained-glass artist Bob Vogel in the main gallery. Art by students of Bethlehem Academy will be featured in the Creger Gallery, which often features student work. There is an artist reception on Friday from 5-7 p.m., and the exhibit runs through Feb. 15. Speaking about the stained glass art of Bob Vogel of St. Peter, Jessica Prill says: [His work] blows my mind. He has done stuff with glass that I didn't know was possible. He has found a way to make it look like he's painting with glass. He uses the patterns in the glass like brush strokes. He does lamps, panels, fused glass: they're just incredible.— Jessica PrillRemember: They're on Thursday nightDana Drazenovich of St. Cloud loves live music, and she wants people to know about Monday Night Jazz, a band that has been performing jazz for 20 years in St. Cloud. Despite its name — a holdover from a previous location that was open on Monday nights — the sextet plays most Thursdays from 7 p.m. to 9:30 p.m. at the Veranda Lounge in St Cloud. Dana says: I feel like Monday Night Jazz is just a gift to St. Cloud's music scene, because I'm sure it's introduced plenty of people to the genre, and it's probably even made fans out of people who might not have otherwise even heard jazz performed live. They take a lot from the Great American Songbook, Rodgers and Hart, Rodgers and Hammerstein. You'll hear songs like “All the Things You Are” and “Mood Indigo.” They throw in a few originals here and there, too. They've got drums, piano, bass, guitar, sax and trumpet, so it's a big, full sound. And if you're lucky, you'll get to hear guitar player and vocalist, Muggsy Lauer, scat. There's a lot of laughing between songs, a lot of joking back and forth and they just put out the tip jar and go.— Dana Drazenovich

Are you tired of making resolutions that you end up breaking? Do you feel like you just can't seem to change, no matter how hard you try? We're starting a new message series and in this first week we'll explore the concept of real change. We'll learn that real change isn't about willpower or behavior modification. It's about spiritual transformation. The Bible tells us that we are all capable of change, but it's only through God's power that we can truly become the people we were meant to be. Worship Notes on YouVersion  Please let us know you're listening: Digital Connection Card 

"Send us a message! (questions, feedback, etc.)"We're closing out 2024 with a conversation with a long-time friend of mine. David Graves is - among many other interests - a photographer who uses his camera to capture images that connect us with faith. This year he released a book, Alabama Faith: Churches and Stained Glass. It's a collection of over 125 photos from almost 100 churches across the state of Alabama. David's desire for the book is that these pictures would remind people that there is always hope, and that no one is ever beyond redemption.Whether it's reminiscing about on-stage worship leading blunders, growing up in a family where not going to church on Christmas was NOT an option, or needing and receiving grace when life blows up, this was a great time for me to catch up with an old friend. As you prepare to walk into a new year, we hope it will encourage you to look for glimpses of hope wherever you are.#davidgraves #alabamafaith #stainedglass #coffeetablebook #hope #redemption #gospel #grace #awaken #awakenrecovery #awakenpodcast #whatwereallywant #wwrw #connection #conversationAlabama Faith: Churches and Stained Glass (on Amazon)David's photography websiteDavid on InstragramAwaken websiteRoots Retreat Men's IntensiveRoots Retreat Women's WorkshopAwaken Men & Women's support meeting info (including virtual)

Get More LVWITHLOVE content Thank you to our Partners! WDIY Wind Creek Event Center Michael Bernadyn of RE/MAX Real Estate  Molly’s Irish Grille & Sports Pub Banko Beverage Company 4K VIDEO VERSION: https://youtu.be/USgnFmhxtJk As part of the Shop Local Harder series, we're highlighting Kristi from Trailmade Trading Co., a jewelry artist known for her beautiful stained glass earrings and other handcrafted pieces. Each piece is designed with care, blending artistry with individuality. This holiday season, discover Kristi's unique creations that make perfect gifts or personal treasures. Support a passionate local artisan and explore her collection today. GUESTS Kristi – Trailmade Trading Co. LINKS Trailmade Trading Co: https://www.trailmadetradingco.com/

Lynn Scarff, Director of the National Museum of Ireland discusses' the launch of 'Harry Clarke's-Stained Glass' exhibition today at Collins Barracks.

