Podcasts about adorno

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Bourgeois Coldness (Divided Publishing, 2025) refers to an affective strategy that offers an explanation for how self-preservation works. Bourgeois coldness is one of the most advanced affective and aesthetic forms of preserving the structure of the colonial status quo. It creates an affective shelter in the world, unencroached upon by the immediate consequences of its many catastrophes. It functions like air conditioning – a complex technology which reliably stabilises the climate until those inside consider it natural. Bourgeois spaces – institutional and affective – stay cool and pleasant. But outside it's burning.  Canonical critical theory by Adorno and Horkheimer enters a dialogue with Black studies through Hartman and Moten. Host: Michael L. Rosino, Assistant Professor of Sociology, Molloy University Recent Books: Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing (UNC Press) 30% off with code: 01UNCP30 Debating the Drug War: Race, Politics, and the Media (Routledge) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Bourgeois Coldness (Divided Publishing, 2025) refers to an affective strategy that offers an explanation for how self-preservation works. Bourgeois coldness is one of the most advanced affective and aesthetic forms of preserving the structure of the colonial status quo. It creates an affective shelter in the world, unencroached upon by the immediate consequences of its many catastrophes. It functions like air conditioning – a complex technology which reliably stabilises the climate until those inside consider it natural. Bourgeois spaces – institutional and affective – stay cool and pleasant. But outside it's burning.  Canonical critical theory by Adorno and Horkheimer enters a dialogue with Black studies through Hartman and Moten. Host: Michael L. Rosino, Assistant Professor of Sociology, Molloy University Recent Books: Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing (UNC Press) 30% off with code: 01UNCP30 Debating the Drug War: Race, Politics, and the Media (Routledge) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Bourgeois Coldness (Divided Publishing, 2025) refers to an affective strategy that offers an explanation for how self-preservation works. Bourgeois coldness is one of the most advanced affective and aesthetic forms of preserving the structure of the colonial status quo. It creates an affective shelter in the world, unencroached upon by the immediate consequences of its many catastrophes. It functions like air conditioning – a complex technology which reliably stabilises the climate until those inside consider it natural. Bourgeois spaces – institutional and affective – stay cool and pleasant. But outside it's burning.  Canonical critical theory by Adorno and Horkheimer enters a dialogue with Black studies through Hartman and Moten. Host: Michael L. Rosino, Assistant Professor of Sociology, Molloy University Recent Books: Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing (UNC Press) 30% off with code: 01UNCP30 Debating the Drug War: Race, Politics, and the Media (Routledge) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Diese Radioséance, Teil 1 von zwei, kreist um die Zeitschrift 'La Révolution Surréaliste', ein Hauptdokument des französischen und internationalen Surrealismus. Sie erschien in zwölf Heften von 1924-1929 und liegt jetzt, 100 Jahre später, erstmals komplett in deutscher Übersetzung bei https://www.textem.de/ als 'Die Sürrealistische Revolution' in Form eines Schubers mit besagten 12 Heften vor. Dazu ist als 'Gebrauchsanleitung' bzw. als 13. Heft die 22. Ausgabe des Magazins ‚Kultur & Gespenster‘ herausgekommen. Nora Dsun vom Verlag, die Herausgeber Benjamin Dittmann-Bieber und Christian Driesen, der selbst auch Texte der Zeitschrift übersetzt hat, sowie Milena Adam, ebenfalls Übersetzerin, sind meine Gäste. Das Schweizer Medium Julia Kubik https://petarde.ch/die-petarde/team/julia-kubik, Anthropologin des Profanen, channelt Texte & Gedichte der Sürrealist:innen. Die Sürrealistische Revolution schreibt sich in dieser deutschsprachigen Übersetzung mit einem „Ü“ und bezieht sich damit auf Walter Benjamins Aufsatz „Der Sürrealismus. Die letzte Bestandsaufnahme der europäischen Intelligenz“, der im Februar 1929 in drei Folgen der Wochenschrift „Die literarische Welt“ erschien und der der Ausgabe von K&G statt einer Einleitung vorangestellt ist: Referenzpunkt dieser Sendung und ihrer Fortsetzung im Januar. Es geht um Lücken und Nicht-Verstehen und wie Übersetzer:innen dies(e) übersetzen, um Proklamationen: das „liberale moralisch-humanistisch verkalkte Freiheitsideal“ und Sprache an sich sei gleich mit „zu erledigen“; um Gedichte von Leuten, die verklemmte Macker waren ohne „Szenarien, wie sie es gerne hätten für die Zukunft“ („Nur eines ist sonnenklar, wenn das so weitergeht, dann wird es scheiße“). Die arrogant und wütend waren (zu recht), das aber im Kollektiv und dabei ganz reizendes Zeug schrieben z.B. wirklich lustige Glossare und Fragen stellen wie „Was ist Angst?“ und Antworten darauf gaben wie „Alles auf eine Karte setzen auf einem menschenleeren Platz“ & die pausenlos Beschwörungen vornahmen: „Ich wünsche mir, dass Sie sieben Tage lang so viele Geschlechter haben wie Finger an der rechten Hand“ und dann feststellen: „Priester, Ärzte, Lehrer, Schriftsteller, Dichter, Philosophen, Journalisten, Richter, Anwälte, Gesetzeshüter, Akademiker aller Art, Sie alle, die Unterzeichner dieses idiotischen Dokuments ‚Die Intellektuellen auf Seiten des Vaterlandes‘, wir werden Sie bei jeder Gelegenheit verurteilen und entlarven. Hunde, die darauf abgerichtet sind, sich das Vaterland zu Nutze zu machen, und die nur ein Gedanke umtreibt, diesen Knochen abzunagen.“ Klingt zeitgemäß. Aber: „Nach der europäischen Katastrophe sind die surrealistischen Schocks kraftlos geworden“, schreibt Adorno 1956, jedoch auch: "Der Surrealismus sammelt ein, was die Sachlichkeit den Menschen versagt; die Entstellungen bezeugen, was das Verbot dem Begehren antat...Wenn aber heute der Surrealismus selber obsolet dünkt, so darum, weil die Menschen bereits jenes Bewußtsein der Versagung sich selbst versagen, das im Negativ des Surrealimus festgehalten wird." Auch zeitgemäß. „Geschichte bietet uns ein Arsenal von Möglichkeiten kritisch zu intervenieren und das ist nie abgegolten, vielleicht kann ich mir da noch was holen“ fasst Christian Driesen am Ende des ersten Teils zusammen. Was dann kommt? Das kommt im neuen Jahr.

Viele Horoskope raten: Sei hübsch und sei glücklich! Wieso haben Milliarden alte Sternhaufen im All uns gerade das zu sagen? Da schreiten sogar Philosophen wie Adorno ein. Wir fragen beim Universum nach. Und bei Adorno. Nach der Graphic Novel von Liv Strömquist www.deutschlandfunkkultur.de, Freispiel

¿Si fueras un adorno de Navidad cuál serías? Esto respondieron los ciudadanos a Sajid Fonseca.See omnystudio.com/listener for privacy information.

Komponistinnen, Interpretinnen, Dozentinnen, Organisatorinnen: Es gab viele Frauen, die die Anfangszeit der Darmstädter Ferienkurse mitgeprägt haben. Die meisten sind in Vergessenheit geraten. 1946 wurden die Darmstädter Ferienkurse für Neue Musik gegründet. Im Nachkriegsdeutschland sollten sie der am Boden liegenden Musikszene zu einem Aufschwung verhelfen. Schnell wurden sie zu einem hot spot der zeitgenösschen Musik. Es sind vor allem die Namen von Männern, die mit der Anfangszeit der Ferienkurse in Verbindung gebracht werden: Olivier Messiaen, Theodor W. Adorno, John Cage. Aber es gab auch zahlreiche Frauen, die die Geschichte der Ferienkurse prägten: Die Sängerinnen Carla Henius und Margot Hinnenberg-Lefèbre, die Komponistinnen Dika Newlin und Gladys Nordenstrom, die Musikjournalistin und Chronistin Brigitte Schiffer. Ein blinder Fleck in der Musikgeschichte, dem sich Musikwissenschaftlerin Juana Zimmermann angenommen hat.

In this episode of Chasing Leviathan, PJ and Dr. Lambert Zuidervaart discuss his book, Adorno, Heidegger, and the Politics of Truth, tracing how his decades of work on Adorno led to a deep exploration of truth, art, and society. Dr. Zuidervaart explains why Adorno believed art reveals forms of truth that science and philosophy often miss—and how these insights expose what is “untrue” in modern capitalist culture.They unpack Adorno's critique of Hegel's idea that “the true is the whole,” his early engagement with Kierkegaard, and his fierce opposition to Heidegger's language of authenticity. The conversation highlights how education, the culture industry, and advertising shape identity, conformity, and our sense of what is possible.PJ and Dr. Zuidervaart also explore the connections between Adorno and Foucault on truth and power, discuss Freud's influence on Adorno's views of repression and sublimation, and consider whether a more truthful, humane society is still possible. Dr. Zuidervaart closes with an invitation to reflect on what in our society is truly worthwhile—and what must change for human flourishing.Make sure to check out Dr. Zuidervaart's book: Adorno, Heidegger, and the Politics of Truth

Wolfgang Sandner hat mit seinem feinen Gespür für Klang und seinem kritischen Blick, die Musiklandschaft Deutschlands über viele Jahrzehnte geprägt. Als langjähriger FAZ-Redakteur und Biograf von Leonard Bernstein und Keith Jarrett hat er Generationen von Lesern das Abenteuer Musik nahegebracht.

Wolfgang Sandner hat mit seinem feinen Gespür für Klang und seinem kritischen Blick, die Musiklandschaft Deutschlands über viele Jahrzehnte geprägt. Als langjähriger FAZ-Redakteur und Biograf von Leonard Bernstein und Keith Jarrett hat er Generationen von Lesern das Abenteuer Musik nahegebracht.

Adorno and the Ban on Images (Bloomsbury, 2022) upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno – not least amongst them, his supposed fatalism. Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today. On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world – above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God. By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum. Lukas Hoffman is a Doctoral Candidate at the Carolina-Duke Graduate Program in German Studies and is currently supported by a DAAD research grant as a Visiting Scholar at the Humboldt University in Berlin. He is currently working on a book manuscript that examines how the persistence of religious imagery in German modernist lyric reimagines the ways in which traditional, religious attitudes overlap with revolutionary political thought. Recently, he has published an article in Monatshefte, titled “Love of Things: Reconsidering Adorno's Criticism of Rilke” (Summer 2022) and has a forthcoming article in New German Critique, titled “Abject Eve: A Revolutionary Reading of Lasker-Schüler's ‘Erkenntnis.'” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Adorno and the Ban on Images (Bloomsbury, 2022) upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno – not least amongst them, his supposed fatalism. Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today. On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world – above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God. By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum. Lukas Hoffman is a Doctoral Candidate at the Carolina-Duke Graduate Program in German Studies and is currently supported by a DAAD research grant as a Visiting Scholar at the Humboldt University in Berlin. He is currently working on a book manuscript that examines how the persistence of religious imagery in German modernist lyric reimagines the ways in which traditional, religious attitudes overlap with revolutionary political thought. Recently, he has published an article in Monatshefte, titled “Love of Things: Reconsidering Adorno's Criticism of Rilke” (Summer 2022) and has a forthcoming article in New German Critique, titled “Abject Eve: A Revolutionary Reading of Lasker-Schüler's ‘Erkenntnis.'” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Adorno and the Ban on Images (Bloomsbury, 2022) upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno – not least amongst them, his supposed fatalism. Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today. On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world – above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God. By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum. Lukas Hoffman is a Doctoral Candidate at the Carolina-Duke Graduate Program in German Studies and is currently supported by a DAAD research grant as a Visiting Scholar at the Humboldt University in Berlin. He is currently working on a book manuscript that examines how the persistence of religious imagery in German modernist lyric reimagines the ways in which traditional, religious attitudes overlap with revolutionary political thought. Recently, he has published an article in Monatshefte, titled “Love of Things: Reconsidering Adorno's Criticism of Rilke” (Summer 2022) and has a forthcoming article in New German Critique, titled “Abject Eve: A Revolutionary Reading of Lasker-Schüler's ‘Erkenntnis.'” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Qu'est-il resté du marxisme après la révolution russe et la bureaucratisation galopante et autoritaire de l'URSS ? Dans un ouvrage classique de l'histoire des idées intitulé Sur le marxisme occidental paru en 1976, l'historien anglais Perry Anderson dresse le portrait intellectuel du marxisme des années 1920 aux années 1970 (Lukacs, Sartre, Adorno, Althusser, Lefevbre, Gramsci, etc.), caractérisé notamment par sa situation géographique, celle de l'Europe de l'Ouest ou des États-Unis, et par son éloignement de la pratique révolutionnaire au profit d'un académisme marqué. On va revenir sur ce livre et ses thèses à l'occasion de sa reparution récente en poche aux Éditions sociales. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In seinem 2003 erschienenen "Buch der von Neil Young Getöteten" dreht Navid Kermani Neil Young und Ibn-el-Arabi, islamischen Sufismus und Adorno, Lyrics und Koran durch den Fleischwolf seiner Intelligenz. Ein hinreißendes Buch. 17 Jahre sind seitdem vergangen. Die Tochter, von der das Buch auch handelt, ist groß geworden, Freunde sind gestorben. Neil Young spielt noch immer Konzerte mit Crazy Horse. Und Navid Kermani reist ihnen mit seiner Tochter hinterher. Und dann geschieht in Lucca, Italien, als die Band sich kurz nach Ende des Konzertes verbeugt, etwas sehr Seltsames … Von Navid Kermani SWR 2020

Die globale Lage ist unübersichtlich und beängstigend. Der Philosoph Moritz Rudolph versucht, die großen Bögen von globalen Vereinheitlichungen und Verwerfungen zu erhellen – mit Rückgriff auf Denker der Kritischen Theorie wie Adorno und Horkheimer. Eilenberger, Wolfram; Rudolph, Moritz www.deutschlandfunkkultur.de, Sein und Streit

In this insightful episode of An Educated Guest, host Todd Zipper sits down with Katie Boody Adorno, Founder and CEO of LEANLAB Education. Katie shares her journey from the front lines of a middle school classroom to becoming a national voice for community-led innovation. She explains the genesis of LEANLAB, which was born from the frustrating realization that conventional reform efforts were failing to close the achievement and opportunity gaps for vulnerable student populations. The core of the conversation revolves around LEANLAB's signature co-creation model—the imperative of building EdTech solutions directly with students and teachers, rather than imposing them from the outside. Katie also provides a nuanced perspective on the AI revolution, discussing its immense potential for personalized learning and the critical need for constant accountability to ensure technology serves the mission of equity. This is a must-listen for investors, EdTech founders, and education leaders who want to build solutions that generate real, measurable impact.Key Takeaways from this Episode:The Mission of Equity: Why finding educational breakthroughs must be done within the students' lifetimes.The Power of Co-Creation: How involving families, students, and educators in design leads to highly capable and impactful tools.The Role of the Teacher: Why teachers are the most important experts and must drive the innovation agenda.Leadership in a Changing World: Katie's philosophy on maintaining purpose, checking assumptions, and fostering a culture of constant learning in the face of rapid change.About Our Guest:Katie Boody Adorno is the Founder and CEO of LEANLAB Education, a non-profit organization dedicated to accelerating educational innovation through community co-creation. She began her career as a middle school teacher in Kansas City and is a recognized thought leader on EdTech, equity, and student-centered design.

n esta conversación, Gibrán Larrauri y Christian abordan la figura de Walter Benjamin, un pensador clave, o no, en la teoría crítica. A través de su ensayo 'Experiencia y pobreza', discuten cómo la modernidad ha empobrecido nuestras experiencias y cómo Benjamin se relaciona con el arte, el teatro y la historia. También exploran su influencia en otros pensadores de la teoría crítica, su vida marcada por la soledad y su ambigua relación con Freud. La conversación destaca la relevancia de Benjamin en el pensamiento contemporáneo y su capacidad para desafiar categorizaciones tradicionales.#walterbenjamin #pensamientocrítico #escueladefrankfurt Capítulos00:00 Introducción a Walter Benjamin y su Contexto06:10 La Relación entre Arte y Política11:42 La Influencia de Benjamin en la Teoría Crítica17:53 Debates sobre la Inclusión de Benjamin en la Teoría Crítica30:30 La Ambigüedad en el Lenguaje de Benjamin31:25 Relaciones y Divergencias en la Teoría Crítica32:34 La Influencia de Benjamin en Adorno34:40 La Soledad y Singularidad de Benjamin36:30 Crítica a Heidegger y la Filosofía Contemporánea38:42 La Formación de Adorno y su Relación con Benjamin40:30 La Escritura Emocional de Benjamin42:19 Freud y la Teoría Crítica44:36 La Ambigüedad de Benjamin en la Teoría Crítica46:30 La Relación de Hannah Arendt y Benjamin48:37 La Modernidad y la Pobreza de Experiencia56:23 La escritura de Benjamin y su contexto histórico57:46 Experiencias en la modernidad y su devaluación59:31 La guerra y su impacto en la experiencia humana01:02:44 La técnica y la deshumanización en la modernidad01:05:40 La búsqueda de experiencias auténticas en un mundo técnico01:08:46 La pobreza de experiencias y su relación con la cultura01:11:39 La ampliación del campo de batalla y sus efectos psicológicos01:14:53 La relación entre técnica, experiencia y subjetividad01:17:33 La búsqueda de lo inédito en un mundo administrado01:25:36 La experiencia en el arte y su consumo01:27:29 La pérdida de la intimidad y la experiencia01:29:41 El impacto de la cultura en la subjetividad01:33:26 Benjamin como objeto de consumo académico01:37:22 La banalización de la obra de Benjamin01:39:50 La paradoja de Benjamin en la academia01:43:07 La conexión de Benjamin con América del Sur01:46:28 Reflexiones finales sobre Benjamin y su legado

Simonetta Bisi"L'eclissi del pensiero critico"Elogio del dubbio nel tempo dell'algoritmoBordeaux Edizioniwww.bordeauxedizioni.itSiamo iperconnessi, ma disabituati al dubbio. Informati, ma incapaci di porre domande. Liberi, ma prigionieri di algoritmi che decidono per noi. “L'eclissi del pensiero critico” è un viaggio dissacrante nel cuore della nostra epoca: un tempo in cui la tecnologia promette emancipazione, ma genera omologazione emotiva e sorveglianza mascherata da libertà. Simonetta Bisi intreccia filosofia e sociologia in un racconto lucido e coraggioso, dialogando con Adorno, Faggin, Kurzweil, Byung-Chul Han e altri pensatori che aiutano a leggere il presente con occhi più attenti. Pagina dopo pagina, l'autrice scava nelle illusioni del conformismo digitale e ci invita a riattivare lo sguardo, a riscoprire il pensiero come atto di resistenza: oggi, più che mai, pensare è un gesto politico.Simonetta Bisi, professore associato di Sociologia gene­rale, insegna presso la Sapienza – Università di Roma. Ha scritto numerose monografie e articoli sugli aspetti quantitativi e qualitativi dei fenomeni contemporanei.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Aos versos que tantos bolçam por aí, elevando-os a mantras e slogans de campanha, repetidos numa aleivosia alegre e acrítica, até deles só restar esse tinir irritante, essa sanha das frases motivacionais na sua correspondência mais cretina com a existência, perante esses pedaços mastigados, nauseantes, como esse que nos diz que “o poema ensina a cair”, temos vontade de responder: mas e se deixa de haver chão? E se ninguém tem sequer a oportunidade de se estatelar propriamente, e, por isso, também já ninguém se levanta? E se a queda se tornou um estado constante, gerando uma resposta nervosa, uma coreografia patética, uma indiferença em que tudo vale o mesmo? Com a morte de toda a mediação, para quê insistir em categorias como a de poesia? Face a um enredo que tudo dilui, em que se rejeita todo o crivo crítico pelo risco de que este possa melindrar uns quantos, deixar alguns desamparados, desfazendo-lhes as ilusões, muitos preferem esta meia-cultura com as suas suposições ociosas, a sua função piedosa, o seu constante logro. A todo o momento, cada ser suplica aos demais que não ofendam a sua precária composição espasmódica, esse carrinho de supermercado onde recolhe quinquilharia, restos, tudo o que sirva à fancaria literária, acatando esse impulso de uma mentira alargada às dimensões de uma cultura inteira. E, no fim, o que soma isto? Não será a tal cultura que, no entender Adorno, serve apenas para dar “a ilusão de uma sociedade que seria digna do homem, mas que não existe; ela dissimula as condições materiais na base das quais se edifica toda a vida dos homens; e com as consolações e os apaziguamentos que dispensa, serve para conservar a nossa existência nas más condições económicas que a determinam”. Prisioneiros de um inescapável teatro de imposturas, vivemos subjugados a esse estado de tutela (Kant), que se reflecte na incapacidade de cada um se servir do seu próprio discernimento sem a condução de um outro. Seres que abdicam da sua volição, incapazes de arriscar um juízo, de fazer sair o pensamento em si mesmo, esquivando-se a esse estado que o precede e oprime. A cultura não reflecte valores, é incapaz de manifestar um desejo autêntico, pulsões desaustinadas, de nutrir novas e ousadas linguagens simbólicas, aquela impulsividade e tensão do imaginário, elaborando constelações de fantasia. Pelo contrário, tornou-se ela mesma uma forma de bloqueio, um modo de coerção, por isso ninguém exige dos poetas essa capacidade de assaltar o leitor pela obscenidade, de o sobressaltar pelo choque do imprevisto e do irrepresentável, de o precipitar na ambivalência da repulsa e do gozo. Todos pedem simplesmente que continuem a dar-lhes corda, a produzir ritmos e imagens de acordo com as prescrições gerais. Tudo se presume, à medida que uma forma de narração superficial toma conta de todos os temas e assuntos, vulgarizando as experiências, e, assim, se gera uma cumplicidade desoladora, enquanto os discursos de ordem psicologizante adquirem uma tonalidade cada vez mais ligeira, adequando-se aos padrões de informação e programação computacional, alisando o terreno, uma vez que o desenvolvimento capitalista da inteligência artificial requer toda uma disponibilidade para adquirir novas habilitações, conduzindo também a um remodelamento das subjectividades. A tudo isto ajuda a compreensão dos nossos corpos essencialmente como discursivos, dessas personalidades e identidades performativas, adaptadas um regime de transferência de planos, a troca da realidade pelo simulacro, ignorando como as funções essenciais da crítica estão ligadas às capacidades, necessidades e desejos do corpo humano, esses limites mas também impulsos, essa força radical do que remonta sempre a uma raiz, sendo tudo isso o efeito de um longo processo de co-evolução com o nosso ambiente natural. Ora, o que se tornou imperativo é cortar essa ligação, produzir que, arrancado pela raiz, e transplantado, seja infinitamente adaptável, manipulável, dócil. Como nos lembra Silvia Federici, a verdade é que “mesmo sem a edição genética, já somos mutantes, capazes, por exemplo, de prosseguir com o nosso quotidiano mesmo sabendo que acontecimentos catastróficos ocorrem à nossa volta, incluindo a destruição do nosso ambiente ecológico e a morte lenta das muitas pessoas que hoje vivem nas nossas ruas, por quem passamos diariamente sem pensarmos muito nem demonstrarmos algum tipo de emoção”. “O que nos ameaça não é apenas que as máquinas estejam a assumir o controlo, mas também que nos estejamos a tornar como elas.” Neste episódio, de forma a abordarmos algumas das transformações que se têm operado numa dinâmica em que se procura “optimizar” os corpos e os ciclos biológicos no sentido de retirar destes toda a força de trabalho e os efeitos que aumentam a acumulação capitalista, contámos com a orientação de Patrícia Câmara, psicoterapeuta e psicanalista, alguém que tem aprofundado o impacto em termos de saúde mental de todo o contexto coercivo a que estamos sujeitos não apenas no mundo laboral como na engenharia que tem levado a uma precarização das nossas vidas, deixando-nos tenrinhos e à mercê das lógicas repressivas dos novos aparelhos totalitários.

In der letzten Folge haben wir uns ja mit Homers Odyssee beschäftigt. In dieser Folge machen wir einen großen Sprung. Denn die Odyssee spielt in der "Dialektik der Aufklärung" von Horkheimer und Adorno eine große Rolle und hat im Text ein eigenes Kapitel bekommen. Odysseus' Reise dient als Bild, wie der Mythos zur Aufklärung wird und die Aufklärung in den Mythos zurückschlägt. Aber wie ist die "Dialektik der Aufklärung" eigentlich entstanden und was genau wollten Horkheimer und Adorno jetzt mit der Odyssee? Darüber spricht Christian mit Martin Mittelmeier, er ist Literaturwissenschaftler und hat 2021 "Freiheit und Finsternis: Wie die »Dialektik der Aufklärung« zum Jahrhundertbuch wurde" veröffentlicht.

Quem hoje não se revolta da forma como essa geração tem sido tratada e como desenhos e a internet tem tentado roubar a inocência dessa geração? Se irritar não é suficiente, precisamos fazer algo como igreja para resultar uma geração cheia de Deus.

Chegamos ao último Degusta! do ano um pouco diferente... Andreia D' Oliveira e Gabi Idealli entregam, tendo como base notícias do mundinho Literário, discussões que parecem estar sempre presentes como "quem pode dizer o que é Literatura?" ou "qual o papel da crítica?". Então, pegue seu café, fique à vontade e, ao final, dê também sua opinião! Comentado no Episódio Felipe Neto encerra seu clube do livro depois de um ano e surpreende assinantes Itamar, Ernaux e Ferrante são interessantes, mas não literatura, diz Aurora Bernardini Veja os melhores livros brasileiros de literatura do século 21, segundo júri convidado pela Folha Livros em Cartaz 004 – Quem não está perdida? (A Filha Perdida) Curso de Linguística Geral, livro por Ferdinand de Saussure Mikhail Bakhtin, filósofo da linguagem Livros em Cartaz 074 – Pedro Páramo Walter Benjamin, filósofo Theodor W. Adorno, filósofo

Seta Knop je avtorica prevoda odmevne Andrićeve literarnozgodovinske biografije, nemškega novinarja Michaela Martensa 'V požaru svetov, Ivo Andrić, Zgodba evropskega življenja'. Monografija razkriva življenje svetovljana in razburkan čas 20.stoletja. Ivo Andrić je bil izvrsten pisatelj, diplomat in Nobelov lavreat. Seta Knop je prevajalka, leksikografka, literarna zgodovinarka ter vodja knjižnice na Oddelku za primerjalno književnost in literarno teorijo na Filozofski fakulteti v Ljubljani. Prevaja predvsem sociološka, zgodovinska, filozofska in kulturološka dela avtorjev kot so: Theodor W. Adorno, Terry Eagleton, Eric Hobsbawm, Susan Sontag, Richard Pipes, David Graeber, Danilo Kiš, Svetlana Slapšak. Leposlovna dela, pravi, v glavnem prevaja iz srbskega in hrvaškega jezika. Pred leti je prevedla kratko prozo hrvaške pisateljice Maše Kolanović Spoštovani žužki in druge srhljive zgodbe, pred kratkim pa so v njenem prevodu izšle kratke zgodbe hrvaškega pisatelja Nevena Ošumovića Rajske ptice. Za svoj prvi prevod leposlovnega dela Peščena ura pisatelja Danila Kiša je prejela nominacijo za Sovretovo nagrado. Njena velika želja je, da bi prevedla Kiševo biografijo.

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

On "The Concept of Enlightenment" (1944), the first essay in this Frankfurt School book of critical theory, The Dialectic of Enlightenment. Our authors lay out what they take The Enlightenment to consist of, including some quotes from Francis Bacon, and some ultimately fatal tensions within it that make it no longer serve the humanistic purposes it was created for. Read along with us on PDF p. 22. You can choose to watch this on video. Learn more about your ad choices. Visit megaphone.fm/adchoices

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

durée : 00:57:38 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - Adorno désapprouvait la conception de l'engagement, qui, selon Sartre, mettait la pensée et l'art au service de la diffusion d'un message politique. - réalisation : Nicolas Berger - invités : Michèle Cohen-Halimi Philosophe, professeure de philosophie à l'université Paris 8; Gilles Moutot Maître de conférences en philosophie au département de sciences humaines et sociales de la faculté de médecine de Montpellier-Nîmes, membre du centre d'études politiques et sociales : environnement, santé, territoire (université de Montpellier)

durée : 00:58:31 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - 153 aphorismes sur les détails d'une vie mutilée par la société, dominée par le social et l'industrie culturelle, composent les "Minima Moralia" de Theodor W. Adorno. Estelle Ferrarese revient sur ce journal d'exil du grand philosophe allemand. - réalisation : Nicolas Berger - invités : Estelle Ferrarese Professeure de philosophie morale et politique à l'Université de Picardie Jules Verne

Na série de conversas descontraídas com cientistas, chegou a vez do Sociólogo e Doutor em Sociologia, sumidade internacionalmente reconhecida das Ciências Sociais, Professor Sergio Adorno. Só vem!>> OUÇA (124min 26s)*Naruhodo! é o podcast pra quem tem fome de aprender. Ciência, senso comum, curiosidades, desafios e muito mais. Com o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.Edição: Reginaldo Cursino.http://naruhodo.b9.com.br*Sergio Franca Adorno de Abreu é graduado em Ciências Sociais pela Universidade de São Paulo (1974), Doutorado em Sociologia pela Universidade de São Paulo (1984), Pós-Doutorado pelo Centre de Recherches Sociologiques sur le Droit et les Institutions Pénales, CESDIP, França (1994-1995).Atualmente é:- Professor Titular em Sociologia da FFLCH- Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo- Coordenador Científico do Núcleo de Estudos da Violência - USP (1990-atual)- Presidente da ANDHEP- Associação Nacional de Direitos Humanos- Pesquisa e Pós-Graduação (2002-2008)- Representante de Área de Ciências Humanas / Sociologia e Membro do Conselho Técnico-Científico da CAPES- Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (2004-2009)- Consultor do CSP- Cadernos de Saúde Pública da Fundação Oswaldo Cruz - Fiocruz- Comendador da Ordem Nacional do Mérito Científico, pelo Ministério da Ciência e Tecnologia (2008)- Membro do Conselho Consultivo da Revista Análise Social, do Instituto de Ciências Sociais da Universidade de Lisboa- Presidente do Conselho Editorial da Revista USP (2010-2015)- Membro do Conselho Consultivo da Revista "Passagens: Revista Internacional de História Política e Cultura Jurídica", do Programa de Pós-Graduação em História da Universidade Federal Fluminense- Membro do Comitê Científico da Revista ANPG: Ciência, Tecnologia e Políticas Educacionais, periódico científico institucional da ANPG- Associação Nacional de Pós-Graduandos- Responsável pela Cátedra UNESCO de Educação para a Paz, Direitos Humanos, Democracia e Tolerância- Membro Titular da Academia Brasileira de Ciências, area de Humanidades, a partir de 01/01/23- Coordenador Científico do Projeto CEPID/FAPESP USP Building Democracy Daily: Human Righs, Violence and Institutional Trust (2013-2018).Tem larga experiência na área de Sociologia, com ênfase em Sociologia Política, atuando principalmente nos seguintes temas: violência, direitos humanos, criminalidade urbana, controle social e conflitos sociais.Lattes: http://lattes.cnpq.br/7184462150034623*APOIE O NARUHODO!O Altay e eu temos duas mensagens pra você.A primeira é: muito, muito obrigado pela sua audiência. Sem ela, o Naruhodo sequer teria sentido de existir. Você nos ajuda demais não só quando ouve, mas também quando espalha episódios para familiares, amigos - e, por que não?, inimigos.A segunda mensagem é: existe uma outra forma de apoiar o Naruhodo, a ciência e o pensamento científico - apoiando financeiramente o nosso projeto de podcast semanal independente, que só descansa no recesso do fim de ano.Manter o Naruhodo tem custos e despesas: servidores, domínio, pesquisa, produção, edição, atendimento, tempo... Enfim, muitas coisas para cobrir - e, algumas delas, em dólar.A gente sabe que nem todo mundo pode apoiar financeiramente. E tá tudo bem. Tente mandar um episódio para alguém que você conhece e acha que vai gostar.A gente sabe que alguns podem, mas não mensalmente. E tá tudo bem também. Você pode apoiar quando puder e cancelar quando quiser. O apoio mínimo é de 15 reais e pode ser feito pela plataforma ORELO ou pela plataforma APOIA-SE. Para quem está fora do Brasil, temos até a plataforma PATREON.É isso, gente. Estamos enfrentando um momento importante e você pode ajudar a combater o negacionismo e manter a chama da ciência acesa. Então, fica aqui o nosso convite: apóie o Naruhodo como puder.bit.ly/naruhodo-no-orelo

Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Steen Thorsson zu Kapitalismus als Ursache der Klimakrise und die Psychopathologien ihrer Leugnung. Events (aus Anmoderation): beim Zollo Kollektiv: https://www.instagram.com/zollo.hamburg/?hl=en bei La Band Varga: https://labandavaga.org/?page_id=102 Rethinking Economics Summer School Switzerland: https://resuso.ch/   Shownotes Thorsson, S. (2025). Burn Baby Burn. Kapitalismus als Ursache der Klimakrise und die Psychopathologien ihrer Leugnung. Psychosozial-Verlag. https://psychosozial-verlag.de/programm/2000/2110/3413-detail zur Psychoanalyse: https://de.wikipedia.org/wiki/Psychoanalyse das Zitat von Adorno zur Psychoanalyse stammt aus seinem Aufsatz „Zum Verhältnis von Soziologie und Psychologie von 1955 und ist in diesem in Adornos gesammelten Schriften Band 8, Soziologische Schriften 1 zu finden: Adorno, T.W. (2003). Gesammelte Schriften Band 8: Soziologische Schriften 1. Suhrkamp. https://www.suhrkamp.de/buch/theodor-w-adorno-gesammelte-schriften-in-20-baenden-t-9783518293089 Bruschi, V., Zeiler, M. (Hrsg.). (2022). Das Klima des Kapitals. Gesellschaftliche Naturverhältnisse und Ökonomiekritik. Dietz. https://dietzberlin.de/produkt/das-klima-des-kapitals/ zum „Kapitalozän“: https://en.wikipedia.org/wiki/Capitalocene Dorn, F. (2022). Anthropozän und Kapitalozän. Das Zeitalter des Kapitalismus. https://www.felixdorn.com/blog/anthropozaen-kapitalozaen-kapitalismus Moore, J.W. (Hrsg.). (2016). Anthropocene or Capitalocene? Nature, History, and the Crisis of Capitalism. PM Press. https://www.pmpress.org/index.php?l=product_detail&p=779 zur Kritischen Theorie: https://de.wikipedia.org/wiki/Kritische_Theorie Löwy, M. (2015). Ecosocialism. A Radical Alternative to Capitalist Catastrophe. Haymarket Books. https://www.haymarketbooks.org/books/696-ecosocialism Was ist Ökomarxismus und wozu brauchen wir ihn? Livestream der Rosa Luxemburg Stiftung mit Jan Rehmann, Markus Wissen und Julia Egenhoff. (02.07.2025). https://www.youtube.com/live/yij25N24E88?si=DIb0hzfqLI1T2BJY Engels, F. (1962). Dialektik der Natur. Dietz. https://marx-wirklich-studieren.net/wp-content/uploads/2013/07/einleitung_dialektik_der_natur.pdf Malm, A. (2016). Fossil Capital. The Rise of Steam Power and the Roots of Global Warming. Verso. https://www.versobooks.com/products/135-fossil-capital Malm, A. (2021). Der Fortschritt dieses Sturms. Natur und Gesellschaft in einer sich erwärmenden Welt. Matthes & Seitz. https://www.matthes-seitz-berlin.de/buch/der-fortschritt-dieses-sturms.html zur „ursprünglichen Akkumulation“: https://de.wikipedia.org/wiki/Urspr%C3%BCngliche_Akkumulation Schaupp, S. (2024). Stoffwechselpolitik. Arbeit, Natur und die Zukunft des Planeten. Suhrkamp. https://www.suhrkamp.de/buch/simon-schaupp-stoffwechselpolitik-t-9783518029862 zu Herbert Marcuse: https://de.wikipedia.org/wiki/Herbert_Marcuse zu Geoengineering: https://de.wikipedia.org/wiki/Geoengineering Löwenthal, L. (2021). Falsche Propheten: Studien zur faschistischen Agitation. Suhrkamp. https://www.suhrkamp.de/buch/leo-loewenthal-falsche-propheten-t-9783518587621 Knasmüller, F., & Brunner, M. (2022). Schiefheilung als Kompromissbildung. Eine biographische Fallrekonstruktion der psychischen Funktionalität rechter Weltbilder. Psychologie & Gesellschaftskritik, 46(1/2), 111–138. https://www.researchgate.net/publication/363699446_Schiefheilung_als_Kompromissbildung_Eine_biographische_Fallrekonstruktion_der_psychischen_Funktionalitat_rechter_Weltbilder Freud, S. (2010). Das Unbehagen in der Kultur. Reclam. https://www.reclam.de/produktdetail/das-unbehagen-in-der-kultur-9783150186978 zum Todestrieb bei Freud: https://de.wikipedia.org/wiki/Todestrieb Horkheimer, M., Adorno, T. W. (2022) Dialektik der Aufklärung. Philosophische Fragmente. S. Fischer. https://www.fischerverlage.de/buch/max-horkheimer-theodor-w-adorno-dialektik-der-aufklaerung-9783103971521 zur Massenpsychologie: https://de.wikipedia.org/wiki/Massenpsychologie Staab, P. (2022). Anpassung. Leitmotiv der nächsten Gesellschaft. Suhrkamp. https://www.suhrkamp.de/buch/philipp-staab-anpassung-t-9783518127797 Herrmann, U. (2022) Das Ende des Kapitalismus. Warum Wachstum und Klimaschutz nicht vereinbar sind – und wie wir in Zukunft leben werden. Kiepenheuer & Witsch. https://www.kiwi-verlag.de/buch/ulrike-herrmann-das-ende-des-kapitalismus-9783462002553 Müller, T. (2024). Zwischen friedlicher Sabotage und Kollaps. Wie ich lernte, die Zukunft wieder zu lieben. Mandelbaum. https://www.mandelbaum.at/buecher/tadzio-mueller/zwischen-friedlicher-sabotage-und-kollaps/ Communia, BUNDjugend. (Hrsg.). (2023). Öffentlicher Luxus. Dietz. https://dietzberlin.de/produkt/oeffentlicher-luxus/ zur „Gelbwestenbewegung“: https://de.wikipedia.org/wiki/Gelbwestenbewegung zum „Lucas-Plan“: https://de.wikipedia.org/wiki/Lucas-Plan Thematisch angrenzende Folgen S03E33 | Tadzio Müller zu Solidarischem Preppen im Kollaps https://www.futurehistories.today/episoden-blog/s03/e33-tadzio-mueller-zu-solidarischem-preppen-im-kollaps/ S03E32 | Jacob Blumenfeld on Climate Barbarism and Managing Decline https://www.futurehistories.today/episoden-blog/s03/e32-jacob-blumenfeld-on-climate-barbarism-and-managing-decline/ S03E30 | Matt Huber & Kohei Saito on Growth, Progress and Left Imaginaries https://www.futurehistories.today/episoden-blog/s03/e30-matt-huber-kohei-saito-on-growth-progress-and-left-imaginaries/ S03E23 | Andreas Malm on Overshooting into Climate Breakdown https://www.futurehistories.today/episoden-blog/s03/e23-andreas-malm-on-overshooting-into-climate-breakdown/ S03E08 | Simon Schaupp zu Stoffwechselpolitik https://www.futurehistories.today/episoden-blog/s03/e08-simon-schaupp-zu-stoffwechselpolitik/ S02E59 | Lemon und Lukas von communia zu öffentlichem Luxus https://www.futurehistories.today/episoden-blog/s02/e59-lemon-und-lukas-von-communia-zu-oeffentlichem-luxus/ S02E30 | Philipp Staab zu Anpassung https://www.futurehistories.today/episoden-blog/s02/e30-philipp-staab-zu-anpassung/   Future Histories Kontakt & Unterstützung Wenn euch Future Histories gefällt, dann erwägt doch bitte eine Unterstützung auf Patreon: https://www.patreon.com/join/FutureHistories   Schreibt mir unter: office@futurehistories.today Diskutiert mit mir auf Twitter (#FutureHistories): https://twitter.com/FutureHpodcast auf Bluesky: https://bsky.app/profile/futurehistories.bsky.social auf Instagram: https://www.instagram.com/futurehpodcast/ auf Mastodon: https://mstdn.social/@FutureHistories   Webseite mit allen Folgen: www.futurehistories.today English webpage: https://futurehistories-international.com   Episode Keywords #SteenThorsson, #JanGroos, #FutureHistories, #Podcast, #Klimakrise, #Sozial-ökologischeTransformation, #Klimabewegung, #Kapitalismus, #Gesellschaft, #PolitischeImaginationen, #Zukunft, #KritischeTheorie, #SigmundFreud, #Psychoanalyse, #Solidarität, #Marcuse, #Freud, #AndreasMalm, #Technokratie, #Geoengineering

Das barbarische Dritte Reich hatte die Idee der Aufklärung in Frage gestellt und den Philosophen Theodor W. Adorno in tiefe Zweifel gestürzt. Wolfram Eilenberger spricht mit Jürgen Wiebicke über die Analysen von Adorno und was sie für die Gegenwart bedeuten. Von WDR 5.

  «En primer lugar, adquiere sabiduría; sobre todas las cosas, adquiere inteligencia. Hónrala, y ella te enaltecerá; abrázala, y ella te honrará. Adorno de gracia pondrá sobre tu cabeza; te coronará con una bella diadema» (Proverbios 4:7-9) Si en realidad quieres recibir sabiduría de Dios, tendrás que leer las Escrituras de una forma menos superficial. Será necesario que te alimentes de la Palabra día y noche. Deberás renovar tu mente con la Palabra de Dios para deshacerte de la basura con la que has estado alimentándola. Quizás digas: “Ah, hermano Copeland, ¡eso suena irrazonable!”. Sí, lo es. Pero considera lo siguiente: el estudiante de música en la universidad ensaya varias horas todos los días. Los atletas olímpicos se entrenan de seis a ocho horas diarias para perfeccionar su técnica. Lo hacen porque su dedicación para lograr sus objetivos es “irrazonable”. Lo mismo se aplica en tu vida. Si quieres lograr la clase de excelencia espiritual a la que estás aspirando, deberás dedicarte irrazonablemente a la Palabra de Dios. Eso quizás implique llevar una grabadora a todo lugar que visites. O tal vez signifique tener la afeitadora en una mano y la grabadora en la otra, o la grabadora en una mano y el tenedor en la otra. Haz lo que sea necesario para saturarte totalmente de la Palabra de Dios. Yo no te hablaría de forma diferente si fuera tu comandante en jefe y estuviera a punto de enviarte al frente de una batalla contra las mejores tropas de un acérrimo enemigo. Tú formas parte de las tropas de asalto de Dios. Tienes un enemigo que está empeñado en destruirte como sea. En este ataque crucial, y con todo lo que tiene, Satanás enviará el personal infernal mejor entrenado para derribarte. Y si quieres triunfar, deberás someterte al entrenamiento. Comprométete en forma irrazonable. Obtiene sabiduría. Lectura bíblica: Proverbios 1:7-33   © 1997 – 2019 Eagle Mountain International Church Inc., también conocida como Ministerios Kenneth Copeland / Kenneth Copeland Ministries. Todos los derechos reservados.

Time to take in a breath of fresh air. In episode 133 of Overthink, Ellie and David close out their four-part series on the elements with air. They consider Anaximenes of Miletus's belief that all things are made of air, Luce Irigaray's belief that air is feminine, and the modern use of air as a weapon of battle. What can the TV series The Last of Us tell us about the inescapability of air Why have some philosophers thought the soul is made of air? And how does air allow itself to be forgotten? In the bonus, your hosts dive deeper into Irigaray, the plurality of air, and the idea of the ether.Works Discussed:Gaston Bachelard, Air in Dreams Steven Connor, The Matter of AirLuce Irigaray, The Forgetting of Air in Martin HeideggerElizabeth Povinelli, GeontologiesPeter Sloterdijk, Terror from the AirMax Horkheimer and Theodor W. Adorno, Dialectic of EnlightenmentThe Last of Us (2025)Support the showPatreon | patreon.com/overthinkpodcast Website | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail | dearoverthink@gmail.comYouTube | Overthink podcast

Nietzsche, the birth of tragedy, and the technology trap with Babette BabichBabette Babich discusses Nietzsche, the importance of tragedy, and the danger of technology interfering with our judgement. Babette Babich is a world renowned Professor of Philosophy at Fordham University in New York. In this in-depth interview, she looks to Nietzsche's Birth of Tragedy to explain our love of suffering and towards the trials and tribulations of living in an age of technology which is smarter than we are.Babette Babich is a leading philosopher of technology and science. Renowned for her exploration of the philosophy, history, and sociology of science as well as studies of ecology and animal philosophy, Babich is a Professor of Philosophy at Fordham University, New York City.Her work crosses the analytic-continental divide, drawing heavily on Nietzsche, Heidegger, Adorno, and Illich. She is the director of The Nietzsche Society. Her latest book, Günther Anders' Philosophy of Technology, explores the philosophy of isolation.Are we addicted to tradgedy? Email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such topics discussed live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From the heady days of May 2022: Dan and Ana would have the pilot give the plans directly to the rebels, but decide to watch the movie anyway. Can you make a great movie entirely premised on a retcon? Does it take extremists to goad rebellions into action? How would Adorno feel about all this? There is IR in this movie. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Benjamin Studebaker and Douglas Lain discuss Adorno's essay "Commitment" and the failure of leftist politics over the last decade. What level of regression can we expect?Support Sublation Mediahttps://patreon.com/dietsoap

Today we talk about Kafka's book The Castle and how the symbolism is interpreted by two powerhouse philosophers: Theodore Adorno and Hannah Arendt. Hope you love it! :) Sponsors: Incogni: https://www.Incogni.com/philothis Quince: https://www.QUINCE.com/pt ZocDoc: https://www.ZocDoc.com/PHILO Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

The chat bot flashes its elipsis at the bottom of the screen. What is it thinking, what does it want from you, what do you want from it? Beneath those pixels lies a sea of mined data and lightning storms of electricity heating up servers in barren deserts. What will it find for you in the past labor of the generations? According to a stunning new article in Rolling Stone, it will find whatever the fuck makes you feel like a god—incuding all the NewAge pablum it has scarfed down—because oops, ChatGPT released a model that is just too sycophantic. But as we break down today, the AI nonsensient flattery machine is designed to hook you into the regurgitative process of self-seduction. Is this a new spiritual delusion, or more of the same? And what does that kind and agreeable bot conceal? Show Notes People Are Losing Loved Ones to AI-Fueled Spiritual Fantasies Chatgpt induced psychosis ChatGPT And Generative AI Innovations Are Creating Sustainability Havoc  LLM Can Be A Dangerous Persuader You'll Be Astonished How Much Power It Takes to Generate a Single AI Image  A bottle of water per email: the hidden environmental costs of using AI chatbots Intelligent Computing: The Latest Advances, Challenges, and Future  AI Data Centers Pose Regulatory Challenge, Jeopardizing Climate Goals AI, Climate, and Regulation: From Data Centers to the AI Act  AI could impact 40 per cent of jobs worldwide in the next decade, UN agency warns The Future of Jobs Report 2025 History's Magic Mirror: America's Economic Crisis and the Weimar Republic of Pre-Nazi Germany The Great Filter: A possible solution to the Fermi Paradox  Academic Publisher Sells Authors' Work to Microsoft for AI Training Address of the Holy Father to the College of Cardinals (10 May 2025) | LEO XIV  Capitalism's Fascistic Tendencies — McGowan  McGowan, Todd. 2016. Capitalism and Desire: The Psychic Cost of Free Markets. Columbia University Press. Adorno, Theodor W., and Max Horkheimer. 1997. Dialectic of Enlightenment. Verso. Learn more about your ad choices. Visit megaphone.fm/adchoices