Italian philosopher
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“Çağının ışıklarının kendisini körleştirmesine izin vermeyen ve o ışıklarda gölgeleri, onların en mahrem karanlığını yakalayabilen kişiye çağdaş denebilir ancak” diyor Giorgio Agamben, ‘Çıplaklıklar' adını verdiği kitabında. Doğruya götüren yolu tek kişilik tozpembe bir dünyanın içinde adımlayabileceğine inandırıyor bugün kendini birçok insan. Kendine bulaşan yanlışa, çirkine, kötüye gözlerini sımsıkı kapatarak…
Ad Verbrugge in gesprek met Ype de Boer over zijn boek 'Een filosofisch rariteitenkabinet, Agambens zoektocht naar geluk'.--Steun DNW en word patroon op http://www.petjeaf.com/denieuwewereld.Liever direct overmaken? Maak dan uw gift over naar NL61 RABO 0357 5828 61 t.n.v. Stichting De Nieuwe Wereld. Crypto's doneren kan via https://commerce.coinbase.com/pay/79870e0f-f817-463e-bde7-a5a8cb08c09f-- Bronnen en links bij deze uitzending: - De persoonlijke site van Ype de Boer: https://ypedeboer.nl/- Bestel 'Een filosofisch rariteitenkabinet, Agambens zoektocht naar geluk' hier: https://www.boom.nl/auteur/110-23435_Boer/100-18750_Een-filosofisch-rariteitenkabinet- Een eerder gesprek met Ad, Ype de Boer en Henk-Jan Prosman: https://www.youtube.com/watch?v=Ev3wGgGWH9I--00:00 Introductie1:45 Agamben in een notendop5:10 Agamben en de geschiedenis14:30 Corona, fascisme en gelatenheid17:42 Homo sacer en het naakte leven24:35 Hobbes, de uitzonderingstoestand en biopolitiek34:55 Kind, taal en spel48:21 Is het mogelijk het leven anders te denken?54:02 Aanbeveling en afronding--De Nieuwe Wereld TV is een platform dat mensen uit verschillende disciplines bij elkaar brengt om na te denken over grote veranderingen die op komst zijn door een combinatie van snelle technologische ontwikkelingen en globalisering. Het is een initiatief van filosoof Ad Verbrugge in samenwerking met anchors Jelle van Baardewijk en Marlies Dekkers. De Nieuwe Wereld TV wordt gemaakt in samenwerking met de Filosofische School Nederland. Onze website: https://denieuwewereld.tv/ DNW heeft ook een Substack. Meld je hier aan: https://denieuwewereld.substack.com/
അമേരിക്കയിലെ 9 / 11 ആക്രമണത്തിനു തൊട്ടുപിന്നാലെ ഇറ്റാലിയൻ ദാർശനികൻ Giorgio Agamben'സുരക്ഷയും ഭീകരതയും' എന്ന ഒരു ലേഖനം എഴുതിയിരുന്നു .അതിൻ്റെ മലയാളപരിഭാഷപഹൽഗാമിലെ ഭീകരാക്രമണത്തിന്റെ പശ്ചാത്തലത്തിൽ പോഡ്കാസ്റ്റ് രൂപത്തിൽ ദില്ലി -ദാലി അവതരിപ്പിക്കുന്നു .സുരക്ഷ , ഭീകരത എന്നിവ എങ്ങനെയാണ് പരസ്പരം ചെയ്യുന്ന പ്രവർത്തനങ്ങളെ ന്യായീകരിക്കുകയും നിയമവിധേയമാക്കുകയും ചെയ്യുന്നതെന്നും അങ്ങനെ അതുരണ്ടും എങ്ങനെയാണ് ഒരു മാരകസംവിധാനത്തിന്റെ രണ്ടുഭാഗങ്ങൾ ആകുന്നതെന്നും അഗമ്പെൻ വിശദീകരിക്കുന്നു.ആധുനിക, അരാഷ്ട്രീയ അന്തരീക്ഷത്തെക്കുറിച്ചുള്ള മൗലികചിന്ത .
O presidente dos Estados Unidos, Donald Trump, jogou a Europa numa montanha russa. Não se trata do fato dele se propor a negociar a situação da Ucrânia diretamente com Moscou. Mas sim ao sobe-desce e aos solavancos em que ele atirou o continente com seu "tarifaço" da semana passada, e seu recuo parcial na sequência. Flávio Aguiar, analista políticoTrata-se de um “recuo parcial” porque ele apenas suspendeu a sua aplicação aos países europeus por noventa dias, ao invés de revogar o tarifaço. Ao mesmo tempo, num primeiro momento manteve sua aplicação e elevou-o a 145% para a China.Depois recuou de novo, isentando do "tarifaço" produtos eletrônicos chineses importados pelas big techs dos Estados Unidos. Fica a dúvida sobre o porquê deste último recuo: se foi a pressão das empresas norte-americanas, ou o contra-tarifaço chinês, taxando em 125% produtos dos Estados Unidos."Uma no cravo e uma na ferradura"A presidenta da Comissão Europeia, Úrsula von der Leyen, que anunciara a adoção de tarifas suplementares sobre produtos norte-americanos em retaliação, voltou atrás, também suspendendo sua aplicação imediata, embora as taxas extras sobre alumínio, aço e veículos europeus estejam mantidas.Complementando o vai-e-vem, disse que a Europa está pronta para negociar as medidas com os Estados Unidos, mas também está pronta para “defender seus interesses”. Ou seja, deu uma no cravo e outra na ferradura.No domingon, Maros Sefcovic, membro da Comissão Europeia e o seu encarregado da pasta de Comércio e Segurança Econômica, seguiu para Washington a fim de tentar um acordo sobre as tarifas. E von der Leyen acenou com a proposta de reduzir a zero as tarifas mútuas sobre produtos industrializados.Por outro lado, apesar do esforço por parte dos líderes europeus para demonstrarem unidade, a conjuntura voltou a expor algumas de suas diferenças. Ao invés da cautela demonstrada por von der Leyen, o ainda vice-chanceler e ministro da Economia alemão, Roberto Habeck, do Partido Verde, qualificou as medidas de Trump como “absurdas”.Estado de exceçãoBernd Lange, presidente do Comitê para o Comércio Internacional do Parlamento Europeu, qualificou as medidas de “injustas” e ironizou a declaração de Trump, para quem o tarifaço era o “dia da libertação” dos Estados Unidos, dizendo que ele era, na verdade, o “dia da inflação” para os consumidores norte-americanos e europeus.Um conceito que pode ajudar a entender o que está acontecendo é o de “estado de exceção”, estudado pelo filósofo italiano Giorgio Agamben a partir de sua formulação pelo jurista alemão Carl Schmitt, simpático aos nazistas, nos anos 1920 e 1930 do século passado.O conceito qualifica o comportamento de um governante que chega ao poder obedecendo as regras de um sistema político, mas a seguir as afronta ou suspende, mergulhando a sociedade primeiro num estado caótico de anomia e depois numa situação em que ele dita e aplica novas regras, como fizeram Hitler e Mussolini.VassalosDe certo modo, é o que Trump está tentando fazer dentro e fora dos Estados Unidos. O governante do estado de exceção não tem propriamente aliados. Em seu lugar, acolhe vassalos, que trata bem se lhe obedecem ou agrIde e descarta se a ele se opõem.É como Trump e sua equipe vem tratando a Europa e outros países, querendo mantê-los ou reconduzi-los ao aprisco hegemônico dos Estados Unidos, cujo vetor principal, no momento, é o de conter e reverter a presença chinesa no comércio e na geopolítica internacionais. Também está claro o objetivo de atrair a Rússia, afastando-a da aliança com a China.O anúncio e o recuo parcial do "tarifaço" em relação à Europa cumpre este objetivo: a mão que ameaça é a mesma que acena com a promessa de recompensa por um bom comportamento.Fica por ver se os europeus, com suas convergências e divergências, morderão a isca.
John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices
John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west
John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices
John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Where Are We Now? The Epidemic as Politics by Giorgio Agamben - https://amzn.to/4jc3Pyf---Support this Show:Support TTOV -https://www.thetransformationofvalue.com/support---Connect:X - https://x.com/TTOVpodcastInstagram -https://www.instagram.com/codyellinghamNostr -https://njump.me/npub1uth29ygt090fe640skhc8l34d9s7xlwj4frxs2esezt7n6d64nwsqcmmmuYouTube -https://www.youtube.com/@TTOVPodcast---Credits:The Transformation of Value is produced by Cody EllinghamShow music by Simon James French -https://www.simonjamesfrench.com/---
Wie is Giorgio Agamben en hoe ziet de zoektocht naar geluk van deze doemdenker en pessimist er uit? Giorgio Agamben (1942) is een invloedrijke hedendaagse Italiaanse filosoof die bekend is om zijn kritische cultuuranalyses. Kom luisteren naar filosoof Ype de Boer en maak kennis met Giorgio Agamben en zijn vernieuwende blik op geluk. Giorgio Agamben over geluk | Lezing en gesprek door filosoof Ype de Boer Donderdag 27 februari 2025 | 20.00 – 21.30 uur | Collegezalencomplex, Radboud Universiteit | Radboud Reflects en de Faculteit der Filosofie, Theologie en Religiewetenschappen Lees het verslag : https://www.ru.nl/services/sport-cultuur-en-ontspanning/radboud-reflects/nieuws/giorgio-agamben-over-geluk-lezing-en-gesprek-met-filosoof-ype-de-boer Like deze podcast, abonneer je op dit kanaal en mis niks. Bekijk de video: https://www.youtube.com/watch?v=MRnVNdsjtTg&t=28s Bekijk ook de agenda voor nog meer verdiepende lezingen: www.ru.nl/radboud-reflects/agenda Wil je geen enkele verdiepende lezing missen? Schrijf je dan in voor de nieuwsbrief: www.ru.nl/radboud-reflects/ser…ief-radboud-reflects
Explore Giorgio Agamben's profound insights into the intersection of law and life, delving into the ancient Roman paradigm of power and exclusion that continues to influence modern society. Agamben questions whether the rule of law or exceptions define democracy today, offering thought-provoking perspectives that may shape future understanding. 00:00: Introduction: What The State? 02:24: Exploring Modern Political Theory 07:16: Understanding the State of Exception 11:49: Concept of Homo Sacer and Bare Life 15:00: Examining Force-of-Law 18:05: Society as Concentration Camps 26:30: Credits and Closing Remarks #GiorgioAgamben #HomoSacer #StateofException #law #moderndemocracy #politicaltheory #power #exclusion Learn more about your ad choices. Visit podcastchoices.com/adchoices
Paulus regnes ofte som den første teolog. Samtidig ser mange ham som en slags skurk som ødela Jesu gode budskap. De siste tiåra har mennesker langt utenfor kirke og religion fattet interesse for den store apostelen og nytestamentlige brevskriveren. Er han kanskje ikke skurk likevel? Og er det ok å lese Paulus helt ukristelig?Gjest i podkasten Dokka er Ole Jakob Løland, professor i KRLE ved Universitetet i Sørøst-Norge. Han er teolog og forfatter, og har blant annet skrevet boka En apostel for ateister. Paulus i moderne filosofi. Tenkere som refereres i episoden: Paulus, Friedrich Nietzsche, Sigmund Freud, Jacques Derrida, Giorgio Agamben, Jacob Taubes, Alain Badiou, Julia Kristeva, Slavoj Zizek, Krister Stendahl. Hosted on Acast. See acast.com/privacy for more information.
Earlier this month, Phil and JF recorded a live episode at Indiana University Cinema in Bloomington following a screening of John Carpenter's film In the Mouth of Madness. Carpenter's cult classic obliterates the boundary between reality and fiction, madness and revelation—an ideal subject for a Weird Studies conversation. In this episode, recorded before a live audience, the hosts explore the film's Lovecraftian themes, the porous nature of storytelling, and how art can function as a conduit to unsettling truths. Special thanks to Dr. Alicia Kozma and the IU Cinema team for hosting and recording the event. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES John Carpenter, In the Mouth of Madness (https://www.imdb.com/title/tt0113409/) John Carpenter, Prince of Darkness* (https://www.imdb.com/title/tt0093777/) John Carpenter, The Thing (https://www.imdb.com/title/tt0084787/) Joshua Clover, BFI Film Classics: The Matrix (https://www.bloomsbury.com/ca/matrix-9781839022678/) Philip K. Dick, Time Out of Joint (https://bookshop.org/a/18799/9780547572581) David Cronenberg, Videodrome (https://www.imdb.com/title/tt0086541/) Louis Althusser, "Ideology and Ideological State Apparatuses (Notes towards an Investigation)" (https://www.marxists.org/reference/archive/althusser/1970/ideology.htm) Giorgio Agamben, Homo Sacer (https://bookshop.org/a/18799/9780804732185) Nick Land, (https://en.wikipedia.org/wiki/Nick_Land) English philosopher H. P. Lovecraft, "The Call of Cthulhu" (https://www.hplovecraft.com/writings/texts/fiction/cc.aspx) Jonathan Carroll, The Land of Laughs (https://www.hplovecraft.com/writings/texts/fiction/cc.aspx)
Kde je blízký, má být vzdálený. Samota je láska. Milosrdenství tkví v opuštění. Pandemie nám podle Giorgia Agambena pořádně zamíchala tím, co jsme měli ve zvyku označovat jako hodnoty. Taky jsme zahalili tváře. Přitom pro západní kulturu byla odhalená tvář – vedle důrazu na bližního – podstatná: v tváři prý začíná politika. Tvář vyjevuje, že se všichni lišíme, a přesto se musíme domluvit a pokusit se vytvořit labilní jednotu uprostřed plurality. Agamben nepatřil mezi ty filozofy, kteří by se na zkoumání nouzových stavů přeorientovali během pandemie. Jako právník a filozof se velkou část svého profesního života zabývá tím, co to znamená suverenita – pro Agambena je suverénem právě ten, kdo smí vyhlásit výjimku, a tím pozastavit jinak běžná pravidla. A nejen od pandemie si rovněž všímá, jak rádi demokratičtí politici vládnou skrze nouzové stavy. Navíc nejde jen o zvláštní stavy. Ne nepodobné je to s vyhlašováním krizí. Kdo prý říká „krize“, chce vládnout. Je přitom nápadné, jak často a v kolika různých oblastech se občanům dnes předkládají apokalyptické scénáře. Nemusíme se hned bavit o klimatické krizi, jíž však Agamben věnoval rovněž řadu textů. Oblíbené je hovořit o epidemii duševních poruch, která volně navazuje na virovou pandemii. Před necelým rokem ostatně vydal Národní ústav duševního zdraví zarážející zprávu: Až čtyřicet procent dětí trpí příznaky těžké deprese. Aniž bychom chtěli umenšovat problémy žáků, informace o četnosti této závažné diagnózy může být i pro laika zarážející. Těžká deprese je závažná nemoc. Je uvěřitelné, že je čtyřicet procent dětí závažně nemocných? Poznamenejme, že analogické studie existují přirozeně třeba i v Německu. Zde dospívají výzkumníci k jinému výsledku: až dvě procenta dospívajících se trápí těžkou depresí a nějakou podobou lehčí deprese trpí až deset procent školáků. Skutečně je možné, aby české děti byly o tolik depresivnější? Asi těžko. Ostatně Mnozí psychologové i psychiatři se od studie distancovali. Třeba Jiří Horáček hovořil v DVTV o metodologické chybě a nesmyslně nadsazených číslech. Četní komentátoři tato alarmistická čísla přesto nadále přejímají. Jindy čteme na billboardech v metru, že šest procent cestujících bylo donuceno k sexu… Na místě je otázka: Proč jsme si v tolika oblastech lidského života zvykli komunikovat strachem? Kapitoly VII. Čtyřicet procent těžce depresivních dětí, znásilnění v MHD a další katastrofy [začátek až 18:15] VIII. Pandemie: Kde stojíme? [18:15 až 25:18] IX. Pozvířečtění člověka [25:18–31:45] X. Kdo je Giorgio Agamben? [31:45–39:28] XI. Kdo je homo sacer? [39:28–49:00] XII. Pinocchio je homo sacer! Loutka, která se skutečným chlapcem nestala [49:00 až konec]
Colby Dickinson is professor of theology at Loyola University, Chicago. He is the author of Haunted Words, Haunted Selves: Listening to Otherness within Western Thought (Cascade, 2024), Giorgio Agamben's Homo Sacer Series: A Critical Introduction and Guide (2022), Theological Poverty in Continental Philosophy: After Christian Theology (2021), Theology as Autobiography: The Centrality of Confession, Relationship, and Prayer to the Life of Faith (Cascade, 2020), and The Fetish of Theology: The Challenge of the Fetish-Object to Modernity (2020). PODCAST LINKS: Haunted Words, Haunted Selves book: https://wipfandstock.com/9781666769210/haunted-words-haunted-selves/ Theology as Autobiography book: https://wipfandstock.com/9781532688829/theology-as-autobiography/ CONNECT: Website: https://wipfandstock.com/ Twitter: https://twitter.com/wipfandstock Facebook: https://www.facebook.com/wipfandstock Instagram: https://www.instagram.com/wipfandstock/ *The Theology Mill and Wipf and Stock Publishers would like to thank Luca Di Alessandro for making their song “A Celestial Keyboard” available for use as the podcast's transition music. Link to license: https://pixabay.com/service/license-summary/.
Je rozšířeným předsudkem, že člověk je tvor, který umí mluvit. Dlouhou dobu se přitom na západě vědělo, že mluvit umí jen ten, kdo je ochoten se to učit, i v dospělosti. Proto se do vzdělávání zapojovala rétorika. Kdo se naučil mluvit ve třech letech, zvládl základ. Chce-li někdo skutečně umět mluvit, nezbývá, než se mluvu učit na podruhé v dospělosti – s jiným typem soustředěnosti a na vyšší úrovni reflexe. Ještě ve středověku se musel třeba i lékař vzdělávat v rétorice. Člověk neumí mluvit napoprvé, ale napodruhé. Italský filozof Giorgio Agamben k tomu poznamenává: Člověk není tvor mající jazyk – zoon logon echon –, nýbrž tvor, který o jazyk bez ustání přichází. Nejen zanedbáváním. Již i mírná nepohoda nás může připravit o řeč: hledáme slova, koktáme, zadrháváme se. Být člověkem je věčným bojem o slovo. Autorka podcastu Tereza Matějčková tematizuje umění řeči jako jednu ze tří dovedností, na níž – vedle psaní a čtení – stojí tzv. humanitní vědy. Zaměřuje se přitom na současný zájem o řeč, jíž digitální technologie otevřely nový prostor. Co bylo kdysi omezené na aulu nebo parlament, kde proslov mohla posoudit vybraná skupina, se nyní díky digitálním technologiím otevírá miliónům uživatelů. Umně mluvit nás činí mocnými i svobodnými, a to zvláště ve světě, v němž je vyřčené slovo vlivnější než napsané. To ostatně reflektují i vývojáři z Googlu, kteří formulovali heslo: Speaking is the new typing. Mluvení je dnes to, co kdysi bylo psaní na počítači. Nevyjadřují tím jen náskok mluveného slova. Ale rovněž pojmenovávají proměnu toho, jak používáme technologie. I s dotykovými obrazovkami stále častěji mluvíme a zprávy často již nepíšeme, ale namlouváme. Znamená to vše, že stojíme uprostřed renesance rétoriky? Kapitoly VI. Speaking is the new typing. [úvod až 14:00] VII. Špatná pověst rétoriky: „Vyhrajeme všichni, protože vyhrajeme.“ [14:00 až 29:23] VIII. Člověk: tvor nemající jazyk [29:23–38:00] IX. Rétorika? Vnímání v řeči [38:00–56:00] X. Mluvte. Ale sami se sebou! [56:00–konec] Bibliografie Giorgio Agamben, L'uso dei corpi, Vicenza: Neri Pozza, 2014 [Use of Bodies, přel. Adam Kotsko, Stanford: Stanford University Press, 2016]. Aristotelés, Rétorika, přel. Antonín Kříž, Praha: Petr Rezek, 1999. Mauro Bonazzi, Sofisté, Praha: Herrmann a synové, 2024. Michael Ehlers, Rhetorik. Die Kunst der Rede im digitalen Zeitalter, Kulmbach: Books Success, 2018. Mark Hawkins-Dady, Reden, die unsere Welt veränderten. Mit einer Einführung von Simon Sebag Montefiore, přel. Michael Bischoff, Berlin: Insel Verlag, 2019 [anglický originál vyšel pod názvem Speeches that Changed the World]. Norman Vincent Peale, Síla pozitivního myšlení, přel. Jitka Lukešová, Praha: Pragma, 2007. Platón, Gorgias, přel. František Novotný, Praha: OIKOYMENH, 1992. Nassim Nicholas Taleb, Anti-Fragile. How to Live in a World We Don't Understand, London: Penguin, 2012. Donald Trump's Debates: 5 Mental Tricks You Didn't Notice (https://www.youtube.com/watch?v=9LR6EA91zLo&t=340s)
Purchase 'Biopolitics as a System of Thought' from Bloomsbury: https://www.bloomsbury.com/us/biopolitics-as-a-system-of-thought-9781350412095/Our contemporary mode of life is characterised by what Serene Richards in Biopolitics as a System of Thought calls: Smart Being. Smart Being believes in the solutions of techno-capital where living is always at stake and directed to survival. Armed with this concept, this book examines how we arrived at this mode of being and asks how it could be that, while the material conditions of our lives have increasingly worsened, our capacities for effective political action, understood as the capacity for transforming our existing social relations, appear to be diminishing.Drawing from jurists and philosophers such as Pierre Legendre, Yan Thomas, Giorgio Agamben, Michel Foucault and Gilles Deleuze, Richards argues that biopolitics intervenes at the most minute level of our everyday lives. She argues that there are conceptual truths presupposed in the mode of biopolitics' functioning, for instance that life can be assigned a value for the purpose of intervention, abandonment, or death, which have implications for our politics. In exciting engagements with political movements such as the post-May 1968 Mouvement des travailleurs Arabes (MTA), Richards shows how demands to transform our system of social relations are undermined by institutional models that proffer to offer rights protection while simultaneously annihilating the living altogether. Through a reappraisal of law, governance and capital, Richards seeks to reconceptualise our collectivity of thought, arguing for a politics of destitution that could form the basis of a communism to come.Support the Show.Support the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastZer0 Books and Repeater Media Patreon: https://www.patreon.com/zer0repeaterMerch: http://www.crit-drip.comOrder 'Anti-Oculus: A Philosophy of Escape': https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Order 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.comRevolting Bodies (Will's Blog): https://revoltingbodies.comSplit Infinities (Craig's Substack): https://splitinfinities.substack.com/Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/
Tom Amarque and Andrew Sweeny dig into the philosophy of Italian philosopher Giorgio Agamben. --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcast-c709ee4/message
What is a creative act? In other words, what is the nature of the forces which bring 'the new' into the world? Also, what is the role of resistance and the potential not to act against notions of creativity? In this episode, Craig, Will, and Adam perform a close reading of Gilles Deleuze's "What is a Creative Act?" and Giorgio Agamben's response, "What is an Act of Creation?", examining the respective nuances in the philosophers' views of creativity.Support the Show.Support the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastZer0 Books and Repeater Media Patreon: https://www.patreon.com/zer0repeaterMerch: http://www.crit-drip.comOrder 'Anti-Oculus: A Philosophy of Escape': https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Order 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.comRevolting Bodies (Will's Blog): https://revoltingbodies.comSplit Infinities (Craig's Substack): https://splitinfinities.substack.com/Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/
Autorin und Regisseurin Luise Voigt hat sich in “Raumzeit” der menschlichen Wahrnehmung auf die Wirklichkeit gewidmet. Herausgekommen ist eine wunderbare Einladung, sich auf neue Perspektiven der Zeit und auf die Welt einzulassen. Mit fabelhaftem Musikeinsatz, der bekannte Popsongs anders hören lässt und sie in neue Farben taucht, ist "Raumzeit" ein Hörstück zum Innehalten, zum Raustreten aus den Wirren des Alltags. Es ist ein großer Zoom-out, der zu Gesprächen und zu eigenen Gedanken anregen will, in einer Zeit, in der Umdenken unsere beste Chance ist. Mit Catherine Stoyan, Manuel Harder, Annika Schilling und Fabian Kulp. Autorin: Luise Voigt Regie: Luise Voigt hr/Dlf Kultur 2023 | 58 Min (Audio verfügbar bis 12.05.2025)
In questa puntata con Luca Molinari, architetto, critico, curatore e docente di Architettura, indaghiamo come gli spazi comuni e le nostre case influenzino la nostra vita e come la meraviglia possa essere riscoperta attraverso un nuovo sguardo sulla quotidianità e la collettività. Le riflessioni principali prendono spunto dai suoi libri La meraviglia è di tutti (2023), Le case che siamo (2016) e Le case che saremo (2020). Altre fonti: Profanazioni di Giorgio Agamben, Nottetempo, 2005; L'architettura della partecipazione di Giancarlo De Carlo, 1973; Il futuro dell'architettura nella civiltà di William Morris, Laterza, 1881; Il futuro del progresso di Steven Pinker, Domus, Gennaio 2024; Tradizione, tradimento, traduzione di Mario Daniele (etimoitaliano.it). Redatto da Camilla Sofia Morelli e Diego Morabito. Contributo video di Ivan Taccadoli, montaggio di Ivan Taccadoli. Archiverso è più di un podcast: è un invito a partecipare in un dialogo collettivo. Unisciti a noi in questo viaggio e seguici sui nostri social per diventare parte di questo progetto. Seguici su Instagram Seguici su Youtube Il sito web di Archiverso Per info e collaborazioni scrivi a archiversopodcast@gmail.com
Esta vez visitamos la idea de lo contemporáneo y la visibilidad en el arte a partir del pensamiento de Giorgio Agamben y José Lusi Brea, para ubicarlo como valores importantes en el proceso creativo y en nuestra formas de enfrentarnos a la creación artística. ¡Vamos! Únete a nuestra comunidad Amigos de Pensar la imagen https://shorturl.at/ejxO9 ¿Quieres una asesoría para tu proyecto? https://shorturl.at/frtEN También estamos en Instagram.com/podcastpensarlaimagen twitter.com/pensarlaimagen Tiktok.com/podcastpensarlaimagen #artecontemporáneo #arte #autor #Contemporaryart #podcastpensarlaimagen #artistas
La Decima Musa - La Letteratura scritta dalle Donne - storie, romanzi, poesie, leggende
Ecco il quarto capitolo de La Decima Musa, il primo podcast dell'Accademia dei Camafili. Un episodio speciale per raccontare l'origine della letteratura afroamericana, attraverso le parole di Harriet Jacobs e di Zora Neale Hurston. Ringraziamo di tutto cuore Seán Dagher, il gruppo canadese La Nef e la casa discografica Analekta per averci permesso di usare la loro Estampie de Languedoc come musica per questo nostro podcast. Vi invitiamo ad ascoltare il loro album Trobairitz - Chansons de Femmes Trobadours, una vera perla.Abbiamo usato queste edizioni:Harriet Jacobs, Vita di una ragazza schiava scritta da lei medesima, Feltrinelli, 2023, traduzione di Sara Antonelli;Zora Neale Hurston, Barracoon, L'ultimo schiavo, 66th and2nd, 2019, traduzione di Sara Antonelli; Zora Neale Hurston, I loro occhi guardavano Dio, Frassinelli, 1948, traduzione di Ada Prospero.Abbiamo consultato la versione originale del testo qui: https://www.kingphilip.org/wp-content/uploads/2022/06/TEWWG.pdfAbbiamo letto, citato e in ogni caso dialogato con:Giorgio Agamben, Homo Sacer Edizione Integrale 1995-2015, Quodlibet, 2018Paul E. Lovejoy, Storia della schiavitù in Africa, Bompiani, 2019, traduzione di Alberta Grassi e Mariano PavanelloOlivier Pétré-Grenouilleau, La tratta degli schiavi. Saggio di storia globale, Il Mulino, 2006, traduzione di Rinaldo FalcioniAurélia Michel, Il bianco e il negro. Indagine storica sull'ordine razzista, Einaudi, 2021, traduzione di Valeria ZiniCatherine Coquery- Vidrovitch y Eric Masnard, Ser esclavo en África y América entre los siglos XV y XIX, Casa África, 2015, traduzione nostra dallo spagnolo e il Prologo di Ibrahima Thioub presente nella nostra edizioneAmiri Baraka, Il popolo del Blues, sociologia degli afroamericani attraverso il jazz, shake edizioni, 2010, traduzione di Carlo Antonelli e Raf Valvola ScelsiDaniel Mannix e Malcolm Cowley, Carico Nero, Una storia del commercio degli schiavi in Atlantico 1518-1865, Res gestae, 2021, traduzione non indicata nella nostra edizioneMaria Giulia Fabi, America Nera: la cultura afroamericana, Carocci, 2002,Frederick Douglass, Narrazione della vita, Marsilio, 2015 traduzione di Marina Mascagni con l'introduzione di Maria Giulia Fabi Marisa Bulgheroni, Zora Neale Hurston: tre volte nera, in Tre quarti di dollaro dorati, Marsilio, 1992Chiara Valerio, Le schiave di Francia, su Robinson de La repubblica dell'11 Marzo 2024Toni Morrison, L'importanza di ogni parola, Frassinelli, 2019, traduzione di Silvia Fornasiero e Maria Luisa CantarelliJosé Luis Pardo, La intimidad, Pre-textos, 2013, traduzione nostra dallo spagnoloSven Beckert, L'impero del cotone, una storia globale, Einaudi, 2016, traduzione di Andrea AsioliRichard Wright, Ragazzo negro, Einaudi, 1952, traduzione di Bruno FonziLuis Díaz G. Viana, Los caminos de la memoria: oralidad y textualidad en la construcción social del tiempo, Acta poética, 2005Abbiamo anche citato il documentario Jazz, a film by Ken Burns, 2001 e la canzone di Dorival Caymmi è Navio negreiro(Mentre ascoltavo la puntata del 5 aprile di Fare un fuoco, il podcast scritto da Nicola Lagioia, ho notato che per una strana casualità usiamo alcune espressioni simili. Avrei avuto piacere di citarlo, o comunque stabilire un dialogo, ma la nostra puntata era già stata registrata interamente e quasi tutta montata, ragion per cui rimetterci mano mi risultava un'impresa impossibile. La puoi trovare qui: https://open.spotify.com/episode/7HJrA22murE2xRhjbxz4cNValentina)Gli effetti audio e le musiche vengono da Pixabay https://pixabay.com/it/sound-effects/Rosa d'oro dal cielo rinnova il giardinoTutti i nostri contenuti sono protetti dalla licenza Creative Commons, quindi ricordati di citarci come citeresti qualsiasi altro tipo di fonte.This work is licensed under CC BY 4.0
Reading and commenting on Agamben's Pardes essay from Potentialities, which discusses the story of the four rabbis in Paradise, Derrida's trace, the passive intellect in Aristotle, and more. Challenge yourself with this difficult, illuminating text.
We had a ton to say about this classic comedic horror flick. We touch on the historical werewolf, the Wolfman and the Holocaust, Giorgio Agamben's Homo Sacer, Freud's Civilization and Its Discontents and so much more.
Today we talk about the philosophy of Giorgio Agamben. Human rights, a political tactic to dehumanize groups that has been growing in popularity, governments declaring states of emergency and how the concept of potential may in fact be a unifying force. https://www.philosophizethis.org Sponsors: Hello Fresh: https://www.HelloFresh.com/ptfree Better Help: https://www.BetterHelp.com/PHILTHIS
In this episode, I introduce you to Agamben's issues with Foucault's notion of biopolitics. If you want to support me, you can do that with these links: Patreon: https://www.patreon.com/theoryandphilosophy paypal.me/theoryphilosophy Twitter: @DavidGuignion TikTok: theoryphilosophy IG: @theory_and_philosophy
Jonathan, Matt, Matthew, Tim, Brian, Jim, David, and Paul continue their discussion of the book of Philemon, comparing it to Giorgio Agamben's notion of homo sacer, and Martin Luther King's "Letter from Birmingham Jail" and contrasting it to the letter from Pliny the Younger. Philemon as a worked example of revolutionary subordination is the Gospel in synopsis, and we discuss the practical way to apply the letter. Become a Patron! If you enjoyed this podcast, please consider donating to support our work.
Pour la douzième édition des Rendez-vous littéraires rue Cambon, CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison, ont invité l'écrivaine et scénariste Maria Pourchet, en compagnie de l'actrice et ambassadrice de la Maison Rebecca Marder.Animée par la journaliste et autrice Lauren Bastide, cette conversation consacrée à l'œuvre de Maria Pourchet revient sur les pouvoirs qu'elle attribue à la littérature et l'importance de faire place aux nuances afin de « laisser à la pensée le temps de se faire ».Une performance musicale de l'artiste musicienne Clara Ysé, accompagnée du pianiste Camille El Bacha, a conclu ce rendez-vous.Giorgio Agamben, Qu'est-ce que le contemporain ?, Traduction par Maxime Rovere, © Éditions Payot & Rivages, 2008. Maria Pourchet, Western, © Éditions Stock, 2023. © Comédie-Française. Maria Pourchet, Feu, © Fayard, 2021. © Amis du Théâtre Populaire. Tous droits réservés. Maria Pourchet, Toutes les femmes sauf une, © Fayard, 2018. Albert Cohen, Le livre de ma mère, © Éditions Gallimard, 1954. Romain Gary, Pseudo, publié par Le Mercure de France © Éditions Gallimard, 1976. Romain Gary, Gros-Câlin, publié par Le Mercure de France © Éditions Gallimard, 1974. Romain Gary, La vie devant soi, publié par Le Mercure de France © Éditions Gallimard, 1975. Clara YSÉ « Douce », autrice-compositrice : Clara YSÉÉditions Tomboylab et Sony Music Publishing. Clara YSÉ « La Maison », autrice-compositrice : Clara YSÉÉditions Tomboylab et Sony Music Publishing.
Pour la douzième édition des Rendez-vous littéraires rue Cambon, CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison, ont invité l'écrivaine et scénariste Maria Pourchet, en compagnie de l'actrice et ambassadrice de la Maison Rebecca Marder.Animée par la journaliste et autrice Lauren Bastide, cette conversation consacrée à l'œuvre de Maria Pourchet revient sur les pouvoirs qu'elle attribue à la littérature et l'importance de faire place aux nuances afin de « laisser à la pensée le temps de se faire ».Une performance musicale de l'artiste musicienne Clara Ysé, accompagnée du pianiste Camille El Bacha, a conclu ce rendez-vous.Giorgio Agamben, Qu'est-ce que le contemporain ?, Traduction par Maxime Rovere, © Éditions Payot & Rivages, 2008. Maria Pourchet, Western, © Éditions Stock, 2023. © Comédie-Française. Maria Pourchet, Feu, © Fayard, 2021. © Amis du Théâtre Populaire. Tous droits réservés. Maria Pourchet, Toutes les femmes sauf une, © Fayard, 2018. Albert Cohen, Le livre de ma mère, © Éditions Gallimard, 1954. Romain Gary, Pseudo, publié par Le Mercure de France © Éditions Gallimard, 1976. Romain Gary, Gros-Câlin, publié par Le Mercure de France © Éditions Gallimard, 1974. Romain Gary, La vie devant soi, publié par Le Mercure de France © Éditions Gallimard, 1975. Clara YSÉ « Douce », autrice-compositrice : Clara YSÉÉditions Tomboylab et Sony Music Publishing. Clara YSÉ « La Maison », autrice-compositrice : Clara YSÉÉditions Tomboylab et Sony Music Publishing.
Ivan Crico"L'altro siel del mondo""L'altro cielo del mondo"Ronzani Editorewww.ronzanieditore.itPoesie in bisiàc e tergestino (1989 - 2022)Prefazione di Giorgio AgambenCon uno scritto di Elenio Cicchini e Nicoletta Di VitaFotografie di Roberto KusterleIn una sorta di breve autobiografia poetica, Ivan Crico ha raccontato come cominciò a scrivere in dialetto dopo la lettura delle Poesie a Casarsa di PPP. “Da quel momento, la mia vita cambiò. Quelle poesie davvero segnarono una svolta poiché, fino ad allora, in ciò che scrivevo non mi era mai sembrato di riuscire a definire le cose come le sentivo. L'italiano non era la mia lingua vera, seppure molto amata, e quindi tra le cose e i nomi che le definivano si apriva, per me, come una sorta di abisso incolmabile”. La realtà che lo circondava, con i suoi profumi e i suoi colori, l'aveva, infatti, conosciuta con altri nomi: “e questi nomi li ritrovai nelle poesie di Pasolini. C'erano difatti, in quelle liriche, molti termini che avevo sentito ed anche adoperato nell' infanzia (il bisiàc, pur essendo una parlata fondamentalmente veneta, ha in comune con il friulano numerosi vocaboli), ma soprattutto – ed è la primissima impressione, ciò che più mi meravigliò – fu come quelle parole, che per tanto tempo avevo voluto rimuovere, ritraessero alla perfezione i paesaggi da me tanto amati di queste terre di confine.(dalla prefazione di Giorgio Agamben)Ivan Crico è nato a Gorizia nel 1968, ma fin dalla nascita ha vissuto a Pieris, presso le foci del fiume Isonzo. Dal 2006 vive nell'antico borgo rurale di Tapogliano. Si dedica allo studio della pittura fin da giovanissimo, laureandosi all'Accademia di Belle Arti di Venezia ed esponendo presso importanti gallerie e sedi museali. Parallelamente all'attività artistica, dai primi anni '90 ha iniziato a collaborare con gli amici poeti Amedeo Giacomini, Gian Mario Villalta, Mario Benedetti e Pierluigi Cappello (con quest'ultimo ha ideato la collana di poesia la Barca di Babele). Scrive in lingua e nell'arcaico idioma veneto bisiàc. Oltre ai libri di poesia citati nelle “Note e riferimenti bibliografici”, si segnala la raffinata versione integrale in bisiàc de Al cant dei Canti (Il Cantico dei Cantici), con prefazione del linguista Michele Cortellazzo (ACB, 2018); su invito di Giorgio Agamben, la traduzione poetica dell'opera di Pier Paolo Pasolini I Turcs tal Friùl (Quodlibet, 2019). Sempre per la collana Ardilut nel 2021 ha curato e tradotto la riedizione del El critoleo del corpo fracassao di Biagio Marin e L'arte di andar per uccelli col vischio, seguito da Presumût unviâr di Amedeo Giacomini. Con l'antropologo Gian Carlo Gri ed altri studiosi, ha inoltre studiato il fenomeno dei benandanti nel Friuli goriziano nel volume Di prodigi segreti (Istituto Gasparini, 2006). Assieme a Luca Bresciani, Paolo Gera, Mario Marchisio, Paolo Pera ha curato l'antologia poetica Fissando in volto il gelo (Terra d'ulivi, 2023). Della sua poesia – pubblicata sulle maggiori riviste italiane e all'estero – si sono occupati, tra gli altri, Giorgio Agamben, Antonella Anedda, Mario Benedetti, Franco Brevini, Manuel Cohen, Milo De Angelis, Gianni D'Elia, Hans Kitzmüller, Franco Loi, Francesco Tomada, Giovanni Tesio, Gian Mario Villalta.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement
1. In his sermon, Cole taught about Giorgio Agamben's understanding of sacredness. He described it, in part, as something that can make us recoil in uneasiness because of its set-apartness. He gave the example of pastors telling people at parties what they do for work - only to have people respond with less than enthusiastic interest. What is conjured up in your mind as you consider this understanding of sacredness? Does it ring true for you in some ways? Or not as much? What examples can you identify in the world in which you operate?2. Even if we haven't experienced it ourselves, most of us know stories of people who've gone from lives with some measure of status, access, prominence, and reputation to lives where subsistence is the primary hallmark. What thoughts & feelings come to mind when you contemplate this type of personal story? What types of futures do you envision for people with that type of reversal of fortune in their lives? What unconscious assumptions or ideas might be lurking around the edges of your mind as you consider?(2b) Now zoom out to consider cultures, subcultures, and people groups that have, through long (or short) arcs of history moved collectively from places of rights and privilege to positions in which they're seen more as things than people by those with power. What examples come to mind? How similar or dissimilar are your internal responses when considering people groups rather than individuals? What observations might you make about how these two different types of examples can impact our perceptions of and expectations for these people? What else do you notice?3. Toward the close of his sermon, Cole talked about his wish that we can continue to form Redemption Church into a place to which others turn when seeking refuge. When & how have you experienced RC as a place of refuge - for yourself and/or for others? If RC as a place of refuge doesn't resonate for you, what would it look like for a church to be a place that feels like refuge from your personal vantage point? How prominent is this idea in your own conception of RC and/or churches in general? Why do you think that is? In what ways do you see yourself as a part of creating safety and refuge in the Redemption community? To what degree does that translate to other spaces in your life? Why do you think that is?
Dave and Mikey interview Slavoj Žižek for the Theory Underground book TOUR launch in Boise, Idaho. They asked him questions about drive vs. desire and the ethics of psychoanalysis in relation to addiction and serial killers; Nick Land, Baudrillard, and Compact Mag / Nina Power. We get into the politics of universality, our critique of working class identity politics, and underground theory itself!After the interview the Theory Underground 2023 Tour Crew talks about the two publications, which you can order from Amazon, or for a reduced price, at theory-underground.com/store The video closes with presentations from two of the Underground Theory contributors presenting on their chapters: Elton L.K. on The Vampire Castle is PMC (Mark Fisher meets Barbara Ehrenreich), and Bryan Weeks on his more poetic work that deals with the Idea of the University, the state's need for legibility (James Scott), and in-operability (Giorgio Agamben).Purchase Underground Theory and TIMENERGY: Why You Have No Time or Energy on Amazon, or if you're local to the U.S. you can order it at a discount from https://theory-underground.com/store/More about the presenters:Bryan Weeks earned a B.A. in English & Creative Writing from the University of Washington in 2013 and M.A. in Education from Boise State University in 2022 where his research focused on the intersection of critical discourses in the Philosophy of education, particularly deschooling and democratization in public education. He teaches English at an alternative high school and leads reading and writing groups in philosophy, literature, and poetry for adults in Boise, ID where he lives with his wife and son. In 2023 he co-taught a course at Theory Underground based on Karl Jaspers' work The Idea of the University. Elton LK was introduced to Kierkegaard and Nietzsche by a friend at age 21 after graduating from a trade school. Eight years later he graduated from Lewis & Clark College in Portland, Oregon with a philosophy degree. In 2012 Elton formed the Dead Parrot Philosophical Society, a book club outside of the academy that discusses everything from Plato to Žižek. The Dead Parrots meet monthly to this day. Since high school Elton has been politically engaged, but Occupy was a major turning point. He did not join his first political organization until 2018: the Democratic Socialists of America. In January 2020 he started an in-person Socialist Night School as a part of his local DSA chapter. In 2023 he co-taught a course at Theory Underground called Professional Managerial Class Consciousness and Ideology.Michael Downs is an independent researcher and author of the philosophy and critical theory blog The Dangerous Maybe. He has earned a graduate certificate from The New Centre for Research and Practice and was the recipient of the Outstanding Graduate Essay at the 2018 International Žižek Conference in Athens, Georgia. Michael is currently studying with Todd McGowan with a special focus on the work of Slavoj Žižek. In 2023 Michael taught a course at Theory Underground on Žižek's For They Know Not What They Do, and in October he teaches an introductory course to the philosophy of Nick Land.If Theory Underground has helped you see that text to speech technologies are a useful way of supplementing one's reading while living a busy life, if you want to be able to listen to PDFs for yourself, then Speechify is recommended.Use the below link and Theory Underground gets credit! https://share.speechify.com/mzwBHEBFollow Theory Underground on Duolingo: https://invite.duolingo.com/BDHTZTB5C...See Theory Underground memes here: https://www.instagram.com/theory_unde... https://tiktok.com/@theory_undergroundMissed a course at Theory Underground? Wrong! Courses at Theory Underground are available after the fact on demand. https://theory-underground.com/coursesDave's first book, Waypoint, is available for free at Theory Underground in blog and audio formats. https://theory-underground.com/waypoint/ ^There you can also purchase the text for significantly cheaper than it is on Amazon.
This episode delves into the life, work, and philosophy of Italian philosopher Giorgio Agamben, discussing his exploration of concepts like the state of exception, form-of-life, and homo sacer, and his influence on contemporary philosophical discourse. Source: https://en.wikipedia.org/wiki/Giorgio_Agamben
We break our habitual reserve on what's been inflicted on the body politic over the past three years with this extended discussion of lockdown—and its essential inhumanity cloaked in the garb of science and righteousness. Italian philosopher Giorgio Agamben with his concept of biopolitics is our guide. We realize that this has been an incredibly painful set of issues for many of you to even attempt to discuss, so we try to model a way of talking about without rancor even while calling it like we see it. But we hope, whatever you thought and however you managed, your conclusion is the same as ours: Never again. Notes: 1. Related episodes: Before Auschwitz, Illness and Healing, Faith to the Aid of Science, St Paul among the Philosophers, Whether One May Flee from a Deadly Plague, Virtual Communion 2. Agamben, Where Are We Now? 3. Weikart, From Darwin to Hitler 4. This is my only other public statement related to covid: "Churches During Lockdown: Near Disaster" What do you think five years of top-quality theology podcasting is worth? Register your vote by joining our highly select band of Patrons. Get some cool swag and support your favorite podcast in remaining stridently independent and advertising-free!
Aquesta setmana a L'illa de Maians, presentat i dirigit per Bernat Dedéu, parlem del llibre 'Homo sacer, de Giorgio Agamben. Ens acompanyen: Joan Burdeus, Marc Rovira i Iñaki Martínez. Llibre: 'Homo sacer' - https://onallibres.cat/botiga/homo-sacer Un podcast d'Ona Llibres - https://onallibres.catPresentat i dirigit per Bernat Dedéu.Realització i edició per Albert Olaya.
Sean Hannan offers a new interpretation of Augustine of Hippo's approach to temporality by contrasting it with contemporary accounts of time drawn from philosophy, political theology, and popular science. Hannan argues that, rather than offering us a deceptively simple roadmap forward, Augustine asks us to face up to the question of time itself before we take on tasks like transforming ourselves and our world. Augustine discovered that the disorientation we feel in the face of change is a symptom of a deeper problem: namely, that we cannot truly comprehend time, even while it conditions every facet of our lives. On Time, Change, History, and Conversion (Bloomsbury, 2020) puts Augustine into creative conversation with contemporary thinkers, from Pierre Hadot and Giorgio Agamben to Steven Pinker and Stephen Hawking, on questions such as the definition of time, the metaphysics of transformation, and the shape of history. The goal is to learn what Augustine can teach us about the nature of temporality and the possibility of change in this temporal world of ours. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Sean Hannan offers a new interpretation of Augustine of Hippo's approach to temporality by contrasting it with contemporary accounts of time drawn from philosophy, political theology, and popular science. Hannan argues that, rather than offering us a deceptively simple roadmap forward, Augustine asks us to face up to the question of time itself before we take on tasks like transforming ourselves and our world. Augustine discovered that the disorientation we feel in the face of change is a symptom of a deeper problem: namely, that we cannot truly comprehend time, even while it conditions every facet of our lives. On Time, Change, History, and Conversion (Bloomsbury, 2020) puts Augustine into creative conversation with contemporary thinkers, from Pierre Hadot and Giorgio Agamben to Steven Pinker and Stephen Hawking, on questions such as the definition of time, the metaphysics of transformation, and the shape of history. The goal is to learn what Augustine can teach us about the nature of temporality and the possibility of change in this temporal world of ours. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Sean Hannan offers a new interpretation of Augustine of Hippo's approach to temporality by contrasting it with contemporary accounts of time drawn from philosophy, political theology, and popular science. Hannan argues that, rather than offering us a deceptively simple roadmap forward, Augustine asks us to face up to the question of time itself before we take on tasks like transforming ourselves and our world. Augustine discovered that the disorientation we feel in the face of change is a symptom of a deeper problem: namely, that we cannot truly comprehend time, even while it conditions every facet of our lives. On Time, Change, History, and Conversion (Bloomsbury, 2020) puts Augustine into creative conversation with contemporary thinkers, from Pierre Hadot and Giorgio Agamben to Steven Pinker and Stephen Hawking, on questions such as the definition of time, the metaphysics of transformation, and the shape of history. The goal is to learn what Augustine can teach us about the nature of temporality and the possibility of change in this temporal world of ours. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Sean Hannan offers a new interpretation of Augustine of Hippo's approach to temporality by contrasting it with contemporary accounts of time drawn from philosophy, political theology, and popular science. Hannan argues that, rather than offering us a deceptively simple roadmap forward, Augustine asks us to face up to the question of time itself before we take on tasks like transforming ourselves and our world. Augustine discovered that the disorientation we feel in the face of change is a symptom of a deeper problem: namely, that we cannot truly comprehend time, even while it conditions every facet of our lives. On Time, Change, History, and Conversion (Bloomsbury, 2020) puts Augustine into creative conversation with contemporary thinkers, from Pierre Hadot and Giorgio Agamben to Steven Pinker and Stephen Hawking, on questions such as the definition of time, the metaphysics of transformation, and the shape of history. The goal is to learn what Augustine can teach us about the nature of temporality and the possibility of change in this temporal world of ours. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
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Kim talks to Rebecca Falkoff about hoarding. Her book on hoarding, Possessed, will be coming out with Cornell University press in April of 2021. In the episode, she references Giorgio Agamben's Stanze: La parola e il fantasma nella cutltura occidentale, translated into English as Stanzas: Words and Phantasm in Western Culture. by Ronald L. Martinez (University of Minnesota Press, 1993). And Arjun Appadurai's essay, “Mediants, Materiality, Normativity.” Public Culture 27 no. 2 (2015) doi: 10.1215/08992363-2841832 Rebecca is an assistant professor of Italian studies at NYU. She also has a blog on hoarding that you might want to check out: https://ifiwereahoarder.com/ The image is the future cover of Possessed. Painting by Carey Lin, Untitled (Screen shot 2009-10-19 at 1.20.48), 2011, Oil on canvas, 15 x 22 in. from the series Hardly nothing to do without Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Kim talks to Rebecca Falkoff about hoarding. Her book on hoarding, Possessed, will be coming out with Cornell University press in April of 2021. In the episode, she references Giorgio Agamben's Stanze: La parola e il fantasma nella cutltura occidentale, translated into English as Stanzas: Words and Phantasm in Western Culture. by Ronald L. Martinez (University of Minnesota Press, 1993). And Arjun Appadurai's essay, “Mediants, Materiality, Normativity.” Public Culture 27 no. 2 (2015) doi: 10.1215/08992363-2841832 Rebecca is an assistant professor of Italian studies at NYU. She also has a blog on hoarding that you might want to check out: https://ifiwereahoarder.com/ The image is the future cover of Possessed. Painting by Carey Lin, Untitled (Screen shot 2009-10-19 at 1.20.48), 2011, Oil on canvas, 15 x 22 in. from the series Hardly nothing to do without Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we pose the question: how the heck did famed Italian philosopher Giorgio Agamben turn into an anti-vaccine conspiracy nutcase? We've got Adam Kotsko, a leading Agamben scholar and translator of many of his works, on to discuss to what extent his goofball pandemic views emerge from his actual serious work. Enjoy! Check out Adam's Slate article on the topic here, as well as his books Neoliberalism's Demons and Agamben's Philosophical Trajectory.
"COVID and Legitimacy: Has Agamben Lost the Plot?" - OaD Ep. 162Shitty Minute: Critiques of Modern Punk | Main Segment: Adam Kotsko on Giorgio Agamben's Pandemic Writings | Sticky Leaves: The Night OfFind Adam Kosko's article here.Music by Blue Ducks - "Four Inches of Water"___________For OaD merch, visit our site here.To gain access to bonus episodes, the community Discord, and more, visit our Patreon account. All funds will go toward producing further content, increasing our ability to engage with you, and improving our technical production.@owls_at_dawn | owlsatdawnpodcast@gmail.com | patreon.com/owlsatdawn
How can Christains recover their messianic vocation?
Sözlük anlamıyla “yanında ve yanyana gösteren” demek olan paradigma, bir kümenin unsurlarından birinin o kümedeki diğer unsurları bilinebilir kılan bir örneği, bir numuneyi ifade etmektedir. Bu anlamıyla paradigma kavramını kullanan Giorgio Agamben, hukukun askıya alındığı istisna halinin çağdaş devlet yönetiminde bir paradigma haline geldiğini ileri sürmektedir. Bizim olağanüstü hal olarak bildiğimiz istisna halinin bir devlet paradigması olması, tanımı gereği diğer devlet yönetimi pratiklerinin “dışında” ve “geçici” olması gereken istisna halinin devlet yönetiminin ayrılmaz parçası olduğunu ve kalıcılaştığını gösteriyor. İstisna halinin paradigmatik niteliği, hukukun askıya alındığı bu halin kalıcı hukuksuzluk haline geldiğini ve bu gelişmenin “egemen devlet” nosyonuyla da bağlantılı olduğunu gösteriyor. Egemen güç, hem hukuk düzeninin kurucusu olarak hukukun dışında konumlanıyor ve hem de ve kurduğu düzene ait bir konumda bulunuyor. Egemenliğin bu hukuk dışında ama yine de hukuka ait olma konumu, istisna halinin paradigmatik niteliğinin en önemli tezahürü. Bu paradigmanın varlığı, somut hem her egemen devletin kendi içindeki hem de devletlerarası ilişkilerdeki tahakkümcü unsurları destekliyor. Daha eşitlikçi, dayanışmacı ve özgürleştirici bir dünya için bu paradigmanın değişmesi şart. Bu yönde işaretler uluslararası alanda göçmenlik ve terör ve şiddetle mücadele bağlamında belirmiş vaziyette. Türkiye'de de, ulusal-egemen devlet temelli siyaset kalıbının bu minval üzere değişmesi, bir diğer deyişle bir paradigmatik dönüşümün gerçekleşmesi gerekiyor. Zor ama zorunlu ve imkansız da değil.