Podcast appearances and mentions of Martin Rev

Martin Rev shares stories of the early days of Suicide, the acetates, recording the debut album, audience reactions, continually creating solo music and more. Topics Include: Discussion of Rev's current relationship with vinyl records Early influences on Suicide's sound Inspiration of Tony Williams Rev's transition from drums to electronic instruments Early Suicide performances with minimal equipment Origins of using "punk" term in early marketing Story of "Rocket USA" acetate at Max's Kansas City Henry Rollins acquiring one of the original acetates Recording process of first Suicide album Equipment used: Farfisa organ and Seagram's rhythm machine Creation of first album's cover art Response to negative early reviews Early tours with Elvis Costello & The Clash Audience reactions and controversies during shows Different versions of "Frankie Teardrop" Rev's creative partnership with Alan Vega Gap between Suicide albums Creation of "Clouds of Glory" solo album Current approach to composing music Discussion of "Demolition Nine" album Rev's process for creating new material How familiarity affects perception of one's work Rev's current artistic aspirations Upcoming UK shows and festivals Early Suicide set lists Rev's pre-Suicide musical background The band's evolution from chaos to acceptance Rev's perspective on collaboration Creating without commercial expectations The endless nature of musical discovery Rev's focus on continuing to create new work EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.This is a collection of highlights from Looks Unfamiliar featuring Suzy Robinson on Crown Court, Danny Kodicek on Fox Tales, Bob Fischer and Georgy Jamieson on Why Don't You...?, Paul Abbott on Disneytime Rotadraw, Genevieve Jenner on Fruitopia, Adam S. Leslie on I Heard Your Name by Martin Rev and Justin Lewis on I Hate J.R. by The Wurzels. Along the way we'll be revealing when BBC Test Card F might actually be your less terrifying viewing option, listening to a 1970s heroin-y version of They Might Be Giants, arguing over whether the best Catatonia album was the first one or the first one, assessing the best way to draw TV's Simon And Simon, remaking the Bitter Sweet Symphony video with the bloke out of The Wurzels, speculating on the efficacy of Kiss-Me-Quick-Hats sported by popular television puppets, revisiting Jamiroquai's duet with some puppet caterpillars, soliciting The Jesus And Mary Chain's theories on Who Shot J.R.?, organising a day trip to the exact spot where Roland Rat pushed Kevin The Gerbil down a hill, shuddering at the thought of The Jim Rose Circus Sideshow's most repulsive exhibit and and revealing why the hippy trail is strewn with striking dustbins, cough medicine and Crown Court. Plus there's tips on how Blanco from Porridge can help your party go with a swing! Also there's extracts from Tim talking about Billy Liar on Goon Pod Film Club, Now - The Summer Album on Back To Now and George Martin's By George! on The Big Beatles Sort Out, and an extra bit of Bob and Georgy questioning Will Smith's approach to summertime scheduling...You can find more editions of Looks Unfamiliar at timworthington.org.If you enjoy Looks Unfamiliar, you can help to support the show by buying us a coffee here. It's doubtful WIll Smith would have enough time for one though. Unless he drank it very, very quickly.

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.Joining Tim this time is novelist and screenwriter Adam S. Leslie, who's fiddling with the radio in the hope of picking up stray mysterious signals containing evidence of Maths-In-A-Box, I Heard Your Name by Martin Rev, Noble And Silver: Get Off Me!, The Great Reality TV Swindle, Codename MAT and 1, 2, 3 And Away!. Along the way we'll be encountering a Folk Horror Sean Maguire, listening to a 1970s heroin-y version of They Might Be Giants, recalling your school's 'Special Space Treat Day' and arguing over whether the best Catatonia album was the first one or the first one.You can find more editions of Looks Unfamiliar at http://timworthington.org/.If you enjoy Looks Unfamiliar, you can help to support the show by buying us a coffee here. If bloody Codename MAT doesn't zap the mug out of space first.

(c)!THE SAME :: Dream Baby Dream #artdisc.org

Today, the Spotlight shines On musician and songwriter Nicholas Dembling, aka Nic North, aka Nic West, of seminal New York CIty New Wave Pop band, Comateens.The New York that birthed Comateens was in the midst of a particularly vibrant musical moment. There was new music everywhere. Jazz cats were staging loft concerts in pre-glitz SOHO. The punks and no wavers were holding court on the Lower East Side. Philip Glass and the minimalists were premiering new works and way up in the Bronx, hip hop was coming on strong.Nic was working at New York's MediaSound recording studio where he and co-worker Ramona Lee Jan began to write songs together. With necessity as the mother of invention, Nic and Ramona began to play gigs with only a bass, a guitar and an electronic rhythm box, so that the band and its equipment could fit into one New York City taxi cab. This self-imposed constraint led to the original Comateens, a concept shared by Alan Vega and Martin Rev, who were doing something with a similar lineup with their duo, Suicide.Nic takes us through both his and Comateens musical upbringing and development, as well as how he is documenting and preserving the band's legacy.(the musical excerpts heard in the interview are taken from the Comateen's reissued 1979 single "Danger Zone"/"Elizabeth's Lover") -- Dig DeeperCheck out the exhaustive Comateens archive at comateens.comListen to the Comateens' 1979 single "Danger Zone"/"Elizabeth's Lover" on BandcampFollow Comateens on Facebook, Instagram, Twitter (X), and YouTubeRamona Jan & Nic North Reflect on Their Life and Times as Synth-Punk Band ComateensNew Wave Central: CBGBs And The Birth Of New York PunkGoFundMe for Romona JanDon't miss this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On musician and songwriter Nicholas Dembling, aka Nic North, aka Nic West, of seminal New York CIty New Wave Pop band, Comateens.The New York that birthed Comateens was in the midst of a particularly vibrant musical moment. There was new music everywhere. Jazz cats were staging loft concerts in pre-glitz SOHO. The punks and no wavers were holding court on the Lower East Side. Philip Glass and the minimalists were premiering new works and way up in the Bronx, hip hop was coming on strong.Nic was working at New York's MediaSound recording studio where he and co-worker Ramona Lee Jan began to write songs together. With necessity as the mother of invention, Nic and Ramona began to play gigs with only a bass, a guitar and an electronic rhythm box, so that the band and its equipment could fit into one New York City taxi cab. This self-imposed constraint led to the original Comateens, a concept shared by Alan Vega and Martin Rev, who were doing something with a similar lineup with their duo, Suicide.Nic takes us through both his and Comateens musical upbringing and development, as well as how he is documenting and preserving the band's legacy.(the musical excerpts heard in the interview are taken from the Comateen's reissued 1979 single "Danger Zone"/"Elizabeth's Lover") -- Dig DeeperCheck out the exhaustive Comateens archive at comateens.comListen to the Comateens' 1979 single "Danger Zone"/"Elizabeth's Lover" on BandcampFollow Comateens on Facebook, Instagram, Twitter (X), and YouTubeRamona Jan & Nic North Reflect on Their Life and Times as Synth-Punk Band ComateensNew Wave Central: CBGBs And The Birth Of New York PunkGoFundMe for Romona JanDon't miss this episode's extensive show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Episode 675: February 13, 2024 playlist: claire rousay, "head" (sentiment) 2024 Thrill Jockey Joy Guidry, "Members Don't Get Weary" (Amen) 2024 Whited Sepulchre Ty Segall, "To You" (Three Bells) 2024 Drag City Milo Korbenski, "Rooster" (When You Gonna Tell 'Em the Truth, Aaron?) 2024 Phantom Limb Hatis Noit, "Sir Etok" (Aura) 2022 Erased Tapes Gregory Uhlmann, "Phosphene" (Small Day) 2024 Colorfield Tomato Flower, "Temple of the Mind" (No) 2024 Ramp Local Can, "Shikako Maru Ten" (Spoon/Shikako Maru Ten) 1971 Spoon Dead Bandit, "Somewhere To Wait" (Memory Thirteen) 2024 Quindi Martin Rev, "Baby Oh Baby" (Martin Rev) 1980 Infidelity / 2024 Bureau B 9T Antiope, "Shapeshift" (Horror Vacui) 2024 American Dreams Einsturzende Neubauten, "Am Landwehrkanal" (Alles In Allem) 2020 Potomak Jimmywilson, "Night Terror" (Early Experiments in Recording, Vol​.​1 (1976​-​2021)) 2013 Hood Faire Mojo Nixon and Skid Roper, "Burn Down The Malls" (Get Out Of My Way!) 1986 Restless Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Sesión cocinada sin rumbo fijo, guiados por la mera diversión, aunque apostando en todo momento por la experimentación. Vanguardia minimalista, krautrock, sintetizadores, atmósferas etéreas, torbellinos sónicos o rockanrollers como Marcel Bontempi o Powersolo arrimándose al trip hop o el rap. Playlist;(sintonía) PASCAL COMELADE “Russian roulette” (Stranger in paradigm, 2006)PASCAL COMELADE & LIMIÑANAS “Le Rififi brille en jaune” (Boom Boom, 2023)THE LIMIÑANAS “Je ne suis pas très drogue” (The Limiñanas, 2010)MARCEL BONTEMPI “Go down” (single, 2023)POWERSOLO “Plasma crystal dope” (Egg, 2006)CAN “Spoon” (Ege Bamyasi, 1972)SUICIDE “Keep your dreams” (single, 1976)ALAN VEGA, BEN VAUGHN & ALEX CHILTON “Fat City” (Cubist blues, 1996)ALEX CHILTON “Hey! Little child” (Like flies on sherbert, 1979)MODERN LOVERS “She cracked” (Modern Lovers, 1976)DAVID BOWIE “Pablo Picasso” (Reality, 2003)TELEVISION “1880 or so” (Television, 1992)LUNA “Double feature” (Penthouse, 1995)MARTIN REV “I made you cry” (See me ridin’, 1996)ALAN VEGA “Goodbye darling” (Saturn strip, 1983)Escuchar audio

Este episódio com destaque para: Feliz Kubin, Lewsberg, Klaus Weiss, Grauzone, Martin Rev, Minnie Riperton, entre outros. Com Gonçalo Formiga & Zé Maldito dos Cave Story

My guest this week is Martin Rev from legendary and hugely influential electronic act, Suicide. Artists that have cited Suicide as a direct influence include, Vince Clarke, Soft Cell, OMD, Cabaret Voltaire and The Human League It was a real honour to interview one of my all-time favourite electronic musicians. Suicide's excellent third album 'A Way Of Life' has been remastered and re-leased via Mute records and can be ordered here; https://mutebank.co.uk/collections/suicide

Disk Jockeys, aka DJs, are very strong in music history. They anchored many rap, hip-hop, house, and dubstep artists throughout the 80s and 90s. My interest is piqued on the experimental side, creating electrifying sounds, weird synths, and beats that make you cringe. Down here in south Florida, you get your average DJ there good, but not experimental like many DJs on the west or up north Florida taking dubstep to the levels like Alan Vega and Martin Rev did with their band Suicide. Trippy from Trippydubz is an experimental dubstep DJ out here in south Florida. The progression drops beats he makes, showing strength in cooperating with different sounds to keep your feet moving and the anxiety pumping. Be sure to check out Trippydubz, on his social links below ⤵️. IG:  instagram.com/trippydubz Twitter: twitter.com/trippy_dubz SoundCloud: https://on.soundcloud.com/34ta266oUp78cF9w6 We have a magical link below with all our socials and handle so you can find us on your favorite pod spot

Episode 127 of Pudding On The Wrist includes choice cuts from Wake Ooloo, Martin Rev, Ed Askew, Lys Guillorn, Incredible String Band, and so much more.

Lydia from Gustaf is on the podcast! We have an amazing discussion about pop punk nostalgia, Gustaf's super busy year of touring, and Lydia's love of Gary Puckett and the Union Gap. We also reminisce on growing up in Boston, throwing impromptu childhood  family talent shows, and contemplate using color theory to boost our mood on boring work days. Discover bonus eps, playlists, and more on Patreon: https://www.patreon.com/agrrrlstwosoundcents✨ MORE ABOUT GUSTAF ✨Gustaf is a five-piece art punk band from Brooklyn, NY whose records fuse the infectious danceability of ESG and Bush Tetras with the frenetic energy of The Modern Lovers and The Fall. They have shared stages with Cage the Elephant, Beck, Bush Tetras, Martin Rev, James Chance, IDLES, Wet Leg, Foals, and Yard Act. Their debut album, 'Audio Drag for Ego Slobs,' is available on all DSPs. ✨ KEEP UP TO DATE WITH GUSTAF ✨Web: https://www.gustaftheband.comBandcamp: https://gustaf-nyc.bandcamp.comInstagram: https://www.instagram.com/gustaf_nyc/Twitter: https://twitter.com/gustaf_nycFacebook: https://www.facebook.com/Gustafnyc/YouTube: https://www.youtube.com/channel/UCsDiUNBEe2u60AyLC_evQKgSpotify: https://open.spotify.com/artist/6QqLYrbjh5CnfMG7z5r96EApple Music: https://music.apple.com/us/artist/gustaf/282771888✨ CONNECT WITH IZZY ✨YouTube: https://www.youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgWebsite: https://agrrrlstwosoundcents.comInstagram: https://www.instagram.com/agrrrlstwosoundcents/Twitter: https://twitter.com/grrrlsoundcents

In der ersten Stunde von Ausgabe 1220 der radioeins "elektro beats" präsentiert Olaf Zimmermann ganz neue Musik und Klassiker von Orbital, Jean-Michel Jarre, John Carpenter, Tangerine Dream, To Rococo Rot, Björk, Chris Liebing im Plaid-Remix, Neoangin, Martin Rev und Recoil. Im Mittelpunkt der zweiten Stunde steht die aktuelle 4-fach CD-Box "Kaleidoskop der Räume",- spannende, innovative, elektronische Reworks der Musik von Heinrich Schütz durch Fabian Russ. Ihn, der auch unter Orchestronik firmiert, begrüßt Olaf Zimmermann als Studiogast, um mit ihm gemeinsam das umfangreiche, neue Werk vorzustellen und über 3-D-Audio-Aufführungen dieser Musik zu sprechen.

For 40+ minutes of extra content,  including our discussions of Astonishing Tales #12 -13 (the second Man-Thing story) and Marvel Team-Up #3 (the return of Morbius), support us at patreon.com/marvelbythemonth. Subscribers at the $4/month level get instant access to our bonus feed of content that contains more than 60 extended and exclusive episodes! This is the last episode appearing in the public feed until January 2023, but the Patreon feed will continue to be updated regularly with exclusive bonus episodes and extended re-edits of old episodes from the pre-Patreon days. Deep Dives in this Episode: "Island of the Damned!" - Marvel Spotlight #4, written by Gerry Conway, art by Mike Ploog, ©1972 Marvel Comics"Who Stalks the Vampire?" - Tomb of Dracula #3, written by Archie Goodwin, art by Gene Colan and Tom Palmer, ©1972 Marvel Comics"Ghost Rider" - Marvel Spotlight #5, written by Gary Friedrich, art by Mike Ploog, ©1972 Marvel Comics "Marvel by the Month" theme v. 3.0 by Robb Milne, sung by Barb Allen. All incidental music by Robb Milne."Ghostrider" by Alan Vega and Martin Rev, performed by Rollins Band.Visit us on internet at marvelbythemonth.com, follow us on Instagram at @marvelbythemonthand Twitter at @MarvelBTM, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information.

In this episode we mark the 40th anniversary of the death of arguably the greatest — and certainly the most "almost famous" — writer in the history of music journalism. Two of Lester Bangs's closest Creem colleagues (both wonderful writers in their own right) join us from California to reminisce about the man and his work. Jaan Uhelszki, who started in the Creem office the same day as Lester, gets the ball rolling by putting Detroit's "anti-Rolling Stone" in context. Robert Duncan, who arrived two years later in 1974, adds his recollections of "America's only rock'n'roll magazine" [sic] before paying tribute to Lester. Respect, laughter and sadness ensue as Robert & Jaan discuss their friend's gonzoid genius, his exasperating foibles and the addiction that killed him at 33, six years after Robert persuaded him to move to New York. Seminal New York duo Suicide — beloved of Bangs — are the subjects of the week's new audio interview, clips from which feature pioneering electropunks Alan Vega & Martin Rev talking in 1998 about their "confrontational" live act, their introduction of the word "punk" into NYC's music scene in 1971… and Vega's love of British comedy The Full Monty! Finally, Mark talks us through his highlights among the articles recently added to the RBP library, including pieces about the Righteous Brothers, Laura Nyro, Jeff Beck at the Fillmore East, Pharoah Saunders and England's miserable Bickershaw festival. Barney notes a 1988 Paul Morley rumination on, yes, music journalism… and Jasper quotes from a John Doran "review" of Aphex Twin's Collapse. Many thanks to special guests Robert Duncan and Jaan Uhelszki; you can visit Robert's website at duncanwrites.com and find more of Jaan's writing on her RBP writer's page. Pieces discussed: Lester on RBP, Lester Bangs and Almost Famous, Richard Riegel on Lester, Robert Duncan, Lester on the MC5, Lester on how to be a rock critic, Lester on Astral Weeks, Lester on punk/jazz, Suicide audio, Righteous Brothers, Laura Nyro, Pharaoh Sanders, George Jones, Grateful Dead & Jeff Beck Group, Bickershaw festival, KISS, Divine, Paul Morley on the rock press and Aphex Twin's Collapse. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we mark the 40th anniversary of the death of arguably the greatest — and certainly the most "almost famous" — writer in the history of music journalism. Two of Lester Bangs's closest Creem colleagues (both wonderful writers in their own right) join us from California to reminisce about the man and his work. Jaan Uhelszki, who started in the Creem office the same day as Lester, gets the ball rolling by putting Detroit's "anti-Rolling Stone" in context. Robert Duncan, who arrived two years later in 1974, adds his recollections of "America's only rock'n'roll magazine" [sic] before paying tribute to Lester. Respect, laughter and sadness ensue as Robert & Jaan discuss their friend's gonzoid genius, his exasperating foibles and the addiction that killed him at 33, six years after Robert persuaded him to move to New York. Seminal New York duo Suicide — beloved of Bangs — are the subjects of the week's new audio interview, clips from which feature pioneering electropunks Alan Vega & Martin Rev talking in 1998 about their "confrontational" live act, their introduction of the word "punk" into NYC's music scene in 1971… and Vega's love of British comedy The Full Monty! Finally, Mark talks us through his highlights among the articles recently added to the RBP library, including pieces about the Righteous Brothers, Laura Nyro, Jeff Beck at the Fillmore East, Pharoah Saunders and England's miserable Bickershaw festival. Barney notes a 1988 Paul Morley rumination on, yes, music journalism… and Jasper quotes from a John Doran "review" of Aphex Twin's Collapse. Many thanks to special guests Robert Duncan and Jaan Uhelszki; you can visit Robert's website at duncanwrites.com and find more of Jaan's writing on her RBP writer's page. Pieces discussed: Lester on RBP, Lester Bangs and Almost Famous, Richard Riegel on Lester, Robert Duncan, Lester on the MC5, Lester on how to be a rock critic, Lester on Astral Weeks, Lester on punk/jazz, Suicide audio, Righteous Brothers, Laura Nyro, Pharaoh Sanders, George Jones, Grateful Dead & Jeff Beck Group, Bickershaw festival, KISS, Divine, Paul Morley on the rock press and Aphex Twin's Collapse.

ÉMISSION INTRINSEQUE DU 28/04/22 avec les lectures de CAWA SORIX et de la musicalité: Bleu Russe, Joe Meek, Yves Simon, Claude Ultraviolet, Manno Charlemagne, Raoul Guillaume, Jean Genet, Kefta & Kalux, Martin Rev, Sam Pleater.

Liz Lamere and Jared Artuad join us this week on Aquarium Drunkard's weekly talk show podcast Transmissions to discuss the life, work, and creative philosophies of the late Alan Vega. As one-half of Suicide, alongside his partner Martin Rev, Vega blazed a trail of provocative, synth-driven art rock that was often too punk for the punks. From there, his solo career found him making forays into pop music with producer Ric Ocasek, painting, and constantly creating, rarely working on any terms other than his own. For this program, his widow and creative partner Lamere and collaborator Artaud join host Jason P. Woodbury to discuss the Vega Vault, a vast trove of unreleased material that's yielded posthumous releases like It and Mutator on the Sacred Bones label, Surrender, a new career spanning Suicide comp, and Liz Lamere's Keep It Alive, out May 20 on In the Red Records.

Today's epic episode of Electronically Yours features, without doubt, one of the most influential proto-punk artists; Martin Rev. His provocative and game-changing work as half of the truly exceptional New York band Suicide was unique, and influenced a huge number of electronic pop bands. Their's was a glimpse of the future as ‘no future' in the 70's, totally unclassifiable and inspired a huge number of musicians, from Throbbing Gristle and Cabaret Voltaire, to early Human League and OMD. Suicide's transgressive live shows were the stuff of unforgettable legend. Martin is still a creative powerhouse today… Ladies and gentlemen - this is a profound and unmissable episode – meet Martin Rev… If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

durée : 00:06:48 - La chronique de Mélanie Bauer - par : Melanie BAUER - Pour contextualiser le travail de l'invitée pour le Musée d'Orsay, Mélanie Bauer nous parle de la sortie de la première compilation officielle du duo Suicide, (Alan Vega et Martin Rev) avec des classiques tout bien remasterisés, disponible en vinyl chic avec des inédits dès le 8 avril prochain.

METZ is a Canadian noise punk band formed in 2008 in Ottawa and currently based in Toronto. The band consists of guitarist and vocalist Alex Edkins, bassist Chris Slorach and drummer Hayden Menzies. In this episode, part one of a series of two, all songs selected by METZ and published as a playlist with a popular audio streaming provider (that shall remain unnamed), between Oct 2017 and Aug 2021. Lineup: Simply Saucer, Hawkwind, Void, Fela Kuti, The Fall, CAN, Sam Cooke, Portishead, Neil Young, MC5, The Stooges, Nick Cave & The Bad Seeds, Ramones, Donny Hathaway, Bob Dylan, Aretha Franklin, Sly & The Family Stone, Earth, Wind & Fire, Soul Glo, Daniel Romano, Joe Wong, FACS, Adulkt Life, Special Interest, Cold Meat, Dog Day, Nape Neck, Sweeping Promises, Wax Chattels, 3Ds, Jesu, Nels Cline, Napalm Death, Crack Cloud, The Pretty Things, Protomartyr, The Flaming Lips, The Monks, Suicide, Pink Floyd, Elevator To Hell, Purple Mountains, IDLES, Mount Eerie, Polvo, Wire, Sebadoh, Palace Music, Bedhead, The Sound, Vector Seven, Spray Paint, Martin Rev, Echo & the Bunnymen, Silver Apples, Swell Maps, Bikini Kill

Keyboard wizard and punk pioneer Martin Rev, (born Martin Reverby) grew up in New York where he still lives today. In his youth, he was a fan of doo wop music, and then became engrossed in the emerging jazz world that was happening around him, brushing shoulders with the likes of Thelonious Monk, Archie Shepp and Eric Dolphy, and playing in a combo called Reverend B in the late 1960s. It was in those days that he befriended a visual artist called Alan Vega, with whom he would soon form a band named Suicide. They were likely the first group to advertise their performance as “Punk Music,” back in 1971, and their influence is far-reaching. Artists who have reworked their songs include Henry Rollins, Bruce Springsteen, Neneh Cherry, M.I.A and R.E.M., among countless others. Martin Rev has also been a solo artist in his own right since, well, forever really. He joins this program to speak with Markly Morrison and Madison Nadine to talk about his formative years, expound on his creative process, wax philosophical on art in general, and set the record straight on a handful things that the well-meaning citizens of the internet got twisted. -----Portrait of Martin Rev painted by Nathan Berko-GibsonHelp make Low Profile better by donating at http://www.patreon.com/lowprofile(Yes, there's bonus stuff there)Find more about this and previous episodes at http://www.lowprofilepodcast.comFollow on IG @lowpropodcastLow Profile recieves in-kind support from the following Olympia, WA independent businesses:Old School Pizzeria, San Francisco Street Bakery, Schwart'z Deli, Rainy Day Records, and Scherler Easy Premium Shitty American Lager from Three Magnets Brewing.Thanks for listening!

Drive Like Jehu was an American post-hardcore band from San Diego active from 1990 to 1995. It was formed by rhythm guitarist and vocalist Rick Froberg and lead guitarist John Reis, ex-members of Pitchfork, along with bassist Mike Kennedy and drummer Mark Trombino, both from Night Soil Man, after their two bands disbanded in 1990. Drive Like Jehu's music was characterized by passionate singing, unusual song structure, indirect melodic themes, intricate guitar playing, and calculated use of tension, resulting in a distinctive sound amongst other post-hardcore acts and helped to catalyze the evolution of hardcore punk into emo. In this episode all songs by bands selected by Drive Like Jehu to play All Tomorrow's Parties 2.0 April 22-24, 2016. Lineup: Hot Snakes, The Blind Shake, Mrs. Magician, Flamin' Groovies, The King Khan & BBQ Show, The Schizophonics, Metz, Mission Of Burma, The Gories, King Khan and the Shrines, The Spits, Rocket From The Crypt, Betunizer, The Monkeywrench, Holly Golightly, Dan Sartain, Martin Rev, Tortoise, The Ex, PyPy, Gary Wilson, Claw Hammer, Wau y Los Arrrghs

In the cold New York City December of 1977, Allen Vega and Martin Rev released their debut album on the Red Star Label. The album was recorded over the course of four days and is considered by many to be one of the best records of all time. Let's talk Suicide, Suicide!

The 500 Greatest Albums of All Time Suicide, 'Suicide' Red Star, 1977 These New York synth-punks evoke everything from the Velvet Underground to rockabilly. Martin Rev's low-budget electronics are violent and hypnotic; Alan Vega screams as a rhythmic device. Late-night listening to “Frankie Teardrop,” a 10-minute-plus tale of a multiple murder, is not recommended. A droning voice in the wilderness when they appeared in the Seventies, the duo would influence bands from Arcade Fire and the National to Bruce Springsteen, who covered Suicide live in 2016. - Rolling Stone Rolling Stone's pick: Frankie Teardrop Lauren's pick: Ghost Rider Tom's pick: Ghost Rider Listen to the full album here! Connect with us: Instagram: @idolnationpod Twitter: IdolNationPod Email: Idolnationpod@gmail.com Listen to our favorites! RS 500 G(A)OAT written by: Jonathan Bernstein, Pat Blashill, Jon Blistein, Nathan Brackett, David Browne, Anthony DeCurtis, Matt Diehl, Jon Dolan, Chuck Eddy, Ben Edmonds, Gavin Edwards, Jenny Eliscu, Brenna Ehrlrich, Suzy Exposito, David Fricke, Elisa Gardner, Holly George-Warren, Andy Greene, Kory Grow, Will Hermes, Brian Hiatt, Christian Hoard, Charles Holmes, Mark Kemp, Greg Kot, Elias Leight, Joe Levy, Angie Martoccio, David McGee, Chris Molanphy, Tom Moon, Jason Newman, Rob O'Connor, Park Puterbaugh, Jody Rosen, Austin Scaggs, Karen Schoemer, Bud Scoppa, Claire Shaffer, Rob Sheffield, Hank Shteamer, Brittany Spanos, Rob Tannenbaum, David Thigpen, Simon Vozick-Levinson, Barry Walters, Jonah Weiner --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/idol-nation/support

