Words To That Effect

So it's been a while! Here's a quick update of what's been going on over at WTTE HQ, including an announcement of my brand new audiodrama: The Greatest Matter. You can have a listen to the trailer and, if you like what you here, subscribe to the show wherever you're listening now. All the details at thegreatestmatter.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Unfortunately there aren't going to be any new episodes for a little while but have a listen to this short update letting you know what's going on at WTTE and where things are heading next. 

Dungeons & Dragons plays a huge part in fiction and popular culture more generally, but it is often overlooked or misunderstood. In this episode I gather together an experienced Dungeon Master and some complete novices (including myself) to play D&D for the first time. Joining me to explore this new world is academic, and life-time D&D fan, Professor Curt Carbonell, who has recently published a book on the subject.  WTTE is part of the HeadStuff Podcast Network. You can support the show and get bonus content and more by becoming a member of HeadStuff+. Go to HeadStuffPodcasts.com For full transcripts, links, references, and more the home of the podcast is wttepodcast.com

From medieval ballads to the poetry of John Keats, stage productions to children's songs, novels to comic books, silent movies to glorious technicolour, Disney classics to Kevin Costner blockbusters to Mel Brooks parodies to gritty reimaginings and lots, lots more, Robin Hood is certainly one of the most recognisable characters in all of western popular culture. Joining me to explore the legendary outlaw is Prof Valerie Johnson, from the University of Montevallo, Alabama. WTTE is part of the HeadStuff Podcast Network. You can support the show and get bonus content and more by becoming a member of HeadStuff+. Go to HeadStuffPodcasts.com For full transcripts, links, references, and more the home of the podcast is wttepodcast.com

What does the word "Gothic" mean to you? Gothic cathedrals and castles? Gothic fiction? Teenage goths dressed in black? Horror and the supernatural? This episode explores the origins of the gothic and one man's lasting influence on this most important of genres. Joining me as my gothic guide is Prof Dale Townshend, Professor of Gothic Literature at Manchester Metropolitan University. WTTE is part of the HeadStuff Podcast Network. You can support the show and get bonus content and more by becoming a member of HeadStuff+. Go to HeadStuffPodcasts.com For full transcripts, links, references, and more the home of the podcast is wttepodcast.com

 A Word To That Effect is a new series of bonus mini-episodes about a single word or phrase with a distinctly literary origin. This week: serendipity. WTTE is part of the HeadStuff Podcast Network. You can support the show and get bonus content and more by becoming a member of HeadStuff+. Go to HeadStuffPodcasts.com For full transcripts, links, references, and more the home of the podcast is wttepodcast.com

A Word To That Effect is a new series of bonus mini-episodes about a single word or phrase with a distinctly literary origin. This week: cliffhanger! WTTE is part of the HeadStuff Podcast Network. You can support the show and get bonus content and more by becoming a member of HeadStuff+. Go to HeadStuffPodcasts.com For full transcripts, links, references, and more the home of the podcast is wttepodcast.com

Sensation fiction was a hugely popular genre in the 1860s. The novels were sensationally popular, but they also caused a sensation, with their plots of bigamy and murder, forgery and blackmail. In so many ways the influence of sensation fiction can still be felt today. WTTE is part of the HeadStuff Podcast Network. You can support the show and get bonus content and more by becoming a member of HeadStuff+. Go to HeadStuffPodcasts.com For full transcripts, links, references, and more the home of the podcast is wttepodcast.com

Knights in shining armour, damsels in distress, castles, chivalry and courtly love, heroic quests, dragons. King Arthur, Camelot, Merlin, the Knights of the Round Table, the Holy Grail. Think of King Arthur and the medieval romance and a huge number of images and tropes and cliches spring to mind. Where does all this come from? WTTE is part of the HeadStuff Podcast Network. You can support the show and get bonus content and more by becoming a member of HeadStuff+. Go to HeadStuffPodcasts.com For full transcripts, links, references, and more the home of the podcast is wttepodcast.com

Dragons have been around for a very long time.  They are one of the very few mythological creatures that have become absolutely central to popular culture; everyone knows what a dragon is. There are other important and well-known mythological creatures, but none are as ubiquitous as dragons, which can be found in Europe and the Americas, in classical and Biblical traditions, in ancient Indian tales and across Asian mythology.  So where do dragons come from? Why are they so common across cultures, and what do they mean to us today?  I chat to Professor Scott Bruce, author of the recently published Penguin Book of Dragons and an authority on dragons from antiquity to the present day.  WTTE is part of the HeadStuff Podcast Network. You can support the show and get bonus content and more by becoming a member of HeadStuff+. Go to HeadStuffPodcasts.com For full transcripts, links, references, and more the home of the podcast is wttepodcast.com

