Podcast appearances and mentions of cory arcangel

In de eerste aflevering van ons nieuwe podcastseizoen duiken we met Rejo in het Europese wetgevingsproces rondom CSAM, de wet die al onze communicatie onveiliger maakt en al jarenlang als voorstel op tafel ligt. Evelyn praat Inge bij over een nieuwe ontdekking op het wereldwijde web: de nieuwe YouTube-serie van de internetkunstenaar Cory Arcangel. Artikel en shownotes: https://www.bitsoffreedom.nl/podcast/liever-echte-oplossingen-voor-echte-problemen

In this special Le Random artist discussion—hosted by Peter Bauman (aka Monk Antony), Editor-in-Chief of Le Random—we cover the upcoming Electric Op exhibition at Buffalo AKG. Our guests include four of the most influential voices in digital expression over the past two-three decades: Cory Arcangel, Joan Heemskerk, Tali Hinkis, and Rafael Lozano-Hemmer. Joining Peter is co-host Conrad House (aka Nemocake), Le Random's Collection Lead. Each artist reflects on their unique practices and contributions to the Electric Op show, which bridges op art and digital media. We explore how their art interacts with technology's aesthetic, cultural and historical dimensions.

Games and art have intersected at least since the early twentieth century, as can be seen in the Surrealists' use of Exquisite Corpse and other games, Duchamp's obsession with Chess, and Fluxus event scores and boxes--to name just a few examples. Over the past fifteen years, the synthesis of art and games has clouded for both artists and gamemakers. Contemporary art has drawn on the tool set of videogames, but has not considered them a cultural form with its own conceptual, formal, and experiential affordances. For their part, game developers and players focus on the innate properties of games and the experiences they provide, giving little attention to what it means to create and evaluate fine art. In Works of Game, John Sharp bridges this gap, offering a formal aesthetics of games that encompasses the commonalities and the differences between games and art. Sharp describes three communities of practice and offers case studies for each. "Game Art," which includes such artists as Julian Oliver, Cory Arcangel, and JODI (Joan Heemskerk and Dirk Paesmans) treats videogames as a form of popular culture from which can be borrowed subject matter, tools, and processes. "Artgames," created by gamemakers including Jason Rohrer, Brenda Romero, and Jonathan Blow, explore territory usually occupied by poetry, painting, literature, or film. Finally, "Artists' Games"--with artists including Blast Theory, Mary Flanagan, and the collaboration of Nathalie Pozzi and Eric Zimmerman--represents a more synthetic conception of games as an artistic medium. The work of these gamemakers, Sharp suggests, shows that it is possible to create game-based artworks that satisfy the aesthetic and critical values of both the contemporary art and game communities. John Sharp is Associate Professor of Games and Learning at Parsons the New School for Design and a member of the game design collective Local No. 12. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Games and art have intersected at least since the early twentieth century, as can be seen in the Surrealists' use of Exquisite Corpse and other games, Duchamp's obsession with Chess, and Fluxus event scores and boxes--to name just a few examples. Over the past fifteen years, the synthesis of art and games has clouded for both artists and gamemakers. Contemporary art has drawn on the tool set of videogames, but has not considered them a cultural form with its own conceptual, formal, and experiential affordances. For their part, game developers and players focus on the innate properties of games and the experiences they provide, giving little attention to what it means to create and evaluate fine art. In Works of Game, John Sharp bridges this gap, offering a formal aesthetics of games that encompasses the commonalities and the differences between games and art. Sharp describes three communities of practice and offers case studies for each. "Game Art," which includes such artists as Julian Oliver, Cory Arcangel, and JODI (Joan Heemskerk and Dirk Paesmans) treats videogames as a form of popular culture from which can be borrowed subject matter, tools, and processes. "Artgames," created by gamemakers including Jason Rohrer, Brenda Romero, and Jonathan Blow, explore territory usually occupied by poetry, painting, literature, or film. Finally, "Artists' Games"--with artists including Blast Theory, Mary Flanagan, and the collaboration of Nathalie Pozzi and Eric Zimmerman--represents a more synthetic conception of games as an artistic medium. The work of these gamemakers, Sharp suggests, shows that it is possible to create game-based artworks that satisfy the aesthetic and critical values of both the contemporary art and game communities. John Sharp is Associate Professor of Games and Learning at Parsons the New School for Design and a member of the game design collective Local No. 12. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Games and art have intersected at least since the early twentieth century, as can be seen in the Surrealists' use of Exquisite Corpse and other games, Duchamp's obsession with Chess, and Fluxus event scores and boxes--to name just a few examples. Over the past fifteen years, the synthesis of art and games has clouded for both artists and gamemakers. Contemporary art has drawn on the tool set of videogames, but has not considered them a cultural form with its own conceptual, formal, and experiential affordances. For their part, game developers and players focus on the innate properties of games and the experiences they provide, giving little attention to what it means to create and evaluate fine art. In Works of Game, John Sharp bridges this gap, offering a formal aesthetics of games that encompasses the commonalities and the differences between games and art. Sharp describes three communities of practice and offers case studies for each. "Game Art," which includes such artists as Julian Oliver, Cory Arcangel, and JODI (Joan Heemskerk and Dirk Paesmans) treats videogames as a form of popular culture from which can be borrowed subject matter, tools, and processes. "Artgames," created by gamemakers including Jason Rohrer, Brenda Romero, and Jonathan Blow, explore territory usually occupied by poetry, painting, literature, or film. Finally, "Artists' Games"--with artists including Blast Theory, Mary Flanagan, and the collaboration of Nathalie Pozzi and Eric Zimmerman--represents a more synthetic conception of games as an artistic medium. The work of these gamemakers, Sharp suggests, shows that it is possible to create game-based artworks that satisfy the aesthetic and critical values of both the contemporary art and game communities. John Sharp is Associate Professor of Games and Learning at Parsons the New School for Design and a member of the game design collective Local No. 12. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Games and art have intersected at least since the early twentieth century, as can be seen in the Surrealists' use of Exquisite Corpse and other games, Duchamp's obsession with Chess, and Fluxus event scores and boxes--to name just a few examples. Over the past fifteen years, the synthesis of art and games has clouded for both artists and gamemakers. Contemporary art has drawn on the tool set of videogames, but has not considered them a cultural form with its own conceptual, formal, and experiential affordances. For their part, game developers and players focus on the innate properties of games and the experiences they provide, giving little attention to what it means to create and evaluate fine art. In Works of Game, John Sharp bridges this gap, offering a formal aesthetics of games that encompasses the commonalities and the differences between games and art. Sharp describes three communities of practice and offers case studies for each. "Game Art," which includes such artists as Julian Oliver, Cory Arcangel, and JODI (Joan Heemskerk and Dirk Paesmans) treats videogames as a form of popular culture from which can be borrowed subject matter, tools, and processes. "Artgames," created by gamemakers including Jason Rohrer, Brenda Romero, and Jonathan Blow, explore territory usually occupied by poetry, painting, literature, or film. Finally, "Artists' Games"--with artists including Blast Theory, Mary Flanagan, and the collaboration of Nathalie Pozzi and Eric Zimmerman--represents a more synthetic conception of games as an artistic medium. The work of these gamemakers, Sharp suggests, shows that it is possible to create game-based artworks that satisfy the aesthetic and critical values of both the contemporary art and game communities. John Sharp is Associate Professor of Games and Learning at Parsons the New School for Design and a member of the game design collective Local No. 12. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

First released: 11 Feb 2023 | To join New Models, find us via https://patreon.com/newmodels & https://newmodels.substack.com Artist Cory Arcangel joins New Models to chat about his practice at large during the closing days of his Kunstverein Hamburg show, “Flying Foxes.” The conversation originally aired as live video via the Kunstverein, with an intro by the show's curator, Nicholas Tammens. The audio has been adapted by Lil Internet for the NM Audio Metaverse™. For more: https://coryarcangel.com Cory Arcangel, “Flying Foxes,” Kunstverein Hamburg

For the fourth episode of 400 Floor we talk to Cory Arcangel and Jacob Ciocci, two old friends and highly influential contemporary artists who took their interest in computers and the kitsch culture of their 1980s childhoods and forged successful careers in the art world, for Jacob particularly through his highly influential collective Paper Rad. In this sprawling interview we trace their histories from their high school years, to meeting each other in the VHS editing lab at Oberlin, through the beginnings of their art careers. Hosted on Acast. See acast.com/privacy for more information.

Introducing 400 Floor, a new podcast by Nina Protocol. Featuring clips from interviews of Surgeon & Regis, Angels in America, Jeff Witscher & Daren Ho, Cory Arcangel & Jacob Ciocci, Samara Lubelski & Bill Nace and John Elliott & Mike Pollard. Hosted on Acast. See acast.com/privacy for more information.

This episode is also available as a blog post: https://thecitylife.org/2022/02/24/times-square-arts-presents-cory-arcangels-another-romp-thru-the-ip-co-presented-with-lisson-gallery-for-march-midnight-moment/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

On this ART NIGHT Special Edition of the ART HOUR, Vassiliki is joined by the Artistic Director of the ART NIGHT 2019, Helen Nisbet and the artists Cory Arcangel and Hampus Lindwall. TRACK LIST Helen Nisbet East 17, Its Alright Kara-Lis Coverdale, Imgs R Le Tigre, Deceptacon Charlemagne Palestine, Cataclisma 2 Matt Karmil, All Together 3 Teens Kill 4, Hold Up Cory Archangel & Hampus Lindwall (from 1:10:13) Ellen Arkbro, 02 Chords for Guitar Hanne Lippard, Locus Kara-Lis Coverdale, Touch Me Circuit Des Yeux, Lithonia Charlemagne Palestine, Singing Blessing with Crystal Glasses

Il Turner Prize è uno dei premi più significativi nella scena internazionale dell'arte contemporanea. Dal 1984, viene assegnato agli artisti britannici più interessanti e dirompenti e ogni sua edizione è stata segnata da qualche forma di provocazione. E anche nel 2021, il Turner Prize ha mantenuto fede al suo spirito provocatorio, candidando non degli artisti in senso stretto, ma cinque collettivi di attivisti politici che, fino a ieri, non avremmo mai pensato di vedere esposti nei musei: Array Collective, B.O.S.S., Cooking Sections, Gentle/Radical e Art Work Project.In questa puntata si parla di Martin Creed, Chris Ofili, Art & Language, Otolith, Forensic Architecture, Assemble, Array Collective, Michel Houellebecq, Maneskin, B.O.S.S. (Black Obsidian Sound System), Cory Arcangel, Fiorello, Jade Montserrat, Anthony d'Offay, Steve McQueen, Cooking Sections (Daniel Fernández Pascual e Alon Schwabe), Henry Kissinger, Deng Xiaoping, Slobodan Milosevic, Mauro Uliassi, Greta Thunberg, CAMP, RAQS Media Collective, Gentle/Radical, Jack Smith, Project Art Works, Franco Basaglia, ruangrupa, Alex Farquharson, Aaron Cezar, Kim McAleese, Russell Tovey, Zoé Whitley e Todd Solondz.

Art Party -- Episode 21 -- The 21st Century with Cory Arcangel

This episode, we speak to Tina Kukielski, the Executive Director and Chief Curator of Art21, one of the leading global producers of films and content about contemporary artists. Each month, more than 300,000 people from around the world tune in to Art21 to watch their Peabody Award Winning films with artists including Zanele Muholi, Theaster Gates, Luchita Hurtado, Jordan Casteel, and Pedro Reyes. In addition to leading Art21, Tina is also an active and widely respected curator. She was a co-curator of the acclaimed 2013 Carnegie International, bringing together 35 established and emerging artists from 19 different countries, including Sarah Lucas, Phyllida Barlow, Mark Leckey, and Nicole Eisenman. During her time at the Whitney Museum of American Art from 2002–2010, she worked to acquire and mount exhibitions by a wide range of celebrated contemporary artists. As lead curator on the Hillman Photography Initiative at the Carnegie Museum of Art, Kukielski launched a number of digital initiatives and films series. In 2014, Kukielski co-produced a documentary film about Andy Warhol in partnership with artist Cory Arcangel documenting a digital conservation project which brought renewed attention to nearly forgotten artworks that Warhol made on an Amiga personal computer in 1985. She is now working on the upcoming Front Triennial in Cleveland Ohio, which will open slightly delayed in 2022. The Triennial's title, Oh, Gods of Dust and Rainbows, is derived from a Langston Hughes poem. Some artists covered in this episode: Pedro Reyes Song Dong and Yin Xiuzhen Xu Bing Phyllida Barlow Postcommodity

Shawn Alexander Allen joins us to talk about his tactical brawler, Treachery in Beatdown City. We discuss the roots and inspirations of this innovative mash-up, the action economy that makes it tick, and the process of translating life experience into your creative work. Some things we discussed: Shawn Alexander Allen Treachery in Beatdown City Hybrid Heaven V.A.T.S. system Put Your Glock Away, I've Got a Stronger Weapon For You (A Maze talk) @writnelson's Blockbuster thread Cory Arcangel's Super Mario Clouds Being black in America

Recorded in Cory Arcangel’s Studio at Storhaug, December 23, 2019(This entire Converastion is in english)Right before christmas I visited Cory’s studio/office on a typical rainy Stavanger day. We talk about where were from, the movie Bufallo 66, Buffalo New York, the rain in Stavanger and Bergen, the Arcangel name, Cory’s norwegian name, how Cory uses Facebook, living in Stavanger, Cory’s first impression of Stavanger/Norway, door knobs, the difference between architecture in Norway and the states, the one sunny summer in Stavanger, we describe the location were in, how he found the place, Cory explains how and why he opened the flagship store “Archangel Surfware store”, we talk about his clothing company Arcangel surfware, why and how he started the brand, the first item he made for the brand, the other items he has made for the brand, O-R-G screensavers, walking around in clothes that say Fuck negativity, the closing sale, different shows and events he curated in the store, LUKEWARM RELATIONSHIP (how do we know eachother), the show he curated at Prosjektrom Normann with Jacob Ciocci, everything he learned about Stavanger during the organizing of the Ciocci show, his new gallery in New York, N.Y visitor recommendations, walking in N.Y compared to walking in Stavanger, busses in Stavanger, how to talk with norwegians, pauses in conversations, what cory says to people about what he does for a living, when Cory decided to be an artist and why, Cory’s education, we look at Cory’s computer set-up, my education and computer knowledge, Cory talks about his work Super Mario clouds, materials he like to use and why, LUKEWARM METHOD, we talk about the performance with Busy Gangnes at Kaffetrykkeri at rogaland artcenter and the LP “Live at kaffetrykkeriet” from sentimental education.For more of Cory’s work, visit http://www.coryarcangel.com/Happy listening! View fullsize

As part of fabled collective Paper Rad, artist Jacob Ciocci co-produced animations, video collages, and HTML works that have had a profound influence on almost every artist working with technology today—whether they realize it or not. On this week’s episode, Jacob joins from his new home of Chicago to discuss fatherhood; his early days as a student at Oberlin College with Cory Arcangel and Paul B Davis; the genesis of Paper Rad with his sister, artist Jessica Ciocci, and Ben Jones; the aesthetic break between Paper Rad and postinternet art; his beguiling experience encountering Fort Thunder in Providence; the craft beer craze and artifical scarcity; being scared of watching brain-rotting cartoons; his longtime musical collaboration, Extreme Animals, with David Wightman; being so uncool that it becomes cool; a recent teaching gig in animation; and the devastating pain of archiving your work. The outro music is “SURFING/SUFFERING” by Extreme Animals. Additional Extreme Animals tracks play throughout the episode. Want to hear more Extreme Animals? Buy a digital download of their movie, "The Urgency," here: https://vimeo.com/ondemand/theurgency

This episode is entirely dedicated to a life-long composition created by the avant-garde musician Tony Conrad. Quoting the about section of the related website published by the american artist Cory Arcangel (musicandthemindofthe.world), 'From 1976 to 1982, Tony Conrad (1940-2016) created 'Music and the Mind of the World', a piano composition comprising over 200 hours of recorded music. During this time everything Conrad played on the piano was recorded (with the incidental exception of perhaps three or four hours)'.

Paolo and Carrie are alone again for a very subjective discussion of Amir Bar-Lev's 2007 art world documentary My Kid Could Paint That and two bonus shorts: Chris Marker's 1990 film Cat Listening to Music, and Cory Arcangel's 2009 film Arnold Schoenberg Opus 11 - 1 - Cute Kittens. Topics include: everyone in the art world being crazy, having control of your narrative, and whether or not Marla's dad helping her really matters.