On his weekly show, Elevation Through Sound, Ale plays the obscure gems your ears have always craved but never come across. Elevation through Sound provides lucky listeners with a journey through the full sound spectrum. Alejandro Cohen is a musician and composer from Los Angeles, California. He has worked as composer of music for TV shows, documentaries, and educational materials. Ale is also the Executive Director of dublab. This program will feature a conversation with Liz Lamere and Jared Artaud who collaborated with Alan Vega and brought to light Vega's latest Mutator. Ale talks to Liz and Jared about Vega's creative process, the Vega Vault Project and more. Alan Vega's Mutator out now on Sacred Bones The visual artist, musician, and poet Alan Vega was born in Brooklyn in 1938. He co-founded the massively influential avant-garde band Suicide with Martin Rev in 1970, with whom he performed off and on throughout his life. Vega would go on to have a prolific career as a solo artist. His hit song “Jukebox Babe” led to a contract with Elektra Records, who released two albums including the cult classic Saturn Strip, produced by Ric Ocasek. From there, rejecting the commercial machine, he went back to his roots, doing a deep dive into experimenting with sound in the studio. This era resulted in new solo records coming out consistently throughout the next several decades; starting with Deuce Avenue, continuing through Dujang Prang (on Henry Rollins' 2.13.61 imprint), and culminating with his masterpiece It. Vega considered the albums from this period the audio counterpoint to his visual art that reflected the world around him while simultaneously delving into universal themes. It makes his work as relevant today as it was then. It was during this period that he began working with Liz Lamere, who became his wife and the most crucial collaborator of his solo career. Lamere, along with fellow Vega collaborator Jared Artaud, discovered in 2019 the lost Vega album, Mutator, which they co-produced and mixed. Along with creative director Michael Handis, they are now spearheading the Alan Vega Vault project, which aims to bring rare and unreleased work from throughout Vega's career to the public for the first time. Mutator was recorded with Lamere at Vega's NYC studio from 1995-1996, and it serves as a document of a particularly fertile time in his creative life. He had 11 full-length solo albums come out during the ‘80s, '90s and ‘00s — plus numerous collaborations, and Suicide records: A Way of Life, Why Be Blue and American Supreme. Mutator wasn't shelved intentionally, but Vega's back-to-the-grindstone M.O. meant that he had moved on to making his next record before this one was finished. At the time of the Mutator sessions, Vega was massively inspired by what was happening in the streets of New York — not only the hip hop scenes that were exploding throughout the outer boroughs, but also the literal sounds of the streets, the traffic noise and industrial ambience of city living. That influence trickled into the sounds he and Lamere captured in those sessions. That sensibility, paired with Vega's unmistakable voice and force of personality, is what made it the great album it is now. The final piece was the production job, completed by Lamere and Artaud 25 years after the songs were first captured. --- Support this podcast: https://anchor.fm/dublab-inconversation/support

Esta semana, dedicamos un nuevo capítulo de Rebelión Sónica, a los dos discos póstumos que se han editado este año del icónico cantante estadounidense, sobre todo conocido por ser uno de los integrantes de Suicide, Alan Vega: “Mutator” y “After Dark”. El primero de ellos, fue lanzado el 23 de abril pasado por el sello Sacred Bones y es el primero de los archivos bautizados “Vega Vault”, que la disquera irá lanzando con documentos que el vocalista dejó sin editar antes de su muerte acaecida en julio de 2016. “Mutator” fue grabado en Nueva York entre 1995 y 1996 por Vega junto a su esposa y colaboradora de largo tiempo, Liz Lamere. De acuerdo a la información, el registro fue descubierto en 2019 por la misma Lamere y por el amigo cercano de Vega, Jared Artaud, entre los archivos sonoros que tenía guardados el difunto cantante de Suicide. Lamere recordó que en esa época “nuestro propósito principal al entrar al estudio era experimentar con el sonido, no hacer discos”. Sacred Bones explicó además que en el momento de las sesiones de “Mutator”, Vega se inspiró enormemente en lo que estaba sucediendo en las calles de Nueva York, no solo el hip hop que estaba explotando en aquella época, sino que también por los sonidos de las calles, el ruido del tráfico y el ambiente industrial de la vida en la gran ciudad. “After Dark”, en tanto, fue publicado el 30 de julio por el sello In the Red y “captura una sesión de rock’n’roll a altas horas de la noche con Alan respaldado por los miembros del grupo Pink Slip Daddy, Ben Vaughn, Barb Dwyer y Palmyra Delran”. Finalmente, destacamos material del influyente dúo Suicide, que Vega formó con Martin Rev a mediados de los 70 en Nueva York, específicamente con material de dos de sus discos: “Suicide” de 1977 y “Suicide: Alan Vega and Martin Rev” de 1980. Rebelión Sónica sale al aire por radio Rockaxis todos los miércoles a las 10, 17 y 23 horas, como siempre, con la conducción de Héctor Aravena.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ You Did Have the Right Thing When You by Arthur Russell on Let's Go Swimming EP (Audika) 5′36″ In C, for unspecified performers by Terry Riley on Reed Streams (Cortical Foundation) 34′22″ Lamru by Mamman Sani Abdullaye on La Musique Electronique du Niger (Sahel Sounds) 43′29″ Whisper by Martin Rev on Clouds of Glory (Bureau B) 46′36″ Everyday, I Don't by Anna Domino on East and West (OTT) 52′26″ Market of the Lost Illusions by Andreolina on An Island In the Moon (Aguirre Records) 58′21″ Few Traces by Mark Renner on Few Traces (RVNG Intl.) Check out the full archives on the website.

Medium-fidelity casual, featuring: surprises. Tracks by Martin Rev, Khotin, Arthur Russell, The Jones Girls, Mike Paradinas, Panda Magic, Madonna, and more.

  Suicide with Martin Rev in conversation with David Eastaugh Suicide was an American musical duo composed of vocalist Alan Vega and instrumentalist Martin Rev, intermittently active between 1970 and 2016. The group's pioneering music utilized minimalist electronic instrumentation, including synthesizersand primitive drum machines, and their early performances were confrontational and often ended in violence. They were among the first acts to use the phrase "punk music" in an advertisement for a concert in 1970.

Episode 34   When Synth-Pop Ruled Britannia An exploration of synth-pop that was popular in the UK. Playlist Space, “Magic Fly” (1977 United Artists). French group led by Didier Marouani (aka Ecama) and Roland Romanelli. Flirted with electronic disco music. 4:18 Giorgio Moroder, “The Chase” (1978 Casablanca). Big synths programmed and played by Moroder. Produced in Germany. An extended play “Casablanca Disco Single.” 13:08 The Normal, “Warm Leatherette” (1978Mute). UK artist Daniel Miller. 3:21 Vice Versa, “New Girls Neutrons” (1979 Neutron Records). Electronic New Wave / Minimal Synth band from Sheffield, UK. Synthesizers, David Sydenham. 2:02 Gary Numan, “Metal” from The Pleasure Principle (1979 Beggar's Banquet). UK group. Gary Numan on keyboards, synthetic percussion. 3:28 Telex, “Moskow Diskow” from Looking For Saint Tropez (1979 Vogue). This Belgian synth group included Dan Lacksman, Marc Moulin, and Michel Moers. 4:12 Yellow Magic Orchestra, “Rydeen” from X∞Multiplies (1980 A&M Records). Japanese band featuring electronic keyboards, synthesis and processing, Ryuichi Sakamoto; Guitar, Kenji Omura; synthesis programming, Hideki Matsutake; vocals, Chris Mosdell. 4:25 Suicide, “Diamonds, Fur Coat, Champagne” from Suicide: Alan Vega · Martin Rev (1980 Antilles). UK group. Electronics, Martin Rev; vocals, Alan Vega. 3:18 Yello, “Bostich” from Bostich (1981 Stiff America). Swiss electronic band formed in 1979 in Zürich, Switzerland. Electronics, vocals, Boris Blank; lyrics, vocals, Dieter Meier; tape, Carlos Peron. 4:32 Jon Foxx, “Underpass” (1980 Metal Beat). UK artist. Electronics, John Foxx. 3:21 Visage, “Fade to Grey” (1980 Polydor). UK artist. Produced by Midge Ure (Ultravox). 3:50 The Human League, “Love Action (I Believe in Love)” (1981 A&M). Electronic band from Sheffield, England. Synthesis Philip Oakey. 3:49 Heaven 17, “Play to Win” (1981 Virgin). UK artist. Formed as a side project of the British Electric Foundation (B.E.F.), the production company formed by Ian Craig Marsh and Martyn Ware, after their departure from the The Human League in 1980. 7:26 Soft Cell, “Memorabilia” (1981 Some Bizarre). UK artist. Synthesizer, percussion, David Ball; vocals, percussion, Marc Almond. 4:48 Depeche Mode, “Just Can't Get Enough” from Speak & Spell (1981 Mute). UK group. English electronic music band formed March 1980 in Basildon, Essex. Lead vocals, Dave Gahan; keyboards, guitar, vocals, Martin Gore; keyboards, Andy Fletcher; keyboards, Vince Clarke. 3:39 Yazoo, “Don't Go” (1982 Mute). Yazoo was an English Synth-Pop duo from Basildon, Essex. Vocals, Alison Moyet; synthesizers, Vince Clarke. 4:58 Kajagoogoo, “Hang on Now” (1983 EMI). UK group.Lead vocals, Limahl; bass, Nick Beggs; E-bow and guitar, Steve Askew; synthesizers, Stuart Croxford Neale; drums and electronic programming, Jez Strode. 3:38 The Art of Noise, “Moments in Love” (1985 ZTT). UK group. Vocals, Camilla Pilkington; keyboards, Ann Dudley; engineering, Gary Langan; electronics, Fairlight CMI, J.J. Jeczalik; bass, producer, Trevor Horn. 4:32 Propaganda, “Dr. Mabuse” (1984 Island Records). German group.German group from Düsseldorf; formed in 1982 by former Die Krupps keyboarder Ralf Dörper and Andreas Thein. Produced by Trevor Horn. 4:46 Pet Shop Boys, “West End Girls” (1985 Parlophone). UK group. Lead vocals, keyboards, occasional guitar, Neil Tennant; keyboards, occasional vocals, Chris Lowe. 3:58 Bronski Beat, “Smalltown Boy” (1984 Forbidden Fruit). UK group. Keyboardists Steve Bronski, Larry Steinbachek; vocals Jimmy Somerville. 4:59 Frankie Goes to Hollywood, “Black Night White Light” from Welcome To The Pleasuredome (1984 ZTT). UK group. Lead vocals, Holly Johnson; backing vocals, Paul Rutherford; guitar, Brian Nash; bass, Mark O'Toole; drums Peter Gill; keyboards, programming, software, J. J. Jeczalik. 4:02 Prefab Sprout, “Appetite” (1985 Kitchenware Records). English pop band from Witton Gilbert, County Durham. This track produced by Thomas Dolby. 3:54 Ivan, “Fotonovela” (1984 CBS). Spanish singer, Juan Carlos Ramos Vaquero; produced by Pedro Vidal. 4:32 A-HA, “The Blue Sky” (1986 Warner Brothers). Norwegian band formed in Oslo in 1982. Lead vocals, Morten Harket; guitar, vocals, Paul Waaktaar-Savoy; keyboards, vocals, Magne Furuholmen. 3:15     Opening background music: David Bowie, “Subterraneans” from Low (1977 RCA Victor). Vocals, saxophones, guitar, ARP synthesizer, Chamberlin (tape horn and brass, synthetic strings, tape cellos), David Bowie; Minimoog, ARP, EMS Synthi AKS, piano, Chamberlin, other synthesizers, vocals, guitar treatments, synthetics, Brian Eno; rhythm guitar, Carlos Alomar; bass, George Murray; produced by David Bowie, Tony Visconti. 5:38 This list, not the recordings, originally appeared in the February 2018 edition of Classic Pop in an article by Paul Lester. Check it out!   Opening and closing sequences voiced by Anne Benkovitz.  

Bishop Hannington

Tosh and Kimley discuss "Suicide’s Suicide" by Andi Coulter from the 33 1/3 series. Suicide was a band comprised of Alan Vega on vocals and Martin Rev as the sole multi-instrumentalist. Spawned from the wreckage of 1970s New York, the band never seemed to find a wide audience but those in the know who were lucky enough to have seen them perform live were the participants in a show that surely would not be forgotten. Typically described as an assault to the senses with a strong vibe of imminent violence, most people didn’t quite know what to make of them. But as so often happens with cult artists, their influence casts a wide net and continues to do so to this day. Theme music: "Behind Our Efforts, Let There Be Found Our Efforts" by LG17

This week we talk about the immensely influential electronic duo, Suicide. Comprised of Martin Rev and Alan Vega, Suicide helped pioneer electronic, industrial, noise, and experimental music, as well as helping to coin the term “punk” in music. These guys influenced pretty much every band ever since the early 80s. Musically, they are absolutely not for everyone (especially considering crowds responded with violence at many of their early shows). However, their importance is as relevant as ever. Crazy band with a rich and inspiring history.Closing track: “Mr. Ray” from Suicide: Alan Vega and Martin Rev (1980)Check out our episode playlists on Spotify! https://open.spotify.com/user/motherpuncherincMike’s Picks:Suicide: Alan Vega and Martin Rev (1980) — Best Album, Personal FavoriteA Way of Life (1988) — Worst AlbumAlex’s Picks:Suicide: Alan Vega and Martin Rev (1980) — Best Album, Personal FavoriteWhy Be Blue? (1992) — Worst AlbumAlbums we discussed this episode…Suicide (1977)Suicide: Alan Vega and Martin Rev (1980) [Listed as The Second Album on streaming]A Way of Life (1988)Why Be Blue? (1992)American Supreme (2002)Follow Mike on Instagram @popejesseventura for show updates and @pandermonkey for original musicFollow Alex on Instagram @motherpuncher

Marseilles is mostly know for its hip hop and reggae/ragamuffin scenes, respectively heralded by bans like IAM or Massilia Sound System. But the city’s diversity also reflects in its music scenes. With this show Radio Grenouille decided to focus on « electronic » music. Rather than showcasing techno, that, here as elsewhere, is the main genre of electronic music, we decided to invite artists that, each in their own way, are situated on the more edgier but still accessible sides of electro aesthetics. French 79 is one of the main musical « success stories » that have happened in Marseilles in the last years. Before being known as French 79, Simon Henner is part of Nasser, an electro-rock band that is reaching a large audience and is playing on the main stages in festivals. Simon is also a member of Husbands (named after John Cassavetes ‘ movie), a trio he is forming with pop artists Oh !TigerMountain and Kid Francescoli. As French 79, his second album « Joshua », released in november 2019, and where he sings for the first time, seems to be promised to an even larger success than its previous opus. As in all his other projects, being a cinema fan, image is very important. He is doing constant references to movies and to the universe of cinema. He is also producing for other artists, mostly in pop music, like Kid Francescole, Martin Rev or Isaya, a duo of Twin Sisters for whom he produced an entire album an album and a few songs on the next one. Then we are receiving in our studio Velvetian Sky and Vertiqua, two musicians/producers representing a fresh new label, Fada Records. Electronica, hip hop, house, jazz, the scope of musical styles Fada Records is releasing, mostly on cassettes, is quite broad. Influenced by labels like Warp and the L.A. Beat scne, Velvetian Sky is one of the founders of Fada, which is operating between Marseilles and Los Angeles since 2018. Discreet and very active at the same time, they just opened a “lifestyle” shop in the neighbourhood of Le Panier, though it will certainly not last as the duo is about to move to Lyon next year. Vertiqua is from Germany and moved to Marseilles a few months ago. His productions are innervated by house and jazz. The duo is also producing music as Basketball Alpaca, a new project not yet released which they invite us to discover in this show. For RadioMuse we also choosed to present the latest releases from David Walters and Bongi, whom respectively blend their Caribbean and South African roots with occidental aesthetics. David Walters is a singer, songwriter, producer who released several albums already, and a globetrotter also known via the TV show “Les Nouveaux Explorateurs” on national TV Canal Plus, where he discovers different countries and cultures through music and musicians.. Bongi sings her own compositions in her native xhosa language. Working with local musicians of diverse backgrounds, after a first album, she just released a new EP where cohabit folk, rock and diverse South African influences. @radio-grenouille @radiomuse - NOUS SUIVRE | www.radiocampus.fr Insta @radio_campus TW @radiocampus FB @radiocampus NOUS ECOUTER | liste des fréquences FM sur www.radiocampus.fr webradio: bit.ly/RCFRenDIRECT

Marseilles is mostly know for its hip hop and reggae/ragamuffin scenes, respectively heralded by bans like IAM or Massilia Sound System. But the city's diversity also reflects in its music scenes. With this show Radio Grenouille decided to focus on « electronic » music. Rather than showcasing techno, that, here as elsewhere, is the main genre of electronic music, we decided to invite artists that, each in their own way, are situated on the more edgier but still accessible sides of electro aesthetics. French 79 is one of the main musical « success stories » that have happened in Marseilles in the last years. Before being known as French 79, Simon Henner is part of Nasser, an electro-rock band that is reaching a large audience and is playing on the main stages in festivals. Simon is also a member of Husbands (named after John Cassavetes ‘ movie), a trio he is forming with pop artists Oh !TigerMountain and Kid Francescoli. As French 79, his second album « Joshua », released in november 2019, and where he sings for the first time, seems to be promised to an even larger success than its previous opus. As in all his other projects, being a cinema fan, image is very important. He is doing constant references to movies and to the universe of cinema. He is also producing for other artists, mostly in pop music, like Kid Francescole, Martin Rev or Isaya, a duo of Twin Sisters for whom he produced an entire album an album and a few songs on the next one. Then we are receiving in our studio Velvetian Sky and Vertiqua, two musicians/producers representing a fresh new label, Fada Records. Electronica, hip hop, house, jazz, the scope of musical styles Fada Records is releasing, mostly on cassettes, is quite broad. Influenced by labels like Warp and the L.A. Beat scne, Velvetian Sky is one of the founders of Fada, which is operating between Marseilles and Los Angeles since 2018. Discreet and very active at the same time, they just opened a “lifestyle” shop in the neighbourhood of Le Panier, though it will certainly not last as the duo is about to move to Lyon next year. Vertiqua is from Germany and moved to Marseilles a few months ago. His productions are innervated by house and jazz. The duo is also producing music as Basketball Alpaca, a new project not yet released which they invite us to discover in this show. For RadioMuse we also choosed to present the latest releases from David Walters and Bongi, whom respectively blend their Caribbean and South African roots with occidental aesthetics. David Walters is a singer, songwriter, producer who released several albums already, and a globetrotter also known via the TV show “Les Nouveaux Explorateurs” on national TV Canal Plus, where he discovers different countries and cultures through music and musicians.. Bongi sings her own compositions in her native xhosa language. Working with local musicians of diverse backgrounds, after a first album, she just released a new EP where cohabit folk, rock and diverse South African influences. @radio-grenouille @radiomuse - NOUS SUIVRE | www.radiocampus.fr Insta @radio_campus TW @radiocampus FB @radiocampus NOUS ECOUTER | liste des fréquences FM sur www.radiocampus.fr webradio: bit.ly/RCFRenDIRECT