The story of Michael Healy is one that tells us much about the Dublin of his time. Born into a working class inner-city family in 1873, Healy was shaped by the artistic and cultural movements of the time, becoming a central figure in the stained glass studio An Túr Gloine. The work of that studio is still to be found across Dublin today. His biographer David Caron joined me in Dublin's Hugh Lane Gallery to discuss Healy and his time. Be sure to check out the Hugh Lane Gallery's fantastic After Hours programme. With thanks to the gallery and Sherpa events.  

The Last Sunday of the Church Year 2024 --- Support this podcast: https://podcasters.spotify.com/pod/show/christforyou/support

Episode: 1282 The development of the seemingly uncomplicated window pane.  Today, we learn to make window panes.

In which Rev. Diane Kenaston joins Jo to talk about her journey into ordained ministry, her time in the local church, and the Good Friday Collaborative, an ecumenical partner for those doing the sacred work of congregational endings. Links from this episode: You can find the GFC at https://www.goodfridaycollaborative.com/. You can read Diane's piece on https://faithandleadership.com/how-avoid-falling-the-stained-glass-cliff-when-leading-dying-church Find more of Diane's work here: https://www.dianekenaston.com/ Read a reflection from a GFC collaborator in Fidelia Magazine here: https://youngclergywomen.org/a-ministry-of-ending/ ⁠Hooked already? Sign up for the GFC's newsletter here: https://bit.ly/GoodFridayNews What is this YCWI Jo and Diane keep talking about? Learn more here: https://youngclergywomen.org/ Find all things WTHIAP at wthiap.com.

Alex Gasperson 2024 This I Believe Essayist

In her summer 2024 exhibition Trial By Fire at Core Art Space, Lakewood, Colorado, Maria Sheets exhibited a series of colorful, sculpturally dense, illuminated glass panels of portraits and landscapes created in a unique process that combines the mediums of traditional stained glass grisaille/enameling with fused glass “painting” known as Vitreonics. The technique was documented in Justin Monroe's award-winning documentary Holy Frit. The movie traces artist/designer Tim Carey's journey through making the world's largest stained and fused glass window with the help of Italian glass maestro Narcissus Quagliata. Says Sheets: “Our family experienced a major loss in late 2023 that inspired a radical shift in what I was producing. In an attempt to address this swing of emotional intensity, I found I desperately needed to break some sh#t. Inspired by the project created in the new film Holy Frit, I began to learn Vitreonics. The process, particularly the intense smashing, layering, and heating of glass, gave me the change I needed. Vitreonics brought balance to my creative world and reminded me that though I can and do use my skills to make art that is highly technical, I can also relax into flexibility and levity.” With a conservation and glass studio located in Evergreen, Colorado, Sheets is a senior conservator of Foothills Art Conservation and a master glass designer, painter and fabricator. She was Chief Conservator of a fire recovery project with the Museum of Biblical Art, Dallas from 2005-2018. A partial list of additional clients includes the Ross Perot Collection, George Bush Family, Gerald Ford, Dallas Museum of Art, Nasher Sculpture Center, and the Ann and Gabriel Barbier-Mueller Samurai Collection. She served as President of the Conservators Private Practice Group of the American Institute for Conservation and holds a Professional Associates status.  Signed commissioned works in architectural glass include large-scale projects presently housed in museums, universities, houses of worship, businesses and private residences internationally. In 2021, Sheets designed and painted the Legacy Window for Tulsa's Vernon AME in Greenwood, illustrating 120 years of the church's history and survival from the Tulsa Race Massacre. Her own work was included in recent juried exhibitions such as American Glass Guild NOW 2016 (juror, contemporary artist Judith Schaechter), Texas National 2018 (juror Jed Perl, international art critic), and Materials Hard and Soft International Craft Exhibition 2019 (2nd place of 1100 entries). She is a resident artist for Valkarie Gallery in Lakewood, Colorado, where her work will be exhibited in a solo exhibition from November 13 through December 8, 2024.  In 2022, Martin Faith, Scottish Stained Glass, Centennial, Colorado, approached Sheets with a project that involved reproducing an artist's pieces made in the 1970s onto glass. Sheets explains: “He showed them to me, and I gasped, recognizing the work as Judy Chicago's. I had read her early biographies while I was in college in the ‘90s. My feminist art teacher taught us about her work and the famous piece The Dinner Party, which congress was crucifying along with a number of artists trying to get funding through the National Endowment for the Arts.  I even wrote her fan mail.” Sheets and Chicago met and spent several years working collaboratively in Chicago's Belen, New Mexico studio. There they created complex airbrushed/masked pieces onto glass. These took five months of research and development as the technique/design would be some of the most unforgiving yet enlightening of Sheet's life. Last year Chicago had a blockbuster show of the work at New Museum in New York accompanied by a four-page spread in the New York Times as well as an exhibition at Serpentine in London. Occupying a rare niche in the art world, Sheets was inspired by her great-uncle, a Russian Orthodox priest and iconographer to apply old-world art materials on stained glass to create both traditional religious imagery or modern portraits and scenes rife with politics. Her work Motherboard Madonna was recently exhibited in AI Love You at Niza Knoll Gallery, Denver, Colorado.  Says Sheets: “The gallery got blackballed, but the whole point of show was to discuss the ethical concerns and use of AI as a tool. One could say creativity was used in the creation of this technology and that “paint” is not the only medium. Adapt or die…”  

Nate Craig is here on this week's episode of Steph Infection! Steph and Nate talk about the ever changing social media strategy for comics, Nate's newborn baby, an injury from eating a piece of stained glass, and much more!Follow @Steph_Tolev and @Steph_Infection_Podcast on Instagram.See Steph on tour this year!US DatesSept 26 HoustonSept 27-29 DallasOct 3-5 PortlandOct 10 BostonNov 21-23 BurlingtonNov 29 - Dec 1 ChicagoDec 15 NashvilleCANADA DatesNov 6 KelownaNov 8 VictoriaNov 9 VancouverNov 10 EdmontonDec 21 TorontoGet tickets at https://punchup.live/stephtolevBe sure to follow @natecraiglive on Instagram and go to https://natecraig.com/ to see him live! Steph Tolev caught fire on the BILL BURR PRESENTS: FRIENDS WHO KILL, Netflix special. She was named a COMEDIAN YOU SHOULD AND WILL KNOW by Vulture, which recognized her as one of Canada's funniest exports. She was featured on Comedy Central's THE RINGERS stand up series, and season two of UNPROTECTED SETS. Steph has appeared in Comedy Central's CORPORATE and starred in an episode of the Sarah Silverman-produced PLEASE UNDERSTAND ME. Steph has been well received at festivals all over the world and headlines clubs across the country. She also has a hit podcast on ALL THINGS COMEDY called “STEPH INFECTION” and appears in the feature OLD DADS starring and written by Bill Burr on Netflix. Check out her tour dates to see her live!

Valarie calls her daughter in the US and then things get weird ...

Thriving 21st-century spiritual communities are like strong and beautiful stained-glass windows. They're composed of many individual people who come together to create a deep and meaningful experience where everyone cocreates together but each person can ALSO shine as themselves at their best. Music: Guest Musician Celia Farran, with Susan Peck.  

David Soos was born in Cleveland, Ohio in 1949. A move to Arkansas during his Air Force enlistment from 1968 to 1972 started David on his path in stained glass. While stationed at Little Rock Air Force Base, he spent most of his free time at the Arkansas Arts Center, enrolled in classes of many different media including, ceramics, sculpture, and glass blowing. The glass blowing experience led to his interest in stained glass. After his Air Force discharge, he returned to Cleveland and enrolled in classes at a local stained glass studio. He returned to Arkansas in 1974 and was self-employed in stained glass for a year, then worked for another studio, Mashburn Stained Glass, before opening his own business in 1979, a 5,000-square-foot studio with a full range of stained glass services. David was also a faculty member at the Arkansas Arts Center for five years and has had his work exhibited in many juried museum shows over the years.

Geologist Hadyn Butler took up a hobby... and then that hobby became so much more. His creations are an expression of a inquiring mind that tackles challenges differently. The results are unique and stunningly spectacular. I've written about Hadyn and now you can listen along to one of several conversations that roam across a wide spectrum of topics that make Hadyn tick.

