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What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

El setè programa de la temporada i ho fem amb l'actriu VICTÒRIA PAGÈS. Seguim a l'espai Itnig del carrer Pujades de Barcelona. La seva cara us sonarà perquè ha sortit en moltes sèries de Tv3 com el Cor de la Ciutat, Ventdelplà, Com Si Fos Ahir, Mohebius o La Caza: Tramuntana. Però els més nostàlgics la recordareu per ser la primera Nets del Super3 o la Meritxell de Oh, Europa! La Victòria posa veu habitualment a actrius com la Vera Farmiga, Carri-Anne Mossi o Laura Dern. Dit això, també ha posat veu en sèries i pel·lis com Les Tortugues Ninja, One Piece, Tarzan

Oscar-nominated writer/director Joachim Trier (Sentimental Value) talks with Host Ben Mankiewicz about how being raised in a filmmaking family shaped his worldview and his career. Ben and Joachim bond over E.T., Hitchcock's villains, and the enduring humor of Step Brothers. At the end you get a rare peek at a couple of Ben's prized movie posters. Films Mentioned: Sentimental Value The Passion of Joan of Arc (aka La Passion de Jeanne d'Arc) The Worst Person in the World Oslo, August 31st Tarzan the Ape Man Mon Oncle E.T. The Hunt (aka The Chasers) The Pinchcliffe Grand Prix The Champ, 1979 and The Champ, 1931 F1 Annie Hall Salò Solaris Notorious Amarcord Flashdance Fame Flight of the Eagle The Emigrants The New Land Butch Cassidy and the Sundance Kid The Sting Slap Shot Step Brothers One Battle After Another Kes Harry and Tonto Where Eagles Dare Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send a textOn the podcast this time, Steven and Sean are swinging through the jungle to save our lady love. We watched the 1997 film from Sam Weisman, George of the Jungle.You know him. You love him. He's the one, the only, the certifiable King of the Jungle: it's Viscount Greystoke himself! Give it up for the greatest to have ever swung from a vine, everyone!Hold on, I'm being told now that Greystoke is Tarzan, and George is definitely not Tarzan. Hey, I won't hear any unkind thing said about our George, though. Who better to feature for this month's B-movie episode?(Recorded on January 05, 2026)Links to Stuff We Mentioned:George of the Jungle - The Movie Database (TMDB)George of the Jungle trailer - YouTubeBrendan Fraser — The Movie Database (TMDB)Leslie Mann — The Movie Database (TMDB)Thomas Haden Church — The Movie Database (TMDB)John Cleese — The Movie Database (TMDB)Titanic (1997) — The Movie Database (TMDB)The Matrix Reloaded (2003) — The Movie Database (TMDB)Wings (TV Series 1990–1997) — The Movie Database (TMDB)Follow Us:Give us a rating and review on Apple Podcasts!Sean's Letterboxd profile!Steven's Letterboxd profile!Our Buzzsprout site!Our Instagram profile!Support the show

Erik Childress and Peter Sobczynski take you through another week in physical media and it's a pretty great week. You can get one of Scorsese's first, Richard Pryor's last concert film and even some early Matt LeBlanc. Peter shows some fondness for Lori Petty's bizarre comic book adaptation and even a little Troma. One of Erik's “Why is this not on blu-ray” choices gets its debut courtesy of Synapse. 20 years before Jurassic Park there was the original Michael Crichton amusement park. The pair debate the legacy of a “prescient” media satire with the late, great Robert Duvall. Finally, not only can you get perhaps the best Tarzan film ever made but John Boorman's incredible telling of the King Arthur legend gets what will be amongst the great upgrades of the year.3:35 - Criterion (Network (4K))21:26 - Warner Archive (Tarzan and His Mate)33:03 - Severin (The Ghost (4K), Retribution, Lookin Italian)49:15 - Cinematographe (Boxcar Bertha 4K)59:43 - Synapse (T.A.G. The Assassination Game)1:09:50 - Sony (Richard Pryor: Here and Now (4K))1:15:19 - Vinegar Syndrome (Tank Girl (4K), Terror Firmer (4K))1:36:11 - Arrow (Westworld (4K), Excalibur (4K))CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTS SIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

In our latest episode we pay tribute to the legendary Robert Duvall, who passed away last week at age 96.  We also remember James Van Der Beek, Tom Noonan, and Eric Dane. Plus: the SCRUBS reboot, Tarzan talk, Listener Letters and more!Listen ad-free at Patreon: https://patreon.com/MovieFilmPodcast

It's one of the biggest news weeks of the year as ComicsPRO explodes with announcements, reveals, and long-term publishing plans from every major publisher in the industry. We're breaking it all down in a super-sized news segment that covers the headlines shaping 2026 and beyond. Marvel dropped its May 2026 solicitations, teased the beginning of the end in Avengers: Armageddon, confirmed Hulk War for 2027, revealed Infernal Hulk vs. the X-Men, and somehow still found time for Knull vs. Hela, a Spider-Man and Iron Man team-up, and Doctor Doom taking over OREO. Yes, really. Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon! NEWS Marvel Solicitations May 2026 Infernal Hulk declares war on the X-Men in explosive issue #7 reveal - EXCLUSIVE Marvel reveals a Spider-Man and Iron Man team up coming in issue #6 Marvel teases “With Great Power…” as “Armageddon Assembles” this June Ultron crashes Wiccan and Hulkling's anniversary in Marvel's explosive Pride special Marvel teases 'The origin of the end' starts in 'Avengers: Armageddon' #1 It's Knull vs. Hela in 'Hel on Earth' Marvel Comics event JULY: Queen in Black! Doctor Doom takes over OREO in wild final Marvel Comics cookie collab Marvel announces new series 'X-Men: Outback' revisiting the iconic Outback Era Hulk War is coming: Marvel confirms Infernal Hulk finale in 2027 IDW is taking Godzilla back to 1954 and making it absolutely terrifying 'Star Trek' #1 launches a bold new era as IDW unveils massive 60th anniversary comic plans 'TMNT' #300 unleashes a massive new era, blind bag covers, and new 'Last Ronin' DC Solicits May 2026 DC Is going all-in on 'The Dark Knight Returns' for its 40th anniversary all year long DC and Sonic reunite for ‘Metal Legion' this May 2026 DC unveils major 2026 publishing plans at ComicsPro: Vertigo, new Absolute titles, and more Zorro and Tarzan are storming back to comics and we've got the exclusive first look Gail Simone is entering the Spawn universe with a brutal new 'She-Spawn' series New Image sci-fi series 'If Destruction Be Our Lot' features robo Abraham Lincoln finding purpose Skybound announces ‘DC Silver Age Covers and Stories' Artist Edition M.A.S.K. joins the Energon Universe in explosive new series from Dan Watters and Pye Parr Robert Kirkman returns to superheroes with 'Terminal' joined by Kubert, Finch, and Arthur Adams James Tynion IV takes on white supremacy and Norse gods in brutal new 9-part horror, 'Odin' 'The Cutting Garden' explores companionship, legacy, and sacrifice Ghost Machine just revealed 'The Unbelievables' and its first massive crossover EXCLUSIVE: Zack Kaplan unleashes three new Dark Horse series in 2026 Skateboarding is outlawed in new series 'Skate Ali' out June 2026 Jonathan Hickman's ‘Three Worlds/Three Moons' comes to Dark Horse this July Archie is going compact with new Oni Press collections starting in September 2026 'Ben 10' returns to comics this May with a new series from the original creators Oni Press unleashes 'Super Mondo Mega Mutts' #1 this July Oni Press announces Joe Palmer's dystopian thriller 'Destination Kill' #1 Our Top Books of the Week: Dave: Absolute Batman #17  (Scott Snyder, Eric Canete) Uncanny X-Men #24 (Gail Simone, David Marquez) Alex:​​ Exquisite Corpses #10 (Jordie Bellaire, Marianna Ignazzi) Dungeons of Doom #2 (PHILLIP KENNEDY JOHNSON & BENJAMIN PERCY) Standout KAPOW moment of the week: Alex: Uncanny X-Men #24 (Gail Simone, David Marquez) Dave: Ultimate Spider-Man #24 (March Checchetto, Hickman) TOP BOOKS FOR NEXT WEEK Alex: Infernal Hulk #4 (Phillip KJ, Nic Klein) & Absolute Wonder Woman #17 (K Thompson, H Sherman) Dave: The Peril of the Brutal Dark #1 (Chris Condon, Jacob Phillips) but also Hulk Smash Everything #3 JUDGING BY THE COVER JR. Dave: Predator: Bloodshed #1 (Dan Panosian Virgin Cover) Alex: Power Fantasy #16 (Morgan Beem variant)