On this week's New Statesman Podcast, Helen Lewis, George Eaton and Anoosh Chakelian discuss the week's politics, BuzzFeed founder Jonah Peretti and artist Cory Arcangel talk about their new book "Working On My Novel" with Ian Steadman, and CityMetric Editors Jonn Elledge and Barbara Speed go back to basics to ask: what exactly is a city? See acast.com/privacy for privacy and opt-out information.

As part of Creative Capital's “Artist to Artist” interview series, Cory Arcangel (2006 Emerging Fields) and Julia Christensen (2013 Emerging Fields) connected over the phone to discuss DIY projectors, outdated technology, retired constellations, source code, and other issues related to their media-based practices.

This week: San Francisco checks in with dance legend Anna Halprin!!! Anna Halprin (b. 1920) is a pioneering dancer and choreographer of the post-modern dance movement. She founded the San Francisco Dancer's Workshop in 1955 as a center for movement training, artistic experimentation, and public participatory events open to the local community. Halprin has created 150 full-length dance theater works and is the recipient of numerous awards including the 1997 Samuel H. Scripps Award for Lifetime Achievement in Modern Dance from the American Dance Festival. Her students include Meredith Monk, Trisha Brown, Yvonne Rainer, Simone Forti, Ruth Emmerson, Sally Gross, and many others. Printed Matter Live Benefit Auction Event: March 9, 6-8:30 pm Robert Rauschenberg Project Space 455 West 19th St, New York www.paddle8.com/auctions/printedmatter Printed Matter, Inc, the New York-based non-profit organization committed to the dissemination and appreciation of publications made by artists, will host a Benefit Auction and Selling Exhibition at the Rauschenberg Foundation Project Space to help mitigate damage caused by Hurricane Sandy. As a result of the storm, Printed Matter experienced six feet of flooding to its basement storage and lost upwards of 9,000 books, hundreds of artworks and equipment. Printed Matter's Archive, which has been collected since the organization's founding in 1976 and serves as an important record of its history and the field of artists books as a whole, was also severely damaged. Moreover, the damage sustained by Sandy has made it clear that Printed Matter needs to undertake an urgent capacity-building effort to establish a durable foundation for its mission and services into the future. This is the first fundraising initiative of this scale to be undertaken by the organization in many years, and will feature more than 120 works generously donated from artists and supporters of Printed Matter. The Sandy Relief Benefit for Printed Matter will be held at the Rauschenberg Project Space in Chelsea and will run from February 28 through March 9th. The Benefit has two components: a selling exhibition of rare historical publications and other donated works and an Auction of donated artworks. A special preview and reception will be held February 28th, 6-8 pm, to mark the unveiling of all 120 works and to thank the participating artists and donors. The opening will feature a solo performance by cellist Julia Kent (Antony and the Johnsons), followed by a shared DJ set from Lizzi Bougatsos (Gang Gang Dance) & Kyp Malone (TV on the Radio). The event is free and open to the public. All works will then be available for viewing at the Rauschenberg Project Space March 1 – March 9, gallery hours. All Selling Exhibition works may be purchased during this period and Auction works will be available for bidding online. Bids can be made at www.paddle8.com/auctions/printedmatter. A live Benefit Auction Event will take place March 9, 6-8:30 pm with approximately 20 selected works to be auctioned in a live format. Bidding on these works will commence at 7pm sharp, while silent bids can be made on all other Auction works. Note, highest online bids will be transferred to the room. For absentee bidding of works, please contact Keith Gray (Printed Matter) at 212 925 0325 or keith@printedmatter.org. The evening will feature a performance by Alex Waterman on solo cello with electronics. Admission is $150 and tickets may be pre-purchased