Podcast appearances and mentions of victoria oana lupa

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kimberley Ens Manning's book The Party Family: Revolutionary Attachments and the Gendered Origins of State Power in China (Cornell UP, 2023) explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning offers a new theoretical lens—attachment politics—to underscore how family and ideology intertwined to create an important building block of state capacity and governance. As The Party Family details, infant mortality in China dropped by more than half within a decade of the PRC's foundation, a policy achievement produced to a large extent through the personal and family ties of the maternalist policy coalition that led the reform movement. However, these achievements were undermined or reversed in the complex policy struggles over the family during Mao's Great Leap Forward (1958–60). Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kimberley Ens Manning's book The Party Family: Revolutionary Attachments and the Gendered Origins of State Power in China (Cornell UP, 2023) explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning offers a new theoretical lens—attachment politics—to underscore how family and ideology intertwined to create an important building block of state capacity and governance. As The Party Family details, infant mortality in China dropped by more than half within a decade of the PRC's foundation, a policy achievement produced to a large extent through the personal and family ties of the maternalist policy coalition that led the reform movement. However, these achievements were undermined or reversed in the complex policy struggles over the family during Mao's Great Leap Forward (1958–60). Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Kimberley Ens Manning's book The Party Family: Revolutionary Attachments and the Gendered Origins of State Power in China (Cornell UP, 2023) explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning offers a new theoretical lens—attachment politics—to underscore how family and ideology intertwined to create an important building block of state capacity and governance. As The Party Family details, infant mortality in China dropped by more than half within a decade of the PRC's foundation, a policy achievement produced to a large extent through the personal and family ties of the maternalist policy coalition that led the reform movement. However, these achievements were undermined or reversed in the complex policy struggles over the family during Mao's Great Leap Forward (1958–60). Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Kimberley Ens Manning's book The Party Family: Revolutionary Attachments and the Gendered Origins of State Power in China (Cornell UP, 2023) explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning offers a new theoretical lens—attachment politics—to underscore how family and ideology intertwined to create an important building block of state capacity and governance. As The Party Family details, infant mortality in China dropped by more than half within a decade of the PRC's foundation, a policy achievement produced to a large extent through the personal and family ties of the maternalist policy coalition that led the reform movement. However, these achievements were undermined or reversed in the complex policy struggles over the family during Mao's Great Leap Forward (1958–60). Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Kimberley Ens Manning's book The Party Family: Revolutionary Attachments and the Gendered Origins of State Power in China (Cornell UP, 2023) explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning offers a new theoretical lens—attachment politics—to underscore how family and ideology intertwined to create an important building block of state capacity and governance. As The Party Family details, infant mortality in China dropped by more than half within a decade of the PRC's foundation, a policy achievement produced to a large extent through the personal and family ties of the maternalist policy coalition that led the reform movement. However, these achievements were undermined or reversed in the complex policy struggles over the family during Mao's Great Leap Forward (1958–60). Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Kimberley Ens Manning's book The Party Family: Revolutionary Attachments and the Gendered Origins of State Power in China (Cornell UP, 2023) explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning offers a new theoretical lens—attachment politics—to underscore how family and ideology intertwined to create an important building block of state capacity and governance. As The Party Family details, infant mortality in China dropped by more than half within a decade of the PRC's foundation, a policy achievement produced to a large extent through the personal and family ties of the maternalist policy coalition that led the reform movement. However, these achievements were undermined or reversed in the complex policy struggles over the family during Mao's Great Leap Forward (1958–60). Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Governing Death, Making Persons: The New Chinese Way of Death (Cornell UP, 2023) tells the story of how economic reforms and changes in the management of death in China have affected the governance of persons.  The Chinese Communist Party has sought to channel the funeral industry and death rituals into vehicles for reshaping people into "modern" citizens and subjects. Since the Reform and Opening period and the marketization of state funeral parlors, the Party has promoted personalized funerals in the hope of promoting a market-oriented and individualistic ethos. However, things have not gone as planned. Huwy-min Lucia Liu writes about the funerals she witnessed and the life stories of two kinds of funeral workers: state workers who are quasi-government officials and semilegal private funeral brokers. She shows that end-of-life commemoration in urban China today is characterized by the resilience of social conventions and not a shift toward market economy individualization. Rather than seeing a rise of individualism and the decline of a socialist self, Liu sees the durability of socialist, religious, communal, and relational ideas of self, woven together through creative ritual framings in spite of their contradictions. Huwy-min Lucia Liu is Assistant Professor in the Department of Sociology and Anthropology at George Mason University. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Governing Death, Making Persons: The New Chinese Way of Death (Cornell UP, 2023) tells the story of how economic reforms and changes in the management of death in China have affected the governance of persons.  The Chinese Communist Party has sought to channel the funeral industry and death rituals into vehicles for reshaping people into "modern" citizens and subjects. Since the Reform and Opening period and the marketization of state funeral parlors, the Party has promoted personalized funerals in the hope of promoting a market-oriented and individualistic ethos. However, things have not gone as planned. Huwy-min Lucia Liu writes about the funerals she witnessed and the life stories of two kinds of funeral workers: state workers who are quasi-government officials and semilegal private funeral brokers. She shows that end-of-life commemoration in urban China today is characterized by the resilience of social conventions and not a shift toward market economy individualization. Rather than seeing a rise of individualism and the decline of a socialist self, Liu sees the durability of socialist, religious, communal, and relational ideas of self, woven together through creative ritual framings in spite of their contradictions. Huwy-min Lucia Liu is Assistant Professor in the Department of Sociology and Anthropology at George Mason University. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Governing Death, Making Persons: The New Chinese Way of Death (Cornell UP, 2023) tells the story of how economic reforms and changes in the management of death in China have affected the governance of persons.  The Chinese Communist Party has sought to channel the funeral industry and death rituals into vehicles for reshaping people into "modern" citizens and subjects. Since the Reform and Opening period and the marketization of state funeral parlors, the Party has promoted personalized funerals in the hope of promoting a market-oriented and individualistic ethos. However, things have not gone as planned. Huwy-min Lucia Liu writes about the funerals she witnessed and the life stories of two kinds of funeral workers: state workers who are quasi-government officials and semilegal private funeral brokers. She shows that end-of-life commemoration in urban China today is characterized by the resilience of social conventions and not a shift toward market economy individualization. Rather than seeing a rise of individualism and the decline of a socialist self, Liu sees the durability of socialist, religious, communal, and relational ideas of self, woven together through creative ritual framings in spite of their contradictions. Huwy-min Lucia Liu is Assistant Professor in the Department of Sociology and Anthropology at George Mason University. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Governing Death, Making Persons: The New Chinese Way of Death (Cornell UP, 2023) tells the story of how economic reforms and changes in the management of death in China have affected the governance of persons.  The Chinese Communist Party has sought to channel the funeral industry and death rituals into vehicles for reshaping people into "modern" citizens and subjects. Since the Reform and Opening period and the marketization of state funeral parlors, the Party has promoted personalized funerals in the hope of promoting a market-oriented and individualistic ethos. However, things have not gone as planned. Huwy-min Lucia Liu writes about the funerals she witnessed and the life stories of two kinds of funeral workers: state workers who are quasi-government officials and semilegal private funeral brokers. She shows that end-of-life commemoration in urban China today is characterized by the resilience of social conventions and not a shift toward market economy individualization. Rather than seeing a rise of individualism and the decline of a socialist self, Liu sees the durability of socialist, religious, communal, and relational ideas of self, woven together through creative ritual framings in spite of their contradictions. Huwy-min Lucia Liu is Assistant Professor in the Department of Sociology and Anthropology at George Mason University. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Governing Death, Making Persons: The New Chinese Way of Death (Cornell UP, 2023) tells the story of how economic reforms and changes in the management of death in China have affected the governance of persons.  The Chinese Communist Party has sought to channel the funeral industry and death rituals into vehicles for reshaping people into "modern" citizens and subjects. Since the Reform and Opening period and the marketization of state funeral parlors, the Party has promoted personalized funerals in the hope of promoting a market-oriented and individualistic ethos. However, things have not gone as planned. Huwy-min Lucia Liu writes about the funerals she witnessed and the life stories of two kinds of funeral workers: state workers who are quasi-government officials and semilegal private funeral brokers. She shows that end-of-life commemoration in urban China today is characterized by the resilience of social conventions and not a shift toward market economy individualization. Rather than seeing a rise of individualism and the decline of a socialist self, Liu sees the durability of socialist, religious, communal, and relational ideas of self, woven together through creative ritual framings in spite of their contradictions. Huwy-min Lucia Liu is Assistant Professor in the Department of Sociology and Anthropology at George Mason University. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Governing Death, Making Persons: The New Chinese Way of Death (Cornell UP, 2023) tells the story of how economic reforms and changes in the management of death in China have affected the governance of persons.  The Chinese Communist Party has sought to channel the funeral industry and death rituals into vehicles for reshaping people into "modern" citizens and subjects. Since the Reform and Opening period and the marketization of state funeral parlors, the Party has promoted personalized funerals in the hope of promoting a market-oriented and individualistic ethos. However, things have not gone as planned. Huwy-min Lucia Liu writes about the funerals she witnessed and the life stories of two kinds of funeral workers: state workers who are quasi-government officials and semilegal private funeral brokers. She shows that end-of-life commemoration in urban China today is characterized by the resilience of social conventions and not a shift toward market economy individualization. Rather than seeing a rise of individualism and the decline of a socialist self, Liu sees the durability of socialist, religious, communal, and relational ideas of self, woven together through creative ritual framings in spite of their contradictions. Huwy-min Lucia Liu is Assistant Professor in the Department of Sociology and Anthropology at George Mason University. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Governing Death, Making Persons: The New Chinese Way of Death (Cornell UP, 2023) tells the story of how economic reforms and changes in the management of death in China have affected the governance of persons.  The Chinese Communist Party has sought to channel the funeral industry and death rituals into vehicles for reshaping people into "modern" citizens and subjects. Since the Reform and Opening period and the marketization of state funeral parlors, the Party has promoted personalized funerals in the hope of promoting a market-oriented and individualistic ethos. However, things have not gone as planned. Huwy-min Lucia Liu writes about the funerals she witnessed and the life stories of two kinds of funeral workers: state workers who are quasi-government officials and semilegal private funeral brokers. She shows that end-of-life commemoration in urban China today is characterized by the resilience of social conventions and not a shift toward market economy individualization. Rather than seeing a rise of individualism and the decline of a socialist self, Liu sees the durability of socialist, religious, communal, and relational ideas of self, woven together through creative ritual framings in spite of their contradictions. Huwy-min Lucia Liu is Assistant Professor in the Department of Sociology and Anthropology at George Mason University. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ruth Yun-Ju Chen is a historian of mid-imperial China (600–1400). Her research interests lie in the histories of medicine, publishing, and material cultures during this period. Her first book, Good Formulas: Empirical Evidence in Mid-Imperial Chinese Medical Texts, will come out from the University of Washington Press in 2023. This book charts how early print culture reshaped strategies for presenting medical knowledge in Song China (960–1279). Her current project explores the transregional circulation of medical knowledge and aromatic drugs across East Asia and Southeast Asia in Song-Jin-Yuan China (960–1368). She has published articles in Chinese and English language journals and, most recently, “A New Study of Scholar-officials' Roles in the Printing of Medical Texts in Song China” in the Bulletin of IHP 92.3 (2021) and “The Quest for Efficiency: Knowledge Management in Medical Formularies” in the Harvard Journal of Asiatic Studies 80.2 (2021). A bit about the book: Why and how did the strategy of documenting medical practices through personal experience rise to prominence in China? This question is at the heart of Good Formulas, the first book-length study of the use of empirical evidence in Chinese medicine between the ninth and thirteenth centuries. The rise of this new approach to substantiating knowledge, which had appeared only sporadically in earlier medical literature, provides a window into transformations in the construction of textual authority in mid-imperial China. Focusing on medical genres and working extensively with notebooks (biji), Ruth Yun-Ju Chen shows that employing empirical evidence became prominent in conjunction with a publishing boom that enabled wider availability of medical texts and treatises. To convince a more socioculturally diverse readership to believe their claims and to win intertextual debates with contemporaneous authors, many Song medical authors turned to empirical methodology. Revealing a correlation between publishing cultures and changes in persuasion strategies in medical genres, Good Formulas offers new insights into the histories of medicine, knowledge production, and publishing in China. It also provides rich examples for scholars interested in the development of empirical evidence in the premodern world. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ruth Yun-Ju Chen is a historian of mid-imperial China (600–1400). Her research interests lie in the histories of medicine, publishing, and material cultures during this period. Her first book, Good Formulas: Empirical Evidence in Mid-Imperial Chinese Medical Texts, will come out from the University of Washington Press in 2023. This book charts how early print culture reshaped strategies for presenting medical knowledge in Song China (960–1279). Her current project explores the transregional circulation of medical knowledge and aromatic drugs across East Asia and Southeast Asia in Song-Jin-Yuan China (960–1368). She has published articles in Chinese and English language journals and, most recently, “A New Study of Scholar-officials' Roles in the Printing of Medical Texts in Song China” in the Bulletin of IHP 92.3 (2021) and “The Quest for Efficiency: Knowledge Management in Medical Formularies” in the Harvard Journal of Asiatic Studies 80.2 (2021). A bit about the book: Why and how did the strategy of documenting medical practices through personal experience rise to prominence in China? This question is at the heart of Good Formulas, the first book-length study of the use of empirical evidence in Chinese medicine between the ninth and thirteenth centuries. The rise of this new approach to substantiating knowledge, which had appeared only sporadically in earlier medical literature, provides a window into transformations in the construction of textual authority in mid-imperial China. Focusing on medical genres and working extensively with notebooks (biji), Ruth Yun-Ju Chen shows that employing empirical evidence became prominent in conjunction with a publishing boom that enabled wider availability of medical texts and treatises. To convince a more socioculturally diverse readership to believe their claims and to win intertextual debates with contemporaneous authors, many Song medical authors turned to empirical methodology. Revealing a correlation between publishing cultures and changes in persuasion strategies in medical genres, Good Formulas offers new insights into the histories of medicine, knowledge production, and publishing in China. It also provides rich examples for scholars interested in the development of empirical evidence in the premodern world. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Ruth Yun-Ju Chen is a historian of mid-imperial China (600–1400). Her research interests lie in the histories of medicine, publishing, and material cultures during this period. Her first book, Good Formulas: Empirical Evidence in Mid-Imperial Chinese Medical Texts, will come out from the University of Washington Press in 2023. This book charts how early print culture reshaped strategies for presenting medical knowledge in Song China (960–1279). Her current project explores the transregional circulation of medical knowledge and aromatic drugs across East Asia and Southeast Asia in Song-Jin-Yuan China (960–1368). She has published articles in Chinese and English language journals and, most recently, “A New Study of Scholar-officials' Roles in the Printing of Medical Texts in Song China” in the Bulletin of IHP 92.3 (2021) and “The Quest for Efficiency: Knowledge Management in Medical Formularies” in the Harvard Journal of Asiatic Studies 80.2 (2021). A bit about the book: Why and how did the strategy of documenting medical practices through personal experience rise to prominence in China? This question is at the heart of Good Formulas, the first book-length study of the use of empirical evidence in Chinese medicine between the ninth and thirteenth centuries. The rise of this new approach to substantiating knowledge, which had appeared only sporadically in earlier medical literature, provides a window into transformations in the construction of textual authority in mid-imperial China. Focusing on medical genres and working extensively with notebooks (biji), Ruth Yun-Ju Chen shows that employing empirical evidence became prominent in conjunction with a publishing boom that enabled wider availability of medical texts and treatises. To convince a more socioculturally diverse readership to believe their claims and to win intertextual debates with contemporaneous authors, many Song medical authors turned to empirical methodology. Revealing a correlation between publishing cultures and changes in persuasion strategies in medical genres, Good Formulas offers new insights into the histories of medicine, knowledge production, and publishing in China. It also provides rich examples for scholars interested in the development of empirical evidence in the premodern world. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Ruth Yun-Ju Chen is a historian of mid-imperial China (600–1400). Her research interests lie in the histories of medicine, publishing, and material cultures during this period. Her first book, Good Formulas: Empirical Evidence in Mid-Imperial Chinese Medical Texts, will come out from the University of Washington Press in 2023. This book charts how early print culture reshaped strategies for presenting medical knowledge in Song China (960–1279). Her current project explores the transregional circulation of medical knowledge and aromatic drugs across East Asia and Southeast Asia in Song-Jin-Yuan China (960–1368). She has published articles in Chinese and English language journals and, most recently, “A New Study of Scholar-officials' Roles in the Printing of Medical Texts in Song China” in the Bulletin of IHP 92.3 (2021) and “The Quest for Efficiency: Knowledge Management in Medical Formularies” in the Harvard Journal of Asiatic Studies 80.2 (2021). A bit about the book: Why and how did the strategy of documenting medical practices through personal experience rise to prominence in China? This question is at the heart of Good Formulas, the first book-length study of the use of empirical evidence in Chinese medicine between the ninth and thirteenth centuries. The rise of this new approach to substantiating knowledge, which had appeared only sporadically in earlier medical literature, provides a window into transformations in the construction of textual authority in mid-imperial China. Focusing on medical genres and working extensively with notebooks (biji), Ruth Yun-Ju Chen shows that employing empirical evidence became prominent in conjunction with a publishing boom that enabled wider availability of medical texts and treatises. To convince a more socioculturally diverse readership to believe their claims and to win intertextual debates with contemporaneous authors, many Song medical authors turned to empirical methodology. Revealing a correlation between publishing cultures and changes in persuasion strategies in medical genres, Good Formulas offers new insights into the histories of medicine, knowledge production, and publishing in China. It also provides rich examples for scholars interested in the development of empirical evidence in the premodern world. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Ruth Yun-Ju Chen is a historian of mid-imperial China (600–1400). Her research interests lie in the histories of medicine, publishing, and material cultures during this period. Her first book, Good Formulas: Empirical Evidence in Mid-Imperial Chinese Medical Texts, will come out from the University of Washington Press in 2023. This book charts how early print culture reshaped strategies for presenting medical knowledge in Song China (960–1279). Her current project explores the transregional circulation of medical knowledge and aromatic drugs across East Asia and Southeast Asia in Song-Jin-Yuan China (960–1368). She has published articles in Chinese and English language journals and, most recently, “A New Study of Scholar-officials' Roles in the Printing of Medical Texts in Song China” in the Bulletin of IHP 92.3 (2021) and “The Quest for Efficiency: Knowledge Management in Medical Formularies” in the Harvard Journal of Asiatic Studies 80.2 (2021). A bit about the book: Why and how did the strategy of documenting medical practices through personal experience rise to prominence in China? This question is at the heart of Good Formulas, the first book-length study of the use of empirical evidence in Chinese medicine between the ninth and thirteenth centuries. The rise of this new approach to substantiating knowledge, which had appeared only sporadically in earlier medical literature, provides a window into transformations in the construction of textual authority in mid-imperial China. Focusing on medical genres and working extensively with notebooks (biji), Ruth Yun-Ju Chen shows that employing empirical evidence became prominent in conjunction with a publishing boom that enabled wider availability of medical texts and treatises. To convince a more socioculturally diverse readership to believe their claims and to win intertextual debates with contemporaneous authors, many Song medical authors turned to empirical methodology. Revealing a correlation between publishing cultures and changes in persuasion strategies in medical genres, Good Formulas offers new insights into the histories of medicine, knowledge production, and publishing in China. It also provides rich examples for scholars interested in the development of empirical evidence in the premodern world. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Ruth Yun-Ju Chen is a historian of mid-imperial China (600–1400). Her research interests lie in the histories of medicine, publishing, and material cultures during this period. Her first book, Good Formulas: Empirical Evidence in Mid-Imperial Chinese Medical Texts, will come out from the University of Washington Press in 2023. This book charts how early print culture reshaped strategies for presenting medical knowledge in Song China (960–1279). Her current project explores the transregional circulation of medical knowledge and aromatic drugs across East Asia and Southeast Asia in Song-Jin-Yuan China (960–1368). She has published articles in Chinese and English language journals and, most recently, “A New Study of Scholar-officials' Roles in the Printing of Medical Texts in Song China” in the Bulletin of IHP 92.3 (2021) and “The Quest for Efficiency: Knowledge Management in Medical Formularies” in the Harvard Journal of Asiatic Studies 80.2 (2021). A bit about the book: Why and how did the strategy of documenting medical practices through personal experience rise to prominence in China? This question is at the heart of Good Formulas, the first book-length study of the use of empirical evidence in Chinese medicine between the ninth and thirteenth centuries. The rise of this new approach to substantiating knowledge, which had appeared only sporadically in earlier medical literature, provides a window into transformations in the construction of textual authority in mid-imperial China. Focusing on medical genres and working extensively with notebooks (biji), Ruth Yun-Ju Chen shows that employing empirical evidence became prominent in conjunction with a publishing boom that enabled wider availability of medical texts and treatises. To convince a more socioculturally diverse readership to believe their claims and to win intertextual debates with contemporaneous authors, many Song medical authors turned to empirical methodology. Revealing a correlation between publishing cultures and changes in persuasion strategies in medical genres, Good Formulas offers new insights into the histories of medicine, knowledge production, and publishing in China. It also provides rich examples for scholars interested in the development of empirical evidence in the premodern world. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ruth Yun-Ju Chen is a historian of mid-imperial China (600–1400). Her research interests lie in the histories of medicine, publishing, and material cultures during this period. Her first book, Good Formulas: Empirical Evidence in Mid-Imperial Chinese Medical Texts, will come out from the University of Washington Press in 2023. This book charts how early print culture reshaped strategies for presenting medical knowledge in Song China (960–1279). Her current project explores the transregional circulation of medical knowledge and aromatic drugs across East Asia and Southeast Asia in Song-Jin-Yuan China (960–1368). She has published articles in Chinese and English language journals and, most recently, “A New Study of Scholar-officials' Roles in the Printing of Medical Texts in Song China” in the Bulletin of IHP 92.3 (2021) and “The Quest for Efficiency: Knowledge Management in Medical Formularies” in the Harvard Journal of Asiatic Studies 80.2 (2021). A bit about the book: Why and how did the strategy of documenting medical practices through personal experience rise to prominence in China? This question is at the heart of Good Formulas, the first book-length study of the use of empirical evidence in Chinese medicine between the ninth and thirteenth centuries. The rise of this new approach to substantiating knowledge, which had appeared only sporadically in earlier medical literature, provides a window into transformations in the construction of textual authority in mid-imperial China. Focusing on medical genres and working extensively with notebooks (biji), Ruth Yun-Ju Chen shows that employing empirical evidence became prominent in conjunction with a publishing boom that enabled wider availability of medical texts and treatises. To convince a more socioculturally diverse readership to believe their claims and to win intertextual debates with contemporaneous authors, many Song medical authors turned to empirical methodology. Revealing a correlation between publishing cultures and changes in persuasion strategies in medical genres, Good Formulas offers new insights into the histories of medicine, knowledge production, and publishing in China. It also provides rich examples for scholars interested in the development of empirical evidence in the premodern world. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ruth Yun-Ju Chen is a historian of mid-imperial China (600–1400). Her research interests lie in the histories of medicine, publishing, and material cultures during this period. Her first book, Good Formulas: Empirical Evidence in Mid-Imperial Chinese Medical Texts, will come out from the University of Washington Press in 2023. This book charts how early print culture reshaped strategies for presenting medical knowledge in Song China (960–1279). Her current project explores the transregional circulation of medical knowledge and aromatic drugs across East Asia and Southeast Asia in Song-Jin-Yuan China (960–1368). She has published articles in Chinese and English language journals and, most recently, “A New Study of Scholar-officials' Roles in the Printing of Medical Texts in Song China” in the Bulletin of IHP 92.3 (2021) and “The Quest for Efficiency: Knowledge Management in Medical Formularies” in the Harvard Journal of Asiatic Studies 80.2 (2021). A bit about the book: Why and how did the strategy of documenting medical practices through personal experience rise to prominence in China? This question is at the heart of Good Formulas, the first book-length study of the use of empirical evidence in Chinese medicine between the ninth and thirteenth centuries. The rise of this new approach to substantiating knowledge, which had appeared only sporadically in earlier medical literature, provides a window into transformations in the construction of textual authority in mid-imperial China. Focusing on medical genres and working extensively with notebooks (biji), Ruth Yun-Ju Chen shows that employing empirical evidence became prominent in conjunction with a publishing boom that enabled wider availability of medical texts and treatises. To convince a more socioculturally diverse readership to believe their claims and to win intertextual debates with contemporaneous authors, many Song medical authors turned to empirical methodology. Revealing a correlation between publishing cultures and changes in persuasion strategies in medical genres, Good Formulas offers new insights into the histories of medicine, knowledge production, and publishing in China. It also provides rich examples for scholars interested in the development of empirical evidence in the premodern world. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men.  These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders. Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education. Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men.  These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders. Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education. Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men.  These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders. Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education. Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men.  These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders. Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education. Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men.  These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders. Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education. Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men.  These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders. Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education. Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men.  These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders. Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education. Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men.  These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders. Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education. Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Xiaoning Lu received her BA and MA in Chinese Literature and Language from Nanjing University and Fudan University respectively. She then earned her PhD in Comparative Literature from the State University of New York at Stony Brook. Prior to joining SOAS in 2010, she had taught cinema and cultural studies, modern Chinese literature and popular culture at Stony Brook University and Ludwig-Maximilian University of Munich. Xiaoning's research focuses on the complex relationship between cultural production and state governance in modern China. She is the author of Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 (Brill, 2020) and co-editor of The Oxford Handbook of Communist Visual Cultures (OUP, 2020). Her writings on various aspects of Chinese socialist cinema and culture have appeared in journals and edited collections, including Journal of Chinese Cinemas, Journal of Contemporary China, Chinese Film Stars, Maoist Laughter, Surveillance in Asian Cinema: Under Eastern Eyes and Words and Their Stories: Essays on the Language of the Chinese Revolution. She was recently a recipient of a Leverhulme Research Fellowship through which she researched transnational film practices in the People's Republic of China from 1949 to 1989. In addition to her scholarly work, Xiaoning is passionate at introducing contemporary Chinese films to UK audiences. With colleagues at Shanghai Art Film Federation, she co-curated Chinese Art Film Festival London Showcase from 2016 to 2018 exploring social and cultural issues in contemporary Chinese society, including the persistence of traditional values in China's modernization and Chinese women's filmmaking. Recognized for her regional expertise, she was invited to provide advice on China-related cultural production for the National Theatre, RDF television, and other media companies in the UK. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Xiaoning Lu received her BA and MA in Chinese Literature and Language from Nanjing University and Fudan University respectively. She then earned her PhD in Comparative Literature from the State University of New York at Stony Brook. Prior to joining SOAS in 2010, she had taught cinema and cultural studies, modern Chinese literature and popular culture at Stony Brook University and Ludwig-Maximilian University of Munich. Xiaoning's research focuses on the complex relationship between cultural production and state governance in modern China. She is the author of Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 (Brill, 2020) and co-editor of The Oxford Handbook of Communist Visual Cultures (OUP, 2020). Her writings on various aspects of Chinese socialist cinema and culture have appeared in journals and edited collections, including Journal of Chinese Cinemas, Journal of Contemporary China, Chinese Film Stars, Maoist Laughter, Surveillance in Asian Cinema: Under Eastern Eyes and Words and Their Stories: Essays on the Language of the Chinese Revolution. She was recently a recipient of a Leverhulme Research Fellowship through which she researched transnational film practices in the People's Republic of China from 1949 to 1989. In addition to her scholarly work, Xiaoning is passionate at introducing contemporary Chinese films to UK audiences. With colleagues at Shanghai Art Film Federation, she co-curated Chinese Art Film Festival London Showcase from 2016 to 2018 exploring social and cultural issues in contemporary Chinese society, including the persistence of traditional values in China's modernization and Chinese women's filmmaking. Recognized for her regional expertise, she was invited to provide advice on China-related cultural production for the National Theatre, RDF television, and other media companies in the UK. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Xiaoning Lu received her BA and MA in Chinese Literature and Language from Nanjing University and Fudan University respectively. She then earned her PhD in Comparative Literature from the State University of New York at Stony Brook. Prior to joining SOAS in 2010, she had taught cinema and cultural studies, modern Chinese literature and popular culture at Stony Brook University and Ludwig-Maximilian University of Munich. Xiaoning's research focuses on the complex relationship between cultural production and state governance in modern China. She is the author of Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 (Brill, 2020) and co-editor of The Oxford Handbook of Communist Visual Cultures (OUP, 2020). Her writings on various aspects of Chinese socialist cinema and culture have appeared in journals and edited collections, including Journal of Chinese Cinemas, Journal of Contemporary China, Chinese Film Stars, Maoist Laughter, Surveillance in Asian Cinema: Under Eastern Eyes and Words and Their Stories: Essays on the Language of the Chinese Revolution. She was recently a recipient of a Leverhulme Research Fellowship through which she researched transnational film practices in the People's Republic of China from 1949 to 1989. In addition to her scholarly work, Xiaoning is passionate at introducing contemporary Chinese films to UK audiences. With colleagues at Shanghai Art Film Federation, she co-curated Chinese Art Film Festival London Showcase from 2016 to 2018 exploring social and cultural issues in contemporary Chinese society, including the persistence of traditional values in China's modernization and Chinese women's filmmaking. Recognized for her regional expertise, she was invited to provide advice on China-related cultural production for the National Theatre, RDF television, and other media companies in the UK. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Xiaoning Lu received her BA and MA in Chinese Literature and Language from Nanjing University and Fudan University respectively. She then earned her PhD in Comparative Literature from the State University of New York at Stony Brook. Prior to joining SOAS in 2010, she had taught cinema and cultural studies, modern Chinese literature and popular culture at Stony Brook University and Ludwig-Maximilian University of Munich. Xiaoning's research focuses on the complex relationship between cultural production and state governance in modern China. She is the author of Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 (Brill, 2020) and co-editor of The Oxford Handbook of Communist Visual Cultures (OUP, 2020). Her writings on various aspects of Chinese socialist cinema and culture have appeared in journals and edited collections, including Journal of Chinese Cinemas, Journal of Contemporary China, Chinese Film Stars, Maoist Laughter, Surveillance in Asian Cinema: Under Eastern Eyes and Words and Their Stories: Essays on the Language of the Chinese Revolution. She was recently a recipient of a Leverhulme Research Fellowship through which she researched transnational film practices in the People's Republic of China from 1949 to 1989. In addition to her scholarly work, Xiaoning is passionate at introducing contemporary Chinese films to UK audiences. With colleagues at Shanghai Art Film Federation, she co-curated Chinese Art Film Festival London Showcase from 2016 to 2018 exploring social and cultural issues in contemporary Chinese society, including the persistence of traditional values in China's modernization and Chinese women's filmmaking. Recognized for her regional expertise, she was invited to provide advice on China-related cultural production for the National Theatre, RDF television, and other media companies in the UK. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Xiaoning Lu received her BA and MA in Chinese Literature and Language from Nanjing University and Fudan University respectively. She then earned her PhD in Comparative Literature from the State University of New York at Stony Brook. Prior to joining SOAS in 2010, she had taught cinema and cultural studies, modern Chinese literature and popular culture at Stony Brook University and Ludwig-Maximilian University of Munich. Xiaoning's research focuses on the complex relationship between cultural production and state governance in modern China. She is the author of Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 (Brill, 2020) and co-editor of The Oxford Handbook of Communist Visual Cultures (OUP, 2020). Her writings on various aspects of Chinese socialist cinema and culture have appeared in journals and edited collections, including Journal of Chinese Cinemas, Journal of Contemporary China, Chinese Film Stars, Maoist Laughter, Surveillance in Asian Cinema: Under Eastern Eyes and Words and Their Stories: Essays on the Language of the Chinese Revolution. She was recently a recipient of a Leverhulme Research Fellowship through which she researched transnational film practices in the People's Republic of China from 1949 to 1989. In addition to her scholarly work, Xiaoning is passionate at introducing contemporary Chinese films to UK audiences. With colleagues at Shanghai Art Film Federation, she co-curated Chinese Art Film Festival London Showcase from 2016 to 2018 exploring social and cultural issues in contemporary Chinese society, including the persistence of traditional values in China's modernization and Chinese women's filmmaking. Recognized for her regional expertise, she was invited to provide advice on China-related cultural production for the National Theatre, RDF television, and other media companies in the UK. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Xiaoning Lu received her BA and MA in Chinese Literature and Language from Nanjing University and Fudan University respectively. She then earned her PhD in Comparative Literature from the State University of New York at Stony Brook. Prior to joining SOAS in 2010, she had taught cinema and cultural studies, modern Chinese literature and popular culture at Stony Brook University and Ludwig-Maximilian University of Munich. Xiaoning's research focuses on the complex relationship between cultural production and state governance in modern China. She is the author of Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 (Brill, 2020) and co-editor of The Oxford Handbook of Communist Visual Cultures (OUP, 2020). Her writings on various aspects of Chinese socialist cinema and culture have appeared in journals and edited collections, including Journal of Chinese Cinemas, Journal of Contemporary China, Chinese Film Stars, Maoist Laughter, Surveillance in Asian Cinema: Under Eastern Eyes and Words and Their Stories: Essays on the Language of the Chinese Revolution. She was recently a recipient of a Leverhulme Research Fellowship through which she researched transnational film practices in the People's Republic of China from 1949 to 1989. In addition to her scholarly work, Xiaoning is passionate at introducing contemporary Chinese films to UK audiences. With colleagues at Shanghai Art Film Federation, she co-curated Chinese Art Film Festival London Showcase from 2016 to 2018 exploring social and cultural issues in contemporary Chinese society, including the persistence of traditional values in China's modernization and Chinese women's filmmaking. Recognized for her regional expertise, she was invited to provide advice on China-related cultural production for the National Theatre, RDF television, and other media companies in the UK. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

How did the Cold War shape culture and political power in decolonizing countries and give rise to authoritarian regimes in the so-called free world? Cold War Reckonings: Authoritarianism and the Genres of Decolonization (Fordham UP, 2021) tells a new story about the Cold War and the global shift from colonialism to independent nation-states. Assembling a body of transpacific cultural works that speak to this historical conjuncture, Jini Kim Watson reveals autocracy to be not a deficient form of liberal democracy, but rather the result of Cold War entanglements with decolonization. Focusing on East and Southeast Asia, the book scrutinizes cultural texts ranging from dissident poetry, fiction, and writers' conference proceedings of the Cold War period, to more recent literature, graphic novels, and films that retrospectively look back to these decades with a critical eye. Paying particular attention to anti-communist repression and state infrastructures of violence, the book provides a richaccount of several U.S.–allied Cold War regimes in the Asia Pacific, including the South Korean military dictatorship, Marcos' rule in the Philippines, illiberal Singapore under Lee Kuan Yew, and Suharto's Indonesia. Watson's book argues that the cultural forms and narrative techniques that emerged from the Cold War-decolonizing matrix offer new ways of comprehending these histories and connecting them to our present. The book advances our understanding of the global reverberations of the Cold War and its enduring influence on cultural and political formations in the Asia Pacific. Cold War Reckonings earned Honorable Mention for the 2022 René Wellek Prize. Jini Kim Watson is Professor of English and Comparative Literature at New York University. She is the author of The New Asian City: Three-dimensional Fictions of Space and Urban Form and editor, with Gary Wilder, of The Postcolonial Contemporary: Political Imaginaries for the Global Present. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How did the Cold War shape culture and political power in decolonizing countries and give rise to authoritarian regimes in the so-called free world? Cold War Reckonings: Authoritarianism and the Genres of Decolonization (Fordham UP, 2021) tells a new story about the Cold War and the global shift from colonialism to independent nation-states. Assembling a body of transpacific cultural works that speak to this historical conjuncture, Jini Kim Watson reveals autocracy to be not a deficient form of liberal democracy, but rather the result of Cold War entanglements with decolonization. Focusing on East and Southeast Asia, the book scrutinizes cultural texts ranging from dissident poetry, fiction, and writers' conference proceedings of the Cold War period, to more recent literature, graphic novels, and films that retrospectively look back to these decades with a critical eye. Paying particular attention to anti-communist repression and state infrastructures of violence, the book provides a richaccount of several U.S.–allied Cold War regimes in the Asia Pacific, including the South Korean military dictatorship, Marcos' rule in the Philippines, illiberal Singapore under Lee Kuan Yew, and Suharto's Indonesia. Watson's book argues that the cultural forms and narrative techniques that emerged from the Cold War-decolonizing matrix offer new ways of comprehending these histories and connecting them to our present. The book advances our understanding of the global reverberations of the Cold War and its enduring influence on cultural and political formations in the Asia Pacific. Cold War Reckonings earned Honorable Mention for the 2022 René Wellek Prize. Jini Kim Watson is Professor of English and Comparative Literature at New York University. She is the author of The New Asian City: Three-dimensional Fictions of Space and Urban Form and editor, with Gary Wilder, of The Postcolonial Contemporary: Political Imaginaries for the Global Present. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

How did the Cold War shape culture and political power in decolonizing countries and give rise to authoritarian regimes in the so-called free world? Cold War Reckonings: Authoritarianism and the Genres of Decolonization (Fordham UP, 2021) tells a new story about the Cold War and the global shift from colonialism to independent nation-states. Assembling a body of transpacific cultural works that speak to this historical conjuncture, Jini Kim Watson reveals autocracy to be not a deficient form of liberal democracy, but rather the result of Cold War entanglements with decolonization. Focusing on East and Southeast Asia, the book scrutinizes cultural texts ranging from dissident poetry, fiction, and writers' conference proceedings of the Cold War period, to more recent literature, graphic novels, and films that retrospectively look back to these decades with a critical eye. Paying particular attention to anti-communist repression and state infrastructures of violence, the book provides a richaccount of several U.S.–allied Cold War regimes in the Asia Pacific, including the South Korean military dictatorship, Marcos' rule in the Philippines, illiberal Singapore under Lee Kuan Yew, and Suharto's Indonesia. Watson's book argues that the cultural forms and narrative techniques that emerged from the Cold War-decolonizing matrix offer new ways of comprehending these histories and connecting them to our present. The book advances our understanding of the global reverberations of the Cold War and its enduring influence on cultural and political formations in the Asia Pacific. Cold War Reckonings earned Honorable Mention for the 2022 René Wellek Prize. Jini Kim Watson is Professor of English and Comparative Literature at New York University. She is the author of The New Asian City: Three-dimensional Fictions of Space and Urban Form and editor, with Gary Wilder, of The Postcolonial Contemporary: Political Imaginaries for the Global Present. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How did the Cold War shape culture and political power in decolonizing countries and give rise to authoritarian regimes in the so-called free world? Cold War Reckonings: Authoritarianism and the Genres of Decolonization (Fordham UP, 2021) tells a new story about the Cold War and the global shift from colonialism to independent nation-states. Assembling a body of transpacific cultural works that speak to this historical conjuncture, Jini Kim Watson reveals autocracy to be not a deficient form of liberal democracy, but rather the result of Cold War entanglements with decolonization. Focusing on East and Southeast Asia, the book scrutinizes cultural texts ranging from dissident poetry, fiction, and writers' conference proceedings of the Cold War period, to more recent literature, graphic novels, and films that retrospectively look back to these decades with a critical eye. Paying particular attention to anti-communist repression and state infrastructures of violence, the book provides a richaccount of several U.S.–allied Cold War regimes in the Asia Pacific, including the South Korean military dictatorship, Marcos' rule in the Philippines, illiberal Singapore under Lee Kuan Yew, and Suharto's Indonesia. Watson's book argues that the cultural forms and narrative techniques that emerged from the Cold War-decolonizing matrix offer new ways of comprehending these histories and connecting them to our present. The book advances our understanding of the global reverberations of the Cold War and its enduring influence on cultural and political formations in the Asia Pacific. Cold War Reckonings earned Honorable Mention for the 2022 René Wellek Prize. Jini Kim Watson is Professor of English and Comparative Literature at New York University. She is the author of The New Asian City: Three-dimensional Fictions of Space and Urban Form and editor, with Gary Wilder, of The Postcolonial Contemporary: Political Imaginaries for the Global Present. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

In Minor China: Method, Materialisms, and the Aesthetic (Duke UP, 2021), Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures. Hentyle Yapp, Associate Professor of Performance Studies at the University of California, San Diego and coeditor of Saturation: Race, Art, and the Circulation of Value. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Minor China: Method, Materialisms, and the Aesthetic (Duke UP, 2021), Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures. Hentyle Yapp, Associate Professor of Performance Studies at the University of California, San Diego and coeditor of Saturation: Race, Art, and the Circulation of Value. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies