Podcasts about Alan Vega

Martin Rev shares stories of the early days of Suicide, the acetates, recording the debut album, audience reactions, continually creating solo music and more. Topics Include: Discussion of Rev's current relationship with vinyl records Early influences on Suicide's sound Inspiration of Tony Williams Rev's transition from drums to electronic instruments Early Suicide performances with minimal equipment Origins of using "punk" term in early marketing Story of "Rocket USA" acetate at Max's Kansas City Henry Rollins acquiring one of the original acetates Recording process of first Suicide album Equipment used: Farfisa organ and Seagram's rhythm machine Creation of first album's cover art Response to negative early reviews Early tours with Elvis Costello & The Clash Audience reactions and controversies during shows Different versions of "Frankie Teardrop" Rev's creative partnership with Alan Vega Gap between Suicide albums Creation of "Clouds of Glory" solo album Current approach to composing music Discussion of "Demolition Nine" album Rev's process for creating new material How familiarity affects perception of one's work Rev's current artistic aspirations Upcoming UK shows and festivals Early Suicide set lists Rev's pre-Suicide musical background The band's evolution from chaos to acceptance Rev's perspective on collaboration Creating without commercial expectations The endless nature of musical discovery Rev's focus on continuing to create new work EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Extrait : « … Christophe aimait les étoiles de son enfance, les Piaf, Bécaud, Brassens, puis il avait rajouté des couches, le blues du Mississippi, Robert Johnson et John Lee Hoocker, le rock d'Elvis, celui de Lou Reed, et la musique inclassifiable et pourtant essentielle de Suicide et Alan Vega. De tout ça il avait tiré l'une des plus belles discographies de la chanson française, avec des morceaux inoubliables, ancrées dans la mémoire collective française … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde.Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Jaf rocks out with The Cats From Fresno, Alan Vega, Marvin Gaye, The Contours and takes a trip to Brazil via Jamaica, Detroit, London and all points north, south, east and west. You gotta stay young, you can never be old, it's the golden age of rock & roll!For more info and tracklisting, visit: https://thefaceradio.com/blues-and-grooves/Tune into new broadcasts of Blues & Grooves, Sundays from 4 - 5 PM EST / 9 - 10 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Per sort, nosaltres els convertim, com us hem convertit a vosaltres. Que el ball sigui al nostre cor sempre. Avui, material altament ballable. 01 Acopia - "Disengaged" 02 Florentino & Alan Vega & MJ Nebreda - "Pressure c

On this episode, Marc talks with Laura Davis-Chanin and Liz Lamere, co-authors of “Infinite Dreams: The Life of Alan Vega,” a deep and thorough portrait of the man most know as half of the innovative duo Suicide, but who also had an amazing career as a visual artist and poet. Laura and Liz weave a compelling narrative of his life with extended quotes from many people whose lives were affected by him, as well as an amazing wealth of images from along his entire, massively-productive career.As Liz writes, "Alan Vega lived his life through the lens of creation, tapping into the full spectrum of human emotion...Many have heard the legends of the intense stage persona; far fewer have a deeper knowledge of the full spectrum of creative pursuits and sphere of influence of the man himself.”We hope you enjoy Marc's conversation with Laura Davis-Chanin and Liz Lamere!

Join our poetry Salon and Open Mic: https://parallax-media-network.mn.co/share/5hSLvQW7bNszFGEo?utm_source=manual About David Herz: Hello. My names are David Salzmann Herz. I was born in Boston 70 years ago when McCarthy was getting his comeuppance. I lived with my family somewhere in Massachusetts before moving to Belo Horizonte, Brazil , as part of the Department of the Interior's Punto Quatro program where my father was instrumental in mapping the geology and training a generation of Brazilian geologists. I began writing aged ten at the American school of Sao Paolo which had scorpions in the sandbox. I won a turtle for my prose. Then we lived in Chevy Chase, Maryland before moving to Athens, Ga. Where I met the poet Colman Barks and other luminaries. I moved to Chicago and studied briefly under Del Close at Second City and David Mamet who was then directing the Goodman Theater. As well as Richard McKeon at the University of Chicago who taught Susan Sontag among others. Then I returned home and drove a car from Selma, Alabama to Warminster Pennsylvania, possibly damaging the transmission while accelerating against the snow and ice. The next three years in a bankrupt New York City were richness incarnate. I worked at the Oh Ho So restaurant in SoHo and as a busboy served Harry Belafonte, one of the reasons God created humans, a glass of water. I had Alice Notley, poetess supreme, for a teacher and read my prose work at the Saint Marks in the Bowery Poetry Project. Those were wild times, buildings burning, trash uncollected, rapes a'plenty, and great generosity from compassionate lawyers, doctors and dentists for the impoverished lot we were. You could easily meet people such as John Cage, Merce Cunningham, John Giorno, Ted Berrigan, David Byrne, Patti Smith, Fred Sherry, Nam June Paik, Allen Ginsberg, Gregory Corso, Charles Bernstein, Tony Towle, Bill Berkson, Eileen Myles, Ted Greenwald, John Cale, Lydia Lunch, Alan Vega, and avoid others such as Valerie Solanas. And then just as I was about to join a rock and roll band I moved to Paris. It's been 45 years. Odd jobs subtitling movies and Sipa Photopress Agency photographs. Doing journalism for English language papers, interviewing the B- 52's, Peter Brook, Zouc, Herbert Achternbusch, Paul Lederman, Boris Bergman and then working for Bull and Alcatel two fine French corporations employing hundreds of thousands who equally vanished into the capitalist sunset. Thanks to a flutist friend in Ircam I got to meet Karlheinz Stockhausen and Pierre Boulez but I don't think they remember me. I did a translation for Sophie Calle before she became Sophie Calle. Also some work for the Royal family of Afghanistan. Back when there was one. At Paris VIII University still in the Bois de Vincennes with the whores whom we did not try to lead to culture I got to attend classes by Lyotard & Deleuze and the Miller Brothers, Lacan's son in laws? Noam Chosmky spoke. I thought to become a consultant in a moment of delusion and ended up teaching for the last 24 years: Polytechnique, SciencesPo, ENST, INT, Supelec, Ecole Centrale, ENPC, ENSTA, Paris V, ICP, ESIEE, ECE, Ecole du Louvre. Before that I was a technical translator, a field I am happy to report that has been almost entirely taken over by machines, bless their soulless bodies. I also got married and my wife and I had two children. But we hadn't really grown up much to the needless suffering of the children and so that marriage went painfully bust...Then I married again and we had a daughter. She's on the phone right now, de rigueur for all 16 year olds. I am a loving observer of the human experiment of which I am inextricably a part, how so ever much I would like to be apart. As we advance, not necessarily progress, into the numbing, memory erasing age of AI, already sinking its canines deep into our pranic jugulars, lose ourselves in our beloved electronic devices, we must look to our hands, our analog writing devices such as pencils and pens and give them a try. Along with all the rest.

What's up, dudes? I've got Ken Kessler from Sounds of Christmas and Scott Leopold from Holly Jolly X'masu here to talk the mutant disco/no wave album “A Christmas Record!” From ZE Records, it was a triumph of experimental Christmas music.Founded in 1978 by Michael Zilkha and Michel Esteban, ZE was one of the most popular rated labels, capturing the emerging New York sound of the period. They gained exposure through a distribution deal with Island Records. In fact, before long they had signed  such acts as Kid Creole, the Waitresses, Was (Not Was), Cristina, and James White. Called “the best independent record label in the world” and “the world's most fashionable label,” they closed their doors in ‘84.In 1981, ZE released a Christmas compilation album as a lark. Of course the album is noted for standout alternative tracks “Christmas Wrapping” and “Christmas on Riverside Drive.” Davitt Sigerson's “It's a Big Country” is a folksy little ditty that plays as a newsletter of sorts, tucked into a Christmas card. Unfortunately, some of the songs don't quite hit as hard. Suicide's “Hey, Lord” is a depressing number and Alan Vega's “No More Christmas Blues” feels like just the opposite.Synthesizer? Yep. Funk rhythms? Got ‘em. Bummer Christmas songs? For sure! So grab your record player, put “A Christmas Record,” and listen to this episode!Sounds of ChristmasFB: @SOCMusicTwitter: @SOCMusicIG: @socmusicHolly Jolly X'masuFB: @HollyJollyXmasuTwitter: @HollyJollyXmasuIG: @hollyjollyxmasuGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

Ben Vaughn es cantante, guitarrista y compositor. Productor de leyendas como Nancy Sinatra, Charlie Feathers o Arthur Alexander. Autor de bandas sonoras para películas, documentales o series de televisión. Ha grabado discos con Alex Chilton o Kim Fowley. Incluso grabó un álbum dentro de un coche. Un auténtico omnívoro musical con cuarenta años de trayectoria a sus espaldas y un legado de canciones brillantes que van de los sonidos experimentales al sonido acústico más intimista pasando por todos los estilos que ha dado el viejo rock’n’roll. Lo cazamos junto a su guitarra en medio de una gira española que a partir de hoy continúa sin banda.Playlist;BEN VAUGHN “Too sensitive for this world” (Vaughn sings Vaughn vol. 2, 2007)BEN VAUGHN “In my own reality” (The world of Ben Vaughn, 2022)THE MORELLS “You’re gonna hurt yourself” (You’re gonna hurt yourself, 2024)BEN VAUGHN “The man who has everything” (Dressed in black, 1990)BEN VAUGHN COMBO “Sleepless nights” (The many moods of Ben vaughn, 1986)BEN VAUGHN “Heavy machinery” (Rambler 65, 1995)BEN VAUGHN “7 days without love” (Rambler 65, 1995)BEN VAUGHN “Miss me when I’m gone” (Texas road trip, 2014)BEN VAUGHN “Six by six” (Texas road trip, 2014)BEN VAUGHN and KIM FOWLEY “Kings of saturday night” (Kings of Saturday night, 1995)ALAN VEGA, ALEX CHILTON and BEN VAUGHN “Candy man” (Cubist blues, 1996)BEN VAUGHN COMBO “Vibrato in the grotto” (single, 1985)BEN VAUGHN “Bushfire” (Designs in music, 2006)THE BEN VAUGHN QUINTET “Jukebox jukebox” (Five by five EP, 2015)BEN VAUGHN “Darlene” (Directo en El Sótano)BEN VAUGHN “Google translate” (Directo en El Sótano)BEN VAUGHN “Clothes don’t make the man” (Beautiful thing, 1987)Escuchar audio

Born in Mount Ephraim, New Jersey, Vaughn grew up in Collingswood, New Jersey, outside Philadelphia.[2][3] At age 6, his uncle gave him a Duane Eddy record and forever changed his life. He started playing the drums in a garage band when he was 12, then transitioned to the guitar. After school, he would go to a local department store, where he would borrow the guitars and practice over chord sheets.[4] He attended Audubon High School.[1]In 1983, he formed the Ben Vaughn Combo. The band was together for five years, releasing two albums and touring the U.S. several times. They received rave reviews in Rolling Stone and People magazines as well as video airplay on MTV. The attention inspired Marshall Crenshaw to record Vaughn's "I'm Sorry (But So Is Brenda Lee)" for his Downtown album. Vaughn embarked on a solo career in 1988, recording several critically acclaimed albums, touring extensively in Europe and the U.S., and receiving more MTV exposure. During that period he produced three records for the Elektra Records American Explorer series (Memphis rockabilly legend Charlie Feathers, Muscle Shoals country soul singer Arthur Alexander) and recorded "Cubist Blues" a collaboration with Alan Vega and Alex Chilton. He also scored two films (Favorite Mopar and Wild Girl's Go-Go Rama), as well as appeared as a frequent guest commentator on nationally syndicated radio shows Fresh Air and World Cafe. In 1995, Vaughn moved to L.A. and released "Instrumental Stylings," an album of instrumentals in a variety of styles. A guest appearance on KCRW's "Morning Becomes Eclectic" led directly to being hired as the composer for the hit TV sitcom 3rd Rock from the Sun. That '70s Show soon followed, and for the next ten years, Vaughn would provide music for a dozen other TV shows and pilots (Men Behaving Badly, Normal, Ohio, Grounded for Life). He also provided scores for several films (Psycho Beach Party, The Independent, Scorpion Spring) and continued producing records (Ween, Los Straitjackets, Mark Olson of the Jayhawks, Nancy Sinatra, and the Swingers soundtrack CD). Support the Show.It's Rock 'n' Roll Fridays!FacebookYoutubeInstagramWebsite Got a Great Musical Story? Be a guest, email us: michael@michaeldmarketing.com

Laura Davis-Chanin in conversation with David Eastaugh http://backbeatbooks.com/books/9781617136870 https://www.amazon.co.uk/Infinite-Dreams-Life-Alan-Vega/dp/149307248X Winner of the ASCAP Deems Taylor/Virgil Thomson Award for Excellence in Writing and named in Billboard's top 10 Music books of 2018 for her book, "The Girl in the Back," Laura is pursuing her second love, writing. Her first love, her daughters, bring her eternal sunshine everyday. Her second book, "I am Michael Alago," about the unique and remarkable person who brought Metallica to the world as well as Nina Simone's last album, was released in 2020 on Backbeat Books. Just completed a biography of Alan Vega, front man for the band, Suicide, entitled "Infinite Dreams: The Life of Alan Vega" - released August 2024, while she finishes her novel based on true events entitled "A Finished Noise".

Liz Lamere in conversation with David Eastaugh http://backbeatbooks.com/books/9781493072484 https://www.amazon.co.uk/Infinite-Dreams-Life-Alan-Vega/dp/149307248X https://lizlamere.bandcamp.com/album/one-never-knows Liz Lamere was Alan Vega's wife and long-term creative collaborator. They met in 1985 when she was a corporate lawyer at a major Wall Street firm and played drums in a punk band, SSNUB. She co-wrote, co-produced, and recorded numerous songs with Vega. Now, she spearheads the ongoing release of recordings from the “Vega Vault,” a vast library of unreleased albums, songs, and sound recordings. She oversees the Vega archives of works on paper, extensive writings of lyrics, poetry and fine art Vega created until his passing in 2016.Lamere has recorded two solo albums "Keep it Alive" and "One Never Knows" on In the Red Records. She has toured internationally with Alan Vega and as a solo artist.

Laura David Chanin – Infinite Dreams: The life of Alan Vega...with TRE's Giles Brown

En nuestro club subterráneo te invitamos a disfrutar de un brebaje sonoro oscuro y vicioso, insinuante y misterioso, todo preparado con ritmo de baile de catacumba.Playlist;(sintonía) KING COLEMAN “Down in the basement”ALLAH-LAS “No werewolf”LIMIÑANAS “Je ne sui spas très drogué”ALAN VEGA, ALEX CHILTON y BEN VAUGHN “Candy man #2”KID CONGO POWERS “Goldin’ browne”FIFTY FOOT COMBO “Plastic dreams”THE GORIES “There but for the grace of God go I”DIM STARS “Baby huey”POWERSOLO “Knucklehead”WILDEBEESTS “Mongoloid”THE STOOGES “Loose”IVY GREEN “I’m sure we’re gonna make it”THE FLESHTONES “Legend of a wheelman”GUN CLUB “Sex beat”MODERN LOVERS “She cracked”NRBQ “White horse”BOSSHOSS “Sabotage”THE HILLBILLY MOON EXPLOSION “Chick habit”MANO NEGRA “King of Bongo”THE CRAMPS “Kizmiaz”Escuchar audio

Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/donny-benetSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeThere's comical bands (Gwar), there's parody bands (Steel Panther), and there's clever combinations of both (Mac Sabbath). The Italian-Australian Donny Benét is none of those and all of those at the same time. His polished compositions, breezy rhythms, and funky fretwork are no laughing matter. Instead, Donny is the joke … or is he?“I thought, “What would I think if I saw some bald, chubby dude shredding on bass and fretless?' I'd be like ‘hell yeah,' so I might as well be the guy that'll do it,” explains Benét.Donny (born Ben Waples) is from a musical family in Sydney, Australia. He grew up performing on several instruments, became classically trained on piano, and earned a master's degree in double bass. The fluent musician started a career as a jazz bassist for various artists in Sydney, and eventually shifted to an experimental jazz/electronica band, Triosk. While both endeavors were challenging and rewarding, Ben wasn't having fun. After Triosk disbanded, Waples continued writing and recording on his own. It started with Cubase and a Line 6 DL4 that gave him 48-second loops. He started making “Donny Benét” joke songs. His friends and family continued encouraging him to make more, and before he knew it he had enough material to create Don't Hold Back. (To this day he still records all the parts except saxophone, played by his brother Daniel Waples.) And through his passion for creating music combined with his love for '70s funk and R&B—he mentions his introduction to electric bass was via a VHS tape featuring Larry Graham, Bernard Edwards, and Nile Rodgers—infused with the aesthetic and aura of Itala-disco performers, Donny Benét was born.“I'm a seriously trained jazz musician in a prior life, and I try not to take myself too seriously now, but I'm deadly serious about taking the piss out of myself. I like humor, but I definitely don't make joke music,” states Benét.Since 2011, he's released six albums, all showing an evolution and refinement of the Don. Each release has revealed a new part of Benet's infinite swagger, blending influences of Prince, Alan Vega, Lou Reed, Tom Jones, and, of course, James Jamerson, “Duck” Dunn, and the funk forefathers. Yes, Donny B can sweep you off your feet, but that's because one thing reigns supreme—the music.“With Donny I've always taken the approach of ‘what would I listen to?' I started there and I continue to follow it. If no one likes it, that's fine, so long as I like it. If someone else likes it, even better,” says Benét.Before his headlining gig at Nashville's Basement East, Donny B welcomed PG's Chris Kies onstage to chat about his minimal-but-musical setup. Benét explains the origins of “Donny,” covers his custom Furlanetto 4-string and why he calls it “probably the best live instrument I got,” and discusses scoring tons of gear when the exchange rate presents deals.Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/donny-benetSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar0:00 - D'Addario Pedalboard Essentials0:15 - Chris Kies Intro0:49 - Donny Benét Intro1:42 - Donny Benét Origins8:55 - Custom Furlanetto "F Bass" VF413:39 - D'Addario & Rig Rundown14:11 -...

(c)!THE SAME :: Dream Baby Dream #artdisc.org

Infinite Dreams: The Life of Alan Vega (Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer. Infinite Dreams describes Vega's many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, Infinite Dreams combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Infinite Dreams: The Life of Alan Vega (Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer. Infinite Dreams describes Vega's many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, Infinite Dreams combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Infinite Dreams: The Life of Alan Vega (Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer. Infinite Dreams describes Vega's many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, Infinite Dreams combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Infinite Dreams: The Life of Alan Vega (Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer. Infinite Dreams describes Vega's many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, Infinite Dreams combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Infinite Dreams: The Life of Alan Vega (Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer. Infinite Dreams describes Vega's many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, Infinite Dreams combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Infinite Dreams: The Life of Alan Vega (Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer. Infinite Dreams describes Vega's many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, Infinite Dreams combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Infinite Dreams: The Life of Alan Vega (Backbeat, 2024) by Laura Davis-Chanin and Liz Lamere is the first biography on the life of Alan Vega, best known as the co-founder of the punk duo Suicide. In their exhaustive biography Davis-Chanin and Vega's wife of 30 years, Liz Lamere, start with Vega's early life and attempts at astrophysics in college, to his encounter with Iggy Pop that changed his path and encouraged him to become an artist and performer. Infinite Dreams describes Vega's many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. Delving into his artistic life as well as his personal trials, Infinite Dreams combines candid photos, drawing, images of art pieces, and reminiscence of a wide array of musicians and artists, creating an intimate glimpse into the life of Vega and those he influenced.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The month of March kicks off TNT's deep dive into our next record label, London's own Soul Jazz Records. To start this series off, Thanh + Tim are talking about a compilation that features no wave, post-punk, mutant disco, and avant-funk all in one! Contort yourself along with us as we dig into 2003's “New York Noise: Dance Music from the New York Underground 1978-1982.”

“Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. This week, I am excited to bring you Laura Davis-Chanin from the band The Student Teachers. They were a small band in New York City back in the late 1970s poised to go to bigger and better places with the help of none other than David Bowie. Here she tells of creating her band, riding with Blondie, and meeting the man himself, David Bowie. You can find The Student Teachers on Facebook here. You can pre-order her biography of Alan Vega, "Infinite Dreams" on Amazon here or on IndieBound here. Musical credits: "Christmas Weather" from The Sudent Teachers Timber Lodge Rumba by Blue Dot Sessions Be sure to look out for my books, "Lived Through That" and "80s Redux" where ever you buy your books! You can find out more about my work and the 80s and 90s books at my website ⁠here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, the Spotlight shines On musician and songwriter Nicholas Dembling, aka Nic North, aka Nic West, of seminal New York CIty New Wave Pop band, Comateens.The New York that birthed Comateens was in the midst of a particularly vibrant musical moment. There was new music everywhere. Jazz cats were staging loft concerts in pre-glitz SOHO. The punks and no wavers were holding court on the Lower East Side. Philip Glass and the minimalists were premiering new works and way up in the Bronx, hip hop was coming on strong.Nic was working at New York's MediaSound recording studio where he and co-worker Ramona Lee Jan began to write songs together. With necessity as the mother of invention, Nic and Ramona began to play gigs with only a bass, a guitar and an electronic rhythm box, so that the band and its equipment could fit into one New York City taxi cab. This self-imposed constraint led to the original Comateens, a concept shared by Alan Vega and Martin Rev, who were doing something with a similar lineup with their duo, Suicide.Nic takes us through both his and Comateens musical upbringing and development, as well as how he is documenting and preserving the band's legacy.(the musical excerpts heard in the interview are taken from the Comateen's reissued 1979 single "Danger Zone"/"Elizabeth's Lover") -- Dig DeeperCheck out the exhaustive Comateens archive at comateens.comListen to the Comateens' 1979 single "Danger Zone"/"Elizabeth's Lover" on BandcampFollow Comateens on Facebook, Instagram, Twitter (X), and YouTubeRamona Jan & Nic North Reflect on Their Life and Times as Synth-Punk Band ComateensNew Wave Central: CBGBs And The Birth Of New York PunkGoFundMe for Romona JanDon't miss this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On musician and songwriter Nicholas Dembling, aka Nic North, aka Nic West, of seminal New York CIty New Wave Pop band, Comateens.The New York that birthed Comateens was in the midst of a particularly vibrant musical moment. There was new music everywhere. Jazz cats were staging loft concerts in pre-glitz SOHO. The punks and no wavers were holding court on the Lower East Side. Philip Glass and the minimalists were premiering new works and way up in the Bronx, hip hop was coming on strong.Nic was working at New York's MediaSound recording studio where he and co-worker Ramona Lee Jan began to write songs together. With necessity as the mother of invention, Nic and Ramona began to play gigs with only a bass, a guitar and an electronic rhythm box, so that the band and its equipment could fit into one New York City taxi cab. This self-imposed constraint led to the original Comateens, a concept shared by Alan Vega and Martin Rev, who were doing something with a similar lineup with their duo, Suicide.Nic takes us through both his and Comateens musical upbringing and development, as well as how he is documenting and preserving the band's legacy.(the musical excerpts heard in the interview are taken from the Comateen's reissued 1979 single "Danger Zone"/"Elizabeth's Lover") -- Dig DeeperCheck out the exhaustive Comateens archive at comateens.comListen to the Comateens' 1979 single "Danger Zone"/"Elizabeth's Lover" on BandcampFollow Comateens on Facebook, Instagram, Twitter (X), and YouTubeRamona Jan & Nic North Reflect on Their Life and Times as Synth-Punk Band ComateensNew Wave Central: CBGBs And The Birth Of New York PunkGoFundMe for Romona JanDon't miss this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

mix ipad souvenir du Palace intro Ardisson

Sesión cocinada sin rumbo fijo, guiados por la mera diversión, aunque apostando en todo momento por la experimentación. Vanguardia minimalista, krautrock, sintetizadores, atmósferas etéreas, torbellinos sónicos o rockanrollers como Marcel Bontempi o Powersolo arrimándose al trip hop o el rap. Playlist;(sintonía) PASCAL COMELADE “Russian roulette” (Stranger in paradigm, 2006)PASCAL COMELADE & LIMIÑANAS “Le Rififi brille en jaune” (Boom Boom, 2023)THE LIMIÑANAS “Je ne suis pas très drogue” (The Limiñanas, 2010)MARCEL BONTEMPI “Go down” (single, 2023)POWERSOLO “Plasma crystal dope” (Egg, 2006)CAN “Spoon” (Ege Bamyasi, 1972)SUICIDE “Keep your dreams” (single, 1976)ALAN VEGA, BEN VAUGHN & ALEX CHILTON “Fat City” (Cubist blues, 1996)ALEX CHILTON “Hey! Little child” (Like flies on sherbert, 1979)MODERN LOVERS “She cracked” (Modern Lovers, 1976)DAVID BOWIE “Pablo Picasso” (Reality, 2003)TELEVISION “1880 or so” (Television, 1992)LUNA “Double feature” (Penthouse, 1995)MARTIN REV “I made you cry” (See me ridin’, 1996)ALAN VEGA “Goodbye darling” (Saturn strip, 1983)Escuchar audio

#207 Mantendo as expectativas baixas para não decepcionar o sedento público, que nunca foi alvo - até pelo contrário, moreno alvissareiro, queimado de sol. Getúlio Adler, Breno Bocalluva e Gianni Bravo oferecem banquete, boca livre, open bar, para chegados e diletantes no endereço acima, duração de 126 minutos de pura travessura. Presença confirmada de Tito Rosemberg nas carrapetas e DJ ApoiaBoia soltando um Curtis Mayfield com Here but I'm Gone, Propellerheads com History Repeating (feat. Shirley Bassey) e Alan Vega, Alex Chilton e Ben Vaughn com Fly Away. O Borogodó não tem hora para acabar. --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

Episode 145 of Pudding On The Wrist, in which your psychic friend and faithful deejay, Frozen Lazuras, spins choice cuts from Alan Vega, Lee Perry & The Upsetters, Jeanne Lee, Autoclave, Dr. Timothy Leary, The B-52's, and so many more.

Disk Jockeys, aka DJs, are very strong in music history. They anchored many rap, hip-hop, house, and dubstep artists throughout the 80s and 90s. My interest is piqued on the experimental side, creating electrifying sounds, weird synths, and beats that make you cringe. Down here in south Florida, you get your average DJ there good, but not experimental like many DJs on the west or up north Florida taking dubstep to the levels like Alan Vega and Martin Rev did with their band Suicide. Trippy from Trippydubz is an experimental dubstep DJ out here in south Florida. The progression drops beats he makes, showing strength in cooperating with different sounds to keep your feet moving and the anxiety pumping. Be sure to check out Trippydubz, on his social links below ⤵️. IG:  instagram.com/trippydubz Twitter: twitter.com/trippy_dubz SoundCloud: https://on.soundcloud.com/34ta266oUp78cF9w6 We have a magical link below with all our socials and handle so you can find us on your favorite pod spot

Photo by Jasmine Hirst Artist, musician, composer, boxer and trained attorney Liz Lamere joins Tim and Lydia, to talk boxing, music, and her late husband Alan Vega.

For 40+ minutes of extra content,  including our discussions of Astonishing Tales #12 -13 (the second Man-Thing story) and Marvel Team-Up #3 (the return of Morbius), support us at patreon.com/marvelbythemonth. Subscribers at the $4/month level get instant access to our bonus feed of content that contains more than 60 extended and exclusive episodes! This is the last episode appearing in the public feed until January 2023, but the Patreon feed will continue to be updated regularly with exclusive bonus episodes and extended re-edits of old episodes from the pre-Patreon days. Deep Dives in this Episode: "Island of the Damned!" - Marvel Spotlight #4, written by Gerry Conway, art by Mike Ploog, ©1972 Marvel Comics"Who Stalks the Vampire?" - Tomb of Dracula #3, written by Archie Goodwin, art by Gene Colan and Tom Palmer, ©1972 Marvel Comics"Ghost Rider" - Marvel Spotlight #5, written by Gary Friedrich, art by Mike Ploog, ©1972 Marvel Comics "Marvel by the Month" theme v. 3.0 by Robb Milne, sung by Barb Allen. All incidental music by Robb Milne."Ghostrider" by Alan Vega and Martin Rev, performed by Rollins Band.Visit us on internet at marvelbythemonth.com, follow us on Instagram at @marvelbythemonthand Twitter at @MarvelBTM, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information.

Ben Vaughn es un conocido músico y productor estadounidense con una trayectoria a sus espaldas de casi cuatro décadas. Es también un gran conocedor musical, un estudioso de los sonidos del pasado con un gusto exquisito y ecléctico como selector de canciones, faceta que muestra de forma semanal en su programa de radio The Many Moods of Ben Vaughn. Playlist; (sintonía) DICK HYMAN “The Liquidator” ALAN VEGA “Juke box baby” NINA SIMONE “See-line woman” SIR DOUGLAS QUINTET “Mendocino” SLIM HARPO “Baby scratch my back” NINO ROTA “Amacord” CHARLIE FEATHERS “Can’t hardly stand it” MICKY LEE LANE “Shaggy dog” TIM HARDIN “Misty roses” THE CRAMPS “Human fly” SERGE GAINSBOURG “Requiem pour un twister” ASTRUD GILBERTO “Agua de beber” DELROY WILSON “Better must come” ALEX CHILTON “Bangkok” CHARLEY PRIDE “Is anybody goin’ to San Antone” PETER SARSTEDT “Where do you go to my lovely” LINK WRAY “Fat back” ARTHUR ALEXANDER “Anna” Escuchar audio

Ben Vaughn On Zig At The Gig Ben Vaughn grew up in the Philadelphia area on the New Jersey side of the river. At age 6, his uncle gave him a Duane Eddy record and forever changed his life. In 1983, he formed the Ben Vaughn Combo. The band was together five years, releasing two albums and touring the U.S. several times. They received rave reviews in Rolling Stone and People magazine and video airplay on MTV. The attention inspired Marshall Crenshaw to record Ben's "I'm Sorry (But So Is Brenda Lee)" for his "Downtown" album. Ben embarked on a solo career in 1988, recording several critically acclaimed albums, touring extensively in Europe and the U.S. and receiving more MTV exposure. During that period he produced three records for the Elektra Records American Explorer series (Memphis rockabilly legend Charlie Feathers, Muscle Shoals country soul singer Arthur Alexander) and recorded "Cubist Blues," a collaboration with Alan Vega and Alex Chilton. He also scored two films ("Favorite Mopar" and "Wild Girl's Go-Go Rama"), as well as appearing as a frequent guest commentator on nationally syndicated radio shows “Fresh Air” and "World Cafe." In 1995, Ben moved to L.A. and released "Instrumental Stylings," an album of instrumentals in a variety of styles. A guest appearance on KCRW's "Morning Becomes Eclectic" led directly to being hired as the composer for the hit TV sitcom "3rd Rock From The Sun." "That 70s Show" soon followed, and for the next ten years Ben would provide award-winning music for a dozen other TV shows and pilots ("Men Behaving Badly," "Normal, Ohio," "Grounded For Life"). He also provided scores for several films ("Psycho Beach Party," "The Independent," "Scorpion Spring") and continued producing records (Ween, Los Straitjackets, Mark Olson of the Jayhawks, Nancy Sinatra, and the "Swingers" soundtrack CD). Somehow Ben found time to create the legendary "Rambler '65." Recorded entirely in his car, this much-publicized album (and subsequent short film) is still considered by many to be a classic document of a man and his dream. Since then, Ben has released “Designs In Music," “Vaughn Sings Vaughn Vols. 1-3,” “Texas Road Trip” (recorded in Austin, Texas with Doug Sahm's band) , "Five By Five" and "Piece de Resistance" by the Ben Vaughn Quintet and the solo acoustic album, “Imitation Wood Grain And Other Folk Songs.” Add to that an Italian dance hit (a DJ re-mix of “Hey Romeo”), airplay of “Jerry Lewis in France” on Bob Dylan's radio show (complete with Dylan's recitation of Ben's resume), and two recent tours in France and you're looking at what continues to be a very interesting career. Occasionally, Ben takes a break from his syndicated radio show (“The Many Moods of Ben Vaughn”) to perform live in the US and Europe. The dates are randomly planned so catch him while you can! Ben's Info http://benvaughn.org www.facebook.com/benvaughnmusic www.instagram.com/benvaughnmusic  

Liz Lamere's path to her debut album was not a direct one. She was actually a high powered Wall Street lawyer. But she wasn't your typical high powered Wall Street lawyer. She was the only one with purple hair and a spike in her nose who played drums in a punk band. But she met Alan Vega and everything changed. The couple began working on Alan's music together, raised a family, and toured the world. Liz talks about all of that; how Henry Rollins & Jared Artaud of The Vacant Lots had life changing impacts on her and Alan; the Vega Vault; and how she finally made the debut album like Alan always wanted. And did you know that she also managed professional boxers? She almost became one, herself. And she shares how boxing continues to have an effect on her music. Pick up Liz's debut, Keep It Alive, on In The Red Records, give her a follow @lamereliz on Instagram and @liz_lamere on Twitter. If you're not already, follow us @PerformanceAnx on both. Please consider supporting the show with a review wherever you listen of financially through ko-fi.com/performanceanxiety or performanceanx.threadless.com. So let's get ready to…wait I can't say that. I'll get sued. Enjoy Round One of Liz Lamere on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Liz Lamere's path to her debut album was not a direct one. She was actually a high powered Wall Street lawyer. But she wasn't your typical high powered Wall Street lawyer. She was the only one with purple hair and a spike in her nose who played drums in a punk band. But she met Alan Vega and everything changed. The couple began working on Alan's music together, raised a family, and toured the world. Liz talks about all of that; how Henry Rollins & Jared Artaud of The Vacant Lots had life changing impacts on her and Alan; the Vega Vault; and how she finally made the debut album like Alan always wanted. And did you know that she also managed professional boxers? She almost became one, herself. And she shares how boxing continues to have an effect on her music. Pick up Liz's debut, Keep It Alive, on In The Red Records, give her a follow @lamereliz on Instagram and @liz_lamere on Twitter. If you're not already, follow us @PerformanceAnx on both. Please consider supporting the show with a review wherever you listen of financially through ko-fi.com/performanceanxiety or performanceanx.threadless.com. So let's get ready to…wait I can't say that. I'll get sued. Enjoy Round One of Liz Lamere on Performance Anxiety on the Pantheon Podcast Network.

This week on Transmissions: producer, television music maker, radio host, and overall interesting guy Ben Vaughn. His new album is called The World of Ben Vaughn. It was released physically on vinyl back on Record Store Day and digitally earlier this month. Rooted in gentle strums,much of its sweetly traditional songcraft was recorded out in Vaughn's Relay Shack studio in the Mojave Desert, and it echoes the most rustic of selections he plays on his great radio show The Many Moods of Ben Vaughn.  Ben's produced albums by Arthur Alexander, Nancy Sinatra, Charlie Feathers, and more—as well as collaborating with Alex Chilton and Alan Vega. For this episode, we spoke about the new album, his work as a Hollywood television music maker, producing Ween's irreverent cult classic 12 Golden Country Greats and much more. Thanks for listening to the show. If you enjoyed this program, please consider leaving a rating or review. Transmissions is part of the Talkhouse Podcast Network. 

Liz Lamere's path to her debut album was not a direct one. She was actually a high powered Wall Street lawyer. But she wasn't your typical high powered Wall Street lawyer. She was the only one with purple hair and a spike in her nose who played drums in a punk band. But she met Alan Vega and everything changed. The couple began working on Alan's music together, raised a family, and toured the world. Liz talks about all of that; how Henry Rollins & Jared Artaud of The Vacant Lots had life changing impacts on her and Alan; the Vega Vault; and how she finally made the debut album like Alan always wanted. And did you know that she also managed professional boxers? She almost became one, herself. And she shares how boxing continues to have an effect on her music. Pick up Liz's debut, Keep It Alive, on In The Red Records, give her a follow @lamereliz on Instagram and @liz_lamere on Twitter. If you're not already, follow us @PerformanceAnx on both. Please consider supporting the show with a review wherever you listen of financially through ko-fi.com/performanceanxiety or performanceanx.threadless.com. So let's get ready to…wait I can't say that. I'll get sued. Enjoy Round One of Liz Lamere on Performance Anxiety on the Pantheon Podcast Network.

Liz Lamere's path to her debut album was not a direct one. She was actually a high powered Wall Street lawyer. But she wasn't your typical high powered Wall Street lawyer. She was the only one with purple hair and a spike in her nose who played drums in a punk band. But she met Alan Vega and everything changed. The couple began working on Alan's music together, raised a family, and toured the world. Liz talks about all of that; how Henry Rollins & Jared Artaud of The Vacant Lots had life changing impacts on her and Alan; the Vega Vault; and how she finally made the debut album like Alan always wanted. And did you know that she also managed professional boxers? She almost became one, herself. And she shares how boxing continues to have an effect on her music. Pick up Liz's debut, Keep It Alive, on In The Red Records, give her a follow @lamereliz on Instagram and @liz_lamere on Twitter. If you're not already, follow us @PerformanceAnx on both. Please consider supporting the show with a review wherever you listen of financially through ko-fi.com/performanceanxiety or performanceanx.threadless.com. So let's get ready to…wait I can't say that. I'll get sued. Enjoy Round One of Liz Lamere on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s known for his work scoring music for hit TV shows “That 70s Show” and “3rd Rock from the Sun,” his records with Alan Vega, Alex Chilton, Charlie Feathers, and Nancy Sinatra, his long-running syndicated radio show, “The Many Moods of Ben Vaughn,” and a 40-year career as a solo artist. With a new solo record, “The World of Ben Vaughn,” coming out, Ben drops in to catch up with the Troubled Men before his tour of Spain. Apparently the rain there falls mainly on the plain. Topics include a Jazz Fest recap, a Daniel Lanois set, triangle sandwiches, porch parties, the Chili Peppers, the heat, WEVL, WXPN, a Big Star story, “Like Flies On Sherbet,” “Cubist Blues,” Suicide, “Rambler ’65,” a record collection, early dance bands, Duane Eddy, early recording, disgusting percussion, Roland Janes, moving to L.A., Pulp Fiction, surf guitar, session work, John Lithgow, the Mojave Desert, Tom Haden, Dave Catching, Dash Rip Rock, Sinatra’s “Watertown,” Bob Gaudio, the Four Seasons, and much more. Intro music: Styler/Coman Break and outro music: “Wayne Fontana Was Wrong” and “Blind Alley” from “The World of Ben Vaughn” by Ben Vaughn Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s Shirts here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook Cubist Blues YouTube Ben Vaughn Homepage Ben Vaughn Facebook The Many Moods of Ben Vaughn Facebook

In this episode we mark the 40th anniversary of the death of arguably the greatest — and certainly the most "almost famous" — writer in the history of music journalism. Two of Lester Bangs's closest Creem colleagues (both wonderful writers in their own right) join us from California to reminisce about the man and his work. Jaan Uhelszki, who started in the Creem office the same day as Lester, gets the ball rolling by putting Detroit's "anti-Rolling Stone" in context. Robert Duncan, who arrived two years later in 1974, adds his recollections of "America's only rock'n'roll magazine" [sic] before paying tribute to Lester. Respect, laughter and sadness ensue as Robert & Jaan discuss their friend's gonzoid genius, his exasperating foibles and the addiction that killed him at 33, six years after Robert persuaded him to move to New York. Seminal New York duo Suicide — beloved of Bangs — are the subjects of the week's new audio interview, clips from which feature pioneering electropunks Alan Vega & Martin Rev talking in 1998 about their "confrontational" live act, their introduction of the word "punk" into NYC's music scene in 1971… and Vega's love of British comedy The Full Monty! Finally, Mark talks us through his highlights among the articles recently added to the RBP library, including pieces about the Righteous Brothers, Laura Nyro, Jeff Beck at the Fillmore East, Pharoah Saunders and England's miserable Bickershaw festival. Barney notes a 1988 Paul Morley rumination on, yes, music journalism… and Jasper quotes from a John Doran "review" of Aphex Twin's Collapse. Many thanks to special guests Robert Duncan and Jaan Uhelszki; you can visit Robert's website at duncanwrites.com and find more of Jaan's writing on her RBP writer's page. Pieces discussed: Lester on RBP, Lester Bangs and Almost Famous, Richard Riegel on Lester, Robert Duncan, Lester on the MC5, Lester on how to be a rock critic, Lester on Astral Weeks, Lester on punk/jazz, Suicide audio, Righteous Brothers, Laura Nyro, Pharaoh Sanders, George Jones, Grateful Dead & Jeff Beck Group, Bickershaw festival, KISS, Divine, Paul Morley on the rock press and Aphex Twin's Collapse. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we mark the 40th anniversary of the death of arguably the greatest — and certainly the most "almost famous" — writer in the history of music journalism. Two of Lester Bangs's closest Creem colleagues (both wonderful writers in their own right) join us from California to reminisce about the man and his work. Jaan Uhelszki, who started in the Creem office the same day as Lester, gets the ball rolling by putting Detroit's "anti-Rolling Stone" in context. Robert Duncan, who arrived two years later in 1974, adds his recollections of "America's only rock'n'roll magazine" [sic] before paying tribute to Lester. Respect, laughter and sadness ensue as Robert & Jaan discuss their friend's gonzoid genius, his exasperating foibles and the addiction that killed him at 33, six years after Robert persuaded him to move to New York. Seminal New York duo Suicide — beloved of Bangs — are the subjects of the week's new audio interview, clips from which feature pioneering electropunks Alan Vega & Martin Rev talking in 1998 about their "confrontational" live act, their introduction of the word "punk" into NYC's music scene in 1971… and Vega's love of British comedy The Full Monty! Finally, Mark talks us through his highlights among the articles recently added to the RBP library, including pieces about the Righteous Brothers, Laura Nyro, Jeff Beck at the Fillmore East, Pharoah Saunders and England's miserable Bickershaw festival. Barney notes a 1988 Paul Morley rumination on, yes, music journalism… and Jasper quotes from a John Doran "review" of Aphex Twin's Collapse. Many thanks to special guests Robert Duncan and Jaan Uhelszki; you can visit Robert's website at duncanwrites.com and find more of Jaan's writing on her RBP writer's page. Pieces discussed: Lester on RBP, Lester Bangs and Almost Famous, Richard Riegel on Lester, Robert Duncan, Lester on the MC5, Lester on how to be a rock critic, Lester on Astral Weeks, Lester on punk/jazz, Suicide audio, Righteous Brothers, Laura Nyro, Pharaoh Sanders, George Jones, Grateful Dead & Jeff Beck Group, Bickershaw festival, KISS, Divine, Paul Morley on the rock press and Aphex Twin's Collapse.

Ben has released over 20 albums of retro rock since the early '80s, written for TV soundtracks, produced bands like Ween, and hosts a radio show. We discuss "Wayne Fontana Was Wrong" from The World of Ben Vaughn (2022), "I'm Sorry (But So Is Brenda Lee)" from Vaughn Sings Vaughn (Vol. 1) (2007), "Too Sensitive For This World" from from Dressed in Black (1990), and "Candyman" by Alan Vega, Alex Chilton, Ben Vaughn, from Cubist Blues (1996). We listen to his lockdown single, "Dancing in My Mind." Intro: His 1985 single, "My First Band." For more, see benvaughn.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Get 15% off at atMasterClass.com/examined.

Ben has released over 20 albums of retro rock since the early '80s, written for TV soundtracks, produced bands like Ween, and hosts a radio show. We discuss "Wayne Fontana Was Wrong" from The World of Ben Vaughn (2022), "I'm Sorry (But So Is Brenda Lee)" from Vaughn Sings Vaughn (Vol. 1) (2007), "Too Sensitive For This World" from from Dressed in Black (1990), and "Candyman" by Alan Vega, Alex Chilton, Ben Vaughn, from Cubist Blues (1996). We listen to his lockdown single, "Dancing in My Mind." Intro: His 1985 single, "My First Band." For more, see benvaughn.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Get 15% off at atMasterClass.com/examined.

Liz Lamere and Jared Artuad join us this week on Aquarium Drunkard's weekly talk show podcast Transmissions to discuss the life, work, and creative philosophies of the late Alan Vega. As one-half of Suicide, alongside his partner Martin Rev, Vega blazed a trail of provocative, synth-driven art rock that was often too punk for the punks. From there, his solo career found him making forays into pop music with producer Ric Ocasek, painting, and constantly creating, rarely working on any terms other than his own. For this program, his widow and creative partner Lamere and collaborator Artaud join host Jason P. Woodbury to discuss the Vega Vault, a vast trove of unreleased material that's yielded posthumous releases like It and Mutator on the Sacred Bones label, Surrender, a new career spanning Suicide comp, and Liz Lamere's Keep It Alive, out May 20 on In the Red Records.

“New Jersey Rock and Roll” The New Jersey born Ben Vaughn has put out close to twenty albums, including personal favorites of mine like Beautiful Thing, Mood Swings and Ben Vaughn Blows Your Mind. Aside from his own records, Vaughn has produced records by Ween, Los Straitjackets, Nancy Sinatra, and Charlie Feathers, had his songs covered by everyone from Marshall Crenshaw to Deer Tick and collaborated with the likes of Alex Chilton, Alan Vega, and Rodney Crowell. Vaughn loves punk and surf and rockabilly and folk and country and the blues, which explains the versatility of his collaborations. And if that wasn't an impressive enough resume, let's add these two career highlights: he penned the themes for both Third Rock From The Sun and That 70's Show. Oh, and he hosts the radio show The Many Moods of Ben Vaughn. Let's not forget that because it's one of the best radio shows out there. His new album The World Of Ben Vaughn not only demonstrates his musical dexterity, it also showcases his brilliance as a songwriter—filled with humor, wisdom and grace, Vaughn's work is always soulful, introspective and impossible to resist. Instagram: @benvaughnmusic www.bombshellradio.com Stereo Embers The Podcast: Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

With Record Store Day just around the corner, it's our pleasure to bring to you Ben Vaughn! He has a new limited edition album, The World of Ben Vaughn, exclusively available on RSD 2022. A widely acclaimed and accomplished musician and producer who has worked with the likes of Alan Vega, Alex Chilton, Ween, Los Straitjackets, Pink Slip Daddy, The Friggs and many more. Ben also worked in television and film as a composer for Third Rock From the Sun, That 70's Show, Grounded For Life as well as many others. His syndicated radio program, The Many Moods of Ben Vaughn, gives his audience a sampling of the eclectic blend of music that makes up his personal music collection and what has been an influence on him. With that being what we do here, I can't think of a better person to have on our program to discuss one of those records that has had a profound effect on him, The Sir Douglas Band's Texas Tornado! He's a beautiful cat, man! We encourage you to please contact your local independent record store to ask about this limited release and check out the list and participating stores here: https://recordstoreday.com/ Listen to the man!: https://podcasts.apple.com/us/podcast/the-many-moods-of-ben-vaughn-hosted-by-ben-vaughn/id425468151 www.benvaughn.com Our theme song is written and performed by Jeff Robbins of 123 Astronaut.

durée : 00:06:48 - La chronique de Mélanie Bauer - par : Melanie BAUER - Pour contextualiser le travail de l'invitée pour le Musée d'Orsay, Mélanie Bauer nous parle de la sortie de la première compilation officielle du duo Suicide, (Alan Vega et Martin Rev) avec des classiques tout bien remasterisés, disponible en vinyl chic avec des inédits dès le 8 avril prochain.

durée : 00:54:44 - Very Good Trip - par : Michka Assayas - Dans Very Good Trip l'ambiance est maussade, peut-être mais intense. Et il y a toujours une lumière au bout.