Podcasts about star wars george lucas

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Play Episode Listen Later Nov 30, 2022 18:07

This is the fifth part of a six-part series about American movies from 1976. Part 1 focused on John G. Avildsen's “Rocky”. Part 2 focused on James Fargo's “The Enforcer”. Part 3 focused on Michael Ritchie's “The Bad News Bears”. Part 4 focused on John Cassavetes's “The Killing of a Chinese Bookie”. Part 6 will focus on John Guillermin's “King Kong”.***Referenced media:“Old Boy” (Park Chan-wood, 2003)“Vertigo” (Alfred Hitchcock, 1958)“Casualties of War” (Brian De Palma, 1989)“Sneak Previews” (Thea Flaum, 1975-1996)“Greetings” (Brian De Palma, 1968)“Psycho” (Alfred Hitchcock, 1960)“Carrie” (Brian De Palma, 1976)“Jaws” (Steven Spielberg, 1975)“Star Wars” (George Lucas, 1977)“Close Encounters of the Third Kind” (Steven Spielberg, 1977)“The Simpsons” (Matt Groening, 1989-now)“The Tenant” (Roman Polanski, 1976)“Silent Movie” (Mel Brooks, 1976)“Logan's Run” (Michael Anderson, 1976)“Buffalo Bill and the Indians, or Sitting Bull's History Lesson” (Robert Altman, 1976)“The Omen” (Richard Donner, 1976)“The Outlaw Josey Wales” (Clint Eastwood, 1976)“The Opening of Misty Beethoven” (Radley “Henry Paris” Metzer, 1976)“The Bingo Long Traveling All-Stars & Motor Kings” (John Badham, 1976)“Saturday Night Fever” (John Badham, 1977)“The Return of a Man Called Horse” (Irvin Kershner, 1976)“The Empire Strikes Back” (Irvin Kershner, 1980)“The Shootist” (Don Siegel, 1976), “Bugsy Malone” (Alan Parker, 1976)“Scarface” (Howard Hawks, 1932)

1976, a conversation – Part 3: “The Bad News Bears”

Play Episode Listen Later Oct 28, 2022 27:29

This is the third part of a six-part series about American movies from 1976. Part 1 focused on John G. Avildsen's “Rocky”. Part 2 focused on James Fargo's “The Enforcer”. Part 4 will focus on John Cassavetes's “The Killing of a Chinese Bookie”. Part 5 will focus on Brian De Palma's “Obsession”. Part 6 will focus on John Guillermin's “King Kong”.***Referenced media:“Bless the Beasts and Children” (Stanley Kramer, 1971)“Rocky” (John G. Avildsen, 1976)“42” (Brian Helgeland, 2013)“Gran Torino” (Clint Eastwood, 2008)“Jaws” (Steven Spielberg, 1975)“Star Wars” (George Lucas, 1977)“Taxi Driver” (Martin Scorsese, 1976)“The Killing of a Chinese Bookie” (John Cassavetes, 1976)“All the President's Men” (Alan J. Pakula, 1976)“Family Plot” (Alfred Hitchcock, 1976)“Eat My Dust!” (Charles B. Griffin, 1976)“Grizzly (William Girdler, 1976)“Drive-In” (Rod Amateau, 1976)“Silent Movie” (Mel Brooks, 1976)“Blazing Saddles” (Mel Brooks, 1974)“History of the World, Part I” (Mel Brooks, 1981)“Logan's Run” (Michael Anderson, 1976)“The Omen (Richard Donner, 1976)“The Outlaw Josey Wales” (Clint Eastwood, 1976)“Futureworld” (Richard T. Heffron, 1976)“Saturday the 14th” (Howard R. Cohen, 1981)

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1976, a conversation – Part 2: “The Enforcer”

Play Episode Listen Later Oct 14, 2022 30:25

This is the second part of a six-part series about American movies from 1976. Part 1 focused on John G. Avildsen's “Rocky”. Part 3 will focus on Michael Ritchie's “The Bad News Bears”. Part 4 will focus on John Cassavetes's “The Killing of a Chinese Bookie”. Part 5 will focus on Brian De Palma's “Obsession”. Part 6 will focus on John Guillermin's “King Kong”.***Referenced media:“Dirty Harry” (Don Siegel, 1971)“Rocky” (John G. Avildsen, 1976)“Magnum Force” (Ted Post, 1973)“Sudden Impact” (Clint Eastwood, 1983)“Jackass” (Jeff Tremaine, 2002)“The Dead Pool” (Buddy Van Horn, 1988)“All in the Family” (Norman Lear, 1971-1979)“Gran Torino” (Clint Eastwood, 2008)“The Naked Gun: From the Files of Police Squad!” (David Zucker, 1988)“Sledgehammer” (Alan Spencer, 1986-1988)“Pulp Fiction” (Quentin Tarantino, 1994)“In the Head of the Night” (Norman Jewison, 1967)“Noir Alley” (Eddie Muller, 2017-now)“Village of the Damned” (Wolf Rilla, 1960)“The Lineup” (Don Siegel, 1958)“Over the Top” (Menahem Golan, 1987)“Charly” (Ralph Nelson, 1968)“RoboCop” (Paul Verhoeven, 1987)“Serpico” (Sidney Lumet, 1973)“Death Wish” (Michael Winner, 1974)“The Outlaw Josey Wales” (Clint Eastwood, 1976)“Police Woman” (Robert L. Collins, 1974-1978)“Coming Home” (Hal Ashby, 1978)“Platoon” (Oliver Stone, 1986)“Full Metal Jacket” (Stanley Kubrick, 1987)“Blow Job” (Andy Warhol, 1964)“Rabid” (David Cronenberg, 1977)“Annie Hall” (Woody Allen, 1977)“Cross of Iron” (Sem Peckinpah, 1977)“Star Wars” (George Lucas, 1977)“Smokey and the Bandit” (Hal Needham, 1977)“Swamp Thing” (Wes Craven, 1982)“Cagney & Lacey” (Barbara Avedon and Barbara Corday, 1982-1988)

1976, a conversation – Part 1: “Rocky”

Daily Dose of Disney with Ray Keating

Play Episode Listen Later Sep 28, 2022 40:35

This is the first part of a six-part series about American movies from 1976. Part 2 will focus on James Fargo's “The Enforcer”. Part 3 will focus on Michael Ritchie's “The Bad News Bears”. Part 4 will focus on John Cassavetes's “The Killing of a Chinese Bookie”. Part 5 will focus on Brian De Palma's “Obsession”. Part 6 will focus on John Guillermin's “King Kong”.***Referenced media:"Rocky IV” (Sylvester Stallone, 1985)“Transformers: The Movie” (“Rocky Balboa” (Sylvester Stallone, 2006)“Stop! Or My Mom Will Shoot” (Roger Spottiswoode, 1992)“Oscar” (John Landis, 1991)“Samaritan” (Julius Avery, 2022)“Rocky II” (Sylvester Stallone, 1979)“Star Wars” (George Lucas, 1977)“Rocky III” (Sylvester Stallone, 1982)“Rocky V” (John G. Avildsen, 1990)“First Blood” (Ted Kotcheff, 1982)“F.I.S.T.” (Norman Jewison, 1978)“All the President's Men” (Alan J. Pakula, 1976)“Bound for Glory” (Hal Ashby, 1976)“Taxi Driver” (Martin Scorsese, 1976)“Network” (Sidney Lumet, 1976)“Raging Bull” (Martin Scorsese, 1980)“Creed” (Ryan Coogler, 2015)“Creed II” (Steven Caple, Jr., 2018)“Jaws” (Steven Spielberg, 1975)“Three Men and a Baby” (Leonard Nimoy, 1987)“Terminator 2: Judgment Day” (James Cameron, 1991)“Marathon Man” (John Schlesinger, 1976)“Harlan County, U.S.A.” (Barbara Kopple, 1976)“The Song Remains the Same” (Peter Clifton and Joe Massot, 1976)“Carrie” (Brian DePalma, 1976)“Assault on Precinct 13” (John Carpenter, 1976)“The Last Tycoon” (Elia Kazan, 1976)“A Star is Born” (Frank Pierson, 1976)“Tracks” (Henry Jaglom, 1976)“Freaky Friday” (Gary Nelson, 1976)“King Kong” (John Guillermin, 1976)“Nickelodeon” (Peter Bogdanovich, 1976)“The Enforcer” (James Fargo, 1976)The Eagle Has Landed” (John Sturges, 1976)“Pumping Iron” (George Butler, 1977)“Fun with Dick and Jane” (Ted Kotcheff, 1977)“Wizards” (Ralph Bakshi, 1977)“Slap Shot” (George Roy Hill, 1977)“Black Sunday” (John Frankenheimer, 1977)“Eraserhead” (David Lynch, 1977)

Episode #374 – Star Wars George Lucas on Loving What You Do

Play Episode Listen Later May 26, 2022 1:47

George Lucas provides a basic insight to test if you really love what you are doing.The “Daily Dose of Disney with Ray Keating” podcast serves up a Disney or Disney-related quote each day, with DisneyBizJournal's Ray Keating offering brief, additional thoughts on how each dose ties in to life, career, business, entrepreneurship, creativity, storytelling, work, or just plain fun.Check out www.DisneyBizJournal.com.Two great ways to order Ray Keating's new book – The Weekly Economist: 52 Quick Reads to Help You Think Like an Economist. Signed paperbacks and at Amazon.com. Two great ways to order Cathedral: An Alliance of Saint Michael Novel, which is Ray's sixteenth work of fiction, and the first in the Alliance of Saint Michael series. Signed paperbacks and/or the Kindle edition. Ray Keating is the author of the Pastor Stephen Grant thrillers and mysteries. So far, 15 Pastor Stephen grant adventures have been published, with more coming! The more recent books in the series are Vatican Shadows: A Pastor Stephen Grant Novel, Past Lives: A Pastor Stephen Grant Short Story, and What's Lost? A Pastor Stephen Grant Short Story. Signed books are available at www.raykeatingonline.com and paperbacks and Kindle editions at Amazon.com.Order Ray Keating's book Behind Enemy Lines: Conservative Communiques from Left-Wing New York – signed books or at Amazon.And one of Keating's newest books on the economy is Free Trade Rocks! 10 Points on International Trade Everyone Should Know, which is available at Amazon in paperback or for the Kindle edition, and signed books at www.raykeatingonline.com. Read Keating's latest columns on a wide range of issues at www.KeatingFiles.com. Listen to Ray's other podcasts – the Free Enterprise in Three Minutes podcast and the PRESS CLUB C Podcast.Have Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com.

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The Nose looks at ‘We Own This City' and ‘The Northman'

The Colin McEnroe Show

Play Episode Listen Later May 20, 2022 49:00

Your strength breaks men’s bones. This week’s Nose has the cunning to break their minds. We Own This City is a six-part HBO miniseries developed by David Simon and George Pelecanos and based on the book by Baltimore Sun reporter Justin Fenton. It chronicles the Baltimore Police Department’s Gun Trace Task Force and corruption within and around it. Simon told NPR’s Eric Deggans that “this is the closest thing you’re going to get to a sequel” to The Wire. And: The Northman is director Robert Eggers’s third feature and his first big-budget film. It is based on the Viking legend of Amleth, a prince who tries to avenge the murder of his father. Some other stuff that happened this week, give or take: John Aylward Dies: ‘ER’ & ‘The West Wing’ Actor Was 75 Hannah Gadsby Stays Sunny by Any Means Necessary George Carlin narrator edits make Thomas The Tank Engine even more blue Genius editor combines Carlin’s Thomas & Friends narration with foul-mouthed clips from his audiobook readings Hollywood Has No Idea What to Do With the Erotic Thriller Streamers are struggling to reboot a genre that died too young. The Untold Story of the White House’s Weirdly Hip Record Collection Jimmy Carter’s grandson is unlocking its mysteries Attack of the Clones is underrated — and it’s crucial to the current state of Star Wars George Lucas’ maligned prequel chapter deserves reconsideration as it sets up the Obi-Wan series [Ed. note: Links ≠ endorsement.] The Believer, a Beloved Literary Magazine, Goes Home After a Risqué Detour The magazine, bought by a marketing company, briefly hosted clickbait content. Scandal ensued. After a flurry of negotiation, it is now back with its first publisher, McSweeney’s. Can You Remember the Plot of Avatar? We asked a semi-random assortment of smart and funny people who were alive in 2009—from Broti Gupta to Brandon Wardell to Marianne Williamson—if they could recall the plot of the highest-grossing movie ever. The Puzzle That Will Outlast the World One move down, 1,298,074,214,633,706,907,132,624,082,305,022 to go. Star Wars: The Rebellion Will Be Televised An exclusive look at the master plan for Obi-Wan Kenobi with Ewan McGregor and Hayden Christensen, Andor with Diego Luna, Ahsoka with Rosario Dawson—and a fleet of new shows. Squid Game Season 2 Likely Won’t Release Until End Of 2023 Or 2024 Taylor Swift’s NYU Commencement Speech Was About Cats, Cringe, And Getting Canceled The star’s NYU commencement speech was completely apolitical. Marvel Studios is licensing Stan Lee’s likeness from the company he sued before his death Lee sued POW! Entertainment in 2018 Tom Cruise Is Being Boring at Cannes ‘Doctor Who’ has its first Black lead. Will the show contend with race? GUESTS: Taneisha Duggan: A director, producer, and arts consultant Sam Hadelman: Works in music public relations and hosts The Sam Hadelman Show at Radio Free Brooklyn Irene Papoulis: teaches writing at Trinity College Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Rogue One (2016) (with Jonathan Wroot)

Fantasy/Animation

Play Episode Listen Later May 16, 2022 55:58

Episode 97 of the podcast takes on the intergalactic conflicts and rebel alliances of Rogue One (Gareth Edwards, 2016), an anthology feature film and prequel to Star Wars (George Lucas, 1977) that tells the origin story of the ‘Rogue One' starfighter squadron and the creation of the Death Star. Special guest for this episode is Dr Jonathan Wroot, who is Senior Lecturer and Programme Leader for Film Studies at the University of Greenwich. Jonathan has published research on home media formats and Asian cinema distribution, including the co-edited collection entitled New Blood: Framing 21st Century Horror (2021) and his recent monograph on the Zatoichi film and TV franchise. He has also contributed to the podcast series Beyond Japan and Second Features, as well as the 2022 Japan Touring Film Programme. Listen as Chris, Alex, and Jonathan discuss Jedis, the Jidaigeki (時代劇) period film, and longstanding East Asian influences upon the Star Wars saga; the relationship between Zatoichi the blind swordsman and Rogue One's own blind warrior Chirrut Îmwe; hope, alliance, and the religious structures of Gareth Edwards' spin-off story; the generic implications of ‘the Force' upon science-fiction/fantasy distinctions via questions of rationality; digital de-aging technologies and the virtual recreation of youth; and the challenges of Rogue One to expand the Star Wars brand by taking spectators back into the fictional world of Hollywood's most famous space fantasy. **Fantasy/Animation theme tune composed by Francisca Araujo** **This episode was produced and edited by Leon Waldo**

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39 - Star Wars "George Lucas Is a Hack!" - Will Grogu Pick Mando? - Jackass Forever || AFT Live

Aristotle Full Throttle

Play Episode Listen Later Feb 8, 2022 99:53

Watch Live Every Day @ 4p/PST! Twitch.tv/AristotleFullThrottle SUPPORT this channel on Patreon! ► https://goo.gl/K0CExv Get Some Gear! ► https://teespring.com/stores/aristotlefullthrottle BUY my album ► http://www.vaeda.com SUBSCRIBE here ► http://www.YouTube.com/AristotleFullThrottle Star Wars: The Last Jedi TEASER REACTION: https://youtu.be/KJda8EIR6i8 11 Facts about THE FORCE AWAKENS! https://youtu.be/StCRLQIzykA 11 Facts about ROGUE ONE: https://youtu.be/8XmrvmV5PbQ 11 Cool facts about STAR WARS: https://goo.gl/jPzByF 15 FACTS ABOUT The EMPIRE STRIKES BACK: https://goo.gl/prw2CN 11 Facts about: RETURN OF THE JEDI: https://goo.gl/DDMuzB HELP a Refugee Today: https://www.rescue.org/ https://www.unicef.org/ Watch my other FULL THROTTLE FACT videos HERE: https://goo.gl/hscAyX Watch my TRAILER REACTIONS! https://goo.gl/koB3ng ---=SOCIAL=--- Facebook ► https://www.facebook.com/AristotleFullThrottle Twitter ► http://www.twitter.com/aristotledreher Instagram► http://www.instagram.com/aristotledreher Snapchat ► @aristotledreher Periscope ► @aristotledreher Comment "A Humongous Fungus Among Us" if you're reading this far. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/aristotlefullthrottle/message Support this podcast: https://anchor.fm/aristotlefullthrottle/support

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The Neoliberal Blockbuster: Jurassic Park (Preview)

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Play Episode Listen Later Dec 5, 2021 8:45

This Money on the Left/Superstructure teaser previews both our tenth and eleventh premium releases from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

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7 Film Directors Who Went To Extraordinary Lengths To Fix Past Mistakes - Ridley Scott! Spike Lee! Bryan Singer! STOP CHANGING STAR WARS GEORGE LUCAS?!

WhatCulture

Play Episode Listen Later Nov 24, 2021 7:33

If at first you do succeed, keep making Special Editions anyway. Jules Gill presents 7 Film Directors Who Went To Extraordinary Lengths To Fix Past Mistakes... See acast.com/privacy for privacy and opt-out information.

The Neoliberal Blockbuster: Toy Story Part 2 (Full Episode)

Play Episode Listen Later Sep 19, 2021 122:55

This Money on the Left/Superstructure episode is the eleventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. Typically reserved for Patreon subscribers, this special two-part episode about Toy Story is available to the general public in full. For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

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The Neoliberal Blockbuster: Toy Story Part 2 (Full Episode)

Play Episode Listen Later Sep 19, 2021 122:55

This Money on the Left/Superstructure episode is the eleventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. Typically reserved for Patreon subscribers, this special two-part episode about Toy Story is available to the general public in full. For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

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The Neoliberal Blockbuster: Toy Story Part 1 (Full Episode)

Play Episode Listen Later Aug 23, 2021 133:53

This Money on the Left/Superstructure episode is the tenth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

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The Neoliberal Blockbuster: Toy Story Part 1 (Full Episode)

Play Episode Listen Later Aug 23, 2021 133:53

This Money on the Left/Superstructure episode is the tenth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the rest of the course, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

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The Neoliberal Blockbuster: Robocop (Preview)

Play Episode Listen Later Aug 9, 2021 12:11

This Money on the Left/Superstructure teaser previews both our eight and ninth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018

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The Neoliberal Blockbuster: Robocop (Preview)

Daily Dose of Disney with Ray Keating

Play Episode Listen Later Aug 9, 2021 12:11

This Money on the Left/Superstructure teaser previews both our eight and ninth premium releases from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

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Episode #103: Star Wars George Lucas Talks Finding Your Talent

Play Episode Listen Later Aug 1, 2021 1:20

Like George Lucas, the creator of Star Wars, the key is to find your talent. The “Daily Dose of Disney with Ray Keating” podcast serves up a Disney or Disney-related quote each day, with DisneyBizJournal's Ray Keating offering brief, additional thoughts on how each dose ties in to life, career, business, entrepreneurship, creativity, storytelling, work, or just plain fun.Check out www.DisneyBizJournal.com.Keating has three new books out. Vatican Shadows: A Pastor Stephen Grant Novel is the 13th thriller/mystery in the Pastor Stephen Grant series. Past Lives: A Pastor Stephen Grant Short Story is the 14th book and What's Lost? A Pastor Stephen Grant Short Story is the 15th. Signed books at www.raykeatingonline.com.Order Ray Keating's book Behind Enemy Lines: Conservative Communiques from Left-Wing New York – signed books or at Amazon.And one of Keating's newest books on the economy is Free Trade Rocks! 10 Points on International Trade Everyone Should Know, which is available at Amazon in paperback or for the Kindle edition, and signed books at www.raykeatingonline.com. Read Keating's latest columns on a wide range of issues at www.KeatingFiles.com. Listen to Ray's other podcasts – the Free Enterprise in Three Minutes podcast and the PRESS CLUB C Podcast.Love Ray Keating's Pastor Stephen Grant Thrillers and Mysteries? It's the Perfect Time to Join the Pastor Stephen Grant Fellowship! For the BEST VALUE, Join the Book of the Month Club. Check it all out at https://www.patreon.com/pastorstephengrantfellowshipHave Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com. The “Daily Dose of Disney with Ray Keating” podcast serves up a Disney or Disney-related quote each day, with DisneyBizJournal's Ray Keating offering brief, additional thoughts on how each dose ties in to life, career, business, entrepreneurship, creativity, storytelling, work, or just plain fun.

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The Neoliberal Blockbuster: Star Wars: A New Hope Part 2 (Preview)

Play Episode Listen Later Jul 4, 2021 14:24

This Money on the Left/Superstructure teaser previews our seventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

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The Neoliberal Blockbuster: Star Wars: A New Hope Part 2 (Preview)

Play Episode Listen Later Jul 4, 2021 14:24

This Money on the Left/Superstructure teaser previews our seventh premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

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The Neoliberal Blockbuster: Star Wars: A New Hope Part 1 (Preview)

Play Episode Listen Later Jun 8, 2021 15:15

This Money on the Left/Superstructure teaser previews our sixth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

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The Neoliberal Blockbuster: Star Wars: A New Hope Part 1 (Preview)

The Goods: A Film Podcast

Play Episode Listen Later Jun 8, 2021 15:15

This Money on the Left/Superstructure teaser previews our sixth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster's technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

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American Graffiti (1973) - Kiss a duck, marble head

Play Episode Listen Later May 24, 2021 88:49

Summer is in the air, so Dan and Brian revisit the influential teen comedy American Graffiti, written and directed by a pre-Star Wars George Lucas. Join as they revel in the rock 'n' roll soundtrack, the wacky '60s slang, Terry the Toad's McLovin parallels, and a climactic drag race. Dan shares his own breakup drama, while Brian waxes nostalgic on Laverne and Shirley. Does this blast from the past hit that coming-of-age sweet spot for Dan? Is Brian able to overcome his dislike of hangout movies? And is there any sense to be made for the film's bananas sequel? Meet us on Paradise Road and find out. Music credits: RetroFuture Clean by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4277-retrofuture-clean License: http://creativecommons.org/licenses/by/4.0/

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Episode 64: 1984 Year In Movies - We Came, We Saw... We Reviewed It!

Free Range Idiocy

Play Episode Listen Later May 14, 2021 113:23

We've had ourselves a good ol' time looking at some other years in cinema history, so why not head back to that well one more time as we take a look at what some have called "the greatest year in cinema history" - 1984. This time, we've brought some help with us as we welcome Mel Barrett to the Free Range Congregation to help us run this thing down and add a dollop of legitimacy to our normal shenanigans. Mel is a screenwriter and filmmaker who has worked inside and outside Hollywood along with writing a couple of novels as well. Her and Todd will be co-hosting an upcoming podcast about the process of taking a script from page to screen in the near future. Audio note: we had some weird things happening this episode, so allow us to apologize in advance for any strange background noises or nose whistles that might've made it through! LINKS OF INTEREST: - With all apologies to LL Cool J... don't call it a comeback... of the Infinity Stones... - Is there a Star Wars reboot coming that features Rey's son?!?! - Sounds like Ewan McGregor has been training and eating his Wheaties in preparation for his upcoming Obi Wan show on The Disney Ploose - For the sake of reference, here are all the movies released in 1984 - And here's the claim for 1984 as the best year in movie history - Wow, Todd got one right - Big was released in 1988 - Behold the vast expanse that is Eric Roberts' IMDB page - The movies that were involved in the "points" exchange were Close Encounters of the Third Kind (Steven Speilberg), Star Wars (George Lucas), and Big Wednesday (John Milius). Pretty sure Lucas wound up getting the cut of Milius' surfing movie and the short end of the stick. ...AND ANOTHER THING: Tim recommends checking out all the new WWE Legends A&E Biography shows from the last few weeks. Todd thinks you should check out the documentary on screenwriter and director John Milius streaming on Amazon. FOLLOW US ON THE SOCIAL MEDIAS: Did you love what you listened to? Fantastic - we love people with questionable taste that enjoy a couple chuckleheads cracking each other up. Follow us on Facebook, Twitter, and Instagram for more of the internet funny. Be sure to subscribe to our podcast on Podbean, iTunes, or Spotify!

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The Neoliberal Blockbuster: Jaws (Preview)

Play Episode Listen Later May 6, 2021 9:40

This Money on the Left/Superstructure teaser previews our fifth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

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The Neoliberal Blockbuster: Jaws (Preview)

Play Episode Listen Later May 6, 2021 9:40

This Money on the Left/Superstructure teaser previews our fifth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

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The Neoliberal Blockbuster: 2001: A Space Odyssey (Preview)

american blockbuster linking blockbusters 2001: a space odyssey neoliberal anthony russo scott ferguson star wars george lucas

Play Episode Listen Later Apr 8, 2021 10:38

This Money on the Left/Superstructure teaser previews our fourth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

The Neoliberal Blockbuster: 2001: A Space Odyssey (Preview)

american blockbuster linking blockbusters 2001: a space odyssey neoliberal anthony russo scott ferguson star wars george lucas

Play Episode Listen Later Apr 8, 2021 10:38

This Money on the Left/Superstructure teaser previews our fourth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

Money, Media & Modernity (Preview)

american blockbuster linking modernity blockbusters anthony russo scott ferguson money media star wars george lucas

Play Episode Listen Later Mar 8, 2021 13:28

This Money on the Left/Superstructure teaser previews our third premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

Money, Media & Modernity (Preview)

american blockbuster linking modernity blockbusters anthony russo scott ferguson money media star wars george lucas

Play Episode Listen Later Mar 8, 2021 13:28

This Money on the Left/Superstructure teaser previews our third premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

Historicizing the Neoliberal Blockbuster (Preview)

american blockbuster linking blockbusters neoliberal anthony russo scott ferguson star wars george lucas

Play Episode Listen Later Jan 13, 2021 13:37

This Money on the Left/Superstructure teaser previews our second premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

Historicizing The Neoliberal Blockbuster (Preview)

american blockbuster linking blockbusters neoliberal anthony russo scott ferguson star wars george lucas

Play Episode Listen Later Jan 13, 2021 13:37

This Money on the Left/Superstructure teaser previews our second premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure. If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

Why Do We Fall?: Introduction to the Neoliberal Blockbuster (Preview)

american blockbuster linking blockbusters neoliberal anthony russo scott ferguson star wars george lucas

Play Episode Listen Later Dec 23, 2020 15:28

This Money on the Left/Superstructure teaser previews our first premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers. For access to the full video lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access. Course Description: This course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails. Blockbusters: 2001: A Space Odyssey (Stanley Kubrick, 1968) Jaws (Steven Spielberg, 1975) Star Wars (George Lucas, 1977) RoboCop (Paul Verhoeven, 1987) Toy Story (John Lasseter, 1995) Jurassic Park (Steven Spielberg, 1993) The Matrix (Wachowskis, 1999) Avengers: Infinity War (Joe & Anthony Russo, 2018)

Why Do We Fall?: Introduction to the Neoliberal Blockbuster (Preview)