Podcasts about fordham up

Aesthetic Impropriety: Property Law and Postcolonial Style (Fordham UP, 2025) analyzes vanguard legal actions and literary innovations to reveal contemporary reforms to property law that are undoing law's colonial legacies. Casey traces precise legal histories across distinct jurisdictions throughout the anglophone world, revealing the connection between land law and petroleum extraction in the Niger Delta, inheritance and divorce laws and gender inequality in India, intellectual property law and Indigenous dispossession in South Africa, and admiralty law and racialized non-personhood in the English Atlantic. In response to these manifold forms of dispossession, significant reforms are underway, including through common lawsuits, statutory reform, and proposed changes to legal doctrine. Casey develops the concept of aesthetic impropriety to identify shared structures of thought across legal and literary venues. She shows that writers of poetry and prose are also transforming harmful property laws: in Nigeria, Ben Okri and Chigozie Obioma have articulated symbiotic ecological relationships that are also evidenced in recent actions against petroleum companies; in India, Arundhati Roy's challenge to divorce laws has preempted similar attempts at reform in Parliament; in South Africa, Zoë Wicomb theorized protections for Indigenous modes of creative production nineteen years before they were signed into law; and in the Americas, M. NourbeSe Philip has proposed a novel method of achieving justice for the one hundred fifty enslaved people who were killed in the 1781 Zong massacre.Aesthetic Impropriety makes a convincing case for literature's generative capacities and registers the enduring significance of the postcolonial as a necessary framework for understanding globalized inequality in the twenty-first century. By analyzing shared legal and aesthetic transformations, Aesthetic Impropriety argues that law and literature play vital roles in creating anticolonial world orders. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Aesthetic Impropriety: Property Law and Postcolonial Style (Fordham UP, 2025) analyzes vanguard legal actions and literary innovations to reveal contemporary reforms to property law that are undoing law's colonial legacies. Casey traces precise legal histories across distinct jurisdictions throughout the anglophone world, revealing the connection between land law and petroleum extraction in the Niger Delta, inheritance and divorce laws and gender inequality in India, intellectual property law and Indigenous dispossession in South Africa, and admiralty law and racialized non-personhood in the English Atlantic. In response to these manifold forms of dispossession, significant reforms are underway, including through common lawsuits, statutory reform, and proposed changes to legal doctrine. Casey develops the concept of aesthetic impropriety to identify shared structures of thought across legal and literary venues. She shows that writers of poetry and prose are also transforming harmful property laws: in Nigeria, Ben Okri and Chigozie Obioma have articulated symbiotic ecological relationships that are also evidenced in recent actions against petroleum companies; in India, Arundhati Roy's challenge to divorce laws has preempted similar attempts at reform in Parliament; in South Africa, Zoë Wicomb theorized protections for Indigenous modes of creative production nineteen years before they were signed into law; and in the Americas, M. NourbeSe Philip has proposed a novel method of achieving justice for the one hundred fifty enslaved people who were killed in the 1781 Zong massacre.Aesthetic Impropriety makes a convincing case for literature's generative capacities and registers the enduring significance of the postcolonial as a necessary framework for understanding globalized inequality in the twenty-first century. By analyzing shared legal and aesthetic transformations, Aesthetic Impropriety argues that law and literature play vital roles in creating anticolonial world orders. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Aesthetic Impropriety: Property Law and Postcolonial Style (Fordham UP, 2025) analyzes vanguard legal actions and literary innovations to reveal contemporary reforms to property law that are undoing law's colonial legacies. Casey traces precise legal histories across distinct jurisdictions throughout the anglophone world, revealing the connection between land law and petroleum extraction in the Niger Delta, inheritance and divorce laws and gender inequality in India, intellectual property law and Indigenous dispossession in South Africa, and admiralty law and racialized non-personhood in the English Atlantic. In response to these manifold forms of dispossession, significant reforms are underway, including through common lawsuits, statutory reform, and proposed changes to legal doctrine. Casey develops the concept of aesthetic impropriety to identify shared structures of thought across legal and literary venues. She shows that writers of poetry and prose are also transforming harmful property laws: in Nigeria, Ben Okri and Chigozie Obioma have articulated symbiotic ecological relationships that are also evidenced in recent actions against petroleum companies; in India, Arundhati Roy's challenge to divorce laws has preempted similar attempts at reform in Parliament; in South Africa, Zoë Wicomb theorized protections for Indigenous modes of creative production nineteen years before they were signed into law; and in the Americas, M. NourbeSe Philip has proposed a novel method of achieving justice for the one hundred fifty enslaved people who were killed in the 1781 Zong massacre.Aesthetic Impropriety makes a convincing case for literature's generative capacities and registers the enduring significance of the postcolonial as a necessary framework for understanding globalized inequality in the twenty-first century. By analyzing shared legal and aesthetic transformations, Aesthetic Impropriety argues that law and literature play vital roles in creating anticolonial world orders. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In the shadow of recent turmoil, Join the Conspiracy: How a Brooklyn Eccentric Got Lost on the Right, Infiltrated the Left and Brought Down the Biggest Bombing Network in New York (Fordham University Press, 2024) transports readers to a pivotal moment of division and dissent in American history: the late 1960s. Against the backdrop of the Vietnam War and a nation grappling with internal conflict, this compelling narrative follows the life of George Demmerle, a factory worker whose political odyssey encapsulates the era's tumultuous spirit. From his roots as a concerned citizen wary of his country's leftward tilt, Demmerle's journey takes a dramatic turn as he delves into the heart of radical activism. Participating in iconic protests from the March on Washington to the Democratic National Convention in Chicago, Demmerle's story is a whirlwind of political fervor, embodying the struggle against what was perceived as imperialist war and racial injustice. His transformation is marked by alliances with key figures of the time, including Abbie Hoffman and an eventual leadership role within an East Coast Black Panther affiliate. Yet, beneath his radical veneer lies a secret: Demmerle is an FBI informant. Join the Conspiracy reveals Demmerle's complex role in a society at war with itself, where his deepening involvement with the radical left and a bombing collective forces him to confront his loyalties. The narrative, enriched by a rare trove of period documents, candid photos taken from inside the radical movement, and underground art – more than a hundred of which are included in the book – not only charts Demmerle's saga but also reflects the broader story of a nation struggling to find its moral compass amidst chaos. As Demmerle navigates the dangerous waters of political extremism, readers are invited to ponder the price of ideology, the nature of loyalty, and the fine line between activism and betrayal. This book is not just a recounting of historical events but a vibrant portrait of a man and a movement that sought to reshape America. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the shadow of recent turmoil, Join the Conspiracy: How a Brooklyn Eccentric Got Lost on the Right, Infiltrated the Left and Brought Down the Biggest Bombing Network in New York (Fordham University Press, 2024) transports readers to a pivotal moment of division and dissent in American history: the late 1960s. Against the backdrop of the Vietnam War and a nation grappling with internal conflict, this compelling narrative follows the life of George Demmerle, a factory worker whose political odyssey encapsulates the era's tumultuous spirit. From his roots as a concerned citizen wary of his country's leftward tilt, Demmerle's journey takes a dramatic turn as he delves into the heart of radical activism. Participating in iconic protests from the March on Washington to the Democratic National Convention in Chicago, Demmerle's story is a whirlwind of political fervor, embodying the struggle against what was perceived as imperialist war and racial injustice. His transformation is marked by alliances with key figures of the time, including Abbie Hoffman and an eventual leadership role within an East Coast Black Panther affiliate. Yet, beneath his radical veneer lies a secret: Demmerle is an FBI informant. Join the Conspiracy reveals Demmerle's complex role in a society at war with itself, where his deepening involvement with the radical left and a bombing collective forces him to confront his loyalties. The narrative, enriched by a rare trove of period documents, candid photos taken from inside the radical movement, and underground art – more than a hundred of which are included in the book – not only charts Demmerle's saga but also reflects the broader story of a nation struggling to find its moral compass amidst chaos. As Demmerle navigates the dangerous waters of political extremism, readers are invited to ponder the price of ideology, the nature of loyalty, and the fine line between activism and betrayal. This book is not just a recounting of historical events but a vibrant portrait of a man and a movement that sought to reshape America. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the shadow of recent turmoil, Join the Conspiracy: How a Brooklyn Eccentric Got Lost on the Right, Infiltrated the Left and Brought Down the Biggest Bombing Network in New York (Fordham University Press, 2024) transports readers to a pivotal moment of division and dissent in American history: the late 1960s. Against the backdrop of the Vietnam War and a nation grappling with internal conflict, this compelling narrative follows the life of George Demmerle, a factory worker whose political odyssey encapsulates the era's tumultuous spirit. From his roots as a concerned citizen wary of his country's leftward tilt, Demmerle's journey takes a dramatic turn as he delves into the heart of radical activism. Participating in iconic protests from the March on Washington to the Democratic National Convention in Chicago, Demmerle's story is a whirlwind of political fervor, embodying the struggle against what was perceived as imperialist war and racial injustice. His transformation is marked by alliances with key figures of the time, including Abbie Hoffman and an eventual leadership role within an East Coast Black Panther affiliate. Yet, beneath his radical veneer lies a secret: Demmerle is an FBI informant. Join the Conspiracy reveals Demmerle's complex role in a society at war with itself, where his deepening involvement with the radical left and a bombing collective forces him to confront his loyalties. The narrative, enriched by a rare trove of period documents, candid photos taken from inside the radical movement, and underground art – more than a hundred of which are included in the book – not only charts Demmerle's saga but also reflects the broader story of a nation struggling to find its moral compass amidst chaos. As Demmerle navigates the dangerous waters of political extremism, readers are invited to ponder the price of ideology, the nature of loyalty, and the fine line between activism and betrayal. This book is not just a recounting of historical events but a vibrant portrait of a man and a movement that sought to reshape America. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In the shadow of recent turmoil, Join the Conspiracy: How a Brooklyn Eccentric Got Lost on the Right, Infiltrated the Left and Brought Down the Biggest Bombing Network in New York (Fordham University Press, 2024) transports readers to a pivotal moment of division and dissent in American history: the late 1960s. Against the backdrop of the Vietnam War and a nation grappling with internal conflict, this compelling narrative follows the life of George Demmerle, a factory worker whose political odyssey encapsulates the era's tumultuous spirit. From his roots as a concerned citizen wary of his country's leftward tilt, Demmerle's journey takes a dramatic turn as he delves into the heart of radical activism. Participating in iconic protests from the March on Washington to the Democratic National Convention in Chicago, Demmerle's story is a whirlwind of political fervor, embodying the struggle against what was perceived as imperialist war and racial injustice. His transformation is marked by alliances with key figures of the time, including Abbie Hoffman and an eventual leadership role within an East Coast Black Panther affiliate. Yet, beneath his radical veneer lies a secret: Demmerle is an FBI informant. Join the Conspiracy reveals Demmerle's complex role in a society at war with itself, where his deepening involvement with the radical left and a bombing collective forces him to confront his loyalties. The narrative, enriched by a rare trove of period documents, candid photos taken from inside the radical movement, and underground art – more than a hundred of which are included in the book – not only charts Demmerle's saga but also reflects the broader story of a nation struggling to find its moral compass amidst chaos. As Demmerle navigates the dangerous waters of political extremism, readers are invited to ponder the price of ideology, the nature of loyalty, and the fine line between activism and betrayal. This book is not just a recounting of historical events but a vibrant portrait of a man and a movement that sought to reshape America. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode, I speak with Marc Redfield, professor of Comparative Literature, English, and German Studies at Brown University about his most recent work, Shibboleth: Judges, Derrida, Celan, published in 2020 by Fordham University Press. In this short but intricate and dense work, Redfield investigates the “shibboleth”—the word, if it is one, and the concept—from its roots in the Book of Judges to the contemporary global regimes of technics that are defined by constantly proliferating technologies and practices of encryption, decryption, exclusion, and inclusion.  At the heart of this book is an insightful interpretation of two poems by the Romanian-Jewish, German-language poet Paul Celan. Redfield places Celan into a polyphonic dialogue with others who invoked “the” shibboleth: the French philosopher Jacques Derrida, William Faulkner, and the Colombian visual artist Doris Salcedo (whose 2007 installation at the Tate Modern, which bears the title Shibboleth, provides the cover image for the book). In doing so, Redfield pursues the track of shibboleth: a word to which no language can properly lay claim, a word that is both less and more than a word, that signifies both the epitome and ruin of border control technology, and that thus, despite its violent origin and role in the Biblical story, offers a locus of poetico-political affirmation. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, I speak with Marc Redfield, professor of Comparative Literature, English, and German Studies at Brown University about his most recent work, Shibboleth: Judges, Derrida, Celan, published in 2020 by Fordham University Press. In this short but intricate and dense work, Redfield investigates the “shibboleth”—the word, if it is one, and the concept—from its roots in the Book of Judges to the contemporary global regimes of technics that are defined by constantly proliferating technologies and practices of encryption, decryption, exclusion, and inclusion.  At the heart of this book is an insightful interpretation of two poems by the Romanian-Jewish, German-language poet Paul Celan. Redfield places Celan into a polyphonic dialogue with others who invoked “the” shibboleth: the French philosopher Jacques Derrida, William Faulkner, and the Colombian visual artist Doris Salcedo (whose 2007 installation at the Tate Modern, which bears the title Shibboleth, provides the cover image for the book). In doing so, Redfield pursues the track of shibboleth: a word to which no language can properly lay claim, a word that is both less and more than a word, that signifies both the epitome and ruin of border control technology, and that thus, despite its violent origin and role in the Biblical story, offers a locus of poetico-political affirmation. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In this episode, I speak with Marc Redfield, professor of Comparative Literature, English, and German Studies at Brown University about his most recent work, Shibboleth: Judges, Derrida, Celan, published in 2020 by Fordham University Press. In this short but intricate and dense work, Redfield investigates the “shibboleth”—the word, if it is one, and the concept—from its roots in the Book of Judges to the contemporary global regimes of technics that are defined by constantly proliferating technologies and practices of encryption, decryption, exclusion, and inclusion.  At the heart of this book is an insightful interpretation of two poems by the Romanian-Jewish, German-language poet Paul Celan. Redfield places Celan into a polyphonic dialogue with others who invoked “the” shibboleth: the French philosopher Jacques Derrida, William Faulkner, and the Colombian visual artist Doris Salcedo (whose 2007 installation at the Tate Modern, which bears the title Shibboleth, provides the cover image for the book). In doing so, Redfield pursues the track of shibboleth: a word to which no language can properly lay claim, a word that is both less and more than a word, that signifies both the epitome and ruin of border control technology, and that thus, despite its violent origin and role in the Biblical story, offers a locus of poetico-political affirmation. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode, I speak with Marc Redfield, professor of Comparative Literature, English, and German Studies at Brown University about his most recent work, Shibboleth: Judges, Derrida, Celan, published in 2020 by Fordham University Press. In this short but intricate and dense work, Redfield investigates the “shibboleth”—the word, if it is one, and the concept—from its roots in the Book of Judges to the contemporary global regimes of technics that are defined by constantly proliferating technologies and practices of encryption, decryption, exclusion, and inclusion.  At the heart of this book is an insightful interpretation of two poems by the Romanian-Jewish, German-language poet Paul Celan. Redfield places Celan into a polyphonic dialogue with others who invoked “the” shibboleth: the French philosopher Jacques Derrida, William Faulkner, and the Colombian visual artist Doris Salcedo (whose 2007 installation at the Tate Modern, which bears the title Shibboleth, provides the cover image for the book). In doing so, Redfield pursues the track of shibboleth: a word to which no language can properly lay claim, a word that is both less and more than a word, that signifies both the epitome and ruin of border control technology, and that thus, despite its violent origin and role in the Biblical story, offers a locus of poetico-political affirmation. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biblical-studies

In the shadow of recent turmoil, Join the Conspiracy: How a Brooklyn Eccentric Got Lost on the Right, Infiltrated the Left and Brought Down the Biggest Bombing Network in New York (Fordham University Press, 2024) transports readers to a pivotal moment of division and dissent in American history: the late 1960s. Against the backdrop of the Vietnam War and a nation grappling with internal conflict, this compelling narrative follows the life of George Demmerle, a factory worker whose political odyssey encapsulates the era's tumultuous spirit. From his roots as a concerned citizen wary of his country's leftward tilt, Demmerle's journey takes a dramatic turn as he delves into the heart of radical activism. Participating in iconic protests from the March on Washington to the Democratic National Convention in Chicago, Demmerle's story is a whirlwind of political fervor, embodying the struggle against what was perceived as imperialist war and racial injustice. His transformation is marked by alliances with key figures of the time, including Abbie Hoffman and an eventual leadership role within an East Coast Black Panther affiliate. Yet, beneath his radical veneer lies a secret: Demmerle is an FBI informant. Join the Conspiracy reveals Demmerle's complex role in a society at war with itself, where his deepening involvement with the radical left and a bombing collective forces him to confront his loyalties. The narrative, enriched by a rare trove of period documents, candid photos taken from inside the radical movement, and underground art – more than a hundred of which are included in the book – not only charts Demmerle's saga but also reflects the broader story of a nation struggling to find its moral compass amidst chaos. As Demmerle navigates the dangerous waters of political extremism, readers are invited to ponder the price of ideology, the nature of loyalty, and the fine line between activism and betrayal. This book is not just a recounting of historical events but a vibrant portrait of a man and a movement that sought to reshape America. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events. Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life. What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present. Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events. Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life. What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present. Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events. Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life. What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present. Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events. Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life. What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present. Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events. Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life. What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present. Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events. Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life. What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present. Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How do bureaucratic documents create and reproduce a state's capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused? Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L'Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined. By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada's complex and violent relationship with Indigenous peoples. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do bureaucratic documents create and reproduce a state's capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused? Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L'Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined. By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada's complex and violent relationship with Indigenous peoples. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

How do bureaucratic documents create and reproduce a state's capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused? Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L'Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined. By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada's complex and violent relationship with Indigenous peoples. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

When I decided to try my hand at interviewing authors for the New Books Network, one of my dream guests was Steve Mentz. Steve's work in the environmental humanities marries a rigorous archival work, pathbreaking close readings, and a fluent and innovative approach to scholarly writing. I think he's charted a course for early modern ecocriticism that has been both impressive and energizing. Steve Mentz is a Professor of English at St. John's University. He has produced numerous books that have shaped the emerging field of the blue humanities, including Shipwreck Modernity; At the Bottom of Shakespeare's Ocean; the Bloomsbury Objects entry Ocean; and the recent An Introduction to the Blue Humanities. He has published a chapbook of poetry, Swim Poems. His Bookfish blog is also a wonderful index for scholarly and creative work happening right now. Today, I am excited to discuss his most recent book of blue poetry, Sailing Without Ahab, just published by Fordham University Press in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When I decided to try my hand at interviewing authors for the New Books Network, one of my dream guests was Steve Mentz. Steve's work in the environmental humanities marries a rigorous archival work, pathbreaking close readings, and a fluent and innovative approach to scholarly writing. I think he's charted a course for early modern ecocriticism that has been both impressive and energizing. Steve Mentz is a Professor of English at St. John's University. He has produced numerous books that have shaped the emerging field of the blue humanities, including Shipwreck Modernity; At the Bottom of Shakespeare's Ocean; the Bloomsbury Objects entry Ocean; and the recent An Introduction to the Blue Humanities. He has published a chapbook of poetry, Swim Poems. His Bookfish blog is also a wonderful index for scholarly and creative work happening right now. Today, I am excited to discuss his most recent book of blue poetry, Sailing Without Ahab, just published by Fordham University Press in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Against the Carceral Archive: The Art of Black Liberatory Practice (Fordham UP, 2023) is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the Southern California Library (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s. Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive's fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst. Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Black­ness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies