Podcasts about oxford handbook

Misha Glenny and guests discuss an ancient civilisation who lived over 2000 years ago in the southwest of modern-day Libya. During prehistoric times, the Sahara Desert was greener and even had large lakes, but for the last 5000 years it has been a hyperarid environment. Extreme swings of temperature and limited surface water might make the Sahara seem like an inhospitable place to live, but an ancient people in North Africa known to us as the Garamantes thrived there. Following descriptions of the Garamantes in Roman and Greek texts, the Garamantes have often been seen as pastoral nomads, or as tribal barbarians on the periphery of the Mediterranean world. But the work of archaeologists in recent decades has revealed something different. Evidence suggests a society with flourishing towns and cities, complex underground irrigation systems, a key role in trade routes across the Sahara – and may give us a broader view of ancient history.WithDavid Mattingly Emeritus Professor of Roman Archaeology at the University of LeicesterFarès Moussa Visiting Fellow at the University of Southampton and Cultural Heritage ConsultantAndJosephine Quinn Professor of Ancient History and Fellow of St John's College, University of CambridgeProducer: Martha OwenReading list:C.M. Daniels, The Garamantes of Southern Libya (Oleander Press, 1970)C. Duckworth, A. Cuénod and D.J. Mattingly (eds), Mobile Technologies in the Ancient Sahara and Beyond (Trans-Saharan Archaeology Volume 4, Cambridge University Press, 2020)M.C. Gatto, D.J. Mattingly, N. Ray and M. Sterry (eds), Burials, Migration and Identity in the Ancient Sahara and Beyond (Trans-Saharan Archaeology Volume 2, Cambridge University Press, 2019)R.B. Hitchner (ed.), A Companion to North Africa in Antiquity (Wiley-Blackwell, 2020), especially ‘Beyond barbarians: the Garamantes of the Libyan Sahara' by D.J. MattinglyD.J. Mattingly, Between Sahara and Sea: Africa in the Roman Empire (Michigan University Press, 2023)D.J. Mattingly (ed.), The Archaeology of Fazzan, Volume 1, Synthesis (Society for Libyan Studies, 2003) D.J. Mattingly (ed.), The Archaeology of Fazzan, Volume 2, Site Gazetteer, Pottery and other Survey Finds (Society for Libyan Studies, 2007) D.J. Mattingly (ed.), The Archaeology of Fazzan, Volume 3, Excavations Carried out by C.M. Daniels (Society for Libyan Studies, 2010) D.J. Mattingly (ed.), The Archaeology of Fazzan, Volume 4, Survey and Excavations at Old Jarma (Ancient Garama) Carried out by C. M. Daniels (1962–69) and the Fazzan Project (1997–2001) (Society for Libyan Studies, 2013)D.J. Mattingly, V. Leitch, C.N. Duckworth, A. Cuénod, M. Sterry and F. Cole (eds), Trade in the Ancient Sahara and Beyond (Trans-Saharan Archaeology Volume 1, Cambridge University Press, 2017)D. Mattingly, S. McLaren, E. Savage, Y. Fasatwi and K. Gadgood (eds), The Libyan Desert: Natural Resources and Cultural Heritage (Society for Libyan Studies, 2006), especially ‘The Garamantes: The First Libyan state' by D. Mattingly P. Mitchell and P. Lane (eds), The Oxford Handbook of African Archaeology (Oxford University Press, 2013), especially ‘Roman Africa and the Sahara' by A. Leone and F. Moussa M. Sterry and D.J. Mattingly (eds), State Formation and Urbanisation in the Ancient Sahara and Beyond (Cambridge University Press, 2020)Some of these books are available for free from Open Access Books: British Institute for Libyan & Northern African StudiesIn Our Time is a BBC Studios productionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

In this episode Miles is joined by Lesley Chamberlain to discuss her newly-published monograph, 'Undoing the Moral Empire: Moral Philosophy in post-War Britain'. https://www.bloomsbury.com/uk/undoing-the-moral-empire-9781350457751/ After 1945, Britain wanted to be a new country. The authority of state and church were giving way, the Empire was dismantled, and it was no longer clear who was leading whom in matters of morals. Individuals were left to reinvent their ethical lives anew. The lives and works of the philosophers discussed in this book were caught up this sea-change. Bernard Williams, Philippa Foot, Iris Murdoch, Richard Wollheim, Charles Taylor and Alasdair MacIntyre were all characters in search of a moral England, with a particular vision of the good society. From communitarianism to swinging Sixties' individualism, and radical theories of art – which understood questions of ambiguity, error and forgiveness more than the state ever could – this is the story of their sometimes convergent but often discrepant ideas on ethical life in the second half of the twentieth century. Undoing the Moral Empire is a work of biography, social history and the history of ideas that masterfully reconstructs the shifting sentiments of the post-war era, reconfiguring enduringly relevant questions of freedom, virtue, and society. Lesley is an author, literary critics and translator whose work has focused on Rilke, Nietzsche, German philosophy, Conservative Modern Russia, Heidegger, Van Gogh, Lenin, Freud, travel writing, cuisine in Russia and Poland, journalism and fiction – twelve books in all. She's also the author of the forthcoming chapter on Murdoch and Russian Literature in the Oxford Handbook of Iris Murdoch. This new book marks a homecoming for Lesley. You can find out much more about her work at her website: http://lesleychamberlain.co.uk/

We're adding one more episode to our AI, Workplace and Culture series. Dr. Wendy Smith has spent her career studying paradox and it turns out that's exactly the lens we need for AI right now.We opened the conversation with a Threads post from @samanthahoilett.writes: "It's so hard to talk about AI because the people who love it don't wanna talk about its limitations and harms...and the people who hate it don't wanna talk about its merits and benefits. I'm truly somewhere in the middle and it's tough out here, especially in a world/internet that demands we pick a side." Wendy had a lot to say to that.What We Talked AboutWendy walked us through why we default to either/or thinking in the first place. She made the case that the invitation isn't to find the middle ground or compromise, but to actually hold both things at once and see what becomes possible.We dug into what that looks like in practice for leaders navigating AI right now: how to surface tension rather than suppress it, how to be transparent about your process when you don't have all the answers, and why asking questions out loud actually builds more trust with your team than projecting false certainty.Wendy also introduced the tightrope walker as a metaphor. Both/And thinking doesn't mean perfect integration at every moment. It means making consistent micro-shifts so you never overextend so far in one direction that you lose the other. Key TakeawaysYou don't have to pick a side on AI. The pressure to have a clear point of view comes largely from fear of uncertainty — and that fear is what drives either/or thinking in the first place.Framing tension as neutral, not threatening, is a leadership skill. What you surface, you can work with. What you suppress becomes a problem.The tightrope walker is never fully balanced. They're always balancing.Both small experiments and formal power matter. Knowledge, networks, and reliability are all sources of influence available to leaders at every level right now.About Wendy SmithWendy Smith is the Dana J. Johnson Professor of Management at the University of Delaware's Lerner College of Business and Economics. She is a recent recipient of the Francis Alison Award, the University of Delaware's highest faculty honor, awarded annually to the faculty member who best embodies the ideal of scholar and teacher. As a leading expert in Paradox Thinking, her work helps leaders and organizations thrive by embracing competing demands and navigating complexity effectively.Her research centers on Paradox Theory, focusing on how leaders address competing forces such as innovation and existing products, social and financial goals or global and local demands by engaging a both/and approach. This work has been featured in top journals, including Academy of Management Review, Organization Science, and Harvard Business Review. She has received numerous accolades, including the Web of Science Highly Cited Research Award for seven consecutive years (2019-2025).Wendy is the co-author of Both/And Thinking: Embracing Creative Tensions to Solve Your Toughest Problems (Harvard Business School Publishing, 2022) and the Oxford Handbook of Organizational Paradox (Oxford University Press, 2017). She teaches leadership, organizational behavior, and ethics, and is a sought-after keynote speaker helping global audiences understand the power of embracing paradox — transforming conflict into collaboration, fostering innovation through Both/And Thinking, and thriving in uncertainty.Connect with Wendy at WendyKSmith.com. Her Paradox Mindset Scale is available there as well — we're both planning to take it.We Want to Hear From YouWhat tension are you navigating right now? Send your thoughts to podcast@cocreatework.com and subscribe to our newsletter at cocreatework.com.As always, thank you for your leadership.Resources:Leading through growth takes intention. Our capabilities deck shows how we help founders and leadership teams lead boldly and build cultures that scale.Think coaching might be right for you? Schedule a free consultation to explore how we can help you step into your next level of leadership.We would love to connect with you!CoCreate Work on LinkedInCoCreate Work on InstagramLa'Kita on InstagramChloe on InstagramVisit our Podcast PageQuestions you would like us to answer on the podcast? Email us at podcast@cocreatework.com

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility.

Samuel Hartlib doesn’t exactly spring to mind when thinking about influential figures of the 17th century. But he served as a sort of conduit for information and connections among them as he sought to promote his ideas regarding theology and education. Research: Britannica Editors. "Samuel Hartlib". Encyclopedia Britannica, 8 Mar. 2026, https://www.britannica.com/biography/Samuel-Hartlib Britannica Editors. "Thirty Years’ War". Encyclopedia Britannica, 30 Mar. 2026, https://www.britannica.com/event/Thirty-Years-War Britannica Editors. "John Dury". Encyclopedia Britannica, 1 Jan. 2026, https://www.britannica.com/biography/John-Dury Hartlib, Samuel, OR John Dury. “A Further Discoverie Of The Office Of Public Address For Accommodations.” 1648. The Hartlib Papers. University of Sheffield. https://www.dhi.ac.uk/hartlib/view?docset=main&docname=14A_02_03 Hartlib, Samuel. “Ephemerides 1635.” The Hartlib Papers. University of Sheffield. https://www.dhi.ac.uk/hartlib/view?docset=main&docname=29_03_01&term0=transtext_ephemerides#highlight Hartlib, Samuel. “Ephemerides 1650.” The Hartlib Papers. University of Sheffield. https://www.dhi.ac.uk/hartlib/view?docset=main&docname=28_01_49&term0=transtext_ephemerides#highlight Hartlib, Samuel. “Ephemerides 1651.” The Hartlib Papers. University of Sheffield. https://www.dhi.ac.uk/hartlib/view?docset=main&docname=28_02_01&term0=transtext_ephemerides#highlight Hartlib, Samuel. “Ephemerides 1659.” The Hartlib Papers. University of Sheffield. https://www.dhi.ac.uk/hartlib/view?docset=main&docname=29_08_01&term0=transtext_ephemerides#highlight McDowell, Nicholas. “The Oxford Handbook of Milton (Oxford Handbooks).” OUP Oxford. 2009. Kindle Edition. Masson, Victoria. “The Origins & Causes of the English Civil War.” Historic U.K. https://www.historic-uk.com/HistoryUK/HistoryofEngland/Origins-of-the-English-Civil-War/ Milton, John. “Tractate on Education. A FACSIMILE REPRINT FROM THE EDITION OF 1673. EDITED WITH AN INTRODUCTION AND NOTES BY OSCAR BROWNING, M.Α.” Cambridge University Press. 1890. https://play.google.com/store/books/details?id=KzsVAAAAYAAJ&rdid=book-KzsVAAAAYAAJ&rdot=1 “Pact Signed By Dury, Comenius And Hartlib, And Later By William Hamilton.” The Hartlib Papers. March 3, 1642. The University of Sheffield. https://www.dhi.ac.uk/hartlib/view?docset=additional&docname=7E_109T&term0=transtext_pact#highlight Trevor-Roper, Hugh. “The Crisis of the Seventeenth Century.” Liberty Fund Indianapolis. 1967. https://web.archive.org/web/20061213185209/http://olldownload.libertyfund.org/Texts/LFBooks/TrevorRoper0256/Crisis17thC/0098_Bk.pdf Turnbull, G. H. “Samuel Hartlib’s Influence on the Early History of the Royal Society.” Notes and Records of the Royal Society of London, vol. 10, no. 2, 1953, pp. 101–30. JSTOR, http://www.jstor.org/stable/530806 Turnbull, G.H. “SAMUEL HAKTLIB A SKETCH OF HIS LIFE AND HIS RELATIONS TO J. A. COMENIUS.” Oxford University Press. 1920. https://ia801209.us.archive.org/21/items/cu31924027998859/cu31924027998859.pdf Webster, Charles. “A Portrait of Samuel Hartlib: In Search of Universal Betterment.” Open Book Publishers. 2025. Accessible online: https://www.openbookpublishers.com/books/10.11647/obp.0486 See omnystudio.com/listener for privacy information.

When, in one of Jesus' most well-known parables, the "prodigal son" returns, his older brother feels wronged by the warm reception accorded by their father. The charges he lays against his younger brother may be even stronger than often realized if we perceive echoes of a key scene in Homer's Odyssey. Dr. Alexander Loney is Associate Professor of Classical Languages and the Coordinator of the Classical Languages program at Wheaton College. His publications include The Ethics of Revenge and the Meanings of the Odyssey and (co-editor) The Oxford Handbook of Hesiod. He has contributed several episodes to our podcast. Check out related programs at Wheaton College: B.A. in Classical Languages (Greek, Latin, Hebrew): https://bit.ly/4er2T9Y  M.A. in Biblical Exegesis: https://bit.ly/4d1iSJD 

Explore the fascinating world of religion in Ancient Greece, from the powerful Olympian gods like Zeus, Athena, and Apollo to sacred rituals, temples, myths, and festivals that shaped daily Greek life.Find me and my music here:https://linktr.ee/filipholmSupport Let's Talk Religion on Patreon: https://www.patreon.com/letstalkreligion Or through a one-time donation: https://paypal.me/talkreligiondonateSources/Recommended Reading:Bowden, Hugh (2010). "Mystery cults in the Ancient World". Thames and Hudson Ltd.Burkert, William (1987). "Greek Religion: Archaic and Classical". Wiley-Blackwell. Burkert, Walter (1988). "Ancient Mystery Cults". Harvard University Press.Chulp, Radek (2016). "Proclus: An Introduction". Cambridge University Press.Cooper, John M. et. al (translated by) (1997). "Plato: Complete Works". Hackett Publishing.Dodds, E.R. (2004). "The Greeks & The Irrational". University of California Press.Eidinow, Esther & Julia Kindt (ed.) (2017). "The Oxford Handbook of Ancient Greek Religion". Oxford University Press.Gerson, Loyd P. (ed.) (2019). "Plotinus: The Enneads". Cambridge University Press. (This is the translation of the Enneads I have been using in this episode).Gerson, Loyd P (2008). "Cambridge Companion to Plotinus". Cambridge University Press.Gregory, John (ed.) (1998). "The Neoplatonists: a reader". Routledge.Huffman, Carl A. (ed.) (2017). "A History of Pythagoreanism". Cambridge University Press.Iamblichus "On the Mysteries". Tranlsated by Emma C. Clarke, John M. Dillon & Jackson P. Hershell. Writings from the Graeco-Roman World. Society of Biblical Literature.Inwood, Brad (ed.) (2003). "The Cambridge Companion to the Stoics". Cambridge University Press.Kirk, G.S., J.E. Raven & M. Schofield (1983). "The Presocratic Philosophers". Second Edition. Cambridge University Press.Parker, Robert C.T. (2011). "On Greek Religion". Cornell University Press.Proclus "The Elements of Theology: A Revised Text with Translation, Introduction, and Commentary". Translated by E.R. Dodds. Second Edition. Oxford University Press.Shaw, Gregory (2014). "Theurgy and the Soul: The Neoplatonism of Iamblichus". Angelico Press/Sophia Perennis.Ustinova, Yulia (2017). "Divine Mania: Alterations of Consciousness in Ancient Greece". Routledge.Wallis, R.T. (1998). "Neoplatonism". Second Edition. Bristol Classical Paperbacks. Hackett Publishing Company.Zhmud, Leonid (2012). "Pythagoras and the Early Pythagoreans". Translated by Kevin Windle & Rosh Ireland. OUP Oxford. Hosted on Acast. See acast.com/privacy for more information.

Por Yaiza SantosEstá harto de la arrogancia con la que desfilan estos individuos Bárcenas y Aldama por la actualidad, como si no se trataran de delincuentes. Él entiende que el traidor es un elemento imprescindible en la historia, pero aun reconociendo el valor de los canallas, reconoce por encima el valor de la verdad.Y hablando de canallas, se ocupó de Vito Quiles, que atosigó a la mujer del presidente del Gobierno en una cafetería. Es intolerable la violación de la marca democrática del espacio público que ejecuta este chico, y todavía más que le rían las gracias o incluso que lo saquen en los periódicos.Tuvo varias cosas que decir de El País, que esta semana cumple 50 años. La primera, que su aparición fue un acontecimiento estético. Esa impresión le duró bastante en su juventud: de pronto el mundo parecía ordenado. La segunda, que existe un malentendido que perdura hasta hoy: que El País era, sobre todo en aquellos años, el paradigma ético de la objetividad. Él también lo creía. Hasta que la hemeroteca le devolvieron artículos como los que escribía Alfons Quintà, o el perfil ¡informativo! sobre Calvo Sotelo de José Antonio Martínez Soler. Cielo santo, cómo tendría que ser aquello, para que se tragaran esa papilla de subjetividad y mala fe sin rechistar. Qué ganas de escribir un día ese libro explicando cómo la transición se hizo a pesar de El País.Pero enseguida pasaron al quasi-paper candente de la semana, entresacado del manual de Oxford sobre el emparejamiento humano, del que le hizo especial gracia eso de que los hombres con rasgos de la triada oscura tienen más éxito sexual a corto plazo. Citaron a Despentes para ilustrar por qué las mujeres se quedan con hombres así, aparte de la inteligencia y la potencia: "porque sabemos que después de este tipo de hombre, siempre nos aburriremos un poco".Y fue así que Espada yiró.Bibliografía:- "Daniel J. Hurst, experto en xenotrasplantes: «Debemos pensar cómo afectará psicológicamente tener un órgano de cerdo»", Javier Martínez-Brocal, ABC.- The Oxford Handbook of Human Mating, ed. David M. Buss.- Para ver: Portobello. Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailDr. Adriane Leveen received her Ph.D. in Hebrew Bible from the University of California and her M.S. in Social Work from Columbia University. She served as Senior Lecturer in Hebrew Bible at Hebrew Union College until June, 2024. She is the author of Biblical Narratives of Israelites and their Neighbors: Strangers at the Gate (2017) and Memory and Tradition in the Book of Numbers (2008) and has contributed essays to the Oxford Handbook to Biblical Narrative and The Torah: A Women's Commentary. She is currently at work on a modern reception history of the book of Job. She is a volunteer and founding member of Jewish Climate Action Network–NYC, on the steering committee of Third Act Faith, serves on Adamah's Jewish Climate Leadership Council, and a former facilitator of JTREE USA, now part of Adamah

