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We all wanted to watch some non-Star Wars George Lucas this week. Turns out, there wasn’t really much choice so here’s THX 1138, a film that everyone has misspelled at some point in their lives. It seems he always had the imagination to get alot out of a small budget and remains a surprisngly influencial … Continue reading "442: THX 1138 [1971] Movie Discussion"
Today on GeekFest Rants we look at the pre-Star Wars George Lucas hit, America Graffiti and it's sequel, More American Graffiti. Join Carlos and James as they chime in on their views on these two films. Does the sequel live up to the original? What is the Happy Days connection to the original film. Is life today anything like it was in 1962?
George Lucas is singing the praises of the current Disney board and Bob Iger, which is a MASSIVE change in tone from his past remarks including calling them "white slavers" and feeling "betrayed" by Iger over tossing his drafts for Episode VII, VII and IX. What is going on here?! Is Disney THAT desperate?? ➡️ Tip Jar and Fan Support: http://ClownfishSupport.com ➡️ Official Merch Store: http://ShopClownfish.com ➡️ Official Website: http://ClownfishTV.com ➡️ Audio Edition: https://open.spotify.com/show/6qJc5C6OkQkaZnGCeuVOD1 ➡️ Gaming News: https://open.spotify.com/show/0A7VIqE3r5MQkFgL9nifNc About Us: Clownfish TV is an independent, opinionated news and commentary channel that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Disney #StarWars #News #Commentary #Reaction #Podcast #Comedy #Entertainment #Hollywood #PopCulture #Tech
Today on GeekFest Rants we look at the pre-Star Wars George Lucas hit, America Graffiti and it's sequel, More American Graffiti. Join Carlos and James as they chime in on their views on these two films. Does the sequel live up to the original? What is the Happy Days connection...
In dieser etwas längeren Schlaf gut-Folge widmen wir uns dem Jedipediaartikel zum Schöpfer von Star Wars: George Lucas. Mit dabei ist dieses mal Dasha Isserlis. Den vorgelesenen Artikel findest du unter: https://jedipedia.fandom.com/wiki/George_Lucas (Stand: 29.12.2023) Audio-Produktion und Musik: Nicolas Antochewicz Instagram: @schlafgutmitjedipedia Email: sgmjpodcast@gmail.com Ihr könnt den Podcast auf Patreon mit 1 € monatlich unterstützen: https://www.patreon.com/SchlafgutmitJedipedia
"La La Langue" de Joëlle Scoriels En fait « français », qu'est-ce que ça veut dire ? Caroline Cornélis et Ariane Buhbinder, membres du CA de la CTEJ, présentent le festival « Noël au théâtre » Le Festival Noël au Théâtre a lieu à Bruxelles du 26 au 30 décembre. On en parle avec Caroline Cornélis et Ariane Buhbinder, membres du CA de la CTEJ (Chambre des Théâtres pour l'Enfance et la Jeunesse) et du comité de sélection/programmation du Festival Noël au Théâtre. Elles présentent aussi "Alter" de la compagnie Nyash, un spectacle de danse pour les 2,5 ans et +, à voir au Théâtre National Wallonie-Bruxelles à Bruxelles le 27/12 à 10h00 et à 16h00 et "POp!" de L'Anneau Théâtre pour les 6 ans et +, à voir au Théâtre National Wallonie-Bruxelles à Bruxelles le 30/12 à 11h30 et 14h00. "Inspiré de faits réels" de Franck Istasse "Le Pacte des loups" sorti en 2001 et réalisé par Christopher Gans, un film qui s'inspire de l'affaire de « La Bête du Gévaudan » qui s'est bien déroulée à la fin du 18ème siècle sous le règne de Louis XV... Ludovic Villard pour son livre "Bandes originales et cinéma de genre : De Psychose à Blade Runner" (Ed. Le Mot et le Reste) Entre 1960 et 1982, le cinéma dit " de genre " vit un âge de prospérité et de liberté au cours duquel la musique va acquérir un rôle essentiel. Pendant deux décennies, réalisateurs et compositeurs vont travailler de concert à des œuvres sans concessions, dont les partitions souligneront le caractère inventif et bien souvent contestataire, parfois avec les moyens du bord, parfois aussi avec des budgets démesurés, mais toujours dans le but d'offrir une expérience forte et singulière. Dans cet ouvrage, Ludovic Villard explore ainsi 100 bandes originales parmi lesquelles celles composées par Ennio Morricone pour Le Bon, la brute et le truand (Sergio Leone, 1966), par John Williams pour Star Wars (George Lucas,1977) ou encore par John Carpenter pour The Thing (John Carpenter, 1982). Les 10 ans d'Entrez sans frapper : Episode 6, Virginie Despentes À l'occasion de cet anniversaire, nous avons sélectionné pour vous les 30 entretiens les plus marquants de l'histoire de l'émission. Vous pouvez les retrouver sur Auvio. Mais toute cette semaine, Gorian Delpâture et Guillaume Desmet nous proposent la suite de leur feuilleton consacré au best of de ces interviews d'Entrez sans frapper. Aujourd'hui, ils reviennent sur la visite de Virginie Despentes dans le studio de La Première. C'était en 2022 pour son roman « Cher Connard ». Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Ludovic Villard pour son livre "Bandes originales et cinéma de genre : De Psychose à Blade Runner" (Ed. Le Mot et le Reste). Entre 1960 et 1982, le cinéma dit " de genre " vit un âge de prospérité et de liberté au cours duquel la musique va acquérir un rôle essentiel. Pendant deux décennies, réalisateurs et compositeurs vont travailler de concert à des œuvres sans concessions, dont les partitions souligneront le caractère inventif et bien souvent contestataire, parfois avec les moyens du bord, parfois aussi avec des budgets démesurés, mais toujours dans le but d'offrir une expérience forte et singulière. Dans cet ouvrage, Ludovic Villard explore ainsi 100 bandes originales parmi lesquelles celles composées par Ennio Morricone pour Le Bon, la brute et le truand (Sergio Leone, 1966), par John Williams pour Star Wars (George Lucas,1977) ou encore par John Carpenter pour The Thing (John Carpenter, 1982). Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Felicia is joined by Matt Curione, to discuss Brian De Palma's take on political corruption and surveillance, in Blow Out (1981). We chat about De Palma's use of split screen to give the audience multiple layers of information at once, through his unique style of visual storytelling. Along with using a character who works as a sound recordist, to act as the films detective. Blow Out was a box office bomb upon its release, and has since been lauded as one of the greatest films of all time. Just goes to show you how his artistry has stood the test of time. Send us your thoughts on the episode - what did you think of the ending? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Matt here: Editor-At-Large: Film Talk Society Twitter: @TheRealMattC Twitter: @MonstersDiePod Twitter: @FilmTalkSoc IG: @TheRealMattC Sources: Blow Out: Portrait of the Artist as a Young Gadgeteer | Current | The Criterion Collection Blow Out movie review & film summary (1981) | Roger Ebert Blow Out at 40: Brian De Palma's ingenious thriller remains his greatest | Brian de Palma | The Guardian Brian De Palma's ‘Blow Out' is one of the finest films about the process of filmmaking • Cinephilia & Beyond (cinephiliabeyond.org) Blow Out: American Scream | Current | The Criterion Collection Smooth Talk: A Conversation with Steadicam Inventor Garrett Brown | Current | The Criterion Collection http://www.dvdbeaver.com/film3/blu-ray_reviews53/blow_out_blu-ray.htm Blow Out (1981) by Brian De Palma (cinemaclock.com) Francis Ford Coppola 'The Conversation' Movie Facts | Mental Floss OUTRO SONG: Blow Out by Pino Donaggio FILMS MENTIONED: Mad Love (Karl Freund 1935) The Texas Chainsaw Massacre (Tobe Hooper 1974) Evil Dead (Sam Raimi 1981) Mission Impossible (Brian De Palma 1996) Carrie (Brian De Palma 1976) Hi, Mom! (Brian De Palma 1970) Greetings (Brian De Palma 1968) Cruising (William Friedkin 1980) Grease (Randal Kleiser 1978) Bound For Glory (Hal Ashby 1976) Pulp Fiction (Quentin Tarantino 1994) Star Wars (George Lucas 1977) Peeping Tom (Michael Powell 1960) Rear Window (Alfred Hitchcock 1954) Terms of Endearment (James L. Brooks 1983) Ricochet (Russell Mulcahy 1991) Phantom of the Paradise (Brian De Palma 1974) Rocky (John G. Avildsen 1976) RoboCop (Paul Verhoeven 1987) Psycho II (Richard Franklin 1983) Psycho III (Anthony Perkins 1986) Body Double (Brian De Palma 1984) Haunting in Venice (Kenneth Branagh 2023) Cape Fear (Martin Scorsese 1991) Jaws (Steven Spielberg 1975) The Shining (Stanley Kubrick 1980) Scarface (Brian De Palma 1983) Nightmare on Elm Street 3: Dream Warriors (Charles Russell 1987) The Conversation (Francis Ford Coppola 1974) Videodrome (David Cronenberg 1983)
This is the fifth part of a six-part series about American movies from 1976. Part 1 focused on John G. Avildsen's “Rocky”. Part 2 focused on James Fargo's “The Enforcer”. Part 3 focused on Michael Ritchie's “The Bad News Bears”. Part 4 focused on John Cassavetes's “The Killing of a Chinese Bookie”. Part 6 will focus on John Guillermin's “King Kong”.***Referenced media:“Old Boy” (Park Chan-wood, 2003)“Vertigo” (Alfred Hitchcock, 1958)“Casualties of War” (Brian De Palma, 1989)“Sneak Previews” (Thea Flaum, 1975-1996)“Greetings” (Brian De Palma, 1968)“Psycho” (Alfred Hitchcock, 1960)“Carrie” (Brian De Palma, 1976)“Jaws” (Steven Spielberg, 1975)“Star Wars” (George Lucas, 1977)“Close Encounters of the Third Kind” (Steven Spielberg, 1977)“The Simpsons” (Matt Groening, 1989-now)“The Tenant” (Roman Polanski, 1976)“Silent Movie” (Mel Brooks, 1976)“Logan's Run” (Michael Anderson, 1976)“Buffalo Bill and the Indians, or Sitting Bull's History Lesson” (Robert Altman, 1976)“The Omen” (Richard Donner, 1976)“The Outlaw Josey Wales” (Clint Eastwood, 1976)“The Opening of Misty Beethoven” (Radley “Henry Paris” Metzer, 1976)“The Bingo Long Traveling All-Stars & Motor Kings” (John Badham, 1976)“Saturday Night Fever” (John Badham, 1977)“The Return of a Man Called Horse” (Irvin Kershner, 1976)“The Empire Strikes Back” (Irvin Kershner, 1980)“The Shootist” (Don Siegel, 1976), “Bugsy Malone” (Alan Parker, 1976)“Scarface” (Howard Hawks, 1932)
This is the third part of a six-part series about American movies from 1976. Part 1 focused on John G. Avildsen's “Rocky”. Part 2 focused on James Fargo's “The Enforcer”. Part 4 will focus on John Cassavetes's “The Killing of a Chinese Bookie”. Part 5 will focus on Brian De Palma's “Obsession”. Part 6 will focus on John Guillermin's “King Kong”.***Referenced media:“Bless the Beasts and Children” (Stanley Kramer, 1971)“Rocky” (John G. Avildsen, 1976)“42” (Brian Helgeland, 2013)“Gran Torino” (Clint Eastwood, 2008)“Jaws” (Steven Spielberg, 1975)“Star Wars” (George Lucas, 1977)“Taxi Driver” (Martin Scorsese, 1976)“The Killing of a Chinese Bookie” (John Cassavetes, 1976)“All the President's Men” (Alan J. Pakula, 1976)“Family Plot” (Alfred Hitchcock, 1976)“Eat My Dust!” (Charles B. Griffin, 1976)“Grizzly (William Girdler, 1976)“Drive-In” (Rod Amateau, 1976)“Silent Movie” (Mel Brooks, 1976)“Blazing Saddles” (Mel Brooks, 1974)“History of the World, Part I” (Mel Brooks, 1981)“Logan's Run” (Michael Anderson, 1976)“The Omen (Richard Donner, 1976)“The Outlaw Josey Wales” (Clint Eastwood, 1976)“Futureworld” (Richard T. Heffron, 1976)“Saturday the 14th” (Howard R. Cohen, 1981)
This is the second part of a six-part series about American movies from 1976. Part 1 focused on John G. Avildsen's “Rocky”. Part 3 will focus on Michael Ritchie's “The Bad News Bears”. Part 4 will focus on John Cassavetes's “The Killing of a Chinese Bookie”. Part 5 will focus on Brian De Palma's “Obsession”. Part 6 will focus on John Guillermin's “King Kong”.***Referenced media:“Dirty Harry” (Don Siegel, 1971)“Rocky” (John G. Avildsen, 1976)“Magnum Force” (Ted Post, 1973)“Sudden Impact” (Clint Eastwood, 1983)“Jackass” (Jeff Tremaine, 2002)“The Dead Pool” (Buddy Van Horn, 1988)“All in the Family” (Norman Lear, 1971-1979)“Gran Torino” (Clint Eastwood, 2008)“The Naked Gun: From the Files of Police Squad!” (David Zucker, 1988)“Sledgehammer” (Alan Spencer, 1986-1988)“Pulp Fiction” (Quentin Tarantino, 1994)“In the Head of the Night” (Norman Jewison, 1967)“Noir Alley” (Eddie Muller, 2017-now)“Village of the Damned” (Wolf Rilla, 1960)“The Lineup” (Don Siegel, 1958)“Over the Top” (Menahem Golan, 1987)“Charly” (Ralph Nelson, 1968)“RoboCop” (Paul Verhoeven, 1987)“Serpico” (Sidney Lumet, 1973)“Death Wish” (Michael Winner, 1974)“The Outlaw Josey Wales” (Clint Eastwood, 1976)“Police Woman” (Robert L. Collins, 1974-1978)“Coming Home” (Hal Ashby, 1978)“Platoon” (Oliver Stone, 1986)“Full Metal Jacket” (Stanley Kubrick, 1987)“Blow Job” (Andy Warhol, 1964)“Rabid” (David Cronenberg, 1977)“Annie Hall” (Woody Allen, 1977)“Cross of Iron” (Sem Peckinpah, 1977)“Star Wars” (George Lucas, 1977)“Smokey and the Bandit” (Hal Needham, 1977)“Swamp Thing” (Wes Craven, 1982)“Cagney & Lacey” (Barbara Avedon and Barbara Corday, 1982-1988)
This is the first part of a six-part series about American movies from 1976. Part 2 will focus on James Fargo's “The Enforcer”. Part 3 will focus on Michael Ritchie's “The Bad News Bears”. Part 4 will focus on John Cassavetes's “The Killing of a Chinese Bookie”. Part 5 will focus on Brian De Palma's “Obsession”. Part 6 will focus on John Guillermin's “King Kong”.***Referenced media:"Rocky IV” (Sylvester Stallone, 1985)“Transformers: The Movie” (“Rocky Balboa” (Sylvester Stallone, 2006)“Stop! Or My Mom Will Shoot” (Roger Spottiswoode, 1992)“Oscar” (John Landis, 1991)“Samaritan” (Julius Avery, 2022)“Rocky II” (Sylvester Stallone, 1979)“Star Wars” (George Lucas, 1977)“Rocky III” (Sylvester Stallone, 1982)“Rocky V” (John G. Avildsen, 1990)“First Blood” (Ted Kotcheff, 1982)“F.I.S.T.” (Norman Jewison, 1978)“All the President's Men” (Alan J. Pakula, 1976)“Bound for Glory” (Hal Ashby, 1976)“Taxi Driver” (Martin Scorsese, 1976)“Network” (Sidney Lumet, 1976)“Raging Bull” (Martin Scorsese, 1980)“Creed” (Ryan Coogler, 2015)“Creed II” (Steven Caple, Jr., 2018)“Jaws” (Steven Spielberg, 1975)“Three Men and a Baby” (Leonard Nimoy, 1987)“Terminator 2: Judgment Day” (James Cameron, 1991)“Marathon Man” (John Schlesinger, 1976)“Harlan County, U.S.A.” (Barbara Kopple, 1976)“The Song Remains the Same” (Peter Clifton and Joe Massot, 1976)“Carrie” (Brian DePalma, 1976)“Assault on Precinct 13” (John Carpenter, 1976)“The Last Tycoon” (Elia Kazan, 1976)“A Star is Born” (Frank Pierson, 1976)“Tracks” (Henry Jaglom, 1976)“Freaky Friday” (Gary Nelson, 1976)“King Kong” (John Guillermin, 1976)“Nickelodeon” (Peter Bogdanovich, 1976)“The Enforcer” (James Fargo, 1976)The Eagle Has Landed” (John Sturges, 1976)“Pumping Iron” (George Butler, 1977)“Fun with Dick and Jane” (Ted Kotcheff, 1977)“Wizards” (Ralph Bakshi, 1977)“Slap Shot” (George Roy Hill, 1977)“Black Sunday” (John Frankenheimer, 1977)“Eraserhead” (David Lynch, 1977)
George Lucas provides a basic insight to test if you really love what you are doing.The “Daily Dose of Disney with Ray Keating” podcast serves up a Disney or Disney-related quote each day, with DisneyBizJournal's Ray Keating offering brief, additional thoughts on how each dose ties in to life, career, business, entrepreneurship, creativity, storytelling, work, or just plain fun.Check out www.DisneyBizJournal.com.Two great ways to order Ray Keating's new book – The Weekly Economist: 52 Quick Reads to Help You Think Like an Economist. Signed paperbacks and at Amazon.com. Two great ways to order Cathedral: An Alliance of Saint Michael Novel, which is Ray's sixteenth work of fiction, and the first in the Alliance of Saint Michael series. Signed paperbacks and/or the Kindle edition. Ray Keating is the author of the Pastor Stephen Grant thrillers and mysteries. So far, 15 Pastor Stephen grant adventures have been published, with more coming! The more recent books in the series are Vatican Shadows: A Pastor Stephen Grant Novel, Past Lives: A Pastor Stephen Grant Short Story, and What's Lost? A Pastor Stephen Grant Short Story. Signed books are available at www.raykeatingonline.com and paperbacks and Kindle editions at Amazon.com.Order Ray Keating's book Behind Enemy Lines: Conservative Communiques from Left-Wing New York – signed books or at Amazon.And one of Keating's newest books on the economy is Free Trade Rocks! 10 Points on International Trade Everyone Should Know, which is available at Amazon in paperback or for the Kindle edition, and signed books at www.raykeatingonline.com. Read Keating's latest columns on a wide range of issues at www.KeatingFiles.com. Listen to Ray's other podcasts – the Free Enterprise in Three Minutes podcast and the PRESS CLUB C Podcast.Have Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com.
Your strength breaks men’s bones. This week’s Nose has the cunning to break their minds. We Own This City is a six-part HBO miniseries developed by David Simon and George Pelecanos and based on the book by Baltimore Sun reporter Justin Fenton. It chronicles the Baltimore Police Department’s Gun Trace Task Force and corruption within and around it. Simon told NPR’s Eric Deggans that “this is the closest thing you’re going to get to a sequel” to The Wire. And: The Northman is director Robert Eggers’s third feature and his first big-budget film. It is based on the Viking legend of Amleth, a prince who tries to avenge the murder of his father. Some other stuff that happened this week, give or take: John Aylward Dies: ‘ER’ & ‘The West Wing’ Actor Was 75 Hannah Gadsby Stays Sunny by Any Means Necessary George Carlin narrator edits make Thomas The Tank Engine even more blue Genius editor combines Carlin’s Thomas & Friends narration with foul-mouthed clips from his audiobook readings Hollywood Has No Idea What to Do With the Erotic Thriller Streamers are struggling to reboot a genre that died too young. The Untold Story of the White House’s Weirdly Hip Record Collection Jimmy Carter’s grandson is unlocking its mysteries Attack of the Clones is underrated — and it’s crucial to the current state of Star Wars George Lucas’ maligned prequel chapter deserves reconsideration as it sets up the Obi-Wan series [Ed. note: Links ≠ endorsement.] The Believer, a Beloved Literary Magazine, Goes Home After a Risqué Detour The magazine, bought by a marketing company, briefly hosted clickbait content. Scandal ensued. After a flurry of negotiation, it is now back with its first publisher, McSweeney’s. Can You Remember the Plot of Avatar? We asked a semi-random assortment of smart and funny people who were alive in 2009—from Broti Gupta to Brandon Wardell to Marianne Williamson—if they could recall the plot of the highest-grossing movie ever. The Puzzle That Will Outlast the World One move down, 1,298,074,214,633,706,907,132,624,082,305,022 to go. Star Wars: The Rebellion Will Be Televised An exclusive look at the master plan for Obi-Wan Kenobi with Ewan McGregor and Hayden Christensen, Andor with Diego Luna, Ahsoka with Rosario Dawson—and a fleet of new shows. Squid Game Season 2 Likely Won’t Release Until End Of 2023 Or 2024 Taylor Swift’s NYU Commencement Speech Was About Cats, Cringe, And Getting Canceled The star’s NYU commencement speech was completely apolitical. Marvel Studios is licensing Stan Lee’s likeness from the company he sued before his death Lee sued POW! Entertainment in 2018 Tom Cruise Is Being Boring at Cannes ‘Doctor Who’ has its first Black lead. Will the show contend with race? GUESTS: Taneisha Duggan: A director, producer, and arts consultant Sam Hadelman: Works in music public relations and hosts The Sam Hadelman Show at Radio Free Brooklyn Irene Papoulis: teaches writing at Trinity College Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Episode 97 of the podcast takes on the intergalactic conflicts and rebel alliances of Rogue One (Gareth Edwards, 2016), an anthology feature film and prequel to Star Wars (George Lucas, 1977) that tells the origin story of the ‘Rogue One' starfighter squadron and the creation of the Death Star. Special guest for this episode is Dr Jonathan Wroot, who is Senior Lecturer and Programme Leader for Film Studies at the University of Greenwich. Jonathan has published research on home media formats and Asian cinema distribution, including the co-edited collection entitled New Blood: Framing 21st Century Horror (2021) and his recent monograph on the Zatoichi film and TV franchise. He has also contributed to the podcast series Beyond Japan and Second Features, as well as the 2022 Japan Touring Film Programme. Listen as Chris, Alex, and Jonathan discuss Jedis, the Jidaigeki (時代劇) period film, and longstanding East Asian influences upon the Star Wars saga; the relationship between Zatoichi the blind swordsman and Rogue One's own blind warrior Chirrut Îmwe; hope, alliance, and the religious structures of Gareth Edwards' spin-off story; the generic implications of ‘the Force' upon science-fiction/fantasy distinctions via questions of rationality; digital de-aging technologies and the virtual recreation of youth; and the challenges of Rogue One to expand the Star Wars brand by taking spectators back into the fictional world of Hollywood's most famous space fantasy. **Fantasy/Animation theme tune composed by Francisca Araujo** **This episode was produced and edited by Leon Waldo**
Watch Live Every Day @ 4p/PST! Twitch.tv/AristotleFullThrottle SUPPORT this channel on Patreon! ► https://goo.gl/K0CExv Get Some Gear! ► https://teespring.com/stores/aristotlefullthrottle BUY my album ► http://www.vaeda.com SUBSCRIBE here ► http://www.YouTube.com/AristotleFullThrottle Star Wars: The Last Jedi TEASER REACTION: https://youtu.be/KJda8EIR6i8 11 Facts about THE FORCE AWAKENS! https://youtu.be/StCRLQIzykA 11 Facts about ROGUE ONE: https://youtu.be/8XmrvmV5PbQ 11 Cool facts about STAR WARS: https://goo.gl/jPzByF 15 FACTS ABOUT The EMPIRE STRIKES BACK: https://goo.gl/prw2CN 11 Facts about: RETURN OF THE JEDI: https://goo.gl/DDMuzB HELP a Refugee Today: https://www.rescue.org/ https://www.unicef.org/ Watch my other FULL THROTTLE FACT videos HERE: https://goo.gl/hscAyX Watch my TRAILER REACTIONS! https://goo.gl/koB3ng ---=SOCIAL=--- Facebook ► https://www.facebook.com/AristotleFullThrottle Twitter ► http://www.twitter.com/aristotledreher Instagram► http://www.instagram.com/aristotledreher Snapchat ► @aristotledreher Periscope ► @aristotledreher Comment "A Humongous Fungus Among Us" if you're reading this far. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/aristotlefullthrottle/message Support this podcast: https://anchor.fm/aristotlefullthrottle/support
This Money on the Left/Superstructure teaser previews both our tenth and eleventh premium releases from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
If at first you do succeed, keep making Special Editions anyway. Jules Gill presents 7 Film Directors Who Went To Extraordinary Lengths To Fix Past Mistakes... See acast.com/privacy for privacy and opt-out information.
This Money on the Left/Superstructure episode is the eleventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. Typically reserved for Patreon subscribers, this special two-part episode about Toy Story is available to the general public in full. For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure episode is the eleventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. Typically reserved for Patreon subscribers, this special two-part episode about Toy Story is available to the general public in full. For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure episode is the tenth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure episode is the tenth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews both our eight and ninth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018
This Money on the Left/Superstructure teaser previews both our eight and ninth premium releases from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
Like George Lucas, the creator of Star Wars, the key is to find your talent. The “Daily Dose of Disney with Ray Keating” podcast serves up a Disney or Disney-related quote each day, with DisneyBizJournal's Ray Keating offering brief, additional thoughts on how each dose ties in to life, career, business, entrepreneurship, creativity, storytelling, work, or just plain fun.Check out www.DisneyBizJournal.com.Keating has three new books out. Vatican Shadows: A Pastor Stephen Grant Novel is the 13th thriller/mystery in the Pastor Stephen Grant series. Past Lives: A Pastor Stephen Grant Short Story is the 14th book and What's Lost? A Pastor Stephen Grant Short Story is the 15th. Signed books at www.raykeatingonline.com.Order Ray Keating's book Behind Enemy Lines: Conservative Communiques from Left-Wing New York – signed books or at Amazon.And one of Keating's newest books on the economy is Free Trade Rocks! 10 Points on International Trade Everyone Should Know, which is available at Amazon in paperback or for the Kindle edition, and signed books at www.raykeatingonline.com. Read Keating's latest columns on a wide range of issues at www.KeatingFiles.com. Listen to Ray's other podcasts – the Free Enterprise in Three Minutes podcast and the PRESS CLUB C Podcast.Love Ray Keating's Pastor Stephen Grant Thrillers and Mysteries? It's the Perfect Time to Join the Pastor Stephen Grant Fellowship! For the BEST VALUE, Join the Book of the Month Club. Check it all out at https://www.patreon.com/pastorstephengrantfellowshipHave Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com. The “Daily Dose of Disney with Ray Keating” podcast serves up a Disney or Disney-related quote each day, with DisneyBizJournal's Ray Keating offering brief, additional thoughts on how each dose ties in to life, career, business, entrepreneurship, creativity, storytelling, work, or just plain fun.
This Money on the Left/Superstructure teaser previews our seventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our seventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our sixth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our sixth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
Summer is in the air, so Dan and Brian revisit the influential teen comedy American Graffiti, written and directed by a pre-Star Wars George Lucas. Join as they revel in the rock 'n' roll soundtrack, the wacky '60s slang, Terry the Toad's McLovin parallels, and a climactic drag race. Dan shares his own breakup drama, while Brian waxes nostalgic on Laverne and Shirley. Does this blast from the past hit that coming-of-age sweet spot for Dan? Is Brian able to overcome his dislike of hangout movies? And is there any sense to be made for the film's bananas sequel? Meet us on Paradise Road and find out. Music credits: RetroFuture Clean by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4277-retrofuture-clean License: http://creativecommons.org/licenses/by/4.0/
We've had ourselves a good ol' time looking at some other years in cinema history, so why not head back to that well one more time as we take a look at what some have called "the greatest year in cinema history" - 1984. This time, we've brought some help with us as we welcome Mel Barrett to the Free Range Congregation to help us run this thing down and add a dollop of legitimacy to our normal shenanigans. Mel is a screenwriter and filmmaker who has worked inside and outside Hollywood along with writing a couple of novels as well. Her and Todd will be co-hosting an upcoming podcast about the process of taking a script from page to screen in the near future. Audio note: we had some weird things happening this episode, so allow us to apologize in advance for any strange background noises or nose whistles that might've made it through! LINKS OF INTEREST: - With all apologies to LL Cool J... don't call it a comeback... of the Infinity Stones... - Is there a Star Wars reboot coming that features Rey's son?!?! - Sounds like Ewan McGregor has been training and eating his Wheaties in preparation for his upcoming Obi Wan show on The Disney Ploose - For the sake of reference, here are all the movies released in 1984 - And here's the claim for 1984 as the best year in movie history - Wow, Todd got one right - Big was released in 1988 - Behold the vast expanse that is Eric Roberts' IMDB page - The movies that were involved in the "points" exchange were Close Encounters of the Third Kind (Steven Speilberg), Star Wars (George Lucas), and Big Wednesday (John Milius). Pretty sure Lucas wound up getting the cut of Milius' surfing movie and the short end of the stick. ...AND ANOTHER THING: Tim recommends checking out all the new WWE Legends A&E Biography shows from the last few weeks. Todd thinks you should check out the documentary on screenwriter and director John Milius streaming on Amazon. FOLLOW US ON THE SOCIAL MEDIAS: Did you love what you listened to? Fantastic - we love people with questionable taste that enjoy a couple chuckleheads cracking each other up. Follow us on Facebook, Twitter, and Instagram for more of the internet funny. Be sure to subscribe to our podcast on Podbean, iTunes, or Spotify!
This Money on the Left/Superstructure teaser previews our fifth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our fifth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our fourth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our fourth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our third premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our third premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our second premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our second premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our first premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description: This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)
This Money on the Left/Superstructure teaser previews our first premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)1 Like
En mars 2018, timides mais passionnées nous avons enregistré notre premier épisode. Centré sur les personnages féminins dans la filmographie de Steven Spielberg, il était et est le premier d'une longue liste, celle qui semble ne jamais s'arrêter. Si le format podcast restera toujours, car c'est l'essence même de ce projet, nous travaillons depuis six mois sur un format papier. Amoureuses de l'écrit, passionnées par la critique cinéma et témoins d'un manque crucial dans les écrits traditionnels, nous nous lançons avec passion dans la création de cette revue papier qui, nous l'espérons trouvera un écho. Dans cette série documentaire uniquement consacrée à la création de cette revue nous souhaitons partager avec vous le processus de création mais aussi dévoiler quelques unes de nos histoires personnelles avec le cinéma. Participantes : Pauline - @paulinemallet_ / Amandine @MotherOfSighs_ / Laura @CookieTime_LE / Manon @MnFrankenstein Création, animation, réalisation, montage et mixage son : Pauline Mallet Générique : Audrey Goldberg Musique de fin d'épisode : Run the world - Beyoncé (2011) Références mentionnées par Laura dans sa dvdthèque (dans l'ordre annoncé) Films Mulan - Tony Bancroft et Barry Cook (1998) Le Prince d'Égypte - Brenda Chapman, Steve Hickner et Simon Wells La Rumeur - William Wyle (1961) Charade - Stanley Donen (1963) The Voices - Marjane Satrapi (2014) Persepolis - Marjane Satrapi et Vincent Paronnaud (2007) Le Conte de la princesse Kaguya -Isao Takahata (2013) Hugo Cabret - Martin Scorsese (2011) Avatar - James Cameron (2009) Les Glaneurs et la Glaneuse - Agnès Varda (2000) Les Plages d'Agnès - Agnès Varda (2008) Star Wars - George Lucas (à partir de 1977) Harry Potter - (à partir de 2001) Lady Bird - Greta Gerwig (2017) Lolita malgré moi - Mark Waters (2004) Les filles du Docteur March - Greta Gerwig (2020) Be Natural, l'histoire cachée d'Alice Guy-Blaché - Pamela B. Green (2020) Marie-Stuart, Reine d'Écosse - Josie Rourke (2018) Liz et l'Oiseau bleu - Naoko Yamada (2018) A Silent Voice - Naoko Yamada (2018) Éternal Sunshine of the Spotless Mind - Michel Gondry (2004) Minuscules - La vallée des fourmies perdues - Thomas Szabo et Hélène Giraud (2013) Les Bonnes manières - Marco Dutra et Juliana Rojas (2017) Épisodes Les Studios Ghibli - partie 1 → https://podcast.ausha.co/sorocine/episode-27-les-studios-ghibli-partie-1 Les Studios Ghibli - partie 2 → https://podcast.ausha.co/sorocine/episode-27-les-studios-ghibli-partie-2 Les costumes → https://podcast.ausha.co/sorocine/episode-22-les-costumes Autres Coffret Les Pionnières → https://shop.lobsterfilms.com/fr/products/les-pionnieres-du-cinema
What is a Hero Journey? You may have read about it from movie reviews or in creative writing articles or classes. The term was first penned by the late mythologist Joseph Campbell in his book “Hero with a Thousand Faces”.After studying many years of myths across different cultures and ages, Campbell recognized a pattern or structure of the myths and he created the term a Hero journey to describe the transformation our hero experienced before reaching his ultimate destination. From a spiritual perspective, a Hero Journey is a Soul Adventure. Our life story can be viewed as an adventure with challenges, lessons, tears, laughter and probably most importantly, opportunities for growth to become more than who we are. Many Hollywood movies have followed this structure of storytelling. Most notably is perhaps The Star Wars (George Lucas has publicly acknowledged Campbell on many occasions as his mentor in storytelling), the Lord of the Rings or Harry Potters, they all have the Hero Journey structure in them.I got fascinated by Campbell’s work and he inspired me to start contemplating my own myths and my own Hero Journey as I began writing my books. Goddess Myths and Heroine Journey I love goddess myths, in particular, as I found them more relatable and can be highly empowering for women. Some may suggest we should call it a Heroine Journey as we are the Heroines in our stories. I don’t think it matters all that much, the most important part is for us to understand as a woman or man is that we have choices in our life, and through cause-and-effect, our actions will lead to different consequences. From time to time, our heart will stir, and we know that something needs to change or we have a dream or desire that got ignited in our inner world. Then the question becomes, are we willing to take a risk and answer the call? Or do we play safe and refuse to get onto the adventure? Inner and Outer Transformation A Hero journey essentially is a transformation. There are two parts of this journey, one part is the external journey, say a Hero in a mythical story went on a mission to rescue the princess from the dragons or finding an elixir to save his mother. There is an endpoint. In our life, it may translate into finding a career that is meaningful to us or leaving a toxic relationship or a destructive pattern. There is a goal or solution we seek. The other part is the internal journey. It is about the transformation of the psyche, the way we think and sees the world around us, our way to respond instead of to react. I wrote about that through the goddess myths in my book “Goddess in Many Faces”, the maiden goddess Persephone is a great example. Through her kidnapping into the Underworld, she has gone through a dramatic experience in which forced her to grow into a mature goddess. She found her voice and direction. She has become who she is meant to be. Certainly what happened to Persephone is a traumatic experience and many of us do not experience that and there is no need to go through such pain in order to evolve and grow into a stronger version of ourselves. The idea is clear, however, we need to learn from our life lessons or mistakes in order to reach our destination or the solution we seek. Your lesson may be about patience, compassion, honesty, worthiness, forgiveness, self-love or something else. Your lesson is uniquely yours and it is different from mine as each of us have a different journey and destiny to fulfilled. Stages of a Hero Journey In my interpretation, there are 4 stages in a Hero Journey and they are briefly illustrated in the following diagram: Stage 1: The Call to Adventure → DISCOVERYStage 2: Initiation and rite to passage —> DEVELOPMENTStage 3: Transformation —> DEEPENINGStage 4: Reintegration —> EMPOWERMENT At each stage, we will face different challenges and gain a certain lesson and grow from that. What I love about this philosophy or perspective in lif...
Presentatie: Julius Koetsier & Jasper ten Hoor Met: Dan Hassler-Forest, Hester Aalberts, Erik van ‘t Holt Muziek: Paula Lina INHOUD 0:02:35 - Rondje: STAR WARS: THE RISE OF SKYWALKER (JJ Abrams, 2019), STAR WARS (George Lucas, 1977), DRACULA (Mark Gatiss, Steven Moffat, 2020) en seizoen 3 van THE DEUCE (David Simon, 2019) 0:30:00: Themagesprek: Het decennium 2010-2019. 1:38:09: Column van Erik van ‘t Holt. 1:46:36: Vooruitblik: filmtrailers, de Oscars 2020, ANTEBELLUM (Gerard Bush, Christopher Renz), JOHN WICK: CHAPTER 4, THE MATRIX 4 (Lana Wachowski), BILL & TED FACE THE MUSIC (Dean Parisot), CANDYMAN (Nia DaCosta), FAST & FURIOUS 9 (Justin Lin), TOP GUN: MAVERICK (Joseph Kosinski), THE PERSONAL HISTORY OF DAVID COPPERFIELD (Armando Iannucci) CONTACT Mail ons op: podcast@schokkendnieuws.nl www.schokkendnieuws.nl
Today we steal a shuttle, fly to Tatooine, and look for two Lukes, and then we realize that UFOs may be a natural phenomenon!?! Patreon https://www.patreon.com/user?u=18482113 MERCH STORE!!! https://www.redbubble.com/people/deadrabbitradio/works/35749420-dead-rabbit-radio?asc=u Minecraft Server deadrabbitradio171191.apexmc.co Help Promote Dead Rabbit! Dual Flyer https://i.imgur.com/OhuoI2v.jpg "As Above" Flyer https://i.imgur.com/yobMtUp.jpg Ancient Aliens Debunked - complete version https://www.youtube.com/watch?v=eeO3wm2y2zI The STAR WARS Bigger Luke Fan Theory Ruined My Life https://nerdist.com/article/star-wars-bigger-luke-skywalker-fan-theory-the-dan-cave/ Bigger Luke http://biggerluke.wikidot.com/bigger-luke The Bigger Luke Wiki http://biggerluke.wikidot.com/ Bigger Luke? https://www.reddit.com/r/FanTheories/comments/37mzzm/bigger_luke/ Confirmation by Mark Hamill that the bigger Luke theory is real and what we see in TLJ is actually bigger Luke instead of Luke prime. Bigger Lukes name is Jake it seems. https://www.reddit.com/r/saltierthancrait/comments/by4vk3/confirmation_by_mark_hamill_that_the_bigger_luke/ Star Wars home video releases https://starwars.fandom.com/wiki/Star_Wars_home_video_releases Dagobah Elimination Theory http://biggerluke.wikidot.com/dagobah-elimination-theory Star Wars: Mark Hamill Pretended He Was Playing "Jake Skywalker" in 'The Last Jedi' https://comicbook.com/starwars/2017/12/21/star-wars-the-last-jedi-mark-hamill-luke-skywalker/ Star Wars: George Lucas names Jar Jar Binks as his favourite character https://www.bbc.com/news/entertainment-arts-47960054 The real reasons the US government is so secretive about UFOs https://www.washingtonexaminer.com/opinion/the-real-reasons-the-us-government-is-so-secretive-about-ufos Unidentified Aerial Phenomena in the UK Air Defence Region: Volume 3 https://webarchive.nationalarchives.gov.uk/20121109132817/http://www.mod.uk/NR/rdonlyres/EBC81730-9FFF-4384-B9E0-C3679B5F0C8D/0/uap_vol3_pgs1to9.pdf#page=9 Black triangle (UFO) https://en.wikipedia.org/wiki/Black_triangle_(UFO) Plasma Laser: UFO Maker? https://www.wired.com/2007/05/plasma-laser-uf/ Project Condign https://en.wikipedia.org/wiki/Project_Condign Listen to the daily podcast anywhere you listen to podcasts! ------------------------------------------------ Logo Art By Ash Black "As Above" Art By Grant Scott Dead Rabbit Skull By John from the SCAR Group Halloween Monster By Finn Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Dr. Huxxxtable Rabbitron 3000 created by Eerbud Thanks to Chris K, Founder Of The Golden Rabbit Brigade http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Twitter: @DeadRabbitRadio Facebook: www.Facebook.com/DeadRabbitRadio Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today. All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2019
ฟัง Major Movie Talk สดๆทุกวันพุธ เวลา 21.00 - 22.00 น. เริ่มคุยข่าวหนังกันสดๆทุกวันพุธ เวลาสามทุ่มตรง ที่ Youtube Major Group วันนี้มาคุยกันเกี่ยวกับ - JJ Abram ออกตัวสู้กระแสวิจารณ์ The Rise of Skywalker - คนเขียนบทบ่น เอา Palpatine กลับมาเป็นโจทย์ที่ยาก - Ian McDiarmid บอก George Lucas ตอกฝาโลง Palpatien ไปแล้ว - ผกก. Last Jedi พูดถึง Rose ใน Rise of Skywalker - George Lucas ไม่มางานเปิดตัว - ไม่ชอบ Force Awakens - ตอนจบ The Rise of Skywalker คือตะกอนไอเดียจาก Lucas - WW1984 คือหนังที่ถูกคาดหวังสูงสุด - ผกก. อวด Final Cut แล้วนะ - David Ayer พูดถึงการส่งไม้ต่อ SS2 - Terry Gilliam บอกผมเกลียด Black Panther - Martin Scorsese ยืนยัน Disney ไม่เคยโทรมา - James Cameron ประกาศ End Game โดนสอยแน่นอน - ผกก. New Mutant บอกตัวอย่างใหม่มาก มกราคมหน้า - ประกาศ Cast ใหม่ MI78 - Keanu Reeves เร่ิมเทรน - ตัวอย่าง Tenet + Prologue 6 นาที
Today on The Stacks, author and journalist Vanessa McGrady talks with us about her new book, Rock Needs River, a memoir about becoming a mother through open adoption. We also talk about micro-aggressions , dark and twisty memoirs, and some of Vanessa's favorite books about adoption. Everything we talk about on today's episode can be found below in the show notes. The Stacks participates in affiliate programs, and shopping through the links below (mostly Amazon) helps support the show, at no cost to you. Books Rock Needs River by Vanessa McGradyThe Pritikin Program for Diet and Exercise by Nathan Pritikin and Patrick M. McGradyAll You Can Ever Know by Nicole ChungBorn with Teeth by Kate MulgrewGod and Jetfire by Amy SeekThe Kid by Dan SavageCorduroy by Don FreemanThe Wizard of Oz by L. Frank BaumThe Bible by Christian Art PublishersThe Poisonwood Bible by Barbara KingsolverMayfly by Jeff Sweat Love in the Time of Cholera by Gabriel García MarquezOne Hundred Years of Solitude by Gabriel García MarquezPriestdaddy by Patricia LockwoodGirl Boner by August McLaughlinBetween the World and Me by Ta-Nehisi CoatesHeavy by Kiese LaymonHunger by Roxane GayBecoming by Michelle ObamaEducated by Tara WestoverLove, Lucy by Lucille BallThe Glass Castle by Jeannette WallsWhen You Read This by Mary AdkinsHe's Just Not That Into You by Greg BehrendtThe Rules by Sherri SchneiderShared Tables by Kaumudi MaratheA Higher Loyalty by James ComeyMen Explain Things to Me by Rebecca SolnitFear by Bob WoodwardGreat Again by Donald TrumpIsabel AllendeAnna QuindlenBarbara KingsolverMaya AngelouBarbara (Stanny) HusonThe Hormone Reset Diet by Sara Gottfried M.D.Instant Mom by Nia VardalosTwilight by Stephanie MeyerA Clockwork Orange by Anthony BurgessBeloved by Toni MorrisonHarriet the Spy by Louise FitzhughThe Diary of Anne Frank by Anne FrankMany Lives, Many Masters by Brian L. WeissNumber the Stars by Lois LowryFear and Loathing in Las Vegas by Hunter S. ThompsonThe 13th Continuum by Jennifer Brody Everything Else "I Won't Let My 4-Year-Old Daughter Grow Up Stepping Aside for Sexism, Like I Did" (Vanessa McGrady, Jezebel)"Why Men Need To Stop Making This Joke About Women And Money" (Vanessa McGrady, Forbes)The Kinship CenterThe Wizard of Oz (Victor Fleming, 1939)Star Wars (George Lucas, 1977)Mad Max (George Miller, 1977)The Is Us (NBC)Frozen (Chris Buck, Jennifer Lee, 2013)Ep. 20 Between The World and Me by Ta-Nehisi Coates -- The Stacks Book Club (The Stacks)Amazon KindleMy Big Fat Greek Wedding (Joel Zwick, 2002)Beloved (Jonathan Demme, 1998) Connect with Vanessa: Vanessa's Website | Vanessa's Twitter | Vanessa's Instagram Connect with The Stacks: Instagram | The Stacks Website | Facebook | Twitter | Subscribe | Patreon | Goodreads | Traci's Instagram To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you're able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod. Sponsors Audible- to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks. My Mentor Book Club - for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks The Stacks received Rock Needs River from the publisher in exchange for an honest review. For more information click here. The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.
In the latest episode, we discuss the top 3 trending Twitter topics; Louis C.K., Star Wars & George Lucas, Movies & TV Shows we're currently watching & NFL players. Please give us a shoutout by dropping a "Bruh" in the comment section on iTunes - http://apple.co/2fB8lJO • Twitter @TPSGPodcast Instagram @TPSGPodcast Facebook @ThePhysicsStudyGroup Soundcloud @Physics Study Group iTunes: http://apple.co/2fB8lJO Web: www.hoo-designs.com/TPSG Email: squadcast88@gmail.com • #LouisCK #SexualRage #StarWars #GeorgeLucas #Movies #TVShow #NFL #TPSG #HooDesigns #Podcast #News #EBP #Geeklandstore #Weed #Fire #Smokers #Jamaica #Miami #SouthFlorida #NewYork #LosAngeles #Texas
Hey everyone! Totally New TumblingSaber Tuesday is back with a vengeance! This week Kyle and Cory ramble for two solid hours about anything and everything Star Wars: George Lucas lingers!Ron Howard’s Empire!Obi-Wan is a go….right?What’s “unexpected” mean for Kylo Ren?Our favourite Star Wars character!Action figure accessories for ourselves!Boba Fett, and Ahsoka standalone films,Childhood anecdotes!and more! This podcast goes everywhere and is two Star Wars loving bros at their rambly best! If that’s you thing, then this is the episode for you! If you enjoy our podcasts, please consider signing up for our Powerful Friends Program! Join in with some other distinguished friends and help propel us in to the next era of podcasting! Get yourself some EXCLUSIVE podcasts, and cool monthly giveaways! [...]
Hey everyone! Totally New TumblingSaber Tuesday is back with a vengeance! This week Kyle and Cory ramble for two solid hours about anything and everything Star Wars: George Lucas lingers! Ron Howard's Empire! Obi-Wan is a go....right? What's "unexpected" mean for Kylo Ren? Our favourite Star Wars character! Action figure accessories for ourselves! Boba Fett, and Ahsoka standalone films, Childhood anecdotes! and more! This podcast goes everywhere and is two Star Wars loving bros at their rambly best! If that's you thing, then this is the episode for you! If you enjoy our podcasts, please consider signing up for our Powerful Friends Program! Join in with some other distinguished friends and help propel us in to the next era of podcasting! Get yourself some EXCLUSIVE podcasts, and cool monthly giveaways! As always, send us our feedback on your social media network of choice! Visit the Star Wars Commonwealth, and follow Talk Star Wars, Generation X-Wing, Rogue Squadron, Skyhoppers podcast, The Nerd Room Podcast, and San Diego Sabers Radio Podcast! To get in touch with us: @tumblingsaber | Facebook | Instagram | email | iTunes | Star Wars Commonwealth Our Teepublic store is open! Grab a cool tee, mug or whatever else we put up there! All money earned will go back in to the show to help us improve in all aspects!
Episode Summary: This week on the FadCast, we navigate through the Star Wars universe talking old versus new. We compare the pros and cons of the George Lucas era films versus the possibilities that Disney brings to the table. But first we do a "killer" scene reading from "Star Wars: The Force Awakens." Before that, we briefly talk the "Guardians of the Galaxy Vol. 2" IMAX Footage and Melissa McCarthy joining a puppet noir murder mystery for our SPEED ROUND! How did you like the show? Episode Breakdown: Pooya: You are listening to FilmFad.com’s FadCast Episode 139 Ryan: With our special guest, silent force sensitive, JD the Mime Pooya: Today we'll talk Star Wars new and old Ryan: as we discuss the George Lucas era followed by the newly acquired Disney lineup Pooya: You’ll hear all that and more so let’s get started! (Intro Music break) Current Events - "Guardians of the Galaxy Vol. 2" IMAX Footage and Melissa McCarthy joining a puppet noir murder mystery (~2min) Script Read - "Star Wars: The Force Awakens" ft. Ryan as Han Solo and Pooya as Kylo Ren and the Narrator. (~5min) Main Topic -Star Wars George Lucas Era Versus Disney Future (~36min) Do YOU want to be featured on an episode of the FadCast?! Well then, call the FadCast hotline at (310) 651-8127 and leave us a voicemail to possibly be featured on an upcoming episode! Awesome, right?! We know!!!
WE'RE BACK! We've settled our dispute with the dreaded Crimson Permanent Technical Difficulty (sort of) and are here to bring you our brand new minisode: FAVORITE NON-STAR WARS GEORGE LUCAS MOVIES! That title really rolls off the tongue, eh? We're covering all the bases here: robot cops, greased up Germans, painful divorces, monkey brains, the promise of Jon Rooney hating on Charles Bronson, Patrick carelessly mixing multiple Indiana Jones movies, and Mark screaming like a madman! PLUS: David Bowie and Matthew McConaughey drop by! Please subscribe via iTunes, SoundCloud, Stitcher, Google Play or pretty much anywhere fine podcasts are purveyed. Leave us a rating/review on iTunes so we can show them at Burger King for free tacos. Follow us on Twitter: https://twitter.com/bodycountcast Like us on Facebook: https://www.facebook.com/bodycountsandbeer/ Email us: bodycountsandbeer@gmail.com Let us know what you liked, what you hated, what you want for Christmas, what you want for Arbor Day, what movie to watch next, or etc!
Débarqués de la projection du dernier James Bond, nos chroniqueurs livrent leurs impressions sur le 24ème volet de la saga, réalisé par Sam Mendes. La discussion s'étend ensuite à plus d'un demi-siècle d'aventures du célèbre espion de sa Majesté.Animé par Thomas Rozec avec Yannick Dahan, Daniel Andreyev (@kamuirobotics) et Charline Roux (@mllegalls).RÉFÉRENCES CITÉES DANS L'ÉMISSION007 Spectre (Spectre - Sam Mendes, 2015), Lea Seydoux, Monica Bellucci, Quantum of Solace (Marc Forster, 2008), Casino Royale (Martin Campbell, 2006), Daniel Craig, Skyfall (Sam Mendes, 2012), Jack Reacher (Christopher McQuarrie, 2012), Dave Bautista, Christopher Nolan, Au Service secret de Sa Majesté (On Her Majesty's Secret Service - Peter Hunt, 1969), Mission Impossible : Rogue Nation (Christopher McQuarrie, 2015), Avengers (saga de Joss Whedon), John Barry, Sean Connery, Roger Moore, George Lazenby, Timothy Dalton, Pierce Brosnan, Goldfinger (Guy Hamilton, 1964), Moonraker (Lewis Gilbert, 1979), Halle Berry, Vivre et Laisser Mourir (Live and Let Die - Guy Hamilton, 1973), Star Wars (George Lucas, 1977), Permis de Tuer (License to Kill, 1989), L'arme Fatale (Lethal Weapon - Richard Donner, 1987), Piège de Cristal (Die Hard - John McTiernan, 1984), Goldeneye (Martin Campbell, 1995), Demain Ne Meurt Jamais (Tomorrow Never Dies - Roger Spottiswoode, 1997), Meurs Un Autre Jour (Die Another Day - Lee Tamahori, 2002), Denise Richards, Sophie Marceau, Marvel, Mathieu Amalric, Lost (série de Darren Lemke, 2004), Tom Cruise, Edge of Tomorrow (Doug Liman, 2014), OSS 117 : Rio ne Répond Plus (Michel Hazanavicius, 2007), Monty Norman RECOMMANDATIONS CINÉ DE LA SEMAINE :Yannick Dahan - les derniers films avec Tom Cruise (Edge of Tomorrow, Mission Impossible : Rogue Nation, Jack Reacher)Charline Roux - OSS 117 : Rio ne Répond Plus (Michel Hazanavicius, 2007) http://www.allocine.fr/film/fichefilm_gen_cfilm=111835.html Daniel Andreyev - James Bonding, podcast de Matt Gourley et Matt Mira https://itunes.apple.com/us/podcast/james-bonding/id695880236?mt=2 RETROUVEZ NOCINÉ PARTOUT SUR LES INTERNETS :www.facebook.com/NoCinePodCast twitter.com/No_Cine www.dailymotion.com/nocine www.youtube.com/channel/UC38YBAhVBEDRmXSe1uCyNxg www.mixcloud.com/NoCine/ www.deezer.com/show/7806www.stitcher.com/podcast/nocineitunes.apple.com/fr/podcast/nocin…id993698002?mt=2www.vodkaster.com/nocineCRÉDITSEnregistré le 11 novembre 2015 au Tank à Paris (11ème). Moyens techniques : Le Tank. Production : Joël Ronez - Iris Ollivault / TempsMachine.NET. Réalisation : Jules Krot. Générique : "Soupir Articulé", Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). Image : 007 Spectre. See acast.com/privacy for privacy and opt-out information.
Programa especial que dentro de la sección grandes sagas, contamos como siempre con Raül Bocache para dirigirla. La temporada pasada hablamos durante 8 programas sobre Tolkien, y la tierra media abarcando la trilogía del Señor de los Anillo. Esta temporada hablamos de George Lucas y su saga Star Wars. En diciembre entrevistamos a Vicente Tarrés coleccionista de Porto Cristo(Palma de Mallorca) y ahora profundizaremos en George Lucas durante dos programas hablando de sus producciones, los guiones que hizo, las películas que dirigió y también las empresas que creo a su alrededor, dando forma a un gran imperio. Escucha este programa y que la fuerza te acompañe. Para más información entra en masquecine2.wordpress.com
Mike is joined by no one as Danny is out sick and he goes solo for the first time in the show's history.Spider-Man returns to the MCUKevin Feige moving to Star Wars?George Lucas felt betrayed by Disney & Bob Iger Is Joker “controversy” fair or just a sham? Matt Reeves “The Batman” casting rumors Jason Bateman to direct Ryan Reynold’s remake of Clue Princess Bride remake rumors get enormous pushback Mike subscribes to Disney+, Danny gloats Disney+ Original Series are said to have budgets of $150m Breaking Bad movie “El Camino” thoughts Crisis on Infinite Earths cast is insane “The Peacock” to reboot (maybe?) Battlestar Galactica Emmy ratings hit all-time low, Thrones season 8 wins awards Link’s Awakening remake is a critical darling Last of Us II trailer thoughts Outer Worlds looks like the Fallout 4 game we all wanted Follow us on Twitter https://twitter.com/GMCpodcast Follow Mike on Twitter https://twitter.com/@Zepp1978 Follow Danny on Twitter https://twitter.com/@DC_612 Subscribe on iTunes https://goo.gl/H8IWle Subscribe on Google Play https://goo.gl/uuBmWm Subscribe on YouTube https://goo.gl/fEIoD1 Subscribe on Spotify https://spoti.fi/2wWTe4W Subscribe on Stitcher Radio http://goo.gl/K2Y7ry Subscribe on Soundcloud https://goo.gl/20lT3i Like us on Facebook https://goo.gl/zKXAQk Find us on Geek Vibes Nation https://bit.ly/2T1TJYVSupport this podcast at — https://redcircle.com/geek-vibes-nation/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.