Podcasts about brides

20 years ago, Warren Jeffs, the self-proclaimed prophet and leader of a polygamist and religious sect, called the FLDS, was captured – leading to a conviction, and life sentence for aggravated sexual assault against two minor females. But one year prior to Jeffs apprehension, Dr. Phil received a guest submission that introduced him to 2 teenage girls, both named Fawn, who claimed to escape the religious sect. At just 16 years old, both girls, in the middle of the night, claimed they ran away from their families who were embedded in the FLDS community. Both Fawns claimed that if they hadn't escaped, they would have been forced to become teenage brides to older men, and immediately begin having children. But although they were safe, both teenage girls admitted were feeling pulled to return home. Today, Dr. Phil speaks with one of the Fawns, now almost 40 years old, to see how she is doing over 2 decades after their first meeting. Plus, Fawn was only 18 years old when Dr. Phil first met her, now she has an 18-year-old daughter of her own, find out how she feels about her mother's inspiring story of survival. Sponsored by Preserve Gold: Get up to $20,000 in FREE Gold & Silver with a qualified purchase. CALL: 844-718-2642 Text ASKPHIL to 50505 or visit https://DrPhilgold.comSponsored by Chapter: Don't wait! If you're on Medicare or will be soon, reach out to Chapter: CALL: 352-845-0659 or go to https://askchapter.org to learn about your Medicare options and get help finding ways to save money.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sandy MaloneSandy and her husband, Bill, planned more than 500 destination weddings in 11 years in the Caribbean before Hurricane Maria. They saw the kind of crazy that nice families don't talk about after the wedding weekend.Now she's released a fictional series about a wedding planner who has to start over on another island after a storm, using all the real crazy they saw at clients' weddings. Don't worry, it's fictionalized to protect the guilty!Sandy is an established expert on destination weddings and has authored hundreds of articles published on revered wedding sites such as BRIDES, WeddingWire, and the HuffPost's Wedding page. She also had a podcast for several years called "Wedding Reality Check with Sandy Malone."Sandy wrote a DIY wedding planning guide called "How to Plan Your Own Destination Wedding: Tips from An Experienced Professional" published by Skyhorse Publishing in 2016. She also ghostwrote two other books for well known reality TV stars (including a Housewife).Sandy and Bill starred in TLC's reality TV show "Wedding Island" about their business on Vieques, Puerto Rico.After she got a degree in journalism at THE Ohio State University, Sandy began her career Campaigns & Elections Magazine and rose to Managing Editor. Sandy went on to write the Politics.Net column for the Wall Street Journal. Most recently Sandy was Editor in Chief of Blue Lives Matter/The Police Tribune. She and her husband (a retired SWAT commander) live on Jekyll Island, Georgia, with their coonhound, Sherlock. They are both native Washingtonians.Sponsors:https://propmoneyinc.pxf.io/aOBDmohttps://waterflyshop.com/mattnappohttps://nextbase.sjv.io/oq1e79https://propmoneyinc.pxf.io/c/3290446...https://vapeworld.evyy.net/c/3290446/...https://eycemolds.pxf.io/c/3290446/16...https://wineexpress.vneoga.net/yqG3E3https://www.dubby.gg/discount/minddog...

One of the most spectacular solar eclipses the UK has seen for decades is taking place this evening. The extraordinary celestial event will see the Moon move across the face of the Sun, creating a partial solar eclipse across the UK. Dr Becky Smethurst, an astrophysicist at the University of Oxford, and Zara Gray, an amateur eclipse chaser discuss the phenomenon.There are now 30 million more men than women in China due to China's one-child policy and that has led to many single men desperate to find a wife. But desperation can also make people vulnerable to exploitation. The authorities in China are warning of a rise in marriage fraud as scammers target those single men. Nuala is joined by the BBC China Correspondent Laura Bicker and Times columnist and author of the Chinese Whispers Substack Cindy Yu Britain's star athlete Keely Hodgkinson is competing in the women's 800m at the European Athletics Championships in Birmingham. She is in the semi-finals tomorrow, with the final taking place on Friday. Team GB are hoping for gold. It has been called the race of the year, but the record has remained unbroken for 43 years despite huge advances in training, nutrition and technology. BBC sports journalist Emma Middleton explains more.Women climbers have defied altitude, expectations and convention. Journalist and author Rosemary J. Brown joins Nuala to discuss her new book, Moving Mountains, which uncovers the extraordinary stories of pioneering female mountaineers and the peaks named in their honour.When Dr Amanda Cole found out she had Tourette syndrome in her twenties, she thought it would destroy her life. Now a professor of sociolinguistics at the University of Cambridge, she is the subject of a new BBC documentary about her experiences with the neurological condition. Having previously kept her Tourette syndrome hidden, Dr Cole joins Nuala to discuss sharing her diagnosis with students at Cambridge and how being diagnosed has influenced both her personal and professional life.Presenter: Nuala McGovern Producer: Dianne McGregor

rielle Tayar is a Miami-based serial entrepreneur, creative director, and experience designer who has spent the last decade building businesses at the intersection of brand, story, and human connection. She is the Founder of Whip Creative Studio, a full-scope brand identity and creative agency with a global presence across Miami, New York, Tel Aviv, Barcelona, and Mexico City, and Founder and CEO of Whip Productions, a luxury event design and production company serving clients worldwide since 2016. Her work spans brand identity, experiential marketing, web design, content production, and high-end event and wedding planning, with press features in Vogue, Brides, and Smashing the Glass, a client roster that includes Gucci, Spanx, elf Beauty, and Hulken, and Hollywood-level weddings attended by names like LeBron James and Adele. Before Whip, she co-founded Citizen Garden, Tel Aviv's first viral vegetarian café, a concept she built entirely from scratch, developing the brand, menu, and social presence that turned it into a cultural landmark and her first initiation into the world of branding. Raised in New Jersey by Israeli immigrants, she studied theater and politics at The New School before earning a graduate degree in film in Tel Aviv. A mother of two, Arielle built every business entirely self-funded, no investors, no outside capital, scaling Whip Creative Studio to a global team and growing her companies into seven-figure ventures through sheer creative conviction and relentless execution.

Hey, Goons! Stop! It's still Hammer Time on this week's brand new episode of Slashers Podcast! Join us as we recap some horror news; how to behave at conventions; and our main feature this week: The Brides of Dracula. This 1960 Hammer Film features Peter Cushing as Van Helsing, as he must battle the brides of a vampire (not Dracuala - spoiler!). Let us know if you've seen this one in the comments!!Special shoutout to Ammany from Ascenscion Tattoos!!! Check her work out on IG @ammanyexchangeDon't forget to rate, review, and subscribe to Slashers Podcast for more deep dives into cult horror films!You can also find us on Facebook at the Group page Mutant Goons From Beyond. You can find our merch, and links to all our online presence here: linktr.ee/slasherspodTheme song is I wanna Die by Mini Meltdowns. https://open.spotify.com/artist/5ZAk6lUDsaJj8EAhrhzZnh ; https://minimeltdowns.bandcamp.com/Outtro Song is If I Gave a Fuck, I'd Give a Shit by Rushmore.rushmorefl.bandcamp.com

You spent time and love building your brand, choosing your colors, your fonts, the feeling you want clients to have when they land on your website. But have you ever thought of your editing as part of that same visual identity? In this episode, guest host Shannon Griffin sits down with professional photo editor Nina Cornelison to talk about why the way you edit is just as much your brand as your logo, and how getting clear on your visual direction can finally solve the consistency struggles so many photographers face. Topics covered in this episode: Why your editing style is a visual identity of its own, and how treating it that way builds recognition and trust with clients across your portfolio, website, and Instagram How creating a style board or reference board for your editing (just like a brand board) trains your eye and gives you something to come back to when you feel all over the place The consistency question every photographer asks: how to keep your greens, whites, and skin tones cohesive across summer and winter sessions, studio and outdoor light, and even film and digital Why a better preset will not fix your editing, and the observe, diagnose, adjust approach to use before you ever reach for one Editing skin tones with care, including why consistency should never mean making everyone's skin look the same, and practical tips for masking and staying true to each person's real skin color How overconsuming inspiration can pull you away from your own style, and how to put the blinders on and refine what is already working Knowing your ideal client and how it shapes everything from black and white copies to gallery sizes to how much you retouch Connect with Nina: Instagram: https://www.instagram.com/nina_photoeditor Nina's wait list: https://nina.myflodesk.com/workflow-interest?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQPOTM2NjE5NzQzMzkyNDU5AAGnR0uPLgFFuctJYRwh74lJPxku5ty0ce5WgmMOrK6VNQoSIoPEm2X7YgLoWCQ_aem_S0KjbywesCUcPtlgmK5c5Q With more than two decades of creative and post-production experience, Nina Cornelison brings a discerning eye to photo editing and image curation. She is known for her careful attention to detail, mastery of color, and deeply collaborative nature, making her an integral extension of every team. Her background in fine art elevates her work beyond the expected and infuses every image with a transformative quality, remarked upon by photographers and photo editors alike. Nina is the leading post-production editor for some of the most sought-after photographers in the country and takes on a select number of new clients each year. Nina has had the privilege of supporting photographers whose work has been featured in Vogue, Town & Country, NY Times, and Brides. Connect with TMA: Website | Membership | Courses: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.themotherhoodanthology.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Free Community: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/themotherhoodanthology ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/themotherhoodanthology⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with Kim: Site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kimbox.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/kimbox ⁠⁠⁠⁠

Planning a wedding comes with a lot of questions, and it can be hard to know what's actually worth stressing over. After spending the last year and a half planning my own wedding, I've learned a lot through the process. In today's advice session, I'm giving you my thoughts and best tips that have helped me. If you're a bride who's feeling overwhelmed by wedding planning, whether it's the budget, the decisions, the guest list, or just figuring out where to start, this advice session is for you!!

