Podcasts about austrian german swiss studies

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s.  As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s.  As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s.  As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s.  As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s.  As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s.  As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s.  As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s.  As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stefanie Coché's Psychiatric Institutions and Society: the Practice of Psychiatric Commital in the “Third Reich,” the Democratic Republic of Germany, and the Federal Republic of Germany, 1941-1963 (London: Routledge, 2024; translated by Alex Skinner) probes how the serious and sometimes fatal decision was made to admit individuals to asylums during Germany's age of extremes. The book shows that - even during the Nazi killing of the sick - relatives played an even more important role in most admissions than doctors and the authorities. In light of admission practices, this study traces how ideas about illness, safety, and normality changed when the Nazi regime collapsed in 1945 and illuminates how closely power configurations in the psychiatric sector were linked to political and social circumstances in the early years of both German successor states. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Stefanie Coché's Psychiatric Institutions and Society: the Practice of Psychiatric Commital in the “Third Reich,” the Democratic Republic of Germany, and the Federal Republic of Germany, 1941-1963 (London: Routledge, 2024; translated by Alex Skinner) probes how the serious and sometimes fatal decision was made to admit individuals to asylums during Germany's age of extremes. The book shows that - even during the Nazi killing of the sick - relatives played an even more important role in most admissions than doctors and the authorities. In light of admission practices, this study traces how ideas about illness, safety, and normality changed when the Nazi regime collapsed in 1945 and illuminates how closely power configurations in the psychiatric sector were linked to political and social circumstances in the early years of both German successor states. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Stefanie Coché's Psychiatric Institutions and Society: the Practice of Psychiatric Commital in the “Third Reich,” the Democratic Republic of Germany, and the Federal Republic of Germany, 1941-1963 (London: Routledge, 2024; translated by Alex Skinner) probes how the serious and sometimes fatal decision was made to admit individuals to asylums during Germany's age of extremes. The book shows that - even during the Nazi killing of the sick - relatives played an even more important role in most admissions than doctors and the authorities. In light of admission practices, this study traces how ideas about illness, safety, and normality changed when the Nazi regime collapsed in 1945 and illuminates how closely power configurations in the psychiatric sector were linked to political and social circumstances in the early years of both German successor states. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Stefanie Coché's Psychiatric Institutions and Society: the Practice of Psychiatric Commital in the “Third Reich,” the Democratic Republic of Germany, and the Federal Republic of Germany, 1941-1963 (London: Routledge, 2024; translated by Alex Skinner) probes how the serious and sometimes fatal decision was made to admit individuals to asylums during Germany's age of extremes. The book shows that - even during the Nazi killing of the sick - relatives played an even more important role in most admissions than doctors and the authorities. In light of admission practices, this study traces how ideas about illness, safety, and normality changed when the Nazi regime collapsed in 1945 and illuminates how closely power configurations in the psychiatric sector were linked to political and social circumstances in the early years of both German successor states. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Stefanie Coché's Psychiatric Institutions and Society: the Practice of Psychiatric Commital in the “Third Reich,” the Democratic Republic of Germany, and the Federal Republic of Germany, 1941-1963 (London: Routledge, 2024; translated by Alex Skinner) probes how the serious and sometimes fatal decision was made to admit individuals to asylums during Germany's age of extremes. The book shows that - even during the Nazi killing of the sick - relatives played an even more important role in most admissions than doctors and the authorities. In light of admission practices, this study traces how ideas about illness, safety, and normality changed when the Nazi regime collapsed in 1945 and illuminates how closely power configurations in the psychiatric sector were linked to political and social circumstances in the early years of both German successor states. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Stefanie Coché's Psychiatric Institutions and Society: the Practice of Psychiatric Commital in the “Third Reich,” the Democratic Republic of Germany, and the Federal Republic of Germany, 1941-1963 (London: Routledge, 2024; translated by Alex Skinner) probes how the serious and sometimes fatal decision was made to admit individuals to asylums during Germany's age of extremes. The book shows that - even during the Nazi killing of the sick - relatives played an even more important role in most admissions than doctors and the authorities. In light of admission practices, this study traces how ideas about illness, safety, and normality changed when the Nazi regime collapsed in 1945 and illuminates how closely power configurations in the psychiatric sector were linked to political and social circumstances in the early years of both German successor states. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Stefanie Coché's Psychiatric Institutions and Society: the Practice of Psychiatric Commital in the “Third Reich,” the Democratic Republic of Germany, and the Federal Republic of Germany, 1941-1963 (London: Routledge, 2024; translated by Alex Skinner) probes how the serious and sometimes fatal decision was made to admit individuals to asylums during Germany's age of extremes. The book shows that - even during the Nazi killing of the sick - relatives played an even more important role in most admissions than doctors and the authorities. In light of admission practices, this study traces how ideas about illness, safety, and normality changed when the Nazi regime collapsed in 1945 and illuminates how closely power configurations in the psychiatric sector were linked to political and social circumstances in the early years of both German successor states. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Since the Enlightenment, the question has arisen as to how it is possible to think of the “unity of the human race” as a multiplicity. How can the promise of universal equality be combined with the claim to diversity? In Vielheit: Jüdische Geschichte und die Ambivalenzen des Universalismus (Hamburger Editionen, 2022), Till van Rahden takes up this central theme of European modernity through the example of Jewish history. The more the ideal of equality gained in importance, the fiercer the dispute over cultural and religious difference became. This is illustrated by the debates about the emancipation of the Jews and the Jewish experiences of equal rights and discrimination since the late 18th century. Through the history of contentious concepts such as assimilation, minority or majority, ethnicity, and roots, this book tells a story of plurality that extends to the present day. It describes a reality full of contradictions, in which it is necessary to endure the tension between equality and freedom. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the Enlightenment, the question has arisen as to how it is possible to think of the “unity of the human race” as a multiplicity. How can the promise of universal equality be combined with the claim to diversity? In Vielheit: Jüdische Geschichte und die Ambivalenzen des Universalismus (Hamburger Editionen, 2022), Till van Rahden takes up this central theme of European modernity through the example of Jewish history. The more the ideal of equality gained in importance, the fiercer the dispute over cultural and religious difference became. This is illustrated by the debates about the emancipation of the Jews and the Jewish experiences of equal rights and discrimination since the late 18th century. Through the history of contentious concepts such as assimilation, minority or majority, ethnicity, and roots, this book tells a story of plurality that extends to the present day. It describes a reality full of contradictions, in which it is necessary to endure the tension between equality and freedom. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since the Enlightenment, the question has arisen as to how it is possible to think of the “unity of the human race” as a multiplicity. How can the promise of universal equality be combined with the claim to diversity? In Vielheit: Jüdische Geschichte und die Ambivalenzen des Universalismus (Hamburger Editionen, 2022), Till van Rahden takes up this central theme of European modernity through the example of Jewish history. The more the ideal of equality gained in importance, the fiercer the dispute over cultural and religious difference became. This is illustrated by the debates about the emancipation of the Jews and the Jewish experiences of equal rights and discrimination since the late 18th century. Through the history of contentious concepts such as assimilation, minority or majority, ethnicity, and roots, this book tells a story of plurality that extends to the present day. It describes a reality full of contradictions, in which it is necessary to endure the tension between equality and freedom. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Since the Enlightenment, the question has arisen as to how it is possible to think of the “unity of the human race” as a multiplicity. How can the promise of universal equality be combined with the claim to diversity? In Vielheit: Jüdische Geschichte und die Ambivalenzen des Universalismus (Hamburger Editionen, 2022), Till van Rahden takes up this central theme of European modernity through the example of Jewish history. The more the ideal of equality gained in importance, the fiercer the dispute over cultural and religious difference became. This is illustrated by the debates about the emancipation of the Jews and the Jewish experiences of equal rights and discrimination since the late 18th century. Through the history of contentious concepts such as assimilation, minority or majority, ethnicity, and roots, this book tells a story of plurality that extends to the present day. It describes a reality full of contradictions, in which it is necessary to endure the tension between equality and freedom. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Since the Enlightenment, the question has arisen as to how it is possible to think of the “unity of the human race” as a multiplicity. How can the promise of universal equality be combined with the claim to diversity? In Vielheit: Jüdische Geschichte und die Ambivalenzen des Universalismus (Hamburger Editionen, 2022), Till van Rahden takes up this central theme of European modernity through the example of Jewish history. The more the ideal of equality gained in importance, the fiercer the dispute over cultural and religious difference became. This is illustrated by the debates about the emancipation of the Jews and the Jewish experiences of equal rights and discrimination since the late 18th century. Through the history of contentious concepts such as assimilation, minority or majority, ethnicity, and roots, this book tells a story of plurality that extends to the present day. It describes a reality full of contradictions, in which it is necessary to endure the tension between equality and freedom. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Since the Enlightenment, the question has arisen as to how it is possible to think of the “unity of the human race” as a multiplicity. How can the promise of universal equality be combined with the claim to diversity? In Vielheit: Jüdische Geschichte und die Ambivalenzen des Universalismus (Hamburger Editionen, 2022), Till van Rahden takes up this central theme of European modernity through the example of Jewish history. The more the ideal of equality gained in importance, the fiercer the dispute over cultural and religious difference became. This is illustrated by the debates about the emancipation of the Jews and the Jewish experiences of equal rights and discrimination since the late 18th century. Through the history of contentious concepts such as assimilation, minority or majority, ethnicity, and roots, this book tells a story of plurality that extends to the present day. It describes a reality full of contradictions, in which it is necessary to endure the tension between equality and freedom. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this enlightening episode of The Rational Egoist, host Michael Liebowitz engages in a profound conversation with esteemed guest Professor Paul Lerner, Chair of the Van Hannick History Department and Director of the Max Kade Institute for Austrian-German-Swiss Studies at the University of Southern California. Together, they embark on a captivating journey through the intricate history of psychiatry, exploring its evolution from ancient practices to modern-day mental health treatments. Delving into the depths of this fascinating field, Professor Lerner sheds light on the pivotal moments and key figures that have shaped psychiatry over the centuries. The discussion takes us through the transformation of mental health care, from the early days of asylums to the rise of psychoanalysis and beyond, highlighting the impact of cultural, social, and scientific developments on the discipline. Listeners will be treated to a rich tapestry of stories that illustrate the complex relationship between society and mental health, including how historical events have influenced psychiatric thought and practice. Professor Lerner's expertise brings to life the controversies, breakthroughs, and ongoing challenges in the quest to understand the human mind. This episode is not just a historical overview but a deep dive into the philosophical and ethical considerations that have accompanied the evolution of psychiatry. Michael and Professor Lerner discuss the significance of individual autonomy, the ethics of treatment modalities, and the future directions of mental health care in a world that increasingly recognises the importance of mental wellbeing. Michael Leibowitz is a renowned philosopher, political activist, and the esteemed host of the Rational Egoist podcast. Inspired by the philosophical teachings of Ayn Rand, Leibowitz passionately champions the principles of reason, rational self-interest, and individualism, seeking to empower others through his compelling work. His life's narrative exemplifies the transformative power of Ayn Rand's writings. Having faced challenging circumstances that led to a 25-year prison sentence, Leibowitz emerged from adversity by embracing the tenets of rational self-interest and moral philosophy put forth by Ayn Rand. This profound transformation propelled him to become an influential figure in the libertarian and Objectivist communities, motivating others to adopt reason, individualism, and self-interest in their own lives. Leibowitz is a versatile author, co-authoring the thought-provoking book titled “Down the Rabbit Hole: How the Culture of Correction Encourages Crime.” This groundbreaking work delves into societal attitudes surrounding punishment and rehabilitation, shedding light on how misguided approaches have contributed to the rise of crime and recidivism.Additionally, he has authored the book “View from a Cage: From Convict to Crusader for Liberty,” offering an intimate portrayal of his personal journey while exploring the philosophies that influenced his transformation.As you embark on your intellectual journey, join Michael Leibowitz as he advocates for reason, individualism, and the pursuit of self-interest, inspiring others to embrace a philosophy that empowers and uplifts the human spirit.For a deeper exploration of his ideas and insights, don't miss the opportunity to read “Down the Rabbit Hole: How the Culture of Correction Encourages Crime,” co-authored by Michael Leibowitz. And also, delve into his book “View from a Cage: From Convict to Crusader for Liberty.” Both books are available for purchase using the following links:“Down the Rabbit Hole”: https://www.amazon.com.au/Down-Rabbit-Hole-Corrections-Encourages/dp/197448064X“View from a Cage”: https://books2read.com/u/4jN6xj

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.  Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner.

The rapid and radical transformations of the Nazi Era challenged the ways German Jews experienced space and time, two of the most fundamental characteristics of human existence.  In Space and Time Under Persecution: The German-Jewish Experience in the Third Reich (U Chicago Press, 2023), Guy Miron documents how German Jews came to terms with the harsh challenges of persecution-from social exclusion, economic decline, and relocation to confiscation of their homes, forced labor, and deportation to death in the east-by rethinking their experiences in spatial and temporal terms. Miron first explores the strategies and practices German Jews used to accommodate their shrinking access to public space, in turn reinventing traditional Jewish space and ideas of home. He then turns to how German Jews redesigned the annual calendar, came to terms with the ever-growing need to wait for nearly everything, and developed new interpretations of the past. Miron's insightful analysis reveals how these tactics expressed both the continuous attachment of Jews to key elements of German bourgeois life as well as their struggle to maintain Jewish agency and express Jewish defiance under Nazi persecution. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The rapid and radical transformations of the Nazi Era challenged the ways German Jews experienced space and time, two of the most fundamental characteristics of human existence.  In Space and Time Under Persecution: The German-Jewish Experience in the Third Reich (U Chicago Press, 2023), Guy Miron documents how German Jews came to terms with the harsh challenges of persecution-from social exclusion, economic decline, and relocation to confiscation of their homes, forced labor, and deportation to death in the east-by rethinking their experiences in spatial and temporal terms. Miron first explores the strategies and practices German Jews used to accommodate their shrinking access to public space, in turn reinventing traditional Jewish space and ideas of home. He then turns to how German Jews redesigned the annual calendar, came to terms with the ever-growing need to wait for nearly everything, and developed new interpretations of the past. Miron's insightful analysis reveals how these tactics expressed both the continuous attachment of Jews to key elements of German bourgeois life as well as their struggle to maintain Jewish agency and express Jewish defiance under Nazi persecution. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The rapid and radical transformations of the Nazi Era challenged the ways German Jews experienced space and time, two of the most fundamental characteristics of human existence.  In Space and Time Under Persecution: The German-Jewish Experience in the Third Reich (U Chicago Press, 2023), Guy Miron documents how German Jews came to terms with the harsh challenges of persecution-from social exclusion, economic decline, and relocation to confiscation of their homes, forced labor, and deportation to death in the east-by rethinking their experiences in spatial and temporal terms. Miron first explores the strategies and practices German Jews used to accommodate their shrinking access to public space, in turn reinventing traditional Jewish space and ideas of home. He then turns to how German Jews redesigned the annual calendar, came to terms with the ever-growing need to wait for nearly everything, and developed new interpretations of the past. Miron's insightful analysis reveals how these tactics expressed both the continuous attachment of Jews to key elements of German bourgeois life as well as their struggle to maintain Jewish agency and express Jewish defiance under Nazi persecution. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

The rapid and radical transformations of the Nazi Era challenged the ways German Jews experienced space and time, two of the most fundamental characteristics of human existence.  In Space and Time Under Persecution: The German-Jewish Experience in the Third Reich (U Chicago Press, 2023), Guy Miron documents how German Jews came to terms with the harsh challenges of persecution-from social exclusion, economic decline, and relocation to confiscation of their homes, forced labor, and deportation to death in the east-by rethinking their experiences in spatial and temporal terms. Miron first explores the strategies and practices German Jews used to accommodate their shrinking access to public space, in turn reinventing traditional Jewish space and ideas of home. He then turns to how German Jews redesigned the annual calendar, came to terms with the ever-growing need to wait for nearly everything, and developed new interpretations of the past. Miron's insightful analysis reveals how these tactics expressed both the continuous attachment of Jews to key elements of German bourgeois life as well as their struggle to maintain Jewish agency and express Jewish defiance under Nazi persecution. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The rapid and radical transformations of the Nazi Era challenged the ways German Jews experienced space and time, two of the most fundamental characteristics of human existence.  In Space and Time Under Persecution: The German-Jewish Experience in the Third Reich (U Chicago Press, 2023), Guy Miron documents how German Jews came to terms with the harsh challenges of persecution-from social exclusion, economic decline, and relocation to confiscation of their homes, forced labor, and deportation to death in the east-by rethinking their experiences in spatial and temporal terms. Miron first explores the strategies and practices German Jews used to accommodate their shrinking access to public space, in turn reinventing traditional Jewish space and ideas of home. He then turns to how German Jews redesigned the annual calendar, came to terms with the ever-growing need to wait for nearly everything, and developed new interpretations of the past. Miron's insightful analysis reveals how these tactics expressed both the continuous attachment of Jews to key elements of German bourgeois life as well as their struggle to maintain Jewish agency and express Jewish defiance under Nazi persecution. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

The rapid and radical transformations of the Nazi Era challenged the ways German Jews experienced space and time, two of the most fundamental characteristics of human existence.  In Space and Time Under Persecution: The German-Jewish Experience in the Third Reich (U Chicago Press, 2023), Guy Miron documents how German Jews came to terms with the harsh challenges of persecution-from social exclusion, economic decline, and relocation to confiscation of their homes, forced labor, and deportation to death in the east-by rethinking their experiences in spatial and temporal terms. Miron first explores the strategies and practices German Jews used to accommodate their shrinking access to public space, in turn reinventing traditional Jewish space and ideas of home. He then turns to how German Jews redesigned the annual calendar, came to terms with the ever-growing need to wait for nearly everything, and developed new interpretations of the past. Miron's insightful analysis reveals how these tactics expressed both the continuous attachment of Jews to key elements of German bourgeois life as well as their struggle to maintain Jewish agency and express Jewish defiance under Nazi persecution. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The rapid and radical transformations of the Nazi Era challenged the ways German Jews experienced space and time, two of the most fundamental characteristics of human existence.  In Space and Time Under Persecution: The German-Jewish Experience in the Third Reich (U Chicago Press, 2023), Guy Miron documents how German Jews came to terms with the harsh challenges of persecution-from social exclusion, economic decline, and relocation to confiscation of their homes, forced labor, and deportation to death in the east-by rethinking their experiences in spatial and temporal terms. Miron first explores the strategies and practices German Jews used to accommodate their shrinking access to public space, in turn reinventing traditional Jewish space and ideas of home. He then turns to how German Jews redesigned the annual calendar, came to terms with the ever-growing need to wait for nearly everything, and developed new interpretations of the past. Miron's insightful analysis reveals how these tactics expressed both the continuous attachment of Jews to key elements of German bourgeois life as well as their struggle to maintain Jewish agency and express Jewish defiance under Nazi persecution. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In this eye-opening chronicle of scientific research on the brain in the early Cold War era, the acclaimed historian Andreas Killen traces the complex circumstances surrounding the genesis of our present-day fascination with this organ. The 1950s were a transformative, even revolutionary decade in the history of brain science. Using new techniques for probing brain activity and function, researchers in neurosurgery, psychiatry, and psychology achieved dramatic breakthroughs in the treatment of illnesses like epilepsy and schizophrenia, as well as the understanding of such faculties as memory and perception. Memory was the site of particularly startling discoveries. As one researcher wrote to another in the middle of that decade, “Memory was the sleeping beauty of the brain—and now she is awake.” Collectively, these advances prefigured the emergence of the field of neuroscience at the end of the twentieth century. But the 1950s also marked the beginning of the Cold War and a period of transformative social change across Western society. These developments resulted in unease and paranoia. Mysterious new afflictions—none more mystifying than “brainwashing”—also appeared at this time. Faced with the discovery that, as one leading psychiatrist put it, “the human personality is not as stable as we often assume,” many researchers in the sciences of brain and behavior joined the effort to understand these conditions. They devised ingenious and sometimes transgressive experimental methods for studying and proposing countermeasures to the problem of Communist mind control. Some of these procedures took on a strange life of their own, escaping the confines of the research lab to become part of 1960s counterculture. Much later, in the early 2000s, they resurfaced in the War on Terror. These stories, often told separately, are brought together by the historian Andreas Killen in this chronicle of the brain's mid-twentieth-century emergence as both a new research frontier and an organ whose integrity and capacities—especially that of memory—were imagined as uniquely imperiled in the 1950s. Nervous Systems: Brain Science in the Early Cold War (Harper, 2023) explores the anxious context in which the mid-century sciences of the brain took shape and reveals the deeply ambivalent history that lies behind our contemporary understanding of this organ. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this eye-opening chronicle of scientific research on the brain in the early Cold War era, the acclaimed historian Andreas Killen traces the complex circumstances surrounding the genesis of our present-day fascination with this organ. The 1950s were a transformative, even revolutionary decade in the history of brain science. Using new techniques for probing brain activity and function, researchers in neurosurgery, psychiatry, and psychology achieved dramatic breakthroughs in the treatment of illnesses like epilepsy and schizophrenia, as well as the understanding of such faculties as memory and perception. Memory was the site of particularly startling discoveries. As one researcher wrote to another in the middle of that decade, “Memory was the sleeping beauty of the brain—and now she is awake.” Collectively, these advances prefigured the emergence of the field of neuroscience at the end of the twentieth century. But the 1950s also marked the beginning of the Cold War and a period of transformative social change across Western society. These developments resulted in unease and paranoia. Mysterious new afflictions—none more mystifying than “brainwashing”—also appeared at this time. Faced with the discovery that, as one leading psychiatrist put it, “the human personality is not as stable as we often assume,” many researchers in the sciences of brain and behavior joined the effort to understand these conditions. They devised ingenious and sometimes transgressive experimental methods for studying and proposing countermeasures to the problem of Communist mind control. Some of these procedures took on a strange life of their own, escaping the confines of the research lab to become part of 1960s counterculture. Much later, in the early 2000s, they resurfaced in the War on Terror. These stories, often told separately, are brought together by the historian Andreas Killen in this chronicle of the brain's mid-twentieth-century emergence as both a new research frontier and an organ whose integrity and capacities—especially that of memory—were imagined as uniquely imperiled in the 1950s. Nervous Systems: Brain Science in the Early Cold War (Harper, 2023) explores the anxious context in which the mid-century sciences of the brain took shape and reveals the deeply ambivalent history that lies behind our contemporary understanding of this organ. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this eye-opening chronicle of scientific research on the brain in the early Cold War era, the acclaimed historian Andreas Killen traces the complex circumstances surrounding the genesis of our present-day fascination with this organ. The 1950s were a transformative, even revolutionary decade in the history of brain science. Using new techniques for probing brain activity and function, researchers in neurosurgery, psychiatry, and psychology achieved dramatic breakthroughs in the treatment of illnesses like epilepsy and schizophrenia, as well as the understanding of such faculties as memory and perception. Memory was the site of particularly startling discoveries. As one researcher wrote to another in the middle of that decade, “Memory was the sleeping beauty of the brain—and now she is awake.” Collectively, these advances prefigured the emergence of the field of neuroscience at the end of the twentieth century. But the 1950s also marked the beginning of the Cold War and a period of transformative social change across Western society. These developments resulted in unease and paranoia. Mysterious new afflictions—none more mystifying than “brainwashing”—also appeared at this time. Faced with the discovery that, as one leading psychiatrist put it, “the human personality is not as stable as we often assume,” many researchers in the sciences of brain and behavior joined the effort to understand these conditions. They devised ingenious and sometimes transgressive experimental methods for studying and proposing countermeasures to the problem of Communist mind control. Some of these procedures took on a strange life of their own, escaping the confines of the research lab to become part of 1960s counterculture. Much later, in the early 2000s, they resurfaced in the War on Terror. These stories, often told separately, are brought together by the historian Andreas Killen in this chronicle of the brain's mid-twentieth-century emergence as both a new research frontier and an organ whose integrity and capacities—especially that of memory—were imagined as uniquely imperiled in the 1950s. Nervous Systems: Brain Science in the Early Cold War (Harper, 2023) explores the anxious context in which the mid-century sciences of the brain took shape and reveals the deeply ambivalent history that lies behind our contemporary understanding of this organ. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

In this eye-opening chronicle of scientific research on the brain in the early Cold War era, the acclaimed historian Andreas Killen traces the complex circumstances surrounding the genesis of our present-day fascination with this organ. The 1950s were a transformative, even revolutionary decade in the history of brain science. Using new techniques for probing brain activity and function, researchers in neurosurgery, psychiatry, and psychology achieved dramatic breakthroughs in the treatment of illnesses like epilepsy and schizophrenia, as well as the understanding of such faculties as memory and perception. Memory was the site of particularly startling discoveries. As one researcher wrote to another in the middle of that decade, “Memory was the sleeping beauty of the brain—and now she is awake.” Collectively, these advances prefigured the emergence of the field of neuroscience at the end of the twentieth century. But the 1950s also marked the beginning of the Cold War and a period of transformative social change across Western society. These developments resulted in unease and paranoia. Mysterious new afflictions—none more mystifying than “brainwashing”—also appeared at this time. Faced with the discovery that, as one leading psychiatrist put it, “the human personality is not as stable as we often assume,” many researchers in the sciences of brain and behavior joined the effort to understand these conditions. They devised ingenious and sometimes transgressive experimental methods for studying and proposing countermeasures to the problem of Communist mind control. Some of these procedures took on a strange life of their own, escaping the confines of the research lab to become part of 1960s counterculture. Much later, in the early 2000s, they resurfaced in the War on Terror. These stories, often told separately, are brought together by the historian Andreas Killen in this chronicle of the brain's mid-twentieth-century emergence as both a new research frontier and an organ whose integrity and capacities—especially that of memory—were imagined as uniquely imperiled in the 1950s. Nervous Systems: Brain Science in the Early Cold War (Harper, 2023) explores the anxious context in which the mid-century sciences of the brain took shape and reveals the deeply ambivalent history that lies behind our contemporary understanding of this organ. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this eye-opening chronicle of scientific research on the brain in the early Cold War era, the acclaimed historian Andreas Killen traces the complex circumstances surrounding the genesis of our present-day fascination with this organ. The 1950s were a transformative, even revolutionary decade in the history of brain science. Using new techniques for probing brain activity and function, researchers in neurosurgery, psychiatry, and psychology achieved dramatic breakthroughs in the treatment of illnesses like epilepsy and schizophrenia, as well as the understanding of such faculties as memory and perception. Memory was the site of particularly startling discoveries. As one researcher wrote to another in the middle of that decade, “Memory was the sleeping beauty of the brain—and now she is awake.” Collectively, these advances prefigured the emergence of the field of neuroscience at the end of the twentieth century. But the 1950s also marked the beginning of the Cold War and a period of transformative social change across Western society. These developments resulted in unease and paranoia. Mysterious new afflictions—none more mystifying than “brainwashing”—also appeared at this time. Faced with the discovery that, as one leading psychiatrist put it, “the human personality is not as stable as we often assume,” many researchers in the sciences of brain and behavior joined the effort to understand these conditions. They devised ingenious and sometimes transgressive experimental methods for studying and proposing countermeasures to the problem of Communist mind control. Some of these procedures took on a strange life of their own, escaping the confines of the research lab to become part of 1960s counterculture. Much later, in the early 2000s, they resurfaced in the War on Terror. These stories, often told separately, are brought together by the historian Andreas Killen in this chronicle of the brain's mid-twentieth-century emergence as both a new research frontier and an organ whose integrity and capacities—especially that of memory—were imagined as uniquely imperiled in the 1950s. Nervous Systems: Brain Science in the Early Cold War (Harper, 2023) explores the anxious context in which the mid-century sciences of the brain took shape and reveals the deeply ambivalent history that lies behind our contemporary understanding of this organ. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In this eye-opening chronicle of scientific research on the brain in the early Cold War era, the acclaimed historian Andreas Killen traces the complex circumstances surrounding the genesis of our present-day fascination with this organ. The 1950s were a transformative, even revolutionary decade in the history of brain science. Using new techniques for probing brain activity and function, researchers in neurosurgery, psychiatry, and psychology achieved dramatic breakthroughs in the treatment of illnesses like epilepsy and schizophrenia, as well as the understanding of such faculties as memory and perception. Memory was the site of particularly startling discoveries. As one researcher wrote to another in the middle of that decade, “Memory was the sleeping beauty of the brain—and now she is awake.” Collectively, these advances prefigured the emergence of the field of neuroscience at the end of the twentieth century. But the 1950s also marked the beginning of the Cold War and a period of transformative social change across Western society. These developments resulted in unease and paranoia. Mysterious new afflictions—none more mystifying than “brainwashing”—also appeared at this time. Faced with the discovery that, as one leading psychiatrist put it, “the human personality is not as stable as we often assume,” many researchers in the sciences of brain and behavior joined the effort to understand these conditions. They devised ingenious and sometimes transgressive experimental methods for studying and proposing countermeasures to the problem of Communist mind control. Some of these procedures took on a strange life of their own, escaping the confines of the research lab to become part of 1960s counterculture. Much later, in the early 2000s, they resurfaced in the War on Terror. These stories, often told separately, are brought together by the historian Andreas Killen in this chronicle of the brain's mid-twentieth-century emergence as both a new research frontier and an organ whose integrity and capacities—especially that of memory—were imagined as uniquely imperiled in the 1950s. Nervous Systems: Brain Science in the Early Cold War (Harper, 2023) explores the anxious context in which the mid-century sciences of the brain took shape and reveals the deeply ambivalent history that lies behind our contemporary understanding of this organ. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this eye-opening chronicle of scientific research on the brain in the early Cold War era, the acclaimed historian Andreas Killen traces the complex circumstances surrounding the genesis of our present-day fascination with this organ. The 1950s were a transformative, even revolutionary decade in the history of brain science. Using new techniques for probing brain activity and function, researchers in neurosurgery, psychiatry, and psychology achieved dramatic breakthroughs in the treatment of illnesses like epilepsy and schizophrenia, as well as the understanding of such faculties as memory and perception. Memory was the site of particularly startling discoveries. As one researcher wrote to another in the middle of that decade, “Memory was the sleeping beauty of the brain—and now she is awake.” Collectively, these advances prefigured the emergence of the field of neuroscience at the end of the twentieth century. But the 1950s also marked the beginning of the Cold War and a period of transformative social change across Western society. These developments resulted in unease and paranoia. Mysterious new afflictions—none more mystifying than “brainwashing”—also appeared at this time. Faced with the discovery that, as one leading psychiatrist put it, “the human personality is not as stable as we often assume,” many researchers in the sciences of brain and behavior joined the effort to understand these conditions. They devised ingenious and sometimes transgressive experimental methods for studying and proposing countermeasures to the problem of Communist mind control. Some of these procedures took on a strange life of their own, escaping the confines of the research lab to become part of 1960s counterculture. Much later, in the early 2000s, they resurfaced in the War on Terror. These stories, often told separately, are brought together by the historian Andreas Killen in this chronicle of the brain's mid-twentieth-century emergence as both a new research frontier and an organ whose integrity and capacities—especially that of memory—were imagined as uniquely imperiled in the 1950s. Nervous Systems: Brain Science in the Early Cold War (Harper, 2023) explores the anxious context in which the mid-century sciences of the brain took shape and reveals the deeply ambivalent history that lies behind our contemporary understanding of this organ. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In this eye-opening chronicle of scientific research on the brain in the early Cold War era, the acclaimed historian Andreas Killen traces the complex circumstances surrounding the genesis of our present-day fascination with this organ. The 1950s were a transformative, even revolutionary decade in the history of brain science. Using new techniques for probing brain activity and function, researchers in neurosurgery, psychiatry, and psychology achieved dramatic breakthroughs in the treatment of illnesses like epilepsy and schizophrenia, as well as the understanding of such faculties as memory and perception. Memory was the site of particularly startling discoveries. As one researcher wrote to another in the middle of that decade, “Memory was the sleeping beauty of the brain—and now she is awake.” Collectively, these advances prefigured the emergence of the field of neuroscience at the end of the twentieth century. But the 1950s also marked the beginning of the Cold War and a period of transformative social change across Western society. These developments resulted in unease and paranoia. Mysterious new afflictions—none more mystifying than “brainwashing”—also appeared at this time. Faced with the discovery that, as one leading psychiatrist put it, “the human personality is not as stable as we often assume,” many researchers in the sciences of brain and behavior joined the effort to understand these conditions. They devised ingenious and sometimes transgressive experimental methods for studying and proposing countermeasures to the problem of Communist mind control. Some of these procedures took on a strange life of their own, escaping the confines of the research lab to become part of 1960s counterculture. Much later, in the early 2000s, they resurfaced in the War on Terror. These stories, often told separately, are brought together by the historian Andreas Killen in this chronicle of the brain's mid-twentieth-century emergence as both a new research frontier and an organ whose integrity and capacities—especially that of memory—were imagined as uniquely imperiled in the 1950s. Nervous Systems: Brain Science in the Early Cold War (Harper, 2023) explores the anxious context in which the mid-century sciences of the brain took shape and reveals the deeply ambivalent history that lies behind our contemporary understanding of this organ. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/neuroscience

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany's Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema's material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema's relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany's Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema's material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema's relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany's Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema's material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema's relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany's Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema's material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema's relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany's Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema's material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema's relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany's Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema's material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema's relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany's Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema's material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema's relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Hygienic Apparatus: Weimar Cinema and Environmental Disorder (Northwestern UP, 2022) traces how the environmental effects of industrialization reverberated through the cinema of Germany's Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema's material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema's relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Beginning in 1955, West Germany recruited millions of people as guest workers from Yugoslavia, Italy, Greece, Spain, Portugal, and especially Turkey. This labor force was essential to creating the postwar German economic miracle. Employers fantasized that foreign "guest workers" would provide labor power in their prime productive years without having to pay for their education, pensions, or medical care. They especially hoped that the workers would leave behind their spouses and children and not encumber the German state or society with the cost of caring for them. As Lauren Stokes argues in Fear of the Family: Guest Workers and Family Migration in the Federal Republic of Germany (Oxford UP, 2022), the Federal Republic of Germany turned fear of this foreign family into the basis of policymaking, while at the same time implementing policies that inflicted fear in foreign families. Workers did not always prove willing to live their work lives in the FRG and their family lives elsewhere. They consistently challenged the state's assumption that "family" and "labor" could be cleanly divided, defied restrictive and discriminatory policies, staged political protests, and took their deportation orders to court. In 1973, the federal court legally recognized the constitutional right to family reunification, but almost immediately after the decision, the migration bureaucracy sought to limit that right in practice. Officials derided family migrants as a group of burdensome dependents seeking to defraud the welfare state and demonized them as a dangerous source of foreign values on German soil. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Beginning in 1955, West Germany recruited millions of people as guest workers from Yugoslavia, Italy, Greece, Spain, Portugal, and especially Turkey. This labor force was essential to creating the postwar German economic miracle. Employers fantasized that foreign "guest workers" would provide labor power in their prime productive years without having to pay for their education, pensions, or medical care. They especially hoped that the workers would leave behind their spouses and children and not encumber the German state or society with the cost of caring for them. As Lauren Stokes argues in Fear of the Family: Guest Workers and Family Migration in the Federal Republic of Germany (Oxford UP, 2022), the Federal Republic of Germany turned fear of this foreign family into the basis of policymaking, while at the same time implementing policies that inflicted fear in foreign families. Workers did not always prove willing to live their work lives in the FRG and their family lives elsewhere. They consistently challenged the state's assumption that "family" and "labor" could be cleanly divided, defied restrictive and discriminatory policies, staged political protests, and took their deportation orders to court. In 1973, the federal court legally recognized the constitutional right to family reunification, but almost immediately after the decision, the migration bureaucracy sought to limit that right in practice. Officials derided family migrants as a group of burdensome dependents seeking to defraud the welfare state and demonized them as a dangerous source of foreign values on German soil. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Beginning in 1955, West Germany recruited millions of people as guest workers from Yugoslavia, Italy, Greece, Spain, Portugal, and especially Turkey. This labor force was essential to creating the postwar German economic miracle. Employers fantasized that foreign "guest workers" would provide labor power in their prime productive years without having to pay for their education, pensions, or medical care. They especially hoped that the workers would leave behind their spouses and children and not encumber the German state or society with the cost of caring for them. As Lauren Stokes argues in Fear of the Family: Guest Workers and Family Migration in the Federal Republic of Germany (Oxford UP, 2022), the Federal Republic of Germany turned fear of this foreign family into the basis of policymaking, while at the same time implementing policies that inflicted fear in foreign families. Workers did not always prove willing to live their work lives in the FRG and their family lives elsewhere. They consistently challenged the state's assumption that "family" and "labor" could be cleanly divided, defied restrictive and discriminatory policies, staged political protests, and took their deportation orders to court. In 1973, the federal court legally recognized the constitutional right to family reunification, but almost immediately after the decision, the migration bureaucracy sought to limit that right in practice. Officials derided family migrants as a group of burdensome dependents seeking to defraud the welfare state and demonized them as a dangerous source of foreign values on German soil. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Beginning in 1955, West Germany recruited millions of people as guest workers from Yugoslavia, Italy, Greece, Spain, Portugal, and especially Turkey. This labor force was essential to creating the postwar German economic miracle. Employers fantasized that foreign "guest workers" would provide labor power in their prime productive years without having to pay for their education, pensions, or medical care. They especially hoped that the workers would leave behind their spouses and children and not encumber the German state or society with the cost of caring for them. As Lauren Stokes argues in Fear of the Family: Guest Workers and Family Migration in the Federal Republic of Germany (Oxford UP, 2022), the Federal Republic of Germany turned fear of this foreign family into the basis of policymaking, while at the same time implementing policies that inflicted fear in foreign families. Workers did not always prove willing to live their work lives in the FRG and their family lives elsewhere. They consistently challenged the state's assumption that "family" and "labor" could be cleanly divided, defied restrictive and discriminatory policies, staged political protests, and took their deportation orders to court. In 1973, the federal court legally recognized the constitutional right to family reunification, but almost immediately after the decision, the migration bureaucracy sought to limit that right in practice. Officials derided family migrants as a group of burdensome dependents seeking to defraud the welfare state and demonized them as a dangerous source of foreign values on German soil. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Beginning in 1955, West Germany recruited millions of people as guest workers from Yugoslavia, Italy, Greece, Spain, Portugal, and especially Turkey. This labor force was essential to creating the postwar German economic miracle. Employers fantasized that foreign "guest workers" would provide labor power in their prime productive years without having to pay for their education, pensions, or medical care. They especially hoped that the workers would leave behind their spouses and children and not encumber the German state or society with the cost of caring for them. As Lauren Stokes argues in Fear of the Family: Guest Workers and Family Migration in the Federal Republic of Germany (Oxford UP, 2022), the Federal Republic of Germany turned fear of this foreign family into the basis of policymaking, while at the same time implementing policies that inflicted fear in foreign families. Workers did not always prove willing to live their work lives in the FRG and their family lives elsewhere. They consistently challenged the state's assumption that "family" and "labor" could be cleanly divided, defied restrictive and discriminatory policies, staged political protests, and took their deportation orders to court. In 1973, the federal court legally recognized the constitutional right to family reunification, but almost immediately after the decision, the migration bureaucracy sought to limit that right in practice. Officials derided family migrants as a group of burdensome dependents seeking to defraud the welfare state and demonized them as a dangerous source of foreign values on German soil. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Beginning in 1955, West Germany recruited millions of people as guest workers from Yugoslavia, Italy, Greece, Spain, Portugal, and especially Turkey. This labor force was essential to creating the postwar German economic miracle. Employers fantasized that foreign "guest workers" would provide labor power in their prime productive years without having to pay for their education, pensions, or medical care. They especially hoped that the workers would leave behind their spouses and children and not encumber the German state or society with the cost of caring for them. As Lauren Stokes argues in Fear of the Family: Guest Workers and Family Migration in the Federal Republic of Germany (Oxford UP, 2022), the Federal Republic of Germany turned fear of this foreign family into the basis of policymaking, while at the same time implementing policies that inflicted fear in foreign families. Workers did not always prove willing to live their work lives in the FRG and their family lives elsewhere. They consistently challenged the state's assumption that "family" and "labor" could be cleanly divided, defied restrictive and discriminatory policies, staged political protests, and took their deportation orders to court. In 1973, the federal court legally recognized the constitutional right to family reunification, but almost immediately after the decision, the migration bureaucracy sought to limit that right in practice. Officials derided family migrants as a group of burdensome dependents seeking to defraud the welfare state and demonized them as a dangerous source of foreign values on German soil. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in 1955, West Germany recruited millions of people as guest workers from Yugoslavia, Italy, Greece, Spain, Portugal, and especially Turkey. This labor force was essential to creating the postwar German economic miracle. Employers fantasized that foreign "guest workers" would provide labor power in their prime productive years without having to pay for their education, pensions, or medical care. They especially hoped that the workers would leave behind their spouses and children and not encumber the German state or society with the cost of caring for them. As Lauren Stokes argues in Fear of the Family: Guest Workers and Family Migration in the Federal Republic of Germany (Oxford UP, 2022), the Federal Republic of Germany turned fear of this foreign family into the basis of policymaking, while at the same time implementing policies that inflicted fear in foreign families. Workers did not always prove willing to live their work lives in the FRG and their family lives elsewhere. They consistently challenged the state's assumption that "family" and "labor" could be cleanly divided, defied restrictive and discriminatory policies, staged political protests, and took their deportation orders to court. In 1973, the federal court legally recognized the constitutional right to family reunification, but almost immediately after the decision, the migration bureaucracy sought to limit that right in practice. Officials derided family migrants as a group of burdensome dependents seeking to defraud the welfare state and demonized them as a dangerous source of foreign values on German soil. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner.

Beginning in 1955, West Germany recruited millions of people as guest workers from Yugoslavia, Italy, Greece, Spain, Portugal, and especially Turkey. This labor force was essential to creating the postwar German economic miracle. Employers fantasized that foreign "guest workers" would provide labor power in their prime productive years without having to pay for their education, pensions, or medical care. They especially hoped that the workers would leave behind their spouses and children and not encumber the German state or society with the cost of caring for them. As Lauren Stokes argues in Fear of the Family: Guest Workers and Family Migration in the Federal Republic of Germany (Oxford UP, 2022), the Federal Republic of Germany turned fear of this foreign family into the basis of policymaking, while at the same time implementing policies that inflicted fear in foreign families. Workers did not always prove willing to live their work lives in the FRG and their family lives elsewhere. They consistently challenged the state's assumption that "family" and "labor" could be cleanly divided, defied restrictive and discriminatory policies, staged political protests, and took their deportation orders to court. In 1973, the federal court legally recognized the constitutional right to family reunification, but almost immediately after the decision, the migration bureaucracy sought to limit that right in practice. Officials derided family migrants as a group of burdensome dependents seeking to defraud the welfare state and demonized them as a dangerous source of foreign values on German soil. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices

The USC Global Policy Institute, Department of Political Science and International Relations, the Max Kade Institute for Austrian-German-Swiss Studies and the Department of Slavic Languages and Literatures present a crisis briefing on the Russian invasion of Ukraine. Listen to a distinguished panel of six experts discuss the ongoing conflict, what it means for the world and what may happen next. With Russia's invasion, negotiation talks in Belarus, the EU and NATO on standby, the U.S. on high alert and the world watching, the Ukraine-Russia conflict is at the forefront of the public mind. Speakers: USC professor and former Soviet Union expert Robert English; USC Kade Institute Director and Central Europe expert Paul Lerner; Slavic Languages Post-Doc Fellow Andrzej Brylak; European Academy of Public Diplomacy Director Katarzyna Pisarska; USC professor and Russia and Poland expert Tom Seifrid; and USC professor and human rights lawyer Steve Swerdlow.

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art