Podcasts about Murnau

Nosferatu: A Symphony of Horror is a 1922 silent German horror film directed by F. W. Murnau and starring Max Schreck as Count Orlok, a vampire. Nosferatu was produced by Prana Film and is an unauthorized and unofficial adaptation of Bram Stoker's 1897 novel Dracula. Various names and other details were changed from the novel, including Count Dracula being renamed Count Orlok. Even with several details altered, Stoker's heirs sued over the adaptation, and a court ruling ordered all copies of the film to be destroyed. However, several prints of Nosferatu survived, and the film came to be regarded as an influential masterpiece of cinema. Today, Karl from When It Was Cool reviews this, very close to the novel, interpretation of Dracula in Nosferatu (1922). Support us on Patreon - https://www.patreon.com/wiwcool

New at Rendering Unconscious! I just posted a talk on “The Vampire's Gaze: Libido, Death Drive & the Nosferatu Legacy”. Watch the full episode here: https://renderingunconscious.substack.com/p/ru341-the-vampires-gaze-libido-death RU341: THE VAMPIRE'S GAZE: LIBIDO, DEATH DRIVE & THE NOSFERATU LEGACY WITH DR. VANESSA SINCLAIR https://renderingunconscious.substack.com/p/ru341-the-vampires-gaze-libido-death The discussion delves into the psychological aspects of vampires, particularly Nosferatu, through three pivotal films: Murnau's 1922 classic, Herzog's 1979 reimagining, and Eggers' 2024 version. Each film reflects contemporary psychological landscapes, highlighting the vampire's enduring role in exploring human desires and fears. Vanessa Sinclair, PsyD is a psychoanalyst in private practice, who works remotely online with people all over the world. For those interested in entering into psychoanalysis with me, I provide remote psychoanalytic treatment online, as well as consultation services for those in psychoanalytic formation. For more information visit my website https://www.drvanessasinclair.net Feel free to email me directly at vs [AT] drvanessasinclair [DOT] net www.drvanessasinclair.net/contact/ News and updates: I have a few events coming up! Saturday, May 3rd, I'll be giving an online talk on “Scansion in Psychoanalysis & Art” for Corpo Freudiano Vancouver. https://corpofreudianovancouver.com/event/scansion-in-psychoanalysis-and-art-with-vanessa-sinclair-psyd/ Join me Saturday, May 10th, for an online workshop as I explore “Dreams as Art” with writer Emmalea Russo. We'll be delving into dreamwork, artwork, psychoanalysis as a creative practice, and the varying relationships Freud, Jung, Lacan had with art. More info & register here: DREAMS AS ART: Freud, Jung, Lacan: https://emmalearusso.com/new-products/p/psychoanalysis-as-art-freud-jung-lacan Then beginning Sunday, May 25th, I'll be giving a 4-week online course via Morbid Anatomy Museum: The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens: https://www.morbidanatomy.org/classes/p/the-cut-in-creation-exploring-the-avant-garde-dada-surrealism-modern-art-noise-music-and-performance-art-through-a-psychoanalytic-lens-led-by-vanessa-sinclair-psyd Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site. https://renderingunconscious.substack.com

Fue una fuerza creadora en los comienzos del cine alemán, responsable de algunas de las historias y guiones más reconocidos de la época. Pero su rol fue minimizado por la historia, en parte por ser mujer y en parte por su abierto apoyo al nazismo.

With a plan in place, the Agents have to get to their next group to convince them to help the Nagalisities. After a run in with an ex of Kyrt's, they make it to the planet, but will their pitch work...?This campaign will touch on many themes, including genocide, slavery, racism, specism, harm to children, and mental health issues, among others. Listener discretion is advised.Agents of ALIS is based on the campaign framework Nagalisitu by Caleb Stokes, for Reign second edition by Greg Stolze. Reign 2E has been released in pdf and is available at Atomic Overmind, while the book with the information on Nagalisitu has not been released as of posting. We are using a Kickstarter backer version of those rules.Genepals are references from Kyle Carty's Starstreamers from BPB Games.Adam - GMDan - Roscoe Holst - The human pilot of the Hypatia, and descendant of the... legendary? line of Holst, a family that always seems to be near when galactic history changes.Ethan - Silent Reading - A Murnau spy, perhaps the person most suited to the work of the Library. Whereas his twin brother Cheerful Humming is much more of an open book, Silent Reading keeps to himself, trusting few...Greg - Kyrt Howling-Echo - A gengineered half-human half-Murnau, he is the former Genepal League champion. Kyrt has "retired" into aiding the Library of Alexandria as a patron. Never without his beloved Genepal Pep Pup, or his second best friend Sol-Edge.Jared - Captain Kai Uhila - The human captain of the Hypatia. Kai is a bard as is the nature of those who helm the ships that travel the galaxy. A bit of a drunk, a bit of a lech, a bit of a loose cannon, but someone with a strong sense of justice.Laura - Tema Miles - A humanish logistics & security expert on the Hypatia. She wears her heart on her sleeve, and will rip yours out of your chest if you cross her, the ship, or her young ward Libby.

Such a pleasure to talk to Paul Cuff on Robert Egger's version of NOSFERATU. He knos so much that the discussion of the film unfurls into a discussion of the various other versions, Murnau's original (1922), Herzog's version (1979), David Lee Fisher's version (2023), and onto the films of Guy Maddin, Pablo Berger's BLANCA NIEVES (2012), various versions of THE STUDENT OF PRAGUE and even THE ARTIST (Michel Hazanavicius, 2011), which Paul loathes. We were entertained by, enjoyed -- with reservations -- the rich visual world of Egger's version, the thick and dense sound, and we praise Nicholas Hoult as the emotional anchor of the film. But Paul articulates his uncertainty about whether the film was a parody of itself or the genre or Nosferatu in its various incarnations. The film seems to be drawing on Murnau, Herzog, Caspar Friedrich's paintings. But it seems to create a world in which God ostensibly exists but no one seems to believe in the ideology that would sustain this. Paul notes with interest on how Eggers credits the screenplay of the original Nosferatu but not Murnau, the director. Paul highlights how Nosferatu was itself a rip-off of Bram Stoker's work and the significance of the titles of the most prominent version (Nosferatu, A Symphony of Horror (Murnau) and the German title of Herzog's version, Nosferatu, Phantom of the Night.) What all versions have in common is that they're all about sex and death, all about sex and the maiden; all versions have Nosferatu as a sexual figure as well as a figure of death and pestilence, How does Egger's version sit on the shoulder of previous versions and what does it add to them? We discuss our love of the performances of Max Schrek and Klaus Kinski and much more in the podcast below:

This week on *The Rotten Horror Picture Show*, Clay and Amanda are doing nothing to help my steadily worsening vampire confusion by taking a big ol' bite out of Werner Herzog's 1979 classic Nosferatu the Vampyre, starring Klaus Kinski as maybe the creepiest Dracula/Nosferatu/Count Orlok hybrid ever filmed. It's moody, it's beautiful, and it's got rats. So many rats. Okay. Look. I'm just gonna say it: I think we've officially hit critical mass on Nosferatus and Draculas. I mean, how many pasty bald guys with capes and long fingernails named “Count Something” does the world *need*? First there was the original *Nosferatu*, then Lugosi's *Dracula*, then Lee's *Dracula*, then the *Nosferatu* remake, then Dracula in space, Dracula in love, Dracula with a podcast probably—I don't know anymore. The point is, I'm starting to suspect these aren't *characters* in movies. I think they might be *real*, and I think they're multiplying. Every time I look around, there's another Nosferatu lurking in a dark corner, hissing at a cat. I'm tired. I'm confused. And I'm scared of capes now.Join Clay and Amanda as they dive into Herzog's eerie homage to Murnau's 1922 silent classic and debate just how many spooky bald vampires is too many. Is Kinski's Count Dracula really just Orlok with a stage name? Does it matter when he's this unsettling? Who gave him permission to move like *that*?One thing's for sure: if another Nosferatu pops up, I'm going into hiding. Probably somewhere with garlic. Maybe in a mall. Wait, no—*not* a mall. We've been over that.Anyway, listen in… while you still can.And be sure to hit up patreon.com/thepenskyfile to hear all the coverage of remakes and reboots this year!

Send us a textToday's episode is the beginning of my conversations about the films nominated at the 2nd Academy Awards. I'm joined by Lewis Beer who writes the Slow Moving Pictures newsletter and we break down some of the history of the 2nd Academy Awards, all of the nominees, and take some time to discuss some of the missing or hard to find films that won't be covered in individual episodes this season.Be sure to subscribe to the podcast to get all the news episodes delivered to your device every Friday from now through August and if you want to be a guest for a film from the 3rd Academy Awards, send me a message replying to this episode and let me know you're interested.Nominees of the 2nd Academy Awards (linked films will take you to where you can watch the film online as of the recording of this episode):A Woman of AffairsAlibiCoquetteDrag (unavailable)DynamiteFour Devils (unavailable but documentary Murnau's 4 Devils: Traces of a Lost Film is on YouTube)In Old ArizonaMadame XOur Dancing DaughtersSal of Singapore (archive print only)SkyscraperStreet AngelThe Awakening (partial archive print only)The Barker (archive print only)The Bridge of San Luis Rey (archive print only)The Broadway MelodyThe Cop (unavailable)The Divine LadyThe Hollywood Revue of 1929The Last of Mrs. CheyneyThe LeatherneckThe LetterThe Patriot (unavailable)The ValiantThunderboltWeary RiverWhite Shadows in the South SeasWonder of Women (unavailable)

Fiction author Bob Proehl joins Harry and Jen to discuss F.W. Murnau's 1922 silent classic, Nosferatu (1922). The trio discusses the experience of viewing silent film in the modern day, Nosferatu's status as a classic bootleg, vampiric links to sex and disease, fear of the other, and Bob's failed attempt at reading Twilight. Keep an eye out for our episode on Nosferatu (2024) next week! Check out Bob Proehl's books! Check out the show on Instagram and Facebook! Wanna suggest a movie? Wanna say "hi?" Did you make a movie we should watch? Email us: harryandjenpodcast@gmail.com  

Robert Eggers' Nosferatu (2024) is a masterclass in how to remake a classic while breathing new life—and death—into it. With stunning gothic visuals, eerie atmosphere, and haunting performances, Eggers reimagines F.W. Murnau's 1922 silent film for a modern audience without sacrificing its unsettling soul. Every frame drips with dread, paying homage to the original while using contemporary filmmaking to deepen the psychological terror. Bill Skarsgård's portrayal of Count Orlok is both monstrous and mesmerizing, a performance that anchors the film in pure nightmare fuel. The movie doesn't just retell the story—it resurrects it with chilling reverence and creative vision.Robert Eggers has already proven himself with The Witch and The Lighthouse, but Nosferatu cements his place as the future of horror cinema. His commitment to atmosphere, historical detail, and character-driven dread is redefining what horror can be—less about jump scares and more about psychological immersion. Eggers' films don't just scare you; they haunt you. In an era of formulaic horror, his work stands out as deeply cinematic and disturbingly poetic. Nosferatu is not just a great remake—it's a declaration that horror is still an art form, and Eggers is its new maestro.Stick around until the end for a round of Movie 20 Questions.Safe travels, nomaaaaaaaaaaaaaaaaads.

Devin & James are back in the Den, and it's full of bats! In this episode, we are covering a very specific type of vampire... OFF-BRAND DRACULAS! These vampires may have castles in Transylvania, look hot in a cape, or have an unnatural interest in foreign real estate, but they all owe their cinematic existence to the literary existence of Bram Stoker's Dracula. We start with NOSFERATU, covering Murnau's 1922 silent classic, through Herzog in 1979, and to Eggers in 2024. We then move on to a couple of Bela Lugosi films, where he plays a bloodsucker who is "definitely NOT Dracula" (legally speaking) with 1935's MARK OF THE VAMPIRE and 1943's THE RETURN OF THE VAMPIRE. We then head to AIP in the groovy 70's, when they redefined the old legend with 1970's COUNT YORGA, VAMPIRE, featuring the underrated Robert Quarry as the titular count with a mouthful of fangs, as well as 1972's BLACULA, featuring a dignified performance by William Marshall that deserves much more credit than it's punny title suggests.

The Agents learn more about the magics that have ensorcelled them, and plan which aspect of society to being to the Nagali next...This campaign will touch on many themes, including genocide, slavery, racism, specism, harm to children, and mental health issues, among others. Listener discretion is advised.Agents of ALIS is based on the campaign framework Nagalisitu by Caleb Stokes, for Reign second edition by Greg Stolze. Reign 2E has been released in pdf and is available at Atomic Overmind, while the book with the information on Nagalisitu has not been released as of posting. We are using a Kickstarter backer version of those rules.Genepals are references from Kyle Carty's Starstreamers from BPB Games.Adam - GMDan - Roscoe Holst - The human pilot of the Hypatia, and descendant of the... legendary? line of Holst, a family that always seems to be near when galactic history changes.Ethan - Silent Reading - A Murnau spy, perhaps the person most suited to the work of the Library. Whereas his twin brother Cheerful Humming is much more of an open book, Silent Reading keeps to himself, trusting few...Greg - Kyrt Howling-Echo - A gengineered half-human half-Murnau, he is the former Genepal League champion. Kyrt has "retired" into aiding the Library of Alexandria as a patron. Never without his beloved Genepal Pep Pup, or his second best friend Sol-Edge.Jared - Captain Kai Uhila - The human captain of the Hypatia. Kai is a bard as is the nature of those who helm the ships that travel the galaxy. A bit of a drunk, a bit of a lech, a bit of a loose cannon, but someone with a strong sense of justice.Laura - Tema Miles - A humanish logistics & security expert on the Hypatia. She wears her heart on her sleeve, and will rip yours out of your chest if you cross her, the ship, or her young ward Libby.

Alright, listen up—This week on *The Rotten Horror Picture Show*, Clay and Amanda are diving into F.W. Murnau's 1922 silent horror classic *Nosferatu*, the original unauthorized adaptation of *Dracula* that introduced the world to Max Schreck's eerie, claw-fingered, sunken-eyed Count Orlok. They'll talk about the film's German Expressionist style, its haunting atmosphere, and its place in horror history. And yeah, that's all great—but can we take a second to talk about the *rats*? No one warned me there'd be *this many rats*. Scurrying all over the place, spreading the plague, being generally shifty. And I *know* they're after my cheese. Now don't get me wrong. I'm not saying *Nosferatu* isn't a masterpiece. I'm not saying it's not one of the most important horror films ever made. What I *am* saying is that this movie has *way* too many rats. And I don't trust ‘em. Not one bit. See, I left a perfectly good block of sharp cheddar in my cooler on the porch, and ever since I watched *Nosferatu*, I can't stop looking over my shoulder. Those little creeps are organized. They see me watching the movie, they know I'm scared, and now they're probably coordinating some kind of tiny rat heist as we speak. I respect *Nosferatu* as a horror film, I do. But I'd respect it *more* if it had fewer disease-ridden, cheese-hungry vermin in it. So if you're here for the horror history, the incredible cinematography, and the discussion of silent film artistry, you're in luck. But if you're here for a movie that *doesn't* make you paranoid about rodents infiltrating your food supply, well… maybe keep a close eye on your cooler. Now, if you'll excuse me, I need to go buy a lot of traps. Enjoy the episode, not the rats. Rats are gross.patreon.com/thepenskyfile

The first episode of our second Studios Year by Year round with Fox, the "Rube" according to Ethan Mordden, is a real ridiculous/sublime contrast: the sci-fi musical comedy Just Imagine (directed by David Butler), a vehicle for vaudevillian El Brendel, in whom Dave may have found his comedy bête noir; and the F. W. Murnau masterpiece City Girl, which reworks Sunrise with (we speculate) a Borzagean twist. Come for the idiotic, stay for the profound?  Time Codes: 0h 00m 25s: Fox Recap 0h 12m 41s: CITY GIRL [dir. F.W. Murnau] 0h 48m 02: JUST IMAGINE [dir. David Butler]   Studio Film Capsules provided by The Fox Film Corporation, 1915-1935: A History and Filmography by Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler                +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

On this episode of They Live By Film, Adam, Chris, and Zach discuss three version of Nosferatu directed by F.W. Murnau, Werner Herzog, and Robert Eggers. Youtube: https://www.youtube.com/@theylivebyfilmThe Radiance Films Podcast: https://podfollow.com/1762070615Punk Vacation: An Unofficial Vinegar Syndrome Podcast: https://podfollow.com/1760290937Wild Side: The Official Monda Macabro Podcast: https://podfollow.com/1762695719Adam's Letterboxd: https://letterboxd.com/TheOwls23/Adam's Bluesky: https://bsky.app/profile/adamlundy.bsky.socialZach's Letterboxd: https://letterboxd.com/dharmabombs/Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm

In which the Mister joins me in reviewing NOSFERATU (2024), based off Bram Stoker's novel and inspired by Henrik's Galeen's screenplay for 1922's Nosferatu, the film is updated from writer/director Robert Eggers.  In an effort to elevate his status for both himself and his new wife, a young man, Thomas (Nicholas Hoult)  journeys to secure a deal with a mysterious nobleman named Count Orlok (Bill Skarsgård) from a distant land—only to unwittingly unleash an ancient evil that devastates his homeland and sets its sights on his wife, Ellen (Lily-Rose Depp) in this remake of the 1922 silent film directed by F.W. Murnau.  The film clocks in at 2 h and 12 m, is rated R and is currently streaming on Peacock and to buy/rent on Prime Video. The film is a contender in four categories at this upcoming 2025 Oscars race: Cinematography, Costume Design, Makeup and Hairstyling and Production Design. Please note there are SPOILERS in this review.#Nosferatu  #RobertEggers  #HenrikGaleen  #FWMurnau  #BramStoker  #Oscars2025  #Cinematography  #CostumeDesign  #Makeup&Hairstyling  #ProductionDesign  #DarkFantasy  #SupernaturalHorror  #Vampire  #VampireHorror  #Fantasy  #Horror  #Mystery  #PeriodDrama  #LilyRoseDepp  #Ellen  #NicholasHoult  #Thomas  #BillSkarsgård  #CountOrlok  #WillemDafoe  #ProfVonFranz  #RalpIneson  #DrSievers  #AaronTaylorJohnson  #Friedrich  #EmmaCorrin  #Anna  #Knock  #SimonMcBurney  @Peacock  @PrimeVideo  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Today, we look at some of the great "pure cinema" movies with little to no dialogue. Now listen-dialogue is great. Dialogue is cinematic. But to scale the heights, a moviemaker needs to know how to communicate cinematically (image + sound) without using dialogue as a crutch to convey information. Secret Movie Club founder.programmer Craig Hammill looks at F.W. Murnau's 1924 masterpiece The Last Laugh (with only two intertitles for the entire movie), avant garde master Stan Brakhage's The Act of Seeing with One's Own Eyes, Ron Fricke's 70mm essay movie Baraka, the incredible Ukranian movie all in sign language The Tribe, and Phil Tippet's stop motion mind blower Mad God as examples of movies whose power comes from their commitment to what Alfred Hitchcock called "pure cinema". 

Una entidad tan antigua como el propio universo llega a nuestra realidad a través de objetos creados por los humanos. Uno de ellos es la novela Drácula de Bram Stoker, cuya fama pervive gracias a encarnaciones como la película muda Nosferatu, creada con intenciones oculistas… Este es el epicentro de Luz negra (Ed. Minotauro), de nuestro invitado Pedro Berruezo (John Tones), un homenaje a la creación de Stoker y Murnau a través de personajes de diferentes épocas e incluso realidades como Florence Stoker, la viuda, una experta en cinéfilo mudo de nuestros días , la espiritista Maria B. Hayden, Albin Grau, productor ocultista de Nosferatu o el propio Jonathan Harker, primer invitado de Drácula en la novela de Bram Stoker. Libro muy recomendable que complementamos con Duque de Campagne y Don Víctor comentando algunos de los mejores cómics inspirados en el mítico personaje vampírico.Escuchar audio

Let's start preparing for the Oscars with our latest episode! I cover five (5) Oscar nominated films and share my thoughts on them. Then we shift into anything and everything, from animated films for my kids to nasty horror for me; from revisiting sci-fi favorites and not so favorites to catching up with a bunch of short films. Check it out!00:00:00 - 00:02:07 -- Intro00:02:07 - 00:09:51 -- Oscar nominated Films00:09:51 - 00:11:37 -- Animated Films00:11:37 - 00:14:29 -- Short Films00:14:29 - 00:16:07 -- Puerto Rican Films00:16:07 - 00:20:11 -- Horror Films00:20:11 - 00:24:37 -- SciFi Films00:24:37 - 00:26:56 -- Closing/OutroStar Wars fanfare (c) DisneyAlso sprach Zarathustra (c) StraussThe Movie Loot Theme: Tino Mendes & Yellow Paper - The Heist

Mit „Der letzte Mann“ gelang dem Regisseur Friedrich Wilhelm Murnau, dem Autor Carl Mayer und dem Kameramann Karl Freund ein besonderer Stummfilm, der bis heute als Meisterwerk gilt. Das Skript und damit der Film kamen gänzlich ohne Zwischentitel aus, so dass sich die gesamte Geschichte rein über das Schauspiel und die Bildebene erzählt. Die „entfesselte Kamera“ des Films war für die damalige Zeit experimentell und muss die Zuschauer*innen schwer beeindruckt haben. Sie fährt nicht nur durch die Lobby eines Hotels, sondern folgt auch einem Trompetenton über einen Innenhof bis zum Ohr einer Hörenden. In den Zwanzigern kämpfte die verhältnismäßig junge Filmkunst noch um Anerkennung und so stürzten sich sie Filmkritiker auf den Film und erhoben ihn zum Beispiel dessen, was der Film als eigenständige Kunstform erreichen kann. Das äußert sich auch in der Filmkritik anlässlich der Premiere in Hamburg, die ca. zwei Monate nach der deutschen Premiere vom 23. Dezember 1924 in Berlin stattfand, aus dem Hamburgischen Correspondenten vom 21. Februar 1925. Lediglich das durch den einzigen Zwischentitel herbeigeführte Happy-Ende des Films erregte Kritik. In der Tat hatten es weder Murnau noch Mayer gewollt, sie wurden aber von der UFA gezwungen es anzufügen, und taten dies, indem sie sich ironisch davon distanzierten. Der Star-Kult der Zeit lässt sich daran ablesen, dass in der ganzen Kritik die Namen des Autors und des Regisseurs nicht vorkommen, lediglich der Hauptdarsteller Emil Jannings wird genannt. Wir nennen Rosa Leu als diejenige, die für uns heute liest.

Nesta edição do podcast cinematório café, nós analisamos o filme "Nosferatu" (2024), de Robert Eggers, diretor de "A Bruxa", "O Farol" e "O Homem do Norte". A nova versão do clássico do horror de 1922 traz no grande elenco Lily-Rose Depp, Nicholas Hoult, Willem Dafoe e Bill Skarsgård. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Um dos grandes filmes de terror de todos os tempos, o "Nosferatu" de 1922 foi realizado por F.W. Murnau como uma adaptação não autorizada do livro “Drácula”, de Bram Stoker. Antes de retornar às telas nesta nova versão, agora, mais de 100 anos depois, o longa já havia ganhado uma refilmagem em 1979: “Nosferatu: O Vampiro da Noite”, com direção de Werner Herzog. No filme de Robert Eggers, o ator Bill Skarsgård, mais conhecido por viver o palhaço assassino Pennywise, em “It – A Coisa”, interpreta mais um vilão memorável, o Conde Orlok. Lily-Rose Depp e Nicholas Hoult dão vida a Ellen e Thomas Hutter, o casal assombrado pelo antigo vampiro da Transilvânia. E quem os ajuda na cruzada contra essa figura demoníaca é o Professor Albin Eberhart von Franz, papel de Willem Dafoe. No podcast, nós analisamos a releitura de "Nosferatu" feita por Eggers, que, assim como em seus filmes anteriores, aborda temas como sexualidade reprimida, tabus da masculinidade e medos profundos e históricos da humanidade. Sentam-se à mesa conosco neste podcast para discutir "Nosferatu": - Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder"; - Renné França, professor, crítico, diretor do filme “Terra e Luz”, autor do curso Cinema de Ação e do livro “Cine Killer“; - Matheus Monteiro, crítico, roteirista, cineclubista e professor, autor do Cinegrafia. O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br.

This campaign will touch on many themes, including genocide, slavery, racism, specism, harm to children, and mental health issues, among others. Listener discretion is advised.Most of the Agents are now in the hands of the Xascos. They are in trouble, but are also in the best position to negotiate with them. Can they get the Xascos to come back in the fold? What will they have to give up if they can?Agents of ALIS is based on the campaign framework Nagalisitu by Caleb Stokes, for Reign second edition by Greg Stolze. Reign 2E has been released in pdf and is available at Atomic Overmind, while the book with the information on Nagalisitu has not been released as of posting. We are using a Kickstarter backer version of those rules.Genepals are references from Kyle Carty's Starstreamers from BPB Games.Adam - GMDan - Roscoe Holst - The human pilot of the Hypatia, and descendant of the... legendary? line of Holst, a family that always seems to be near when galactic history changes.Ethan - Silent Reading - A Murnau spy, perhaps the person most suited to the work of the Library. Whereas his twin brother Cheerful Humming is much more of an open book, Silent Reading keeps to himself, trusting few...Greg - Kyrt Howling-Echo - A gengineered half-human half-Murnau, he is the former Genepal League champion. Kyrt has "retired" into aiding the Library of Alexandria as a patron. Never without his beloved Genepal Pep Pup, or his second best friend Sol-Edge.Jared - Captain Kai Uhila - The human captain of the Hypatia. Kai is a bard as is the nature of those who helm the ships that travel the galaxy. A bit of a drunk, a bit of a lech, a bit of a loose cannon, but someone with a strong sense of justice.Laura - Tema Miles - A humanish logistics & security expert on the Hypatia. She wears her heart on her sleeve, and will rip yours out of your chest if you cross her, the ship, or her young ward Libby.

La sombra del vampiro 25 años después Cuando comenzaba el siglo XXI, hace 25 años, el peculiar director Elias Merhige presentaba al mundo una película llamada La sombra del vampiro. La historia que en ella se cuenta surge de un mito que a muchos aún les hiela la sangre: Max Schreck, el actor protagonista del primer Nosferatu, la cinta dirigida por Friedrich Wilheim Murnau, era en realidad un vampiro, un Nosferatu de la vida real. El resultado es una película que en un ejercicio meta de triple calado nos narra cómo es que Murnau (interpretado por John Malkovich) convenció a ese vampiro (encarnado por Willem Dafoe) de aparecer frente a la cámara y exponerse no sólo al equipo de producción sino al mundo entero. Hoy, a 25 años del estreno de La sombra del vampiro y con una nueva versión del Nosferatu en cines dirigida por el sorprendente Robert Eggers, es tiempo de revisar a esta película de culto de un director que, probablemente, lanzó con ella un vampírico canto del cisne. Revisemos La sombra del vampiro y su manejo del terror, a 25 años de su estreno. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nosferatu, ese clásico que surgió de una adaptación no oficial del Drácula de Bram Stoker se ha convertido en un icono terrorífico universal. Analizamos los clásicos de Murnau y Herzog, os contamos qué nos parece la versión de Eggers pero hasta revisamos versiones x, de animación rusa o hasta cómicas. Descubrimos la conexión de Smashing Pumpkins o Bad Bunny con el conde Orlok, flipamos con el Vampir de Sfar o con el Batman Nosferatu, rememoramos las versiones en 8 bits o shooter del vampiro calvo y, por supuesto, no nos olvidamos del clan Nosferatu del juego de rol de Vampiro: La mascarada. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Send us a textToday's episode is my conversation about the 1927 film Sunrise: The Song of Two Humans. My friend Joe Cruz from the Joe's Video Club newsletter joins me to discuss the film and we talk about how modern filmmakers could take a lesson from Murnau in trusting the audience to understand the story based on visuals alone, how we disagree with the reviewers of the time when it comes to the acting in the film, and some of the incredible film techniques on display in the film.You can watch Sunrise on YouTube and be sure to check out Joe's newsletter.Other films mentioned in this episode include:The General directed by Buster Keaton and Clyde BruckmanThe Last Laugh directed by F. W. MurnauNosferatu directed by F. W. MurnauNosferatu directed by Robert EggersParasite directed by Bong Joon-hoThe Coffee Table directed by Caye CasasThe Godfather directed by Francis Ford CoppolaOther references:Time Magazine reviewPhotoplay Magazine reviewVariety review"My favourite film – Sunrise: A Song of Two Humans" by Pamela Hutchinson from The Guardian

Send us a message! Let us know what you think?We are always excited when a new quality vampire film hits theaters and that goes double for a film about Dracula! 1924's Nosferatu is without a doubt one of the most terrifying films ever made. It's Dracula done right! Much talk of that original film has spread throughout the years. So much so that Hollywood decided to cash in with Shadow of the Vampire (2000). It's a film within a film about the making of F. W. Murnau's Nosferatu; and  a premise of WHAT IF lead actor the infamous Max Schreck was in fact a real vampire. The United Nations of Horror is a Podcast about ALL THINGS HORROR! From thrillers of yesteryear to today's modern-day horror, we are here to present fun and intelligent conversation about the genre films we love! Join us and please help spread the word about the United Nations of Horror Podcast and Video Cast to horror fans across the globe! Be sure to join our Facebook Group, as we would love to hear from you! We are available on all fine podcasting networks. A video version of this episode will also be available on our Youtube Channel to watch, although our audio version always drops before the video version. As always, thank you for listening to the United Nations of Horror.

Welcome back to another episode of Did You Read The Book? ! Join me and my returning guest, Mary, as we have a nerd fest over beautiful art styles, Nordic lore, and the beauty of works of passion in Hilda by Luke Pearson.   Our Recommendations A House With Good Bones by T. Kingfisher The Only Good Indians by Stephen Graham Jones Nosferatu directed by Robert Eggers (2024) Nosferatu: A Symphony of Horrors directed by F. W. Murnau (1922) A Tempest of Tea by Hafsah Faizal   Find Me Online If you like Did You Read The Book?, don't be shy and share with your family, friends, neighbors, and anyone else you see fit! You can also follow me on Bluesky, Threads, Facebook, Google Podcasts, Amazon Music, iTunes, Tune In/Alexa, Spotify, and Pandora!   About The Show Music composed and produced by Abek Cover art created by Jared Stokes Banner art and background design by IndigoLink Podcast production by Erin Palmer

En 1922, Nosferatu fait son entrée sur le grand écran ! Film de vampire désormais iconique, il est rempli de symboles ésotériques secrets, et on chuchote même que son acteur était un véritable suceur de sang... Il est aussi un film interdit, et malgré son succès international, il ne devrait pas exister... Découvrez l'histoire de ce chef-œuvre du cinéma, de Friedrich Wilhelm Murnau, et de la chasse qui a été lancée (en vain) pour l'enterrer à tout jamais ! Bonne écoute

Get ready to travel to Transylvania as the hosts journey to the edge of the world to meet the mysterious Count Orlok, to review the gothic horror film, Nosferatu, starring Lily-Rose Depp, Bill Skarsgård, Emma Corrin, Nicholas Hoult, Willem Dafoe, written and directed by Robert Eggers. The highly anticipated horror remake of  F.W. Murnau's 1922 silent movie, brings a new take on the classic vampire tale, in which many audiences agree , is one of the best adaptation to date. The hosts pair the film with the Dracula's Blood Cocktail. So beware of the shadows, the ghostly dreams and join the hosts as they explore the darkest unknown in this terrifying vampire picture.Come listen and follow us on Instagram and our YouTube @the.gentlemenpodcast and our website thegentlemenpodcast.com

This week we have a look at the 2000 independent horror film Shadow of the Vampire.  This is Episode #451! We're joined in this episode by the cast of the Monster Movie Happy Hour Podcast. Shadow of the Vampire is a 2000 independent period vampire Gothic mystery film directed by E. Elias Merhige and written by Steven Katz. The film stars John Malkovich and Willem Dafoe. It is a fictionalized account of the making of the classic vampire film Nosferatu, eine Symphonie des Grauens, directed by F. W. Murnau, during which the film crew begin to have disturbing suspicions about their lead actor.The film received positive reviews from critics and received nominations at the 73rd Academy Awards for Best Makeup and Best Supporting Actor for Dafoe's performance.Endorsements:Mary: Twin Peaks, Snowpiercer, Night WatchTony: The RigDavid: The Half Price Horror PodcastDrew: The MatronScott: KilldozerJulia: SeveranceJason: I Drink Your BloodBecome a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Scholar and researcher of 19th century gothic mythology and literature, Madeline Potter joined me to discuss representations of NOSFERATU, the films and character in the 2024 film adaptation by Robert Eggers, and F.W. Murnau's 1922 adaptation of Bram Stoker's 1897 gothic horror novel, 'Dracula'.#Nosferatu #Nosferatu2024 #Vampire #CarolynTalks #interview To learn about Madeline's research, visit her official website at www.madeline-potter.com/#Nosferatu2024 trailer credit to @FocusFeatures Find me on Twitter and Instagram at: @CarrieCnh12Buy me a coffee or pizza at https://buymeacoffee.com/carolynhinds?status=1paypal.com/paypalme/carolynhinds0525My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH #KCrushVisit Authory.com/CarolynHinds to find links to all of my published film festival coverage, writing, YouTube and other podcasts So Here's What Happened!, and Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.

We're going back to cinema history, baby! In light of Robert Eggers' new gothic horror fantasy NOSFERATU, Pete and Martha take the opportunity to watch it in the context of its predecessors. How does it stack up? Listen to find out... Homework for the episode: Nosferatu (1922, dir. F.W. Murnau), Nosferatu the Vampyre (1979, dir. Werner Herzog), Nosferatu (2024, dir. Robert Eggers) Stay tuned for our next episode, our Best Ofs for 2024!

En este primer episodio de 2025 analizamos "Nosferatu", la nueva versión del clásico de Murnau que, en esta oportunidad, es re-imaginada por el enorme Robert Eggers. Repasamos la historia del vampiro más famoso de la historia en su paso por el cine y le rendimos pleitesía al maravilloso elenco que da vida a estos personajes que ya son parte del imaginario popular. Hosted on Acast. See acast.com/privacy for more information.

In Todays Episode, we discuss the Freakiest Vampire that has ever graced the silver screen. This Pod iis all about Nosferatur With Special Guest ANDREW GARCIA!! Nosferatu is a 2024 American gothic horror film written and directed by Robert Eggers. It is a remake of F. W. Murnau's 1922 film Nosferatu: A Symphony of Horror, itself based on Bram Stoker's 1897 novel Dracula. The film stars Bill Skarsgård as Count Orlok, while Nicholas Hoult and Lily-Rose Depp star as Thomas and Ellen Hutter, respectively. The supporting cast includes Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe. Andrew Garcia Socials: instagram: https://www.instagram.com/andydrewme?igsh=cTF6d3cwamJsZG5t Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y=

Nosferatu is a gothic tale of obsession, about a young woman, Ellen, who faces a terrifying supernatural entity after her husband travels to Transylvania to conduct business with the enigmatic Count Orlok. As Orlok arrives in her town, he brings a plague of death and terror, forcing Ellen to confront the monstrous vampire and the darkness within herself. Cinematographer Jarin Blaschke wanted to create a visually distinct and unsettling experience for Nosferatu, drawing inspiration from F.W. Murnau's 1922 classic, while developing his own unique look. Both he and director Robert Eggers chose a more romantic approach to the film, with a palette of blue and black. Shooting on film with candlelight and moonlight added to the haunting atmosphere. Jarin tested several lenses and the film scanning process to get the grain and color just right. He wanted Nosferatu to feel very composed and controlled. “If it feels claustrophobic, we lean into that,” he says. “How you pan, when you pan, what's the feeling of it, and how you guide the camera operator to execute that pan, all contributes to the overall feeling.” Jared has collaborated with Eggers on all of his films, beginning with the short film, The Tell Tale Heart, The Witch, The Lighthouse and The Northman. The two share a love of fairy tales and the golden age of illustration. As with most of their films, the two had several months to prep for Nosferatu. They talked through the scenes and shotlisted the movie, while Jarin drew small storyboard thumbnails as a draft for the storyboard artist. “I love the luxury of a long prep time,” says Jarin. “The ideas that you come up with over the course of four months, as opposed to four minutes, are much, much better, you know? Like if I'm just reacting to stuff in the moment, I'm going to go for the easiest thing. But if I have time to come up with an idea and think about how to surprise people, that's a lot more fun.” This meticulous approach extends to post-production, where Jarin even directed the lighting for visual effects. "I enjoy being an obsessive perfectionist," he admits. You can see Nosferatu in theaters and on VOD January 21. Find Jarin Blaschke: https://www.luxartists.net/artists/jarin-blaschke Flickr: https://www.flickr.com/photos/18192666@N00/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Nosferatu, the new film by Robert Eggers, has been the talk of the movie-town since its release on Christmas Day. With his remake of F.W. Murnau's 1922 classic of the same name, Eggers has become the latest auteur to bring Bram Stoker's 1897 novel Dracula to the screen, joining a group that also includes Werner Herzog and Francis Ford Coppola. Like those before him, Eggers makes the tale of the Transylvanian vampire all his own. His Nosferatu is rooted in precise historical detail—as in his earlier films like The Witch (2015) and The Northman (2022)—while also bringing a contemporary psychodramatic sensibility to the characters, particularly Count Orlok (Bill Skarsgård) and Ellen (Lily-Rose Depp). On today's Podcast, Eggers joins Film Comment Editor Devika Girish to discuss why he wanted to make Dracula “scary” again, the polarizing feminist readings of Nosferatu, and the visual restraint of the film. If you stick it out until the end, you'll also hear Eggers share some of the movies and T.V. shows he counts as Guilty Pleasures—including a reality show featuring a “demonic masc villain.”

This campaign will touch on many themes, including genocide, slavery, racism, specism, harm to children, and mental health issues, among others. Listener discretion is advised.The Agents are about to find the Xascos. But even approaching them, to say nothing of integrating them with the rest of Nagalisitu, will be so simple...Agents of ALIS is based on the campaign framework Nagalisitu by Caleb Stokes, for Reign second edition by Greg Stolze. Reign 2E has been released in pdf and is available at Atomic Overmind, while the book with the information on Nagalisitu has not been released as of posting. We are using a Kickstarter backer version of those rules.Genepals are references from Kyle Carty's Starstreamers from BPB Games.Adam - GMDan - Roscoe Holst - The human pilot of the Hypatia, and descendant of the... legendary? line of Holst, a family that always seems to be near when galactic history changes.Ethan - Silent Reading - A Murnau spy, perhaps the person most suited to the work of the Library. Whereas his twin brother Cheerful Humming is much more of an open book, Silent Reading keeps to himself, trusting few...Greg - Kyrt Howling-Echo - A gengineered half-human half-Murnau, he is the former Genepal League champion. Kyrt has "retired" into aiding the Library of Alexandria as a patron. Never without his beloved Genepal Pep Pup, or his second best friend Sol-Edge.Jared - Captain Kai Uhila - The human captain of the Hypatia. Kai is a bard as is the nature of those who helm the ships that travel the galaxy. A bit of a drunk, a bit of a lech, a bit of a loose cannon, but someone with a strong sense of justice.Laura - Tema Miles - A humanish logistics & security expert on the Hypatia. She wears her heart on her sleeve, and will rip yours out of your chest if you cross her, the ship, or her young ward Libby.

The Dames delve into the darkness and despair with Robert Eggers's Nosferatu, a Dracula adaptation, remake of Murnau's 1922 film, and work of art all its own.

Nosferatu - Ep 327: Your hosts take a trip to Germany and catch the plague as they devour the latest Dracula reimaging in the 2024 remake of Nosferatu! This film isn't silent, but it sure does look black and white. Does Orlok's mustache make him sexier than Dracula? Tune in to find out on Normies Like Us! We are a Podcast, nothing more... @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

In this episode we dive into Robert Eggers' contemporary take on the classic Dracula tale, Nosferatu. We discuss the film's homage to the 1922 F.W. Murnau film, its modern cinematic techniques, and the chilling performances by Lily Rose Depp, Nicholas Hoult, and Bill Skarsgård. Paul also shares his recent trip to Prague, where the movie was filmed, adding a personal touch with anecdotes about the city's Christmas markets and his own unsettling dreams. Tune in for a deep analysis of the film's cinematography, editing, and the passionate work of the cast and crew.   00:00 Introduction and Greetings 00:26 Discussing Nosferatu and Prague 01:13 Paul's Prague Experience 08:40 Comparing Nosferatu Versions 10:09 Thoughts on Robert Eggers' Films 15:53 Cinematography and Editing 17:52 Nicholas Holt's Performance 22:57 Supporting Characters and Performances 26:20 A Night at a Prague Theater 27:26 Bill Skarsgård's Performance 28:25 Vampire Movie Tropes 31:50 Lily Rose Depp and Character Dynamics 35:02 Willem Dafoe's Role 42:53 Cinematography and Editing 51:30 Final Thoughts and Reflections

In this spine-tingling episode, we delve into the highly anticipated 2024 adaptation of the classic horror film "Nosferatu," directed by the visionary Robert Eggers. Join us as we explore the eerie world of this supernatural horror and the brilliant ensemble cast, featuring Bill Skarsgård, Lily-Rose Depp, Aaron Taylor-Johnson, Nicholas Hoult, Emma Corrin, Ralph Ineson, Simon McBurney, and the legendary Willem Dafoe. We'll discuss the film's roots in F.W. Murnau's iconic 1922 silent classic and its connections to Bram Stoker's chilling tale. Discover how Eggers brings a fresh perspective to this timeless story of obsession and terror, and what fans can expect from the visuals, performances, and haunting atmosphere. Whether you're a horror aficionado or a curious newcomer, this episode promises to be a captivating exploration of one of cinema's most enduring legends. Tune in and prepare for a journey into the darkness!

In this episode, JF and Phil examine the myth of the vampire through the lens of Robert Eggers' latest film, Nosferatu, a reimagining of F. W. Murnau's German Expressionist masterpiece. Topics covered include the nature of vampires, the symbolism of evil, the implicit theology of Eggers' film (compared with that of Coppola's Bram Stoker's Dracula), the need for shadow work, as well as the power of real introspection and self-sacrifice. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Robert Eggers (dir.), Nosferatu (https://www.imdb.com/title/tt5040012/) F. W. Murnau (dir.), Nosferatu (https://www.imdb.com/title/tt0013442/) Mel Brooks (dir.), Dracula: Dead and Loving It (https://www.imdb.com/title/tt0112896/) Francis Ford Coppola (dir.), Bram Stoker's Dracula (https://www.imdb.com/title/tt0103874/) Bram Stoker, Dracula (https://bookshop.org/a/18799/9780141439846) Richard Wagner, [Tristan und Isolde](https://en.wikipedia.org/wiki/TristanundIsolde) David James Smith, “The Archaeologist Couple who Unearthed a Field Full of Vampires” (https://www.thetimes.com/world/europe/article/vampires-poland-field-archaeology-secrets-svm5mt26v) Robert Eggers, The Witch (https://www.imdb.com/title/tt4263482/) Richard Strauss, Salome (https://en.wikipedia.org/wiki/Salome_(opera)) Weird Studies, Episode 156 on “The Secret History” (https://www.weirdstudies.com/156) Rudolf Steiner, “Lucifer and Ahriman” (https://rsarchive.org/Lectures/LucAhr_index.html) Richard Wagner, Ring Cycle (https://en.wikipedia.org/wiki/Der_Ring_des_Nibelungen)

Two enigmatic icons with enduring holds on the Western imagination are currently lighting up multiplex screens: fearsome Transylvanian vampire Dracula and Nobel Prize–winning American treasure Bob Dylan. Both released on Christmas Day, Robert Eggers's Nosferatu and James Mangold's A Complete Unknown are ambitious efforts at crafting new and absorbing tales out of these two mainstays of pop culture. Nosferatu stars Bill Skarsgård, Lily Rose-Depp, and Nicholas Hoult in the latest adaptation of Bram Stoker's novel, joining a cinematic canon established by filmmakers like F.W. Murnau, Francis Ford Coppola, and Werner Herzog. A Complete Unknown features Timothée Chalamet as the young Dylan, tracing his arrival in New York in 1961 to his set at the 1965 Newport Folk Festival, where he famously decided to “go electric.” On this week's Podcast, Film Comment editors Devika Girish and Clinton Krute invited Lovia Gyarkye, film critic at The Hollywood Reporter, and FC's very own Michael Blair (a Dylan aficionado) to debate the successes and failures of the two films—for both loyalists and neophytes of Dylan & Dracula. The group also discussed a few other Christmas Week releases, including Barry Jenkins's Mufasa and Rachel Morrison's The Fire Inside—and if you stay till the very end, you can also listen to their thoughts on Peter Watkins's monumental La Commune (Paris, 1871) (2000), which the Film Comment team viewed this past weekend at Anthology Film Archives. Sections: A Complete Unknown (7:25) Nosferatu (31:20) Mufasa (48:00) The Fire Inside (52:16) La Commune (Paris, 1871) (55:56)

On this week's episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discussed the announcement that a Melania Trump documentary is in the works with director Brett Ratner for Prime Video. (No, this is not Mad Libs.) Then they reviewed Nosferatu, Robert Eggers's remake of the 1922 silent film by F.W. Murnau. Make sure to swing by Bulwark+ on Friday for a bonus episode about the vampyr. And if you enjoyed this episode, please share it with a friend!

Robert Eggers' new version of Nosferatu is an absolute horror show in the best way possible. With Orlok Fever sweeping the nation, we're taking the opportunity to repost a 2022 episode on F.W. Murnau's century-old original. Travis also offers his take on the Eggers adaptation. He promises not to read it as a political allegory, then promptly does so anyway.

Nosferatu (2024) synopsis: “A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake."Starring: Lily-Rose Depp, Nicholas Hoult, Aaron Taylor-Johnson, and Bill SkarsgårdDirector: Robert EggersThis week on Podcasting After Dark, co-host Corey flies solo as he records a mini-review of Nosferatu (2024). As beautiful as the movie is, it's not all (gothic) rose colored glasses, though. Corey dives into what he liked and disliked about this much anticipated remake of F.W. Murnau's classic film from 1922.Leave a comment on our socials and let us know what you thought of this mini-review!— SUPPORT PODCASTING AFTER DARK —PATREON - Two extra shows a month including Wrap-Up After Dark and The Carpenter Factor, plus other exclusive content!MERCH STORE - We have a fully dedicated merch store at TeePublic with multiple designs and products!INSTAGRAM / FACEBOOK / LETTERBOXD - Follow us on social media for updates and announcements!This podcast is part of the BFOP Network

Episode 129 of The Film ‘89 Podcast, our first of 2025, is a companion piece to our episode from last February, Episode 112, where Steve, Skye and John Arminio discussed Bram Stoker's 1897 novel, Dracula, and both Tod Browning's 1931 film adaptation as well as Francis Ford Coppola's 1992 version, Bram Stoker's Dracula. For this episode, the same trio will be giving you their in-depth and spoiler filled review and analysis of director Robert Eggers' remake of F.W. Murnau's 1922 German expressionist silent horror classic, Nosferatu: A Symphony of Horror, this new version titled simply, Nosferatu. As well as Murnau's film, the guys will also be discussing acclaimed German director Werner Herzog's 1979 remake, Nosferatu the Vampyre.

We've come to the conclusion of another year. And as we do, we also conclude our mini-series covering the three distinct versions of Nosferatu. First, we covered the original silent F. W. Murnau film from 1922, then the Werner Herzog directed remake from 1979. This week, we dive into visionary director Robert Eggers' take on the gothic horror tale. Atmospheric and saturated with ominous shadows, Eggers lends his unique sensibilities (bolstered by two powerhouse performances from Lily-Rose Depp and Bill Skarsgard) to make this tale as haunting as possible. He also layers in some new thematic shades than we've seen before (particularly revolving around the character of Ellen) and amplifies the terror evoked from the character of Count Orlok.We explore all this and more, along with a Patron-only segment which includes our thoughts on recent awards contenders Anora, A Complete Unknown, and Sing Sing. We hope you all have enjoyed this year's episodes and we hope you have a safe happy New Year!5:31 - Looking back on Fear of God 2024Patron Only Segment: FoG Your Consideration: Anora, A Complete Unknown, Sing Sing11:25 - NOSFERATUSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This 2019 episode covers F.W. Murnau, most well known for directing the first vampire film. But the German-born creator went on to make a number of influential films before his early death.See omnystudio.com/listener for privacy information.

This week we're excited to present a conversation with writer/director Robert Eggers who recently joined us for a Q&A following a screening of his highly anticipated new feature Nosferatu. Across four intensely stylish, powerfully atmospheric and richly detailed feature films, Robert Eggers has established himself as one of contemporary cinema's most singular auteurs. His work looks to different historical periods, folkloric traditions, and the abject and the arcane alike to craft enigmatic and utterly gripping parables about madness, the antagonism between man and nature, and desire as all-consuming compulsion. But his films, while deeply researched and steeped in worlds that themselves predate the advent of cinema, are nevertheless plainly the output of a passionate cinephile, an artist both in conversation with film history and in conversation with the the history of the occult. This is particularly evident in his latest, Nosferatu, which takes up the challenge of reinventing the story of Dracula after the seminal treatments by F.W. Murnau, Tod Browning, Werner Herzog, and Francis Ford Coppola, to name a few. This February, Film at Lincoln Center is excited to present Conjuring Nosferatu: Robert Eggers Presents, a special series made up of the films that inspired Eggers's spellbinding new take on fiction's most famous monster, an eclectic can't-miss array of gothic Hollywood deep cuts, rare works of Eastern European folk horror, and captivating evocations of 18th-century England, as well as a special screening on 35mm of his own Nosferatu. Stay tuned to filmlinc.org for more information. This conversation was moderated by FLC programmer Dan Sullivan.