Podcasts about american moor

Vanessa I. Corredera's book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera's analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb's play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare's play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera's book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare's Othello in Post-Racial America, creators like Serial's Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago. Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera's scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award. During the conversation, Vanessa discusses Brandi K. Adams's article “Black ‘(un)bookishness' in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb's American Moor (Methuen, 2020), Carol Anderson's White Rage (Bloomsbury, 2016), Kim Hall's edition of Othello (Bedford/St. Martin's, 2006), Imani Perry's Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele's Get Out (2017), and Eduardo Bonilla-Silva's Racism Without Racists (Rowman & Littlefield Publishers, 2003). John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Vanessa I. Corredera's book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera's analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb's play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare's play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera's book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare's Othello in Post-Racial America, creators like Serial's Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago. Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera's scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award. During the conversation, Vanessa discusses Brandi K. Adams's article “Black ‘(un)bookishness' in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb's American Moor (Methuen, 2020), Carol Anderson's White Rage (Bloomsbury, 2016), Kim Hall's edition of Othello (Bedford/St. Martin's, 2006), Imani Perry's Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele's Get Out (2017), and Eduardo Bonilla-Silva's Racism Without Racists (Rowman & Littlefield Publishers, 2003). John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Vanessa I. Corredera's book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera's analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb's play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare's play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera's book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare's Othello in Post-Racial America, creators like Serial's Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago. Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera's scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award. During the conversation, Vanessa discusses Brandi K. Adams's article “Black ‘(un)bookishness' in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb's American Moor (Methuen, 2020), Carol Anderson's White Rage (Bloomsbury, 2016), Kim Hall's edition of Othello (Bedford/St. Martin's, 2006), Imani Perry's Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele's Get Out (2017), and Eduardo Bonilla-Silva's Racism Without Racists (Rowman & Littlefield Publishers, 2003). John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Vanessa I. Corredera's book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera's analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb's play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare's play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera's book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare's Othello in Post-Racial America, creators like Serial's Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago. Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera's scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award. During the conversation, Vanessa discusses Brandi K. Adams's article “Black ‘(un)bookishness' in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb's American Moor (Methuen, 2020), Carol Anderson's White Rage (Bloomsbury, 2016), Kim Hall's edition of Othello (Bedford/St. Martin's, 2006), Imani Perry's Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele's Get Out (2017), and Eduardo Bonilla-Silva's Racism Without Racists (Rowman & Littlefield Publishers, 2003). John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Vanessa I. Corredera's book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera's analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb's play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare's play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera's book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare's Othello in Post-Racial America, creators like Serial's Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago. Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera's scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award. During the conversation, Vanessa discusses Brandi K. Adams's article “Black ‘(un)bookishness' in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb's American Moor (Methuen, 2020), Carol Anderson's White Rage (Bloomsbury, 2016), Kim Hall's edition of Othello (Bedford/St. Martin's, 2006), Imani Perry's Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele's Get Out (2017), and Eduardo Bonilla-Silva's Racism Without Racists (Rowman & Littlefield Publishers, 2003). John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Vanessa I. Corredera's book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera's analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb's play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare's play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera's book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare's Othello in Post-Racial America, creators like Serial's Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago. Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera's scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award. During the conversation, Vanessa discusses Brandi K. Adams's article “Black ‘(un)bookishness' in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb's American Moor (Methuen, 2020), Carol Anderson's White Rage (Bloomsbury, 2016), Kim Hall's edition of Othello (Bedford/St. Martin's, 2006), Imani Perry's Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele's Get Out (2017), and Eduardo Bonilla-Silva's Racism Without Racists (Rowman & Littlefield Publishers, 2003). John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Vanessa I. Corredera's book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera's analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb's play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare's play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera's book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare's Othello in Post-Racial America, creators like Serial's Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago. Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera's scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award. During the conversation, Vanessa discusses Brandi K. Adams's article “Black ‘(un)bookishness' in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb's American Moor (Methuen, 2020), Carol Anderson's White Rage (Bloomsbury, 2016), Kim Hall's edition of Othello (Bedford/St. Martin's, 2006), Imani Perry's Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele's Get Out (2017), and Eduardo Bonilla-Silva's Racism Without Racists (Rowman & Littlefield Publishers, 2003). John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Vanessa I. Corredera's book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera's analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb's play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare's play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera's book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare's Othello in Post-Racial America, creators like Serial's Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago. Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera's scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award. During the conversation, Vanessa discusses Brandi K. Adams's article “Black ‘(un)bookishness' in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb's American Moor (Methuen, 2020), Carol Anderson's White Rage (Bloomsbury, 2016), Kim Hall's edition of Othello (Bedford/St. Martin's, 2006), Imani Perry's Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele's Get Out (2017), and Eduardo Bonilla-Silva's Racism Without Racists (Rowman & Littlefield Publishers, 2003). John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On Saturday August 26 and Sunday August 27 at 8 p.m., The Tanglewood Learning Institute presents the play “American Moor” in Studio E at The Linde Center.Keith Hamilton Cobb's award-winning 2-person play explores the American Black Male experience via Shakespeare's "Othello." The artists who originated the off-Broadway production created this version specially for Tanglewood's Studio E. The production is directed by Kim Weild.

In Part 3, Professor Farah Karim-Cooper offers close-readings of some of the play's most significant scenes. You'll also hear a special commentary on Othello by actor Keith Hamilton Cobb, author and performer of the acclaimed one-man show American Moor (https://americanmoor.com/), which examines the experience and perspective of black men in America through the metaphor of William Shakespeare's character, Othello. Speeches and Performers: Othello, 1.3, “Her father loved me …” (Keith Hamilton Cobb) Iago, 2.1, “That Cassio loves her …” (Anton Lesser) Emilia and Desdemona, 4.3, “I would not do such a wrong …” (Dame Harriet Walter and Katy Stephens) Keith Hamilton Cobb, reflection on Othello Visit the course webpage at www.shakespeareforall.com/othello for a bonus recording of Othello's 1.3 speech by RSC actor Paterson Joseph. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Part 3, Professor Farah Karim-Cooper offers close-readings of some of the play's most significant scenes. You'll also hear a special commentary on Othello by actor Keith Hamilton Cobb, author and performer of the acclaimed one-man show American Moor (https://americanmoor.com/), which examines the experience and perspective of black men in America through the metaphor of William Shakespeare's character, Othello. Speeches and Performers: Othello, 1.3, “Her father loved me …” (Keith Hamilton Cobb) Iago, 2.1, “That Cassio loves her …” (Anton Lesser) Emilia and Desdemona, 4.3, “I would not do such a wrong …” (Dame Harriet Walter and Katy Stephens) Keith Hamilton Cobb, reflection on Othello Visit the course webpage at www.shakespeareforall.com/othello for a bonus recording of Othello's 1.3 speech by RSC actor Paterson Joseph. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Shakespeare on the Shades of Racism (Routledge, 2021), Ruben Espinosa explores the works of the early modern dramatist in the context of Trump-era immigration policies, anti-Black police violence, and the enduring legacy of white supremacy in American life. Espinosa is Professor of English at Arizona State University. He is the author of the previous monograph, Masculinity and Marian Efficacy in Shakespeare's England, and the co-editor of the collection Shakespeare and Immigration, both available through Routledge. Shakespeare on the Shades of Race, an urgent new book that offers an important critique of racism and white supremacy to bear on As You Like It, The Tempest and Othello, alongside Luis Alberto Urrea's The Devil's Highway, Toni Morrison's Desdemona, and Keith Hamilton Cobb's American Moor. John Yargo is Visiting Assistant Professor of English at Boston College. He recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Dabbs speaks with David Sterling Brown of Binghamton University. David is currently an ACLS/Mellon Scholars and Society Fellow in residence with The Racial Imaginary Institute, founded by Claudia Rankine, and in July 2022 he will join the faculty at Trinity College (USA), his undergraduate alma mater.This conversation includes a look at recent initiatives that explore whiteness and modern racial conflict through the performance and study of Shakespeare. It also focuses on such recent initiatives as The Racial Imaginary Institute, spearheaded by Claudia Rankine, and also on the progress of 'Untitled Othello,' an ensemble led by Keith Hamilton Cobb. LINKSDavid Sterling Brown Online (Other Presentations)https://www.davidsterlingbrown.com/presentations[SEGMENTS]00:00:00 - Intro00:02:00 - The Racial Imaginary Institute (TRII), Claudia Rankine00:08:20 - American Moor, Untitled Othello, Keith Hamilton Cobb00:28:50 - Cleopatra00:33:10 - Whiteness and Color, the segregated South, Racialized Whiteness00:39:40 - James Baldwin, African-American Lit and Shakespeare00:44:50 - Challenging Shakespeare, ‘Titus Andronicus'00:47:08 - Tragedy vs Comedy, racial perspectives, dark comedy00:52:24 - bell hooks' passing and her contributions, reflections00:59:03 - Redemption, mediating change, confronting the now01:13:38 - Guys, folks, drag, and drag queen01:15:40 - David's editorial positions with journals. 01:16:26 - Social Justice in Contemporary Performance01:19:28 - Shakespeare's Other Race Plays01:21:00 - The Folger and Teaching Race Every Place, The First Folio01:22:39 - Forthcoming books, Racialized Whiteness and Pedagogy/Scholarship01:24:20 - The Sonic Color Line, Black Klansman, Sorry to Bother You01:27:50 - Hood Feminism01:30:55 - The Household and Mental Health01:37:40 - Closing remarks

In Part 3, Professor Farah Karim-Cooper offers close-readings of some of the play's most significant scenes. You'll also hear a special commentary on Othello by actor Keith Hamilton Cobb, author and performer of the acclaimed one-man show American Moor (https://americanmoor.com/), which examines the experience and perspective of black men in America through the metaphor of William Shakespeare's character, Othello. Speeches and Performers: Othello, 1.3, “Her father loved me …” (Keith Hamilton Cobb) Iago, 2.1, “That Cassio loves her …” (Anton Lesser) Emilia and Desdemona, 4.3, “I would not do such a wrong …” (Dame Harriet Walter and Katy Stephens) Keith Hamilton Cobb, reflection on Othello Visit the course webpage at www.shakespeareforall.com/othello for a bonus recording of Othello's 1.3 speech by RSC actor Paterson Joseph.

This is our inaugural 202-style episode, reserved for plays adjacent to or adapted from one of Shakespeare's, and what better play to start with than Keith Hamilton Cobb's American Moor! Since it is a “new” play (i.e. one we've never discussed before in depth on the pod), we give you some key 101-style features like a dramatis personae, a brief summary, and a taste of text; however, we also assume you're already familiar with Othello (a source text for Moor) and launch into a deeper discussion of the play the way we would for a standard 201-style episode. Ergo, a “202.” We hope exploring American Moor enhances your understanding of Othello and vice versa. Go add it to your bookshelves now!

Part Two of the season finale is an interview with, actor and writer, Keith Hamilton Cobb. We chat about his experience on soap operas, taking on Shakespeare, his original play called “American Moor” and much more! Thank you so much for a great season! I cannot wait to bring you season two in just a few short months!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/gabe-moses/support

The show nailed the standard white American male theatre director so well, I found I had fantasies of kicking his head down the road a few days later. Forgive me the violent imagery but I guess I’m a little bit furious. American Moor is a show about an actor grappling with the weight of Othello. Caught in a tug of war between the demands of the racist American Theatre system and his African American peers, the character rails and resists. He wants to rage against the injustices that rain down but he keeps himself in check. He also attempts to audition for the role. To read more of Who Gets to Rage in American Theatre? Or, Some Stuff I Learned from American Moor visit the Songs for the Struggling Artist This is Episode 173 Song: Wouldn't It Be Good by Nik Kershaw Image via Flickr To support the podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Join my mailing list: www.emilyrainbowdavis.com/ Like the blog/show on Facebook: https://www.facebook.com/SongsfortheStrugglingArtist/ Support me on Patreon: www.patreon.com/emilyrdavis Or buy me a coffee on Kofi: http://ko-fi.com/emilyrainbowdavis Follow me on Twitter @erainbowd Instagram and Pinterest Tell a friend! As ever, I am yours, Emily Rainbow Davis

The thespian and playwright behind American Moor discusses his take on playing Othello, and being Othello in everyday life as a Black man.Host: Mark ThompsonExecutive Producer: Adell ColemanProducer: Andrew MarshelloDistributor: DCP EntertainmentFor additional content: Subscribe to the Make It Plain LIVE Daily Call-in Show Mon-Fri 7-9a ET at makeitplain.com See acast.com/privacy for privacy and opt-out information.

Today on Boston Public Radio: Boston Public Schools has named three finalists for the job of district superintendent. Joining *Boston Public Radio *to share his analysis was Paul Reville, former state secretary of education and a professor at Harvard University’s Graduate School of Education, where he also runs the Education Redesign Lab. Environmentalist and author Bill McKibben discussed his new book, "Falter: Has The Human Game Begun To Play Itself Out?" National security expert Juliette Kayyem told listeners what to expect from the release of the Mueller report tomorrow. Kayyem is on the faculty of Harvard’s Kennedy School and a CNN analyst. Should the government allow people to file their taxes for free? Shirley Leung, The Boston Globe's interim Editorial page editor, weighed in. Then we opened up the lines and asked listeners for their thoughts. Does the animal kingdom have its own judicial system? Sy Montgomery, a journalist, naturalist, and author of "How to Be A Good Creature: A Memoir in Thirteen Animals," explained. WGBH executive arts editor and "Open Studio" host Jared Bowen discussed the play "American Moor" and other notable arts and culture events around town.

In this episode, we traveled to ArtsEmerson's gorgeous Paramount Theatre in Boston to meet Kim Weild, director of American Moor written and performed by Keith Hamilton Cobb.  Described as an "urgent solo work that examines the experience of black men in America" American Moor is the kind of play that asks the kinds of questions that jar the soul and make us think. Raised in Westchester County, New York, Kim spent the first part of her life as a ballerina, dancing with the New York City Ballet and attending a private high school for the performing arts.  Her decision to leave the world of dance to pursue a career in theatre arts was a brave left-hand turn she remains grateful for to this day. In this interview, Kim shares the key to being a great actor, an inspiring director, a hard worker, and an effective college professor.  Her views on success and what matters most in life are worth your download. "I think kindness is a super-power" says Kim. We couldn't agree more.   @artsemerson   @kimweild   @keithhamiltoncobb   #storybehindhersuccess    #16LifeLessons    #mydoveproductions 

Keith Hamilton Cobb. Keith is an actor, best known for his work on the Young & the Restless, All My Children, Andromeda and Noah’s Arc. His personal experiences in the entertainment world led him to write and perform American Moor – a solo work examining the experience and perspective of black men in America through the metaphor of Shakespeare’s character Othello.

Keith Hamilton Cobb, actor and author of American Moor, and David Howse, executive director of ArtsEmerson, examine the powerful role performance can play in catalyzing conversations on race, equality, and social challenges with Lizzy Cooper Davis, a professor at Emerson working at the intersection of arts and social justice.

This week on Such Stuff, we follow up on our first ever Shakespeare and Race festival, and ask: what does it mean to be a person of colour and study, teach, perform and read Shakespeare?  Our own Dr Farah Karim-Cooper sat down with Professor Ayanna Thompson, to hear her thoughts on casting Shakespeare here and in the US, and follow up on her controversial proposition that Othello is an irredeemable play.  Keith Hamilton-Cobb brings us extracts of his solo play American Moor, which was part of the Shakespeare and Race festival, and which examines the experience and perspective of black men in America through the metaphor of Shakespeare’s Othello.  Farah talks to actor Aaron Pierre, currently playing Cassio in Othello, about performing to Globe audiences, and how he sees the role of Cassio. Finally, Farah spoke to Leaphia Darko, performing in Love’s Labour’s Lost, about her experiences of studying and performing Shakespeare and classical theatre at drama school.

"Othello" is the story of a tragic murder and suicide involving a dark-skinned general and his aristocratic, white-skinned bride. Who should direct it? Who’s “allowed” to? What if a white director and the actor he’s cast as Othello simply do not see eye-to-eye on the play’s subtext, the Moor’s motivations, and what the audience is supposed to take away from the production? That conflict is at the heart of a one-man show currently being performed around the country called "American Moor." In it, a black actor – the play’s author, Keith Hamilton Cobb – stands on stage and addresses an invisible, white director who simply does not “get” Othello. Their disagreement allows for a searing exploration of the gulf between black and white Americans that some like to believe simply does not exist. Keith Hamilton Cobb is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published August 9, 2016. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Is This the Noble Moor?”, was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Bill Lancz at the Marketplace Studios in Los Angeles. http://www.folger.edu/shakespeare-unlimited/american-moor

In this don’t miss episode, Hilliard & Lisa go IN with big bro, Keith Hamilton Cobb and talk about his journey from Soap Star to Broadway actor/writer/producer!   HIGHLIGHTS: Ethnic vs Exotic hair, All My Children, breaking into Hollywood, everybody gets a standing ovation, NBC Development Deal, Beastmaster, Andromeda, how syndication works, cutting off the dreds, character actors, Noah’s Ark, the art of Soap Acting, American Moor's road to Broadway and so much more!   DIRECT LINK: http://bit.ly/SWRR-101 Subscribe, Comment, Rate & 5 STAR Review on iTunes! http://bit.ly/HG-SRR-EP1   HIGHLIGHTS: Captain America vs Black Panther, Asian esthetic in films, The Invitation, Native Comics, Queen Sugar, the Directors Flex, Nat Turner, actor-singer Chris Pree raps/sings “Listen to My Thought” and a ton more game!    Twitter: @ScreenwritersRR @HilliardGuess @LisaBolekaja @KeithHamCobb #ScreenwritersRantRoom #BlackNerds #Comedy #TVFilmDrama

The first time I listened to the playback of this episode of “ELB” I was fraught with anxiety. During the recording, I’d gotten slightly exasperated by the comedy of errors that took place prior to us finally getting things rolling properly, and I’d wondered if I’d even captured what I wanted for this podcast. It took three takes to get us started, but as luck combined with determination provide, we got our show. I was also fortunate that my guest, actor Keith Hamilton Cobb, had enough graciousness, patience and sangria in him to endure a bit of musical chairs, and several false starts so that this recording could happen…finally! Now about Keith…if you don’t already know, he’s a very large, exceptionally handsome presence of a man. He’s also very much an actor in every sense of the word: well groomed, observant, measured with his words, deliberate with his intentions and blessed with the unique power to conspire energies in a way that keep him, in most situations, at the center of attention. I say that last part with a bit of humor and absolute love because he’s actually quite enjoyable to be around. But what’s most important about Keith is he’s in the middle of some of the greatest work of his career, thus far. It’s a one-man show called “American Moor.” And it is because if this work and the truth of experience that he brings to it, that I invited him on the show. I wanted to touch on the love, fear, angst, surrender and vulnerability that made “the Moor.” We did that here. It took three tries, but we definitely found the charm. A very special thank you to Teavolve Restaurant in Baltimore, MD for sponsoring this episode. Of course we were not able to get the secret recipe for the delicious blush pomegranate sangria we drank. We did, however, find out the base wine is Paul Vella Red!