Superstructure

A guided meditation you can do with your Tungsten Cube.

In this episode, co-hosts Natalie Smith and Maxximilian Seijo argue that the pandemic not only killed neoliberalism as a tacit ideological formation; it also revealed how neoliberal truisms have never captured the actual causal mechanisms and potentials that defined the past 50 years. Fleshing out these claims, Naty and Maxx journey through the work of rockstar economic historian Adam Tooze, focusing in particular on his widely-hailed recent book, Shutdown: How Covid Shook the World's Economy (2021). Naty and Maxx affirm Tooze's characteristically thorough demonstration of the myriad ways that the world-wide response to the pandemic, however inadequate, dismantled the pillars of neoliberal governance. Yet they also critique the elitist complicity of Tooze's methodological commitment to historical immanence and inevitability, tracing such impulses to back to John Maynard Keynes' fatal dismissal of Abba Lerner's proposal to do away with balanced budgets and revenue-constraints. For the Superstructure crew, by contrast, proceeding “in medias res,” as Tooze puts it, requires an abolitionist attunement to genuine conditions of injustice and possibility, from #Defund and ongoing labor strikes to contests over #MintTheCoin and the Green New Deal. During the conversation, wisecracks and burns abound, per usual. This one, too, is packed with citations, including loving shoutouts to David Stein, Jakob Feinig, Mariame Kaba, Dan Berger, Emily Hobson, Alex Yablon, Nathan Tankus, and Rohan Grey. Link to our Patreon: www.patreon.com/MoLsuperstructure Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

This Money on the Left/Superstructure episode is the eleventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. Typically reserved for Patreon subscribers, this special two-part episode about Toy Story is available to the general public in full. For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

CW: trauma, abuse Will Beaman draws on personal experiences to reflect on how the problematic reduction of “deradicalization” to dialogues between fascists and anti-fascists resembles other forms of emotional and relational abuse. When the imperatives of “coalition-building” require victims of right wing violence to double down on dialogues with hostile interlocutors, the supposedly public realm of ideas resembles an abusive household, in which leaving is not an option. After a cold open from Briahna Joy Gray's recent interview with Talia Lavin on the “Bad Faith” podcast, Will suggests that distinctly non-carceral and non-“paid for” modes of institutional mediation are necessary for deradicalization to be something more than the emotional blackmail of victims via toxic social norms.

In this special episode, hosts Natalie Smith and @moltopopulare take on the austere sexual politics promulgated by cultural critic and commentator Elizabeth or “Liz” Bruenig. Mirroring the tacit zero-sum logics built into her spouse Matt Bruenig's analyses of political economy, Liz regularly weaponizes social conservatism and conformity in cruel efforts to shore up a problematic vision of a proper social democratic populace. Natalie and Charlotte lay bare the sadistic violation of sexual freedom and identity that forms the core of Liz's project by examining a wide range of articles on topics such as queer celibacy, the politics of pornography, and 50 Shades of Gray. Link to our Patreon: https://www.patreon.com/MoLsuperstructure Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

Co-hosts Will Beaman, Natalie Smith, and Maxximilian Seijo discuss recent critiques of the Sunrise Movement by influential members of the Democratic Socialists of America (DSA) on social media and in the pages of Jacobin Magazine. Problematizing the DSAers destructive zero-sum rhetoric regarding the allegedly correct “theory of change,” the gang suggests an alternative mode for organizational provisioning, rooted in neither the sovereignty of a dues-paying membership structure nor the sovereignty of “outside” donors. It is impossible to take part in an interdependent social organization that knows no externality because everyone is responsible to everyone else, whether inside or outside a particular organization. Misunderstanding inter-organizational dependence, the Superstructure co-hosts argue, has led these writers to accuse Sunrise of “social disembeddedness,” a reactionary charge with little basis in reality. In contrast, the Superstructure team proffers a self-consciously generative and analogical model of social coordination that opens organizational activity to diversity and difference. Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

Cohosts Natalie Smith and Will Beaman discuss mutual aid, highlighting the potentials of its often neglected monetary and linguistic dimensions. Reading against Dean Spade's interpretation of mutual aid as fully internal or external to money and the state, Natalie and Will recast mutual aid practices as active and vital forms of contestation over the “monetary naming” of other fiscal authorities that naturalize austerity and unemployment. Viewing mutual aid this way, they argue, opens up possibilities for its expansion through monetary creation. Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

This Money on the Left/Superstructure episode is the tenth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

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This Money on the Left/Superstructure teaser previews both our eight and ninth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018

Ian (@ian_as_portrait) joins Natalie Smith to discuss the hyper-normative left rhetoric of philosophy instructor and frequent Jacobin contributor Ben Burgis. Emblematic of a certain deadpan logical sobriety seen in certain left circles, Burgis's debate style downplays heterogeneity, pleasure, and generativity in an effort to convert libertarians and rightwingers to an incrementalist tax-to-spend vision of democratic socialism. Calling out the austerian and deeply fatalist assumptions of Burgis's reactionary approach, Ian and Naty instead affirm the potentials of an inclusive, heterogenous, and emotionally wide-ranging left discourse. Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

Maxximilian Seijo, Andrés Bernal and Scott Ferguson plunge into the latest Disney Plus streaming series, Loki (2021) as part of their ongoing examination of Phase Four of the Marvel Cinematic Universe (MCU). For all its deliciously queer aesthetic & political potentials, they argue, Loki represents another MCU tragedy about the promise & perpetual failure of social contract theory, and fascism's seductive exploitation of that failure. In doing so, they critique how the show's neoliberal and tacitly Deleuzean conception of time as “univocal difference” problematically pits care against heterogeneity in a zero-sum trade-off between fascism and democracy. At the same time, they suggest that Loki's polyvalent and often-campy aesthetics nevertheless express new longings for alternative modes of questioning and organizing the world. Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

Frederic Jameson, Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (page 16-17) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. The episode concludes Season 1 of Processions. Stay tuned for announcements about Season 2. Subscribe to our Patreon: www.patreon.com/MoLsuperstructure Music by Nahneen Kula (www.nahneenkula.com)

Silvina Ocampo, "Forgotten Journey", in Thus Were Their Faces (page 1-3) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. Processions will be released Monday, Wednesday, & Friday to the public, and Tuesday & Thursday as Patreon exclusives. Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Sean Cubitt, Finite Media: Environmental Implications of Digital Technology (page 7) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Virginia Woolf, A Room of One's Own (page 9-10) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Siegfried Kracauer, History, the Last Things Before the Last (page 42-43) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

This Money on the Left/Superstructure teaser previews our seventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

Hosts Natalie Smith and Maxximilian Seijo dive into the world of personality types as exemplified by the likes of astrology, MBTI and Enneagram. Complicating John Ganz's recent dismissal of personal types as univocal, alienating and repressive, Naty and Maxx queer such typologies, drawing attention to their playful, generative and relational meanings. Sprinkled with references to Adorno, Deleuze, Leibniz, and Hegel, the episode treats astrology, MBTI and Enneagram as analogical practices and asks how such practices can inform a non-zero-sum left politics of money. Link to Ganz's essay: https://johnganz.substack.com/p/thats-not-a-personality-sweetie

Giorgio Agamben, The Use of Bodies, (Page 272-273) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Ndongo Samba Sylla, Colonialism's Neoliberal Origins (https://moneyontheleft.org/2021/06/14/neoliberalisms-colonial-origins/) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

G.W.F. Hegel, Phenomenology of Spirit (Page 90) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Greg Grandin, The End of the Myth: From the Frontier to the Border Wall in the Mind of America (Page 8-9) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Karl Marx, Economic and Philosophical Manuscripts (Page 127-128) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Subscribe to our Patreon: https://www.patreon.com/MoLsuperstructure

Stuart Hall, Essential Essays (Vol. 2): Identity and Diaspora, "Old and New Identities, Old and New Ethnicities" (Page 67) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon for more: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Rebecca L. Spang, Stuff and Money in the Time of the French Revolution (Page 6) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon for more: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Dasha-in-herself encounters idealism. https://www.patreon.com/MoLsuperstructure

Inferno, by Dante Alighieri (Canto 1, lines 1-15) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon for more: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

The Stars Down to Earth, by Theodor W. Adorno (Page 48-49) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon for more: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

Simulation and Simulacra, by Jean Baudrillard (Page 1) In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective's method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later. Subscribe to our Patreon for more: https://www.patreon.com/MoLsuperstructure Music by Nahneen Kula (https://www.nahneenkula.com)

This Money on the Left/Superstructure teaser previews our sixth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

@moltopopulare joins co-hosts Natalie Smith, Will Beaman & Maxximilian Seijo to problematize unquestioned leftist critiques of the “Professional Managerial Class,” or “PMC,” past and present. As exemplified by a recent episode of The Dig podcast, leftists frequently invoke the epithet “PMC”--as well as its cousin, “ultra leftist,” or simply “ultra”--in order to shore up class solidarity against capitalist cooptation and ward off allegedly unfeasible political aims. Yet in reality, the Superstructure gang argues, the left PMC trope conceals deeply zero-sum and exclusionary logics that undercut universal emancipation and caretaking. Often stemming from a place of self-loathing or a desire for self-exculpation, such logics not only police leftist discourse according to a univocal workerist ethos, but also violently divide supposedly legitimate from illegitimate horizons of contestation in a manner that reduces universalism to exceptionalism. Tracing the PMC figure’s theoretical and historical roots, the episode culminates with a sustained reading from Karl Marx’s controversial essay, “On the Jewish Question.” Link to our Patreon: https://www.patreon.com/MoLsuperstructure Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

¡Llegó el primer episodio de Superstructure en Español! Andrés Bernal (@andresintheory) y Natalie Smith (@orangeasm) conversan sobre la relevancia de la Teoría Monetaria Moderna para Latinoamérica con dos expertos económicos de la región, Jesus Resendiz (@Tlacuachito) y Daniel Rojas (@DanielRMed). Analizamos las protestas recientes en Colombia, con sus formaciones reaccionarias y las posibilidades para la izquierda, incluyendo la candidatura de Gustavo Petro, una carta abierta de economistas Colombianos heterodoxos criticando una tendencia común a la izquierda de entender los impuestos como la fuente del gasto público, y una propuesta para una ley de garantía de trabajo. Después, vamos a México para conversar sobre los supuestos ortodoxos de austeridad asumidos sin crítica por el gobierno de la izquierda de AMLO. ** It's the first Superstructure episode in Spanish! Andres Bernal and Natalie Smith discuss the relevance of MMT for Latin America with two Latin American economic experts, Jesus Resendiz and Daniel Rojas. We discuss the recent protests in Colombia, reactionary formations there and prospects for the left, including the candidacy of Gustavo Petro, a recent open letter from Colombian heterodox economists criticizing left tilt towards understanding taxes as funding the government, and a job guarantee proposal. Then we move to Mexico and discuss the orthodox austerity assumptions uncritically taken on by the purportedly left government of AMLO. Look out for the English and Spanish transcripts in the coming weeks! Link to our Patreon: https://www.patreon.com/MoLsuperstructure Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

Modern Movie Theory (MMT): The Falcon and the Winter Soldier by Superstructure

This Money on the Left/Superstructure teaser previews our fifth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

In this episode; Scott Ferguson and Maxximilian Seijo discuss the politics and aesthetics of Marvel’s WandaVision (2021), which was released via the Disney Plus streaming service earlier this year. Picking up questions about blockbuster form and apophatic analysis they’ve pondered in previous episodes, Scott and Maxx affirm the show’s exceptional foray into past sitcom aesthetics and other similarly abstract forms in light of the present neoliberal paradigm crisis. They tease out WandaVision’s critical engagement with the white heteronormative patriarchy that sitcoms have complicatedly mediated. And they critique the program’s ultimate capitulation to conventional blockbuster aesthetics, which substitute a finite and fatalistic physics for what is in truth a capacious and transformable process of monetary mediation.

Dasha takes on Ranciere. https://www.patreon.com/MoLsuperstructure

Maxximilian Seijo (@MaxSeijo) speaks with Natan Last (@natanlast) about his recent essay for the Superstructure vertical, "A Graceful Kind of Non-Absence." Read it here: https://moneyontheleft.org/2021/04/07/a-graceful-kind-of-non-absence/ Link to our Patreon: https://www.patreon.com/MoLsuperstructure

Announcement: Superstructure Vertical by Superstructure

This Money on the Left/Superstructure teaser previews our fourth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

Contra leftist praise for today’s seemingly anti-capitalist papacy, co-hosts Naty Smith, Maxx Seijo, & Will Beaman offer a critical close reading of “Fratelli Tutti,” Pope Francis' third and most recent encyclical. Unearthing the austere logics that inhere in Bergoglio's ideas of encounter, charity, and reconciliation, Naty, Maxx, and Will take on the pope’s not-so-lefty Jesuit career and Peronist history, as well as the Franciscan ideology and history that inspired his Covid-era message to the world. Framed by readings of Scott Ferguson’s work on the symptomatic search for solidity in the modern and neoliberal moments, the gang exposes the deeply toxic nationalistic impulses behind the Pope's metaphysical, theological, and political exhortations. Superstructure, in other words, cancels the pope Link to our Patreon: https://www.patreon.com/MoLsuperstructure Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

The Money on the Left Editorial Collective is proud to present a recent talk by English literature scholar Rob Hawkes titled, “‘The Power of Money is so Hard to Realize’: Literature, Money and Trust in George Gissing's 1891 Novel New Grub Street.” In it, Hawkes draws out urgent, though regularly overlooked linkages between modern money and modern literature. In particular, he explores British novelist George Gissing’s reflexive and genre-bending book to pose the problem of social trust from a neochartalist or MMT-informed perspective. Dr. Rob Hawkes is Senior Lecturer in English Studies at Teesside University in the United Kingdom; a Fellow of the English Association; and a member of the Executive Steering Committee of the British Association for Modernist Studies. He is the author of Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War (Palgrave Macmillan, 2012) and co-editor several related books on Ford Madox Ford. Recently, he contributed ‘Openness, Otherness, and Expertise: Uncertainty and Trust in Stewart Lee’s Comedy Vehicle’ to the collection, Comedy and the Politics of Representation: Mocking the Weak, edited by Helen Davies and Sarah Ilott (Palgrave Macmillan, 2018). And he is now working on a monograph on literature, money, and trust from the 1890s to the 1980s. To contact Dr. Hawkes, email him at r.hawkes@tees.ac.uk. Or, you can find him on Twitter @robbhawkes. Link to our Patreon: https://www.patreon.com/MoLsuperstructure Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting Thank you to the English and Creative Writing Research Seminar at Teesside for hosting and giving us permission to sharing Dr. Hawkes’ lecture.

https://www.patreon.com/MoLsuperstructure

https://www.patreon.com/MoLsuperstructure

https://www.patreon.com/MoLsuperstructure

https://www.patreon.com/MoLsuperstructure

This Money on the Left/Superstructure teaser previews our third premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

Cohosts Will Beaman, Natalie Smith, & Maxximilian Seijo are joined by Ian from Twitter (@tweet_boxian) to visit America’s favorite socialist family, the Bruenigs. They begin with reflections on a New York Times piece by Elizabeth Bruenig on the need to forgive the recently canonized Franciscan friar Junipero Serra, who oversaw the torture, enslavement and murder of indigenous Americans in California during the 18th century. Next, they consider Matt Bruenig’s “Family Fun Pack” policy paper. They critique the paper's exclusionary economic premises and natalist aesthetics, and suggest an alternative political economy based on public creation rather than zero sum redistribution. Link to our Patreon: https://www.patreon.com/MoLsuperstructure Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting

In the wake of the release of Rep. Ayanna Pressley's (D-MA) job guarantee resolution, Maxximilian Seijo invites Andrés Bernal to reflect on this historical moment in intersectional left-wing activism. Link to the resolution: https://pressley.house.gov/media/press-releases/rep-pressley-economists-advocates-unveil-historic-federal-job-guarantee Link to our Patreon: https://www.patreon.com/MoLsuperstructure

Scott Ferguson joins Maxximilian Seijo to discuss method and the dangers of overly positive or negative orientations to the historical world. First, they critique Liam Kofi Bright’s problematic revival of logical positivism, which submits left praxis to reductive and exclusionary market models. Next, they affirm the negative approaches to aesthetic criticism found in the works of Siegfried Kracauer, the Frankfurt School, and Fredric Jameson. Finally, they celebrate the often-overlooked “double movement” of positive & negative impulses that animate Karl Marx’s writings, only on analogical rather than dialectical terms. Link to our Patreon: https://www.patreon.com/MoLsuperstructure Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting. http://flirtingfullstop.bandcamp.com Twitter: @actualflirting