Words To That Effect is back! Find out what's coming up on Season 6, launching on Jan 25th

There is a complex and fascinating relationship between humans and the ocean, how people and cultures across the world know and understand the sea, whether through myths and legends, through trade or fishing, exploration or entertainment.  This episode explores one particular aspect of all this - our relationship with the undersea, what lies beneath the surface of the oceans.  It is the 4th place in a loose miniseries of literary locations: Antarctica, the desert, the forest, and now the undersea. From early myths and legends to the naturalists of the 19th century; from the first transatlantic cables to the underwater habitats of the 1960s; from scientific attempts at a "homo aquaticus" to science fiction tales of underwater civilizations, there's plenty to explore in the ocean depths.  Joining me on this deep dive episode is Prof Helen Rozwadowski, Professor of History and Maritime Studies at the University of Connecticut.

How do we use fiction in food? What does a character's choice of food reveal about them? Do you simply have to go and make a dish when it's described beautifully in a book?On this very special episode, a collaboration with the wonderful Spice Bags podcast, we discuss everything from 17th century Spanish literature to contemporary American horror, Italian detective novels to Japanese magical realism. Grab yourself a glass of Amarone and have a listen! Support the show and get lots of bonus content by becoming a member of HeadStuff+. Find out more at HeadStuffPodcasts.com

The forest is a place we have very mixed feelings about. Forests can be calm and peaceful, full of ancient and natural beauty.   Until they’re not. The forest, in so many ways, is a place we fear. They are dark and dense and overgrown, all too easy to get lost in. They hold secrets and mysteries, and creatures we’d rather not meet alone, far from home.  And if the monsters of the forest don’t get us, then the forest itself will. The strange, malevolent powers of the trees themselves.  The forest can be a terrifying place. On this week's episode I'm joined by Dr Elizabeth Parker, who guides us through the deep dark woods.

How do we imagine and portray the desert? And what does it say about us and our relationship to each other and, crucially, to the planet we live on?In this, the second in a loosely connected series on places in fiction and popular culture, I chat to Dr Aidan Tynan about deserts in fiction and philosophy, from Mad Max to Burning Man, Nietzsche to Baudrillard,  Cormac McCarthy to China Miéville.

 In 1905 in Paris, the publisher Pierre Laffite had an idea. His new journal Je Sais Tout had just launched and he was looking for an author who could do for his magazine, what Arthur Conan Doyle’s phenomenally popular Sherlock Holmes had done for The Strand magazine, in London. He turned to the writer Maurice Leblanc and one of the most memorable and successful characters in French popular fiction was born: the gentleman thief Arsène Lupin. Lupin is cunning, sophisticated, quick-witted, a master of disguise, always one step ahead of the police, and a thief of humble origins who steals only from the wealthy upper classes.   But why did this gentleman thief achieve such instant and lasting renown? How does he fit into popular crime fiction more widely and how, you may be wondering, did he end up as the basis for one of the most popular shows Netflix has ever made? 

Robots as high-tech labour-saving devices, and as usurpers of human jobs. Robots as distinctly Other and as dangerously indistinguishable from humans. Robots as a means of questioning what it is to be human, and highlighting the ethics behind the creation of artificial life.  To help me explore all of this I chatted to a roboticist who also writes about literature, and a literature professor who has worked and published extensively on robotics. Support WTTE by becoming a member of HeadStuff+ (https://headstuffpodcasts.com/) For links, references, full transcripts and more head to wttepodcast.com (https://wttepodcast.com/)

A quick update episode on the new HeadStuff membership platform, HeadStuff+ Have a listen to find out more about what's on it and how you can join (although the joining bit is very straightforward - just click here (https://headstuffpodcasts.com/show/words-to-that-effect-7moojax9ed) ).  I'm really excited to be a part of this and I hope if you are a regular listener and would like to support the show, and the network it is a part of, you'll consider becoming a member. Plus you get a load of extra stuff so it's win-win really! 

 The continent of Antarctica was only discovered two centuries ago, even if it had long been theorized. It's a place shrouded in mystery with no human history and no permanent residents. It’s a land of superlatives: the coldest, the windiest, the driest continent.  It is a grand scientific experiment, a habitat for animals, with spectacular icescapes luring tourists and scientists alike. And it’s somewhere that exists in the popular imagination in a multitude of ways, often contradictory and, it must be said, frequently confused with the Arctic. There’s a long tradition of gothic and horror stories set in, and inspired by, Antarctica. There are heroic adventure tales from the early 20th century onwards, thrillers and adventure tales, science fiction novels, and crime and detective stories set on this inscrutable continent. Joining me to talk about all these stories and more is Prof Elizabeth Leane.

In one sense alternate history is a very specific kind of story - sometimes seen as a subgenre of science fiction, more often as a genre onto itself. But in a broader sense alternate history is something we are all interested in. We all think about what might have happened differently in our live and in the wider world, we all feel relief and regret.  What if?

In a way it’s maybe strange that the western is such a prominent genre. It's seemingly connected to a very specific time and place: the mid-to-late 19th century American west. And yet we are all so familiar with the many tropes of the western: cowboys and Indians, shootouts and saloons, cattle rustlers and sheriffs, tumbleweed and canyons?  The western has a particular hold on the popular imagination, partly for reasons of historical and cultural influence, but ultimately because of its supreme adaptability, its capacity to mingle and merge with other genres. The weird western is a hybrid genre: space westerns, steampunk westerns, supernatural and horror westerns, time travel westerns, westerns drawing on Afrofuturism and indigenous futurism, and many, many more. For full transcripts, notes, links, and more head to wttepodcast.com/weirdwestern (https://wttepodcast.com/046) Support the show on Patreon (https://patreon.com/wtte) for bonus episodes and more!

Remix, mashup, sample, adaptation, parody, homage, knock-off. The lines between these, and so many other similar terms, are not always very clear. In one sense, all culture is a remix, nothing exists in a vacuum. On the other hand, some people may take a dim view of lifting almost the entire text of Pride & Prejudice and republishing it with additional zombie action. Which is where Seth Grahame-Smith’s best-selling 2009 classic, Pride and Prejudice and Zombies, comes in. For lots more details, links, transcripts, and more, head to the Words To That Effect website (https://wttepodcast.com/045)

WTTE is back! Season 5 launches on Tuesday 10th November. Find out what's coming up this season.

Last year Caroline Crampton (of Shedunnit (https://shedunnitshow.com) ) and I teamed up to create a joint live show, called Words Dunnit: a 200-year history of detective fiction in an hour. We performed the show live at the Dublin Podcast Festival (https://dublinpodcastfestival.ie/) in November 2019, and then again at Pod UK (https://www.rocksaltevents.com/poduk2020) , in Birmingham, in Feb of this year. We had a lot of fun making and performing it, so here it is in full. For notes, links, pictures and more head to the WTTE website (https://wttepodcast.com/wordsdunnit) Support the show on Patreon (https://patreon.com/wtte) !

There are countless great works of literature we have tantalizing glimpses of, works we know existed but are, as far as anyone can tell, lost to history. Huge swathes of ancient Greek literature, for example, or a lost Shakespeare play based on the story of Don Quixote.  And then there are the works we rescue. Kate Macdonald, at Handheld Press, specialises in finding and reprinting lost classics, works that have fallen out of print but deserve another chance and a new audience. In this episode I chat to her about lost literature, the intricacies of reprinting old books, and authors who will never go out of print.

Sasquatch. Bigfoot. The Abominable Snowman. Yeti. The Yowie, the Yeren, the Almas  Ape-men, cave men, wild men.  The Missing Link. The idea of the missing link came about in the mid-19th century, with the rise of Charles Darwin’s Theory of Evolution. In 1859 Darwin published his book On the Origin of Species by Means of Natural Selection, and it was radical, revolutionary, and highly contentious.  The problem, though, was that the mechanism by which it all worked wasn’t really understood yet, and there was a need for some hard evidence that would clinch his theory. If evolution really did work as Darwin described it; if, most controversially of all, humans, chimpanzees, gorillas and other apes all had a common ancestor, it should all be there in the fossil record.  There was a missing link in the theory. Support WTTE on at https://patreon.com/wtte and get bonus episodes and more

Mills and Boon to bodice rippers , Johanna Lindsey to Nora Robers (and a little bit of Fabio) Why read romance novels? 

Time travel fiction is a small subgenre of science fiction. Science fiction is a small subset of all the many genres and types of literature. Time machines and time travellers are a niche interest. And yet, in many ways, all fiction is time travel fiction. On this week's episode I chart the history and development of time travel, with Prof David Wittenberg, from utopia to hot tubs. Support the show on patreon (https://patreon.com/wtte) and get bonus episodes and more For full show notes, links, transcripts and more head to wttepodcast.com (https://wttepodcast.com/timetravel)

Edgar Rice Burroughs is no longer a familiar name. Like many other authors, the fame of his greatest creation, in his case Tarzan, has long eclipsed his own.  But Burroughs was far more than the creator of Tarzan.  He was an early pioneer of science fiction, a master of the pulp fiction magazines of the early 20th century, an author whose books, across his lifetime and beyond, sold tens of millions of copies. He was also, among a bewildering array of other things, a journalist, a soldier and war correspondent, a businessman, and even a real estate investor: the ranch he bought and developed in the 1920s is, today, the aptly named neighbourhood of Tarzana, California.  So who was Edgar Rice Burroughs? Why were his books so popular? And has his work had any real lasting legacy on our culture today?  For notes, links, transcripts and more head to https://wttepodcast.com/burroughs Join the WTTE community and support the show at https://patreon.com/wtte

Unlike modernist poetry or Shakespearean drama, when it comes to children's literature, everyone has an opinion. Most of us are exposed to kids' books in some shape or form and, crucially, 100% of us have been children.  For an academic working with children's literature, this can have its rewards and its frustrations. "Yes! I love that classic childhood book too!". But also: "Sorry, I don't know why your child doesn't like this one particular book" This week I'm joined by Dr Jane Carroll to chat about the children's picture book. How do text and image work together to create books that can spark wonder and imagination, that young children can completely lose themselves in? What's happening in children's fiction today, and what's the best children's picture book of all time? Find out how you can support the show and get bonus episodes at https://patreon.com/wtte For full show notes head to https://wttepodcast.com

Pirates have been around for a very long time. In fact, as far as the historical record seems to show, they have been around for as long as there have been property and boats. What is it that attracts us to pirates and why have we got such a well-developed set of pirate tropes? We all have the same picture when we think of pirates: peg legs and eyepatches, parrots and pirate accents, walking the plank, buried treasure, the jolly roger. Prof Manushag Powell joins me to discuss the Golden Age of Piracy, pirate literature, and the history behind the pirates of popular culture.  For shownotes, links, transcripts, and more head to https://wttepodcast.com Join the WTTE pirate crew and support the show at https://patreon.com/wtte

There is no pop culture monster more written about, more critiqued and analysed, more portrayed and adapted and reimagined, than the vampire.  So this episode is not about most vampires. There are no discussions of Dracula or Nosferatu, no True Blood or Twilight or Buffy, no Anne Rice or Stephen King, no Bela Lugosi or Christopher Lee.   Instead, there is a single vampire, one you may well never have heard of. A vampire that, in Victorian times, was far more popular than even Charles Dickens at the height of his fame. A vampire that established many of the tropes of later vampire mythology and fiction. His name is Sir Francis Varney. Varney the Vampire. Find out how you can support the show and get bonus episodes at https://patreon.com/wtte For full show notes head to https://wttepodcast.com

For most people today, the story of Dr Jekyll and Mr Hyde has been reduced to a fairly straightforward allegory of the potential dark side within us all.  But if you read Robert Louis Stevenson’s original tale, a short 80-odd page novella, you immediately realise there is so much to this masterpiece of 19th century fiction. There are so many reasons the story has become embedded in popular culture. It has everything: dreams and reality, psychology and medicine, good and evil, degeneracy and criminality, sexuality and self-identity, blackmail, murder, addiction, religion. Have I missed anything? For more details, links, and transcripts head to wttepodcast.com (http://wttepodcast.com/fantasy) Join the WTTE community and support the show on Patreon! (http://www.patreon.com/wtte)

Season 4 returns on Tuesday 15th October. Have a listen to what's in store!

There are the celebrated authors: Checkov, Joyce, Mansfield, Munro. There are the big questions: “What makes a truly great short story?” “Where does the form originate?” “What can short stories do that other forms of literature can’t?” But before any of this, there’s a question that’s not that easy to answer at all: What is a short story? This week I’m joined by Dr Paul March-Russell, Lecturer in Comparative Literature at the University of Kent, and author of The Short Story: An Introduction and Colin Walsh, an award-winning short story writer from Galway, Ireland.  We discuss whether you can really define what a short story is, some great examples of the form, and what short stories can do that other forms of literature simply can’t. For more details, links, and transcripts head to wttepodcast.com (http://wttepodcast.com/fantasy) Join the WTTE community and support the show on Patreon! (http://www.patreon.com/wtte)

What do you think of, when you think of the genre of fantasy? Whether it’s fiction, TV, cinema, or games, are there certain elements you need to have for something to be considered fantasy? Well, you might say fantasy is medieval, or at least set in a time of swords and sorcery. Or that fantasy has to be epic in scale; there are always grand and noble characters.  Or maybe fantasy has to be set in an imaginary world. Or, at the very least, there should be some magic. But, as I explore on this episode. Some, or all, or none of these might be present in a work of fantasy. There's more to fantasy than you might expect. This week I chat to Dr Gerard Hynes to try to get the core of fantasy. We explore Game of Thrones, Lord of the Rings, and the pop culture behemoth that is fantasy right now. We also look at a hugely diverse array of fantasy that goes far beyond what many people imagine when they think of the genre. For more details, links, and transcripts head to wttepodcast.com (http://wttepodcast.com/fantasy) Join the WTTE community and support the show on Patreon! (http://www.patreon.com/wtte)

An English country estate. A detective pacing the room, explaining how they have solved the crime, revealing the solution to a puzzle and the clues which were there all along. It’s so easy to parody this scene because it’s so familiar. It’s Reverend Green in the billiard room with the candlestick. It’s a shocking murder in a cosy English village or the country estate of a well-off family…where everyone is as suspect. It’s the locked room mystery, where the puzzle is always the centre of the story. So, where do all these familiar ideas come from exactly? What do we mean when we talk about Golden Age Detective Fiction? And are our assumptions about the tropes and rules of this fiction really all the accurate? For full transcripts, links, pictures, and more head to the wttepodcast.com (http://wttepodcast.com/golden) Find out how you can support WTTE at http://www.patreon.com/wtte

One way of thinking about steampunk is to divide it into two parts – the steam and the punk. The steam is the Victorian element: the fascination and engagement with the 19th century – whether satirizing or poking fun at Victorian conventions and ideas, dealing with problematic aspects of empire and colonialism, celebrating the people and places, or utterly rethinking the science and technology of the era. The punk, on the other hand, is very much about building collaborative communities in resistance to contemporary capitalist consumer culture and technology. It’s about maker culture and a DIY aesthetic, about fan groups, conventions and meetups. There’s a strong connection, as we’ll see, with other non-mainstream areas of performance culture: cosplay, circus arts, street performance, burlesque. And all of these different areas come together in the rapidly growing number of guests I’ve spoken to about this topic. For full details, links, transcripts and more head to wttepodcast.com (http://wttepodcast.com/steampunk2)

Note: This episode is Part 1 of a double episode on steampunk. There are cultures, and subcultures, and sub, sub, sub cultures. There’s science fiction, there’s alternative history, there’s steampunk. There’s hip hop and there’s chaphop. There’s an anachronistic Victorian gentleman wearing a pith helmet with an orangutan butler, dissing a fellow chaphop artist for parodying, rather than engaging with, the genre. What, you may quite reasonably ask, is going on? Well, over this episode, and the next – because this is part one of a double episode - I’m going to take a really, really deep dive into the world of steampunk. Steampunk is a lot of things: an aesthetic, a genre, a fashion, a lifestyle. And to really understand it, and to see how influential it is on mainstream popular culture and a whole host of different areas, you need to look at it from several different angles. Which is why I have some very exciting guests lined up across these two episodes. In this instalment I’ll be talking to two very different professors: Dr Rachel Bowser is Associate Professor of English at Georgia Gwinnett College, in the U.S. and has written extensively about steampunk. Professor Elemental is the Victorian gentleman whose music you’ve just heard, the chap in the chaphop. He’s a hiphop musician, performer, and voice-over artist, and he provides a another, very different angle in looking at the world of steampunk. This podcast tries to answer the question: what, exactly, is steampunk and how has it become so popular? For links, pictures, transcripts, and more head to https://wttepodcast.com/steampunk

We have no problem thinking mathematically about four-dimensional space. Where a 3-d cube has 8 vertices, a 4-d hypercube has 16 vertices. Where a cube has 6 faces, like a dice, a 4-d hypercube has 24 faces. The problem is imagining what that actually looks like. We live in a three-dimensional world. We can’t see a fourth dimension. We simply can’t imagine what a 4-D world would look like. However, that doesn’t mean that lots and lots of people haven’t tried to, in a huge variety of ways: mathematicians and physicists, philosophers and theologians, occultists and mystics, artists, architects, designers, authors. The fourth dimension, when you start to look for it, is everywhere. On this week’s episode I’m joined by Professor Christopher White who has just written a book with a fascinating central premise: in the U.S, and in many parts of the Western world, the number of people identifying as Christian has been consistently falling, for about 30 years now. Yet the number of people who describe themselves as “spiritual but not religious”, people who still believe in a god of some sort, has remained very high. So, if people believe in spirits or angels, in God or life after death, in heaven or another world of some sort, but not in traditional religious institutions, how are they constructing these supernatural worlds? Well, in many ways, as Professor White explains, they are relying on science and maths. On other dimensions, multiverses, quantum entanglement, string theory, parallel universes. There is, and has been for well over a century now, a type of scientific supernatural. For links, pictures, full transcripts and more, head to wttepodcast.com (http://wttepodcast.com/4d)

If you want to understand how we ended up with anything from Star Wars to Star Trek, Superman to Batman, intergalactic travel to microscopic worlds, profound meditations on the nature of being human to thrilling tales about Martian princesses, you have to look at pulp fiction. Argosy, Blue Book, Adventure, Black Mask, Horror Stories, Flying Aces…there was a lot of it. The 1920s and 30s was the age of pulp fiction, the time when genres truly became genres. Science fiction, detective stories, war stories, horror, westerns, fantasy. Everything. All those categories that we use to divide up fiction and film and TV came together in the pulps at this time. But what I want to do in this episode in particular is to look at some of the commonly held ideas about pulp fiction, and about science fiction more particularly. So here are a few things that we all know: 1: Science fiction was, and continues to be, mostly consumed by men 2: Science fiction is, for the most part, aimed at 12-year-old boys 3: There were very few women writers of science fiction between Mary Shelley’s Frankenstein and the new feminist sf of the 60s and 70s 4: Those few women who did write SF were forced to write under male or androgynous pseudonyms in order to make it in an utterly male-dominated industry So you can probably guess where I’m going with. Yes, all of these are myths. They’re ideas that are completely, demonstrably false. This week Professor Lisa Yaszek joins me to discuss the history of the pulps and the many myths around early women’s science fiction. For links, pictures, full transcripts and more head to http://wttepodcast.com/pulpfiction

What would happen if humanity ceased to exist? Well, assuming, of course, that earth itself has not been destroyed in this hypothetical apocalypse, the world would continue quite happily without us. People have long speculated about what would happen in the weeks, months, and years after the end of humanity. There is an obvious perverse pleasure in seeing the world we have destroyed, and continue to destroy, getting its revenge. There’s a misanthropy in this type of speculation, what’s sometimes called “catastrophe porn”, but there’s also a humble recognition that ultimately we are, as humans, largely insignificant in the vast scale of things. Whatever we feel, we are definitely attracted to exploring the idea; apocalyptic and post-apocalyptic fiction has been around for a long time. We like to imagine the end of the world, but it’s quite hard to write a narrative with no people, so what we also like to do, is to imagine what would happen if just a small number of people remained. Not quite the end of the world, but the end of world as we know it.  Post-apocalyptic stories combine so many fascinating elements: there’s the speculation about the future, the frequent sense of adventure and problem solving in a new and dangerous world, the science fictional world building, the appeal to our curiosity about the future of our species. And the profound, complex questions about us, about our relationship with our planet, and with each other, and the huge societal issues that we face. In conversation with Professor Heather Hicks, from Villanova University, this episode explores the end of the world, from plagues to nuclear war, drought to zombie hordes, Mary Shelley’s The Last Man to the best contemporary post-apocalyptic fiction. For links, pictures, a full transcript and more head to wttepodcast.com (http://wttepodcast.com/apocalypse)