Marseilles is mostly know for its hip hop and reggae/ragamuffin scenes, respectively heralded by bans like IAM or Massilia Sound System. But the city’s diversity also reflects in its music scenes. With this show Radio Grenouille decided to focus on « electronic » music. Rather than showcasing techno, that, here as elsewhere, is the main genre of electronic music, we decided to invite artists that, each in their own way, are situated on the more edgier but still accessible sides of electro aesthetics. French 79 is one of the main musical « success stories » that have happened in Marseilles in the last years. Before being known as French 79, Simon Henner is part of Nasser, an electro-rock band that is reaching a large audience and is playing on the main stages in festivals. Simon is also a member of Husbands (named after John Cassavetes ‘ movie), a trio he is forming with pop artists Oh !TigerMountain and Kid Francescoli. As French 79, his second album « Joshua », released in november 2019, and where he sings for the first time, seems to be promised to an even larger success than its previous opus. As in all his other projects, being a cinema fan, image is very important. He is doing constant references to movies and to the universe of cinema. He is also producing for other artists, mostly in pop music, like Kid Francescole, Martin Rev or Isaya, a duo of Twin Sisters for whom he produced an entire album an album and a few songs on the next one. Then we are receiving in our studio Velvetian Sky and Vertiqua, two musicians/producers representing a fresh new label, Fada Records. Electronica, hip hop, house, jazz, the scope of musical styles Fada Records is releasing, mostly on cassettes, is quite broad. Influenced by labels like Warp and the L.A. Beat scne, Velvetian Sky is one of the founders of Fada, which is operating between Marseilles and Los Angeles since 2018. Discreet and very active at the same time, they just opened a “lifestyle” shop in the neighbourhood of Le Panier, though it will certainly not last as the duo is about to move to Lyon next year. Vertiqua is from Germany and moved to Marseilles a few months ago. His productions are innervated by house and jazz. The duo is also producing music as Basketball Alpaca, a new project not yet released which they invite us to discover in this show. For RadioMuse we also choosed to present the latest releases from David Walters and Bongi, whom respectively blend their Caribbean and South African roots with occidental aesthetics. David Walters is a singer, songwriter, producer who released several albums already, and a globetrotter also known via the TV show “Les Nouveaux Explorateurs” on national TV Canal Plus, where he discovers different countries and cultures through music and musicians.. Bongi sings her own compositions in her native xhosa language. Working with local musicians of diverse backgrounds, after a first album, she just released a new EP where cohabit folk, rock and diverse South African influences. @radio-grenouille @radiomuse - NOUS SUIVRE | www.radiocampus.fr Insta @radio_campus TW @radiocampus FB @radiocampus NOUS ECOUTER | liste des fréquences FM sur www.radiocampus.fr webradio: bit.ly/RCFRenDIRECT

En el primer episodio de 2020, vamos a rendir homenaje a uno de los dúos más influyentes de la historia de la música: SUICIDE. Padres de la ELECTRÓNICA, del PUNK, de la NEW WAVE y de la música Industrial, son referentes para centenares de grupos de los últimos 40 años. Repasaremos sus primeras maquetas, sus álbumes de estudio, los trabajos en solitario de ALAN VEGA y MARTIN REV y alguna que otra sorpresa.

Episode 80 features New Jersey’s Whiner! You’ve waited almost three years for new tunes from this band, but don’t worry, you won’t have to wait any longer. Tune in to hear all four songs from their upcoming EP, You Never Have To Feel This Way Ever Again.To celebrate, the band is throwing two release shows. The first is on April 20th at The Meatlocker in Montclair with EU1LOGY, Tiers, and Johnny Dynamite. Then, the band is performing at Sunnyvale in Brooklyn on April 27th with Dead Leaf Echo, Weeknight, and Tiers. Whiner is also heading to Baltimore this weekend to perform at Future Fest. IT DOESN’T STOP THERE, as they’ll be performing alongside the legendary Martin Rev on June 7th at Sunnyvale! Oh, we played some great records, had a mini-goth rave, and discussed the band’s plans for the rest of 2019.Big thanks to Whiner for stopping by! You Never Have To Feel This Way Ever Again is dropping on April 20th!

Interview with Martin Rev Original Air Date 4-5-18 - "http://wfmu.org/playlists/shows/78244" http://www.martinrev.com Martin Rev - "T'amo" Interview with Martin Rev Interview conducted 2-5-18 https://www.wfmu.org/playlists/shows/78626

Interview with Martin Rev Original Air Date 4-5-18 - "http://wfmu.org/playlists/shows/78244" http://www.martinrev.com Martin Rev - "T'amo" Interview with Martin Rev Interview conducted 2-5-18 http://www.wfmu.org/playlists/shows/78626

New music from Golden Teacher, Cindy Wilson, Martin Rev, and Slow Place Like Home plus Free Association mainstays Tuxedomoon and Talk Talk. Original air date: February 9, 2018 Nino Rota The Awards Fellini Toby Dammit  1968 Tuxedomoon Litebulb Overkill Desire / No Tears Crammed Discs 1978 Chris Campbell Lord Byron Things You Already Know Innova 2014 Talk Talk Desire Spirit of Eden EMI 1988 Golden Teacher What Fresh Hell Is This? Golden Teacher - No Luscious Life Golden Teacher 2017 Raymond Scott “Portofino” #2 Manhattan Research, Inc. Basta Music 2000 Raymond Scott Baltimore Gas & Electric Co. Manhattan Research, Inc. Basta Music 2000 Martin Rev Stretch Martin Rev - Demolition 9 Atlas Realisations 2017 Eyvind Kang Sous Le Soleil Exactement Great Jewish Music: Serge Gainsbourg Tzadik 1997 Slow Place Like Home Echoes (feat. Fearghal McKee) When I See You…Ice Cream! Tuxedomoon Jinx Tuxedomoon - Desire Celluloid 1981 Einstürzende Neubauten salamandrina Einstürzende Neubauten - Interim Our Choice 1993 Arto Lindsay VAO QUEIMAR OU BOTANDO PRA DANCAR Arto Lindsay - Cuidado Madame Northern Spy 2017 Cindy Wilson Change Cindy Wilson - Change Kill Rock Stars 2017 Tiny Parham and His Musicians Back to the Jungle Tiny Parham 1928-1930 (feat. Punch Miller, Charles Johnson & Milt Hinton)

Octavo programa de Autómata, emitido el Jueves 09 de Noviembre del 2017 por Radio Ser FM. En este capitulo sonaron: Helmet, Frank Zappa, Gary Numan Official, Martin Rev, ESDLCP (Bruxista), Miharu Koshi, Bombino, Brian Bennett y Stroer Duo.

Life on the creative edge with a New York City legend.

Life on the creative edge with a New York City legend. For more, visit Resident Advisor: https://www.residentadvisor.net/podcast-episode.aspx?exchange=361

Life on the creative edge with a New York City legend.

Episode 354: June 2, 2017 (guest artist Martin Rev) playlist: Martin Rev, "Now" (Demolition 9) 2017 Atlas Realisations The Holy Circle, "Paris" (The Holy Circle) 2017 Annihilvs Power Electronix Actress, "Dancing in the Smoke" (AZD) 2017 Ninja Tune Acteurs, "Why" (Corridor) 2017 MILD VILNC Robert Crouch, "Coda (Sailing Stones)" (Sublunar) 2017 Touch Martin Rev, "Triton" (Les Nymphes) 2008 File 13 Martin Rev, "Clouds of Glory" (Clouds of Glory) 1985 New Rose Martin Rev, "In Our Name" (Demolition 9) 2017 Atlas Realisations Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Season 2.5, Episode 12. SPOT THE BURP! There is a burp hidden on this week's Safe As Milk preview episode, so if you can find it, comment on the All Yesterday's Parties Facebook page, or tweet us at @ayppodcast with the precise minute at second of the burp! This week, our indomitable heroes gather to discuss Karen Gwyer, Craig Leon & Martin Rev, and Jeff Mills & Tony Allen. There is also some wonderment at the way some artists' work is described on the Safe As Milk website, Gordon gets a well-known phrase just wrong enough to make everyone wince, and last week's Artist Choice experiment gets another go. Will it be successful? Listen and find out. Don't forget to check out Mike's Listening Notes at http://ayppodcast.tumblr.com #Music #Podcast #Review #SafeAsMilk #KarenGwyer #CraigLeon #MartinRev #JeffMills #TonyAllen #BallsToTheFloor #ThankYouQuasimodo

As we move ever closer to summer, let's kick off this week with some shouty punk from Sweden. Elsewhere we have the usual mix of electronics, hiphop, and general experimentation you'd expect from your weekly dose of exciting independent music.

I veckans STIL ska vi ägna oss åt den stilbildande amerikanske artisten och konstnären Alan Vega, som avled i somras, 78 år gammal. Alan Vega var en man som inte ville låta sig kategoriseras, på något som helst vis. Allra minst när det gällde att ringas in av sin ålder många trodde länge att han var ganska så mycket yngre än vad han egentligen var. Men det finns en sak som de flesta idag är överens om när det gäller Alan Vega, han var en banbrytare. Inte minst som ena halvan av bandet Suicide, som han hade tillsammans med Martin Rev.En duo där den stillsamme Martin Rev stod med stora solbrillor bakom en synt medan Alan Vega inte sällan klädd i läder eller lurex och med korpsvart hår sjöng, skrek, kved, vrålade och skrämde vettet ut folk genom att piska med en kedja i scengolvet och dunka mikrofonen i huvudet på sig själv så blodet rann längs hans kinder och händer.Kanske kan man beskriva Suicide som ett par maniska minimalister som med små medel lyckades både kombinera, och komprimera, rock och rockabilly med syntljud och få fram något helt nytt. Och dessutom ge det hela en sådan intensitet och självsäker attityd, att många inte riktigt visste vad de skulle tycka, eller tänka. Inte minst tack vare Alan Vegas texter, och röst. 1977 kom deras första platta.Alan Vega, eller Suicide, nådde aldrig någon stor och bred publik. Även om Alan Vega som soloartist i början av 80-talet fick en del kommersiella framgångar, framförallt i Europa. Och den publik som Suicide mötte då de uppträdde på 70-talet, ofta som förband till då nya band som Ramones och Blondie, buade och kastade flaskor. Alan Vega hävdade med bestämdhet att han en gång var nära att träffas av en yxa som kom flygande genom luften.Men respekt fick de, till slut. Band och artister som New Order, Daft Punk, Radiohead, Billy Idol och Depeche Mode har alla påverkats av, och uttryckt sin beundran för, Suicide. För inte så länge sedan samplade artisten M.I.A. Suicides låt Ghost Rider. Även Bruce Springsteen hörde till beundrarna. I samband med Alan Vegas bortgång skrev Bruce Springsteen på sin officiella hemsida: Det mod och den passion Alan Vega uppvisade genom hela sin karriär har påverkat mig djupt. Den kompromisslösa kraft som fanns i den musik han skapade med bandet Suicide, och på sina egna soloplattor, chockerar och inspirerar än idag. Det fanns helt enkelt ingen annan som ens var i närheten av honom.I veckans program berättar vi mer om Alan Vega och hans musik- och konstkarriär. Vi reser också till Berlin för att träffa den svenska popmusikern Molly Nilsson, som har skapat sin alldeles egna kreativa plattform i musikvärldens underground. Idag har hon nått en position där hon kan försörja sig på sin musik genom att spela in skivor och turnera över hela världen något som skett utan inblandning från vare sig stora skivbolag eller sluga PR-personer. Vi tittar även närmare på begreppet nostalgi och vilken betydelse det har i modevärlden. Och så pratar med vi om konstagenturen Artestar om fenomenet med samarbeten mellan modehus och konstnärer.Veckans gäst är Mats Almegård, frilansjournalist och producent för Elektroniskt i P2.

[NOTE: There are a few discontinuities in the audio from technical issues.] In this Hoax Busters Call Special Report, John and I (Chris) join Nino Teuheneugh for a riveting discussion regarding; The Blank Generation Defined, Detroit Scene, MC 5, John Sinclair, The Fifth Estate Magazine, Harvey Ovshinsky, Hardcore Radical Socialists, Abby Hoffman, 68â?? Chicago Riots, LSD, Wayne Kramer, Lexington Penitentiary, UCLA Neuropsychiatric Institute, MK Ultra, The Narcotic Farm, William S. Burroughs, Fred "Sonic" Smith, Richard "Handsome Dick" Manitoba, James Newell Osterberg, Jr., (Iggy Pop), Louis Jolyon West, The Velvet Underground, Andy Warhol, Frances Stonor Saunders, The Cultural Cold War: The CIA and the World of Arts and Letters(Book), American Abstract Expressionism, Bibbe Hansen, Beck, The New School for Social Research, The Factory, Lou Reed, White Light White Heat, Alice Bailey, Brian Eno, Syracuse University, In this Hoax Busters Call Special Report, John and I (Chris) join Nino Teuheneugh for a riveting discussion regarding; The Blank Generation Defined, Detroit Scene, MC 5, John Sinclair, The Fifth Estate Magazine, Harvey Ovshinsky, Hardcore Radical Socialists, Abby Hoffman, 68â?? Chicago Riots, LSD, Wayne Kramer, Lexington Penitentiary, UCLA Neuropsychiatric Institute, MK Ultra, The Narcotic Farm, William S. Burroughs, Fred "Sonic" Smith, Richard "Handsome Dick" Manitoba, James Newell Osterberg, Jr., (Iggy Pop), Louis Jolyon West, The Velvet Underground, Andy Warhol, Frances Stonor Saunders, The Cultural Cold War: The CIA and the World of Arts and Letters(Book), American Abstract Expressionism, Bibbe Hansen, Beck, The New School for Social Research, The Factory, Lou Reed, White Light White Heat, Alice Bailey, Brian Eno, Syracuse University, Free Jazz, John Cale, Fluxus Movement, John Cage, Hotel Chelsea, Timothy Leary, Skull and Bones, Suicide(band), Martin Rev , Alan Vega, New York University, CBGBâ??s, Situationist International Philosophy, Electrosynth, Richard Hell(first â??punk rockerâ??), Television(band), Charles Bukowski, 27 Club, Harry Everett Smith, Into Music: Blank Generation by Richard Hell and the Voidoids, Outro Snippet-â??Punk: Attitudeâ??, Film by Don Letts, hoaxbusterscall.com

BANDCAMP: https://bit.ly/2EcjjQL Day of the Locust by Jon Averill 3/3/16 London United Kingdom 1. Frank Sinatra - Empty (Extract) This podcast began after a conversation about how overrated I thought Frank Sinatra was. As if to prove myself wrong I shone a spotlight into the darker area of his back catalogue. 2. Fridge - Cut Up Piano & Xylophones Polyphonic probing from Kieran Hebden, Adem Ilhan, & Sam Jeffers. Recording as Fridge back in 2001. 3. Perdita - Rubber City This sounds like it's from a David Lynch film, because it is; Wild at Heart from 1990. 4. HomeSick, Silkersoft & Keight - Faraway Suede Fresh beats recorded at this year's Red Bull Music Academy in Paris. 5. Sinoia Caves - Elena's Sound-World From the soundtrack of Beyond the Black Rainbow, a queasy & uneven retro styled sci-fi film from 2010. 6. Iggy Pop - The Endless Sea Relatively restrained & nuanced balladeering. Endless Sea is from 1979. Which is the last time Iggy Pop wore a shirt. 7. Donald Byrd - Cristo Redentor (Loop) I looped the intro of this track (which also appears on podcast 18) to serve as underpinning for the next. 8. William S. Burroughs - From Here To Eternity A caustic, sardonic piece from Burrough's collection of short stories; ‘Exterminator' from 1973. 9. Thomas Leer & Robert Rental - Day Breaks, Night Heals Proper fuzzy, nasty electronic resonance from 1979. Man music. 10. Vangelis - Le Singe Bleu Been listening to Van the man's pre Blade Runner output a lot recently. This is from 1973's L'Apocalypse des Animaux. 11. Lee Hazlewood - The Nights Hazlewood is the grizzled troubadour who documented the fast disappearing American frontier. We play a lot of Lee on this podcast so much so I actually had to search back through the previous 62 episodes to make sure this track hasn't already been used. 12. P-Model - Kameari Pop Amazing freaky outlandish electropop from Japan circa 1979. 13. Dave Clarke - Splendour Crunchy tractor hip-hop from techno stalwart Dave Clarke showcasing the power of the loop. 14. Gareth Anton Averill - Little Palace Horns Another track recorded at this year's Red Bull Music Academy. Familiar name too. 15. Alan Vega - Love Cry This continues the outsider art template Vega created in Suicide alongside Martin Rev. 16. Moritz Reich - La Fabrique des hommes tristes: Ouverture French melancholy from frenchman Moritz Reich. 17. Frank Sinatra - Empty Is Frank returns to complete one of the more interesting songs in his cannon. I'm still not fully sold though. 18. Laraaji - Zither Dance Apparently discovered by Brian Eno. New age clanging & banging from Laraaji closes out this episode with a hypnotic zither melody. 19. Mare Street Band Recording A little post-script recording I made in Hackney that threatens to break into the Lambada at any point.

If you come out of the indie community and you make synth-based music, you owe a huge debt to an iconic duo called Suicide. In fact, if you come out of the indie community at all, you owe a huge debt to Suicide. Starting in New York’s East Village in the early ’70s, Suicide were confrontational, tough, and absolutely visionary, and they were one of the first punk rock bands. But they had no guitars: it was just Martin Rev on cheap electric keyboards and drum machines, and notorious singer Alan Vega. This revolutionary, very DIY approach initially influenced English synth bands from Erasure to Throbbing Gristle, and went on to become a huge influence on industrial dance music, and everything from noise to ambient. Suicide has been covered by everyone from Bruce Springsteen to Savages, and their influence extends to bands like LCD Soundsystem, Liars and MIA, who sampled them on her 2010 track “Born Free.” Neon Indian’s Alan Palomo is a big Suicide fan, and he recently commissioned Martin Rev to remix “Annie,” a track from his new album VEGA INTL. Night School. So we invited these two representatives of different, but related, musical generations to sit down for a Talkhouse Music Podcast. They talked about all sorts of things: how you know when your music is done, the economic realities of being an artist, the evolution of New York City as an artistic capitol, creative cycles and the effect of the internet, and the birth of punk rock. Palomo knows his stuff, and Rev throws down a whole lot of hard-earned knowledge and wisdom, so listen closely.

Programme de MARC HURTADO pour webSYNradio : Une éducation musicale + inédit Iggy Pop ! Aec des titres et des sons de Chrome, DAF, DNA, Marc Hurtado + Alan Vega, non, William S.Burroughs, Etant Donnés, Robin Cructchfield, Mars, Suicide, Martin Rev, Sol Ixent, Lou Reed, james chance and the contortions, La monte young, Neue Weltumfassende Resistance (Marc Hurtado + Gabi Delgado),Throbbing Gristle, Vomir, Zev and Genesis P orridge , Antonin Artaud, Sky Sunlight Saxon, the red crayola, Vagina dentata organ, Brian Jones, Swans, esplendor geometrico, tennage jesus and the jerks, Brion gysin, pere ubu,the leather nun...

Season Three, Month One, Episode One... Welcome to a brand new season of The Unsigned Countdown. The only pure promotion platform for the unsigned and independent musician band and artist. This month we feature all bands originating from the Austin Texas area, and this diverse industrial grouping should bleed your earballs and warm your hearts just fine. We have a new cast of judges bring back some from previous seasons and some great guest judges all knowledgeable in the music industry and all eager to discuss this months fantastic tracks In case you're new to the concept let me briefly fill you in. We search the globe for the newest and freshest unsigned and independent music. We then feature it and review it. So simple. no bullshit to get in the way. We cover the genres around Metal, Punk, Alternative, and Rock, and we only help promote bands that we've featured. We don't censor our songs or our hosts, and we are not restricted by sponsor demands. We are what we are, The Unsigned Countdown and Underground Recap Sessions can be found on SoundCloud, iTunes, and your Stitcher Smart Radio app. We don't buy our audience and we don't pay for promotion. You can connect socially with the show by searching JarCodes on the web. We are on Facebook, Twitter, YouTube, Tunblr, and more. We love what we do, and it shows. If you would like your song featured in an episode of The Unsigned Countdown and reviewed and discussed in The Underground Recap Sessions. If you might like to be a part of our growing community. Along with the over two hundred bands we've already featured then please feel free to send an audio file. Brief bio, and band links to the crew at Jarcode01@gmail.com. For SoundClouders we offer an exclusive way to submit your songs. Just simply join our group at https://soundcloud.com/groups/soundclouder-submission-portal, enable downloads and we will add it to the show. It's really that easy. Our mix of new artists, vetren musicians, and knowledgeable hosts makes this a no brainer for anyone looking for honest feedback, and more. Now lets share some information about these first five bands. Thank you NUMBERS/┼666┼ By Destroyed For Comfort From Austin Tx Genre Hacker Punk Find Them On SoundCloud Facebook BandCamp YouTube Tumblr Destroyedforcomfort.com Song Link https://soundcloud.com/destroyedforcomfort/numbers-666 Destroyed For Comfort Info Band Members Rani23 Baker + a rotating band of co-conspirators. While many feel comfortable using canned or frozen Electro as their soup base, Destroyed For Comfort prefers to whip up their Electro from scratch, using fresh ingredients. We go heavy on the samples and are not afraid to spice things up in an unconventional way effects-wise, while mixing in traditionally enjoyed flavors like analog synth and 8-bit sounds. Fronted and founded by art-school dropout r*23 (Rani Bakr), DESTROYED FOR COMFORT utilizes both found sound and real-time synthesis to create stompy, noisy, sample-heavy 8-bit hacker-punk that never sounds quite the same way twice, or ever. Disorienting sonic textures and mangled vocals set the tone, complementing surprisingly danceable beats. Performances frequently include backup dancers and projected animation. Interested in meta-meme reprogramming and cheap beer. We'll play in your backyard if you ask us nicely enough. DESTROYED FOR COMFORT has been honored to share the stage with a veritable who's who of independent and experimental electronic music over the past decade, including (but not limited to) acts like Author And Punisher, Bozo Porno Circus, CeVin Key, Cry Blood Apache, The Emotron, Eric Archer, Femme Fatality, I Cactus, Juiceboxxx, Krista Muir, Ludivico Technique, Malekko, Martin Rev, My Life With The Thrill Kill Kult, Otto Von Schirach, Peelander Z, Realicide, The Subliminator, Talmadge D'Amour, and Yip Yip. DESTROYED FOR COMFORT has also performed remix work for Houston Bernard, Suicide God Pill, and Christopher Anton, with more to come soon. DESTROYED FOR COMFORT has devoted several of their performances to benefits for non-profit, activist, and relief services such as the SIMS Foundation, Locks Of Love, The Livestrong Foundation, the Green Party, Anti-Racist Action, and the ACLU, as well as relief efforts for Katrina victims and the citizens of Darfur. We've also performed at benefits for independent music venues and the Texas Rollerderby jeerleader team Bomb Squad. Reality Begins By Emilys Gone Mad From San Antonio Texas Genre Other Find Them On Facebook ReverbNation SoundCloud Myspace Last FM YouTube Song Link https://soundcloud.com/emilys-gone-mad/01-reality-begins Emilys Gone Mad Info Band Members John Brown Jain Brown Kristopher Robin Frankie Sussie Asmodeaus You ask who is emily's gone mad, WE ARE YOU! The movement, the progression of thought. An unlimited outlook on the possibility of becoming whole. We communicate the view of the world as it is, what it has been, and what it could be with a true understanding of what it is to be free. Not an illusion of freedom. We are not free, we are all oppressed, oppressed by the history of humanity. Emily's Gone Mad has over time progressed changed and re invented themselves time and time again. We epitomize the idea of forward motion. We are not boasting to be arrogant we merely say this to inspire to an uncompromising principle to evolve to a perfectly chaotic conclusion. Emily's Gone Mad a band with an idea. Change our world express an idea of forward motion. This is who we are. NO genre. NO clique. Just music. A free expression of our hearts our minds, and our views of the world we live in. Nothing in art, music, literature, or life is unique. It is the idea behind the art that is the only thing unique. All chords have been played all things have been painted, everything has been written, we are all repeating what we know. The only way true uniqueness can be found is through exploring all avenues. That's what Emily's Gone MAd does. "We hold to nothing, but our will to explore. We mean what we write we live the life we have been given." Emilys Gone Mads Music is a solid expression of this mentality Emilys Gone Mad wraps their social views into an electric synth rock that has become EGM's signature sound. With over four albums written and two released their sound has evolved into a sound that is unique and distinct. EGM is a hark back to the core root of what Gothic,Industrial, Punk,and Glam was with a love of technology and all that it can achieve in music. The Pyre By SubNatural From Austin Texas Genre Post-Rock Industrial Rock Find Them On ReverbNation BandCamp Facebook Myspace iTunes Last FM Twitter SubNatural.net Song Link http://www.reverbnation.com/subnatural/songs SubNatural Info Fueled by ritch N. Other members include: current: - | Martin Mccreadie | Erik Gustafson | Robert Kenneth Thomas | Eirik Ashe | Past members: - | James Willsey | Eric Riggz | Guymon Adams | Nick Grubbs | Eric Rietman | Steve Bartlett | Whether it's trading remixes or pushing subwoofers while rocking out subNatural is a culmination of passion, sound and sweat... A neurotic blend of darker rock, intricate layering and pounding electronic beats. "...Dizzying, energizing, the set was sex on legs, and I was desperately sorry when it was over." - Sammi (Adzuki Bean Stash) subNatural has grown from an atmospheric and dark studio experiment into one of the Austin underground scene's premiere bands. Winning "Best Industrial/Goth Band" in The 2009 Austin Music Awards (subsequently placing in the top ten for Experimental & Industrial every year since their inception as a live band in '07), performing at SXSV's Livestrong Benefit for SXSW and pushing a refined and hugely energetic live show has expanded their core fanbase.. People keep seeking them out from all corners of the globe to help appease their need for something genuine, sincere and intense. "The 1st sincere post-rawk band EVAR!!1!!" - Rev. Ralf23 of Destroyed for Comfort "...Aggressive, visceral and yet emotive... The sheer energy alone that these guys exude is enough reason to experience them live." - Cindy Adzuki (Adzuki Bean Stash) Devil On The Run By Dead Love Club From Austin Texas Genre Electronica New Wave Funk Rock Find Them On SoundCloud Facebook Twitter InstaGram ReverbNation Vimeo DeadLoveClub.com Song Link https://soundcloud.com/deadloveclub/devil-on-the-run Dead Love Club Info Austin, Texas' DEAD LOVE CLUB fuse contagious electrofunk beats with scandalous tales of tainted love, dirty lies and scantily clad rock ‘n roll. Masterminded by singer/producer Johnny X with additional production by Don Jon, the band's sound is undeniably their own breed of swaggering sexy electroclash. The band released their smashing debut Chronic Electronic in early 2012 and in early 2014 released the self titled EP Dead Love Club, which include video singles “Lies” and “Lover”. Featuring the succulently seductive Emmy “Ferocious E” Robbin (Machete Kills, Sin City 2) on vocals, the shredding guitar of Kriss St. Kriss and hot new drummer Rona Rougeheart (Gretsch Drums Artist)…DEAD LOVE CLUB is simply “the” shit. Stay tuned to DEADLOVECLUB.COM for the latest music news and upcoming concert performances! Sleepyhouse By Panjoma From Austin Texas Genre electronic electroshock Find Them On SoundCloud Facebook YouTube Twitter Myspace iTunes Song Link https://soundcloud.com/panjoma/sleepyhouse Panjoma Info Core members are Patrik Nilsson, Mary Panjoma, and Ritchard Napierkowski. Contributing Studio and Live Members include John Ousley, Richard Evans, Christian Alvarez, and Melissa Riotgurl. Panjoma was formed in 2006 in Austin, Texas, where the band currently resides and plays. Panjoma's core members are Mary Panjoma (vocals), Patrik Nilsson (funk/ bass), and Ritchard Napierkowski (synth/ drum machine). Contributing Studio members past and present include John Ousley (Construction Paper Records), Richard Evans (Guild), Christian Alvarez (past tours include Saul Williams and John Spencer Blues Explosion), and Melissa Riotgurl (The Future Process). Patrik Nilsson and Ritchard Napierkowski are Panjoma's primary songwriters. Ritch's current main squeeze is The Nimbus. Patrik also plays bass for Exit.