How do products actually get featured in magazines year-round—not just during the holidays?In this episode, Gloria sits down with Ruby McAuliffe Ford-Dunker, freelance journalist whose work has appeared in Vogue, ELLE, Marie Claire, Refinery29, Who What Wear, Brides, and more, to break down how founders can use trends, seasonality, and timely angles to land editorial coverage.Ruby shares exactly how editors and freelance writers decide what's newsworthy, where they spot emerging trends, and why you don't need a celebrity endorsement or thousands of followers to get featured.In this episode, you'll learn: How to identify trends before they're saturated  When to pitch seasonal stories (and when it's already too late)  The difference between long-lead and short-lead editors  Where journalists actually find story ideas  Whether affiliate links are required for magazine features  How to approach product samples—especially for high-ticket items  The right way (and right time) to follow up on your pitch  Subject line tips that help your email get opened  Why small businesses have just as much opportunity to be featured as big brands Whether you're launching a beauty brand, fashion label, home product, or lifestyle business, this episode will help you think like an editor and pitch stories that feel relevant all year long.Connect with Ruby: Instagram: @rubymcauliffeIf you enjoyed this episode, be sure to subscribe, leave a review, and share it with another founder who's ready to earn more press. Ready to get your products featured in magazines?In my free PR Masterclass, I'll show you how small business owners land press in outlets like Vogue, Forbes, and Real Simple—without hiring a PR agency or having a big following.

This is a custom clip of the Sunday a.m. service, of the healing of a young Brides terminal cancer, through the God's divine Intervention.

The BOB & TOM Show – July 31, 20266:00 Hour 6:00 – Paul Thorn – "Great Day to Whip Somebody's Ass"6:06 – Jeff discussed Zima attracting bees.6:08 – Bee discussion.6:10 – Chick and Kristi discussed driveway drinking.6:11 – Chick shared that a neighbor may have passed away.6:22 – Listener letter about college mascots, including Otto the Orange.6:24 – Kristi talked about loving saltine crackers.6:25 – Jeff shared growing up eating saltines before trying Ritz crackers.6:26 – Listener letter about having a keg as a mascot.6:28 – Listener letter about the Crossy Walk game.6:29 – Listener letter about Oregon's last record store.6:31 – Kristi received a signed photo from Bobby Sherman.6:32 – Josh talked about performing in a production of Grease.6:36 – Chick noted the passing of Olivia Newton-John.6:51 – Listener letter calling The Villain the best comedy.6:51 – Listener letter about a first school fight with a friend.6:52 – Listener letter praising the "Corn Song (Twist)."6:53 – "Easy Come, Easy Go" by Bobby Sherman.6:55 – Listener letter recommending frozen sour cream and onion chips. 7:06 – Discussion about Here Come the Brides.7:09 – "Easy Come, Easy Go" by Bobby Sherman.7:11 – Sports update.7:13 – "I'm Dry" featuring Josh and Kristi.7:13 – World record discussion: most fish sticks eaten in one minute.7:22 – Listener letter to Josh about a dog wearing a Bruins jersey.7:28 – Jess joined the show in studio.7:29 – Discussion about Donna Mills joining OnlyFans at age 85.7:31 – Jeff joked that Jess could start a cookware line.7:33 – Chick discussed his favorite hot dogs.7:36 – Jeff talked about growing up in a home heated with wood.7:37 – Kristi said she is not allowed to have a chainsaw.7:46 – Discussion about robot taxis.7:48 – Survey: Families would rather inherit nothing than unwanted possessions.7:50 – Kristi talked about inheriting her mother's apartment. 8:02 – Josh celebrated 10 years on the show.8:04 – Discussion about a 50th anniversary pizza promotion with 50 toppings.8:06 – Chick said pizza needs extra cheese.8:10 – Discussion about drone food delivery.8:12 – Jeff wondered whether you should tip a drone.8:14 – Jeff joked about hijacking a delivery drone.8:23 – Story about a teen fined for licking a straw and putting it back in a vending machine.8:25 – Discussion about a swingers club for sale in England.8:28 – Jeff shared a past visit to a swingers club, saying he remained fully clothed.8:45 – Today in History. 9:03 – Jess shared a two-ingredient nugget recipe.9:22 – Jeff said he forgot to mention a news story.9:27 – Survey: Families prefer inheriting a few meaningful items instead of everything.9:37 – Jess said Tom does not like being touched.9:46 – "Easy Come, Easy Go" by Bobby Sherman.9:48 – Discussion about an American Cancer Society short film featuring Cindy Crawford.9:52 – "Pink Panther Theme." 7:00 Hour8:00 Hour9:00 Hour Learn more about your ad choices. Visit podcastchoices.com/adchoices

Trust isn't built in one big moment. It's earned one small interaction at a time.In this episode, Nadine sits down with business strategist Amber McKinney of Vow To Grow to talk about one of the biggest challenges wedding professionals are facing today: building trust with modern couples. From the rise of "wedding tax" conversations on TikTok to clients questioning pricing, timelines, and expectations, Amber shares practical ways to create a client experience that feels transparent, professional, and confidence-building from the very beginning.Together, they discuss why clear communication, strong boundaries, and thoughtful education can completely change the way clients experience your business. Amber also explains how wedding professionals can position themselves as trusted experts before a bride ever walks through the door, while protecting their own time and preventing burnout.Whether you're struggling with ghosted inquiries, difficult clients, pricing conversations, or simply want to improve your customer experience, this episode is full of actionable ideas you can implement immediately.You'll walk away with:Why transparency builds trust long before the first appointment How better boundaries create better client relationships Ways to educate brides so they understand the value behind your pricing Simple customer experience improvements that lead to more referrals How to position yourself as the obvious expert before clients inquireConnect with Amber: Website: https://vowtogrow.biz/Instagram: https://www.instagram.com/vow.to.grow/Connect with Nadine:Check out the exclusive private podcast series, Fitting Packages 101: https://enchanting-sun-77080.myflodesk.com/privatepodcastBecome a member: https://secretsofabridalseamstresspodcast.com/membershipInstagram: https://www.instagram.com/secretsofabridalseamstress/TikTok: https://www.tiktok.com/@nadinebozemanYouTube: https://www.youtube.com/@secretsofabridalseamstress/

Jeff hosts a solo episode of Horror Joy: Meet Your Maker with author Amy Jane Stewart, who grew up in Edinburgh, lives in the Scottish Borders, and whose debut novel Hex House (Titan Books) is a feminist horror fairy tale released spring 2026. She is also completing a University of Sheffield PhD on winged women and received Creative Scotland funding in 2023. Stewart describes horror's connection to joy through nostalgia for boundary-pushing media, the welcoming horror community, and horror as a safe space to explore big feelings and loss of control. She recounts deciding at 26 to pursue publication, facing rejections, finding her voice in creepy short fiction during an MA at York St John, and ultimately signing with an agent and a 2024 book deal, with Hex House blending fantasy and gothic horror. They discuss genre boundaries, haunted houses as subversions of home and trauma, Hex House's dual perspectives (Ellie and Siobhan), and Stewart's next dark-academia horror novel, plus recommendations including The Lamb, The Brides, and The Memory Tree.

Siders Ohio house of horrors child bride history — before the sixteen children were found in Vinton County, marriage records from Gallia County, Ohio, and Mason County, West Virginia, show three girls between fourteen and fifteen years old were married into the Siders family orbit over a six-year span. Judges signed. Parents signed. Nobody intervened.The youngest was fourteen and pregnant when she married a forty-eight-year-old cousin of Gary Siders Sr. in 2002. A year later, a fifteen-year-old identified in records as Gary Siders Jr.'s own sister was married in the same county. And in 2008, Elizabeth Russell — the woman now facing sixteen counts of child endangerment — was married at fifteen to Gary Siders Jr. across the state line in West Virginia, where the law set no minimum marriage age at all.Tony connects the marriage pattern to the family now facing sixty-four felony charges and asks the question the entire legal system was built to avoid — whether what happened to those girls before the weddings was itself a crime that should have been prosecuted instead of papered over with a marriage license.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#SidersFamily #ElizabethSiders #HiddenKillers #TrueCrime #OhioHouseOfHorrors #16KidsOhio #ChildMarriage #VintonCounty #GalliaCounty #TrueCrimeToday

Hemisphere Pictures marketing consultant Samuel M. Sherman

BONUS: Extras

Episode Summary Monday's show has everything a civilized brain rejects on contact: Pastor Steven Anderson getting hauled off to a psych ward, Galileo2333 defending Somali child brides like a speed-freak lunatic, horny old-man pet-store behavior in Florida, and a Disney-area creep getting romantic with a vacuum cleaner. Opening Chaos Ongoing Freaks / Updates Episode Highlights […] The post Somali Child Brides for Old White Farmers – NEW SHOW! first appeared on Distorted View Daily.

See for example: https://www.abc.net.au/news/2026-07-10/climate-change-leading-to-more-child-marriages-advocates-say/106766756 _______________________________________ To order Suicidal Empathy: https://lnk.to/SuicidalEmpathy To order a signed copy of Suicidal Empathy: https://premierecollectibles.com/suicidalempathy _______________________________________ If you appreciate my work and would like to support it: https://subscribestar.com/the-saad-truth https://patreon.com/GadSaad https://paypal.me/GadSaad To subscribe to my exclusive content on X, please visit my bio at https://x.com/GadSaad _______________________________________ This clip was posted on July 13, 2026 on my YouTube channel as THE SAAD TRUTH_2056: https://youtu.be/jBaBCeAYxYM _______________________________________ Please visit my website gadsaad.com, and sign up for alerts. If you appreciate my content, click on the "Support My Work" button. I count on my fans to support my efforts. You can donate via Patreon, PayPal, and/or SubscribeStar. _______________________________________ Dr. Gad Saad is a professor, evolutionary behavioral scientist, and author who pioneered the use of evolutionary psychology in marketing and consumer behavior. In addition to his scientific work, Dr. Saad is a leading public intellectual who often writes and speaks about idea pathogens that are destroying logic, science, reason, and common sense.  _______________________________________

Title: Bizarre Brides and Bad Beings (Part 2)Scripture Reading: Genesis 6:1-4Series: Bizarre BibleThis is part 2 of a message on Genesis 6:1-4, where we continue exploring the W.E.I.R.D. aspects of spiritual beings and humanity. Today we cover Warped Wife-Wooing (spiritual beings mating with humans) and Earth's Expiration (the flood as a consequence of both human and spiritual sin). It unveils the Inhuman Invaders (Nephilim) as offspring, emphasizes the Reality of the Realms (unseen spiritual warfare), and ultimately points to Defeated Demons through Jesus's sovereignty. Embrace the reality of spiritual warfare, find comfort in God's persistent grace, and remember that Jesus has already secured victory over all spiritual oppression.

