Podcast appearances and mentions of Heinrich Heine

Mam Gedichter-Epos “Deutschland - ein Wintermärchen“ huet den Heinrich Heine déi politesch Verhältnisser vun der Restauratiounszäit an Däitschland satiresch a sarkastesch kritiséiert. Schonn dräi Joer virdrun haten d'Joreszäite bei sengem "Atta Troll - ein Summernachtstraum" eng Aart shakespearianesch Roll iwwerholl. An de Komponist Franz Schubert huet verschidde Reesbiller als "Lieder" vertount. Och mir hunn eis un d'Kompositioun vun eisem eegene "Fréijoersmärchen" erugetraut ...

La magnificencia de los paisajes naturales y culturales, así como su influencia en la creación artística, musical y literaria, justificaron la inclusión del Rin Romántico en la lista de Patrimonio Mundial de la Unesco. Esta marca turística alude al tramo de 65 kilómetros del Valle Superior del Medio Rin comprendido entre las ciudades renanas de Bingen y Coblenza. La pizarra, que otorga un carácter inconfundible a los tejados de la región, es la roca dominante en este macizo montañoso por el que serpentea el más importante de los ríos germanos. Ulrike Bohnet, directora de la Oficina Nacional Alemana de Turismo, ejerce de anfitriona en este viaje fluvial que ampliamos hasta las poblaciones de Rüdesheim y Andernach. En Coblenza nos espera la guía local Soraya Jaramillo; también el abogado Alexander Birkhahn, que nos muestra el gran castillo de Ehrenbreitstein. Las fortalezas –muchas medievales– son parte del encanto de esta travesía, en la que también nos acompaña la periodista María Jesús Tomé, el productor audiovisual Diego Calle y Natalia Niño, ingeniera residente en Oberwesel. A lo largo de la ruta, que podemos hacer en barco, ferrocarril, automóvil o bicicleta, no dejan de aflorar leyendas como la de Lorelei y versos de románticos alemanes de la talla de Friedrich Hölderlin o Heinrich Heine.Escuchar audio

Los ojos verdes de Gustavo Adolfo Bécquer (1836 – 1870). Los ojos verdes es uno de los cuentos que provienen del libro Rimas y Leyendas, escrito en 1861 por Gustavo Adolfo Bécquer. Trata sobre los espíritus femeninos de las aguas. La narración está inspirada en las leyendas en torno a la fuentona de Muriel de la Fuente. Rimas y leyendas es obra de Gustavo Adolfo Bécquer y fue editada en 1871 un año después de la muerte del autor. Se publico en dos volúmenes con prólogo de Ramón Rodríguez Correa. Fue sufragada por suscripción popular. En las "Leyendas", Bécquer expone sus teorías sobre la poesía y el amor. Sus Rimas iniciaron la corriente romántica de poesía intimista inspirada en Heinrich Heine y opuesta tanto a la retórica como a la ampulosidad que habían mostrado los poetas románticos anteriores. Gustavo Adolfo Bécquer cuando ya se sentía enfermo al final de su vida, entregó sus versos a su amigo Narciso Campillo. Bécquer ganó la fama póstumamente, con la publicación del libro "Rimas y Leyendas". En ese libro incluyó toda su producción poética. Durante su vida sólo publicó de forma irregular en algunos periódicos, entre ellos los llamados "Museo universal" y "La ilustración de Madrid". Para ganarse la vida trabajaba en el periodismo. La “musa” inspiradora de las rimas de este libro fue Elisa Guillén con la que Bécquer vivió una apasionada historia de amor desde 1858 hasta 1861, cuando ella le dejó. Para olvidar completamente a Elisa, pasó una temporada en el Monasterio de Veruela y poco tiempo después, el 18 de mayo de 1861, se casó con una mujer a la que no amaba, Casta Esteban a quien abandonaría en 1868. De 1861 a 1865 escribió la mayoría de sus leyendas, algunas rimas, crónicas periodísticas, y su obra "Cartas literarias en una mujer".

he German poet and journalist Heinrich Heine coined the term “Lisztomania” on 25th April 1844 to describe the phenomenon of frenzied fandom in Europe where women would physically assault Franz Liszt by tearing his clothes, fighting over broken piano strings and locks of his shoulder-length hair. Heine said there was something about Liszt's performances that “raised the mood of audiences to a level of mystical ecstasy” – which seemed to be a result of the combination of his good looks, his charisma and his stage presence. In this episode, Arion, Rebecca and Olly explain how Liszt created an almost parasocial relationship with his fan base; investigate why critics are still reproving of expressive concert pianists to this day; and discuss whether the Heine was trying to extort money from performers like Liszt in exchange for better reviews…  Further Reading: • ‘The Virtuoso Liszt' (Cambridge University Press, 2002): The Virtuoso Liszt - Google Books: https://www.google.co.uk/books/edition/The_Virtuoso_Liszt/koSQAjlxeOIC?hl=en&gbpv=1&dq=lisztomania&pg=PA203&printsec=frontcover • ‘Forget the Beatles – Liszt was music's first “superstar”' (BBC Culture, 2016): https://shorturl.at/eipIP • ‘Lisztomania: the 19th-century pop phenomenon that made Beatlemania look tame' (The Telegraph, 2019): https://shorturl.at/lwNOP • ‘Before Beatlemania, There Was Lisztomania' (Great Big Story, 2020): https://www.youtube.com/watch?v=3sjCA8OPobw  Love the show? Support us!  Join 

Ein Gedicht von Heinrich Heine kann durchaus auch einmal eine Anspielung auf die politischen Umstände zur Zeit des Romantikers enthalten. Selbst in einem auf den ersten Blick naiven kleinen „Frühlingslied“. Natürlich geht es vordergründig um den Frühling, doch dahinter steckt eine analytischer Blick auf die Politik.

Widerstand und Widerstandskraft, beides fasziniert bei den widerständigen Dichtern, deren Texte in der aktuellen Folge des Lyrik-Podcast Seelenfutter von den Gastgebern Susanne Garsoffky und Friedemann Magaard vorgestellt werden. Jens Mungard, friesischer Poet von der Insel Sylt, dichtet mit „Gittern vor dem Fenster“ aus der Gefängniszelle, wundersam verbündet mit Bäumen, Vögeln und dem Mond. Dagegen befragt Heinrich Heine in „Die Rose duftet“, ob hinter dem Trost durch Rose und Nachtigall eigentlich eine tröstliche Absicht steht – um schließlich die Stärkung willkommen zu heißen, als Gegenkraft zur Wahrheit, die „gar verdrießlich“ macht. Dazu gibt es Bibelverse von Lukas und Johannes. Seelenwegzehrung für lange Wege.

Querelen, Intrigen, Geschrei und Palaver - die hört man häufig im Wahlkampf. Und nicht erst in unserer Zeit, schon vor mehr als 180 Jahren war es nicht anders. Der deutsche Lyriker Heinrich Heine hat sich in seinem satirischen Gedicht „Die Wahl-Esel“ darüber lustig gemacht. Dabei mokiert er sich auch über nationalistische Rhetorik, die erschreckend aktuell nach rechten Wahlkampfparolen klingt. Das Gedicht schrieb Heine 1840 und veröffentlichte es im gleichen Jahr in seiner Sammlung „Neue Gedichte“.

Klatt, Thomas www.deutschlandfunk.de, Sonntagsspaziergang

The New Year is off to a predictably challenging start. Everywhere we look (California, Canada, New Orleans, and beyond) dreadful things are happening. I am offering in the spirit of solace and condolence a freshly refurbished and expanded bonus episode that I first published three and a half years ago as a pendant to another all-Schubert episode. This one presents all of the songs collected in the posthumously-published song collection Schwanengesang, that includes settings of poems by Ludwig Rellstab, Heinrich Heine, and Johann Gabriel Seidl. Many of Schubert's late Seidl settings were not included in that collection but they number among Schubert's most inspired and moving creations. I have included six of those settings at the beginning of the episode. These magnificent and transcendent songs are performed by exceptional baritones and bass-baritones in recordings spanning the course much of the twentieth century. Singers include Alexander Kipnis, Hans Hotter, Mark Reizen, Hermann Prey, Heinrich Schlusnus, Charles Panzéra, Andrzej Hiolski, Walter Berry, Benjamin Luxon, George London, Tom Krause, John Shirley-Quirk, Gérard Souzay [of course!], Heinrich Rehkemper, and many others. May these singers, voicing the divine utterances of Franz Schubert, provide a certain respite for those that are currently suffering. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

1.Devon Brough - Control (Original Mix) 2.Everything But The Girl - Missing (Ecotek Red Rocks Edit) 3.Histar - Can't Believe (Original Mix) 4.Lauren Mia - Halcyon (Extended Mix) 5.Osman - Set You're Free (Original Mix) 6.Papa Tin - Morning Light (Extended Mix) 7.SOFI DIA - Turudum Dam (Extended Mix) 8.D-Formation & GRAZZE - Hannaa (Original Mix) 9.Florian Bernz - Different Worlds (Original Mix) 10.Lady Alice - Music Is The Language (Original Mix) 11.TPSY - Code Red (Original Mix) 12.Paradoks & Adam Sellouk - Internal (Original Mix) 13.Avzzea - Phenomenon (Extended Mix) 14.Danjel Esperanza - Ascending (Original Mix) 15.Heinrich & Heine, Mark Synth - Decision (Ornery Remix) 16.Juri Hoshino - Dea Lux (Extended Mix) 17.Madbox - Weightless (Original mix) 18.ANTTA - Infinite (Extended Mix) 19.Avity & Vitti Alonso - No Place to Be (Original Mix) 20.KARPOVICH, Tomy Wahl - Last Night (Original Mix) 21.D-Nox, Ed Steele - Embrace Me (Extended Mix) 22.Stephan Zovsky - Betrayed & Forgotten (Extended Mix) 23.Tescao - The Call (Extended Mix) 24.Hyperbits & Ryan Lucian - With You (Extended Mix) 25.Against All Ødds, Avaddon - Holding On Nick (Schwenderling Remix) 26.Bella Azura - Breathe (Extended Mix) 27.RMA & CAZTILLA - Moon Phases (Extended Mix) 28.Carlos Pires - Bright Lights (Original Mix) 29.DARDI - Levels of Reality (Original Mix) 30.EarthLife, Laherte - See You Again (Original Mix) 31.Hannes Bieger - Lost (Extended Mix)

Hueck, Carsten www.deutschlandfunkkultur.de, Studio 9

Die „Neue Frankfurter Schule“ zeichnet sich zuerst durch ihren anarchischen Humor aus. Einer ihrer Vertreter erhielt einen der renommiertesten deutschen Literaturpreise.

Robert Gernhardt: Schriftsteller, Dichter, Zeichner und Maler, berühmt besonders durch seine Satiren, seine komischen Gedichte und seine Zeichnungen in der Tradition von Wilhelm Busch. Als einer der wichtigsten zeitgenössischen Dichter deutscher Sprache wurde er 2004 mit dem Heinrich-Heine-Preis ausgezeichnet.

Die Engel - von Heinrich Heine

Gelesen von Werner Seuken

Die Stillen Hunde haben in diesem Jahre eine besondere Leidenschaft für Heinrich Heine. Erst war seine Harzreise Thema, nun nehmen Stefan Dehler und Christoph Huber seine Biographie unter die Lupe, „Heine, ein Wanderer“. Für unsere Reihe „Im Gespräch“ hat Tina Fibiger mit Stefan Dehler über die Lesung der stillen Hunde zu Heines Buch gesprochen.

Katrin Schumacher emfiehlt in dieser Woche: "Seelenzauber - Aus Wien in die Welt" von Steve Ayan, ein Buch zu Heinrich Heine im Harz und "Die Entscheidung" von Jens Bisky.

This episode explores "Lisztomania," the intense public frenzy surrounding 19th-century composer Franz Liszt, who captivated audiences with his virtuoso performances. Coined by Heinrich Heine, the term reveals how Liszt's charisma and musical innovations shaped early celebrity culture and fan dynamics. The episode also examines the social changes of the time that fueled this extraordinary phenomenon and its lasting impact on the arts.

Heines "Harzreise" gilt als romantisches Reisebild – im Subtext aber erzählt sie von Judenverachtung und Assimilationsdruck 1824. Das Feature entdeckt mit Witz und Spottlust 200 Jahre später, wie gegenwärtig Heine ist.

1828 trat Heinrich Heine seine "Reise nach Italien" an. Anders als Goethe einige Jahrzehnte zuvor wollte Heine weniger auf den Spuren der Antike durch das südliche Nachbarland reisen. Er war vielmehr interessiert an Land und Leuten. In seinen Reisepass ließ er unter "Reisezweck" "Vergnügen" eintragen. Herausgekommen ist ein Reisebuch mit Alltagsbeobachtungen voller Witz und Lebensfreude. Von Rainer Hagedorn.

1828 trat Heinrich Heine seine "Reise nach Italien" an. Anders als Goethe einige Jahrzehnte zuvor wollte Heine weniger auf den Spuren der Antike durch das südliche Nachbarland reisen. Er war vielmehr interessiert an Land und Leuten. In seinen Reisepass ließ er unter "Reisezweck" "Vergnügen" eintragen. Herausgekommen ist ein Reisebuch mit Alltagsbeobachtungen voller Witz und Lebensfreude. Von Terrance Albrecht.

Während Martin auf einem Turnier in Bremen den Warhammer geschwungen hat, hat Alex am Möhnesee den Vorschlaghammer kreisen lassen. Für ersteres gibt es natürlich mal wieder eine Sportschau, in der Alex den Martin ein bisschen nach den Regeln von Warhammer 40k befragt. Wofür sind all diese Würfel da??? Wieso Alex am Möhnesee eine ganze Wohnung auseinandergenommen hat, und wieso ihr mal wieder eure Oma besuchen solltet, das erfahrt ihr ebenfalls in dieser Folge. Zudem gibt es Wissenswertes über die Jugend von heute und Filmzitate. Wie viele kennt ihr? Zuletzt gibt Alex noch Literatur als Videospiel auf, wenn es um Disco Elysium geht. Also hört rein, ihr Harrys.

Bis 1840 schreibt Robert Schumann fast nur fürs Klavier, dann aber schlägt er mit seinem Liederkreis op. 24 ein neues Kapitel auf. Mit Leidenschaft vertont er Heines Lyrik und schickt dem Dichter die Noten. Doch der antwortet nie... Von Timm Beckmann.

Heinrich Heine kam fast ins Schwärmen, als er im September vor 200 Jahren auf Wanderschaft ging. Schon damals begeistere sich seine Leserschaft für die Reisebilder, aus denen er seine „Harzreise“ dichte, und zum Auftakt „Die Stadt Göttingen, berühmt durch ihre Würste und Universität“ mit Spott und Ironie bedachte. Dem 200jährigen Jubiläum seiner Harzreise, widmet sich in Osterode eine Veranstaltungsreihe vom 15. Bis zum 27. September, die wir Ihnen heute vorstellen möchten. ...

Sage, Gedicht, Lied und 2024 zugehöriger Event dank Heinrich Heine. Ein Reiseradio-Talk mit Ulrike Dallmann über einen Schatz im "Oberen Mittelrheintal" [...] The post D-RR256 – Talk: Loreley & LoreLIVE erleben first appeared on Deutsches Reiseradio (German Travelradio).

"Hier lässt sich gut sitzen", schreibt schon Heinrich Heine über das berühmteste Kaffeehaus Europas. Das steht nicht etwa in Wien, sondern an der Alster in Hamburg.

Rousseau é considerado o maior pensador do século XVIII, e o primeiro crítico da cultura e da civilização ocidental. Foi um dos principais filósofos do iluminismo, mas ao mesmo tempo seu crítico, e sua influência não apenas na filosofia, mas também nos desdobramentos políticos do período foi enorme: Kant o chama de “o Newton da moral”, e o poeta Heinrich Heine afirmou que Rousseau era “a cabeça revolucionária da qual Robespierre nada mais foi do que a mão executora.”Continuação do episódio para apoiadores: https://novo.apoia.se/podcast?campaign=filosofiavermelha&content=aa-Cum6EfQX4&page=1#0Curso "Introdução à filosofia - dos pré-socráticos a Sartre": https://www.udemy.com/course/introducao-a-filosofia-dos-pre-socraticos-a-sartre/?couponCode=4C2BAD45C9CD8A23AD4ACurso "Crítica da religião: Feuerbach, Nietzsche e Freud": https://www.udemy.com/course/critica-da-religiao-feuerbach-nietzsche-e-freud/?couponCode=AD350799D9D33F832787Curso "A filosofia de Karl Marx - uma introdução": https://www.udemy.com/course/a-filosofia-de-karl-marx-uma-introducao/?couponCode=C8DAEAD4C57F3695DC87Apoia.se: seja um de nossos apoiadores e mantenha este trabalho no ar: https://apoia.se/filosofiavermelhaNossa chave PIX: filosofiavermelha@gmail.comAdquira meu livro: https://www.almarevolucionaria.com/product-page/pr%C3%A9-venda-duvidar-de-tudo-ensaios-sobre-filosofia-e-psican%C3%A1liseMeu site: https://www.filosofiaepsicanalise.orgClube de leitura: https://www.youtube.com/watch?v=WWEjNgKjqqIApresentaremos inicialmente uma breve biografia de Rousseau. Na sequência falaremos sobre sua importância na história do pensamento e traçaremos as principais características de sua obra, e na sequência abordaremos sua tese de que o homem nasce bom, mas a sociedade o corrompe. Hosted on Acast. See acast.com/privacy for more information.

Fuhrig, Dirk www.deutschlandfunk.de, Büchermarkt

Fuhrig, Dirk www.deutschlandfunk.de, Büchermarkt

Today we will discuss Johann De Meij's Symphony No. 4 : Sinfonia Der Leider Via Wind Repertory Project: A selection of 19th-century German poetry inspired this symphony: three poems from Friedrich Rückerts' Kindertotenlieder (Songs on the Death of Children) and three poems by Heinrich Heine and Hugo von Hofmannsthal, which, in the second movement of this impressive work, introduce themes of death, rebirth, and hope. (Johann De Meijj's) 4th Symphony for solo voice, children's choir, and wind orchestra is inspired by various 19th-century German poems. The first three movements use lyrics from the same source as Gustav Mahler: Kindertotenlieder by Friedrich Rückert. --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support

Today we will discuss Johann De Meij's Symphony No. 4 : Sinfonia Der Leider Via Wind Repertory Project: A selection of 19th-century German poetry inspired this symphony: three poems from Friedrich Rückerts' Kindertotenlieder (Songs on the Death of Children) and three poems by Heinrich Heine and Hugo von Hofmannsthal, which, in the second movement of this impressive work, introduce themes of death, rebirth, and hope. (Johann De Meijj's) 4th Symphony for solo voice, children's choir, and wind orchestra is inspired by various 19th-century German poems. The first three movements use lyrics from the same source as Gustav Mahler: Kindertotenlieder by Friedrich Rückert. --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888-1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit's life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists' and queer circles in Weimar Berlin and in 1930s Paris. Szalit's fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner's The Renaissance of Jewish Culture in Weimar Germany, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (Penn State UP, 2024) brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art. Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Am 31.3.1914 ist einer der größten deutschen deutscher Dichter der Moderne gestorben: Christian Morgenstern ist längst nicht nur für seine komischen Gedichte berühmt... Von Hans Conrad Zander.

Am 26. März 1824 veröffentlichte Heinrich Heine sein weltberühmtes Loreley-Gedicht. Die Stadt St. Goar feiert das Jubiläum mit einem außergewöhnlichen Konzert, in dem ausschließlich Vertonungen dieses Gedichts zu hören sind. Einer der Interpreten ist der Opernsänger Falko Hönisch, der auch Bürgermeister von St. Goar ist.

Welcome to the Instant Trivia podcast episode 1105, where we ask the best trivia on the Internet. Round 1. Category: They Don'T Live On Sesame Street 1: South African-born Ernie Els is a longtime standout performer in this pro sport. golf. 2: Bert wasn't a doctor, but Dr. Paul Bert made important studies of divers with decompression sickness, also known as this. the bends. 3: Accompanying him on his post-White House trek to the Amazon, Kermit was the second son of this U.S. president. Theodore Roosevelt. 4: Big birds of the world include the 6-foot, 30-pound Dalmatian variety of this avian with a large bill and an elastic throat pouch. a pelican. 5: The grandfather of this Broadway lyricist was a major impresario of Vaudeville and opera. Oscar Hammerstein. Round 2. Category: Yes, I'Ve Eton 1: He hopefully had a ball at Eton before going on to write "Thunderball". Fleming. 2: We know he revisited his "Brave New World" in 1958, but we don't know if he attended any Eton reunions. (Aldous) Huxley. 3: Marshall Field III, who had fun times at Eton, merged his Sun and Times papers in this city in 1948. Chicago. 4: James Oglethorpe went to Eton, did other stuff, then founded this colony in America. Georgia. 5: As a student at Eton, he did not have his own laptop computer, despite being second in line to the British throne. Prince William. Round 3. Category: Consumer Products 1: Released in 1956 as a "house and garden bug killer", it uses the ad line "Kills Bugs Dead". Raid. 2: In 1989 this shoemaker introduced The Pump, a hot-selling inflatable sports shoe. Reebok. 3: During WWII this 100% whole wheat breakfast cereal contained "12 Large Biscuits" in every box. Shredded Wheat. 4: Originally just an apple, this firm's trademark became one of the first used for textiles in 1871. Fruit of the Loom. 5: This all-purpose "Formula" for cleaning is named after the number of tries it took to get it right. Formula 409. Round 4. Category: Composers All Around 1: Music Tim Carleton wrote at age 16 was used by phone maker Cisco and has been heard by millions as this--your call is important to us. hold music. 2: A 1974 march for tuba by Luciano Michelini became the circusy-sounding theme to this HBO comedy. Curb Your Enthusiasm. 3: Known as "The Bong", the 5-note theme for this chip maker "Inside" a lot of computers was composed in 1994 by Walter Werzowa. Intel. 4: BJ Leiderman wrote themes for NPR programs like "Morning Edition" and this Saturday and Sunday counterpart. Weekend Edition. 5: Adam Schlesinger of this "Stacy's Mom" band also composed 157 songs for TV's "Crazy Ex-Girlfriend". Fountains of Wayne. Round 5. Category: How Inspirational 1: When your prom date leaves the dance without you, recall the proverb, this "heals all wounds". time. 2: This saint of Assisi said, "Where there is hatred, let me sow love... where there is despair, hope". Francis. 3: Thinking of his sins, poet Heinrich Heine said, "Of course" God will do this to "me; that's his business". forgive. 4: In 1903 Pope Pius X wrote, "Where justice is lacking there can be no hope of" this, pax in Latin. peace. 5: This "Candide" author helped popularize the saying, "The perfect is the enemy of the good". Voltaire. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Nous sommes le 13 juillet 1521, à Anvers, c'est jour de marché. Il y a du monde devant la maison communale. Il faut dire que nous allons assister, en présence des magistrats de la ville, du légat pontifical et du lieutenant de Charles Quint, l'Empereur est absent pour cause de gestion des affaires de l'Etat, au premier autodafé qui suit la promulgation de l'édit de Worms. Ce document prévoit l'interdiction, non seulement, des écrits luthériens, mais aussi des ouvrages critiques envers l'Eglise romaine, le pape, les ecclésiastiques et l'Université de Louvain. La population anversoise est là en nombre, on parle de la quasi-totalité, ainsi que les habitants des villages avoisinants. Rien que la lecture de l'édit prendra une heure, ponctuée par le son des trompettes. Le bûcher est alors allumé, qui réduira en cendres plus de 400 livres de Luther, dont 300 ont été saisis dans les boutiques de la cité. Les autres ouvrages ayant été donnés de manière spontanée. Trois siècles plus tard, très exactement en 1821, Heinrich Heine, l'un des grands écrivains allemands du XIXe siècle, écrit dans sa tragédie intitulée « Almansor » : « Et là où on brule des livres, on finit par brûler des hommes aussi ». Des anciens Pays-Bas à la révolution numérique, c'est à une histoire de la censure que nous vous convions aujourd'hui… Invité : Renaud Adam, historien responsable de la cellule numérisation de l'ULiege Library. Sujets traités : Censure, autodafé, religion, Luther, Eglise romaine, réseaux sociaux Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 15h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Kein Kind wollte mit dem Jungen mit der schiefen, riesigen Nase spielen - also spielte Joachim Ringelnatz mit Wörtern. Und wurde mit seinen lustigen und tiefsinnigen Gedichten berühmt... Autorin: Andrea Klasen Von Andrea Klasen.

Psalm 142:1-2 This psalm was written by David as he reflected on the experience of hiding from his enemies in a cave. This happened on two occasions. Firstly, in Adullam and secondly in En Gedi. On both occasions he was being threatened by King Saul, who was eager to kill him. There's no way of knowing which occasion he was thinking about when he wrote this psalm, but it doesn't matter. What is clear is that he was under extreme pressure and needed help. In his despair he cried out to the Lord, knowing that God knew the whole story. The words of the African-American spiritual song ‘Nobody knows the trouble I seen' sum up David's experience very well, together with his conviction that the one person who does know everything is the Lord. We are often inclined to bottle up our fears and worries. We don't like to trouble other people with them, recognising that they might well have bigger problems than ours. But it is good and right that we should pour out our concerns to the Lord. Through the centuries, God's people have done just that. When St Francis of Assisi died in 1226, he had this particular psalm on his lips. Two hundred years later, as the philosopher Heinrich Heine neared his death, he said: “It is a great blessing to know that there is someone in heaven to whom I can complain. It is a wonderful relief to whine the list of my sufferings.” There are times when we all have things we need to get off our chests, and we should remember that the Lord is well able to receive all our complaints. We may have a picture of God as someone who is so remote that he could never be concerned about our personal problems. But that is not the God of the Bible. He consistently shows both his intimate knowledge and complete love of us. If you have nothing to complain about, rejoice! But if you do, you can be sure that the Lord is ready to listen to you. QUESTIONS Have you ever complained to God? If so, what did you say? If not, why? PRAYER Loving God, thank you that you are always willing to listen to us, even when we have lots of problems and complaints. Amen

The investigation has reached the Hungerplan of the NSDAP-Reichsministers of Agriculture, Herbert Backe and Richard Walther Darré. In due manner we will see how the 20th century's largest man made famine came about and how it continues to shape our contemporary time. How did Backe outmanoeuvre his mentor to conquer the throne of evil? What really happened in the central black earth region, the largest magnetic anomaly on Earth known as Kursk? And why are the warmongers there today again? We go looking for the origins of the "Drive to the East" narrative, Blood and Soil and the mythology of the black on white cross of the Teutons. I'll read the addresses to the nation by Fichte and attack it with satirical poetry from Marx's third cousin Heinrich Heine. This and much more awaits you if you will join me in the very emotional and mind altering fourth instalment of The Return Of The Repressed Ecofascism series.  SOURCES Music:Penderecki: Symphony No. 3 / Threnody Niccolò Paganini: Caprice no. 5 Sumina Studer John Mayall: Out Of Reach Jesse Ahmann - Montana Cellist : “Emotional Cello improvisation”. Books: Gesine Gerhard - Nazi hunger politics a history of food in the Third Reich  Susanne Heim - Plant Breeding and Agrarian Research in Kaiserwilhelm-Institutes 1933–1945 Richard Walther Darré - A New Nobility of Blood and Soil Anna Bramwell - Blood and Soil Walther Darré and Hitler's Green Party  Janet Biehl, Peter Staudenmaier - Ecofascism Lessons from the German Experience  R. C. Lewontin - Biology as Ideology The Doctrine of DNA. Lily E. Kay - The Molecular Vision of Life Caltech, the Rockefeller Foundation, and the Rise of the New Biology)  Mario A. Di Gregorio - From Here to Eternity. Ernst Haeckel and Scientific Faith György Lukács - The Destruction Of Reason Susanne Heim, Carola Sachse, Mark Walker - The Kaiser Wilhelm Society under National Socialism Antony C. Sutton - Wall Street and the Rise of Hitler  Franz-Josef Brüggemeier - How green were the Nazis nature, environment, and nation in the Third Reich Kristie Macrakis - Surviving the swastika scientific research in Nazi GermanyRichard Weikart - Darwinian Racism How Darwinism Influenced Hitler, Nazism, and White Nationalism Douglas Totte - Fraud, Famine and Fascism The Ukrainian Genocide Myth from Hitler to Harvard  Richard Weikart - From Darwin to Hitler Evolutionary Ethics, Eugenics and Racism in Germany  Articles: Kenneth M. Ludmerer - American Geneticists and the Eugenics Movement: 1905-1935 Jason Hickel - Bill Gates says poverty is decreasing. He couldn't be more wrong. Report of the Investigation of I. G. Farbenindustrie A. G. Prepared by Division of Investigation of Cartels and External Assets Office of Military Government, U. S. (Germany) November, 1945 Organic Farming in Nazi Germany The Politics of Biodynamic Agriculture, 1933–1945

Die Geschichte der Loreley handelt von einer sagenumwobenen Frau, die Schiffer auf dem Rhein ins Verderben stürzt. Sie war Inspiration für Werke in Musik, Kunst und Literatur. Aber sie ist nicht so alt, wie viele denken.

The German poet and journalist Heinrich Heine coined the term “Lisztomania” on 25th April 1844 to describe the phenomenon of frenzied fandom in Europe where women would physically assault Franz Liszt by tearing his clothes, fighting over broken piano strings and locks of his shoulder-length hair. Heine said there was something about Liszt's performances that “raised the mood of audiences to a level of mystical ecstasy” – which seemed to be a result of the combination of his good looks, his charisma and his stage presence. In this episode, Arion, Rebecca and Olly explain how Liszt created an almost parasocial relationship with his fan base; investigate why critics are still reproving of expressive concert pianists to this day; and discuss whether the Heine was trying to extort money from performers like Liszt in exchange for better reviews…  Further Reading: • ‘The Virtuoso Liszt' (Cambridge University Press, 2002): The Virtuoso Liszt - Google Books: https://www.google.co.uk/books/edition/The_Virtuoso_Liszt/koSQAjlxeOIC?hl=en&gbpv=1&dq=lisztomania&pg=PA203&printsec=frontcover • ‘Forget the Beatles – Liszt was music's first “superstar”' (BBC Culture, 2016): https://shorturl.at/eipIP • ‘Lisztomania: the 19th-century pop phenomenon that made Beatlemania look tame' (The Telegraph, 2019): https://shorturl.at/lwNOP • ‘Before Beatlemania, There Was Lisztomania' (Great Big Story, 2020): https://www.youtube.com/watch?v=3sjCA8OPobw  Love the show? Join 

Synopsis If "Entertainment Tonight!" were around in Paris in 1831, they would probably have offered a breathless special edition report on a concert that occurred on today's date that year. Everybody who was anybody was there: from the literary world, the French novelist Victor Hugo, author of "Les Miz," don't you know, and the writer Alfred de Mussett, who they SAY was living in sin with that cross-dressing Baroness, who, despite her sex, went by the name of George Sand. Oh, and the German poet Heinrich Heine was there, and from the music world, three of the leading opera composers of the day: the foreign born Giacomo Meyerbeer and Luigi Cherubini, and popular native son, Jacques Halevy. And who could miss the dashing, lion-maned Hungarian pianist Franz Liszt also seated in the theater? They were all there to witness the Parisian debut of the most charismatic performer of his time, the Italian violinist Nicolo Paganini. It was whispered that the fourth string on his violin was made from the intestine of his mistress, murdered at his own hand, and that he had spent 20 years in prison for the crime, with his violin his sole companion. Others hinted he had actually made a pact with Satan, trading his immortal soul for superhuman virtuosity! He looked like death warmed over, thin and gaunt, but played like a man possessed. Beat THAT, Ozzy Osbourne! Music Played in Today's Program Niccolo Paganini (1782 - 1840) Caprice No. 10 James Ehnes, violin Telarc 80398