Ann Gleig (Professor of Religion and Cultural Studies, University of Central Florida; PhD, Rice University, 2010) studies spirituality emerging from the encounter between Buddhism and American culture, particularly meditation and mindfulness. The author of American Dharma: Buddhism Beyond Modernity (Yale University Press, 2019); and co-editor with Scott A. Mitchell of The Oxford Handbook of American Buddhism, she has published widely about how the incorporation of psychotherapeutic and social justice frameworks have transformed American Buddhist practices. A recipient of a Sacred Writes media partnership to write for Religion Dispatches, Dr. Gleig's public-facing work has also appeared in The Conversation and Tricycle: The Buddhist Review. Ann Gleig will collaborate with Nalika Gajawira on a comparative ethnographic study of how Buddhist communities adopt and adapt popular spiritual exercises such as "secular" mindfulness and yoga classes within a wider Buddhist framework. Their work aims to illustrate the processes, frameworks and relationships that can enable more responsible relationships between specific religious communities and the word of spiritual wellness practices.   Ann Gleig, "The Deepak Chopra-Jeffrey Epstein friendship tells of a spirituality industry in crisis," Religion News Service: https://religionnews.com/2026/03/06/the-deepak-chopra-jeffrey- epstein-tells-of-a-spirituality-industry-in-crisis/ Ann Gleig and Brenna Artinger, "The Buddhist Culture Wars #BuddhistCultureWars: BuddhaBros, Alt-Right Dharma, and Snowflake Sanghas," Journal of Global Buddhism Vol 22: 1(2021) https://www.globalbuddhism.org/article/view/1298 Ann Gleig and Amy Langenberg, "Supporting Survivors of Abuse," Abuse in Buddhism: Facing It, Preventing It and Healing From It, Dharmadatta Community https://www.youtube.com/watch?v=8Tlvm5gq-G0 Ann Gleig, Amy Langenberg and Sarah Jacoby, "Reflecting on Heartwood/Northwestern Symposium on Sexual Violence in Buddhism: Centering Survivors Voices," The Shiloh Project https://shilohproject.blog/reflection-on-heartwood-symposium-on-sexual-violence-in-buddhism- centering-survivors-voices/ Ann Gleig, Talking About Cults: Abuse and the Study of New Religious Movements: https://www.ugapress.org/9780820377902/talking-about-cults/ Association for Spiritual Integrity (ASI) https://www.spiritual-integrity.org/ Seek Safely: https://seeksafely.org/

Join us as we explore the intersection of faith, work, and economics with Claire's fellow Aussies: faith-work expert Kara Martin and theologian-economist Dr. Paul Oslington. We talk together about how we can transform our understanding of work, integrating it with our Christian faith. We consider the pervasiveness of the sacred/secular divide, how the relationship between theology and economics has changed through time, and how to engage critically with societal challenges like AI, inequality, and precarious work. Paul shares his thoughts on wise Christian responses to global market issues, such as tariffs and trade wars, and Kara reminds us of the church's role in advocating for vulnerable workers. If this conversation piques your interest, you can join them this summer for "Faith, Work and Economics" from June 29-July 3. Guest BiosKara MartinKara Martin is the author of Workship: How to Use your Work to Worship God, and Workship 2: How to Flourish at Work; co-author of Keeping Faith: How Christian organisations can stay true to the way of Jesus, (including the NEW Global Edition) and was co-editor of Transforming Vocation: Connecting Theology, Church, and the Workplace for a Flourishing World. She is Adjunct Professor with Gordon-Conwell Theological Seminary, Boston, and has lectured for theological colleges throughout Australia and Asia. Kara is also a Visiting Fellow with the Mockler Center for Faith and Ethics in the Public Square and Co-Chair of the Theology of Work Project in the US. She has worked in media and communications, human resources, business analysis and policy development roles, in a variety of organisations, and as a consultant. Kara has presented, taught and run workshops in churches and theological colleges in Indonesia, Singapore, Malaysia, the US, New Zealand and throughout Australia. She is the 2024 winner of the Australian Faith & Work Award (presented by Ethos/Evangelical Alliance). She has also run a successful podcast: Worship on the Way to Work.Dr. Paul OslingtonPaul Oslington is an Australian scholar who holds doctoral degrees in both economics and theology. He is Professor of Economics and Theology at Alphacrucis University College in Sydney. A prolific writer and speaker, Paul's work focuses on the intersection of Christian theology and economic thought, including issues of markets, ethics, and the historical influence of theology on economic theory. Among his publications are The Oxford Handbook of Christianity and Economics and Political Economy as Natural Theology. He has held academic appointments and visiting positions at institutions including Australian Catholic University, University of New South Wales, University of Oxford, Princeton Theological Seminary, and Regent College.Regent College PodcastThanks for listening. Please like, rate and review us on your podcast platform of choice and share this episode with a friend. Follow Us on Social MediaFacebookInstagramYoutubeKeep in TouchRegent CollegeSummer ProgramsRegent College Newsletter

They have screens. They have toys. They have activities. And yet — they trail you around the house saying 'I'm bored.'In this episode I unpack:● Why having access to everything is making children less able to entertain themselves — not more● The neuroscience of genuine curiosity and why screens can't replicate it● What boredom is actually communicating (it's not what you think)● The gift of the unoccupied afternoon — and how to make it work● How your own curiosity is the most powerful teaching tool you haveReferences:Gruber, M. J., Gelman, B. D., & Ranganath, C. (2014). States of curiosity modulate hippocampus-dependent learning via the dopaminergic circuit. Neuron, 84(2), 486–496.Kashdan, T. B., & Silvia, P. J. (2009). Curiosity and interest: The benefits of thriving on novelty and challenge. In S. J. Lopez & C. R. Snyder (Eds.), Oxford Handbook of Positive Psychology (pp. 367–374).Dent, M. (2003). Saving Our Children from Our Chaotic World. Pennington Publications. Episode #87 — Why Your Child Needs Boredom and How to Use It as a Teaching Tool

Misha Glenny and guests discuss the exchange of cultures and biology across the Atlantic and Pacific after 1492. That was when Columbus reached the Bahamas, a time when Europe had no potatoes, tomatoes, sunflowers or, arguably, syphilis in its most virulent form; the Americas had no cattle, bananas, sugar cane or smallpox. The lists of what was then exchanged are long and as these flora, fauna and diseases moved between continents, their impact ranged from transformation to devastation. In parts of the Americas, European viruses helped kill over 90 percent of the population. In parts of Europe, Africa and Asia populations boomed on the new American foods. Sheep from Europe grazed fertile land into deserts in some parts of the Americas, while the lowered populations in others led to local reforestation which, arguably, is linked to a particularly cold period in the Little Ice Age.WithRebecca Earle Professor of History at the University of WarwickJohn Lindo Associate Professor of Anthropology at Emory University AndMark Maslin Professor of Earth System Science at University College LondonProducer: Simon TillotsonReading listSteven R. Brechin and Seungyun Lee (ed.), Routledge Handbook of Climate Change and Society (Routledge, 2024), especially the chapter ‘Human Impacts on the Climate Prior to the Industrial Revolution' by Alexander Koch, Simon Lewis, Chris Brierley and Mark MaslinJudith Carney and Richard Rosomoff, In the Shadow of Slavery: Africa's Botanical Legacy in the Atlantic World (University of California Press, 2009)EJ Collen, AS Johar, JC Teixeira and B. Llamas, ‘The Immunogenetic Impact of European Colonization in the Americas' (Front Genet, August 2022)Alfred W. Crosby, The Columbian Exchange: Biological and Cultural Consequences of 1492 (Greenwood Press, 1972)Rebecca Earle, ‘‘‘If You Eat Their Food . . .”: Diets and Bodies in Early Colonial Spanish America' (American Historical Review 115:3, 2010)Raymond Grew (ed.), Food in Global History (Routledge, 1999), especially ‘The Impact of New World Food Crops on the Diet and Economy of China and India, 1600-1900' by Sucheta Mazumda Simon L. Lewis and Mark A. Maslin, The Human Planet: How We Created the Anthropocene (Pelican, 2018)Nathan Nunn and Nancy Qian, ‘The Columbian Exchange: A History of Disease, Food, and Ideas' (Journal of Economic Perspectives 24:2, 2010)Jeffrey Pilcher (ed.), The Oxford Handbook of Food History (Oxford University Press, 2012), especially ‘The Columbian Exchange' by Rebecca EarleIn Our Time is a BBC Studios productionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Misha Glenny and guests discuss the exchange of cultures and biology across the Atlantic and Pacific after 1492. That was when Columbus reached the Bahamas, a time when Europe had no potatoes, tomatoes, sunflowers or, arguably, syphilis in its most virulent form; the Americas had no cattle, bananas, sugar cane or smallpox. The lists of what was then exchanged are long and as these flora, fauna and diseases moved between continents, their impact ranged from transformation to devastation. In parts of the Americas, European viruses helped kill over 90 percent of the population. In parts of Europe, Africa and Asia populations boomed on the new American foods. Sheep from Europe grazed fertile land into deserts in some parts of the Americas, while the lowered populations in others led to local reforestation which, arguably, is linked to a particularly cold period in the Little Ice Age.WithRebecca Earle Professor of History at the University of WarwickJohn Lindo Associate Professor of Anthropology at Emory University AndMark Maslin Professor of Earth System Science at University College LondonProducer: Simon TillotsonReading listSteven R. Brechin and Seungyun Lee (ed.), Routledge Handbook of Climate Change and Society (Routledge, 2024), especially the chapter ‘Human Impacts on the Climate Prior to the Industrial Revolution' by Alexander Koch, Simon Lewis, Chris Brierley and Mark MaslinJudith Carney and Richard Rosomoff, In the Shadow of Slavery: Africa's Botanical Legacy in the Atlantic World (University of California Press, 2009)EJ Collen, AS Johar, JC Teixeira and B. Llamas, ‘The Immunogenetic Impact of European Colonization in the Americas' (Front Genet, August 2022)Alfred W. Crosby, The Columbian Exchange: Biological and Cultural Consequences of 1492 (Greenwood Press, 1972)Rebecca Earle, ‘‘‘If You Eat Their Food . . .”: Diets and Bodies in Early Colonial Spanish America' (American Historical Review 115:3, 2010)Raymond Grew (ed.), Food in Global History (Routledge, 1999), especially ‘The Impact of New World Food Crops on the Diet and Economy of China and India, 1600-1900' by Sucheta Mazumda Simon L. Lewis and Mark A. Maslin, The Human Planet: How We Created the Anthropocene (Pelican, 2018)Nathan Nunn and Nancy Qian, ‘The Columbian Exchange: A History of Disease, Food, and Ideas' (Journal of Economic Perspectives 24:2, 2010)Jeffrey Pilcher (ed.), The Oxford Handbook of Food History (Oxford University Press, 2012), especially ‘The Columbian Exchange' by Rebecca EarleIn Our Time is a BBC Studios productionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

