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Deeper Shades of House - Deep House Podcast with Lars Behrenroth
Deeper Shades Of House #940 is a weekly deep house radio show and podcast hosted by Lars Behrenroth, featuring a curated selection of soulful, underground and deep house music. The first hour featured on this podcast, is mixed and presented by Lars Behrenroth, followed by an exclusive guest mix in the second hour by DAVIDE (Selecto Beats, Mexico City) which you can download from the website. This episode includes brand new and upcoming deep house tracks from independent artists and labels, focusing on groove, musicality and timeless house music. Full tracklist and downloads: www.deepershades.net/941 Please consider supporting the show by going premium at www.deepershades.net/premium
What do a slip jig, a sailor's lament, a whiskey - soaked anthem, and a timeless Irish air all have in common? They're all in episode 748 of the Irish & Celtic Music Podcast — and you won't want to miss a single track - - Subscribe now at CelticMusicPodcast.com! Irish Millie, Alex Sturbaum, Kera - Lynne Newman, Kinnfolk, Jenny and the Weazels, Tiller's Folly, Sean Heely, Beth Patterson, Lane to the Glen, Sue Tillotson, Jim Cunningham, Jim Tillotson, Dan Possumato, Kevin Burke, Frances Cunningham, Derek Warfield & The Young Wolfe Tones, The Far North, Shades of Green, The Muckers, Rogue Diplomats, The High Kings GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2026 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music episode. You have just three weeks to vote this year. Vote Now! THIS WEEK IN CELTIC MUSIC 0:07 - Irish Millie "Slip Jig" from GRACE 1:55 - WELCOME 5:05 - Alex Sturbaum "Happy to Meet, Sorry to Part / The Coachman's Whip / My Maryanne (feat. Kera - Lynne Newman)" from Slash 8:26 - Kinnfolk "The Hat Song" from The Knotted Circle 13:48 - Jenny and the Weazels "The Goldfinch (Live at the Jackson Theater)" from Single 18:33 - Tiller's Folly "Far End of the Road" from Far End of the Road 22:34 - FEEDBACK 25:57 - Sean Heely and Beth Patterson "Socair Ort, a Dhòmhnaill, Seall!" from Stir the Blood to Fire 30:31 - Lane to the Glen "Aughamore : The Bog of Allen : Tom Maguire's Fancy (Reels)" from Lane to the Glen 34:02 - Sue Tillotson & Jim Cunningham "Bonnie Ship the Diamond / Celtic Society Quickstep (feat. Jim Tillotson)" from Water Horse 37:21 - Dan Possumato "Da Eye Wifey (feat. Kevin Burke & Frances Cunningham)" from An Teachín Gorm 39:57 - Derek Warfield & The Young Wolfe Tones "The Galtee Mountain Boy" from Let Ye All Be Irish Tonight 43:19 - THANKS 45:39 - The Far North "Sailor And The Sea" from Songs For Weathering Storms 49:08 - Shades of Green "I'm Irish" from Conversations We Never Had 51:46 - The Muckers "Whiskey Tango" from Whiskey Tango 56:37 - Rogue Diplomats "Come Out Ye Black And Tans" from Whiskey Picnic 59:57 - CLOSING 1:00:56 - The High Kings "Red Is The Rose" from Decade: Best Of The High Kings 1:04:05 - CREDITS Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. The Executive Producer for St Patrick's Month is John Sharkey White, II. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Clean energy isn't just good for the planet, it's good for your wallet. Solar and wind are now the cheapest power sources in history. But too many politicians would rather protect billionaires than help working families save on their bills. Real change starts when we stop allowing the ultra - rich to write our energy policy and run our government. Let's choose affordable, renewable power. Clean energy means lower costs, more freedom, and a planet that can actually breathe. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Pub Songs & Stories. Every song has a story, every episode is a toast to Celtic and folk songwriters. Discover the stories behind the songs from the heart of the Celtic pub scene. This podcast is for fans of all kinds of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email the artists to let them know you heard them on the Irish & Celtic Music Podcast. These musicians are not part of some corporation. They are small indie groups that rely on people just like you to support their music so they can keep creating it. Please show your generosity. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. IRISH & CELTIC MUSIC PODFEST Join us Sunday, March 8, 2026, from 12 to 6 PM for the Irish & Celtic Music PodFest and Arts Market at The Lost Druid Brewery in Avondale Estates, Georgia. Spend the afternoon surrounded by live Celtic and folk music from Kinnfolk, The Muckers, May Will Bloom, and Marc Gunn. Grab a pint, enjoy the tunes, and share the energy of a true Celtic gathering. While the music plays, explore our Arts Market filled with handmade crafts, art, and unique gifts from local creators. It's a celebration of music, creativity, and community — all in one place. Come for the songs. Stay for the spirit. We'll see you at The Lost Druid on March 8.
How can people get involved in climate action at the local level? And how does local action move the needle on emission reduction? In the latest 50 Shades of Green, we speak to Jack Hanson, Executive Director of Run on Climate, to explore the pivotal role local governments play in advancing innovative solutions across areas like building standards, zoning, energy efficiency, and sustainable mobility. Learn more and get involved. Hosted on Acast. See acast.com/privacy for more information.
My weekly radio show on jfsr.co.uk for Wednesday, February 25th 2026Become a supporter of this podcast: https://www.spreaker.com/podcast/the-patel-show--753544/support.
This week on The Lexy Show, we're shining the spotlight on Cocoplum, the eyewear brand that's flipping the script on sustainability. Founded by Claire Ring, Cocoplum takes recycled prescription pill bottles and transforms them into stylish sunglasses, keeping plastic out of landfills and adding some serious flair to your look. We'll talk about how Cocoplum's closed-loop system gives new life to old glasses, the power of upcycling in fashion, and why it's time to rethink waste in our wardrobes. Plus, how a simple idea can spark a movement toward sustainable luxury that's actually cute.Tune in for a fun, fresh take on eco-fashion, and why looking good should always feel good—for you and the planet.
TERRAINE LEBEAU — LINKS & CONTACT INFOPODCAST & MAIN SITE • Behind the Shades Podcast: https://behindtheshades.com/HOST PAGE / GUEST PROFILE • Terraine LeBeau on BTS: https://behindtheshades.com/terraine-lebeau/SOCIAL MEDIA • Instagram: https://www.instagram.com/terrainelebeau/ • TikTok: https://www.tiktok.com/@terrainelebeau/ • Facebook: https://www.facebook.com/terrainelebeau/EMAIL • Main contact: terraine@behindtheshades.comWHO THIS EPISODE HELPS: Men navigating grief, identity loss, anticipatory grief, or unresolved emotional pain who feel pressure to stay strong and silent.WHAT LISTENERS WILL GET: An honest conversation about reframing grief, emotional vulnerability, masculine identity, legacy, and how to move forward without abandoning who you are.DESCRIPTION:In this powerful episode of Grief Is Not A Dirty Word, Nick Gaylord sits down with Terraine LeBeau, host of Behind the Shades, to explore grief beyond death. Terraine shares the profound loss of his grandmother, Iris Reed, the woman who raised him, and how her passing reshaped his identity. Together, Nick and Terraine unpack anticipatory grief, identity loss, and the emotional isolation many men experience in silence. They challenge the myth of “strong like bull” masculinity and examine why men often internalize grief instead of expressing it. The conversation moves through rage, vulnerability, legacy, and the cultural training that teaches men to fix rather than feel. Terraine also shares how his personal grief collided with his professional tools as a coach and podcaster. This episode is an invitation to stop thinking your way through grief and start feeling your way forward.This episode answers:Why do men struggle to express grief and emotional pain?What is identity loss in grief and how does it affect men?How does anticipatory grief impact mental health?Why doesn't “staying strong” actually help with grief?How can men reframe grief instead of suppressing it?Key Takeaways:Grief is not limited to death; identity loss and unrealized futures create profound emotional pain.Suppressed grief often shows up as anger, isolation, addiction, or aggression.Men are culturally trained to fix problems instead of feel emotions, which complicates healing.Vulnerability is not weakness; it is emotional courage.Legacy building and intentional community can transform grief into purpose.GIVE THE SHOW A 5-STAR RATING ON APPLE PODCASTS! FOLLOW US ON APPLE OR YOUR FAVORITE PODCAST PLATFORM! BOOKMARK OUR WEBSITE: www.griefisnotadirtyword.com FOLLOW OUR DEAD DADS ON SOCIAL MEDIA: Facebook: https://www.facebook.com/griefisnotadirtyword Instagram: https://www.instagram.com/griefisnotadirtyword TikTok: https://www.tiktok.com/@griefisnotadirtywordYouTube: https://www.youtube.com/channel/UCmmv6sdmMIys3GDBjiui3kw LinkedIn: https://www.linkedin.com/in/nick-gaylord/
How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.
Show Notes Episode 519: Future's So Bright, Gotta Wear Shades This week Host Dave Bledsoe passed out in a Waymo Taxi and woke up in Albany owing $1700. (He charged to the network credit card. Again.) On the show this week we wrap up our exploration of the foundation myths of the Baby Boom with how the Atomic Age and the Space Race influenced pop culture and how pop culture influenced them. (In cartoon form.) Along the way we discover that Dave's formative years were basically reruns and cheap plastic toys. (You can tell.) Then we dive into speculative fiction (speculating on whether Dave will ever get to the point) and how it really isn't all that speculative. Then we examine how the movies shifted after Sputnik and how television pretended the world wasn't changing by imagining the future was exactly like today but space ships. Finally, we explore the most influential television of the 1960s and how it shaped our vision of the future and our relationship with technology, also it had a talking dog. (Forget flying cars, where are our talking dogs?) Our Sponsor this week is Whuffo Toys Spaceman Space Toy for Boys because only boys go to space. We open with Major Matt Mason and close with Jason Armstrong for whom things are going great! Show Theme: Hypnostate Prelude to Common Sense The Show on Bluesky: https://bsky.app/profile/whatthehellpodcast.bsky.social The Show on Facebook: https://www.facebook.com/whatthehellpodcast/ The Show on Youtube: https://www.youtube.com/channel/UCjxP5ywpZ-O7qu_MFkLXQUQ The Show on Instagram: https://www.instagram.com/whatthehellwereyouthinkingpod/ Our Discord Server: https://discord.gg/kHmmrjptrq Our Website: https://www.whatthehellpodcast.com Patreon: https://www.patreon.com/Whatthehellpodcast The Show Line: 347 687 9601 Closing Music: https://youtu.be/478dy8NMO6w?si=m-mX0riEWEFlxd0j Buy Our Stuff: https://www.seltzerkings.com/shop Citations Needed: Wikipedia: Speculative Fiction https://en.wikipedia.org/wiki/Speculative_fiction Science Fiction Before NASA https://auxiliarymemory.com/2018/07/17/science-fiction-before-nasa/ 50 Years of the Jetsons: Why The Show Still Matters https://www.smithsonianmag.com/history/50-years-of-the-jetsons-why-the-show-still-matters-43459669/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode of the Authors on Mission podcast, host Danielle Hutchinson sits down with bestselling author Marita Littauer to explore her journey from her first book Shades of Beauty to her enduring classic Wired That Way. Marita shares how speaking engagements shaped her writing, why understanding the four personality types—Yellow, Red, Blue, and Green—can transform relationships, and how her mother's influence opened doors in publishing.She also offers practical tips for writers and creatives:Use live audiences to refine ideas before writingDo a “brain dump” to spark creativity without perfectionismRecruit early readers for feedback on draftsOvercome writer's block with quotes and fresh inspirationBuild a platform through speaking and social media before publishingThis inspiring conversation blends wisdom on writing, publishing, and personal growth—perfect for authors and readers alike.Check Marita's social media:Instagram: https://www.instagram.com/maritalittauertedder Facebook: https://www.facebook.com/energyrabbit#AuthorsOnMission #PodcastInterview #MaritaLittauer #WiredThatWay #PersonalityTypes #WritingTips #CreativeJourney #BookPublishing #AuthorLife #DanielleHutchinsonIn this video:Dive into the journeys of standout experts exploring how their books and speaking platforms helped them carve out their own Category of One in Authority On Demand Podcast (formerly Authors On Mission):https://www.youtube.com/@authorityondemand https://www.facebook.com/authorityondemand/ https://www.instagram.com/authority_on_demand/ https://www.linkedin.com/company/authorityondemandcompany/ https://feeds.captivate.fm/authorityondemand/
On this first Sunday of Lent, Christopher Mack invites us to open ourselves to God's Presence in the wilderness through Henri Nouwen's suggested practices of contemplative prayer, forgiveness, and theological reflection. Belonging in the Wilderness lays bare the tension between our vulnerable humanity… our desire to simply be, without hustling for worthiness or trying to fit in… and our longing for Beloved Community with our friends, family, neighbors, enemies, creation, and our Creator. The wilderness is an unavoidable part of this journey. It is where we abandon the game of dressing up like our mythical heroes and begin to uncover the mystery of our one wild and true self. A life so rooted in Divine Love, we find ourselves simultaneously set apart and intimately connected to God's global family. We rarely choose to go to the wilderness, where all our distractions and pretense evaporate. Yet the wilderness invites us to live together for what really matters, because here there is energy for little else. There are no shortcuts in the wilderness. It is a solitary journey, which we cannot walk alone.
In this episode of the Italian American Podcast, Dr. Maria Giura, acclaimed poet and memoirist, joins Marianne and Patrick for an intimate conversation centered on her new poetry collection, If We Still Lived Where I Was Born. Reading selected poems aloud, she evokes childhood memories above her family's Brooklyn pastry shop and the rituals of Sunday gatherings that shaped her imagination. The discussion moves beyond nostalgia to the delicate art of writing about family while respecting privacy. Dr. Giura reflects on the weight of Italian American cultural expectations, the instinct to "keep things in the family," and the resolve required to tell one's story with honesty. She also speaks about the guidance of her mentor, poet Maria Masiotti Gillin, and the particular challenges and rewards of working as both memoirist and poet within a close-knit community. At its heart, the conversation considers the universal tension between loyalty and self-expression. Through memory, tradition, and careful craft, Dr. Giura demonstrates how personal history can be transformed into art that resonates across generations and cultures. ABOUT THE GUEST: Maria Giura PhD, Poet, Author, Workshop Leader HER SOCIALS: Instagram: @mariagiurawrites Facebook: maria.giura.3975/ LinkedIn: https://www.linkedin.com/in/mgiura/ HER WEBSITE: Website: https://www.mariagiura.com/ HER EVENTS COMING UP: Monday, February 23, 6:30 pm: Co-featuring with poet Linda Kleinbub. Phoenix Poetry Series, Shades of Green Pub, 125 E. 15th Street, New York, NY. See socials below. Wednesday, March 25, 6:30 pm. Reading, Big Red Books, Nyack, NY https://www.bigredbooks.net/events/3930820260325 Thursday, May 14, 6 pm. Co-featuring. Italian American Writers Association @ Calandra Italian American Institute, 25 W 43rd St Suite 1700, New York, NY https://iawa.net/events/ SOCIALS FOR THE EVENTS SEE BELOW: Feb 23 Event: https://www.facebook.com/profile.php?id=100076398760395 AND https://www.instagram.com/the_phoenix_reading_series/ https://www.instagram.com/the_phoenix_reading_series/?hl=en https://www.facebook.com/lindakleinbub AND https://www.instagram.com/lindakleinbub/ March 25 Event: https://www.facebook.com/profile.php?id=100092635875093 AND https://www.instagram.com/bigredbooks/ May 14 Event: https://www.facebook.com/profile.php?id=100071063499667 AND https://www.instagram.com/italianamericanwritersassoc/ HOSTS: Patrick O'Boyle Marianna Gatto SPECIAL GUEST: Maria Giura PRODUCED BY: Nicholas Calvello-Macchia
The best awkward ad ever, girl scout cookies, Journey hate, drunk finches, the wolf people are upset, Parker Lewis Can't Lose, undressing for success, Kevin's llama, Denny's, and 50 Shades of Bean!
The best awkward ad ever, girl scout cookies, Journey hate, drunk finches, the wolf people are upset, Parker Lewis Can't Lose, undressing for success, Kevin's llama, Denny's, and 50 Shades of Bean!
Deeper Shades of House - Deep House Podcast with Lars Behrenroth
Deeper Shades Of House #940 is a weekly deep house radio show and podcast hosted by Lars Behrenroth, featuring a curated selection of soulful, underground and deep house music. The first hour featured on this podcast, is mixed and presented by Lars Behrenroth, followed by an exclusive guest mix in the second hour by MATTHIAS STROM (Jena, Germany) which you can download from the website. This episode includes brand new and upcoming deep house tracks from independent artists and labels, focusing on groove, musicality and timeless house music. Full tracklist and downloads: www.deepershades.net/940 Please consider supporting the show by going premium at www.deepershades.net/premium
In the latest episode of 50 Shades of Green, we talk with Jilly Stephens, CEO of City Harvest, New York City's first and largest food rescue and food distribution organization.We dive into how food rescue, food waste diversion, and sustainable supply chain practices come together at City Harvest, from farm and production to procurement, logistics, and last‑mile delivery. Their work keeps millions of pounds of nutritious food out of landfills and redirects it to New Yorkers who need it most, while also preventing thousands of tons of carbon emissions.If you're interested in sustainability, climate solutions, food systems, or NYC community impact, this episode is for you. Hosted on Acast. See acast.com/privacy for more information.
Rick & Kelly have some post-dinner fun, including Kelly showing off her favorite sunglasses, Rick reading some of your comments, the weather is bad in Cali, Shia LaBeouf gets in more trouble, and a bunch of skiers get caught in an avalanche IN THE NEWS!OHHO ELEVATED SELTZERS 15% OFF with code "KELLY15" at: https://WEAREOHHO.COMGet 15% OFF the BEST COFFEE & BEST SPICES from LATITUDE 24 COFFEE & The Key West Spice Company by using the code"RICKANDKELLY15" at:https://LATITUDE24COFFEE.COM & https://KEYWESTSPICECOMPANY.COM DR KARAM MD SKIN CARE 20% OFF WITH CODE "RK20" AT DRKARAM.COM OR USE LINK IN RICK OR KELLY'S SHOPMY ON INSTAGRAMFor ALL THE THINGS KELLY LOVES, CLICK HERE:https://shopmy.us/kellyandrickRick & Kelly are PROUD to be the OFFICIAL LAUNCH PARTNERS with SOULLIFE MINERAL SUPPLEMENTS here in America! Get the Rick & Kelly DOUBLE discount of $20 off per bottle by buying 2 or more bottles & hitting AUTO ORDER at:https://www.soullife.com/rickandkellyCheck out Rick & Kelly's favorite MAKE WELLNESS ingestible peptides:https://boards.com/a/vL3gBe.kypDicRick & Kelly proudly reveal their new DAILY SMASH MERCH WEBSITE is UP!!! Get your Smash hats, mugs, sweats and more at:https://dailysmashmerch.spiritsale.com/For more info on how to book Kelly, Rick or the two of them for coffee, lunch, dinner or drinks, go to:https://www.fansocial.coRick & Kelly would love for you to join them on Patreon, where they post hour-plus long, commercial free episodes every week, including celebrity interviews, cooking segments and other videos you won't find on their YouTube channel!Sign up for the Rick & Kelly Show on Patreon.com now by clicking on: www.patreon.com/rickkellyshow#avalanche #laketahoe #sungalsses #lipstick #icecream #shia #shialabeouf #neworleans #longbeach #california 3rain #flooding #makewellness #ohho #elevatedseltzer #palmdesert #kellydodd #wine #minerals #newsmax #newsmax2 #theleventhalreport #live #demonstrations #rhoc #kellydodd #cooking #kellydodd #realhousewives #patreon #jefflewislive #siriusxm #pickleballpartytown #picklepartyhouse
Now wait a minute. (Bryan) was called off to 911 this week, and it's such a shame because he's missing the return of one of our dearest Carriage House friends, excuse me. Joining Ronna is none other than Robin Lord Taylor! You know Robin from his countless screen credits, but he's most well known for his work as Oswald Cobblepot on GOTHAM and on Netflix's YOU. After a catch-up with Robin and a very special appearance by his delightful husband Dickie (who were both at Lonely Hearts Live, pardon me), Ronna and Robin give advice on dealing with a crush on a friend and where to travel after a personally rough year. Speaking of Lonely Hearts Live, if you weren't able to join us in Brooklyn this past weekend, we've got some great news for you: full audio of the show is available for purchase right now in our Patreon shop! It's well worth a listen! You can buy it as a one-off episode, but here's a little tip: members of our highest tier, Ronna's Private Reserve, get Lonely Hearts Live as part of their subscription. If you're already a Patreon member, it's better for your pocket book to just upgrade to Private Reserve for the month. Not only will you get the episode, but you'll also get all the perks that come with Reserve membership, including video episodes and the invaluable Shades of Vanilla Newsletter. Treat your lonely heart this Valentine's Weekend and give us a listen! patreon.com/askronna Sponsor: Take charge of your finances with the power of Monarch! Get 50% off your yearly membership to this invaluable service by going to monarch.com and using the code ASKRONNA. Learn more about your ad choices. Visit megaphone.fm/adchoices
Oh man, there's just a few WoBs we haven't gone through yet, so now we are doing so! We are going through WoBs from the second half of 2025, going through Nexus WoBs. Today, Brandon just spoils the end of Horneater, and we discuss critical characters like Daggon and Tukks, and spiritual watersheds. This episode we have Eric (Chaos), Ian (Weiry), Evgeni (Argent), David (Windrunner), and Bonnie (Cosmeregirl)! This episode does have some brief discussion of Ghostbloods 1 readings. We also discuss a weird WoB first, and the link to that one is here: https://wob.coppermind.net/events/545-celsius-232-2025/#e16902 Thumbnail art is the Horneater Peaks by the incredible Anthony Avon, for the Cosmere RPG: https://bsky.app/profile/anthonyavonart.bsky.social/post/3lusj6tnewc2q 0:00:00 Introductions 0:04:04 "Pikemetal"? 0:10:10 Koloss in Era 3 0:12:33 Redheads and Horneater Ending 0:22:06 Hoid in Shadows for Silence 0:34:35 Hoid's wife 0:39:01 Crossover Characters in Era 3 0:50:04 Galactic Stalemate, Shards or People? 0:55:30 Shades and Luhel Bonds 1:03:34 Tukks lore 1:10:28 Placing Perpendicularities 1:26:12 Ghostbloods and Retribution 1:34:16 Did Adonalsium Relinquish Its Power? 1:39:48 Is Hoid a Cognitive Shadow? 2:09:21 Shard Intent vs. Vessel 2:17:29 Who's That Cosmere Character If you like our content, support us on Patreon: https://www.patreon.com/17thshard Purchase merch here! https://store.17thshard.com/ For discussion, theories, games, and news, come to https://www.17thshard.com Come talk with us and the community on the 17th Shard Discord: https://discord.gg/17thshard Want to learn more about the cosmere and more? The Coppermind Wiki is where it's at: https://coppermind.net Read all Words of Brandon on Arcanum: https://wob.coppermind.net Subscribe to Shardcast: http://feeds.soundcloud.com/users/soundcloud:users:102123174/sounds.rss Send your Who's That Cosmere Characters to wtcc@17thshard.com
On a day meant to celebrate someone else's love, unexpected feelings begin to surface. Between laughter, quiet glances, and a simple toast, three hearts discover that sometimes the most meaningful vows are the ones never planned.
Deeper Shades of House - Deep House Podcast with Lars Behrenroth
Deeper Shades Of House #939 is a weekly deep house radio show and podcast hosted by Lars Behrenroth, featuring a curated selection of soulful, underground and deep house music. The first hour featured on this podcast, is mixed and presented by Lars Behrenroth, followed by an exclusive guest mix in the second hour by YANNICK ROBERTS (Freerange Rec) from the Netherlands which you can download from the website. This episode includes brand new and upcoming deep house tracks from independent artists and labels, focusing on groove, musicality and timeless house music. Full tracklist and downloads: www.deepershades.net/938 Please consider supporting the show by going premium at www.deepershades.net/premium
It's a “50 Shades of State” edition of Plenty of Twenty!See omnystudio.com/listener for privacy information.
Anticipation vs. adaptation? In the latest 50 Shades of Green, learn how Greenlanders deal with the everyday realities of a changing climate and its far reaching impacts from ecosystems to economies. We speak with Dr. Mark Nuttall, Professor and Henry Marshall Tory Chair in the Department of Anthropology at the University of Alberta, about his extensive research in Northwest Greenland and the ripple effects of climate change on life near the Arctic Circle and why it matters in the geopolitical conversation. Hosted on Acast. See acast.com/privacy for more information.
In this episode, we normalize the conversations around all things PCOS from symptoms, to diagnoses, and advocating for others with Megan Stewart. About Megan: Megan Stewart is the Founder and Executive Director of the PCOS Awareness Association (PCOSAA), a 501(c)(3) nonprofit dedicated to educating, supporting, and empowering those affected by Polycystic Ovarian Syndrome (PCOS). Since 2012, she has led PCOSAA to become a global leader in PCOS advocacy and patient empowerment. Under her guidance, PCOSAA has launched transformative initiatives including PCOS CON, Shades of Teal Membership, Men of Teal, and the forthcoming Search for a PCOS Specialist platform. The organization also partners with Lujan Labs of Cornell University and proudly contributes to Dr. Jill Biden's Women's Health Initiative, advancing national efforts for equitable women's health research and awareness. A woman living with PCOS herself, Megan channels her experience into action — driving PCOSAA's mission to educate, empower, and elevate every voice impacted by PCOS through compassion, innovation, and advocacy.
It's a “50 Shades of State” edition of Plenty of Twenty!See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.
This week Brad & John-Mark sat down for a conversation with the men's ministry deacon at Shades, Nicholas Coker! Nicholas discusses all things men's ministry including discipleship classes, future plans and a big announcement! We also discuss Super Bowl 60! JM's Album Of The Week: Sam Fender - People Watching Bradford's Book Club: When God Seems Distant: Surprising Ways God Deepens Our Faith and Draws Us Near by Kyle Strobel & John Coe
40 Shades Of Fine by Mastermind Master Studio
Hear award-winning columnist Dejan Kovacevic's Daily Shots of Steelers, Penguins and Pirates -- three separate podcasts -- every weekday morning on the DK Pittsburgh Sports podcasting network, available on all platforms: https://linktr.ee/dkpghsports Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Wait a minute. Lonely Hearts Live was this past weekend and it was a BLAST...we assume, since we're recording this in the Time Machine. But of course it was! And this week we've got a Carriage House Catch-Up with a juicy (and lengthy!) follow-up from Digging for Digits followed by some advice for a new Carriage House listener with family dynamic issue that only Ronna and possibly (Bryan) can answer. Did you miss out on Lonely Hearts Live in New York? We've got good news! An audio version of the show will be available very soon in our Patreon Shop! Watch our socials for details and then go to patreon.com/askronna to buy the show in its entirety. Of course, if you're a Private Reserve member, our highest tier, pardon me, you'll be getting the show as part of your subscription. Want to experience the ultimate in Carriage House access? Upgrade to Private Reserve for Lonely Hearts Live, all Patreon episodes in video format, and of course the incredible Shades of Vanilla Newsletter with all of our secrets to living your best life. patreon.com/askronna Learn more about your ad choices. Visit megaphone.fm/adchoices
If there's one aspect of sex that's severely misunderstood, it's kink. From 50 Shades of Grey misrepresenting it as being non-consensual and all about pain, to the stigma of openly associating with any kind of desire that's not ✨mainstream✨ it can be a little intimidating to consciously decide to engage in kink for the first time. And not least because there's so much information out there that, as a beginner, it can be easy to feel overwhelmed and wonder if your desires even count as kink at all.Well, never fear, because in this episode we're joined by the wonderful Gigi Engle to discuss everything you need to know about kink as a beginner. We start the episode answering some listener questions (to access more subscribe to our Substack @sextras) before jumping into why we need to talk about kink (hint: because more people engage in it than you realise, and it can be dangerous if you get it wrong!).Gigi tells me about her own journey into kink and explains what a kink actually is, and what it's not (ie. it's not just BDSM and foot fetishes). We look at how power dynamics come into it, and why they're not as scary as they might sound, how to know what kinks you're into, and what the most common kinks, or kink-related fantasies, are.To help you stay emotionally and physically safe when practicing kink, Gigi advises us on how to bring up your kink to a partner, and what steps you can take together before even thinking about exploring it in the bedroom – or wherever else you might want to.Thanks so much for listening! You can find Gigi on her Instagram, website, or Substack, and buy her book from the Common Press or your favourite indie bookshop near you (or Am*zon if you must!). We've changed our name on Instagram to @s3xtrasworld (more on this next episode), but as always you can find us there, on our website, TikTok, or subscribe to our Substack (pretty please!). Don't forget to review us wherever you're listening and we'll miss you until next time
Ceteris Never Paribus: The History of Economic Thought Podcast
Guest: Saarang Narayan (Indian Institute of Science Education and Research Mohali) Host and Producer: Maria Bach (University of Lausanne) A political poster issued by the Bharatiya Janta Party in recent years, promoting the Swadeshist message as part of their “Ghar Ghar Swadeshi” (Swadeshi in Every Household) campaign. A list of key terms with short explanations discussed in the episode Swadeshi is a Hindi/Hindustani word that literally means ‘of one's own country' (swa=one's own/self; desh=country). The slogan gained popularity in the early twentieth century, especially in the popular movement against the partition of Bengal in 1905, and went on to inspire the founding of domestic institutions and the production and consumption of goods as modes of anti-colonial politics. Although it remained part of the discourse around developmentalism and economic planning in the mid-twentieth century, it regained popularity in the context of the public debates about globalisation and neoliberalism in the 1980s and 1990s. While it is comparable to slogans like ‘Buy British' or ‘Buy American', there is a characteristic ethical and socio-cultural dimension that separates Swadeshist principles from simple autarky or protectionism. This ethical and socio-cultural dimension concerns the definition of the Swadeshist ‘self' along religious and cultural lines, often limiting it to Hinduism. Hindu Nationalism is a broad term used here to encapsulate those visions of nationalism in India that define the Indian identity and history through the lens of Hinduism. This is to say that Hindu Nationalists often link the modern nation-state to a primordial Hindu past, where the religious and cultural practices of the supposed ancient Hindu peoples defined their identities. While India's contemporary Hindu far-right has spearheaded this form of nationalism, there have been other actors who subscribe to such a vision of the Indian nation. What makes the Hindu far-right different from other such actors is the former's palingenetic, Islamophobic, and xenophobic interpretations of Hindu Nationalism. The Hindu far-right describes its mode of Hindu Nationalism as ‘Hindutva' or Hindu-ness, as outlined in the works of Vinayak Damodar Savarkar. Rashtriya Swayamsevak Sangh (National Volunteers' Union) was founded in 1925. It is the apex body of the Hindu far-right with the goal of (re-)establishing India as a Hindu Nation. The RSS was founded by Keshav Baliram Hedgewar as a para-militaristic body of Hindu men to arm Hindu society against its cultural enemies. The second supreme-leader of the RSS, Madhavrao Sadashiv Golwalkar, identified these enemies in order of the threat that they posed to Hindus as follows: Muslims, Christians, and Communists. The RSS primarily functions through local chapters (shakhas or branches) and is comprised of volunteers (swayamsevaks) and led by preachers (pracharaks). Although Swadeshist ideas were primarily popularised by political actors who were summarily opposed to the politics of the RSS, the RSS adopted Swadeshi in the 1950s, and it has remained at the core of its economic thought ever since. Throughout its century-long existence, the RSS has faced three major bans and, despite its majoritarian, fascistic goals, has adapted strategies of dynamism and flexibility in its tactics, ideas, and political language to meet these challenges. The first two decades of independent India were the lowest point in the RSS's public and political presence, and it gained increasing popularity and political ground in the mainstream from the mid-1970s onwards. Part of its strategy of expansion has been the creation of smaller affiliate organisations, geared towards specialised tasks. This conglomerate of far-right organisations headed by the RSS has come to be known as the Sangh Parivar (Family). The current ruling party in India, the Bharatiya Janata Party (BJP) is the electoral wing of the RSS, and many of its members (including Prime Minister Narendra Modi) started out as swayamsevaks in the RSS before joining the BJP.
On Night 20 of 40 Days & 40 Nights, EJ discusses Deion Sanders saying he will never coach in the NFL over treatment of his son. Rumors that WWE scrapped its original Wrestlemania and Royal Rumble plans. Watch "40 Days & 40 Nights" hosted by EJ Stewart LIVE every Weekday at 8am & 6pm Eastern on YouTube, X and Instagram! Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/pecan-pie/the-big-city License code: ADHLTFXT5BXWVMBE
OPENING: THE RANI INTRODUCTION: John: "So here we are again talking The Mark of the Rani, which now for you, Timey Wimey, you've already met the Rani, but this is the Rani 1.0, played by Kate O'Mara, who American audiences might remember appeared on the television show Dynasty." JIM'S INITIAL REACTION: "It is really interesting. I'm glad you brought that up, because it had occurred to me that I had already met the character and was somewhat familiar with her. At least I knew the basic setup because we had talked when we watched her in the Ncuti story." THE OVERALL VERDICT: "Otherwise, in general, I enjoyed this story. And Kate O'Mara - good. And yet in a different way than the actress in current days." PRODUCTION DETAILS: Production Code: 6X Air Dates: February 2-9, 1985 Writers: Pip and Jane Baker (first outing for Doctor Who - they'll be back next season and Sylvester McCoy's first season with another Rani story) Director: Sarah Hellings (the last female director for Classic Doctor Who) THE MUSIC John: "One of the things - I've said this, this is one of my favorite episodes - but one thing that I love about it, the music stands out in this one compared to a lot of other productions." Jim: "Interesting that you say that, because I've said it many times before, I don't always notice music, it doesn't always hit me on a conscious level. I noticed it and made a note. It did stand out to me in this story." ANTHONY AINLEY'S DISCONTENT: John: "I mentioned the appearance of the Master. And Anthony Ainley, Colin Baker, and Nicola Bryant all say on the Blu-ray set that Ainley was not happy about sharing the limelight. RATINGS: Episode 1: 6.3 million Episode 2: 7.3 million JIM'S FORMAT REVELATION: "I'm gonna say it right now. While watching this, I finally, finally decided fully - I don't care for this setup. I don't care for the two parts at 45 minutes each." PART ONE SYNOPSIS: Doctor and Peri arrive in the early 19th-century mining village of Killingworth to investigate time distortion. They witness local miners attack a deliveryman and smash the machinery he was carrying, appearing as Luddites to locals. The Doctor notices one rampaging miner has a strange red mark on his neck. He meets Lord Ravensworth, a local landowner who saves the Doctor when attacked by three Luddites. He's deeply concerned about violent outbreaks among normally passive men. Culprit is the Rani, a Time Lord chemist posing as old woman running local bathhouse. She's been extracting neurochemicals from miners that enable sleep, which causes red marks on their necks. She needs these chemicals for her planet, Miasimia Goria, where her experiments have left inhabitants unable to rest and have now rebelled. Master arrives having visited her planet and forces an uneasy partnership by stealing some of her precious brain fluid to ensure cooperation. Doctor disguises himself as a miner and enters the bathhouse. Rani traps him, but Master convinces her to let him handle the Time Lord. He convinces Luddites to push Doctor's TARDIS down the mine shaft with the Doctor to follow. JIM'S LIGHTNING ROUND: "I want to try something different here. Bear with me. Lightning round of comments. You ready? Let's see this." THE LIST: Almost artistic opening shots plus nice music She is wearing - the Doctor says the Daleks have time machines Master Lots of handheld camera work Peri's more capable The Master changed time by eliminating a man Vulgarly colored coat The Master and Rani have a history Rani's jabs at the Master - smiley face Doctor's imitations of Peri - smiley face No birds Doctor recognizes the Rani but she didn't recognize him American War of Independence The Rani's a vegan Brains as good as anyone's - No comment, Doctor Shades of Bruce Wayne THE OPENING SEQUENCE: Jim: "Let's go right back to the beginning - that opening series of shots to set up the village, the music lining, and then into the bathhouse. Almost artistic. It was filmed so nicely, with nothing weird going on. And then they go into the bathhouse, and it gets weird at that point. But accompanied by very nice music." The Impact: "Beautiful work. I was never so taken by opening shots. They were almost poetic in a way. And she did all that - that was a small area, and she made it look so much bigger." PART TWO SYNOPSIS: Doctor is saved by inventor George Stephenson and returns with Peri to Lord Ravensworth's estate, where Stephenson has planned a meeting of scientific and engineering geniuses. The Doctor worries about gathering under the current circumstances, but the Master is desperate for it to proceed. He wants to enlist the finest minds of the Industrial Revolution to accelerate Earth's development and use the planet as a power base. Master uses mind control on Stephenson's assistant Luke Ward, ordering him to kill anyone who tries to prevent meeting. Master strikes a deal with Rani - she can return to Earth at any time to harvest brain fluid if she helps him achieve his goal. Doctor sneaks into Rani's TARDIS at the bathhouse, discovering jars of preserved dinosaur embryos. Rani summons her ship to the old mine workings, with the doctor still hiding inside, and he overhears their plans. Peri uses her botanical knowledge to make a sleeping draft for afflicted miners, searching for herbs amid Rani's landmines. Doctor confronts Master and Rani at the edge of the dell and witnesses Luke step on a mine that transforms him into a tree. Using Master's own tissue compression eliminator, Doctor takes them prisoner, but Rani tricks Peri and two escape. However, the Doctor has sabotaged Rani's TARDIS navigational system. The ship spins out of control, and under destabilized conditions, the jar holding the Tyrannosaurus Rex embryo falls and breaks, causing the creature to grow due to time spillage. Doctor and Peri swap a vial of brain fluid with Ravensworth, who will administer it to afflicted miners. They depart in the TARDIS before the astonished eyes of the scientist and his financier. THE LANDMINE QUESTION: Jim: "What is it about this show and landmines?" THE REMOTE CONTROL: Jim: "The thing about that - she has solved the problem of being able to remote control a TARDIS. Does that come into play going forward?" John: "Yes. There is another Time Lord in Classic Who coming up who also has the ability to do that." Jim: "That's cool." THE MORALITY DEBATE: John: "I think she's not evil. She's amoral." THE INVITATION: Jim: "So, everybody out there listening, if you want to chime in, is the Rani evil or just amoral? We'd love to hear from you." NEXT TIME: Monday (Patreon): More Voyager Part 4, some Doctor Who music, and some Memory TARDIS Friday (Patreon) then Saturday (Main Feed): THE TWO DOCTORS - a three-part story Jim: "Let's see how well things hold up there if I've got to sit through three 45-minute episodes. Oh my word. It does have Patrick Troughton though." John: "And you always seem to like Patrick Troughton better when he's tempered by the other ones." THE SIGN-OFF: "And now you know what your co-hosts do in the Doctor's Beard TARDIS - argue, mainly!" Support at patreon.com/thedoctorsbeardpodcast for $3/month! Subscribe on all platforms. Email thedoctorsbeardpodcast@gmail.com or join our Facebook community. 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On this episode of Inside OnlyFans Kayla & CJ chat with porn star Porshaboo (Porsha Bunz). From serving time in jail, her strict Japanese upbringing, to her 50 Shades of Grey fantasy, you won't want to miss this episode! Full video episodes available: Patreon OnlyFans FOLLOW US! Instagram: @insideonlyfans @cjsparxx @kaylalaurenoffical @porshabunz Twitter: @insidefans Facebook: Inside OnlyFans Tiktok: @insideofpodcast YouTube: Inside OnlyFans Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Exposed: Scandalous Files of the Elite, Jim brings you the very first episode in a brand new series released under his "Bloody Angola Podcast" brand.50 Shades of Evil covers the most notorious and dangerous inmates incarcerated in each of the fifty states. In this first episode in the series Jim takes you to Texas where Texas Death Row inmate Billy Joel Tracy was sentenced to (2) life sentences for the attempted murder of a 16 year old Texas teen. Billy's evil life behind bars was even worse. His reign of terror would result in 27 separate altercations with correctional officers culmination in a death sentence in 2017 for the murder of a correctional officer while incarcerated. Billy Joel Tracy is widely considered the most dangerous inmate in the state of Texas.Listen to over 260 episodes of Bloody Angola Podcast https://linktr.ee/bloodyangolapodcast?utm_source=linktree_profile_shareBecome a supporter of this podcast: https://www.spreaker.com/podcast/exposed-scandalous-files-of-the-elite--6073723/support.
Ray J told his fans he doesn't believe he'll live to see 2027 after he's had heart issues. Zayn shades Harry Styles during his concert in Las Vegas.See omnystudio.com/listener for privacy information.
Weekly Radio show on jfsr.co.uk featuring jazz, jazz-funk, classic soul and R&BBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-patel-show--753544/support.
Enjoy a deeper side of trance with this mix from 60 Shades of Trance Malta 1 Song of Life (Remastered) Leftfield 2 Futurewize (Verche Remake) Greta Meier, Poli Siufi, Prototype (AR) 3 Deeper It Goes (RPO Part 1) Rick Pier O'Neil 4Tinderbox (Original Mix) Alex O'Rion 5 Moonflare (Extended Mix) Cendryma, THMS (US) 6 Black Mirror (Extended Mix) Cendryma 7 Morning Glory (Original Mix) Lampe 8 Deceptions (Original Mix) Maze 28 9 Aria (Original Mix) Gabriel Moraes 10 Alive Again (Original Mix) Guy J 11 Illusionist (Original Mix) Jamie Stevens, Meeting Molly 12 The Substance (Original Mix) Miles From Mars 13 Voices From Beyond (Original Mix) Luis M, Rad.Lez 14 Hypnotize feat. Pearl. (Tupel Remix) 15 Dark Pleasures (Original mix) 16 Detected (Original Mix) CNTRBND, Kolja Broxi 18 Der Mückenschwarm (Kaufmann (DE) 20yrs SVT Remix) Oliver Koletzki 19 Nanda (Roger Martinez Remix) M.O.S.
Weekly radio show on Jazz Funk Sooul RadioBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-patel-show--753544/support.
Here's a cosmic riddle for you: A blind man and a mod walk into a bar…. Is it a coffee bar, with a make-shift stage on a corner platform, attended by the beatnik intelligentsia?, or is it a sweaty discotheque packed with beautiful people unabashedly swinging their hips? It's definitely a transmogrifying chamber where the musical output of a sharecropper or convict from the work farm can be turned into sexy jazzbo stylings through the sleight of hand of some nifty cultural appropriation and syncopated finesse. There are many manifestations of the “blues” and here we have two vastly different - practically unrecognizable from each other - masters - Sleepy John Estes (1899-1977), and Georgie Fame (born 1943) - existing across the pond, across generations, and across many layers of lived experience, but bonded by their singular love of this primitive music that started in the Mississippi delta, and went on to conquer the world. SLEEPY JOHN ESTESEverybody thought that Sleepy John Estes was dead because Big Bill Broonzy said so. Blind in one eye, folks called him “sleepy” because of a low blood pressure disorder, or some believed he had narcolepsy. He started recording in the 20's with Hammie Nixon on harp, made some records, went basically “radio silent” throughout the 40s and 50s until Sam Charters rediscovered him in 1962, blind and frail, and kick-started his late in life fame. “Rats in my Kitchen” was recorded at Sun Studios in 1952, but it wasn't until 10 years later that his recording career gained traction, fueled by those he was influencing across the pond, like Robert Plant of Led Zeppelin. Sleepy John always wrote about his life, and this record has an almost journalistic authenticity. GEORGIE FAMEWhat can one say about Georgie Fame? The man has style for days, and it was thus from the very beginning - in shark skin suits, tab collars, and skinny ties. Born in 1943 as Clive Powell, Georgie Fame and his Blue Flames made their bones swinging his Hammond organ in the mod clubs of the early 60s, and had big commercial hits with Yeh Yeh, and The Ballad of Bonnie and Clyde. Recently, he's name checked all over the place, and has done notable collaborations with Van Morrison and others. In Parchman Farm you can hear the undeniable influence of the coolest of the cool white blues men, Mose Allison, and the organ of Booker T and the MGs' Green Onions - a persuasive combination. I'm sure that Bukka White, who wrote this bottle neck Delta blues shouter in 1940 had no inkling that his experience in the Mississippi State Pen would become such a sexy signature tune. You never can tell….
This week on the Beet Podcast, Jacques sits down with permaculturist, author, and mayor, Brandy Hall. From her roots in South Florida to her journey toward regenerative growing, Brandy shares how permaculture became the lens through which she approaches land, community, and leadership. Together, they explore how regenerative principles are everywhere, from farms and landscapes to backyard home gardens, and why this way of thinking matters. Connect with Brandy Hall: Brandy Hall is the author of The Complete Guide to Home Permaculture, Founder & CEO of Shades of Green Permaculture, and the Mayor of Pine Lake, Georgia. With over 16 years of experience, she helps thousands transform landscapes into resilient, water-wise, food-producing systems. Leading her company to the Inc. 5000 list, Brandy proves regenerative landscaping can be good for the planet and for business. Brandy's mission is to cultivate landscapes and communities that heal, connect, and endure. Find more from Brandy at her website: https://shadesofgreenpermaculture.com/who-we-are Find more from Brandy on Instagram: https://www.instagram.com/shades_of_green_permaculture/# Support The Beet: → Shop: https://growepic.co/shop → Seeds: https://growepic.co/botanicalinterests Learn More: → All Our Channels: https://growepic.co/youtube → Blog: https://growepic.co/blog → Podcast: https://growepic.co/podcasts → Discord: https://growepic.co/discord → Instagram: https://growepic.co/insta → TikTok: https://growepic.co/tiktok → Pinterest: https://growepic.co/pinterest → Twitter: https://growepic.co/twitter → Facebook: https://growepic.co/facebook → Facebook Group: https://growepic.co/fbgroup → Love our products? Become an Epic affiliate! https://growepic.co/3FjQXqV Learn more about your ad choices. Visit podcastchoices.com/adchoices
Mark Dailey and Mark Hamilton sits down to bring you up to speed with all of the latest news in the world of Formula 1. Ferrari launch the new SF-26 Mercedes launch the new W17 Audi unveils their first F1 car Honda talks about their new Power Unit Christian Horner reportedly close to buying a stake in Alpine F1 Plus much more! Hit that subscribe button and tune in for the full, unfiltered breakdown! You don't wanna miss this!
Deeper Shades of House - Deep House Podcast with Lars Behrenroth
DEEPER SHADES OF HOUSE #936 Podcast compiled and mixed by Lars Behrenroth For full playlist, please visit https://www.deepershades.net/936
On this episode, we chat about the four types of goals we set—including outcome goals versus process goals, and learning goals versus performance goals! Here's the link to Chris's book, which digs more into these ideas! You can listen (and subscribe) to the podcast below! The post Podcast: 50 Shades of Goals appeared first on Chris Bailey.
We finish season 2, with an episode that is VERY divisive in the Star Trek fandom. In this episode of Holodeck Divas we discuss the season 2 finale episode of Star Trek - The Next Generation "Shades of Grey" (s2e22). Commander Riker was stabbed by a beast claw, and we suddenly have a clip show. That really is the plot and if you want further explanation, you'll have to listen to this episode!
Deeper Shades of House - Deep House Podcast with Lars Behrenroth
DEEPER SHADES OF HOUSE #935 Podcast compiled and mixed by Lars Behrenroth For full playlist, please visit https://www.deepershades.net/935
Howard is joined by Ahsan and special guest Crunk from the Shades of Blue podcast to talk Guehi, plus Exeter, Newcastle, youth, and of course preview derby day. An unbelievably fun, massive episode!
Kate Cross and Alex Hartley speak to Australia and Royal Challengers Bengaluru star Grace Harris. They discuss the scale of fandom around the WPL, opening the batting with India great Smriti Mandhana, and what Australia will miss when Alyssa Healy retires from international duty. Plus, they also play '50 Shades of Grace'.
On today's episode, we welcome Shan Berries, CEO of Shades By Shan — the inclusive, high-quality beauty brand built on representation, community, and real impact.Shan's journey is one of reinvention and purpose. After more than a decade in TV and radio, she took a leap of faith in 2018 and co-founded Shades By Shan with her sister Erika. Inspired by growing up with a single mother, Shan built the brand with giving back at its core. A portion of every purchase supports single parents through the MamaBerries Foundation, which has already helped more than 100 families across the U.S. Along the way, Shades By Shan has earned national recognition, viral bestsellers, and placement in major retailers including JCPenney.In this episode, Shan shares how she pivoted from media to entrepreneurship, how mission and community can fuel brand loyalty, and what it really takes to stand out in a crowded beauty category. We talk about building products people love, scaling with purpose, the realities of retail and virality, and why representation in beauty still matters deeply. This conversation is packed with insight for founders, creators, and anyone building a brand rooted in authenticity and impact. Are you interested in sponsoring and advertising on The Kara Goldin Show, which is now in the Top 1% of Entrepreneur podcasts in the world? Let me know by contacting me at karagoldin@gmail.com. You can also find me @KaraGoldin on all networks. To learn more about Shan Berries and Shades By Shan:https://www.instagram.com/shanberries/https://www.linkedin.com/in/shanberries/https://www.shadesbyshan.com Sponsored By:Chime - Join the millions who are already banking fee-free today. Head to Chime.com/KARAGOLDIN.LinkedIn Jobs - Head to LinkedIn.com/KaraGoldin to post your job for free.Function Health - Visit FunctionHealth.com/KARA or use gift code KARA25 for a $25 credit towards your membership! Check out our website to view this episode's show notes: https://karagoldin.com/podcast/787
Covino has fun explaining how Rich & John Harbaugh are alike! They talk coach life interfering with Wild Card Weekend & Spot's special glasses. They have more thoughts on the NFL teams who have never won the big one. Plus, 'BRAINWAVE' has a wild finish, Carson Beck love, & 'WEEKEND HOBNOBBING!'See omnystudio.com/listener for privacy information.
Deeper Shades of House - Deep House Podcast with Lars Behrenroth
DEEPER SHADES OF HOUSE #934 Podcast compiled and mixed by Lars Behrenroth For full playlist, please visit https://www.deepershades.net/934