This summer we are returning to a 2022 series on contemplation, and this week's episode is all about contemplating in church. Church can be a complicated place for a lot of us these days, but there is a richness to many church spaces that really can be a place for us to hear from God in a particular way. I do this episode is a blessing to you! As we explore a variety of methods of contemplative prayer this summer, week eight is all about art. As you choose a piece of art to contemplate this week, I pray that you will have a fruitful encounter with God who is crazy about you. If you'd like to connect with me, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠find me on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠at my website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you'd like to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠help support this podcast financially⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, there's a way to do just that ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on my page at buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Thanks for sharing, subscribing, rating, and reviewing, as this helps our community to grow. Thanks as always to my friend, Peter Vaughan-Vail, for providing the beautiful harp music you hear in this and every episode. Here are some resources I hope will help you to engage with this week's topic in a deeper way for yourself: 1. Article: ⁠Heavenly Illumination: The Science and Magic of Stained Glass⁠, from The Guardian 2. Article: ⁠Rose Windows of Notre Dame⁠ 3. ⁠History of Stations of the Cross⁠, from Catholic Straight Answers 4. Journal prompts (while sitting in a church): God, where are you directing my gaze in this church? What does this element have to say to me today? What is my history within this space and in other churches? Can I gather in the goodness and light memories but also the pain? How does my history here impact how I see God and my life of faith in this moment? God, I am here. What would you say to me today? 5. Song: ⁠In This Place⁠, Trevor Thomson, Victoria Thomson

Revelation

Jesus Feeds 5000

Jesus

James and John discuss eBay finds: Apple stained glass and stickers, Happy Mac Face dust cover, NYC Macworld Expo mirror. They take a look at James's collection of Apple stained glass, and news includes Apple II/Mac optical mice, Windows NT on a Mac, PC emulation on iOS, BeOS on Mac Folklore Radio, and Dotto on Data.  new Wizardry retro nod, Weatherbot, PowerBook 520c with modern insides, and Macquariums.   Join our Facebook page, follow us on Twitter, watch us on YouTube, and visit us at RetroMacCast.

The Monarchy

One of twelve stained glass windows Colin McCahon created will be offered as part of an auction at the International Art Centre in Auckland later this month. 

“Stained glass windows!” Everyone wants to jump out of bed when that alarm shouts, but dragging yourself out of it doesn't always work! Welcome to the Learn Develop Live, ‘Quote Of The Day', where your host, Chris Jaggs shares an inspiring and thought-provoking quote to help kickstart your day. Whether you're still yawning trying to make your morning coffee, bored at work or have a smelly armpit in your face on the train, this show is here to help refocus your motivation for your day!  So tune in, kick back, and enjoy the fun! Continue to be inspired with the motivation to help you ‘level up' daily! www.learndeveloplive.com

The Law

An artist using the allegorical power of medieval stained glass as a vehicle for contemporary expression, Pinkie Maclure marries traditional craft techniques with a radically different aesthetic. Stained glass was invented in the 12th century to communicate to a largely illiterate population, its vivid colors having a seductive quality that's hard to resist. However, its narrative role has been largely abandoned in recent years, which is something Maclure hopes to change through her architectural installations and highly-detailed stained glass light boxes that reflect her commentary on the modern world around us.  Maclure states: “My goal is to seduce the eye, but crucially, to deal with contemporary subject matter, telling darkly humorous stories from modern life.”  For example, in her piece Beauty Tricks, the artist questions interpretations of beauty and a multitude of thorny contradictions. Her central figure is based around a classic Madonna, but she has liposuction lines on her torso and hypodermic needles and scalpels adorning her halo. Her nipples have been censored. Two little girls gaze up at her beautiful pink frock from a grey world of abandoned plastic containers. A woman fires a gun at a mirror, smashing it to smithereens. To her left, a grandmother knits a web of Barbie dolls and to her right is a bulimic Rapunzel. The palm trees refer to the palm oil industry; the roses symbolize feminine beauty. At the top, Satan is hopping across the towers of Oxbridge with a pile of books heaped on his back, stealing all the knowledge while the women are distracted. This work was acquired by the Stained Glass Museum for the national collection of stained glass and is now on permanent display in Ely Cathedral. Maclure was raised in a small fishing town in the northeast of Scotland by an atheist mother, a talented musician who loved to sing sacred music. A prolific child artist, she drew on old wallpaper samples in front of the television every night, but was later put off by a sexist art teacher and turned to music and performance instead. As a singer-songwriter, she has recorded 10 albums over 30 years and performed internationally. To support her music career, after 25 years of depending on low-paying jobs, Maclure found work helping a friend in a commercial stained glass studio. It was not very creative, however, she did start to study the history of stained glass and became disheartened by what she saw as the contemporary dumbing down of this extraordinary medium. She says: “I noticed that many churches now avoid using any imagery and that fewer stained glass artists have the very particular skills required to paint images on glass. In contrast with the heady, dazzling power of figurative medieval glass, many 20th-century stained glass windows had become simple blocks of cheap, colored glass, often designed and mass-produced by glaziers, with no artistic intent behind them – their function was reduced to something purely physical; a kind of upmarket net curtain.” ​Maclure decided to develop her painting, sandblasting and engraving skills in order to harness the spiritual power of stained glass, exploring the big issues of today such as climate, women's rights, addiction and grassroots activism. Instead of removing the images, she changes them. Her references include bible stories, folklore, tabloid newspaper headlines and personal experiences. She uses stained glass as a language, as they did in the Middle Ages. “I love the peculiar character of very old, broken windows, which have been repaired many times over the centuries. They have a particular poignancy which reminds us of our mortality and the fragility of the earth.”  ​For Maclure's 2023 solo exhibition at CCA Glasgow, Lost Congregation, she combined large-scale stained glass, 3D sound, film and live performance, to create a fictional, abandoned rural chapel, haunted by its lost congregation. This multi-media installation questions our relationship with the land and celebrates the way nature and grassroots activism, such as compost-making, can reclaim abandoned places. The show attracted record numbers to the venue and was extended by a month. Scotsman review of the exhibition; https://www.scotsman.com/arts-and-culture/art/art-reviews-monster-chetwynd-pinkie-maclure-nicolas-party-cathy-wilkes-jala-wahid-4222378 The central work in the show, The Soil was a room-sized installation evoking an abandoned chapel where ivy grows up the sides of the old pews and the wind whistles through the broken door. At one end is a resplendent stained-glass window featuring a woman gardener, hands clasped in a secular prayer, urinating on her compost heap (human urine being an ideal activator of compost). A soundscape of whispers, children's voices and snatches of song adds to the atmosphere. It's both monumental and irreverent, elevating the humble pursuit of gardening while thumbing its nose at the grandiose history of the medium. While concerns about vanishing communities, climate change and damage done to topsoil by intensive farming are all present in this work, there is also a businesslike cheerfulness to the welly-wearing modern saint and her no-nonsense pursuit of her purpose. The Soil was subsequently on display at Two Temple Place, London, from January 27 – April 21, 2024. In the collection of the National Museum of Scotland and recently exhibiting at Homo Faber (Venice), Collect (London), the Outsider Art Fair (New York) and the John Ruskin Prize (Manchester), Maclure has been the recipient of a number of awards, including the Sequested Prize, John Byrne Prize, Zealous Craft Prize and Jerwood Makers. Her work Two Witches (Knowledge is Power) was selected for publication in the 2024 issue of New Glass Review, the Corning Museum of Glass' survey of cutting-edge glass. Two Witches was also on view at the John Ruskin Prize group exhibition at Trinity Buoy Wharf, Poplar, London back in February. The National Museum of Scotland acquired Self-Portrait Dreaming of Portavadie in 2021. Maclure plans a solo show at the Victoria and Albert Museum in London in the near future. ​“I find medieval stained glass bewitching and daring… I want to elevate the medium into a contemporary art form, using its seductive beauty and historical associations to stimulate debate and to tell my own stories.”  

Temptation

Creation

Join us for an illuminating episode of the Pennsylvania Rock Show, Episode 723, as Bill delves into the captivating world of Dichro, a Pittsburgh-based female-fronted darkwave and anthemic rock project signed with Distortion Productions. Discover Dichro's latest release, “Stained Glass,” and immerse yourself in the hauntingly beautiful sounds that define their unique musical style. Gain insight into the band's influences, the vibrant music scene of Pittsburgh, their experiences at the Millvale Music Festival, and much more. Tune in to explore Dichro's creative process, musical journey, and the inspiration behind their compelling compositions. Connect with Dichro on Facebook to stay updated on their latest news and upcoming performances. Don't miss this opportunity to discover Dichro's mesmerizing blend of darkwave and anthemic rock and gain a deeper understanding of their artistic vision. Episode 723 promises an engaging conversation filled with music, passion, and insights into the dynamic world of Dichro. Connect with Dichro: Facebook: Dichro Join us as we uncover the unique sound and creative spirit of Dichro on Episode 723 of the Pennsylvania Rock Show.

Join us for an illuminating episode of the Pennsylvania Rock Show, Episode 723, as Bill delves into the captivating world of Dichro, a Pittsburgh-based female-fronted darkwave and anthemic rock project signed with Distortion Productions. Discover Dichro’s latest release, “Stained Glass,” and immerse yourself in the hauntingly beautiful sounds that define their unique musical style. Gain...

This week's episode features a insightful conversation with the trailblazing Ariana Makau. She shares her journey into the field of stained glass conservation and the challenges she faces as a Black woman in a predominantly white industry. She discusses the importance of honoring heritage and the founding of her own company, Nzilani Glass Conservation. Ariana also highlights the unique position of stained glass conservation in the preservation field and the need for proper health and safety practices. She talks about so many things I never considered - like the importance of blood lead level testing, the responsibility of employers in preserving the health of their workers, and the safe preservation of stained glass windows. As she points out the main components of stained glass are lead and glass - so it was fascinating to learn more about safety protocol. Instagram Highlights: Ariana's stained glass workLinks:Nzilani Glass ConservationNzilani Safety ArticlesArticle: The Art of Health and Safety: Protecting Stained Glass Workers from Lead Exposure by Ariana Makau & David HicksTangible Remnants on InstagramTangible Remnants WebsiteLinkedTr.ee for resourcesEarn CEUs for listening to this podcastSignup for Ask Me Anything w/ Nakita ReedGabl Media NetworkSarah Gilberg's MusicBio: Ariana Makau is the founder, principal conservator of Nzilani Glass Conservation, and current Interim Collections C.A.R.E. Director of Destination Crenshaw. She holds a MA in Stained Glass Conservation from the V&A/RCA, in London, England; and has been involved in preservation for 30 years. She has worked at numerous museums in the States and abroad including the V&A, the Met, SFMoMA and Getty Museum. Ariana has served on the Board of the Stained Glass Association of America (SGAA), is a Fellow of the American Institute for Conservation (AIC), and a current board member of the Western Chapter of the Association of Preservation Technology (APT). Makau's work is most fulfilling when at the intersection of equity, preservation and art. **Some of the links above maybe Amazon affiliate links, which means that if you choose to make a purchase, I will earn a commission. This commission comes at no additional cost to you.** **This episode is sponsored by www.Smartsheet4architects.com, a better way to manage architecture projects.**

Enjoy this stained glass panel discussion with top industry professionals and educators Judith Schaechter, Stephen Hartley, Megan McElfresh, and Amy Valuck. Topics addressed include: what is needed in stained glass education; how the massive number of Instagrammers making suncatchers and trinkets affect stained glass; how to promote stained glass in a gallery setting; and how to stay relevant as stained glass artists. The panelists: By single-handedly revolutionizing the craft of stained glass through her unique aesthetic and inventive approach to materials, Judith Schaechter championed her medium into the world of fine art. The content of her work – some of which gives voice to those who experience pain, grief, despair, and hopelessness – resonates with viewers, leaving a profound and lasting impression. Schaechter has lived and worked in Philadelphia since graduating in 1983 with a BFA from the Rhode Island School of Design Glass Program. She has exhibited her glass art widely, including in New York, Los Angeles and Philadelphia, The Hague and Vaxjo, Sweden. She is the recipient of many grants, including the Guggenheim Fellowship, two National Endowment for the Arts Fellowships in Crafts, The Louis Comfort Tiffany Award, The Joan Mitchell Award, two Pennsylvania Council on the Arts awards, The Pew Fellowship in the Arts and a Leeway Foundation grant. Her work is in the collection of the Metropolitan Museum in New York, the Victoria and Albert Museum in London, the Hermitage in Russia, the Philadelphia Museum of Art, The Corning Museum of Glass, The Renwick Gallery of the Smithsonian Institution and numerous other public and private collections. Schaechter's work was included in the 2002 Whitney Biennial, a collateral exhibition of the Venice Biennale in 2012, and she is a 2008 USA Artists Rockefeller Fellow. In 2013 the artist was inducted to the American Craft Council College of Fellows. The Glass Art Society presented Schaechter with a Lifetime Achievement award in 2023, and this year she will receive the Smithsonian Visionary Award. Schaechter has taught workshops at numerous venues, including the Pilchuck Glass School in Seattle, the Penland School of Crafts, Toyama Institute of Glass (Toyama, Japan), Australia National University in Canberra, Australia. She has taught courses at Rhode Island School of Design, the Pennsylvania Academy, and the New York Academy of Art. She is ranked as an Adjunct Professor at The University of the Arts and Tyler School of Art Glass Program, both in Philly . Born in Philadelphia, Stephen Hartley began his craft career working on a variety of historic buildings and monuments throughout the region. In 1999, he moved to South Carolina to attend Coastal Carolina University, where he earned his undergraduate degree in History. He then relocated to Savannah, Georgia, and continued to work in the traditional crafts and conservation fields while attending graduate school. After completing his MFA in Historic Preservation at the Savannah College of Art and Design, Hartley was employed as an instructor at various colleges within the Savannah area. He earned his PhD from the University of York in 2018 where his dissertation thesis studied the historical and modern frameworks of trades training in the US and the UK.  Hartley eventually returned to the Philadelphia area and accepted the position of Head of Building Arts at Bryn Athyn College, where he formulated the first Bachelor's of Fine Arts (BFA) in traditional building within the United States. Hartley, currently an associate professor in Notre Dame's School of Architecture, wants his students to have a deeper appreciation for the work craftspeople do to fulfill an architect's vision—by learning the vocabulary of the trades, understanding their history, and, when possible, trying out the tools. Executive Director of the Stained Glass Association of America (SGAA), Megan McElfresh has dedicated her professional life to community service and the art and science of stained glass. With a background in fine arts and operations management, she joined the Association as a professional member in 2015 and became the Executive Director in the fall of 2017. Growing up in small stained glass studios, McElfresh continued to build on her technical skills in the medium by seeking mentorship opportunities throughout college. Some of the highlights of her glass studies were traveling to Pilchuck Glass School and time spent at the nationally recognized kiln forming resource center, Vitrum Studio.  Prior to working with the SGAA, McElfresh worked in a variety of roles from operations management at a life sciences firm in Washington, D.C. to IT and web support for small non-profit art organizations. In 2011, McElfresh moved from Northern Virginia to Buffalo, New York, and founded her studio, McElf GlassWorks. With a passion for her professional career as well as her new community, she never turned down an opportunity to collaborate with neighborhood teens and local programs to provide enthusiastic and creative educational enrichment. In her personal work, McElfresh uses her artwork in the advocacy of issues she became passionate about during her time working at a forensics laboratory concerning subjects like domestic violence and rape, and DNA backlogs. Her studio work has been featured in the Stained Glass Quarterly, Design NY, The Buffalo News, and Buffalo Rising. Find out more about the SGAA's 2024 conference here: Conference 2024: Sand to Sash | The Stained Glass Association of America Amy Valuck is a stained glass artist and conservator based in Southeastern Pennsylvania, and the current president of the American Glass Guild. She began her apprenticeship in 1998 at The Art of Glass in Media, PA, and in 2014 went on to establish her own studio, Amy Valuck Glass Art, now located in West Chester, PA. Her studio's primary work is the restoration and conservation of historical windows from churches, universities, and private residences. As a conservator she specializes in complex lead work, plated windows, and replication painting. Valuck also maintains a personal art practice, producing autonomous stained glass panels for private commissions and public exhibition, including the AGG's American Glass Now annual exhibit. Her personal work is heavily influenced by the fabrication and painting techniques of historical windows but frequently includes experimental fused glass elements.  Valuck is a graduate of the Rhode Island School of Design, who earned her BFA degree in jewelry and light metals. Her work in jewelry earned awards including the first annual Cartier Prize, and the MJSA (Manufacturing Jewelers and Silversmiths' Association) Award. She has served on the board of directors of the American Glass Guild since 2017 and has participated as a lecturer and instructor at several of the AGG's annual conferences. Registration is now open for the 2024 Grand Rapids conference, July 9 – 14. Find out more about the AGG's 2024 conference here: https://www.americanglassguild.org/events/agg-2024-conference-grand-rapids-mi For further exploration of panel discussion topics: The Campaign for Historic Trades Releases First-of-its-Kind Labor Study on the Status of Historic Trades in America – The Campaign for Historic Trades   

This episode is with the band Venice. We were able to reconnect with the band at this year's NAMM show. Venice is known mostly for their amazing harmonys, ones you might hear from Crosby, Stills, Nash & Young, The Eagles or Steely Dan. But they have made a mark for themselves in the music world. Following their sisters (and Aunts) the Lennon Sisters, this band has been together since the 80s, impressing the likes of Jackson Browne, David Crosby & Steely Dan. They have worked with such great as Cher, Stevie Nickes, Bruce Springsteen, Elton John, Brian Wilson, Sting & Phil Collins. Infact they were chosen as the backup vocals for Roger Water's The Wall tour from 2010 - 2013. The band has a new album titled "Stained Glass" which features 16 new songs written by the band and recorded in Micahel Lennon's backyard during the pandemic. We were lucky enough to get all 4 members on this interview: Marky, Kipp, Michael & Pat! Please enjoy, and if you do like it, find two previous episodes - a two part with Kipp Lennon back in 2020. 

It's time for a Mistborn Shardcast! We have learned a lot of new stuff of Hemalurgy in The Lost Metal, so let's talk in extensive detail about those two chapters, and then talk about Hemalurgy implications for the future! This episode has Eric (Chaos), Evgeni (Argent), and David (Windrunner). Chapters: 00:00 Introductions and Show & Tell 4:18 Hemalurgy Fundamentals 16:08 Partial Hemalurgy Spikes 1:03:25 Ars Arcanum 1:55:08 Trellium 2:11:41 Other Thoughts 2:17:50 Who's That Cosmere Character Here are some of the other episodes and videos we referred to in this podcast: Hemalurgy 2018: https://youtu.be/hLM7hql2zFo?si=TgTkBe-wRblY_3_A White Sand Omnibus: https://youtu.be/BEm5TmHAKw4?si=lpScba-QPBRjikjM Our Brandon Interview: https://youtu.be/rkCP04Wo1Ho?si=ZAmOuSu7mlvZLJ60 Black Smoke / Midnight Essence: https://youtu.be/7o5DVWANF64?si=ypq2m9TR1gQ8qvOy Harmony: https://youtu.be/C-Qa5zNS57Q?si=X280mEKTNBpOpwRS Secrets in Stained Glass (our Mistborn actual-play): https://youtu.be/VneUfsu3RrU?si=KppT1qPDLXh8x4Vh If you like our content, support us on Patreon: https://www.patreon.com/17thshard For discussion, theories, games, and news, come to https://www.17thshard.com Come talk with us and the community on the 17th Shard Discord: https://discord.gg/17thshard Want to learn more about the cosmere and more? The Coppermind Wiki is where it's at: https://coppermind.net Read all Words of Brandon on Arcanum: https://wob.coppermind.net Subscribe to Shardcast: http://feeds.soundcloud.com/users/soundcloud:users:102123174/sounds.rss Send your Who's That Cosmere Characters to wtcc@17thshard.com

Tim Carey, Glass Artist Holy Frit The post 3343. The Creation of the World's Largest Stained Glass Window – Tim Carey, 11/30/23 first appeared on Issues, Etc..