On this episode of Virtual Sentiments, Kristen Collins speaks with Maria Pia Paganelli about Adam Smith's Wealth of Nations on the occasion of its 250th anniversary. Their conversation situates Smith as a sharp moral and political critic of monopoly and empire. Paganelli situates the book in the vibrant world of the Scottish Enlightenment and shows how Smith's central concern was not wealth for its own sake, but the material conditions that make human flourishing possible. Together, Collins and Paganelli explore Smith's views on trade, education, public debt, war, and justice, offering a rich and accessible portrait of The Wealth of Nations as both a foundational work of political economy and a deeply normative indictment of the British commercial system in Smith's time. Dr. Maria Pia Paganelli is a professor of economics at Trinity University in San Antonio where she teaches classes in the principles of economics, the economics of law, Smithian economics, a study abroad course on the history of Iceland, and more. She is the author of The Routledge Guidebook of Smith's Wealth of Nations (Routledge, 2020), and co-edited the books Adam Smith and Rousseau: Ethics, Politics, and Economics (Edinburgh University Press, 2018), and The Oxford Handbook on Adam Smith (Oxford university Press, 2013).Show Notes:Adam Smith's An Inquiry into the Nature and Causes of the Wealth of Nations (Liberty Fund, 1982), available for free at Liberty Fund's Online Library of Liberty.Maria Pia Paganelli, “The Adam Smith Problem in Reverse: Self-Interest in Adam Smith's Wealth of Nations and Theory of Moral Sentiments”Maria Pia Paganelli, “To Intervene or Not to Intervene: This is Smith's Problem”Maria Pia Paganelli, “Adam Smith the Dissenter”Maria Pia Paganelli, “Adam Smith and the Morality of Political Economy: A Public Choice Reading”Maria Pia Paganelli and Reinhard Schumacher, “Do not take peace for granted: Adam Smith's warning on the relation between commerce and war.”Maria Pia Paganelli and Reinhard Schumacher, “Smith and Hume at War: The Differing Views of Adam Smith and David Hume on Commerce and International Warfare”If you like the show, please subscribe, leave a 5-star review, and tell others about the show! We're available on Apple Podcasts, Spotify, Amazon Music, and wherever you get your podcasts.Follow the Hayek Program on Twitter: @HayekProgramLearn more about Academic & Student ProgramsFollow the Mercatus Center on Twitter: @mercatus

In this week's episode, we discuss Romantasy, the Franken-genre that has conquered the publishing world and defined the libidinal landscapes of a generation of women. We decode the genre's DNA from dimestore bodice-rippers to high fantasy epics, examine the sociological profile of its authors and audiences, and explore how it's mutated in the digital age via AI visualizers and high-budget audio erotica. We also talk about Renaissance faires, fujoshi discourse, the mirror image of male vs. female gooning in popular culture, Emerald Fennell's Wuthering Heights as the BookTok movie of the century, and more. Links: Image boardSam's Romantasy Spotify Playlist“Did a Best-Selling Romantasy Author Steal Another Writer's Story?” by Katy Waldman in The New Yorker“She Fell in Love With ChatGPT. Then She Ghosted It.” (r/MyBoyfriendIsAI profile) by Kashmir Hill in The New York Times“Gender difference in brain activation to audio-visual sexual stimulation” by Chung et. al. in PubMed“Sexual Scripts: Permanence and Change” by William Simon and John H. Gagnon in Archives of Sexual Behavior, Vol. 15, No. 2“How the Renaissance Fair became America's favorite fantasy” by Kelly Faircloth in National Geographicr/AskAHistorian discussions about medievalism and high fantasy (one, two, three)The Oxford Handbook of Victorian Medievalism ed. Joanne Parker and Corinna WagnerHard to Be a God (2013) dir. Aleksei GermanCandlelight Ecstasy Romance Guidelines c. 1980Love Story magazine ed. Daisy Bacon (1921–1947) (see covers here) “The Uses of Reading Mass-Produced Romance Fiction” (Harlequin study) by Susan B. Neuman (1985) History of the “sex and shopping” genre by Pascal Tréguer“Girls Who Love Boys Who Love Boys” by E. Alex Jung in VultureInterview with Quinn founder and CEO Caroline Spiegel in Refinery29“Aural Fixation: Celebrity Audio Erotica Is 2025's Answer to the Centerfold” by Hannah Jackson in Vogue“The Importance of Critical Thinking in a Zombiefied World” (Why romantasy is crucial to understanding Apple TV's hit show Pluribus) by Maris Kreizman in The Atlantic“Liking Books is Not a Personality” by Hannah McGregor in Electric Literature@shauna_the_author on Instagram This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe

Our guest today is Elizabeth Suhay, the author of Debating the American Dream: How Explanations for Inequality Polarize Politics. Faith in the American Dream—the idea that anyone who works hard can achieve success—has waned in the 21st century. Decreases in economic mobility, increases in the wealth gap, and other economic shifts have undoubtedly influenced this decline. Dr. Suhay investigates how politics and political identity are intertwined with beliefs about the American Dream and the causes of inequality. Drawing on public opinion surveys spanning more than four decades, Suhay finds that Americans' belief in the American Dream is strongly related to their political party affiliation. While it is true that Americans have become more skeptical of the American Dream overall, Suhay finds this skepticism is concentrated among Democratic members of the public. Despite the increasingly working-class make-up of the Republican coalition, most Republican members of the public continue to believe the American Dream is reality. Elizabeth (Liz) Suhay is an associate professor of government in the School of Public Affairs, American University, Washington, D.C. She specializes in the study of U.S. public opinion and political psychology and is a Sine Civic Life Faculty Fellow and Vice Director of the Science & Policy certificate program. She has also co-edited three volumes including The Politics of Truth in Polarized America, with David Barker, The Oxford Handbook of Electoral Persuasion, with Bernard Grofman and Alex Trechsel, and "The Politics of Science" with James Druckman. She currently serves as Co-Editor-in-Chief of the journal Political Psychology and Editor of the Cambridge University Press Elements in Political Psychology series. This is episode is co-produced by Nora Kalaj, a student in the Master of Arts in Communication at Oakland University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest today is Elizabeth Suhay, the author of Debating the American Dream: How Explanations for Inequality Polarize Politics. Faith in the American Dream—the idea that anyone who works hard can achieve success—has waned in the 21st century. Decreases in economic mobility, increases in the wealth gap, and other economic shifts have undoubtedly influenced this decline. Dr. Suhay investigates how politics and political identity are intertwined with beliefs about the American Dream and the causes of inequality. Drawing on public opinion surveys spanning more than four decades, Suhay finds that Americans' belief in the American Dream is strongly related to their political party affiliation. While it is true that Americans have become more skeptical of the American Dream overall, Suhay finds this skepticism is concentrated among Democratic members of the public. Despite the increasingly working-class make-up of the Republican coalition, most Republican members of the public continue to believe the American Dream is reality. Elizabeth (Liz) Suhay is an associate professor of government in the School of Public Affairs, American University, Washington, D.C. She specializes in the study of U.S. public opinion and political psychology and is a Sine Civic Life Faculty Fellow and Vice Director of the Science & Policy certificate program. She has also co-edited three volumes including The Politics of Truth in Polarized America, with David Barker, The Oxford Handbook of Electoral Persuasion, with Bernard Grofman and Alex Trechsel, and "The Politics of Science" with James Druckman. She currently serves as Co-Editor-in-Chief of the journal Political Psychology and Editor of the Cambridge University Press Elements in Political Psychology series. This is episode is co-produced by Nora Kalaj, a student in the Master of Arts in Communication at Oakland University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Jewish law, known as halakhah, is a unique legal system that has developed over a period of nearly two millennia, across multiple continents, and in innumerable different contexts. Dealing not only with ritual, Jewish law extends to virtually every aspect of life including ethics, business, war, and sex. This Handbook highlights foundational questions about the nature of Jewish law, emphasizing what distinguishes it from other legal systems and illuminating its vitality throughout history. The Oxford Handbook of Jewish Law (Oxford UP, 2025) navigates core issues such as halakhah's authority, its interpretation, and the meaningfulness of an ancient legal system in a modern period. With contributions from an interdisciplinary cast of authors, the Handbook spans law, history, sociology, and religion. Its chapters draw from a wide range of sources, including traditional texts such as Mishnah and Talmud, rabbinical codes, and legal opinions known as responsa. Moreover, chapters addressing pressing modern issues cover the material from diverse denominational perspectives. As halakhah remains deeply woven into the fabric of Jewish life and scholarship, The Oxford Handbook of Jewish Law offers readers an in-depth understanding of this rich and enduring legal tradition. Zev Eleff is President and Professor of American Jewish history at Gratz College. Roberta Rosenthal Kwall is the Raymond P. Niro Professor at DePaul University College of Law. Chaim Saiman is Chair in Jewish Law at Villanova University Charles Widger School of Law. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Mentioned in this episode: Ronit Irshai and Tanya Zion-Waldoks, Holy Rebellion: Religious Feminism and the Transformation of Judaism and Women's Rights in Israel (Brandeis University Press, 2024). Shari Rabin and Michael R. Cohen (eds.), The Oxford Handbook of American Jewish History (Oxford University Press, 2025). Roberta Rosenthal Kwall, Remix Judaism: Preserving Tradition in a Diverse World (‎Rowman & Littlefield Publishers, 2022). Chaim N. Saiman, Halakhah: The Rabbinic Idea of Law (Princeton University Press, 2018). Benjamin Steiner, Translating the Ketubah: The Jewish Marriage Contract in America and England (University Alabama Press, 2025). Essays from the Oxford Handbook of Jewish Law: Chapter 15: Chaim Saiman, “Formalism in Jewish Law.” Chapter 19: Roberta Rosenthal Kwall, “Lawmaking in the Conservative Movement: A Balance of Law and Norms.” Chapter 21: Arye Edrei, “The Impact of Zionism on Jewish Law.” Chapter 24: Rachel Levmore and Steven Gotlib, “Divorce and Agunah: Halakhic Responses to Modernity.” Chapter 30: Zev Eleff, “Judaism and the Modern Family.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jewish law, known as halakhah, is a unique legal system that has developed over a period of nearly two millennia, across multiple continents, and in innumerable different contexts. Dealing not only with ritual, Jewish law extends to virtually every aspect of life including ethics, business, war, and sex. This Handbook highlights foundational questions about the nature of Jewish law, emphasizing what distinguishes it from other legal systems and illuminating its vitality throughout history. The Oxford Handbook of Jewish Law (Oxford UP, 2025) navigates core issues such as halakhah's authority, its interpretation, and the meaningfulness of an ancient legal system in a modern period. With contributions from an interdisciplinary cast of authors, the Handbook spans law, history, sociology, and religion. Its chapters draw from a wide range of sources, including traditional texts such as Mishnah and Talmud, rabbinical codes, and legal opinions known as responsa. Moreover, chapters addressing pressing modern issues cover the material from diverse denominational perspectives. As halakhah remains deeply woven into the fabric of Jewish life and scholarship, The Oxford Handbook of Jewish Law offers readers an in-depth understanding of this rich and enduring legal tradition. Zev Eleff is President and Professor of American Jewish history at Gratz College. Roberta Rosenthal Kwall is the Raymond P. Niro Professor at DePaul University College of Law. Chaim Saiman is Chair in Jewish Law at Villanova University Charles Widger School of Law. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Mentioned in this episode: Ronit Irshai and Tanya Zion-Waldoks, Holy Rebellion: Religious Feminism and the Transformation of Judaism and Women's Rights in Israel (Brandeis University Press, 2024). Shari Rabin and Michael R. Cohen (eds.), The Oxford Handbook of American Jewish History (Oxford University Press, 2025). Roberta Rosenthal Kwall, Remix Judaism: Preserving Tradition in a Diverse World (‎Rowman & Littlefield Publishers, 2022). Chaim N. Saiman, Halakhah: The Rabbinic Idea of Law (Princeton University Press, 2018). Benjamin Steiner, Translating the Ketubah: The Jewish Marriage Contract in America and England (University Alabama Press, 2025). Essays from the Oxford Handbook of Jewish Law: Chapter 15: Chaim Saiman, “Formalism in Jewish Law.” Chapter 19: Roberta Rosenthal Kwall, “Lawmaking in the Conservative Movement: A Balance of Law and Norms.” Chapter 21: Arye Edrei, “The Impact of Zionism on Jewish Law.” Chapter 24: Rachel Levmore and Steven Gotlib, “Divorce and Agunah: Halakhic Responses to Modernity.” Chapter 30: Zev Eleff, “Judaism and the Modern Family.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Jewish law, known as halakhah, is a unique legal system that has developed over a period of nearly two millennia, across multiple continents, and in innumerable different contexts. Dealing not only with ritual, Jewish law extends to virtually every aspect of life including ethics, business, war, and sex. This Handbook highlights foundational questions about the nature of Jewish law, emphasizing what distinguishes it from other legal systems and illuminating its vitality throughout history. The Oxford Handbook of Jewish Law (Oxford UP, 2025) navigates core issues such as halakhah's authority, its interpretation, and the meaningfulness of an ancient legal system in a modern period. With contributions from an interdisciplinary cast of authors, the Handbook spans law, history, sociology, and religion. Its chapters draw from a wide range of sources, including traditional texts such as Mishnah and Talmud, rabbinical codes, and legal opinions known as responsa. Moreover, chapters addressing pressing modern issues cover the material from diverse denominational perspectives. As halakhah remains deeply woven into the fabric of Jewish life and scholarship, The Oxford Handbook of Jewish Law offers readers an in-depth understanding of this rich and enduring legal tradition. Zev Eleff is President and Professor of American Jewish history at Gratz College. Roberta Rosenthal Kwall is the Raymond P. Niro Professor at DePaul University College of Law. Chaim Saiman is Chair in Jewish Law at Villanova University Charles Widger School of Law. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Mentioned in this episode: Ronit Irshai and Tanya Zion-Waldoks, Holy Rebellion: Religious Feminism and the Transformation of Judaism and Women's Rights in Israel (Brandeis University Press, 2024). Shari Rabin and Michael R. Cohen (eds.), The Oxford Handbook of American Jewish History (Oxford University Press, 2025). Roberta Rosenthal Kwall, Remix Judaism: Preserving Tradition in a Diverse World (‎Rowman & Littlefield Publishers, 2022). Chaim N. Saiman, Halakhah: The Rabbinic Idea of Law (Princeton University Press, 2018). Benjamin Steiner, Translating the Ketubah: The Jewish Marriage Contract in America and England (University Alabama Press, 2025). Essays from the Oxford Handbook of Jewish Law: Chapter 15: Chaim Saiman, “Formalism in Jewish Law.” Chapter 19: Roberta Rosenthal Kwall, “Lawmaking in the Conservative Movement: A Balance of Law and Norms.” Chapter 21: Arye Edrei, “The Impact of Zionism on Jewish Law.” Chapter 24: Rachel Levmore and Steven Gotlib, “Divorce and Agunah: Halakhic Responses to Modernity.” Chapter 30: Zev Eleff, “Judaism and the Modern Family.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Jewish law, known as halakhah, is a unique legal system that has developed over a period of nearly two millennia, across multiple continents, and in innumerable different contexts. Dealing not only with ritual, Jewish law extends to virtually every aspect of life including ethics, business, war, and sex. This Handbook highlights foundational questions about the nature of Jewish law, emphasizing what distinguishes it from other legal systems and illuminating its vitality throughout history. The Oxford Handbook of Jewish Law (Oxford UP, 2025) navigates core issues such as halakhah's authority, its interpretation, and the meaningfulness of an ancient legal system in a modern period. With contributions from an interdisciplinary cast of authors, the Handbook spans law, history, sociology, and religion. Its chapters draw from a wide range of sources, including traditional texts such as Mishnah and Talmud, rabbinical codes, and legal opinions known as responsa. Moreover, chapters addressing pressing modern issues cover the material from diverse denominational perspectives. As halakhah remains deeply woven into the fabric of Jewish life and scholarship, The Oxford Handbook of Jewish Law offers readers an in-depth understanding of this rich and enduring legal tradition. Zev Eleff is President and Professor of American Jewish history at Gratz College. Roberta Rosenthal Kwall is the Raymond P. Niro Professor at DePaul University College of Law. Chaim Saiman is Chair in Jewish Law at Villanova University Charles Widger School of Law. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Mentioned in this episode: Ronit Irshai and Tanya Zion-Waldoks, Holy Rebellion: Religious Feminism and the Transformation of Judaism and Women's Rights in Israel (Brandeis University Press, 2024). Shari Rabin and Michael R. Cohen (eds.), The Oxford Handbook of American Jewish History (Oxford University Press, 2025). Roberta Rosenthal Kwall, Remix Judaism: Preserving Tradition in a Diverse World (‎Rowman & Littlefield Publishers, 2022). Chaim N. Saiman, Halakhah: The Rabbinic Idea of Law (Princeton University Press, 2018). Benjamin Steiner, Translating the Ketubah: The Jewish Marriage Contract in America and England (University Alabama Press, 2025). Essays from the Oxford Handbook of Jewish Law: Chapter 15: Chaim Saiman, “Formalism in Jewish Law.” Chapter 19: Roberta Rosenthal Kwall, “Lawmaking in the Conservative Movement: A Balance of Law and Norms.” Chapter 21: Arye Edrei, “The Impact of Zionism on Jewish Law.” Chapter 24: Rachel Levmore and Steven Gotlib, “Divorce and Agunah: Halakhic Responses to Modernity.” Chapter 30: Zev Eleff, “Judaism and the Modern Family.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Dr. Laith Al-Shawaf is an award-winning professor, research psychologist, and writer at the University of Colorado. His research focuses on emotions, cognitive biases, and personality & individual differences. He is the primary editor and curator of the 70-chapter Oxford Handbook of Evolution and the Emotions, published in 2024.You can find his scholarly work, popular science writing, and podcast appearances on his personal website (laithalshawaf.com) and on his X profile, @LaithAlShawafFB: https://www.facebook.com/laith.alshawaf/  Instagram: @laith.alshawaf.psych______________________________________________________Interviewed by Dr. Alex Curmi. Dr. Alex is a consultant psychiatrist and a UKCP registered psychotherapist in-training.Check out The Thinking Mind Blog on Substack: https://thinkingmindblog.substack.com/p/2026-is-the-year-of-the-horse-butIf you would like to invite Alex to speak at your organisation please email alexcurmitherapy@gmail.com with "Speaking Enquiry" in the subject line.Alex is not currently taking on new psychotherapy clients, if you are interested in working with Alex for focused behaviour change coaching , you can email - alexcurmitherapy@gmail.com with "Coaching" in the subject line.Give feedback here - thinkingmindpodcast@gmail.com Follow us here: Twitter @thinkingmindpod Instagram @thinkingmindpodcast

In this episode, we are honored to welcome Dr. John Z. Sadler, one of the most influential figures at the intersection of psychiatry, ethics, and philosophy. For more than four decades, Dr. Sadler has shaped the intellectual and moral foundations of psychiatric diagnosis, values-based practice, and clinical ethics consultation.Dr. Sadler is the Daniel W. Foster, MD Professor of Medical Ethics and Professor of Psychiatry and Clinical Sciences at UT Southwestern Medical Center, where he directs the Program in Ethics in Science & Medicine and leads the Division of Ethics in the Department of Psychiatry. He has served on the Parkland Hospital Ethics Committee since 1985 and was its co-chair and clinical ethics consultant for three decades—bringing philosophical inquiry directly into the realities of patient care.A co-founder of the Association for the Advancement of Philosophy and Psychiatry and longtime co-editor of Philosophy, Psychiatry, & Psychology, Dr. Sadler has helped define an entire field of scholarship. He is the author of Values and Psychiatric Diagnosis and the recently published Vice and Psychiatric Diagnosis, co-author of The Virtuous Psychiatrist, and editor of multiple definitive reference works including the Oxford Handbook of Philosophy and Psychiatry, the Oxford Handbook of Psychiatric Ethics, and the Oxford Handbook of Psychotherapy Ethics.In this wide-ranging conversation, we explore why philosophy matters in everyday psychiatric practice, from how values shape diagnostic systems like the DSM and ICD, to the ethical tensions that arise in clinical care. Dr. Sadler reflects on the virtues essential to modern psychiatrists, how trainees can cultivate conceptual competence, and where the philosophy of psychiatry is headed globally. The result is both an intellectual masterclass and a thoughtful meditation on what psychiatry is, and what it ought to be.Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/cruen/city-streetsLicense code: 2JJVCBQKEE2GJH5N

In this episode of “This Is Purdue,” we're talking to Beth McCuskey, Purdue's vice provost for student life.   Beth is a national thought leader on student mental health and has worked in higher education for over 30 years. She co-authored the upcoming book titled “The Oxford Handbook of Well-Being in Higher Education,” which explores why wellness is critical in higher education. During her time at Purdue, she's prioritized advocating for Boilermakers' well-being journeys with key university investment and participation from faculty and staff.   In this episode, you will:  Learn more about the state of well-being for younger generations and why it's important to meet students where they are to help them flourish inside and outside of the classroom.   Discover how adults — like parents, coaches and mentors — can normalize failure and nurture well-being for Gen Z and Gen Alpha students and why that can help build vital life skills, like resilience, and prepare students to be successful in college.   Hear more about how well-being and mental health have evolved from millennials to Gen Z to Gen Alpha and how technology, like smartphones and now AI, is playing a vital role in shaping student needs.   Find out more about learning loss during the pandemic and Purdue Student Life's innovative Steps to Leaps framework, which increased access to campus mental health resources and institutionalized well-being and was recognized by Forbes in 2025.   You don't want to miss this episode with a campus leader who's transforming student mental health and well-being advocacy at Purdue and beyond.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I have the immense pleasure of talking with Carissa Véliz, an associate professor at the University of Oxford, about her new book, Prophecy: Prediction, Power, and the Fight for the Future—from Ancient Oracles to AI.  Linking this work to her previous book, Privacy is Power: Why and How You Should Take Back Control of Your Data, Véliz writes: “ surveillance and prediction are digital technology's original sins.”In our wide-ranging discussion, we talk about how both massive and intrusive invasions of privacy at all levels of society and false claims to be able to predict the future erode democracy, are corrosive to ethics, and undermine people's ability to think for themselves.  Instead, we are conditioned to trust an unregulated band of “effective altruists” who claim to know better than we what kinds of lives we should prefer and the choices we should make.  Véliz argues instead that we should embrace the uncertain to build resilience, to prepare for contingency but not be determined by what we cannot see, and to foster curiosity and imagination.Carissa Véliz is an Associate Professor in Philosophy at the Institute for Ethics in AI, and a Fellow at Hertford College at the University of Oxford. She is the recipient of the 2021 Herbert A. Simon Award for Outstanding Research in Computing and Philosophy. She is a member of UNESCO's Women 4 Ethical AI. She advises companies and policymakers around the world on privacy and the ethics of AI. She is a board member of the Proton Foundation, along with Sir Tim Berners-Lee and Proton's CEO Andy Yen. She is the author of the highly-acclaimed Privacy Is Power (an Economist book of the year, 2020) and the editor of the Oxford Handbook of Digital Ethics. Her new book Prophecy was described as “The most important book you will read for years” by Roger McNamee, the tech investor and best selling author.

The Hoover Institution Center for Revitalizing American Institutions webinar series features speakers who are developing innovative ideas, conducting groundbreaking research, and taking important actions to improve trust and efficacy in American institutions. Speaker expertise and topics span governmental institutions, civic organizations and practice, and the role of public opinion and culture in shaping our democracy. The webinar series builds awareness about how we can individually and collectively revitalize American institutions to ensure our country's democracy delivers on its promise. The Center for Revitalizing American Institutions (RAI) held The Declaration of Independence: History, Meaning, and Modern Impact with Michael Auslin, Jonathan Gienapp and Jane Kamensky on February 4, 2026, from 10:00-11:00 a.m. PT. As America observes the 250th anniversary of the Declaration of Independence, the Hoover Institution's Center for Revitalizing American Institutions (RAI) provided a renewed look at the origins and enduring influence of this defining national document. Expert speakers examined the Declaration's cultural and physical history, its philosophical foundations and contested meanings, and its evolving role in shaping debates about rights, equality, and self-government. Participants gained insight into how the Declaration continues to inform national identity, animate civic discourse, and guide the ongoing effort to fulfill the promise of America's democratic ideals. ABOUT THE SPEAKERS Michael Auslin is the Payson J. Treat Distinguished Research Fellow at the Hoover Institution. A historian by training, Auslin is the author of the forthcoming National Treasure: How the Declaration of Independence Made America and The End of the Asian Century. He is a regular contributor to leading print and broadcast media and was a Distinguished Visiting Fellow at the Library of Congress's John W. Kluge Center.  Jonathan Gienapp is a research fellow at the Hoover Institution and a leading historian of the United States and its constitutional origins, with dual appointments in Stanford's History Department and Law School. He is the author of two acclaimed books on American constitutional history and interpretation, and his scholarship on the Declaration and the nation's founding informs lectures and public programs nationwide. A dedicated educator and award-winning teacher, he also works closely with institutions such as the National Constitution Center and the Brennan Center's Historians Council to deepen public and legal understanding of constitutional issues. His public-facing writing, advisory work, and civics initiatives help connect historical insight to today's constitutional debates. Jane Kamensky is president and CEO of Monticello/The Thomas Jefferson Foundation and a leading historian of early America and the United States. She earned her BA and PhD in history from Yale University and spent thirty years as a professor and higher education leader, most recently as the Jonathan Trumbull Professor of American History at Harvard University and director of the Schlesinger Library at the Harvard Radcliffe Institute. Kamensky is the author or editor of numerous acclaimed works. Her award-winning A Revolution in Color: The World of John Singleton Copley earned multiple major prizes, and she coedited The Oxford Handbook of the American Revolution with the late Edward G. Gray. Her latest book, Candida Royalle and the Sexual Revolution, was a finalist for the National Book Critics Circle Award. A dedicated public historian, she has served on boards and advisory councils, including the Smithsonian National Portrait Gallery and More Perfect. Her work has been supported by NEH, Mellon, and Guggenheim fellowships, and she is an elected fellow of several distinguished historical societies. She also invites readers to explore Monticello's vibrant online book club.

The creative - and highly controversial - relationship between animation and artificial intelligence provides the focus of Episode 167 of the Fantasy/Animation podcast, which features as its special guest Dr Mihaela Mihailova, an Assistant Professor in the School of Cinema at San Francisco State University. Mihaela is the editor of Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft (Bloomsbury, 2021), whose work has also appeared in the Journal of Cinema and Media Studies, The Velvet Light Trap, Journal of Japanese and Korean Cinema, Convergence: The International Journal of Research into New Media Technologies, Feminist Media Studies, animation: an interdisciplinary journal, Studies in Russian and Soviet Cinema, and [in]Transition. She has contributed to Animating Film Theory (with John MacKay), The Oxford Handbook of the Disney Musical, Animated Landscapes: History, Form, and Function, The Animation Studies Reader, and Drawn from Life: Issues and Themes in Animated Documentary Cinema, and was editor of the recent “AI and the Moving Image” dossier published in the Journal of Cinema and Media Studies. She is currently co-editor of Animation Studies and serves as co-President of the Society for Animation Studies. Listen as Mihaela introduces Chris and Alex to the AI-generated short films Generation (2022), PLSTC (2022), Bruegel the Younger (2022), and Dissolution (2023) as a backdrop to thinking about the trajectory of machine learning in relation to animated imagery and creative practice; the aesthetics and implications for labour prompted by AI as both an assistive and generative tool; the discourses of technophilia and technophobia that surround contemporary synthetic media; and what impact the ‘open secret' of AI might have within the animation industry beyond some of its current applications. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts** **As featured on MillionPodcast's Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker. The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years. Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick's personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century. Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el capítulo 13 del libro The Oxford Handbook of Christmas, titulado “Anglicanism,” por Martyn Percy. Ver aquí: https://global.oup.com/academic/product/the-oxford-handbook-of-christmas-9780198831464?cc=gb&lang=en& Articulo: https://semperreformandaperu.org/2025/12/27/paz-en-la-tierra-la-navidad-en-la-iglesia-de-inglaterra/  Video: https://youtu.be/8IEihJmeT-E  PPT: https://semperreformandaperu.org/wp-content/uploads/2025/12/navidad_anglicana_una_paradoja_hibrida.pdf  ¿Qué hace “anglicana” a la Navidad, cuando el anglicanismo se define —paradójicamente— por su amplitud y su capacidad de mezclar? En este episodio seguimos a Martyn Percy para entender una tesis tan provocadora como útil: el genio anglicano está en su hibridación. La Navidad en la Iglesia de Inglaterra toma prestado, adapta y “domestica” prácticas de otras tradiciones: habla de “Midnight Mass”, celebra villancicos a la luz de las velas, y produce liturgias pastorales que funcionan como puerta de entrada a la fe.  Entramos, primero, al fenómeno de Christingle: un rito popular (naranja, vela, cinta roja y frutos) orientado a niños, que comenzó como iniciativa de recaudación y terminó marcando para muchos el inicio real de la temporada. Luego nos movemos al “rostro global” del anglicanismo: Nine Lessons and Carols y su proyección mediática desde Cambridge, un ejemplo de cómo la liturgia se vuelve memoria compartida y “religión implícita” en sociedades secularizadas.  Pero Percy insiste en una tensión clave: el clero suele vivir la Navidad con ambivalencia, porque la fiesta activa a la vez corrientes sagradas (Encarnación, caridad, esperanza) y seculares (consumo, nostalgia, vacaciones). Precisamente ahí, dice, el anglicanismo suele estar “en su mejor versión”: una Navidad de umbral bajo y recompensa alta, donde el Niño de Belén vuelve a ser “para todos”.

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el capítulo 12 del libro The Oxford Handbook of Christmas, titulado “Lutheranism,” por Kirsi Stjerna. Ver aquí: https://global.oup.com/academic/product/the-oxford-handbook-of-christmas-9780198831464?cc=gb&lang=en& Articulo: https://semperreformandaperu.org/2025/12/26/verdades-radicales-sobre-la-navidad-que-martin-lutero-nos-dejo/ Video: https://youtu.be/RAHxhwdHYjE  PPT: https://semperreformandaperu.org/wp-content/uploads/2025/12/navidad_luterana_de_la_teologia_a_la_tradicion.pdf La Navidad luterana es, simultáneamente, confesión doctrinal y celebración cultural: una “fiesta de la luz” donde conviven calendario litúrgico, música, comidas y costumbres locales de escala global. En este episodio —siguiendo el capítulo de Kirsi Stjerna— entramos en esa mezcla de raíces medievales, elementos precristianos y preferencias étnicas que, lejos de diluir la fe, suele funcionar como su lenguaje cotidiano: coronas de Adviento, árboles iluminados, villancicos y una liturgia que proclama la Encarnación como esperanza contra la muerte.  Exploramos por qué el luteranismo conserva el 25 de diciembre, organiza la temporada en doce días hasta Epifanía, y mantiene una sensibilidad “occidental” cercana a la misa en estructura—pero con un acento distintivo en la Palabra proclamada y el lugar del sermón. Luego nos detenemos en dos gigantes de la memoria luterana: Martín Lutero, con su repertorio de predicación y cantos navideños (incluida la teología de la cruz en clave de pesebre), y Johann Sebastian Bach, cuya música sigue marcando la experiencia navideña en iglesias y hogares.  Finalmente, viajamos por la diversidad: desde calendarios de Adviento y mercados alemanes hasta Santa Lucía en Escandinavia; desde el intercambio de regalos (reorientado hacia el Niño Cristo) hasta cenas que saben a ganso, curry o tamales. Una Navidad luterana, en suma, es teología hecha ritmo, luz y comunidad.

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el capítulo 11 del libro The Oxford Handbook of Christmas, titulado “Eastern Orthodoxy,” por Mary B. Cunningham. Ver aquí: https://global.oup.com/academic/product/the-oxford-handbook-of-christmas-9780198831464?cc=gb&lang=en& Articulo: https://semperreformandaperu.org/2025/12/25/la-navidad-que-no-conoces-un-viaje-a-las-antiguas-tradiciones-de-la-iglesia-ortodoxa-oriental/  Video: https://youtu.be/v93uA6fFu_0?si=ayn9uRy-dSxtEE6x  PPT: https://semperreformandaperu.org/wp-content/uploads/2025/12/navigating_orthodox_christmas_from_cosmic_to_hearth.pdf  En este episodio nos adentramos en la Navidad de las Iglesias ortodoxas orientales: una festividad que, en su propia autocomprensión, ocupa el segundo lugar en importancia tras la Pascua y se vive ante todo como acontecimiento litúrgico y teológico, más que como temporada comercial. Acompañaremos el ritmo del calendario: el ayuno preparatorio que comienza el 15 de noviembre, la intensificación de los himnos y oficios desde el 20 de diciembre, y la “explosión” festiva cuando el ayuno se rompe en la mañana de Navidad. Veremos también por qué los regalos suelen desplazarse a san Nicolás (6 de diciembre) o al Año Nuevo (1 de enero), según tradiciones locales. Desde ahí, el capítulo nos guía al corazón doctrinal: la liturgia como pedagogía pública de la Encarnación, capaz de “re-escenificar” y, a la vez, explicar lo que la Iglesia confiesa. Luego pasamos del texto a la imagen: la iconografía de la Natividad, donde la veneración del icono, las velas y la disposición visual enseñan una teología del “mundo transfigurado”. Finalmente, descendemos a la casa: ritos serbios como el badnyak, la paja esparcida y la chesnitsa con moneda, y ejemplos griegos donde lo cristiano convive con memorias míticas y folclóricas. Un episodio para comprender cómo doctrina, símbolo y vida cotidiana se entrelazan en la Navidad ortodoxa.

Christian scholar Dr. Tim Larsen joins the show to explain the real origins of the Christmas traditions we hold dear today—from Santa Claus and reindeer to ornaments and the December 25th date itself. He debunks the persistent myth that Christmas is a pagan holiday, explores how centuries of tradition shaped modern celebrations, and helps separate historical fact from popular fiction. And yes—we settle the age-old question: Is Die Hard a Christmas movie?   Dr. Timothy Larsen is a Professor of History at Wheaton College in Illinois and the president of the American Society of Church History.  His scholarly expertise is the Victorian era, the period that has done so much to shape our Christmas celebrations today, and he is an expert on Christmas.  He is the author or editor of over twenty books, including Twelve Classic Christmas Stories: A Feast of Yuletide Tales and The Oxford Handbook of Christmas.

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el capítulo 10 del libro The Oxford Handbook of Christmas, titulado “Roman Catholicism,” por Anne McGowan. Ver aquí: https://global.oup.com/academic/product/the-oxford-handbook-of-christmas-9780198831464?cc=gb&lang=en& Articulo: https://semperreformandaperu.org/2025/12/23/de-martires-a-misas-multiples-lo-que-la-navidad-catolica-esconde-a-plena-vista/  Video: https://youtu.be/GuqBsHZ04ws  PPT: https://semperreformandaperu.org/wp-content/uploads/2025/12/navidad_liturgia_y_misterio.pdf  La palabra “Navidad” viene de Cristes maesse: “la Misa de Cristo”. Esa etimología no es un detalle curioso, sino una clave interpretativa. En este episodio, recorremos la Navidad desde la perspectiva del catolicismo romano: una fiesta eminentemente litúrgica, donde la participación en la Eucaristía —y no solo el pesebre o la nostalgia— ha sido el corazón de la celebración por generaciones. El capítulo muestra por qué, en el calendario católico, la Natividad es la solemnidad más importante después del Triduo Pascual, y cómo la fiesta se despliega como “temporada” (octava, Epifanía, Bautismo del Señor) más que como un único día.   Entramos luego a una singularidad romana: cuatro misas vinculadas a la vigilia y, sobre todo, las tres misas del 25 de diciembre (noche, aurora y día), con su historia estacional y su densidad teológica. En ellas domina el motivo del “santo intercambio”: la Encarnación como asunción de nuestra fragilidad para abrir la vida divina al ser humano.   Finalmente, abordamos el punto más pastoral y actual: la “negociación” entre textos litúrgicos y expectativas populares. Pesebres, dramatizaciones, música, gestos, inculturación (de China a Kenia), y la predicación que busca unir el Niño de Belén con la cruz y la conversión cristiana.  