In this episode of Dropped Among This Crowd, Sara J. dives deep into the life and career of Phil Collins—from his formative years, to Genesis, to his groundbreaking solo work, and beyond. We explore the stories behind In the Air Tonight, his collaborations with legends like Eric Clapton, his commercial dominance alongside artists like Paul McCartney and Michael Jackson, and the unforgettable Live Aid performance that cemented his place in music history.Sara also shares personal memories of seeing Phil live as a kid, highlights his autobiography Not Dead Yet, and invites listeners to weigh in: which era of Phil Collins do you remember most—Genesis, solo hits, or even the Tarzan soundtrack?Join us for a deep dive into a career that has truly soundtracked our lives.Listen to the BBC Sounds Eras five-part podcast series with Phil Collins: https://podcasts.apple.com/us/podcast/eras/id1703570820Not Dead Yet: The Autobiography — Phil Collinshttps://www.amazon.com/s?k=Not+Dead+Yet+Phil+Collins+autobiography&tag=saraj08-20I always encourage checking your local library first — borrow, explore, and support your community! For those who want to own a copy, I've included Amazon links to grab your favourites.Northern Wish - A Canadian's Perspective on Music: https://www.northernwish.com/category/genesis/Follow DATC Media:https://datcmediacompany.comhttps://www.facebook.com/datcmediahttps://www.instagram.com/datcmediacompany/Follow Dropped Among This Crowd Podcast:https://www.instagram.com/droppedamongthiscrowdpodcast/https://www.facebook.com/droppedamongthiscrowd/Email: droppedamongthiscrowdpod@gmail.comBook a conversation on "Dropped among this Crowd": https://datcmediacompany.com/contact/ola/services/be-on-dropped-among-this-crowd-podcastFollow Sara J:https://www.facebook.com/sara.till41/https://www.instagram.com/sarajachimiak/Donate to DATC Media Company: https://datcmediacompany.com/supportJoin the community on Patreon: https://www.patreon.com/Datcmediacompany/giftWant to be a guest on the show? https://datcmediacompany.com/contact-%26-collab-with-us/ola/services/something-on-guest-spotInstagram: https://www.instagram.com/cancon_eh/Facebook: https://www.facebook.com/share/14UyoATZkcz/?mibextid=wwXIfrYouTube: https://www.youtube.com/@Cancon_ehThe CanCon Playlist: https://bit.ly/4r92PPO

A missing day on the calendar, a future Tarzan in the pool, a superhero who fought Nazis, a philosopher burned alive for imagining other worlds, and a stolen helicopter the Secret Service couldn't stop. | IT HAPPENED ON FEBRUARY 17 | The Morning Weird Darkness #MWDWeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.EPISODE PAGE: https://WeirdDarkness.com/MWD20260217NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.#WeirdDarkness #MorningWD #DarrenMarlar #MarlarInTheMorning #MWD #ThisDayInHistory #TrueCrime #Paranormal #MardiGras #GiordanoBruno #JeffreyDahmer #JeffreyMacDonald #SEALAB #MorristownUFO #WhiteHouseHelicopter #JohnnyWeissmuller #Tarzan #ThePhantom #Geronimo #StrangeHistory

SPONSORS: 1) GHOSTBED: Get an extra 10% off GhostBed mattresses at https://GhostBed.com/julian with promo code JULIAN. Some exclusions apply, see site for details. WATCH MY PREVIOUS EPISODES w/ PAUL: https://www.youtube.com/playlist?list=PL-ICwfCgQ-Z1-iuvNkRtzDKsSzq3D_cOs JOIN PATREON FOR EARLY UNCENSORED EPISODE RELEASES: https://www.patreon.com/JulianDorey (***TIMESTAMPS in description below) ~ Paul Rosolie is an explorer, author, award-winning wildlife filmmaker, and “real-life Tarzan.” For much of the past 20 years, Paul has lived deep in the Amazon rainforest protecting endangered species and trees from poachers, loggers, and the foreign nations funding them. PAUL ROSOLIE LINKS: - IG: https://www.instagram.com/paulrosolie/ - DONATE (JUNGLEKEEPERS): https://www.junglekeepers.com/ - BOOK: https://tinyurl.com/4rh6u2s8 FOLLOW JULIAN DOREY IG: https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 0:00 – Intro 01:57 – Paul Rosolie, Amazon mission & saving thousands of acres 10:32 – Jungle injuries, venom cures & indigenous medicine 22:49 – Fear, mission mindset & being fully dialed in 31:13 – Obsession with the mission & life without screens 41:54 – Animals, bears, jungle instincts & culture shock 51:11 – Protecting 130,000 acres & Jane Goodall's influence 01:03:08 – Nature storytelling, ecosystems & perspective 01:12:57 – Amazon scale, Junglekeepers & global movement 01:22:03 – Art, literature & meaning beyond the jungle 01:32:00 – Heightened senses, animals & forest awareness 01:43:46 – Narcos enter the Amazon & violence escalates 01:52:47 – Cartel threats, DEA alerts & rising danger 02:01:58 – Artisanal narcos, lawlessness & defender deaths 02:10:22 – Mass graves, drug routes & gold mining chaos 02:19:38 – Russian miners, wastelands & oxygen stakes 02:30:10 – Brazil, Bolsonaro & the Amazon's tipping point 02:42:07 – Ecosystem collapse & survival of adolescence 02:52:46 – Motivation, loss & continuing the fight 03:05:16 – Uncontacted tribes & Mascho Piro encounter 03:26:34 – Communicating with tribes & unseen footage 03:38:12 – Inside the tribe encounter & Amazon myths 03:42:51 – Paul's Work CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 383 - Paul Rosolie Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cet épisode est la version audio d'une conversation filmée, disponible sur notre chaîne YouTube. Rejoins notre Patreon pour accéder à la vidéo sans pub, à la transcription complète en PDF, et à des explications sur le vocabulaire et les expressions. Et plein d'autres choses !https://www.patreon.com/cw/FrenchWithPanache-----------------Pour cette conversation, nous avons rencontré Liane, une créatrice de contenus originaire d'Aix-en-Provence et qui habite à Marseille. Avec elle, nous avons parlé de plein de sujets différents : de son métier, de ses valeurs, de minimalisme, de tourisme responsable, et de plein d'autres choses sympas.Pour la suivre sur les réseaux sociaux : Liane comme Tarzan.------------------ℹ️ ici, nous n'activons pas la transcription automatique faite par l'intelligence artificielle (IA) : elle se trompe trop souvent, ce qui n'aide pas à apprendre le français correctement. Abonne-toi à notre Patreon pour obtenir la transcription détaillée en PDF que nous faisons nous-mêmes. https://www.patreon.com/cw/FrenchWithPanache⁠FOLLOW US : YouTube : https://www.youtube.com/@FrenchWithPanacheInstagram : https://www.instagram.com/frenchwithpanache/Private Coaching : https://frenchwithpanache.com/our-offers/private-coaching/Our website : frenchwithpanache.comWork with us : ⁠contact@frenchwithpanache.com⁠Support our content at : ⁠https://www.paypal.com/donate/?hosted_button_id=WTYFE2AY2YVX4⁠ or ⁠https://ko-fi.com/frenchwithpanache⁠À la prochaine

We finally talk about Tarzan boy, a bit about the Iowa sports season, and we do a GREAT job talking about the voicemail! Aaron tells a crazy story about getting a beer, we talk puzzle styles, and Russell tells us his crazy airplane movie watching habits. Then we talk about the hot move of the summer and the world of show choir.  Then we talk about one of the great American songwriters who makes you realize that America ain't so great! Little Rosie is here to help us peel away all the layers that make up the onion of this album, and of course we figure out the best baseball movie ever.    Next week we talk Yeezus and then cleanse the palate with some Hootie!      

l⁠⁠⁠inktr.ee/CatchingUpOnCinema⁠⁠⁠⁠⁠⁠⁠It's Pulp Cinema Month here at Catching Up On Cinema!All month long we'll be reviewing films the pulp action genre!This week, in a very special video edition of Catching Up On Cinema, Trevor is joined by his buddy Levi AKA Your Captain Speaking, to review Hugh Hudson's, Greystoke: The Legend of Tarzan, Lord of the Apes (1984)!Trevor and Levi are both editors for the Red Cow Arcade YouTube channel, and can be found in the Red Cow Discord.

ME TARZAN, SHE'S JANE!!!!!

The squad hits the Homie Helpline to help Bina decide if her "Honda Accord" of a boyfriend is a dependable keeper or if his refusal to buy Valentine's Day flowers is a sign she should find a man who will finally rub her "Tarzan feet". The "studious fools" also investigate a Garden Grove boba shop that got shut down for doubling as a strip club and recap why Bad Bunny’s "bush people" and tree dancers stole the Super Bowl spotlight. [Edited by @iamdyre

Sintonía: "Guitar Boogie Shuffle" - The Virtues 1.- "A-B-C1-2-3" - The Tokens 2.- "Yeh-Yeh!" - Mongo Santamaria 3.- "Brushfire" - Scott Burton 4.- "Coesville" - Johnny Zorro 5.- "Comin´ Home Baby" - Kai Winding & Orchestra 6.- "Number One With Me" - The Crests 7.- "Move It" - Chantay´s 8.- "Don´t Monkey with Tarzan" - The Pygmies 9.- "Chili with Honey" - Danny Bell and the Bell Hops10.- "Misery" - The Dynamics11.- "Betty in Bermudas" - The DovellsTodas las músicas extraídas de la compilación (1xLP + CD gratis) "Beach-O-Rama: This Is A Nice Compilation To Play Frisbee" (Jukebox Music Factory/Platinum Records, 2016) 12.- "Las Vegas Scene" - Wes Dakus 13.- "You Never Miss Your Water" - ´Little Esther´ Philips & ´Big Al´ Downing14.- "The Riddler" - Franck Gorshin15.- "Surfin´ Hootenanny" - Al Casey with The K-O-Ettes16.- "Swingin´& Surfin´" - Les Brown JR.17.- "Bo-Bo Ska Diddle Daddle" - Wayne Walker18.- "Why Don´t You Do Right" - Mark Murphy19.- "Burnt Biscuits" - The Trumphs20.- "Oh Yeah!" - The Joe Cuba SextetTodas las músicas extraídas de la compilación (1xLP + CD gratis) "Beach-O-Rama Vol. 2" (Jukebox Music Factory/Platinum Records, 2017)Todas las músicas seleccionadas por El Vidocq a partir de su colección privada de singles en 7 pulgadas (45 rpm)Escuchar audio

It’s a first time host for SNL, the easy-on-the-eyes Alexander Skarsgård with musical guest Cardi B! Mom Confessions! Scandinavian Movie! Tarzan! Cards Against Humanity! Stellan [...]

We're celebrating a beloved American holiday by looking at the romance of Harold Ramis's 1993 classic, Groundhog Day! Join in as we discuss the film's iconic status in the time loop canon, the 1993 Saturn Awards, Andie MacDowell's film debut in Greystoke: The Legend of Tarzan, and typical Bill Murray production stories. Plus: How did screenwriter Danny Rubin land on the idea of a time loop? How long was Phil caught in the loop? How much did he spend on his last day? And, most importantly, which holiday mascot would be easiest to kidnap? Make sure to rate, review, and subscribe! Next week: The Shack (2017)---------------------------------------------------------Key sources and links for this episode:American Eagle Foundation live cam (YouTube)"Ryan Coogler Says DCOM Luck of the Irish Influenced Sinners" (Deadline)"The Secrets Behind that Other Tarzan Movie - the One that Earned a Dog a Screenwriting Oscar Nomination" (The Hollywood Reporter)

Tarzan 32-10-07 (20) Tarzan Presides over Apes

Before Bobby became a hero in Costa Rico, he faced his fears in many ways and caught it all on tape. He went ziplining in the jungle while being afraid of heights. He screamed like a child when he tried to capture a spider. Bob went marlin fishing and even caught one! Mike Calta and Ralph Sutton make cameo appearances in the dangerous adventures of Robert Kelly. Enjoy this new episode- never before aired as a podcast! *To hear the full show to go www.siriusxm.com/bonfire to learn more! FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolf Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early.  Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Back into the water today with an explosive episode focusing on early vertical forearm and the catch. We get into things like the proper entry, whether or not you should glide, and how to get maximum efficiency from your stroke. We go over tons of typical mistakes by triathletes, including diving too deep with your hand. We look at a few great drills and how they can help you develop better form and be more economical, which is the key to great triathlon swimming. We talk about technique sets vs. swimming long just to build yards. We get into efficiency, anxiety, and how to build confidence in the water. Sometimes it's just hard because you think you're bored. Start slow. Be patient. Build. Topics: Snow shoveling tips Swim as compared to a bike fit Body position and breathing Early Vertical Forearm - what does it mean The catch phase - propulsion Bad return on investment Why hand control is underrated Should you "glide?" What about entry Should fingers be spread open? Diving too deep with the hand Understanding early vertical forearm "leverage" Hip driven freestyle Shoulder over elbow over wrist Paddle and visual cues Tarzan drill and swimming with balls Long sets with rocks Skulling 24 x 100 or 2400 straight? Efficiency is speed Stop obsessing about yardage every time Maximum efficiency Economical athletes get the most return Shorter technique driven swims Getting faster with better form Fear and anxiety vs. confidence Take time to be more efficient Sometimes it's just hard because you think you're bored.   Mike Tarrolly - mike@c26triathlon.com Robbie Bruce - robbie@c26triathlon.com

What could you do to frustrate or delay the jackbooted thugs in your community if you lived under an authoritarian regime? Where can you find more practical methods of sabotage? What's the hair and salt for? Listen to find out!This Wrench in My Gears, episode 145 of This Gun in My Hand, was maliciously wrecked by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and to buy my books, such as Sisyphus, Eat Your Heart Out, available in paperback and ebook from Amazon. What do I use on slot machines to avoid developing a gambling problem? This Gun in My Hand!Show Notes:1. This episode was inspired by Mother Bone's posts about the Simple Sabotage Field Manual, released internally in 1944 by the OSS (predecessor of the CIA) and declassified in 2018. The concepts could be used today by anyone resisting an occupying force or authoritarian regime. Direct quotes from the manual appear throughout this episode.https://archive.org/details/simplesabotagefi26184gut/page/n5/mode/2up2. I have pocket knives with pictures of Tarzan and Lash LaRue on the handles. Here's a picture of a colorful Hopalong Cassidy pocket knife:https://www.etsy.com/listing/1068482143/vintage-hopalong-cassidy-pocket-knife?dd_referrer=https%3A%2F%2Fwww.google.com%2F3. I thought I was being ridiculous imagining slot machines branded with 1930s comic strip characters, but apparently there was really a Blondie machine at some point, and just last year they released a video slot machine featuring The Phantom.https://www.aristocratgaming.com/us/slots/games/the-phantom4. Anachronism! Lash LaRue's first film appearance was in 1944, and he only began to star in Westerns around 1947.4. Anachronism! The comic strip Sad Sack was first published in Yank, The Army Weekly in June 1942. The generic expression “sad sack” may not have been common until after the comic strip became popular.Credits:Music in this episode came from three public domain films:The Sun Sets at Dawn (1950), The Scar (aka Hollow Triumph, 1948), and Killer Bait (1949). Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.Sound Effect Title: Heels on Pavement.wavLicense: Public Domainhttps://freesound.org/people/B.Harkins/sounds/683658/Sound Effect Title: School door with metal latch inside.aif by timonunderwater License: Public Domainhttps://freesound.org/s/532788/Fair use brief audio clip of William Shatner taken from outtake of a recording session for the 1993 PC Game Star Trek: Judgment Rites.The image accompanying this episode is a modified detail of a photograph by Horst Grund from 1943 titled “Sizilien, Reifenpanne mit VW-Kübelwagen.” Italy, Sicily, 1943. A flat tire on a VW-Kübelwagen, soldier with jack going to replace the tire. By Bundesarchiv, Creative Commons License Attribution-ShareAlike Germany 3.0. (Note that the CC Attribution-Share Alike license applies only to this image, not to the text or audio from this episode.)Image Alt text: Color photo of a soldier in short sleeves and khaki shorts cranking a jack along the driver's side of a VW Kubelwagen with a flat tire. The hood over the engine compartment in the rear of the car is open. The car is beige, dirty and worn. The background appears to be a large body of water or sea with hills or mountains rising over it. The photo was taken in Sicily, Italy, in 1943. I'm not familiar enough with military uniforms to tell if this is a German or Italian soldier.

Send us a textGeorge Feltenstein joins the podcast to announce four February releases from the Warner Archive and explain why each restoration matters, from pre-code thrills and early Technicolor to the first film noir. We also unveil another Hanna-Barbera release and outline three new Film collections, with a look ahead to a packed 2026. Warner Archive Store on AmazonSupport the podcast by shopping with our Amazon Affiliate linkDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.The Extras Facebook page The Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

0:00 - Intro04:00 - Myles updates10:10 - RE Showcase Gamecat OPS16:25 - Tips - Thief VR20:30 - Myles Ghost Signal, Bryan Stardew25:24 - Tips : Roboquest Porsche29:10 - Tips: Meta Self-Destruction31:45 - Tips: Product Placement36:25 - Smurfs Rollercoaster & Walkabout46:30 - VR Mainstream Pros49:47 - Tips: Gamecat OPS, Brand Placements55:22 - Weekend Multiplayer56:37 - Tarzan VR Delisted1:02:00 - Rollercoaster Legends1:12:35 - Bryan's Personal Thoughts1:19:09 - Tips: OLAR Price1:19:47 - Tips: City of Hunger1:27:00 - 4 Minute Challenge1:34:20 - Tips: Impulse Gear1:36:10 - Wrap-Up1:37:52 - Post Show British Folklore

Jim Hill and Eric Hersey kick things off with a generational pop culture moment before diving headfirst into a packed episode of Universal news, park planning, and studio history. From a newly announced Rockford Files reboot to freshly released 2026 event calendars, this episode covers what Universal fans need to know now - and then takes a long, fascinating walk through some nearly forgotten corners of the Universal backlot. Along the way, listeners get travel talk, awards season chatter, and one of those deep historical pivots that only this show can deliver. NEWS • NBC commits to a pilot for a Rockford Files reboot, prompting a look back at the original series and its Universal roots • Universal's awards season recap, including Golden Globes results and where Wicked did (and did not) land • Universal Orlando releases its 2026 event calendar, including dates for Mardi Gras, Halloween Horror Nights, and passholder perks • The full Mardi Gras International Flavors of Carnival concert lineup is revealed, sparking a game of “name your generation” • Updates from Universal Hollywood on Fan Fest Nights, Butterbeer Season, and the long road toward Fast & Furious Hollywood Drift FEATURE • A listener letter sparks a deep dive into Universal's forgotten Tarzan serials of the 1920s • How Edgar Rice Burroughs' dissatisfaction with early Tarzan films led to casting shakeups and lost silent-era movies • The surprising connection between Tarzan, Universal's backlot geography, and Jay Stein's infamous tram tour gags • A look at how Park Lake became home to submarines, parted seas, burning houses, and other classic Studio Tour illusions For this episode's full show notes, click here. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Eric Hersey - IG: @erichersey | X: @erichersey FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Be Our Guest Vacations, a platinum-level earmarked travel agency providing top-tier concierge planning for Universal Orlando, Universal Hollywood, Disney Parks, cruises, and more. Start planning your next adventure at BeOurGuestVacations.com and be sure to mention that the Epic Universal Podcast sent you. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chaz and AJ ended the week with yet another, impossibly creepy doll for children. Bad Idea Island focuses on the "repeating" Tarzan toy that was almost immediately pulled from shelves. (0:00) WFSB's Scot Haney was on the phone with Chaz and AJ this morning, and started the call singing his new favorite song by Raye. Plus, Jennifer called in to talk about the dinner plans they have for next weekend. (7:58) Brian Stroehlien was on the phone with Chaz and AJ to talk about his "career" as a nude male model for artists to sketch. Brian admitted this all began at Burning Man, and has since posed nude for hundreds, if not thousands of sketches. (28:07) Photo courtesy: Brian Stroehlein 

Tarzan is a copywriter and newsletter creator known for her story-driven emails and consent-based approach to selling. She spent years dismantling a seven-figure “girlboss” business to build something more sustainable that puts people and great writing first.  ‍‍ ‍‍Get the 48-Hour Ad Fix AuditSubscribe to Tarzan's The Free Weekly Newsletter  ‍‍ ‍‍Tarzan and I talk about a list-building strategy that breaks a lot of the usual rules and why Meta ads are what make it work. We also talk about using ads as a way to grow without being glued to social media, how that choice supports long-term consistency, and why building an email list this way attracts better-fit subscribers from the start.‍‍ ‍‍ ‍‍‍‍ ‍‍ ‍‍‍‍ ‍‍ ‍‍‍‍Watch this episode on YouTube!‍‍ ‍‍ ‍‍Please click here to give an honest Rating/Review for the show on iTunes! Thanks for your support!‍‍ ‍‍ ‍‍Kwadwo [QUĀY.jo] Sampany-Kessie's Links:Get 1:1 Meta Ads Coaching from Kwadwo!Say hi to Kwadwo on InstagramSubscribe to The Art of Online Business's YouTube Channel‍‍ ‍‍ ‍‍Tarzan Kay's Links:Connect with Tarzan on InstagramSubscribe to Tarzan's The Free Weekly Newsletter

Today's Adventure:Tarzan is mistaken for a missing American archeologist by dangerous criminals who demand he tell them the location of the land of Asher and "the Father of Diamonds".Originating Radio Broadcast Date: May 14, 16, and 18, 1934Originating from New YorkStarring: Carlton Kadell as TarzanTo subscribe to this podcast and follow more adventures of Flash Gordon go to https://greatadventures.info/Become one of our Patreon supporters at https://patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectives

The Disness is kicking off 2026 with a bonafide classic in Disney's Tarzan! We are joined by returning guest C.C. Perez (and briefly by Payton Nevin) as we discuss the film, the cast and crew, fun facts surrounding the film, how it compares to the book, we give our report cards for the film, and so much more!Follow us on Instagram: @DisnessPodcast

Show Notes This week we put Lemuel's concerns to rest with Disney's interpretation of Tarzan. How do you make a naked psychopath into a kid's movie protagonist? Rosie O'Donnell and Phill Collins, of course.  Recommendations: One Battle After Another (HBO Max), Greystoke (Rentable) Next up: Toy Story 2 (1999) Email us at latecomers@gmail.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/**

Today a discussion of one of the father's of pulp hero fiction. Edgar Rice Burroughs , honoring the legendary creator of Tarzan, John Carter of Mars, Carson of Venus, and a galaxy of other characters who helped define adventure and imaginative storytelling for generations of readers.. ERB was a pioneer in creator ownership of his heroes, and made a masswive media bltz in film radio and comics. In this extended conversation, we explore Burroughs' impact on comics, film, and popular culture, and why his work still resonates with fans around the world. Grab your favorite drink, settle in, and let's dive into the remarkable legacy of Edgar Rice Burroughs.”

Show Notes We're going back to Pixar this week with some four legged ants and their plight in A Bug's Life. Sometimes you have to believe something for it to be true - whether it's that circus bugs are warriors or that many little guys can rise up against a few big guys.  Recommendations: The Conjuring Last Rites Next up: Tarzan (1999) Email us at latecomers@gmail.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/

Recording on New Year's Eve for a show that drops just as 2026 begins, Jim Hill and Eric Hersey cover a full slate of Universal news, rumors, and unexpected updates before shifting into a classic Jim Hill history lesson. The episode starts in the present with major developments at Universal Orlando and ends in the late 1960s on the Hollywood backlot, tracing how one clever Tram Tour gag eventually led to one of Universal's most iconic fire-based attractions. NEWS • Universal Destinations and Experiences begins construction on Catchlight Crossings, a 1,000-unit affordable housing community near Universal Orlando • What's included in the development - retail, medical offices, community space, transportation hubs, and a tuition-free Bezos Academy preschool • How Catchlight Crossings fits into Universal's long-term Housing for Tomorrow initiative and who the community is designed to serve • Rumor watch - could Stephen King's It become a headline house at Halloween Horror Nights 2026, and how that would fit alongside Universal's existing horror icons • The planned reimagining of Universal Orlando's Horror Make-Up Show is delayed, keeping the attraction open longer than expected • Universal's seasonal Backlot Club holiday card game wraps up and whether it could become a recurring collectible • Wicked: For Good debuts as the most-watched PVOD title in the U.S. in a single day, with a breakdown of pricing and bonus features FEATURE • The surprising origins of Universal Studios Hollywood's Burning House and why it was added to the Tram Tour in the early 1970s • How Jay Stein, under Lew Wasserman's direction, searched for cheap, repeatable, four-minute-resettable spectacle after the success of the Flash Flood • A short-lived and controversial gorilla gag inspired by Tarzan that generated complaints from parents • The evolution from jungle sight gags to the Snow Cottage, movie magic illusions, and the push to let guests feel heat instead of cold • How the Burning House eventually paved the way for Backdraft and future flame-based Universal attractions HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Eric Hersey - IG: @erichersey | X: @erichersey | Website: strongmindedagency.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is brought to you by Be Our Guest Vacations. From Universal Orlando and Hollywood to Disney parks, cruises, and beyond, their Platinum-level concierge service takes the stress out of vacation planning. Learn more at beourguestvacations.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

March 2026 Solicitations (Image, DC, Others) Weekly Comic Reviews: DC DC K.O.: Harley Quinn vs. Zatanna by Leah Williams, Mirka Andolfo, Romulo Fajardo Jr Titans 30 by John Layman, Pete Woods, Bruno Abdias Marvel Black Panther: Intergalactic 1 by Victor LaValle, Stefano Nesi, Bryan Valenza Marvel Unlimited Strange Tales 1 by Preeti Chhibber, Bailie Rosenlund AWA AGGIE – Aggregated Human Experience Database 1 by Mark Russell, Aco, David Lorenzo, Ive Svorcina Dynamite ThunderCats Ho!(Liday) Special 2025 by Ed Brisson, Fabio Gallo, Emanuele Ercolani, Giona Zefiro Image Wrestle Heist 1 by Kyle Starks, Vladimir Popov Mad Cave New Space Age 1 by Kenny Porter, Mike Becker, Kevin Betou OGN Countdown: Black Heart Billy by Rick Remender, Kieron Dwyer Witcher by Andrzej Sapkowski, Aleksandra Zielinska, Michael Dowling, Luis NCT Athanasia by Daniel Kraus, Dani, Brad Simpson Red and Blue Monster Hunters by Sara Soler Rodeo Hawkins and the Daughters of Mayhem by John Claude Bemis, Nicole Miles Dire Days of Willowweep Manor and the Nefarious Nights of Willowweep Manor by Shaenon Garrity, Christopher Baldwin Additional Reviews: Chutzpah The Dropout Knives Out 3 Sunny Side Down ep3 War Between the Land and the Sea finale David News: new Jessica Jones series, She-Ra leaving Netflix, more DC KO fighters, Oscars moving to YouTube, Netflix commits to theaters for WB movies, Tarzan to IDW, Sony buys Peanuts, Archie merging with Oni, new Archie titles announced, Woods and w0rldtr33 optioned for animated series, Paul Jenkins writing Sentry and Captain Marvel, Brainiac cast, Omninews Trailers: Disclosure Day, Odyssey, Muppet Show Comics Countdown (17 Dec 2025): Exquisite Corpses 8 by James Tynion IV, Pornsak Pichetshote, Michael Walsh, Adam Gorham, Jordie Bellaire Endeavour 2 by Stephanie Phillips, Marc Laming, Tony Shasteen, Lee Loughridge w0rldtr33 17 by James Tynion IV, Fernando Blanco, Jordie Bellaire DIE: Loaded 2 by Kieron Gillen, Stephanie Hans Everything Dead and Dying 4 by Tate Brombal, Jacob Phillips, Pip Martin Absolute Flash 10 by Jeff Lemire, Nick Robles, Adriano Lucas Sacrificers 18 by Rick Remender, Andre Lima Araujo, Dave McCaig Bat-Man: Second Knight 2 by Dan Jurgens, Mike Perkins, Mike Spicer Space Scouts 2 by Matt Kindt, David Rubin, Xulia Pison Wonder Woman 28 by Tom King, Daniel Sampere, Jorge Fornes, Tomeu Morey

This week we head back to a time before Marvel Comics, before Superman and Batman, to a world before superheroes, and bring you a history of The Shadow! Before Superman exploded onto the pages of Action Comics, the world of action-adventure was a very different place, full of detectives, gangsters, Science Fiction and the supernatural - the world of Pulp Fiction! In a world of Tarzan, Zorro and Conan The Barbarian, The Shadow emerged completely by accident and ended up becoming the world's first superhero! We'll track the tale from pulp magazines to radio adventures to cliffhanger movie serials and beyond! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

Paul Jenkins returns to The Sentry. Resident Alien ends at Dark Horse. Tarzan goes Beyond.SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON BLUESKY, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Meet Oakland Tarzan

Forhjulslir præsenteres i samarbejde med Continental Dæk Danmark. Husk at køre med vinterdæk, når temperaturen er under syv grader. Continental har prisvindende vinter- og helårsdæk. Sikkerheden starter med dækket – både på cyklen og bilen. "Who is this Noah Andersen?" Det spørgsmål har jeg fået igen og igen af udenlandske cykeljournalister under årets Grand Tours. Og med god grund. 18-årige Noah "Tarzan" Lindholm Møller Andersen fra Trorød har taget cykelverdenen med storm. Han slutter 2025 som nummer 1 på alle verdensranglister for U19-ryttere og har fået både danske og internationale øjne rettet mod sig. Næste skridt er allerede på plads: I 2026 rykker han fra Red Bull - Bora - Hansgrohes juniorhold, Team Grenke Auto Eder, op på deres U23-mandskab. Men hvem er han egentlig, knægten fra Trorød? I dette store interview kommer vi helt tæt på verdensetteren. Hør den vilde historie om, hvordan han som barn fik tilbudt en plads på Chelseas fodboldakademi, men valgte cyklen og landevejen i stedet. Vi dykker ned i en cykelgal familie, hvor mor Bettina har fulgt onkel Rolf Sørensens karriere på tætteste hold, og taler om det modige valg at droppe ud af skolen for at satse alt på cykeldrømmen som kun 16-årig. Vært: Anders Mielke

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon! NEWSFull Marvel Solicits March 2026 (Tuesday!)Marvel reveals March 2025 covers and solicits as the Ultimate Universe heads toward its EndgameJessica Jones returns in Marvel's darkest, bloodiest 'Alias' story yetCarnage knows Spider-Man's secret, and Peter learns Mary Jane is Venom in the March 2026 solictsWonder Man heads back to Hollywood, and his past is ready for a comeback of its ownMarvel brings the Sentry home as creator Paul Jenkins returns for a high-stakes new seriesMarvel goes all-out for 2026 with Comics Giveaway Day, teasing 'Amazing Spider-Man' #1000, & moreMarvel turns ‘Daredevil' #1 into a Blind-Bag gamble with rare variants and secret sketch coversMarvel's most thunderous art gets the deluxe treatment in a massive new Thor bookDC solicits March 2026'DC K.O.' was just the warm-up: DC ALL IN goes NEXT LEVEL with Lobo, Batwoman, Deathstroke & MoreDC Next Level begins in March 2026 with Wonder War and Superboys RisingImage Comics announces 'Tigress Island' a pulp-fueled fever dreamArchie gets a radical relaunch as Oni Press reimagines Riverdale for a new eraTarzan swings back into comics, and he's older, wiser, and facing pirates who want immortalityOur Top Books of the Week:Dave:Star Trek: The Last Starship #3 (Collin Kelly, Jackson Lanzing, Adrin Bonilla)The Bat-Man: Second Knight #2 (Dan Jurgens, Mike Perkins)Alex:​​Die: Loaded #2 (Gillen, Hans)Power Fantasy #14 (Gillen, Wijngaard)Honorable Mentions: Author Immortal, 30 Days of Night: Falling Sun, Exquisite CorpsesStandout KAPOW moment of the week:Alex: Rogue Storm #3 (Murewa Ayodele, Roland Boschi)Dave: Alien vs. Captain America (2025) #2 (Frank Tieri, Stefano Raffaele)TOP BOOKS FOR NEXT WEEKAlex: Absolute Wonder Woman #15 (Kelly Thompson, Hayden Sherman) & Event Horizon #4 (Christian Ward, Tristan Jones)Dave: The Will of Doom #1 (Chip Zdarsky, Cafu)JUDGING BY THE COVER JR.Dave: Hello Darkness #17 (1:10 Full Art Puebla Cover)Alex: DC K.O.: The Joker vs. Red Hood #1 (Dustin Nguyen Variant)Interview: Torunn Grønbekk - Tim Burton's The Nightmare Before Christmas: The Shiver of Christmas Town - Out Jan 7, 20261. Expanding the WorldWhat's it like contributing to a Tim Burton universe project?What excited you most about the chance to tell a new story within The Nightmare Before Christmas universe, and how did you approach capturing that distinct mix of spooky and sweet?2. Character FocusSally takes center stage in this series. What aspects of her character did you want to explore or expand on that fans haven't seen before?3. The New CreationDr. Finkelstein's latest creation, Shiver, sounds like a charming new addition to Halloween Town. What inspired this character, and what role does Shiver play in the story's themes?4. Trick-or-Treat Trio TroubleLock, Shock, and Barrel are fan favorites for their chaotic energy. How was it writing for those three troublemakers, especially as they head off to Christmas Town?5. Visual CollaborationEdu Menna's art brings a lot of gothic personality to the book. How did you two work together to strike the balance between Burton-esque atmosphere and the fun of a family-friendly adventure?6. Tone and AudienceThe series is described as “perfect for all ages.” How did you balance writing something that works for longtime fans of the film and younger readers discovering Nightmare Before Christmas for the first time?7. Franchise LegacyThe Shiver of Christmas Town follows Long Live the Pumpkin Queen: The Graphic Novel. How does this story build on that ongoing relationship between Dynamite and Disney's Nightmare Before Christmas world?8. The Magic of Halloween (and Christmas)Without giving too much away, what do you hope readers take away from this story about the magic—or mischief—of the holiday spirit?9. Character and Tone Your work often blends grit and introspection—how are you approaching Selina Kyle's duality as both a thief and protector in your  Catwoman run, and what new sides of her character are you most excited to explore?

Comment on this episode by going to KDramaChat.comToday, we'll be discussing Episode 5 of Start-Up, the hit K Drama on Netflix starring Bae Suzy as Seo Dal-mi, Nam Joo Hyuk as Nam Do-san, Kim Seon Ho as Han Ji Pyeong, Kang Han Na as Won In Jae, and Kim Hae Sook as Choi Won Deok. We discuss:The songs featured during the recap: "Running" by Gaho and "Shake Shake."The intense and emotional hackathon that tests our characters' ambition, determination, and self-worth.Seo Dal-mi's rising ambition and her impressive performance as the new CEO of Samsan Tech.Nam Do-san's growing confidence, his romantic development, and his beautiful metaphor involving Tarzan.The theme of imposter syndrome and how both Dal-mi and Do-san feel they're not worthy — but believe in each other.The critical role APIs, GPUs, data sets, and artificial neural networks play in tech — and how they're introduced in the show.Han Ji Pyeong's internal turmoil, guilt, and shift from dismissive investor to personal mentor and backer of Samsan Tech.The heartbreaking reveal that Dal-mi didn't go to college because she wanted to buy a corn dog truck for her grandmother.Dal-mi's smart and humble recruitment of Jeong Sa Ha, a designer with top-tier credentials, by literally going down on her knees.The competitive and cold dynamic between the sisters, especially in the brutal bathroom scene.The sly arrival of stylish twins to In Jae Company and the challenge they pose to Samsan Tech.Alex Kwon's savvy evaluation of Samsan Tech's potential, not just performance — and his pivotal vote that secures their place in Sandbox.The ethics and motivations behind Han Ji Pyeong's involvement in the letters, and Seo Dal-mi's growing suspicions.Our reflections on the character of Han Ji Pyeong and whether redemption is possible.The amazing career of Kang Han Na, the actress who plays Won In Jae, including her roles in Moon Lovers, Bon Appetit, and her stint as a top DJ for KBS.ReferencesKang Han Na on WikipediaGUI Steakhouse in New York CityData.gov, the home of the US Government's Open DataRunning by Gaho

Première ville touristique du pays avec plus de quatre millions de visiteurs en 2024, Marrakech est aussi un haut lieu de la création artistique au Maroc. À côté de festivals internationaux de renom comme le Festival international du film ou la foire 1-54, grand rendez-vous de l'art contemporain, le tissu culturel de la ville se développe dans de nouveaux lieux plus confidentiels où se rencontrent des artistes de tout le pays et d'ailleurs. De notre envoyé spécial de retour de Marrakech, C'est un café niché dans une petite rue calme du quartier de Guéliz. Ici, pas de télé ni de décor austère, mais des lampes de bureau et des tables en bois. Au mur, des affiches de peintres ou graphistes marocains. Le barista Nerman a ouvert Kartell Kollektiv, il y a un peu plus de deux ans ; il est le premier surpris que son café soit devenu l'un des repères les plus prisés de la scène culturelle marrakchie : « Ce n'était pas le projet à l'origine, mais je crois que ce qui plaît, c'est le style du lieu et les événements culturels que nous organisons, les projections. C'est un espace de liberté et un coffee shop en même temps, et je crois que c'est exactement ce dont les jeunes ont besoin. » Bagues amazighes à tous les doigts, vêtu d'un grand ensemble noir en lin, Tarzan, à peine 20 ans, mannequin, photographe et peintre, savoure un café latte en terrasse : « Beaucoup de jeunes créateurs maintenant essayent de venir ici pour se connecter, pour rencontrer des gens, pour se faire un nom dans la scène, pour être respectés dans leur domaine. Voilà, c'est ça Marrakech. » À lire aussiCAN 2025: Rabat, ville majeure du tournoi et nouveau centre névralgique du football marocain [1/6] Yazid Bezaz est réalisateur et directeur artistique pour de grandes marques internationales de vêtements. Il est né et a grandi à Londres, mais c'est à Marrakech qu'il a posé ses valises : « Automatiquement, je suis tombé amoureux de cette ville, de l'esprit qu'elle a. Elle est tellement charmante, très libre. Je me suis juste senti chez moi ici, et j'ai trouvé que c'est une ville pour les jeunes, où c'est beaucoup plus facile de se trouver : tu as le temps de te développer. » « Ça tue le charme d'une ville » Un sentiment partagé par Joanna Woodford, directrice artistique et DJ écossaise, qui vit et travaille à Marrakech depuis un an : « Ça a été la meilleure décision de ma vie ! D'un point de vue artistique, personnel, vivre ici m'a vraiment poussée à être créative J'ai été inspirée par tout ce qui m'entoure : les gens, la façon de vivre. » À quelques pas de Kartell Kollektiv, dans ce bouillonnant quartier de Guéliz, de nombreuses galeries émergent. L'Blassa expose des artistes de tout le monde arabe. Son curateur, Abdellah Aboulhamid, entouré d'œuvres d'art, est reconnu pour avoir donné de la visibilité à de jeunes artistes de la région : « La culture marrakchie, en elle-même, est très différente des autres villes. Là d'où je viens, c'est beaucoup, beaucoup plus calme. Ici, vous trouvez que la collectivité est présente dans l'espace public : ça fait que les gens s'expriment et que les nouvelles idées sortent. » Le principal risque pour la ville, pointent tous ces amoureux de Marrakech : le tourisme de masse, la bulle immobilière et les logiques commerciales. Yazid Bezaz : « Ça tue le charme d'une ville. Et le charme de Marrakech, c'était toujours cet équilibre entre des trucs locaux et des trucs qui sont faits pour les touristes, ce mélange organique. Mais si tu enlèves ça, tu commences à diminuer petit à petit l'esprit d'une ville. » Selon les estimations, en 2025, Marrakech devrait de nouveau battre son record de visiteurs accueillis en une seule année. À lire aussiCAN 2025: Casablanca, la capitale du foot dont l'étoile pâlit [2/6]

1:17 - The News 8:24 - Election 11:12 - Idle Hands 11:27 - Ghost Dog: Way of the Samurai 12:40 - The Virgin Suicides 13:28 - Drop Dead Gorgeos 14:41 - Tarzan (1999) 15:33 - Pirates of Silicon Valley 17:36 - South Park: Bigger, Longer, & Uncut 28:49 - The Iron Giant 30:04 - Physical Ninja 33:32 - Opus 36:23 - Shakma 42:12 - One Battle After Another 48:43 - Match 52:11 - Prey 57:30 - Assault on Death Mountain & Bloodfist II

Zach welcomes back Ken Sowder (Ballyhoo Contributor, ‘The History of High Adventure) on an expedition through the  jungle where upon they will encounter its mighty monarch as they dive deep into the 1932 Pre-Code adventure classic, TARZAN THE APE MAN ! Join the duo as they unpack the history of the Tarzan character in literature & film, sift through the travails of production, explore and comb through the plot in meticulous detail, reckon with the unseemly treatment of people & animals both on and off screen, become impressed where the film manages to subvert expectation to its benefit, and then finally settle upon the many ways in which the film & character have influenced the world of film to this day. Plus: Was Brendan Fraser robbed of an Oscar for  George Of The Jungle? YES HE WAS.

Fake names, musical hot potato, gongs, dirty songs, Tarzan, and being overly dramatic. Songs in this episode: “The Happy Wanderer” Whistlin’ Jack Smith (1967) Theme from the TV show “Wagon Train (1960) “Whispering” Whispering Jack Smith (1928) “You Can Get it if You Really Want” Jimmy Cliff (1972) “The Harder …

Had Edgar Rice Burroughs and his brothers been successful with their Snake River gold dredge, Ed likely would never have had the time or inspiration to start writing “John Carter of Mars,” “At the Earth's Core” and “Tarzan” books. (For text and pictures, see https://offbeatoregon.com/1503b.edgar-rice-burroughs-in-oregon.html)

Frazetta, Norem, Roger Dean, Larry Elmore... ilustradores de fantasía que han creado mundos imaginarios que todavía nos hacen soñar. Ojo a la galería que hemos preparado: https://campamentokrypton.wordpress.com/2025/11/30/ck330-grandes-maestros-y-maestras-de-la-ilustracion-fantastica/ Desde el inicio del arte hasta la eclosión de los Prerrafaelitas y la Edad de Oro de la Ilustración se fue creando una generación de artistas que fueron recreando mitologías y personajes de cuento a la par que los sistemas de impresión se iban abaratando. John Bauer, Arthur Rackham o Edmund Dulac fueron algunos de esos pioneros. Tolkien (y C. S. Lewis) contaron con los servicios de Pauline Bynes, a los que se sumarían años después Alan Lee, John Howe, Jimmy Cauty o Angus McBride para recrear la Tierra Media. La irrupción de Virgil Finlay y sobre todo Frank Frazetta, fue una auténtica revolución y la literatura pulp recreaba a héroes como Conan o Tarzan y mundos de ciencia ficción y terror que retomarían Boris Vallejo o Earl Norem. La influencia del cómic fue cada vez mayor y de ahí surgió The Studio con Jeff Catherine Jones, y la revolución de Metal Hurlant con Moebius o Corben. El rock se aprovecharía de los paisajes alucinantes de Roger Dean o Robert Matthews, el cine del las hadas de Brian Froud y los juegos de rol del talento de Larry Elmore, entre otros. De España han surgido el maestro Sanjulián, Corominas que además reflexiona sobre su trabajo en nuestro podcast o Marina Vidal, que también nos analiza cómo es ser portadista de fantasía en nuestro país. Tenemos también tiempo de recomendar tres cómics: Macarras interseculares (Astiberri), La invasión de los hongos del espacio (Diábolo) y Replay (Garbuix) ¡Hemos preparado TODA UNA GALERÍA con el arte que mencionamos en el programa, que podéis disfrutar aquí, para tener una apoyo visual! https://campamentokrypton.wordpress.com/2025/11/30/ck330-grandes-maestros-y-maestras-de-la-ilustracion-fantastica/ Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

SCTV's Dave Thomas talks about making bold life choices, growing up in Canada, Shakespeare saving his ass, choosing between big money success as an ad man or being a broke improviser at Second City, becoming head writer on SCTV, Martin Short, Dan Aykroyd, Harold Ramis, John Candy, Catherine O'Hara, Eugene Levy, Joe Flaherty, Andrea Martin, Grace Under Fire, running an animation studio, turning to dramas like Bones and The Black List, going to Ukraine, Thailand, Mad Magazine, The McKenzie Brothers, Chester Hope, and how, to make it in Hollywood, you need at least two of these three things, Talent, Drive, & Luck. Bio: David William Thomas was born May 20, 1949, in St. Catharines, Ontario. He is the eldest son of British parents, Moreen Duff Muir (May 4, 1928 – May 18, 2022), a church organist for thirty years originally from Glasgow, Scotland and composer of church music, and John E. Thomas (1926–1996), a medical ethicist from Merthyr Tydfil, Wales who was head of the Philosophy Department at McMaster University, and the author of several books. Dave's younger brother, Ian Thomas, is a Canadian singer-songwriter. The family moved temporarily to Durham, North Carolina, where his father attended Duke University and earned a PhD in philosophy. The family moved back to Dundas, Ontario, in 1961, where Dave attended Dundas District high school, and later graduated with an honours Bachelor of Arts degree in English literature from McMaster University in Hamilton, Ontario.[1]  Starting his career as a copywriter at ad agency McCann Erickson in 1974, Thomas became the head writer of the Coca-Cola account in Canada within a year. After watching a Second City stage show in Toronto, and while suffering from self-described "boredom" in his advertising work, he auditioned for the Second City troupe and was chosen as a performer.[2] He was a cast member of the Toronto production of Godspell, along with Victor Garber, Martin Short, Eugene Levy, Gilda Radner, and Andrea Martin.[3] Paul Shaffer was the musical director.[3 He first achieved fame as a cast member of the Canadian TV comedy series SCTV, joining Godspell castmates Levy, Martin and later Short, plus Rick Moranis, John Candy, Harold Ramis, Catherine O'Hara and others. Notable characters on the show include Doug McKenzie of beer-swilling brothers Bob and Doug McKenzie, editorialist Bill Needle, Scottish scone-chef/bluesman Angus Crock, motor-mouthed TV ad announcer Harvey K-Tel, Lowery organist/curio pitchman Tex Boil and the "Cruising Gourmet". Thomas's first film role was in Home to Stay, directed by Delbert Mann, in which Thomas played in a scene with Hollywood legend Henry Fonda. He then wrote, co-directed, and starred in the Bob & Doug McKenzie feature film Strange Brew. Soon after, he wrote for and acted in The New Show, produced by Lorne Michaels during his hiatus from Saturday Night Live. Short-lived, this show featured a powerhouse writing staff including Thomas along with Buck Henry, George Meyer, Jack Handey, Al Franken, Tom Davis, Valri Bromfield and Steve Martin. Thomas tried his hand at network television hour-long shows in 1986 when he wrote and co-executive produced Steel Collar Man for CBS. The pilot was produced but did not go to series. He co-wrote Spies Like Us (1985) with Dan Aykroyd.  In 1988, Thomas wrote another hour long show for CBS, B Men, which was back ordered, but Thomas took a directing job at Paramount, which caused the network to drop the series. He reportedly introduced John Travolta and Kelly Preston while directing them in the Paramount film The Experts.  He wrote for, produced, and starred in The Dave Thomas Comedy Show (1990). In 1991, he starred in the Showtime comedy, Public Enemy #2. In 1992, he tried his hand at reality TV and co-executive produced ABC's America's Funniest People with Vin Di Bona, but left after thirteen weeks to appear in the film Coneheads.  In 1993, he co-starred in ABC's Grace Under Fire with Brett Butler and Tom Poston and continued with the show for 5 seasons. In 1995 Thomas starred in the ABC television film Picture Perfect with Mary Page Keller and Richard Karn. In 1995 Thomas produced a pilot of a game show called Family Challenge for ABC. When ABC did not pick up the series, Thomas sold Family Challenge to the Family Channel, where he produced 144 episodes of the show spread over 2 seasons. In 1996, Thomas played the title role in the Fox television film Mr. Foster's Field Trip aka Kidz in the Wood with Julia Duffy. In 1996, he wrote the book SCTV: Behind the Scenes (McClelland & Stewart, publishers). From 1999–2002, he voiced various roles on the animated series Mission Hill. Thomas co-starred in the Paramount feature Rat Race. As of 2001, Thomas has been the Executive Creative Director of Animax Entertainment, an animation studio based officially in Culver City, California. In 2001–2002 Thomas appeared with Eugene Levy and Martin Short on Short's show Primetime Glick as Bob Hope (an impression he had first developed for SCTV with great success). In 2002, he co-starred with Jason Priestley, Dave Foley, and Ewen Bremner in Fancy Dancing. The next year he played a lead role in Beethoven's 5th. In 2003, he directed a hospital comedy feature film entitled Whitecoats, which he also wrote. As of 2004, Thomas was on the official Advisory Committee for the Comedy program at Humber College, the only such diploma program in the world. In 2004, he and Moranis again worked together voicing Rutt and Tuke, two moose based on the McKenzie Brothers, in Disney's animated feature Brother Bear.[4]  Thomas has had a long career doing voices for animation including Animaniacs, Duckman, CatDog, The Adventures of Tarzan, Justice League and multiple roles on The Simpsons, King of the Hill and Family Guy. In 2005, he had a guest stint as Charlize Theron's "Uncle Trevor" on Fox's Arrested Development. In 2006, he reprised his voice role in Brother Bear 2 and appeared as himself in the feature film The Aristocrats. He began production on ArnoldSpeaks.com, a video blog, as the voice of Arnold Schwarzenegger; Animax Entertainment won an Emmy for a broadband animated series produced for ESPN, Off Mikes.  In 2007, Thomas and Rick Moranis reprised their roles as Bob and Doug McKenzie in a one-hour special, Bob & Doug McKenzie's Two-Four Anniversary, for CBC Television. The show featured cameos from McKenzie celeb fans like Ben Stiller, Dave Foley, Tom Green, Paul Shaffer, Andy Dick, Matt Groening, Barry Pepper, Martin Short, and Geddy Lee. Former Prime Minister of Canada Paul Martin was the host. In 2008, Thomas revived Bob and Doug McKenzie in a new animated series, Bob & Doug. While Thomas reprises the character of Doug in the new series, Moranis chose not to voice the character of Bob, which instead is voiced by Dave Coulier. Moranis is, however, involved in the series as an executive producer.[5]  In November 2009, Thomas received an Honorary Doctor of Letters from his alma mater McMaster University and gave the fall convocation speech. In 2010 Animax continued to produce branded entertainment, advertising and digital shorts for corporations like Disney, Warner Brothers, NBC Universal, and Kodak. In 2011, Thomas's company Animax produced another animated show for MTV entitled Big Box along with numerous Internet shorts such as Life With Dad.[6][7]  In 2012 and 2013 Thomas guest starred in the dramatic shows Perception and Bones as well as comedy shows Comedy Bang! Bang! and How I Met Your Mother. In addition in 2013 Thomas voiced the recurring role of Jeff Foxworthy's father Jesco in the CMT show Bounty Hunters.  Thomas joined the writing staff of the Fox crime drama television series Bones beginning in 2013. Thomas worked for two seasons on Bones, writing several episodes and working on staff as consulting producer for two seasons.[8]  In 2015 Thomas joined the writing staff of NBC's The Blacklist as a consulting producer. In 2020 life-sized statues of Thomas and Rick Moranis as their characters Bob and Doug McKenzie were put in place at the ICE District Sports Arena in Edmonton, Alberta.[9] Also in 2020, the Governor-General of Canada announced that Thomas was being appointed to the Order of Canada,[10] Canada's highest civilian award. In 2021, Thomas and Max Allan Collins teamed to write a sci-fi mystery novel, The Many Lives of Jimmy Leighton.

We started our reading in Govardhan Hill with a theme led by a specific verse (SB 11.3.31): smarantaḥ smārayantaś ca mitho 'ghaugha-haraṁ harim bhaktyā sañjātayā bhaktyā bibhraty utpulakāṁ tanum The last line says that you'll experience transcendental symptoms in your body. Tanum means the body, and that means when we interact with the world, we experience various changes in our bodies, like heart palpitations, we can worry about things; we can become affected. And we can also become affected by the power of transcendental experiences and interactions. It's one of the noticeable points made in the Caitanya-caritāmṛta. In fact, Lord Caitanya Mahāprabhu experienced extreme changes in His body because of His ecstasy and love of Kṛṣṇa, in reaction to chanting and remembering Kṛṣṇa and so forth. So, bibhraty utpulakāṁ tanum means your hair will stand on end; you'll feel ecstasy in your body. But why? I'm going backward in the verse, which says bhaktyā sañjātayā bhaktyā. This means that one kind of bhakti, which is official bhakti, means that you don't really have more than an intellectual understanding of it; your hair isn't standing on end, and you don't feel ecstasy. But as you continue it, then you'll change from that official kind of bhakti into the real life of bhakti. Just like when children grow up, they start to understand a lot of things they didn't understand before and they couldn't have; they didn't have the capacity. So, in the beginning, we don't have the capacity, but bhaktyā sañjātayā bhaktyā—from one kind of bhakti, another kind of bhakti emerges. It awakens naturally. Now you getting interested in the first two lines? Like how do we get there right? It's good going backward! So then, the verse says mitho 'ghaugha-haraṁ harim. How do you become purified? Well, when I'm in a pure state, I have all these discordant vibrations going on in my citta, in my consciousness, and it's really hard to get them out. They're really banging around in there, and they're impelling me to do things that are even against my own self-interest—even my intelligence will say, "Why are you doing this?" And the response is, "I don't know, I can't stop myself." This is the phenomenon of being entrapped in material life, being a conditioned soul. But the verse is saying that what is causing us to be in such discord with our self-interest is an accumulation of these vibrations, the vibrations in the material world. And those all get cleaned up! It says mitho 'ghaugha-haraṁ harim. Agha-ogha—try saying that. Yeah, if you say it a few times, people think you are Tarzan or something! Agha-ogha is the horrible accumulation of the worst kinds of poisonous vibrations that you can ever imagine. It's awful, and it's what causes us to suffer, and all that gets cleaned up. How? Aha, we come to the first line. It says smarantaḥ smārayantaś ca mitho. Mitho means by meeting together in a group like this, or smaller (you can have two people, if you want), and smarantaḥ smārayantaś ca—remembering Kṛṣṇa and causing other people to remember Kṛṣṇa. Then, by that meeting, all of the unwanted things get destroyed within the heart. Somebody asked, "Why?" Our ācāryas say, "Because it pleases Kṛṣṇa when He sees the devotees come together to remember and cause others to remember." And then, by that process, one advances from official bhakti to real bhakti. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ---------------------

Alexander Skarsgård (Murderbot, Melancholia, True Blood) is an Emmy Award-winning actor. Alexander joins the Armchair Expert to discuss accidentally signing up for a month-long cross country ski trek in the South Pole, gaining 25 pounds and long hair in the final season of True Blood because he was prepping to play Tarzan, and how everyone in Sweden exhibits symptoms of No Tall Poppy Syndrome. Alexander and Dax talk about why a sprinkle of anarchy would be good in Sweden, growing up around actors and artists he longed for a dad that drove a Saab, and joining the military as a response to being raised by bohemians. Alexander explains booking his first Hollywood audition for Zoolander, playing AI gone rogue in Murderbot, and whether as a Swede he's liberated from the hedonic treadmill of obsessing about money.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.