Another fun-filled episode of Nerds Talking is here, packed with laughs, movie reviews, entertainment news, and plenty of geeky conversations!Join Lafayette and Carlos as they bring you your weekly dose of entertainment news before taking an unexpected detour into the world of international soccer tournaments—not just the World Cup, but some of the biggest competitions from around the globe.One thing becomes very clear throughout the episode: Lafayette absolutely refuses to stop working on his Christopher Walken impression. Whether it's spot-on or hilariously off the rails... we'll let you decide!This week's movie reviews include Ready or Not 2: Here I Come, directed by Matt Bettinelli-Olpin and Tyler Gillett, starring Samara Weaving, Kathryn Newton, Sarah Michelle Gellar, Elijah Wood, Shawn Hatosy, and David Cronenberg. Does the sequel live up to the original's twisted blend of horror and comedy? We break it all down. (Wikipedia)We also dive into the explosive martial arts action film The Furious, directed by Kenji Tanigaki, starring Mo Tse, Joe Taslim, Yang Enyou, Jeeja Yanin, Brian Le, and Yayan Ruhian. After Wang Wei's daughter is kidnapped by a ruthless criminal network, his only ally is Navin, a journalist searching for his own missing wife. Together, they unleash a relentless campaign of vengeance against an army of deadly criminals. But the real question is... is it actually exciting, or is it as boring as The Raid? (Yeah... we said it.) You'll have to listen to hear our verdict! (Wikipedia)Looking for your next binge? We also discuss which television series we'd recommend to someone who has somehow gone their entire life without ever watching a TV show. If you could only recommend a handful of series to introduce someone to television, what would they be? We compare our lists and make our cases.Plus, we count down and discuss the Top 10 highest-grossing animated movies of all time, revisit some classics, debate the rankings, and celebrate the films that became worldwide box office sensations.It's another episode full of movie talk, nostalgia, laughs, impressions, random debates, and the kind of nerdy conversations you've come to expect from Nerds Talking.Tune in, laugh along with us, and don't forget to subscribe, rate, and share the show with your fellow nerds!#NerdsTalking #Podcast #EntertainmentNews #MovieReview #ReadyOrNot2 #TheFurious #JoeTaslim #SamaraWeaving #ChristopherWalken #HorrorMovies #MartialArtsMovies #ActionMovies #AnimatedMovies #TVShows #PopCulture #GeekCulture #FilmPodcast #MoviePodcast #Movies #Streaming #ComedyPodcast #NerdCulture

If you have been affected by any of the themes in this episode, please consider visiting the following resources: The Samaritans helpline: 116 123 Refuge domestic abuse helpline: 0808 2000 247 (live chat is also available at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.nationaldahelpline.org.uk/Contact-us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *times apply) Safeline domestic abuse helpline: 01926 402 498 Safeline national male survivor helpline: 0808 800 5005 Rape Crisis Helpline: 0808 802 9999 (help is also available at live chat at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://rapecrisis.org.uk/get-help/live-chat-helpline/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *times apply) Sexual Assault Support Line: 01708 765200 To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/thecriminalmakeup. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Title: Bizarre Brides and Bad Beings (Part 1)Scripture Reading: Genesis 6:1-4Series: Bizarre BibleWe're exploring perhaps the weirdest passage in the entire Bible through the acronym W.E.I.R.D. The "W" stands for 'Warped Wife-Wooing' where nefarious spiritual beings, referred to as 'the sons of God,' took human women as wives. This act is presented as a great sin and a fall of spiritual beings, paralleling humanity's fall in Genesis 3. The message highlights how both falls involve 'looking and taking,' revealing the expressway-sized connection between our eyes and heart, where envy leads to lust and actions outside of God's will. To combat the anxiety, envy, and unhappiness that arise from covetousness, discipline your eyes and set your mind's eye on Jesus, who alone brings true joy and contentment.

Hey, beautiful brides-to-be! Welcome back to the Bella Lily Podcast—where finding your dream dress is just the beginning of the magic.

Show notes:This week, I'm joined by Georgina Rose, founder of Georgina Rose Events, creator of The Secret Society of Brides podcast, author, content creator and one of the wedding industry's biggest advocates for TikTok marketing.If you've ever wondered whether it's too late to start creating content, whether TikTok is worth your time, or how to build a business that creates multiple income streams, this episode is for you.Georgina shares her unconventional journey into the wedding industry, from leaving university after three months to growing a business that now delivers over 100 weddings a year with the support of her team.We dive into the viral Newlyweds Podcast moment that put her in front of millions of people, why she believes success isn't luck, and how strategic marketing decisions can completely transform your business.Georgie's TikTokGeorgie's InstagramSecret Society of Brides InstagramTime stamps:00:07 - Introduction to Wedding Marketing04:48 - The Journey to Wedding Planning14:06 - The Power of Personality in Social Media Marketing36:22 - Starting a Podcast: The Journey Begins42:55 - Navigating Business Partnerships49:19 - Navigating TikTok: The Good, The Bad, and The BusinessMentioned in this episode:Join Club 150 - The Wedding Pro Members LoungeThe Wedding Pro Members Lounge is my private membership community for wedding business owners and venues, offering weekly coaching with Becca, monthly masterclasses, and an on-demand training vault. Club 150 because there's only ever a maximum of 150 members inside! When the 150 seats are gone, the doors close. Join now and experience the community for yourself.Wedding Pro Members Lounge

In this episode, Tony zoomed with legendary filmmaker Brian Yuzna—the mind behind Re‑Animator, Society, and some of the wildest practical‑effects nightmares ever put on screen. Now he's turning his attention to a new project: Tales of Blood Island, a tropical fever dream blending zombies, voodoo, and the vibrant, uncanny world of Tiki Horror. From pulp comics to Polynesian mythology to mid‑century Tiki culture, Yuzna breaks down how this new anthology taps into a corner of horror that's rarely explored but instantly evocative. Brian Yuzna's Vision — Building a New Island of Horror Yuzna shares how Tales of Blood Island draws from: Classic zombie cinema and Caribbean voodoo folklore Tiki‑bar aesthetics, from carved idols to neon‑lit escapism 1960s tropical horror films, including The Brides of Blood Island The pulpy, transgressive tone of EC Comics and drive‑in creature features He talks about why the Tiki aesthetic—bright, playful, and nostalgic—becomes even more unsettling when corrupted by ritual, rot, and the supernatural. Tiki Horror — A Genre Mashup with Teeth We explore how “Tiki Horror” functions as a hybrid genre, mixing: Tropical island settings with lurking supernatural forces Tiki monster culture, from Kaiju‑adjacent beasts to cursed island guardians Haunted Tiki bars, echoing real‑world attractions like Black Lagoon or Midsummer Scream's island‑themed haunts Beach‑party innocence twisted into ritualistic dread Yuzna explains why this blend works: the clash between paradise and terror creates instant tension. Zombies & Voodoo — Returning to the Roots Yuzna digs into the cultural and cinematic history behind the project's undead elements: The difference between voodoo‑driven zombies and modern infection‑based ones How ritual, belief, and folklore shape the tone of the anthology Why the island setting allows for both intimate horror and large‑scale spectacle Crafting the Anthology — Tales Told in Blood and Bamboo He breaks down the structure of Tales of Blood Island: Standalone stories unified by the island's mythology A rotating cast of characters encountering curses, creatures, and colonial ghosts Practical effects, stylized visuals, and a comic‑book sensibility The tonal balance between camp, terror, and tropical surrealism SAVE 17% ON PLUS

It is time to wrap up The Lost Brides trilogy! The Seven Rings (2025) was very different than we expected. Is Nora trying something new? Are we entering a new era of Nora? Listen to hear all of our thoughts!

John Prideaux, The Economist's US Editor, embarks on a roadtrip to see how America's democracy is faring in the era of Trump. His companion is a long-dead French aristocrat called Alexis De Tocqueville, author of arguably the best book ever written about America. When Tocqueville arrived in New York in 1831, it was a small, low-slung city where pigs roamed the streets. But he was able to see past that—to a vision of the future.Arriving in Manhattan today, John finds cause for concern, even among the island's wealthiest residents. Guests and HostsJohn Prideaux, The Economist's US EditorBabara Tober, Philanthropist and former Editor of Brides magazineJohn Catsimatidis, CEO of Red Apple GroupTopics Alexis de Tocqueville's Democracy in America‘Equality of conditions' at 250The election of Zohran MamdaniDeclining faith in American democracyTo listen to the full series, subscribe to Economist Podcasts+. If you're already a subscriber to The Economist, you have full access to all our shows as part of your subscription. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

John Prideaux, The Economist's US Editor, embarks on a roadtrip to see how America's democracy is faring in the era of Trump. His companion is a long-dead French aristocrat called Alexis De Tocqueville, author of arguably the best book ever written about America. When Tocqueville arrived in New York in 1831, it was a small, low-slung city where pigs roamed the streets. But he was able to see past that—to a vision of the future.Arriving in Manhattan today, John finds cause for concern, even among the island's wealthiest residents. Guests and HostsJohn Prideaux, The Economist's US EditorBabara Tober, Philanthropist and former Editor of Brides magazineJohn Catsimatidis, CEO of Red Apple GroupTopics Alexis de Tocqueville's Democracy in America‘Equality of conditions' at 250The election of Zohran MamdaniDeclining faith in American democracyTo listen to the full series, subscribe to Economist Podcasts+. If you're already a subscriber to The Economist, you have full access to all our shows as part of your subscription. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Brides vs. basketball. It's Game 5 of the NBA Finals, the San Antonio Spurs vs. the New York Knicks, causing a possible big distraction at weddings this weekend. Some couples tying the knot during the game are anticipating they're going to have a hard time keeping their guests off their phones. And disgusting and classless. Those are just two words being used to describe Knicks fans, after some New York fans threw eggs at the Spurs while they were in New York, aiming right at the team's star player, Victor Wembanyama. Now the sheriff in San Antonio, where Game 5 is being held Saturday night, says the Knicks will be safe on their turf because they are not like New York. Plus, it's a mystery in Washington, D.C. Someone burned an anti-Trump message on the Mall's Great Lawn, leaving giant numbers, 86-47, scorched into the grass. The big question is: who did it? And she's the high school cheerleader killed on a cruise ship, with her stepbrother charged with first-degree murder. He has pled not guilty. Now, as he awaits trial, his step-grandmother is coming forward to say his parents should be charged for their alleged lack of supervision.

John Prideaux, The Economist's US Editor, embarks on a roadtrip to see how America's democracy is faring in the era of Trump. His companion is a long-dead French aristocrat called Alexis De Tocqueville, author of arguably the best book ever written about America. When Tocqueville arrived in New York in 1831, it was a small, low-slung city where pigs roamed the streets. But he was able to see past that—to a vision of the future.Arriving in Manhattan today, John finds cause for concern, even among the island's wealthiest residents. Guests and HostsJohn Prideaux, The Economist's US EditorBabara Tober, Philanthropist and former Editor of Brides magazineJohn Catsimatidis, CEO of Red Apple GroupTopics Alexis de Tocqueville's Democracy in America‘Equality of conditions' at 250The election of Zohran MamdaniDeclining faith in American democracyTo listen to the full series, subscribe to Economist Podcasts+.If you're already a subscriber to The Economist, you have full access to all our shows as part of your subscription. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Send Us A Question You Want ON AIR!In this episode of She Cultivates Podcast, I'm joined by wedding planner Zely Salazar for an honest conversation about what really happens behind the scenes of wedding planning. From common mistakes couples make to the trends that need to disappear, we're sharing insider insights that every bride-to-be should hear.In this episode, we discuss:• What a wedding planner actually does leading up to and on the wedding day• What truly makes a wedding memorable for guests• Where couples tend to overspend and where they should invest more• How social media has changed wedding expectations• Wedding trends that may be doing more harm than good• The hardest parts of wedding planning that no one talks about• How comparison culture affects engaged couples• Friendship challenges that can arise during wedding planningWhether you're newly engaged, actively planning your wedding, or simply love hearing behind-the-scenes stories, this episode offers practical advice, real talk, and reminders to stay focused on what matters most: celebrating your love and creating meaningful memories.Connect with Zely for Wedding Planning Services https://www.instagram.com/weddingsbyzely/ https://www.weddingsbyzely.com/contactPODCAST LIVE EARLY BIRD TICKET (USE CODE CULTIVATE15)https://www.shecultivatesorl.com/event-details/she-cultivates-podcast-liveSave 15% off your Skin Deep Connect Cards using link below https://shop.theskindeep.com/SHECULTIVATESORLWould love to hear from you! Leave a voicemail, ask a question, or share your story to be a part of the conversation. https://www.speakpipe.com/SheCultivatesPodcastSchedule your Call for 1X1 Community Event Coaching https://www.shecultivatesorl.com/service-page/community-strategy-intensive?utm_medium=page_links Buy Your Community Driven Event Guidehttps://www.shecultivatesorl.com/product-page/community-driven-event-guideBuy She Cultivates Merchhttps://www.shecultivatesorl.com/product-page/merchSupport the podcasthttps://www.buzzsprout.com/1132322/supportFollow me on Instagram  https://www.instagram.com/elizabethsabby/For questions, comments or collaborations please email: shecultivatespod@gmail.com Support the showSupport the podcasthttps://www.buzzsprout.com/1132322/supportSubscribe to She Cultivates podcast and leave a review. Follow me on Instagram  https://www.instagram.com/elizabethsabby/For questions, comments or collaborations please email: shecultivatespod@gmail.com 

Welcome back all! This month we are joined by Fr Conor McDonough OP, an exceptional Research Ireland funded PhD researcher in Classics, University of Galway. Conor elucidates the variety of religious life in the Middle Ages focussing on the new religious orders introduced as part of wider church reforms in the 11th and 12th centuries. This episode touches on a number of big themes such as the conflict between 'church and state', colonisation, language, ethnicity, patronage, and decline. What is the difference between a monk and a priest? Why were there two Cathedrals in Dublin? Why did the Cistercians in Ireland build a 'fortress against God'? Did the Irish prefer living in 'nests' rather than stone buildings? Conor answers all of these questions and much more. We learn all about the new international networks of the Cluniacs, Cistercians, Augustinians, Premonstratensians, the Rule of Benedict, drama at Mellifont, bishops as barons, the Anglo-Norman Conquest and the appeal of religious life. Suggested reading and resources:Treasure Ireland Youtube series https://www.youtube.com/playlist?list=PLdPbRZbumpDdJjMBmh_wlGVdx_rQVH38O-Edel Bhreathnach, Monasticism in Ireland, AD 900-1250 (Dublin, 2024)- Ó Clabaigh, Colmán, ‘The Church, 1050–1460', in Brendan Smith (ed.), The Cambridge History of Ireland. 1. 600–1550 (Cambridge, 2018), 355–384- Etchingham, Colmán, ‘Review Article: The “Reform” of the Irish Church in the Eleventh and Twelfth Centuries', Studia Hibernica, 37 (2011), 215–37 - Flanagan, Marie-Therese, The transformation of the Irish church in the twelfth century (Woodbridge, 2013)- Martin Browne OSB & Colmán Ó Clabaigh OSB (eds), The Irish Benedictines: A History, Dublin: Columba Press, 2005.- Martin Browne OSB & Colmán Ó Clabaigh OSB (eds), Households of God: The Regular Canons and Canonesses of St Augustine and of Prémontré in Medieval Ireland, Dublin: Four Courts, 2019.- Martin Browne OSB, Tracy Collins, Bronagh Ann McShane, Colmán Ó Clabaigh OSB (eds), Brides of Christ: Women and Monasticism in Medieval and Early Modern Ireland, Dublin: Four Courts, 2023.- Tracy Collins, Female Monasticism in Medieval Ireland: An Archaeology, Cork: Cork University Press, 2021.- Niamh Wycherley, ‘Eoin MacNeill and a “celtic” church in early medieval Ireland', in Emer Purcell & Conor Mulvagh (eds), Eoin MacNeill; the pen and the sword (Cork, 2022), 40–52- Athassel Priory https://heritageireland.ie/unguided-sites/athassel-augustinian-priory/Regular episodes every month (on a Friday)Email: medievalirishhistory@gmail.comProducer: Tiago Veloso SilvaSupported by the Dept of Early Irish, Maynooth University & Taighde Éireann/Research Ireland.Views expressed are the speakers' own.Logo design: Matheus de Paula CostaMusic: Lexin_Music

Will the Miami Heat be the Brides Maid and not the Brice? 6-4-2026

Fletcher and Ryder keep rowing with Steve out for the day. Kare 11's new Chief Meteorologist John Zeigler with his kitchen pro tip (get yourself a deep fryer) and how his weather obsession started on the 08s, KQ's Best(est) winner 2026 Comic David Harris on why he makes a terrible server and what happened when he was denied entrance to a Napalm Death show plus Brides, Burnouts and Bees in this week's WTF. Originally aired June 2, 2026. See omnystudio.com/listener for privacy information.

In this week's episode I sat down with Belle Bakst. Belle, is a stylist, fashion editor, content creator and disability advocate. Also known as “Little Fashion Stylist”, her work has been featured in Cosmopolitan, InStyle, Harper's Bazaar, Brides, and more.We discuss who is driving the conversations around representation and inclusivity, especially in this new era, the permanence of fashion as an art form, what it means to be whimsical and much, much more. This episode was edited and produced by Ben Curwin. All proceeds from purchasing this episode will be split between ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠City Harvest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Food Bank For NYC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Join Always Looking Up on Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jilliancurwin645746.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join The Patreon: ⁠⁠⁠⁠⁠https://patreon.com/AlwaysLookingUp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Belle: Instagram: @littlefashionstylist TikTok: @littlefashionstylist Substack: Outta SightLearn More About And Support The Fun Eye Fund: https://www.funeyefund.orgFollow Me: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jill_ilana⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ , ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alwayslookingup.podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jillian_ilana⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.jillianilana.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwayslookingup227@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Read With Me:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Goodreads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The StoryGraph⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the organizers, detainees and their families at Delaney Hall (all links from @feminist):Donate To Family Support Funds: linktr.ee/SupportOurFamiliesDonate to the Commissary Fund: givebutter.com/commissaryfundCall your representative: https://5calls.orgLearn More: indivisible.org/campaigns/dismantling-detentionSupport Minneapolis:Stand With Minnesota: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.standwithminnesota.com⁠⁠⁠⁠⁠⁠⁠⁠MN NOICE: ⁠⁠⁠⁠⁠⁠⁠⁠https://mnnoice.com⁠⁠⁠⁠⁠⁠⁠⁠Community Aid Network MN: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.canmn.org⁠⁠⁠⁠⁠⁠⁠⁠Support Those Impacted By The Cutting Of SNAP Benefits:Feeding America: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.feedingamerica.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠World Central Kitchen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://wck.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠No Kid Hungry: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.nokidhungry.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠List Of NYC Food Pantries: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.nyc.gov/site/dycd/services/food_pantries.page⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Immigrant Communities (all links came from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@chnge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠):The Coalition for Humane Immigrant Rights of Los Angeles (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@chirla_org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.chirla.org/donatenow/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Immigrant Defenders Law Center (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@immdef_lawcenter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.immdef.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Inland Coalition 4 Imm Justice (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ic4ij⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://secure.actblue.com/donate/jornaleros

How do you write when your heart is broken? How do you go back into the publishing business after years away, knowing it's a very different industry to the one you left? With Jami Albright. In the intro, InAudio is now distributing audiobooks to BookShop.org; The Feedback Loop that Makes Better Writers [Author Nation Podcast]; Bones of the Deep on Goodreads. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jami Albright is the bestselling author of the Brides on the Run romances and the co-host of the Wish I'd Known Then Podcast. Today we're talking about her new novel, The Summer That Changed Us. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How Jami started writing fiction at 47 and waited a year before publishing her first book Why she fictionalised her sister's terminal cancer story rather than writing a memoir The difference between writing as therapy and writing for the reader Reactivating an email newsletter after almost two years of silence Going wide with a standalone women's fiction novel after years in KU and rom-com Letting go of the frantic hustle of indie publishing and redefining what success looks like You can find Jami at JamiAlbright.com. Transcript of the interview with Jami Albright Jo: Jami Albright is the bestselling author of the Brides on the Run romances and the co-host of the Wish I'd Known Then Podcast. Today we're talking about her new novel, The Summer That Changed Us. So, welcome to the show, Jami. Jami: Thank you, Joanna. I've made it. This is my first time on The Creative Penn, so I can retire tomorrow. Jo: And we were saying before the show, I really thought you had been on the show before, because over the years we've connected a lot. We met over a decade ago, didn't we? At the Smarter Artist Summit. I was like, “I'm sure you've been on the show,” and you haven't. So, yes, welcome. Jami: Thank you. You've been on our show, though. We did an interview with you a few years ago. Jo: Yes. Well, anyway, for anyone who doesn't follow your show— Tell us a bit more about you and how you got into writing and publishing. Jami: Okay. So I am the co-host of the Wish I'd Known Then Podcast for Writers. Sara Rosett and I have been doing that podcast since January 2020. Little did we know what was coming, and it really saved me, just mentally, being able to talk to people every week. I never wrote a word of fiction until I was 47. I'd never really written anything. I have really bad grammar. I tell a lot of stories, and I would make up stories, but I'd never write them down because of the grammar thing. But my reading buddy had her birthday coming up in about three months, and I thought, “You know what? I'm going to write Jennifer a book for her birthday. She doesn't care if I have bad grammar.” I just thought it would be on brand. It was so hard. I wrote myself into a corner very fast. When I told her, she said, “Well, now you have to.” So I got Writing a Romance Novel for Dummies, I read that, and I started writing what is now Running from a Rock Star. But then my computer crashed and I lost it, and I was like, “Well, I'm not a writer.” So that was fine. Then I turned 50, and I told my family, “I think the only thing I regret is not finishing that book.” Of course they were like, “Well, you need to just do it again.” I was like, “No, I had 30,000 words.” A few weeks later my daughter came in and said, “Mom, I found this flash drive in my car. I think it has your book on it.” And it was 20,000 of the 30,000 words. So I was like, “Well, it's now or never.” So I joined Romance Writers of America and got involved in a critique group, and they absolutely kicked my butt for a good six months. I think every week they were surprised I came back, because it was so brutal. I knew I didn't know anything, and they taught me to write. Six months after I joined that first critique group, I won my first contest with the first 10 pages of that book. Then I just continued on. Three years later, I published Rock Star. I was going to publish it two years later, but I went to the Smarter Artist Summit, where I met you. I was advised by Julia Cant and Sean Platt and some other people to wait—preferably to have more books written. I had the second book written when the first one came out, but it still needed to be edited. So I waited a year, learned this business, and sold plasma to pay for my edits because I was poor. It was the best decision I ever made. Going to that conference, first of all, was the best $500 I've ever spent, and waiting that year really helped me learn this business. When I published the book, I had an email list of 1,200 people before the book ever came out. None of those things would have been set up had I published right after the Smarter Artist Summit, which is what I'd thought I would do, in the summer. So waiting gave me time to get everything set up so that when I published that book, it really took off from day one. I had 1,200 people on that newsletter list who wanted that book, because I had done a preview promo. Instead of putting out the whole book, I think I put out four chapters, and then people signed up. I don't know that that works anymore. Jo: I was going to say that. We should say to people, what was that, around 2016? Jami: 2017. Things have changed. Jo: Yes, things have changed, and I think this is so important. I had a question about this, and what they were implying was things that, like you said, we learned a decade ago. Things have changed. We'll come back to how you're doing it now, but just in terms of finishing off how you got started—those books did really well, didn't they? You had a couple of years there. How many books did you do? How did that go? Because you did have real success. Jami: Yes. From 2017 until really the beginning of 2021, if you look at my sales graph and my income, it just increased, increased, increased. 2019 was my very best year, but 2020 was only slightly lower as far as book sales and income. I only put out a book a year after the second book. The second book came out about six months after the first one, and after that it was about every nine months to a year that I put a book out. Everyone said you can't make money doing that, but I did. I think those books are very tropey. They're very hooky. That helped. I also think the timing of those books was really good. Rom-com was really coming up, and my rom-com is pretty wacky, but it's also really emotional too. If I get any critiques about them it's usually that “this book was way more emotional than I expected, and I was looking for something a little lighter.” They're just really wacky. They're rom-coms. Wacky circumstances. Small town, so there's all these small-town people. I just think it was a good time to release those. Those were good years. I miss those years. Jo: It's a good lesson, because it's not always up and to the right, is it? We're going to come back and revisit that. So then the pandemic hit, and on a more personal level, over the last few years, you've had a deeply difficult time that has led to The Summer That Changed Us, your latest book. So talk a bit about what's happened, why this book, and also why fictionalise it rather than write a memoir? I had that question. Jami: Okay. So 2021, my income was dropping, but it was still okay. I was still making more than enough that—thank God I don't have to make all the money in our household—but there was a level that I wanted to. At the end of 2021, my sister, who was the fourth of five sisters, had lived with cancer—non-smoker's lung cancer—for 10 years. She had the kind that, if you had a certain mutation, there were medications that worked amazingly well. Until they didn't, and then they put you on another class of that medication. So for 10 years, that's what she did. She missed work maybe three times in 10 years. People who met her never knew she had cancer unless they knew us. She just never acted like she had cancer. We would have to say, “Remember, you have cancer.” At the end of 2021, they ran out of that class of drugs. There were some being tested, but none had been approved. When she was diagnosed, she was diagnosed with stage four lung cancer. You don't survive very long having stage four lung cancer with no medication. So I saw the writing on the wall pretty much at the end of 2021, but of course I was very hopeful that they could do something. By May of 2022, it was clear things were not going well. In July of 2022, she got a six-to-twelve-week diagnosis. She just went in one day thinking she was about to get radiation, not knowing anything, and they were like, “No, we can't do radiation, and you should get your affairs in order because you have six to twelve weeks to live.” Jo: Oh. Jami: People who've been through it know this feeling. It's like being hit by a wrecking ball. It just knocks everything off your axis. Your whole world implodes into this one moment, this person that you love. I live four hours away from my family. They all still live in the same small town. I was in Dallas at my daughter's at the time, and they live about 30 miles outside of Dallas. So I went to my mom's, and I stayed there. I was there for almost six months, if you count the time I was back and forth, because she was not doing great but she was still okay. She had always rallied and come back. But once she got the diagnosis, I stayed. She would go home, but she would come back to my mom's during the day, because her husband worked. She was a teacher, so she was off during the summer. I was just there, and we all just took care of her. When she decided to go on hospice, she wanted to be at my mom's. She didn't want to be at home—they lived out in the country. She wanted to be at my mom's, so we set her up in the living room. We're redneck country people. We bring our crazy people in, our sick people, just out for everybody to see. She was just in the middle of the living room in her hospital bed, and the world just revolved around that hospital bed. Once that happened, once I knew at the end of 2021 that things were not going to go well—I really did not believe she would die. But she died a month after she went on hospice in October of 2022. That whole year, I was useless. I could not write. I couldn't think of anything to write. I write funny. How do you write funny when your heart's broken? I couldn't do it. After she died, I knew it would take a while. I knew it would maybe even be a year. But as the weeks turned into months and the months turned into years, I haven't written—except for her obituary—I've not written a word since she died until I started writing this book a year ago. I started it on April 19th. Jo: I mean, the stories of grief—there seems to be no way of escaping whatever it ends up being. You didn't choose your response. Your deep grief was just there, and you couldn't write. I feel like sometimes people just try and force it. It sounds like that's what you needed, and you have done that. So what then gave you the impetus to finally write—and to choose fiction? Jami: I didn't write memoir. I did think about doing a memoir, but I don't read memoir, and I don't know how to write it. I was already behind the eight ball, trying to write a book at all because it had been forever. I don't need to learn how to write something completely different. Plus, it just felt too close to write the memoir. I had been in Mexico City with my daughter, who has an event planning company, and we were there scouting locations for one of her events. Janet Margot lives in Mexico City, so I reached out, and we had dinner. We were talking, and she had had two big losses about the same time that my sister passed away. So we were talking about how difficult it is afterwards, just getting your head back into a space of being creative at all. She said, “You really should write this book. You should tell this story. It hits everything: middle-aged women dealing with middle-age things. You've got your parents that you were dealing with, and then your sister. You should write this story.” I said, “No, thank you. I lived it. I don't want to write it.” But it just wouldn't go away. I couldn't figure out how I would tell it. Whose point of view? I couldn't do it from the dying sister's point of view because I didn't think I could be authentic. I was afraid to tell it from multiple POVs because the book has a lot of characters in it. My family is gigantic—my immediate family, my sisters, husbands, nieces and nephews, my kids, my mom and dad—there are 35 of us. Almost all of those are in and out of my mom's house all the time. So I knew I couldn't do multiple point of view. One day, I was driving home to my mom's house, and it just hit me. The whole story laid out in front of me, and that's what I did. The first draft was pretty much just a retelling of what happened to us. I added some fictional elements, but I just wanted to get the story out. It was hard. I started Adderall on April 19th of 2025—I know that, because that's the day I started this book. I do call this the book that Adderall wrote, because I could sit and focus for three or four hours, which I'd never really been able to do. I would come to Starbucks and I would sit and write this book, and I would cry sitting in Starbucks, like a crazy person. People would walk by and slide a napkin onto the table and just keep walking, because I'm sitting there crying like crazy. I was so superstitious, and things were working so well, that I was afraid not to come and write at Starbucks. Staying at home, I think, would have been really hard. I would maybe have sunk into a depression had I done this at home. So I just wrote the whole book at Starbucks. After I wrote the first draft, I went back in and made it more fictional. But a lot of the book—especially her stuff—is a lot of what happened. She was just crazy. I tell a story in the book that, this is the absolute truth, this happened. She was in college, and she had convinced my younger sister to go to a honky-tonk club because they were having a Miss Honky-Tonk contest. Before she could get up on stage to compete as Miss Honky-Tonk, she got in a fight with some girl, and the girl hit her in the head with a bottle and split her head open. She was bleeding. My youngest sister was like, “We've got to go to the ER.” And she just refused, because there was a $300 cash prize for winning, and she needed it to make rent. So she borrowed a towel from the bartender, wrapped it around her head, competed with that bloody towel on her head, and won that stupid contest. That story in and of itself was my sister. Everything about her is in that story. So a lot of the stories in there happened to her in one way or another. What happens to June in the book happened to my sister. Jo: This is interesting, because the same thing memoir writers face is something perhaps you face: how much of the writing is therapy and how much is for the reader? You said you sat there crying. Absolutely, writing for therapy is very important—but when you come to edit, there might be things that your therapy side of you is like, “That's so important to me.” How do you kill your darlings when you're editing your sister's life? Jami: That was hard. I had to take out a lot of what was in the first draft, mostly the stories. Once she came home on hospice, it was just a steady stream of people coming in, and everybody had a story about her. What I found in editing was that Hope, the main character, was mostly a spectator in those scenes instead of being actively part of them. So I had to take those out, because they didn't serve the purpose of the book. I committed early on to: while I wanted to tell the story, I did not want it to be self-indulgent. I did not want it to be a therapy session that I sold to people as a story. Because of that, I think that really helped. I really did think about that as I was revising. I sent it to a developmental editor, and I don't know how great she was, but she gave me some really good advice about a couple of things. One was, “There's just not enough conflict in this book. You say that Hope and the father have this really contentious relationship, yet we don't see it. There's a little bit of it here and there, but you're not really digging into that.” It's hard, because while the rest of the world doesn't know, my family knows that this is a lot of our story. I just had to let that go and not worry about what my family thought. They had all given me permission. I'd sort of said, “I want to do this. Are you guys okay with that?” I talked to her husband, and everybody was okay with me doing it. But I couldn't worry about what they were going to think. I would repeat to myself: if they want to tell this story, they can write their own book. I'm writing what I saw and telling a fictionalised story that will hopefully honour her, but also help other people feel like they're being seen, and also be entertaining. If you're going to write a book, it needs to be somewhat entertaining. Jo: I don't think you can help yourself. You're funny. Jami: Yes. The book is really funny. I tell people that and they're like, “Hmm, really?” And I'm like, “It is really funny.” But it's also really sad. Jo: Well, I think that's the truth—to defend myself. There is a lot of humour in grief. There is death and dying, and it's a human condition. Jami: It is a human condition, yep. Jo: There's comedy in all of the human condition. That's just the way it is, right? I heard you mention on an interview, I can't remember where it was, that you feel very connected to this book, and you're worried that people judging it or giving it a bad review might feel like an insult to your sister. How are you dealing with these kinds of fears about how to separate ourselves from our books? Jami: I've been in therapy—like, literal therapy—for that, because I felt like that would be hard. So far, I've only gotten a few reviews back. They've all been good reviews. I haven't had anyone say they hate it. I just have had to separate myself. It's not personal. Reviews are never personal. People not liking your book is never personal. That's just a mindset. I've had to change my mind about that. Knowing that's a pitfall I could fall into, I really keep it top of mind. My family knows that's an issue, so they know they have to pull me out of that hole if I drop in. So that's really how I've handled it so far. We'll see. Jo: Maybe it's time as well. You're almost back to the “book is your baby” situation. As the years pass, the book almost becomes separate, doesn't it? How you feel about your first bride book is probably like, “It's not even me anymore.” Jami: Right. I learned early that your book isn't really your baby. Once you publish it, it's your product. So that has never been very hard for me. I still hate bad reviews, and I take them personally like everybody else does, if I let myself. But ultimately, this is a book that I'm putting out for entertainment. Yes, it's very personal. Yes, it means a lot to me. But if people don't like it, it isn't because they don't like my dead sister. They just don't like my writing. Jo: It's tough, but it's good to talk about, because this is something many people feel. My memoir Pilgrimage—it's not the same at all—but I was just so scared of judgment. The fear of judgment. What people would think of me. That's kind of different, but— It's this question of how it'll land. The reality is, not many people read these books anyway. Jami: Well, I have worried about how it would land, but mostly I worry about how it would land with the people I love. My mom read it last week. I was there while she was reading it. That was no fun. She laughed, but it was devastating to her. She's like, “It's great, and I hate it.” Because it is so raw and real to her still—well, to all of us. That's where I worry, how it's going to land with them. But again, I've had to let that go. I had to let it go during the writing, because if I worried about that, then I would not have told an honest story. That was another thing—I didn't want it to be self-indulgent, and I wanted it to be honest. As honest as I could make it, even to the point of making people uncomfortable. There's a line. Once you cross it, there's no getting you back after that. So I walked that line really carefully, because I did want it to be honest about how I felt, how other people I know who've been through something like this feel. Also, just relationships. Because when you're in a big family like my sisters and I—we adore each other, but we can also go toe-to-toe real fast. It can get ugly, because we know each other really well. We're also a little bit redneck, so we don't pull any punches. Your sisters are always the most honest people in your life. I wanted that to be true in this book too—both sides of that story. Jo: Let's circle back to the business stuff and some of the things we talked about, because obviously this has been a really difficult time. There was no way to deal with it in any other way, but your business has changed. You had these great few years, good sales, and then you had other priorities. So how are you rebooting the business? Lots of people end up taking a few years out for whatever reason. How are you rebooting the business to try and sell some books? Jami: To be honest, I have the remnants of a business. I have tried over the last four years to run some ads to get the Bride's books going, but here's something that's very interesting, and if somebody can tell me why this happened, I would love to hear it. These books that have sold so many books—I mean, so many books—I could not give them away. It didn't matter what I did. I changed covers, I changed blurbs, I put them on sale, I took them off sale, I ran ads. Ads wouldn't really move the needle. I know that at a certain point, when you haven't published and your books get pushed down in the algorithm, that is an uphill battle. But it was almost like, one day they just fell off, and once they started falling, I could not get them back. I just couldn't. So that I didn't make myself crazy—because also during this time, I was just trying to keep my head above water—when I would deal with my books or go into my dashboard, I would feel horrible. I was already feeling horrible, so I didn't need to feel more horrible. So I just sort of let them go after a certain point. I've now started running some Facebook ads. I have one Facebook ad that's working really well, knock on wood, right now for my first Bride's book. The problem is, this book and my Bride's books are different. The voice and the tone are the same, but they're really different in a lot of ways. They're the same in a lot of ways. This book doesn't have any sex; the other books don't have anybody dying. But some of the things are really similar. So I may have some crossover. For whatever reason, this ad is working. My book one is ranked better than it's been ranked in forever—really good. I'm not spending a ton of money to do it. So I don't know what changed. I don't know if I'll ever know. I've revised my newsletter, and that's worked well. I still have around a 35 to 40% open rate on a newsletter that I didn't send out for almost two years. I was sending it out, but then I kind of stopped, and then I started again. Jo: I was going to ask you about that, because I often get people emailing me. They're like, “I have a really old newsletter from several years ago. I haven't emailed them for years.” So what did you say in that first email? Like, “Hey, I'm back”? Jami: I mean, I'm just like, “Remember me?” It really was kind of like that. Just, “I'm back. You guys know life has happened. I'm sure you understand. If you're still here, thank you so much. I have been writing. I have this book that I think some of you will really love.” That's really how it was. From the first email, even that first email had a higher open rate. I think it was close to 45%. I had not sent out a newsletter in two years literally. Jo: People were like, “What happened?” Jami: They're like, “Oh, she didn't die. That was her sister, not her.” But I've just been really fortunate. They've been really encouraging. Every time I send one out, I get really encouraging emails back. So I've sent out about the book. The majority of my readers are KU readers because my books are in KU. But this book is going wide. One of the things I'm doing because I have been a little concerned about… Janet Margot does a lot of Amazon ads stuff and she knows a lot about Amazon. We've talked a lot about whether I should use my real name, my pen name, or come up with another name. Should I worry about my readers buying the book and messing up my Also Boughts? All of those things, because my readers are romance readers. Some of them read women's fiction, but for the most part, they're romance readers. I've decided to stick with Jami Albright and not worry about it. There are just things you can't control, so I've had to hold everything with a really open hand with this book. I am offering the book on my website. I'm selling it at $7.99—I chose a high price point, because I just feel like, to sit with the other books that I want it to sit with, I need that price point. So I'm offering it on my website, starting at the end of this week, for $5. If they're KU readers and they don't buy books, but they want the book, they can get it for $5 on my website, which I think is reasonable. Jo: Mm. Absolutely. Jami: If that's too much for them, I understand and I get it. Time, things are hard right now, and if they can't do that, it's going to be in libraries, so they can request it at their library. But right now that's the plan. Hopefully that helps with the Also Boughts a little bit too. Even though, again, I just can't worry about those things. As a gift to my readers, I want to do this for them as well—give them a discount. Jo: And obviously this is a standalone, right? This is not— Jami: Yes, it is. Jo: Again, a bit like memoir, all the book marketing we talk about in fiction is “write a series.” It's much easier. So it is difficult to market a standalone in general. And this is something that happened, so it is a standalone situation. So do you feel like you're back in terms of writing? Have you got plans for more books, or is this a business for you going forward? Do you feel like you want to re-enter this whole world? Jami: I do. I have an idea for a book similar to this one—not in the same kind of genre, I mean, of women's fiction, kind of midlife fiction stuff. I have an idea. I had nothing for months and months and months, and a couple of months ago, this idea kind of came to me. I was like, “Oh, that's not bad.” So I'm mulling it over—I do a lot of mulling—and that's the next book I think I will write. I don't know that I'll write rom-coms again. Not because I don't love them. I do, and I love my rom-coms. But I'm just different. You do not go through something like this and come out on the other side the same. I don't know that I could carry an entire rom-com through without it being even more emotional than mine are now. So for right now, I'm going to write another one of these kinds of books where it's got a lot of emotion, family dynamic, tension and dynamics. Jo: That's great. I do feel like once you've written the book that was waiting—your sister's book—then more things arrive, and it's great to hear that that is arriving for you. And of course, we change. One of the nice things about writing for the long term and building more of a name brand is that you change, and your readers either follow you or they don't, but it's your life. So I think that's a good reason to have one pen name. I obviously have two, but my fiction pen name I've written all kinds of genres under. Why else would we keep doing this? I don't want to write the same book over and over again. Jami: Right. Believe me, I've had to eat a lot of crow over the last four years, and it's tasty with ketchup. I have decided that a lot of the stuff I said is true: about you write in one genre, you give the people exactly what they want, and you give it to them over and over again. I believe all of that. I still believe those things. It's just that I don't know that I'm capable of doing that right now. Also, I'm older. I am about doing the things that bring me joy and are not a drudgery. I want to say this, because I miss the success. I miss who I thought I was during that time. I miss the recognition. I'll freely admit it. I miss being the person doing the thing that everybody said couldn't be done. “You can't make money with one book a year.” Well, watch me. And I did. I miss that. What I don't miss, and I've had to be really, really honest with myself, which has been difficult—I don't miss the anxiety that came with that. There was a lot of franticness. I think that if you are in a lot of groups, you see that franticness. I've had to step back, like I've had to step back, and then go back into these groups, you hear authors and see authors, and there's just this frantic sense that we're losing everything, and we have to hold on so tight to everything. I was like that. I checked my ads constantly. I checked my dashboard constantly. My mom used to say, “This should be fun.” I'm like, “Mom, it's a business. It's not fun.” But I recognise that I loved that so much that I held onto it so tight. I don't want to go back to that. I don't have the energy for that. Since this all happened, I've gained four more grandchildren than I had. I have six grandchildren now. I want to spend time with them. I want to spend time with my adult children. I want to spend time with my mom and dad. So I can't be frantic about my sales—are they going up, are they dropping?—and give emotionally to the people I love in my life. If the last four years have taught me anything, it is that the one thing you can never get back is time. You can never get it back, and that is so important to me right now. With this book—and one of the reasons I wanted to talk to you when we were talking about when I would do it—I wanted to do it before it came out, because I've already won. Writing this book, writing a book that honours the bravest person I've ever known and doing the second-hardest thing that I've ever had to do, is the win. That's the win. Whatever happens with this book afterwards is just what happens with this book afterwards. It doesn't change who I am, and you told me that when we were in Vegas two years ago. That conversation really changed a lot for me, because you said, “You are a successful author.” I was still trying to come up with a plan to be a successful author again, and you were like, “You are a successful author. You've had success. That makes you a successful author. You don't have to chase that.” That changed so much of my thinking. If I could leave listeners with anything, it is that we need to recognise the things we can't control and just deal with the things we can control. That's kind of how my sister lived. She could not control her cancer, but she could control how she responded to it and how she went forward. I think a lot of times, when bad things happen, we want to make sense of them. We want a reason for them. And a lot of times there's just no reason. There's no reason my sister died. There's no reason she left two kids and a husband devastated and a family that just has a giant hole in it. There's no reason for that. What defines us is not figuring out why that happened. It's what we do with that going forward. I think that's important for me to remember when I start getting caught up in all the franticness of this business. Jo: Yes. Or not, as the case may be. You can just let the book be what it is. And I do feel like these deeper books, they're more slow burn. You wrote books that ran, ran like the bride. Now we're not running like the bride. Jami: I'm tired. I don't run unless a wild animal's chasing me. Jo: Exactly. Look, we're out of time, but just tell people, if they haven't listened, a bit about your podcast, Wish I'd Known Then with Sara Rosett. Tell people what they can find over on that podcast and why you're still doing it. You've been doing it throughout the whole time. While not writing, you've still been podcasting. Jami: It absolutely saved my life. It's kept me in this business. While I haven't been publishing, I still know what's going on. I know about direct sales, I know about what's happening behind the scenes, with Facebook ads. I've kept in touch with those things because of our podcast. It's an interview podcast like yours, but we talk to people about what they wish they'd known about indie publishing. Most people have some certain thing that they've been working on or doing, and we talk to them a little bit about that too. We ask the same questions every week to every guest, and it's so interesting how different the answers are, and yet how similar they are. I think that helps when you're going through it and you're like, “God, I must be the only one feeling this way.” But you tune into a podcast, and you hear week after week, “Oh, no, there are other people feeling the same way I'm feeling, or struggling with the same things I'm struggling with.” Hopefully we give people things to shoot for and to aspire to. We have some amazing guests. They've all been really gracious and really honest. I don't know if it's the questions, or just because Sara and I are our style, but they're really honest with us when they answer the questions. Jo: It's a great show. I recommend it a lot. Jami: Thank you. Jo: Where can people find you and your books online? Jami: You can find me at JamiAlbright.com—that's J-A-M-I-Albright.com. I'm on all the socials as Jami Albright Author. My books are on Amazon right now, but this book is actually now on all the retailers. So that's where you can find me. Jo: Brilliant. Well, thanks so much for your time, Jami. That was great. Jami: It was an honour. Thank you so much.The post Writing Through Grief And Rebooting an Indie Author Business With Jami Albright first appeared on The Creative Penn.

Today we are discussing a very sensitive and complex issue - the arrival of a second group of women and children known as IS brides who have returned to Australia from camps in Syria. The Yazidi community - one of the groups most brutally targeted by IS - has warned that the arrival of these women could rekindle painful memories for the Yazidis. Hassan Ibrahim, from the Yazidi Youth Association, joins SBS Kurdish to discuss the impact of the return of the women and children known as IS brides - Îro em li ser mijareke pir hesas û tevlihev nîqaş dikin - hatina komeke duyemîn a jin û zarokên bi navê bûkên DAIŞ-ISIS brides ji kampên li Sûriyê vegeriyane Australya. Civaka Êzîdî - yek ji komên ku bi hovane ji hêla DAIŞê ve hatine armanckirin – hatina van jinan dikare bîranînên bi êş ji nû ve ji bo Êzîdiyan veke. Hesen Îbrahîm, ji Komeleya Ciwanên Êzîdî beşdarî bernameya SBS Kurdî dibe da ku bandora vegera jin û zarokên ku ji wan re tê gotin bûkên DAIŞ vebêje.

What do Afghanistan, artificial intelligence, and American politics have in common? In this episode of The World View, Alex Kocman examines three seemingly unrelated stories and uncovers a deeper crisis facing modern civilization. From poverty and suffering in Afghanistan to the rapid expansion of AI technology and the political upheaval surrounding Thomas Massie's primary challenge, these headlines reveal important questions about power, technology, culture, and the future of the West. Are Christians placing too much trust in government, bureaucracy, and technological progress? What does biblical faithfulness look like in an age increasingly shaped by centralized power and artificial intelligence? And how should believers think about their responsibilities to their neighbors, their nation, and the nations of the world? Join us as we explore current events through a biblical worldview and consider how Christians can remain faithful in a rapidly changing age.

Three wives. Three bathtubs. Three identical murders. And rooms that still won't let go.George Joseph Smith killed with terrifying precision: no weapon, no struggle, just water and a method so quiet it passed as accident. Twice. His case rewrote forensic history. But what he left behind in those rooms has never been fully explained.Violent splashes from empty baths in Blackpool. Walls that turn damp without cause in Herne Bay. A figure bent over a bathtub in Highgate gone the second you look directly.This isn't a ghost story. There's no voice. No footsteps. Just a moment that refuses to end.Yvette explores the hauntings, the murder method investigators physically reconstructed, and six paranormal theories: including why this case is considered the textbook example of trauma embedded in water itself.Remember we have new episodes weekly. Follow now and visit paranormalpod.co.uk for early access. Hosted on Acast. See acast.com/privacy for more information.

What do Afghanistan, artificial intelligence, and American politics have in common? In this episode of The World View, Alex Kocman examines three seemingly unrelated stories and uncovers a deeper crisis facing modern civilization. From poverty and suffering in Afghanistan to the rapid expansion of AI technology and the political upheaval surrounding Thomas Massie's primary challenge, these headlines reveal important questions about power, technology, culture, and the future of the West. Are Christians placing too much trust in government, bureaucracy, and technological progress?What does biblical faithfulness look like in an age increasingly shaped by centralized power and artificial intelligence?And how should believers think about their responsibilities to their neighbors, their nation, and the nations of the world?Join us as we explore current events through a biblical worldview and consider how Christians can remain faithful in a rapidly changing age.Watch all of our videos and subscribe to our channel for the latest content >HereHere

What do Afghanistan, artificial intelligence, and American politics have in common? In this episode of The World View, Alex Kocman examines three seemingly unrelated stories and uncovers a deeper crisis facing modern civilization. From poverty and suffering in Afghanistan to the rapid expansion of AI technology and the political upheaval surrounding Thomas Massie's primary challenge, these headlines reveal important questions about power, technology, culture, and the future of the West. Are Christians placing too much trust in government, bureaucracy, and technological progress? What does biblical faithfulness look like in an age increasingly shaped by centralized power and artificial intelligence? And how should believers think about their responsibilities to their neighbors, their nation, and the nations of the world? Join us as we explore current events through a biblical worldview and consider how Christians can remain faithful in a rapidly changing age.

Aycee Brown is a psychic channel, medium, spiritual guide, and teacher dedicated to helping people unlock their most magical lives. Known as the "Voice of Truth" for her ability to connect individuals with their divine source, Aycee works with those at life's crossroads, guiding them to find clarity, meaning, and a path forward. Her expertise on the role human design, spirituality, and astrology play in relationships has been featured in major outlets like Cosmopolitan, Brides, and Bustle. In February 2026, she shared her profound insights with a wider audience through the release of her debut book, Embody Your Magic, a powerful blueprint for breaking free from conditioning and embracing one's most authentic self. Rooted in a lifetime of spiritual discovery — including gifts she traces back to childhood — Aycee has also explored her healing gifts through the podcast Is My Aura On Straight?. In this episode, host Shay Beider and Aycee Brown explore the profound tools and teachings Aycee has gathered across a lifetime of spiritual work — insights now woven throughout Embody Your Magic. Aycee shares her concept of "The Canyon," a framework for shadow work that isn't a one-time destination but a place we return to throughout life's biggest transitions, and she explains why knowing your story — including what was happening in your family long before you arrived — is the most powerful starting point for any healing journey. The duo discuss psychic channeling, mediumship, and the idea that we all have access to our higher selves and passed loved ones, as well as practical tools like human design, astrology, life path numbers, automatic writing, and Internal Family Systems therapy. Together, Shay and Aycee reflect on how healing asks us first to tell the truth, how our "I am" shapes our destiny, and how embracing our full selves — every part, every lineage, every wound — is not the end of the journey, but the beginning of living our magic. Listen to the complete episode by clicking the player above. Transcripts for this episode are available at: https://www.integrativetouch.org/conversations-on-healing  Show Notes: Learn more about Aycee Brown here Read Aycee's debut book Embody Your Magic Read Aycee's book Your Soul Map: Liberation, Human Design, and the BIPOC Experience Listen to Aycee's podcast Is My Aura On Straight? Learn about The International Association of Near Death Studies Listen to the James Doty's podcast  here Read Into the Magic Shop: A Neurosurgeon's Quest to Discover the Mysteries of the Brain and the Secrets of the Heart by James Doty Read Mind Magic: The Neuroscience of Manifestation and How It Changes Everything by James Doty Read You Are the One You've Been Waiting For (Internal Family Systems) by Richard Schwartz  Read No Bad Parts: Healing Trauma and Restoring Wholeness with the Internal Family Systems Model by Richard Schwartz  Read It Begins with You: The 9 Hard Truths About Love That Will Change Your Life Download the My Human App here This podcast was created by Integrative Touch (InTouch), which is changing healthcare through human connectivity. A leader in the field of integrative medicine, InTouch exists to alleviate pain and isolation for anyone affected by illness, disability or trauma. This includes kids and adults with cancers, genetic conditions, autism, cerebral palsy, traumatic stress, and other serious health issues. The founder, Shay Beider, pioneered a new therapy called Integrative Touch™Therapy that supports healing from trauma and serious illness. The organization provides proven integrative medicine therapies, education and support that fill critical healthcare gaps. Their success is driven by deep compassion, community and integrity.  Each year, InTouch reaches thousands of people at the Integrative Touch Healing Center, both in person and through Telehealth. Thanks to the incredible support of volunteers and contributors, InTouch created a unique scholarship model called Heal it Forward that brings services to people in need at little or no cost to them. To learn more or donate to Heal it Forward, please visit IntegrativeTouch.org  

We are continuing on with Nora's most recent trilogy and we have ...thoughts. The Mirror (2024) picks up right where The Inheritance left off, and we have SO MANY questions. But does this book have any answers? Come listen in, as we aren't holding back.

Brides are searching differently, and bridal seamstresses who don't adapt risk getting left behind. In this episode, Nadine sits down with wedding industry expert Brian Lawrence to unpack how AI is changing SEO and what bridal seamstresses can do right now to improve their online visibility. If you've been wondering why inquiries feel different lately or how to stand out in a crowded market, this episode gives you a fresh perspective on modern bridal marketing.In This Episode:Why bridal websites need more than a basic brochure setup How AI is changing the way brides search online The power of FAQ content for SEO and Google rankings Blogging strategies that help bridal seamstresses get discovered Simple Google Business Profile updates that improve visibility Connect with Brian:Website: https://www.brianlawrence.com/Connect with Nadine: Check out the exclusive private podcast series, Fitting Packages 101: https://enchanting-sun-77080.myflodesk.com/privatepodcast Become a member: https://secretsofabridalseamstresspodcast.com/membership Instagram: https://www.instagram.com/secretsofabridalseamstress/ TikTok: https://www.tiktok.com/@nadinebozeman YouTube: https://www.youtube.com/@secretsofabridalseamstress/

We return to Nghi Vo's Singing Hills series and discuss the three next most wizlez-adjacent books in it (to date.) Covered in this episode: The Empress of Salt and Fortune, The Brides of High Hill, and A Mouthful of Dust.

On the milestone fiftieth episode of NWA Crock and Roll we pause our June 1986 launch for one of those “very special episodes” (No, no one died unbelievably), as Shawn and Scott breakdown their in person trip to Nashville for GCW, Summerslam, Starrcast, Flairs Last Match and more! Bars, Beer, Brides, Food, meeting Ron Garvin, pictures with the Horseman & Baby Doll and most important important of all, an all time wrestling trip with great friends!

Feel the sweat and the tropical breezes; it’s time to discuss Tiki Terrors and its tropical horror cousins. Transport yourself to an island in the South Pacific or the Caribbean. The exoticism and the removal from “civilization” provide the grounds for some evocative scares. These movies have been with us since the Golden Age. Think King Kong and The Island of Lost Souls. Embrace the mystery and heat, and learn from some veteran Crypticon panelists as they talk all things Tiki Terror. Friend of the Scariest Things, Brian Callahan, hosted a panel at Crypticon Seattle to guide us through a fateful trip to discover what lurks at the edge of the known world. Beware of cultural misappropriation and cultural stereotypes. Cultural sensitivity falls by the wayside here. The edge of the known universe gets short shrift when it comes to cultural respect. Context matters. Tiki and tropical-themed horror movies had their heyday in the ’50s and ’60s when Polynesia still felt very remote, and honestly, it was a different time. At the same time, the film industries of places like the Philippines can export some of their culture through B-movies. For the purposes of this discussion, the criteria for what movies got discussed were reasonably broad. It extended from Polynesia to some of the Voodoo themes on the Atlantic side. If it takes place on a remote island, it would be fair game for discussion. I came away from this session with a roster of films to check out, and that is the beauty of these panel talks. Brian was amazing on the trigger; there was a whole roster of films that were at his fingertips, and he was able to feather in movies, even ones that came from the audience. It was a very niche topic, but attendees came for the deep-cut discussion and were rewarded. This panel was the last panel from the Friday session, and a number of us prepared by wearing Aloha shirts for the event. These are veteran panelists, and it shows. I could listen to Tony Kay talk horror all day! He is one of the best panelists at Crypticon’s disposal. If you don’t come out of this recording with some new movies to check out, you probably are already an expert! Tony Kay, Brian Callahan, and Brien Gorham decked out in Aloha shirts and talking Tiki Horror at Crypticon Seattle 2026 Tiki Terror and Tropical Horrors: Crypticon Seattle Panel Recording Brian Callahan – HostTony Kay- PanelistBrien Gorham – Panelist Here is the panel recording from Crypticon Seattle. The first voice you will hear is Brian Callahan, the host of the panel. Tony Kay is the second voice, and Brien Gorham is the third. If you enjoyed this panel recording, check out our recording for Pets in Horror, which Brien hosted, and I was a panelist for. Representative Movies from the Discussion Here are some images from the films featured in the talk… and I’ve added a few more for reference. The Island of Lost Souls (1932) The Most Dangerous Game (1932) King Kong (1933) I Walked With a Zombie (1943) Creature from the Black Lagoon (1954) From Hell it Came (1957) The Four Skulls of Jonathan Drake (1959) Terror is a Man (1959) Mothra (1961) Konga (1961) Matango: Fungus of Terror (1963) Brides of Blood (1968) Beast of Blood (1970) Mad Doctor of Blood Island (1969) The Blood Drinkers (1966) Trilogy of Terror (1975) Island of the Fish Men (1979) Zombi (1979) Cannibal Holocaust (1980) Carne de tu carne (1983) Predator (1987) The Serpent and the Rainbow (1988) The Island of Dr. Moreau (1996) Club Dread (2004) King Kong (2005) Green Inferno (2013) Tiki: God of Horror (2006) The Ruins (2008) Sweetheart (2019) Monster Island (2024) Send Help (2026) Matango (2026) Horror Tiki Mugs I couldn’t resist. Horror Tiki Mugs! So fun, and so evocative. What’s better than a Mai Tai in a Xenomorph mug? Put me on a beach. I’m ready. Universal Monsters from Mondo From Jonathan Chaffin: Horror in Clay Xenomorph Tiki from Mondo Post Mortem Bootique

Today Rachel is back with Erin Cahill to catch up and talk about her new unscripted show on Hallmark Plus MOM'S THE BRIDE Our last interview with Erin https://youtu.be/mGly620tfKc To listen to our ranking of Erin Cahill movies https://www.youtube.com/watch?v=ttrBBSxO3g8 Follow Erin on twitter https://twitter.com/theErinCahill Follow Erin on instagram https://www.instagram.com/theerincahill/?hl=en Join us over on Patreon! http://www.patreon.com/hallmarkies Check out our merch: https://www.teepublic.com/stores/hallmarkies Send us your feedback at feedback@hallmarkiespodcast.com Or call +1 (801) 855-6407 Follow Rachel on twitter twitter.com/rachel_reviews Follow Rachel's blog at http://rachelsreviews.net Follow Rachel's Reviews on youtube https://www.youtube.com/c/rachelsreviews Follow Rachel on facebook www.facebook.com/smilingldsgirl Learn more about your ad choices. Visit megaphone.fm/adchoices

May 7th: Edmund Creffield Assassinated (1906) Having faith in someone can sometimes lead you astray. On May 7th 1906 a man was assassinated by someone who was fed up with his antics. Ones that, many believed, led an entire group astray and created an incredibly toxic, and dangerous, environment. https://en.wikipedia.org/wiki/Edmund_Creffield#Assassination, https://www.historylink.org/File/4263, https://www.oregonencyclopedia.org/articles/creffield_edmund_and_the_brides_of_christ_church/, https://mchumor.com/edmundcreffield.com/, https://www.nydailynews.com/2019/06/23/franz-edmund-creffield-and-the-cult-of-personality/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, James sits down with writer and contributing editor Shelby Wax for a rare, behind-the-scenes look at how wedding editorial really works—and what it actually takes to get published. Shelby shares how her path through Martha Stewart Weddings, Brides, and now freelance work shaped her perspective on storytelling, curation, and taste. Together, they unpack what most photographers and planners misunderstand about editorial, why "beautiful" isn't always enough, and how timing, brand alignment, and narrative all play a role in what gets selected. They also dive into the realities behind submissions—why great weddings get passed on, how SEO and internal goals shape decisions, and what editors are really looking for when they open a gallery. If you've ever felt confused or frustrated by the editorial process—or wondered how to get your work published—this conversation will reframe it completely and give you a clearer path forward.