Johannes Zachhuber and Anna Marmodoro, eds., Gregory of Nyssa: On the Hexaemeron: Text, Translation, and Essays (Oxford UP, 2025) This book presents Gregory of Nyssa's On the Six Days of Creation (In Hexaemeron) as a specimen of Early Christian philosophy. It comprises Gregory of Nyssa's text in its Greek original accompanied by a new English translation, and seven accompanying essays by international specialists from diverse backgrounds. Each essay focuses on a section of the text and the arising philosophical issues. The essays complement each other in offering multiple perspectives on how Gregory's text may be approached philosophically and positioned in relation to other, more or less contiguous, philosophical theories, including the early Greeks Anaxagoras and Empedocles, Aristotle, and the Stoics. Rather than presenting a definite and exhaustive state of the art study of Gregory's text, this volume aims to open new pathways for research into In Hexaemeron. New Books in Late Antiquity is presented by Ancient Jew Review Johannes Zachhuber is professor of historical and systematic theology at Oxford. His books include Human Nature in Greogry of Nyssa, The Rise of Christian Theology and the End of Ancient Metaphysics, and Time and the Soul: from Aristotle to Augustine. Anna Marmodoro is Leonard and Elizabeth Eslick Professor of Philosophy at St. Louis University. She's written or edited half a dozen books including Metaphysics: an Introduction; Forms and Structures in Plato's Metaphysics; Aristotle on Perceiving Objects, and most recently she co-edited The Oxford Handbook of Omnipresence. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Johannes Zachhuber and Anna Marmodoro, eds., Gregory of Nyssa: On the Hexaemeron: Text, Translation, and Essays (Oxford UP, 2025) This book presents Gregory of Nyssa's On the Six Days of Creation (In Hexaemeron) as a specimen of Early Christian philosophy. It comprises Gregory of Nyssa's text in its Greek original accompanied by a new English translation, and seven accompanying essays by international specialists from diverse backgrounds. Each essay focuses on a section of the text and the arising philosophical issues. The essays complement each other in offering multiple perspectives on how Gregory's text may be approached philosophically and positioned in relation to other, more or less contiguous, philosophical theories, including the early Greeks Anaxagoras and Empedocles, Aristotle, and the Stoics. Rather than presenting a definite and exhaustive state of the art study of Gregory's text, this volume aims to open new pathways for research into In Hexaemeron. New Books in Late Antiquity is presented by Ancient Jew Review Johannes Zachhuber is professor of historical and systematic theology at Oxford. His books include Human Nature in Greogry of Nyssa, The Rise of Christian Theology and the End of Ancient Metaphysics, and Time and the Soul: from Aristotle to Augustine. Anna Marmodoro is Leonard and Elizabeth Eslick Professor of Philosophy at St. Louis University. She's written or edited half a dozen books including Metaphysics: an Introduction; Forms and Structures in Plato's Metaphysics; Aristotle on Perceiving Objects, and most recently she co-edited The Oxford Handbook of Omnipresence. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Johannes Zachhuber and Anna Marmodoro, eds., Gregory of Nyssa: On the Hexaemeron: Text, Translation, and Essays (Oxford UP, 2025) This book presents Gregory of Nyssa's On the Six Days of Creation (In Hexaemeron) as a specimen of Early Christian philosophy. It comprises Gregory of Nyssa's text in its Greek original accompanied by a new English translation, and seven accompanying essays by international specialists from diverse backgrounds. Each essay focuses on a section of the text and the arising philosophical issues. The essays complement each other in offering multiple perspectives on how Gregory's text may be approached philosophically and positioned in relation to other, more or less contiguous, philosophical theories, including the early Greeks Anaxagoras and Empedocles, Aristotle, and the Stoics. Rather than presenting a definite and exhaustive state of the art study of Gregory's text, this volume aims to open new pathways for research into In Hexaemeron. New Books in Late Antiquity is presented by Ancient Jew Review Johannes Zachhuber is professor of historical and systematic theology at Oxford. His books include Human Nature in Greogry of Nyssa, The Rise of Christian Theology and the End of Ancient Metaphysics, and Time and the Soul: from Aristotle to Augustine. Anna Marmodoro is Leonard and Elizabeth Eslick Professor of Philosophy at St. Louis University. She's written or edited half a dozen books including Metaphysics: an Introduction; Forms and Structures in Plato's Metaphysics; Aristotle on Perceiving Objects, and most recently she co-edited The Oxford Handbook of Omnipresence. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el capítulo 5 del libro The Oxford Handbook of Christmas, titulado “The Twentieth and Twenty-First Centuries,” por Christopher Ferguson. Ver aquí: https://global.oup.com/academic/product/the-oxford-handbook-of-christmas-9780198831464?cc=gb&lang=en& Articulo: https://semperreformandaperu.org/2025/12/22/mas-alla-de-los-villancicos-la-sorprendente-y-conflictiva-historia-moderna-de-la-navidad/ Video: https://youtu.be/fr4VlvtXJSc  PPT: https://semperreformandaperu.org/wp-content/uploads/2025/12/navidad_un_espectro_de_historias.pdf  La Navidad del siglo XX no fue solo una fiesta: fue un escenario global donde se cruzaron imperios, migraciones, guerras, medios masivos y, sobre todo, una tensión persistente entre “Navidad cultural” y “Navidad cristiana”. En este episodio, siguiendo el capítulo de Christopher Ferguson, rastreamos cómo el festejo se expandió “alrededor del mundo” de un modo sin precedentes: llevado por colonos, misioneros, comercio y, más tarde, por radio, cine, televisión y la web.   Pero la globalización no fue homogénea. La Navidad se nacionalizó (con “estilos” ingleses o alemanes) y luego se estandarizó en parte por la influencia económica y mediática de Estados Unidos, desde luces eléctricas hasta una imagen internacional cada vez más uniforme de Santa. En paralelo, la política la instrumentalizó: desde la propaganda de regímenes totalitarios hasta el uso simbólico de árboles y villancicos en contextos de Guerra Fría; y la guerra la marcó con escenas inolvidables, como la determinación de celebrar en trincheras, campos de prisioneros o ciudades bombardeadas.   También miramos conflictos más íntimos: la ansiedad por la secularización, el peso de la logística navideña en los hogares, y la obsesión moderna por una “Navidad auténtica” que, paradójicamente, cambia cada década. Si quieres entender por qué la Navidad moderna es tan amada como disputada, aquí está la clave histórica. 

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el capítulo 4 del libro The Oxford Handbook of Christmas, titulado “The Nineteenth Century,” por Timothy Larsen. Ver aquí: https://global.oup.com/academic/product/the-oxford-handbook-of-christmas-9780198831464?cc=gb&lang=en& Articulo: https://semperreformandaperu.org/2025/12/19/como-el-siglo-xix-realmente-invento-la-navidad/ Video: https://youtu.be/LpY9bkOnO78  PPT: https://semperreformandaperu.org/wp-content/uploads/2025/12/navidad_el_rio_de_cuatro_corrientes.pdf  ¿De verdad la Navidad estaba muriendo antes de 1843 y Charles Dickens la resucitó? Este episodio entra en el siglo XIX para poner esa historia contra la evidencia. A partir del capítulo “The Nineteenth Century”, seguimos cómo la Navidad ya era una festividad importante en Inglaterra en las primeras décadas del siglo, y cómo ciertos argumentos “clásicos” (por ejemplo, el supuesto silencio anual de The Times) se desmoronan al revisar los datos y el contexto editorial de la época.   Luego examinamos lo que sí cambió: la expansión y reconfiguración de la fiesta en clave victoriana. La Navidad se volvió más amplia y más densa: crecieron sus marcas domésticas (familia, infancia, regalos, árbol), su infraestructura cultural (villancicos, decoración, tarjetas), y su dimensión moral (caridad y responsabilidad social en un mundo industrial).   El capítulo también muestra un giro poco reconocido: la progresiva aceptación de la Navidad por parte de protestantes reformados y disidentes, que antes la rechazaban como “no bíblica”, pero terminaron incorporándola —a veces por la presión social, a veces por dinámicas de ministerio infantil y escuela dominical.   Finalmente, rastreamos dos símbolos decisivos: Santa Claus y el árbol, ambos difundidos en gran medida por redes cristianas y por tradiciones protestantes alemanas. La Navidad moderna no nació de la nada: fue una transformación acumulativa. 

In this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Emily CoatesIn this episode of  "Dance Talk” ® with Joanne Carey engages in a deep conversation with dancer, choreographer, and writer Emily Coates. They explore Emily's journey from her early dance training in ballet to her transition into modern dance, her experiences working with renowned figures like Baryshnikov, and her current project 'Tell Me Where It Comes From.' Tell Me Where It Comes From, was sparked by the discovery of an archival box housed at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, chronicling George Balanchine's brief touchdown there in 1933. The discussion highlights the importance of following one's artistic instincts, the role of dance history, and the collaborative nature of creating new work. Emily shares insights on the creative process, the significance of archival research, and the impact of dance on personal and artistic growth.Emily Coates is a dancer, choreographer, and writer and has performed internationally with New York City Ballet (1992-98), Mikhail Baryshnikov's White Oak Dance Project (1998-2002), Twyla Tharp Dance (2001-2003), and Yvonne Rainer and Group (2005-present), and worked with an array of choreographers, including Jerome Robbins, Angelin Preljocaj, Trisha Brown, Deborah Hay, Mark Morris, John Jasperse, and Sarah Michelson. Career highlights include performing three duets with Baryshnikov, in works by Morris, Karole Armitage, and Erick Hawkins.Her choreographic work has been commissioned and presented by Danspace Project, Performa, Baryshnikov Arts Center, Works & Process at the Guggenheim, Ballet Memphis, Wadsworth Atheneum, Carnegie Hall, University of Chicago, Yale Repertory Theatre, Yale Art Gallery, and Columbia Ballet Collaborative, among other venues. She is currently completing a film project titled “Dancing in the Invisible Universe” in collaboration with filmmaker John Lucas and Yale's Wright Laboratory.Her essays have appeared in PAJ: A Journal of Performance and Art, The Huffington Post, Theater, PEAK Journal, programs and an exhibition catalogue for the Paris Opera Ballet, and in the forthcoming Oxford Handbook of Contemporary Ballet. Her awards and distinctions include the School of American Ballet's Mae L. Wein Award for Outstanding Promise; the Martha Duffy Memorial Fellowship at the Baryshnikov Arts Center; Yale's Poorvu Family Award for Interdisciplinary Teaching; a grant from the Alfred P. Sloan Foundation in the category of Public Understanding of Science, Technology, and Economics; a 2016 Fellowship at the Center for Ballet and the Arts at NYU; and a 2019 Jerome Robbins Dance Division Dance Research Fellowship at the New York Public Library for the Performing Arts at Lincoln Center. She graduated magna cum laude with a BA in English and holds an MA and MPhil in American Studies from Yale. Her first book, Physics and Dance, co-written with her longtime collaborator, particle physicist Sarah Demers, was released in January 2019 by Yale University Press.She is Professor in the Practice in Theater, Dance and Performance Studies at Yale University, with a secondary appointment in Directing at the Yale School of Drama. She has directed the dance studies concentration at Yale since its inception in 2006.Informationhttps://campuspress.yale.edu/emilycoates/Make plans to check out this piece on tour!February 26, 2026 at The Avery Theater , Hartford ConnecticutApril 23 & 24th 2026 at Schwarzman Center , Yale University“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."https://dancetalkwithjoannecarey.com/Please leave us a Review.You support the podcast:https://gofund.me/e561b42acFollow Joanne Carey on Instagram@westfieldschoolofdance

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices