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In this episode of Gangland Wire, Mafia Genealogist Justin Cascio joins Intelligence Unit detective Gary Jenkins to explore one of the most remarkable—and overlooked—figures of the Prohibition era: Pasqualina Albano Siniscalchi, the so-called Bootleg Queen of Springfield, Massachusetts. At the dawn of Prohibition in 1921, Pasqualina was a young widow living in Springfield's South End when she inherited her late husband's powerful bootlegging operation—one of the largest in western Massachusetts. Rather than step aside, she took control. Pasqualina ruled a crew of toughs and bootleggers, oversaw liquor distribution, and launched a relentless campaign of vengeance against rivals who challenged her authority. Newspapers dubbed her The Bootleg Queen, but her fight went far beyond rival gangs. She clashed with lawmakers, battled competing bootleggers, and even faced resistance from within her own family—all while operating in service of a secret society that would never fully accept her because she was a woman. Her story exposes the contradictions of organized crime: loyalty demanded without equality, power wielded without recognition. Cascio draws from years of meticulous research and family histories to bring Pasqualina's story to life, revealing her pivotal role in early Mafia expansion in New England and the hidden influence women could wield behind the scenes. His book, Pasqualina: The True Story of the Bootleg Queen of Springfield, challenges long-held assumptions about gender, power, and the Mafia during Prohibition. If you're interested in Prohibition-era crime, New England Mafia history, or the untold stories of women who shaped organized crime from the shadows, this episode is one you won't want to miss. Learn more about Justin and his work on Mafia Geneology by clicking this sentence. Get Justin’s book, Pasqualina: The Bootleg Queen of Springfield, Massachusetts Listen now on Gangland Wire — available on all major podcast platforms and YouTube. 0:02 Introduction to Mafia Genealogy 1:16 Pasqualina Albano’s Story 2:30 Family Reunion Revelations 4:56 The Impact of Prohibition 7:45 Prejudice and Organized Crime 10:50 Connecting the Genovese Family 12:34 Views from Sicily 13:50 Cultural Differences in Dress 16:37 Encounters with Modern Gangsters 18:36 Gina’s Documentary and Art 23:53 The Romance of the Gangster 27:24 The Nature of Risk 28:46 The Evolution of Organized Crime 33:16 Closing Thoughts and Future Plans Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, all you wiretappers. Good to be back here in the studio of Gangland Wire. I’ve got on tap here a repeat guest. He’s been on before. I had a little technical glitch this morning with the internet, and I had to scurry around and do something different. I totally forgot about what I was going to talk about with Justin, but I knew Justin’s been on there before. I knew he does mafia genealogy, and I knew he knows his stuff, and so he doesn’t really need a lot of help from me. So this is Justin Cascio from the website and some books, some mafia genealogies. Welcome, Justin. Thanks so much, Gary. Great to be here. Really. And you’re from the Springfield, Massachusetts area. And so that’s been some of your emphasis has been on that area. But you’ve done a lot of other mob genealogy, correct? Yes. On my website, on mafiagenealogy.com, I write about a whole lot of different places that the mafia has been in the United States. In fact, coming up, I’m going to be writing about Kansas City. But for the last 25 years or so, I’ve lived in New England. I live about 20 miles away from Springfield, Massachusetts, which if you’ve heard of Anthony Aralata or Bruno or the Shabelli brothers, then you know the Springfield crew of the Genovese crime family. [1:12] And I’ve been following them pretty closely since I’ve lived here. A few years ago, I got into the story of Pasqualina Albano, who was a bootlegger in Springfield during Prohibition. [1:25] That’s what my new book is about. Yeah. Oh, that’s a new book, right? I’m sorry. I didn’t pick up real quick there. And she’s done a documentary recently that hasn’t been seen by very many people. And they really, she was a woman. They do use the A at the end. Those of us that know about romance languages would know as probably a woman, but she’s a woman. And she was running a certain segment of bootlegging back during the 30s and late 20s, exactly when it was, which is really unusual. She must have been a powerful individual. I think that she was a very remarkable person, so I couldn’t find out enough about her. I really needed to understand how it was possible that somebody who the Mafia would never have accepted as a member allowed her to lead this crew for so long, even into the years when it was associated with Vito Genovese and that crime family. Yeah. Don’t you imagine it was, she must have been making money for them. [2:24] She was making money for her family, for sure. Got a few people probably pretty comfortable, yeah. [2:30] So that family, you went to a family reunion recently and learned quite a little bit. You want to tell your experiences about that? Yes. So, Pasqualea Albano, that bootlegger, has a nephew who is now 101 years old. His name is Mario Fiore. And when he turned 100, I was invited to his birthday party. And it was an enormous scene. It was tremendous. In fact, it’s a cliche, but the opening scene of The Godfather, if you imagine that wedding scene, it’s what it looks like. There’s a guy singing live on a PA system. There’s a pizza oven parked over here. There’s kids in the pool. There’s so many people, so much food, and this great big lawn and incredible view. Just an amazing scene to be at. And I met so many different people who were in Mario’s family. I met people who came over from Italy to come celebrate his birthday and talked with them as much as I could. I have no Italian, by the way. So we did the best we could. But I also talked to her American relative. She has all these grand nieces and nephews, and nieces and nephews who are still living, who were at this party and told me stories and drew little family trees for me. And what I was able to get a real good sense of is how the family feels about this legacy. Because not just Pasqualina, who was in organized crime, so many of her relatives were involved as well and continued to be up until the 80s, at least. [4:00] So the name, was it Albano? Was it got on in the modern times? The last name, was it still Albano? Was there another name? There are a few. Let’s see. I want some more modern names. There’s Mario Fiore. So he is one of her nephews. And then there’s Rex Cunningham Jr., who is one of her grandnephews. There’s the Sentinellos. So Jimmy Sentinello, who owns the Mardi Gras, or he did anyway. It’s a nude club, you know, a gentleman’s club, as they say. A gentleman’s club. We use that term loosely. Oh, boy, do we? Another old term that I picked up from the newspapers that I just love and like to bring back is sporting figure. Yeah, even sporting man. They don’t play sports. They’re not athletes. They’re sporting figures. I know. I heard that when I was a kid. Somebody was a sporting man. Yep. [4:57] This has been a family tradition. It’s something that has been passed down through the generations, and it’s something that I talk about in the book. But mostly what I’m focused on in the plot of the story is about Pasqualea’s time during Prohibition when this gang was turning into something bigger, turning into a part of this American mafia. Yeah. Interesting. And so tell us a little bit about how that developed. You had a Genovese family that moved in and she got hooked up with them. How did that develop? Yeah. More end of modern times. Early on, so 1920, beginning of Prohibition, Pasqualea Albana was newly married to this sporting figure, we’ll call him, Carlo Sinascocci. And I’m probably pronouncing that last name as wrong as well. He also came from a family of notable people who were involved in organized crime, getting into scrapes in Little Italy, New York City. There’s a whole separate side story about his cousins and all the things that they were getting into before Carlo even got on the scene. So by the time he arrived in New York City, he had a bit of a reputation preceding him because of these relatives of his. [6:06] And Pascalina was a young woman in Springfield. And the first question I even had writing about her is, how did she meet this guy? He was a Brooklyn saloon keeper. She was the daughter of a grocer in Springfield, three and a half hours away on the train. Like, why do they even know each other? And so trying to piece all that together, how that was reasonable for them to know one another and move in the same circles, and then for him to immediately, when he moved to Springfield, start picking up with vice because it was before Prohibition. So he was involved in gambling and police violence. And you could see some of the beginnings of the corruption already happening where he’s getting police protection before prohibition even begins. And then once it starts, he is the king of Water Street, which was the main drag of Little Italy. He was the guy you went to if you wanted to buy wholesale. [6:57] Justin, I have a question here. I was just discussing this with who’s half Italian, I guess, FBI agent that worked the mob here in Kansas City. We were talking about this, the prejudice that Italian people felt when they first got here, especially. And Bill’s about 90, and so he said his father told him. His father worked at a bank in New York, and he was told that with that last name, he had a different last name than Bill does. And with that last name, he said, you’re owning and go so high in the bank. And so talk a little bit about the prejudice that those early people felt. And that’s what drove people into the dark side, if you will, to make money. You had these bright guys that came over from Sicily looking for opportunity. And then us English and Irish Germans kept them out. [7:45] And so can you talk about that a little bit? Did they talk about any of that or have you looked into any of that? [7:52] I have. And it’s a theme that comes up again and again. Whenever I look at organized crime in any city, I’m seeing things like that ethnic succession of organized crime that you’re alluding to, how the Irish were controlling, say, the machine in Kansas City Hall or what have you. And they had that same kind of control over politics in other cities, too. And the way that they were getting a leg up and finally getting that first protection of their rackets was from outside of their ethnicity. It was Irish politicians protecting Italian criminals. And then eventually the Italians were getting naturalized where they were born here. And so then they move into politics themselves. [8:31] And that is one of the theories about how organized crime develops in American cities. It’s because you’re poor and ethnic and you’re closed out of other opportunities. And so the bright kids get channeled into organized crime where maybe in a better situation, they would have gone to college. Right. And then Prohibition came along, and there was such a huge amount of money that you can make in Prohibition. And it was illegal. That’s why you made money. But there was opportunity there for these young guys. Yes. And you really start to see a lot of new names in the papers after Prohibition begins. You have your established vice criminals who you’re already seeing in the newspapers through the 19-teens. Once Prohibition begins, now they have all these other guys getting into the game because there’s so much money there. And it’s such a big pie. Everybody feels like they can get a slice. [9:21] Yeah, interesting. Carry on. I’ve distracted you, Azai, but you were talking about Pasqualina and her husband. Of course, I’m not even going to try that. When you talk about discrimination against Italians, one of the things that makes my job really hard is trying to find news about a guy with a name like Carlos Siniscalchi. First of all, I’m probably saying it wrong. I think the Italian pronunciation is… So I’m getting all of the consonant clusters wrong, but I do it with my own name too. We’ve Americanized Cassio. That’s not the right name. How do you pronounce it? It’s Cassio. But we’re Cassio. That’s my grandfather said it. So how do I find Carlos Nescalci in the newspaper when every reporter mangles that name? And spells it differently. Yeah. Everybody spells it differently. How am I going to guess how all these different English speaking reporters were going to mess up Carlos’ name? And so I find it every which way. And sometimes I’ve just had to plain stumble over news about him and his relatives. It just happens by chance. I’m looking for general crime, and then I find him specifically. So yeah, it’s a little hard to find the Italians sometimes because their names are unfamiliar and they get written wrong in censuses and in the news. So we lose a little bit of their history that way. And that’s what you might call, I don’t know, a microaggression because they can’t get that name. Yeah, a little bit. Yeah, yeah. You don’t care enough to spell it. I just, I know the thought process, I have to admit. I’ll just spell it anyway. I understand that thought process. [10:51] So you were asking earlier, I don’t know if you want me to continue this, but how the Genovese family were able to get involved in this thing going on in Springfield. Yeah, connected. Because of her second husband. Okay. Pascalina lost her first husband in 1921. He was killed by a fellow bootlegger. He takes over the gang. She conducts a war of vengeance against the guy who kills her husband and his whole family because they’re gangsters. And that takes years. She’s also pursuing her through the courts. And when that all finally gets settled a few years later, she has a quiet little second marriage to a guy that nobody had ever heard of called Antonio Miranda. [11:28] Now, Antonio Miranda is a small time gangster from Little Italy, New York City, and his brother is Mike Miranda, who is very close to Vito Genovese, and he became this conciliator eventually. So that old connections, going back to the days before the Castello-Moraisi War, when it was Lucky Luciano bootlegging with some of his pals, that’s the time frame in which she formed this alliance by marrying Tony Miranda. And that’s when it starts. That’s the relationship’s beginning between Genovese crime family having, before it was even the Genovese crime family, when it was the Luciano family. And so they’ve had that relationship with the Springfield crew ever since. A little bit like old world feudalism in a way, where one member of a royal family marries a member of another royal family. And I know in Kansas City, we’ve got our underboss, his sister, is married to our boss’s nephew. So, bring those two families together, the Lunas and the Savellas together, yes, very well, like noble families. Exactly. Interesting. Absolutely. [12:31] So that’s how they got together. I remembered that, but I’d forgotten it. So, you went to this reunion with people from Sicily there. So, tell us a little bit about that. How? [12:43] How do people in Sicily view the people in the United States? And they didn’t talk about the mafia. I’m sure there’s no doubt that they’re not going to really talk about that unless you got to find somebody that’s really lucky. But kind of care about the sociological impact and the old world and the new world, and the new world people that, you know, established here. Okay, so Pasqualea and his family are from outside of Naples, and they maintain really close ties to their family back in Italy. Like I am the third generation born in America. I don’t speak Italian. Neither does my father. Neither of us has ever been to Italy. We don’t have, we’re not Italians. We’re Americans. Okay. And the Italians will remind you of that if you forget. We’re not Italian. And like spaghetti and meatballs, not Italian. Chicken Parmesan, not Italian. These are things that we invented here out of a sense of, out of homesickness and a sudden influx of middle-class wealth. We were like, let’s have the spaghetti and the meatballs. I had separate courses anymore where the meatballs are, where they’re both a special treat and I’m going to take two treats with chicken and waffles. [13:50] So being around them, they’re formal. You know, I was meeting like Pasquena’s relatives from Mercado San Sivarino, where they’re from in Italy, they own a funeral home. They own the biggest funeral home business in the town, and they also own some other sort of associated businesses, like a florist and things like that. So I would expect a certain sort of decorum and conservatism of tone from somebody who works in the funeral business and from Italy. But they were also among the only people there in suits, because it was a summer day, we’re outside. Most of us were dressed a little less formally. Yeah. Old school, 1950s stuff. He does those old 1950s photographs, and everybody, every man’s wearing a suit. And there were women’s hat on. Also, that ongoing thing where people in Europe just dress better. Yeah, they dress more formal. I see a little bit in New York City. I noticed it when I moved up from the South. In the South, you go to a funeral and flip-flops, okay? It’s very casual because the weather absolutely demands it. I moved that back up North, and I’m like, wow, everybody’s just wearing the same black coat, aren’t we? And you go into New York. People are dressed a little better, even. You go to Europe, and it’s just another level is what I hear. People, they dress better. They’re not like us where we would roll out of bed and put on pajama pants and some crocs and go to the grocery store. They would never do something. Yes. [15:10] I was in a restaurant several years ago, and there’s a guy sitting at a table, and another young guy comes in. And the guy at the table says, dude, you wore your pajama bottoms in the restaurant. [15:22] People need to be sold. And I’ll have to admit, at the time, I hadn’t seen that before. And since then, I see it all the time now. I live in a college town. I see it a lot. Yeah. So i’ll carry on a little more about that reunion there uh okay so how to describe this so much of it was very surreal to me just being in this place like very fancy house the longest driveway i’ve ever seen like more than a mile i finally like when i parked my car because the track you know you can the parked cars are starting i parked and i get out of the car. And I’ve got this big present with me that I’m going to give to Mario. It’s unwieldy. And I’m like, oh man, this is going to be quite a schlep. And I’m wearing my good shoes and everything. And these two young fellas come up on a golf cart and bring me a ride. So I get in the golf cart and we get up to the house and my friend Gina was trying to point people out to me. Oh, he’s somebody that was in my documentary and you got to talk to this guy. And there was a lot of that. you’ve got to talk to this guy and you’ve got to talk to this woman and dragging me around to meet people. And one of the groups of people that I was, that I found myself standing in, [16:35] I’m talking to gangsters this time. Okay. This is not cousins who won a funeral home. These are gangsters. And I’m standing with them and they’re having the absolute filthiest conversation that I’ve heard since high school. [16:48] And, but the difference is boys in high school are just talking. These guys have done all the things they’re talking about. Wow. What a life is. The lives you would have led. Bye. I’m just trying to keep it. Are these American gangsters or are these? Americans. Okay, yeah. Current gangsters, they’re in the Springfield area with Anthony Arilada there. They’ve all hated him, probably. I’m sorry? I said Anthony Arilada when he’s there, and they all hated him. You probably didn’t bring his name up. Yeah, really. There are different factions in Springfield, it feels like to me, still. bill. And I haven’t got them all sorted. There are people who are still very loyal to the old regime and they have their figure, their person that they follow. And sometimes they can live with the rest of them and sometimes the rest of them are a bunch of lowlives and they want everybody to know about it. Yeah. [17:45] I’ve heard that conversation before. Interesting. Now, whose house was this? Somebody made it well in America. Yes. And I think it was one of his nephews. I don’t know exactly whose house it was. I was invited by Gina’s brother. He texted me and invited me to the party. And people just accepted me right in. The close family members who have seen Gina’s documentary, who have heard her talk about Pastelina and the research and meeting me, they think of me as the family a genealogist. And so I have a title in the family and belong there. Oh yeah, it’s here to document us. As you do, because we’re an important family. And so they didn’t really question my presence there at all. And you were able to ask questions from that standpoint too. That’s what was nice. Yeah. [18:37] And a lot of times it was just standing still and listening because there was so much going on, That was enough. Interesting. Now, her documentary, you’ve seen it, so tell us a little bit about it. Folks, it’s not out there streaming yet. She’s trying to get something going, I would assume. [18:58] Explain her just a little bit, too, in her book. Talk about her and her book and her documentary. Yeah. Okay. Gina’s a part of this big family that has got some wealth still and goes back to bootleggers in Prohibition and has gangsters in it, including her brother, Rex Cunningham Jr. So Cunningham is the name you don’t expect to hear in the mafia. Yeah, yeah. Done by Marietta Beckerwood. I don’t know if he was a member or associate, but at any rate, he was a known figure around here. Sportsbook and that kind of thing. Sportsbook, yeah. Yeah. She grew up with a little bit of wealth and privilege, but also feeling a little bit outsider because her family was half Irish. So among the Italians, it was a, you go to the wrong church, you go to the wrong school kind of vibe. And she grew up into more of a countercultural person. Her family is very conservative politically, religiously. I don’t know if you would expect that of a gangster family, but that’s what I’ve noticed is pretty common, actually. No, it’s pretty, that’s the way it is here. Yeah, real conservative, yeah. Yeah. You have to be socially for the whole thing to work. I can get into that, but And they keep going to the same church and school and everything, and you maintain these close ties with the neighborhood and local businesses and so forth. But she really was like, I’m going my own way. And so she became this free spirit as a young woman. And Gina’s, I don’t know how old she is. I want to say in her late 60s, around 70, about there. [20:23] That’s Gina Albano Cunningham. Cunningham. Oh, Gina. Okay, Gina Cunningham. See, I’m getting mixed up with the names. And Cunningham was… Ask Elena Albanos. Her sister married and became a Fiore. Okay. All right. That’s a little bit confusing. People have to go to your website to get this straightened out. Or maybe you have this, a picture, an image of this family tree on your website. In the book, you can find multiple family trees because I’m working with all these different branches. I’ll take a look if I can’t put an image in here for everybody to get this straight. But the modern woman that did the book and the movie, she’s in her 70s now. [21:04] Yeah. Yeah, and she’s a grandniece of Pasqualina, and her brother and her cousins were in organized crime in this room. Okay, all right, all right. Go ahead, go ahead. She’s absolutely immersed in this life, but she did not want any part of it, and so she left. And there are other people in her family that you can point to that did the same thing, like some of Pasqualina’s children just did not want to have anything to do with the family. Well, they left. They went and moved to another state. They stayed in another place. They didn’t come back. And she did the same thing, but she’s not cut ties. She keeps coming back and she has good relationships with her family members, even though she’s not aligned with them politically and so forth. [21:42] And she’s an artist. I’ve seen her work on a couple of different mediums. I don’t want to really try and explain what her art is, but she’s a feminist artist. And she’s also really been pointing the camera at her family quite a bit. And it seems like film might be a newer medium for her. She’s used to do more painting and sculpture and stuff kind of thing. How’d the family take that? A lot of these people, I’ve talked to some relatives here, and one of them come on to talk to me, but I said, your Uncle Vince, he said, yeah, I know. But then he never would get back to me all of a sudden. So a lot of pressure to not say anything about it. Oh, yeah. Sometimes I will get started talking to somebody and then it’ll reach a certain point where they’re like oh no we can’t don’t be recording this don’t put my yeah anything so yeah news to that but gina was like no this is going to be part of my, political art. I’m going to point the camera at my family. I’m going to expose, some of the hypocrisy that I see there, the things I disagree with. [22:41] It’s a short documentary, and I find it very powerful because it’s a family video. One of the first people she’s aiming the camera at is, I think, one of her nieces. Talking to this young woman who is leaning on her car, maybe in her late teens, early 20s, and this young woman is saying, oh, yeah, I would marry a gangster if I had the chance. And I’m just like, do you not know your family? Do you not know the heart? And later on in the video, you get to hear some of the really just like gut wrenching stories of what pain people in her family have brought upon themselves through their involvement in organized crime and all the things that it entails. And this young woman is, I don’t know, she’s acting because she doesn’t even know this other uncle or this other cousin that she’s got that can tell her these stories. Or is it, I don’t know, it doesn’t matter or something. And that to me was shocking. That’s the kind of thing that needs, that’s somebody who needs their mind changed. And I was like, I hope she watches this video she’s in and changes her mind about how she feels about that life and wanting to be a part of it. But that’s what mafia culture creates more of, is people who want to be a part of that. [23:53] There’s a certain romance to it that started out with Robin Hood, if you will. You get a romance of the gangster, the criminal that maybe is good to some people, good to support people, good to their family. And it continues on to this day to John Gotti. He’s the most recent iteration of Robin Hood and Jesse James here in the Midwest. People love Jesse James. When I grew up, everybody, every family had a story about how a couple of guys came by their house back in the 1800s and they gave them a place to stay and a meal. And they left them like a $20 gold piece, which was like $500 or something. And they said, it was Jesse James. I know it was. It’s the romance of the gangster continues. Yes. We all would love to imagine that we’re on the gangster side and that the gangster agrees. Yeah. As long as we don’t have to go to jail or pay that price. Because to me, I’ve got a friend today that he spent about 12 years and he would give all that gangster life back to get that 12 years back for these kids growing up. He’s turned over a new life today. I had lunch with him and his son not too long ago. And it’s just his son has told him, he said, every time I had to walk away from you in the penitentiary and come back home after our visit, he said, I was just crushed. It’s a huge price to pay for that. But there’s still that romance continues. [25:13] That terrible price, I think, is part of what feeds the romance. If there was no risk, there wouldn’t be that allure. Yeah, that’s true. You met that risk and overcame it and went on, came out on top. It’s what they always like to claim that came out on top of it. So I understand that thought process. I take a lot of risk in my life just from the other side. I said, live to fight another day. Yeah, there really are different kinds of risks that you can take. I was writing about a contract killer in Texas, and one of his targets was a guy who was a grain dealer. And I was like, that’s a really weird target for murder, right? Like, why would you kill a grain dealer from rural Texas? And it was because his old partner had an insurance policy out on him and decided to cash in on it. That was Charles Harrison, wasn’t it? Yeah, yeah, exactly. Sad story. Charles Harrison. Yeah. It was like, these were two guys that took very different kinds of risks, right? You got Charles Harrelson, who kills people for money. That’s a certain kind of risk you’re definitely taking. And then there’s the guy who buys grain and then sells it. So he’s taking these risks for his community of farmers. [26:27] And I was like, that’s really wholesome. And that’s, I don’t know, I feel like it’s a really positive example of masculinity. That’s the kind of risk we’re supposed to take for the safety and well-being of our neighbors? Yeah. Even the farmers, they risk everything every year. Smaller farmer, I grew up in those families and a smaller farmer practically risk everything every year, being in on the weather. That’s why I didn’t stay on the farm. And the markets, you don’t know what the markets are going to do. It’s a gamble every year. That Charles Harrelson, that’s Woody Harrelson’s dad who killed the Judds, famous murder down in El Paso. And he had a business. He carried a card that said he was a hitman. It was his story. [27:10] Bold. He was a crazy bold dude. I did a whole three-part series on that whole Jimmy Chagra marijuana business [27:20] down there on the border. and his connection to it and the killing of Judge Wood. So it’s just a business in these guys. Hey, it’s not personal. It’s just business. Yikes. It’s crazy. But Justin, you got anything else you want to tell us about? Anything you’re working on? And remind guys your website and what you can find there. He has some really interesting stuff about the old early days in Chicago. I know that. I referred to some of that several years ago when I was doing something on Chicago. So give guys a little walk through on your website. It’s really interesting. Okay, so John Gotti is one name I don’t think you’re ever going to find on my website. Yeah, good. [27:59] I’m really addicted to origin stories. I like to find out how the Mafia was already present before that point when we say it started. Yeah, in the 20s. But gangsters don’t come out of nowhere. Gangs don’t come out of nowhere. They evolve. They grow. There are forces to create them. And so that’s what I’m interested in. I like to go around. And I spent a lot of my early career writing about one place and its effect on the United States, Corleone, where my family’s from in Sicily. And that was my first book, In Our Blood. And some of my first posts on mafia genealogy are in that thread. They’re about my family and the Corleonesi. But then I started to get into other [28:42] places and wanting to know about their stories and getting into other parts of Italy as well. So if you go to my website, you’re going to find stories like Charles Harrelson and the two guys that he killed before the judge, or in Chicago about the different little Italys that existed before Capone consolidated everything, or Kansas City I’m writing about, Nick Fatsuno and the Passantino brothers. I don’t even know if you know those guys, but I thought their further stories were amazing. [29:09] Passantino had a funeral home today, but the other names I don’t really know back then. I don’t know much about that or those early days. Did they seem to come from the same little town, the same general area? They didn’t, actually. A lot of them were Sicilian, and they come from Palermo province, but not all from the same town. Not from okay. Yeah. Yeah, I wasn’t able to put—there’s not a strong current there in Kansas City like I’ve found in other places where everybody is from one town. Yeah. [29:37] But not so much in Kansas City. A little more varied. Interesting. So that’s what you’ll find on my website. And then Pasqualina is my second book, and you can buy both of my books at Amazon. Got them behind me here, Airblood, Pasqualina. And Pasqualina is about that prohibition era, and if you like to understand where big-nosed Sam Koufari got his start, it’s in there. And the Shabelli brothers show up. It’s about those origins. I was talking to a friend of mine about this name, Skeeball or Skeebelly. Yes. Who had some relationship back in Springfield, and he just really knew Skeeball when he was young. [30:17] Yep, because it was the spelling of his name. I’m not even sure how they pronounced it. I think it’s Skeebelly. Skeebelly. That probably was. Yeah, Skeebelly. I know somebody named Skeebelly, so probably was. That’s like the name of the body shop here in Kansas City, and it’s P-A-C-E. But really it’s Pache. We’ve got to do it right. And that’s probably short for Pache. I don’t know. I wonder if the family pronounces it Pache or Pace. I think business-wise, but then the person who was talking was close to the family and they said, oh no, it’s Pache. So I thought, okay. [30:53] Interesting. The immigrant experience in this country is really always interesting. There’s always conflict and the interest is in the conflict. And as people try to make their way, and stopping with, oh God, it was an author, T.J. did the Westies. You guys know T.J. that did the Westies. And he said, yeah, he said, and he really was articulate about, as we’ve discussed this, that people come here want an opportunity, because they didn’t have any opportunity in the old country, whether it be Naples or southern Italy or Sicily. They came here, they really just wanted opportunity. And then the opportunity, you have to start fighting for opportunity. That’s the nature of the beast in this country. In any kind, any society, you’ve got to fight for opportunity when you’re an outsider and you come in. And so that was the early development. These people just wanting a little slice of this American pie that they’d heard so much about. The streets are paved with gold over here, but found out you’ve got to dig that old man. [31:52] Some people probably came over here thinking they were going to make an honest living and found themselves, by one step and another, involved in organized crime. And then there were other men who came here from Italy for whom the opportunity was to be a criminal here. Richer pickings. Yeah. And they started restaurants and had your typical immigrant, all the immigrant restaurants, all these Chinese, whatever kind of ethnic food is, they start out with an immigrant who then puts his kids and his cousins and his nephews and sisters and grandmas in the back room kitchen, start those restaurants. And people, us people that are already here like that food and they run them, they do a really good job at it. And so that’s a way to get started in grocery stores for their other fellow paisans. And those were the ways that they made it here, at least now, probably the same way in every city where there’s a large Italian population. Got to feed the other Italians. And so an Italian restaurant is natural. Yeah. And also owning your own business is just really smart for a lot of people. If you’re an organized crime, it’s a great way to hide what you’re doing. [32:59] And if you’re trying to get a naturalization status, especially now, being a business owner is really advantageous. Yeah, I bet. I was talking about that on getting a naturalization process that showed that you’re an entrepreneur and you believe in the system and you’re doing well. Yeah, interesting. [33:17] All right, Justin Cascio, and the website is Mafia Genealogy. He’s got a couple books on there in this documentary. I don’t know. Keep us up on that. Maybe if it comes out, I’ll make sure to get it out on something where people know that they can go out and see it. It sounds really interesting. Thanks, YOL. All right. Thanks, Justin. I’ll do that no more. Thank you, Justin. It’s really a pleasure to talk to you again. Always a pleasure being on your show. Thank you. Great. [33:44] Justin, see, I was going to ask you about something. What? Are you going through a publisher? You got a publisher? No, I’m self-published. You’re self-published? Okay. Yeah. See, I self-published several books, and I’m doing probably my last ones, a story of my life, kind of more of a memoir, my struggles and my moral dilemmas and all that during when I worked intelligence. And then I’ll explain all about the big civil mob war we had here during those years. And I don’t know. I started poking around. I thought, well, maybe I’ll try to get a regular publisher. But boy, it’s hard. You’ve got to get an agent. You can’t get attention of an agent because there’s hundreds and thousands of people out there writing books wanting to do all this. So thank God for Amazon. Yeah. I think if you already have your audience. Yeah. And you know who they are and you’re already talking to them. You don’t need to pay somebody else to do that for you. Yeah. Yeah. I’m paying an editor to go over to… That’s different. That’s no other strengths. But to get it sold out there. Out here making videos every day. The good thing about getting a publisher is you can get, and then you got a chance of getting it into Barnes & Noble and into libraries. [34:59] See, libraries. You might into libraries anyway. How’d you do that? How’d you figure that out? The local library has an interest in the book, so they bought it. Yeah, they did. But I’m talking about other libraries. Yeah, they can all buy the book the same way. Yeah, but how do they find the library buy books? [35:18] I think buy them from the publishers normally. And if your book is self-published and they want to carry that book, because, for instance, about local history, then they’ll buy it. Yeah. I’m thinking about how do they get it out in other New York or Chicago or some other city that will be looking for nonfiction books. Publishers. You have to do every step yourself instead of being massive. Yeah. And then like Barnes & Noble and places like that to get it in, that’s hard too. You can do that locally. Those places carry my books on the website. Who does? They’re buying it from Amazon. Oh, okay. Interesting. Oh, really? Yeah. Because that’s the only place you can get it. I think I sell a couple of my, I’ve seen some people from, I think it’s through at Brafta Digital, I think’s the name of it. That’s another thing that this thing went up on that Barnes & Noble did sell a few copies of it. As a matter of fact, now that you mention it. [36:21] But it’s interesting. It’s fun. How are you ever going to get a screenplay sold if you don’t get their attention? [36:30] That’s why most people I talk to, they’re trying to figure out how to get a movie made from their book. Gangsters ask me that question. They’re like, you figure I know the answer to how to get a movie made from YouTube? and I do not have that answer. Nobody knows that. It’s hard work. Yeah, I tell them nobody knows that, the answer. It’s God. A divine being that strikes you, whether it be the Apollo or the God of Abraham, or Jesus or some higher power reaches out and touches you and says, okay, I bless you, and now you’re going to have a movie made and Robert De Niro is going to play your part. Although anymore, they don’t want De Niro to play him because they hate him now, and they want somebody else. Oh, my God. It’s always a pleasure to talk to you, Justin. Likewise, Gary. Thanks so much. If I can do anything for you here in Kansas City, and as you’re going through your thing, if you’ve got any question or anything, I’ve got that one friend, that FBI agent, that he could maybe help you with if you’re looking for a connection or something. He knows quite a little bit. And somebody else was just talking about that, looking into that, those early days. But if you do have any questions or anything that you’re stumbled about here in Kansas City, be sure and give me a call, and I’ll see if I can’t steer you to somebody. I don’t know myself. I don’t really ever look at it. Okay. Okay. Stay safe. Thank you. You too.

O Vitória projeta um orçamento histórico para 2026, se aproximando da marca de R$ 300 milhões. No programa, a análise passa pelas fontes de receita, pelas metas esportivas atreladas a esse planejamento e pelos desafios de transformar o maior orçamento da história do clube em desempenho dentro de campo. Comentários de Fred Figueiroa e Cassio […]

Programa analisando os primeiros movimentos de mercado de Vitória, Fortaleza e Ceará, com destaque para os reforços anunciados, perfis buscados e o contexto de cada clube para a temporada. O debate também aborda a reestruturação do Sport, passando por decisões estratégicas, planejamento esportivo e impacto financeiro. Fred Figueiroa comandou o programa, com comentários de Cassio […]

The opening of Act 2 seems like the happy ending of a comedy, the enemy destroyed and Othello and Desdemona reunited. Iago's soliloquy: Coleridge's famous description of Iago's “motiveless malignity.” Cassio, made drunk by Iago, disgraces himself at the celebration and is demoted.

Mais uma edição do Mercado no ar! O programa analisa a chegada de Juan Osorio ao Remo, o anúncio de Rafael Guanaes no Botafogo e as principais movimentações recentes do mercado do futebol brasileiro. Tendências, impactos esportivos e o que esses movimentos indicam para a temporada que se aproxima. Comentários de Fred Figueiroa e Cassio […]

Olá, bio-ouvintes! Sabe quando você se depara com calçadas irregulares, degrau muito alto, textos pequenos, falta de legenda, falta de contraste, por exemplo? Imaginem se coisas que pra muita gente passam despercebidas fossem barreiras enormes pra viver o dia a dia? Nesse episódio falamos sobre inclusão de pessoas com deficiências na sociedade moderna, o que é ser pcd e como leis garantem acessibilidade.   CONTATOS cartinhas@biologiainsitu.com.br Instagram, Facebook e LinkedIn: @bioinsitu Twitter e TikTok: @bioinsitu   APOIO Apoio recorrente na Orelo ou no Apoia.se Pix: cartinhas@biologiainsitu.com.br Também no PicPay!   CRÉDITOS Coordenação: Cristianne Santos, Heloá Caramuru, Larissa Castro, Larissa Menezes, Ricardo Gomes e Vitor Lopes. Pesquisa de pauta: Alice Saldanha e Isadora Oliveira. Revisão científica: Nadja Lopes. Roteirização: Cassio de Oliveira. Revisão textual: Sueli Rodrigues. Locução: Heloá Caramuru e Ricardo Gomes. Edição e mixagem de áudio: Náthaly Mendonça. Arte de capa: Larissa Castro.   CITAÇÃO DO EPISÓDIO (ABNT) Bio In Situ 217 - Inclusão de pessoas com deficiências. Coordenação: Cristianne Santana Santos, Heloá Caramuru Carlos, Larissa Araguaia Monteiro de Castro, Larissa Menezes de Souza Lopes, Ricardo da Silva Gomes e Vitor Estanislau de Almeida Souza Lopes. Pesquisa de pauta: Alice da Luz Saldanha e Isadora Oliveira Gondim. Revisão científica: Nadja Francisca Silva Nascimento Lopes. Roteirização: Cassio Eduardo de Oliveira. Revisão textual: Sueli Aparecida Rodrigues. Locução: Heloá Caramuru Carlos e Ricardo da Silva Gomes. Edição e mixagem de áudio: Náthaly Cintia dos Santos Mendonça. Arte de capa:  Larissa Araguaia Monteiro de Castro. [S. l.] Canal Bio In Situ, 18 de dezembro de 2025. Podcast. Disponível em: https://biologiainsitu.com.br/217-inclusao-de-pessoas-com-deficiencias/.

02-12-25 - Morde e Assopra - Convidado Cassio Scapin (Ator)

A Série C vem para 2026 com um novo regulamento, mudanças geográficas, alterações nas cotas de TV e nos direitos de transmissão, novos clubes e muito mais. Debatendo tudo isso, o Ice e o Fire. Venha conosco nessa jornada pela nova Série C. Fred Figueiroa comandou o programa e contou com os comentários de Cassio […]

Olá, bio-ouvintes! As ciências "ômicas" são badaladas porque vieram pra revolucionar as técnicas moleculares de alto rendimento, buscando obter uma compreensão abrangente do sistema biológico em estudo. Confira como o uso de Inteligência Artificial contribui para prever as estruturas complexas das proteínas e como esses estudos levaram a um Prêmio Nobel de Química.   CONTATOS cartinhas@biologiainsitu.com.br Instagram, Facebook e LinkedIn: @biologiainsitu Twitter e TikTok: @bioinsitu   APOIO Apoio recorrente na Orelo ou no Apoia.se Pix: cartinhas@biologiainsitu.com.br Também no PicPay!   CRÉDITOS Coordenação: Cristianne Santos, Heloá Caramuru, Larissa Castro, Larissa Menezes, Ricardo Gomes e Vitor Lopes. Pesquisa de pauta: Larissa Leite. Revisão científica: Nadja Lopes. Roteirização: Cassio de Oliveira. Revisão textual: Sueli Rodrigues. Locução: Cristianne Santos e Vitor Lopes. Edição e mixagem de áudio: Náthaly Mendonça. Arte de capa: Larissa Castro.   CITAÇÃO DO EPISÓDIO (ABNT) Biologia In Situ 213 - Proteômica e o prêmio nobel. Coordenação: Cristianne Santana Santos, Heloá Caramuru Carlos, Larissa Araguaia Monteiro de Castro, Larissa Menezes de Souza Lopes, Ricardo da Silva Gomes e Vitor Estanislau de Almeida Souza Lopes. Pesquisa de pauta: Larissa Granna da Silva Leite. Revisão científica: Nadja Francisca Silva Nascimento Lopes. Roteirização: Cassio Eduardo de Oliveira. Revisão textual: Sueli Aparecida Rodrigues. Locução: Cristianne Santana Santos e Vitor Estanislau de Almeida Souza Lopes. Edição e mixagem de áudio: Náthaly Cintia dos Santos Mendonça. Arte de capa:  Larissa Araguaia Monteiro de Castro. [S. l.] Canal Biologia In Situ, 14 de novembro de 2025. Podcast. Disponível em: https://biologiainsitu.com.br/213-proteomica-e-o-premio-nobel/.

Olá, bio-ouvintes! Dessa vez falamos sobre um filme querido por muitos... Divertida Mente!  Ele mostra de como funcionam as emoções dentro da cabeça de uma menina de onze anos.  Mas o que acontece dentro do nosso corpo quando sentimos alguma emoção? Somos basicamente controlados por  hormônios, são eles que ajudam a regular o nosso humor, apetite, sono, entre muitas outras funções importantes, então, vamos explorar um pouco quais são os principais hormônios e pelo quê cada um é responsável?!   CONTATOS cartinhas@biologiainsitu.com.br Instagram, Facebook e LinkedIn: @biologiainsitu Twitter e TikTok: @bioinsitu   APOIO Apoio recorrente na Orelo ou no Apoia.se Pix: cartinhas@biologiainsitu.com.br Também no PicPay!   CRÉDITOS Coordenação: Cristianne Santos, Heloá Caramuru, Larissa Castro, Larissa Menezes, Ricardo Gomes e Vitor Lopes. Pesquisa de pauta: Ana Carolina Pinheiro. Revisão científica: Danilo Almeida. Roteirização: Cassio de Oliveira. Revisão textual: Sueli Rodrigues. Locução: Larissa Menezes e Ricardo Gomes. Edição e mixagem de áudio: Ricardo Gomes. Arte de Capa: Larissa Castro.   CITAÇÃO DO EPISÓDIO (ABNT) Biologia In Situ 212 - Adedanha maluca biológica. Coordenação: Cristianne Santana Santos, Heloá Caramuru Carlos, Larissa Araguaia Monteiro de Castro, Larissa Menezes de Souza Lopes, Ricardo da Silva Gomes e Vitor Estanislau de Almeida Souza Lopes. Pesquisa de pauta: Ana Carolina Pinheiro Santos Gabry. Revisão científica: Danilo Pelaes de Almeida. Roteirização: Cassio Eduardo de Oliveira. Revisão textual: Sueli Aparecida Rodrigues. Locução: Larissa Menezes de Souza Lopes e Ricardo da Silva Gomes. Edição e mixagem de áudio: Ricardo da Silva Gomes. Arte de capa:  Larissa Araguaia Monteiro de Castro. [S. l.] Canal Biologia In Situ, 09 de novembro de 2025. Podcast. Disponível em: https://biologiainsitu.com.br/212-divertidamente-dos-hormonios/.

Con Teresa Cantalejo | Para iniciar temporada del pódcast operístico tenemos a un invitado especial. Está con nosotros Airam Hernández, tenor tinerfeño. Aprovechando que estaba en Madrid, metido en el papel de Cassio de la producción de Otello del Teatro Real, Teresa se tomó un café con él y charlaron sobre cómo es el trabajo de un cantante de ópera, qué otros géneros pueden hacer y qué proyectos futuros tiene entre manos por si alguien quiere acercarse a escucharle.

Olá, bio-ouvintes! Nesse episódio falamos  sobre como o Cerrado está distribuído, QUEM vive na região e a importância dos seus saberes tradicionais! O Cerrado é cultura viva e história em movimento!   VOTE NO PRÊMIO MPB FASE 2!   Episódio 61 - Desmonte na Funai Episódio 108 - De grão em grão o agro enche o papo   CONTATOS cartinhas@biologiainsitu.com.br Instagram, Facebook e LinkedIn: @biologiainsitu Twitter e TikTok: @bioinsitu   APOIO Apoio recorrente na Orelo ou no Apoia.se Pix: cartinhas@biologiainsitu.com.br Também no PicPay!   CRÉDITOS Coordenação: Cristianne Santos, Heloá Caramuru, Larissa Castro, Larissa Menezes, Ricardo Gomes e Vitor Lopes. Pesquisa de pauta: Valtenisa Andrade. Revisão científica: Danilo Almeida. Roteirização:Cassio de Oliveira. Revisão textual: Sueli Rodrigues. Locução: Ricardo Gomes e Vitor Lopes. Edição e Mixagem de Áudio: Eduarda Brum. Arte de Capa: Larissa Castro.   CITAÇÃO DO EPISÓDIO (ABNT) Biologia In Situ 208 - Populações tradicxionais do cerrado. Coordenação: Cristianne Santana Santos, Heloá Caramuru Carlos, Larissa Araguaia Monteiro de Castro, Larissa Menezes de Souza Lopes, Ricardo da Silva Gomes e Vitor Estanislau de Almeida Souza Lopes. Pesquisa de pauta: Valtenisa de Andrade Lima. Revisão científica: Danilo Pelaes de Almeida. Roteirização: Cassio Eduardo de Oliveira. Revisão textual: Sueli Aparecida Rodrigues. Locução: Ricardo da Silva Gomes e Vitor Estanislau de Almeida Souza Lopes. Edição e Mixagem de Áudio: Eduarda Brum Gonçalves. Arte de capa:  Larissa Araguaia Monteiro de Castro. [S. l.] Canal Biologia In Situ, 25 de setembro de 2025. Podcast. Disponível em: https://biologiainsitu.com.br/208-populacoes-tradicionais-do-cerrado/.

Olá, bio-ouvintes! Falamos agora sobre um tema que intriga e fascina a humanidade há tempos: as plantas carnívoras! Esses seres únicos que desafiam nossa compreensão tradicional do reino vegetal, misturando tanto características de plantas quanto de predadores!  Vamos explorar esse mundo fascinante sob as perspectivas evolutiva, biológica, ecológica e cultural. Preparem-se para uma jornada cheia de curiosidades e descobertas!   VOTE NO PRÊMIO MPB! VÁ NO CANAL DO PIRULLA!   CONTATOS cartinhas@biologiainsitu.com.br Instagram, Facebook e LinkedIn: @biologiainsitu Twitter e TikTok: @bioinsitu   APOIO Apoio recorrente na Orelo ou no Apoia.se Pix: cartinhas@biologiainsitu.com.br Também no PicPay!   CRÉDITOS Coordenação: Cristianne Santos, Heloá Caramuru, Larissa Castro, Larissa Menezes, Ricardo Gomes e Vitor Lopes. Pesquisa de pauta: Natalia Popiorek. Revisão científica: Danilo Almeida. Roteirização: Cassio de Oliveira. Revisão textual: Sueli Rodrigues. Locução: Cristianne Santos e Melissa Cabral. Edição e mixagem de áudio: Bruno Nappo. Arte de Capa: Larissa Castro.   CITAÇÃO DO EPISÓDIO (ABNT) Biologia In Situ 207 - Quando as plantas são predadoras. Coordenação: Cristianne Santana Santos, Heloá Caramuru Carlos, Larissa Araguaia Monteiro de Castro, Larissa Menezes de Souza Lopes, Ricardo da Silva Gomes e Vitor Estanislau de Almeida Souza Lopes. Pesquisa de pauta: Natália Popiorek dos Santos. Revisão científica: Danilo Pelaes de Almeida. Roteirização: Cassio Eduardo de Oliveira. Revisão textual: Sueli Aparecida Rodrigues. Locução: Cristianne Santana Santos e Melissa dos Santos Cabral. Edição e mixagem de áudio: Bruno Nappo Fernandes. Arte de capa:  Larissa Araguaia Monteiro de Castro. [S. l.] Canal Biologia In Situ, 21 de setembro de 2025. Podcast. Disponível em: https://biologiainsitu.com.br/207-quando-as-plantas-sao-predadoras/.

Olá, bio-ouvintes! Alguns grandes nomes da ciência estiveram na boca do povo ao se envolverem em tretas, disputas de ego ou sofrerem com apagamento histórico e até plágios disfarçados!  Já que é pra falar dessas picuinhas, nada melhor do que uma boa fofoquinha pra fazer descer melhor. Vamos conhecer esses fatos que moldaram a História da Ciência?!

Cassio Braga, gestor de negócios do Sebrae, e Fani Haas, assessora de Comunicação no Sicredi, participaram do Direto ao Ponto e falaram sobre a 4ª edição do Empreendedorismo 360 - Inovar Para Transformar.

Cassio Braga, gestor de negócios do Sebrae, e Fani Haas, assessora de Comunicação no Sicredi, participaram do Direto ao Ponto e falaram sobre a 4ª edição do Empreendedorismo 360 - Inovar Para Transformar.

Cassio Luz, presidente da Seisc, e Silvana Schwengber, vice-presidente, estiveram no Direto ao Ponto para destacar a realização da 8ª edição da Semana do Mercado Imobiliário, que acontece no fim de agosto.

Cassio Luz, presidente da Seisc, e Silvana Schwengber, vice-presidente, estiveram no Direto ao Ponto para destacar a realização da 8ª edição da Semana do Mercado Imobiliário, que acontece no fim de agosto.

Olá, bio-ouvintes! Ao longo dos 6 biomas que compõe o Brasil, diversos impactos decorrentes das pressões humanas, mudanças climáticas e políticas frágeis vem ocorrendo.  Tudo isso é uma combinação perigosa onde devemos compreender como o poder público, a sociedade e as grandes empresas vem agindo em relação aos impactos ambientais e climáticos.   CONTATOS cartinhas@biologiainsitu.com.br Instagram, Facebook e LinkedIn: @biologiainsitu Twitter e TikTok: @bioinsitu   APOIO Apoio recorrente na Orelo ou no Apoia.se Pix: cartinhas@biologiainsitu.com.br Também no PicPay!   CRÉDITOS Coordenação: Cristianne Santos, Heloá Caramuru, Larissa Castro, Larissa Menezes, Ricardo Gomes e Vitor Lopes. Pesquisa de pauta: Valtenisa Andrade. Revisão científica: Ary Duarte e Danilo de Almeida. Roteirização: Cassio de Oliveira. Revisão textual: Sueli Rodrigues. Locução: Eduarda Brum e Ricardo Gomes. Edição e mixagem de áudio: Felipe Castro. Arte de Capa: Larissa Castro.   CITAÇÃO DO EPISÓDIO (ABNT) Biologia In Situ 203 - Cadê o bioma que tava aqui? Coordenação: Cristianne Santana Santos, Heloá Caramuru Carlos, Larissa Araguaia Monteiro de Castro, Larissa Menezes de Souza Lopes, Ricardo da Silva Gomes e Vitor Estanislau de Almeida Souza Lopes. Pesquisa de pauta: Valtenisa de Andrade Lima. Revisão científica: Ary Guedes Porto Duarte e Danilo Pelaes de Almeida. Roteirização: Cassio Eduardo de Oliveira. Revisão textual: Sueli Aparecida Rodrigues. Locução: Eduarda Brum Gonçalves e Ricardo da Silva Gomes. Edição e mixagem de áudio: Felipe Gonçalves de Castro. Arte de capa:  Larissa Araguaia Monteiro de Castro. [S. l.] Canal Biologia In Situ, 13 de agosto de 2025. Podcast. Disponível em: https://biologiainsitu.com.br/203-cade-o-bioma-que-tava-aqui/.

On the Shelf for August 2025 The Lesbian Historic Motif Podcast - Episode 320 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: Upcoming travel and events My new book Skin-Singer: Tales of the Kaltaoven by Heather Rose Jones Recent and upcoming publications covered on the blog Klein, Ula Lukszo. 2021. “Busty Buccaneers and Sapphic Swashbucklers” in Transatlantic Women Travelers, 1688-1843 edited by Misty Kreuger. Lewisburg PA: Bucknell University Press. Wingard, Tess, 2024. “The Trans Middle Ages: Incorporating Transgender and Intersex Studies into the History of Medieval Sexuality”, The English Historical Review. Black, Allida M. 1994. “Perverting the Diagnosis: The Lesbian and the Scientific Basis of Stigma.” Historical Reflections / Réflexions Historiques, vol. 20, no. 2, pp. 201–16. Chauncey, George, Jr. 1982. “From Inversion to Homosexuality: Medicine and the Changing Conceptualization of Female Deviance” in Salmagundi 58-59 (fall 1982-winter 1983). Blank, Paula. 2011. “The Proverbial ‘Lesbian': Queering Etymology in Contemporary Critical Practice” in Modern Philology 109, no. 1: 108-34. Cassio, Albio Cesare. 1983. “Post-Classical Lesbias,” The Classical Quarterly, n.s., 33:1, pp. 296-297. Ingrassia, Catherine. 1998. “Fashioning Female Authorship in Eliza Haywood's ‘The Tea-Table'” in The Journal of Narrative Technique, vol. 28, no. 3, pp. 287–304. Ingrassia, Catherine. 2014. “'Queering' Eliza Haywood” in Journal for Early Modern Cultural Studies, Vol. 14, No. 4, New Approaches to Eliza Haywood: The Political Biography and Beyond: 9-24 Katz, Jonathan. 1978. Gay American History: Lesbians and Gay Men in the U.S.A. Avon Books, New York. ISBN 0-380-40550-4 Pohl, Nicole, and Betty A. Schellenberg. 2002. “Introduction: A Bluestocking Historiography” in Huntington Library Quarterly, vol. 65, no. 1/2, pp. 1–19. Lanser, Susan S. 2002. “Bluestocking Sapphism and the Economies of Desire” in Huntington Library Quarterly, Vol. 65, No. 1/2, Reconsidering the Bluestockings: 257-275 Recent Lesbian/Sapphic Historical Fiction The Painter's Palette (The Legacy Lane Series #2) by Gina Everleigh The Needfire by M.K. Hardy The Worst Spy in London (The Luckiest With Love #2) by Anne Knight The Unexpected Heiress by Cassidy Crane This Vicious Hunger by Francesca May What I've been consuming The Tapestry of Time by Kate Heartfield Murder by Post by Rachel Ford A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

Welcome to the finale of WBDB's audio production of William Shakespeare's Othello.Iago's plans come into fruition, but at what cost?Starring the vocal talents of:Yesha Ellis as OthelloKealoha Petersen as IagoVivienne Golde as DesdemonaMarcia French as EmiliaHayden Lummus as Cassio and WBDB PageChris Emanuel as RoderigoOllie Philps as Montano and BrabantioJarel Jennings as Duke LodovicoLise Morrow as Bianca andBryan M. Davis as The Ghost & WBDB Announcer#horrorpodcast #audiovisual #adaptation #radioshow #shakespeare #othello

Our weekly unofficial in-universe chat where the Master Tavern Keeper, amateur historian in the city of Tobaro, Tilea explains the intricacies of the Old World of Warhammer Fantasy. This week from the Master Tavern Keeper we hear more about Cassio the Cat, infamous thief, with the mercenary knight Heinrich Lower, the Truthsayer Sedrik Ó Maoláin from Albion and the neophytes… Also available on YouTube

Our weekly unofficial in-universe chat where the Master Tavern Keeper, amateur historian in the city of Tobaro, Tilea explains the intricacies of the Old World of Warhammer Fantasy. This week from the Master Tavern Keeper we hear more about Cassio the Cat, infamous thief, with the mercenary knight Heinrich Lower, the Truthsayer Sedrik Ó Maoláin from Albion and the neophytes… Also available on YouTube

Welcome to the third episode of WBDB's audio production of William Shakespeare's Othello.An entertainer named Bianca is tasked with creating a welcoming party for Othello, overseen by Iago. Cassio decides to speak with Desdemona herself about his status with Othello, hoping to regain his good graces, unaware that Iago has set things in motion.Starring the vocal talents of:Yesha Ellis as OthelloKealoha Petersen as IagoVivienne Golde as DesdemonaMarcia French as EmiliaHayden Lummus as Cassio and WBDB PageChris Emanuel as RoderigoOllie Philps as Montano and BrabantioJarel Jennings as Duke LodovicoLise Morrow as BiancaandBryan M. Davis as The Ghost & WBDB Announcer#horrorpodcast #audiovisual #adaptation #radioshow #shakespeare #othello

Welcome to the second episode of WBDB's audio production of William Shakespeare's Othello.Iago begins his plan to turn Othello against Cassio during a night's watch. Cassio and Iago have a heart-to-heart following a fight.Starring the vocal talents of:Yesha Ellis as OthelloKealoha Petersen as IagoVivienne Golde as DesdemonaMarcia French as EmiliaHayden Lummus as Cassio and WBDB PageChris Emanuel as RoderigoOllie Philps as Montano and BrabantioJarel Jennings as Duke LodovicoLise Morrow as BiancaAndBryan M. Davis as The Ghost & WBDB Announcer#horrorpodcast #audiovisual #adaptation #radioshow #shakespeare #othello

Welcome to the first episode of WBDB's audio production of William Shakespeare's Othello.WAR ON THE BRINK! Venetians, on the cusp of war against the Turks, and their general Othello has secretly married the love of his life, Desdemona. But Roderigo, a wealthy Venetian playboy, laments to his friend, Othello's trusted adviser, the always honest Iago, about how he loves her. Iago's advice? Take it up with her father...Starring the vocal talents of:Yesha Ellis as OthelloKealoha Petersen as IagoVivienne Golde as DesdemonaMarcia French as EmiliaHayden Lummus as Cassio and WBDB PageChris Emanuel as RoderigoOllie Philps as Montano and BrabantioJarel Jennings as Duke LodovicoLise Morrow as BiancaAndBryan M. Davis as The Ghost & WBDB Announcer

Porchat recebe Drica Moraes, Cassio Scapin e Thardelly Lima. Na plateia, a saga da carteira de motorista e como levar uma linguiça para viajar.

Olá, bio-ouvintes! Dessa vez nosso papo é sobre os 17 Objetivos de Desenvolvimento Sustentável da Organização das Nações Unidas, ou... os ODS da ONU.  Por que eles são tão importantes e o que vem a ser a Agenda 2030? Seria um plano pra salvar o mundo, sem ter que "parar" o mundo?   CONTATOS cartinhas@biologiainsitu.com.br Instagram, Facebook e LinkedIn: @biologiainsitu Twitter e TikTok: @bioinsitu   APOIO Apoio recorrente na Orelo ou no Apoia.se Pix: cartinhas@biologiainsitu.com.br Também no PicPay!   CRÉDITOS Coordenação: Bruna Canellas, Cristianne Santos, Heloá Caramuru, Ricardo Gomes, Vitor Lopes. Pesquisa de pauta: Alice Saldanha, Beatriz Farias e Larissa Leite. Revisão científica: Danilo Almeida e Isabela Mayara. Roteirização: Cassio de Oliveira. Revisão textual: Sueli Rodrigues. Locução: Cristianne Santos e Ricardo Gomes. Edição e mixagem de áudio: Náthaly Mendonça. Arte de Capa: Larissa Castro.   CITAÇÃO DO EPISÓDIO (ABNT) Biologia In Situ 199 - ODS da ONU. Coordenação: Bruna Garcia da Cruz Canellas, Cristianne Santana Santos, Heloá Caramuru Carlos, Ricardo da Silva Gomes e Vitor Estanislau de Almeida Souza Lopes. Pesquisa de pauta: Alice da Luz Saldanha, Beatriz da Cruz Farias e Larissa Granna da Silva Leite. Revisão científica: Danilo Pelaes de Almeida e Isabela Mayara dos Santos. Roteirização: Cassio Eduardo de Oliveira. Revisão textual: Sueli Aparecida Rodrigues. Locução: Cristianne Santana Santos e Ricardo da Silva Gomes. Edição e mixagem de áudio: Náthaly Cintia dos Santos Mendonça. Arte de capa:  Larissa Araguaia Monteiro de Castro. [S. l.] Canal Biologia In Situ, 27 de junho de 2025. Podcast. Disponível em: https://biologiainsitu.com.br/199-ods-da-onu/.

Nessa live, eu conversei com o fisioterapeuta Cassio Siqueira (@cassio_siqueira).Cassio é o pai da Luiza.  Fisioterapeuta com graduação, mestrado e doutorado na USP.  Supervisor de fisioterapia esportiva da graduação em fisioterapia USP. Ele é  Ex-sócio, Fundador da clínica Care Club e Host do podcast “Movimento em foco”. Além disso é autor do livro “Em busca da corrida ideal”.Está iniciando na dieta com baixo carboidrato e entrando num mundo onde caíram antigos paradigmas.

Presenting #DHC213 with a succulent guest mix by Thabang Baloyi. Please check it out, enjoy and share with your peers. Tracklist: 01. Audry Powne - Feed The Fire 02. Dusky - keep on 03. Black Rascals, Cassio ware - So in love (Atjazz remix) 04. Bamo, Rainy Payne - Colour Blind (Rocco Rodamaal remix) 05. The Realm - On the road (Manoo Abstrakt Vocal remix ) 06. Kerri Chandler - Caged Bird (Atjazz Remix) 07. Konomo - Cloudwalker (Forteba remix) 08. Langenberg - Rain & Roses 09.Don pascal, Tom funk - Back to the deep (Laroye Drum Dub) 10. Datakestra - Drizzle 11. Fouk - I'll Be Down (Hugo LX Meteor Mix) #DHCSA

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Neste episódio do Vamos de Vendas, Gustavo Pagotto, fundador da PipeLovers, e Cassio Lopes, Gerente Comercial da Zoho Brasil, compartilham suas experiências e técnicas para formar uma equipe de vendas capaz de superar metas e atender às necessidades específicas de cada negócio. Ao contrário do que muitos acreditam, não existem "atalhos" ou fórmulas mágicas. Conheça os critérios essenciais para montar uma equipe forte e como os maiores times de vendas conseguem manter uma performance consistente e de alto nível.

This show is a strictly vinyl simulcast focusing on House, Techno, Disco and beyond

Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them. In Writing Rogues: The Soviet Picaresque and Identity Formation, 1921-1938 (McGill-Queen's UP, 2023) Cassio de Oliveira sheds light on the picaresque and its marginal characters - rogues and storytellers - who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue - such as Ilf and Petrov's wildly popular cynic and schemer Ostap Bender - in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself. Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens' fears and aspirations as it recorded the country's transformation into the first communist state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them. In Writing Rogues: The Soviet Picaresque and Identity Formation, 1921-1938 (McGill-Queen's UP, 2023) Cassio de Oliveira sheds light on the picaresque and its marginal characters - rogues and storytellers - who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue - such as Ilf and Petrov's wildly popular cynic and schemer Ostap Bender - in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself. Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens' fears and aspirations as it recorded the country's transformation into the first communist state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them. In Writing Rogues: The Soviet Picaresque and Identity Formation, 1921-1938 (McGill-Queen's UP, 2023) Cassio de Oliveira sheds light on the picaresque and its marginal characters - rogues and storytellers - who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue - such as Ilf and Petrov's wildly popular cynic and schemer Ostap Bender - in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself. Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens' fears and aspirations as it recorded the country's transformation into the first communist state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them. In Writing Rogues: The Soviet Picaresque and Identity Formation, 1921-1938 (McGill-Queen's UP, 2023) Cassio de Oliveira sheds light on the picaresque and its marginal characters - rogues and storytellers - who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue - such as Ilf and Petrov's wildly popular cynic and schemer Ostap Bender - in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself. Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens' fears and aspirations as it recorded the country's transformation into the first communist state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them. In Writing Rogues: The Soviet Picaresque and Identity Formation, 1921-1938 (McGill-Queen's UP, 2023) Cassio de Oliveira sheds light on the picaresque and its marginal characters - rogues and storytellers - who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue - such as Ilf and Petrov's wildly popular cynic and schemer Ostap Bender - in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself. Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens' fears and aspirations as it recorded the country's transformation into the first communist state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Marcelo Tas recebe o ator e diretor Cassio Scapin no Provoca. No programa, o artista fala sobre a importância do personagem Nino, do “Castelo Rá-Tim-Bum”, em sua carreira, relembra a marcante parceria com Paulo Autran, revela uma história de infância na qual brinca com sua orientação sexual, e mais. Além de relembrar com carinho os tempos do programa infantil na televisão, Cassio também destaca como a versão teatral do seriado foi essencial em sua trajetória: “A gente chegou a fazer espetáculos de segunda a segunda, duas sessões por dia. Era uma loucura.” “Eu acho que o Castelo me deu principalmente essa relação de afeto com a plateia; é impagável", completa.

Cassio Elkik, presidente da Associação dos Empresários da Estação Rodoviária de Poa - 23/07/2024 by Rádio Gaúcha

Preencha o formulário e conheça o programa mais completo de consultoria e aconselhamento da Levante https://lvnt.app/jtnp7n 15/07 – Ibovespa sobe 0,33% com Petro +0,92% e Magalu +3,32% Olá, seja bem-vindo ao Fechamento de Mercado da Levante comigo Ricardo Afonso, hoje é 2º. feira, dia 15/7, e o programa é dedicado ao meu Pai que completou 59 anos no fim de semana, ao Jorge Sarkis que comentou no vídeo de sexta desejando boas férias ao Flavio Conde, ao Cassio e Paullucci que são dois clientes assíduos do SGR (Sala ao vivo) A bolsa fechou no terreno positivo pelo 11° pregão consecutivo subindo 0,33% aos 129.320. Por que a Bolsa performou assim? 1º. A bolsa abriu em alta depois da divulgação do IBC-Br que subiu 0,25% apesar das quedas vistas na abertura do minério de ferro e petróleo que tem grande peso em nosso índice por conta de Petro e Vale. 2º. Entre as 15 ações mais negociadas 8 subiram lideradas em volume negociado por: PETR4 +0,92, SUZB3 +3,63%, ITUB4+0,39, VALE3 +0,11%. 3º. Quatro ações caíram entre as 15 mais negociadas: B3SA3 -0,43%, RENT3 -0,56%, SBSP3 -1,78% e BBDC4 -0,24% 4º. O preço do petróleo encerrou o dia com pouca variação de preços -0,33% se mantendo na mesma faixa de preços dos últimos dias. 5º. O preço do minério de ferro subiu caiu no mercado futuro durante o dia cerca de 1,06% e na madrugada fechou em alta de 0,85%. 6º. As bolsas americanas fecharam em alta repercutindo os acontecimentos do fim de semana quando um atentado ao ex-presidente Donald Trump aconteceu, S&P +0,28, DJI +0,53 e Nasdaq +0,40%. Outro grande destaque dessa repercussão foi Bitcoin e Ethereum que acumulam alta de quase 10% de sábado até o momento. 7º. O contrato do dólar futuro em alta de 0,18% muito por conta da valorização do dólar uma vez que a expectativa com relação as eleições ganham força. 8º. Nos EUA, os juros dos títulos de 10-anos subiram 1% 4,21% de 4,229% a.a., ontem. No Brasil, as taxas de juros também apresentaram alta moderada de 0,13% no contrato para 2026 e o contrato mais longo para 2035 a alta foi de 0,85% aos 11,82% ao ano. MAIORES ALTAS EZTC3 +3.84% R$ 14,86 SUZB3 +3.63%R$ 54,20 PETZ3 +3.41%R$ 4,24 MGLU3 +3.32%R$ 14,33 YDUQ3 +3.26%R$ 12,35 MAIORES BAIXAS HYPE3 -1.93%R$ 28,90 DXCO3 -1.81%R$ 7,05 ENGI11-1.79%R$ 47,63 SBSP3 -1.78%R$ 81,67 CPFE3 -1.78%R$ 33,19 Agora, uma mensagem do nosso patrocinador, o Sala VIP da Levante Conheça a Levante Investimentos: Conheça nossas Séries de Investimentos: https://lvnt.app/4q3u3b Acompanhe nosso Instagram: / levante.investimentos Fique ligado nas principais notícas do mercado no nosso canal no Telegram: https://lvnt.app/zuntm0 Conheça a Levante Investimentos: Conheça nossas *Séries de Investimentos*: https://lvnt.app/4q3u3b Acompanhe nosso Instagram: https://www.instagram.com/levante.investimentos/ Fique ligado nas principais notícas do mercado no nosso canal no Telegram: https://lvnt.app/zuntm0

Hello, folks. Please listen to this episode, which contains Googie Reviewbies and some discussions regarding Fresh Prince of Bel-Air and Salute Your Shorts. Thank you. www.coolparents.co --- Support this podcast: https://podcasters.spotify.com/pod/show/cool-parents/support

Consultor e autor dos livros "Desaprenda" e "Desinvente" Cassio Grinberg - 27/06/2024 by Rádio Gaúcha

In this episode, Jean talks us more about the reasons why he co-founded VoltAero, before jumping into talking about the company's vision to develop an airplane with electric-hybrid propulsion. He gives us an update on how business is moving along and what the roadmap looks like towards eventual commercialisation, as well as some of the initiatives VoltAero has joined over the previous months. Jean provides some feedback from those attending major aviation events on VoltAero's Cassio family of aircraft and goes into detail about the exciting plans to build a final assembly facility at Rochefort Airport.

Merriam-Webster's Word of the Day for December 31, 2023 is: futurity • fyoo-TOOR-uh-tee • noun Futurity is a formal, literary synonym of future meaning “time to come.” The plural form, futurities, can also refer to future events or prospects. // The motivational speaker exhorted us to change the way we live today, rather than looking always toward some vague distant futurity. See the entry > Examples: “The 18th floor, two-room suite with a spacious balcony overlooking 27th Street has been transformed by the recent Yale grad, in a project aiming to broadly represent the values of the queer and creative community. ... Standard hotel whites are swapped for neon, patterned towels and bathrobes, with nods to science fiction and a theme of queer futurity continuous throughout the space.” — Melissa Kravitz Hoeffner, Forbes, 31 July 2023 Did you know? For a forward-looking word, futurity has quite the literate past. Its first known use comes from Act III of Shakespeare's tragedy Othello, when the downtrodden Cassio, mystified about why Othello has turned against him, beseeches Desdemona to tell him whether his “offense be of such mortal kind / That nor my service past, nor present sorrows, / Nor purpos'd merit in futurity / Can ransom me into his love again.” Centuries later the Scottish writer Walter Scott wrote of events still in “the womb of futurity,” employing a phrase also used by James Fenimore Cooper, among others. Though still in use and very much useful, futurity tends to lend one's speech or writing a lofty tone, so if the situation calls for something more down-to-earth, you may want to go back to [the] future.

Cassio Goldschmidt grew up coding on cloned computers in Brazil. Most folks go to the college in their city, and Cassio decided to study Computer Science at his. A desire to get some international experience brought him to the US for a 3 month internship and he has been here ever since. Cassio shares stories about installing and re-discovering an Easter egg in software, inventing the popular Superplayer music service, and how he steered from development to security. Also featured is what to say when a vendor's sales team offers to install a security vulnerability for you, and Cassio's involvement in OWASP.   https://www.youtube.com/user/cgoldsch https://cassiogoldschmidt.com https://www.linkedin.com/learning/practical-privacy-for-products-and-services/identity-protection-is-crucial https://www.servicetitan.com https://superplayer.company https://www.elipse.com.br/en https://www.pucrs.br/politecnica/curso/ciencia-da-computacao  

Desdemona begs Iago to help her regain Othello's love as Emilia curses whoever it was that turned Othello against her. That evening, during a state dinner in the Vaulted Hall of the Citadel, Roderigo confronts Iago in frustration. Iago manages to convince Roderigo to corner Cassio and lure him into another fight. After the dinner, Othello says goodnight to his guests, then tells Desdemona to go to bed. Alone with Emilia, Desdemona finds some comfort and remembers a song from her childhood. Later, in the alleys near Famagusta's Central Piazza, Iago and Roderigo hide and wait for Cassio. Roderigo attacks him as he passes. They grapple as Iago stealthily leaps out and slices Cassio's leg nearly in half.  Cassio calls out for help as he battles Roderigo, leaving him badly wounded. Othello hears Cassio's cries and quietly applauds Iago's fulfillment of his wish that Cassio be killed. Gratiano and Lodovico arrive on the scene as Iago quietly puts an end to Roderigo's misery. Bianca comes to Cassio's aid. Iago blames her for the ambush before making a public display of his sadness and dismay at seeing Roderigo lying dead. Emilia arrives and offers comfort to Iago before lashing out at Bianca for putting Cassio and her husband in danger. Back in their bedroom, later still, Othello approaches his sleeping wife and kisses her for the last time. The Play On Podcast series, “OTHELLO”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MFONISO UDOFIA. Radio play by CATHERINE EATON. Directed by VICTOR MALANA MAOG.   The cast is as follows:   JEREMY TARDY as OTHELLO BARRET O'BRIEN  as IAGO KAYLI CARTER  as DESDEMONA PAUL JUHN as RODERIGO FRANCESCA FERNANDEZ as EMILIA TOMMY SHRIDER as CASSIO LAKISHA MAY  as BIANCA CHRISTOPHER GURR as BRABANTIO AND LODOVICO RACHEL CROWL as MONTANO NATALIE HEGG as DUKE, CLOWN AND GRATIANO   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Cultural Consultant and Dramaturg: MARTINE KEI GREEN-ROGERS   Original Music, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Production Assistant: Michael Christopher Turner. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES.   With very special thanks to the MA IN SOUND ARTS AND INDUSTRIES AND VIRGINIA WADSWORTH WIRTZ CENTER FOR THE PERFORMING ARTS AT NORTHWESTERN UNIVERSITY   The Play On Podcast Series “OTHELLO” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “BEWARE OF JEALOUSY”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Iago manipulates reality, tricking Othello into believing that he's seen proof of Desdemona's unfaithfulness, when in truth Iago planted the fateful handkerchief in Cassio's room and made it appear that Cassio's delight in the prostitute Bianca's love for him is really about Desdemona. Othello's rage at Desdemona spills over in public as Lodovico arrives in Cypress. Later, Othello confronts his wife in their bedroom and refuses to believe that she is innocent despite her heartfelt pleas. The Play On Podcast series, “OTHELLO”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MFONISO UDOFIA. Radio play by CATHERINE EATON. Directed by VICTOR MALANA MAOG.   The cast is as follows:   JEREMY TARDY as OTHELLO BARRET O'BRIEN  as IAGO KAYLI CARTER  as DESDEMONA PAUL JUHN as RODERIGO FRANCESCA FERNANDEZ as EMILIA TOMMY SHRIDER as CASSIO LAKISHA MAY  as BIANCA CHRISTOPHER GURR as BRABANTIO AND LODOVICO RACHEL CROWL as MONTANO NATALIE HEGG as DUKE, CLOWN AND GRATIANO   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Cultural Consultant and Dramaturg: MARTINE KEI GREEN-ROGERS   Original Music, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Production Assistant: Michael Christopher Turner. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES.   With very special thanks to the MA IN SOUND ARTS AND INDUSTRIES AND VIRGINIA WADSWORTH WIRTZ CENTER FOR THE PERFORMING ARTS AT NORTHWESTERN UNIVERSITY   The Play On Podcast Series “OTHELLO” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “BEWARE OF JEALOUSY”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonya Johnston, Mental Skills Coach speaks with top Grand Prix rider and trainer Cassio Rivetti. Tonya also discusses best practices for handling down time at special horse shows. Brought to you by Taylor, Harris Insurance Services.  Host: Tonya Johnston, Visit her Website, Facebook and buy her book Inside Your RideGuest: Cassio Rivetti started to ride at 7 yrs old in Brazil, and moved to Europe in 2003. He competed in two Olympics games at London 2012 and Rio 2016, three world equestrian games and two european championships. Cassio moved to California in 2019 and has continued as a top Grand Prix rider and trainer.Title Sponsor: Taylor, Harris Insurance ServicesSubscribe To: The Plaid Horse MagazineSponsors: Purina Animal Nutrition, America Cryo, Alexis Kletjian Jewelry, LAURACEA, BoneKare, Austin Hardware, Show Strides Book Series, With Purpose: The Balmoral Standard, Good Boy, Eddie and American Equestrian School

Cassio Rivetti started to ride at age of seven at his father's farm in Sao Paulo, Brazil. Throughout his career, Cassio has participated in various international competitions including the Olympics and World Equestrian Games. His notable accomplishments include earning medals in several prestigious events and consistently ranking among the top riders in the world. Cassio's riding style is characterized by precision, finesse, and a deep connection with his horses. His ability to navigate challenging courses with grace and composure has earned him the respect of fellow equestrians and fans alike. Now based on the West Coast, Cassio has been racking up a string of top finishes. Listen in!