here. There will be only limited capacity. Highlighted auction works include an oversize ektacolor photograph from Richard Prince, a woven canvas piece from Tauba Auerbach, an acrylic and newsprint work from Rirkrit Tiravanija, a large-scale Canopy painting from Fredrik Værslev, a rare dye transfer print from Zoe Leonard, a light box by Alfredo Jaar, a book painting by Paul Chan, a carbon on paper work from Frances Stark, a seven-panel plexi-work with spraypainted newsprint from Kerstin Brätsch, a C-print from Hans Haacke, a firefly drawing from Philippe Parreno, a mixed-media NASA wall-piece from Tom Sachs, a unique print from Rachel Harrison, a vintage xerox poem from Carl Andre, an encyclopedia set of hand-made books from Josh Smith, a photograph from Klara Liden, a table-top sculpture from Carol Bove, Ed Ruscha’s Rooftops Portfolio, as well as original works on canvas and linen by Cecily Brown, Cheyney Thompson, Dan Colen, Adam McEwen, RH Quaytman, and many others. These Auction works can be previewed at: www.paddle8.com/auctions/printedmatter In addition to auction works, a vitrine-based exhibition of rare books, artworks and ephemera are available for viewing and purchase. This material includes some truly remarkable items from the personal collection of Robert Rauschenberg, donated by the Robert Rauschenberg Foundation in memory of the late Printed Matter Board Member, bookseller and publisher, John McWhinnie. Among the works available are books and artworks from Marcel Duchamp, Willem de Kooning, Alfred Steiglitz, Joseph Beuys, Brigid Berlin (Polk), as well as a Claes Oldenburg sculpture, a rare William Burroughs manuscript, and the Anthology Film Archive Portfolio (1982). Additional artists’ books have been generously donated by the Sol LeWitt Estate. Works include pristine copies of Autobiography (1980), Four Basic Kinds of Straight Lines (1969), Incomplete Open Cubes (1974), and others. Three Star Books have kindly donated a deluxe set of their Maurizio Cattelan book edition. These works can be viewed and purchased at the space. For inquiries about available works please contact Printed Matter’s Associate Director Max Schumann at 212 925 0325 or mschumann@printedmatter.org. Co-chairs Ethan Wagner & Thea Westreich Wagner and Phil Aarons & Shelley Fox Aarons have guided the event, and Thea Westreich Art Advisory Services has generously lent its expertise and assisted in the production of the auction. In anticipation of the event Printed Matter Executive Director James Jenkin said: “Not only are we hopeful that this event will help us to put Sandy firmly behind us, it is incredibly special for us. To have so many artists and friends associated with our organization over its 36 years come forward and support us in this effort has been truly humbling.“ Auction includes work by: Michele Abeles, Ricci Albenda, Carl Andre, Cory Arcangel, Assume Vivid Astro Focus, Tauba Auerbach, Trisha Baga, John Baldessari, Sebastian Black, Mark Borthwick, Carol Bove, Kerstin Brätsch, Sascha Braunig, Olaf Breuning, Cecily Brown, Sophie Calle, Robin Cameron, Sean Joseph Patrick Carney, Nathan Carter, Paul Chan, Dan Colen, David Kennedy Cutler, Liz Deschenes, Mark Dion, Shannon Ebner, Edie Fake, Matias Faldbakken, Dan Graham, Robert Greene, Hans Haacke, Marc Handelman, Rachel Harrison, Jesse Hlebo, Carsten Höller, David Horvitz, Marc Hundley, Alfredo Jaar, Chris Johanson, Terence Koh, Joseph Kosuth, Louise Lawler, Pierre Le Hors, Leigh Ledare, Zoe Leonard, Sam Lewitt, Klara Liden, Peter Liversidge, Charles Long, Mary Lum, Noah Lyon, McDermott & McGough, Adam McEwen, Ryan McNamara, Christian Marclay, Ari Marcopoulos, Gordon Matta-Clark, Wes Mills, Jonathan Monk, Rick Myers, Laurel Nakadate, Olaf Nicolai, Adam O'Reilly, Philippe Parreno, Jack Pierson, Richard Prince, RH Quaytman, Eileen Quinlan, Sara Greenberger Rafferty, Ed Ruscha, Tom Sachs, David Sandlin, Paul Mpagi Sepuya, Cindy Sherman, Josh Smith, Keith Smith, Buzz Spector, Frances Stark, Emily Sundblad, Andrew Sutherland, Peter Sutherland, Sarah Sze, Panayiotis Terzis, Cheyney Thompson, Rirkrit Tiravanija, Nicola Tyson, Penelope Umbrico, Fredrik Værslev, Visitor, Danh Vo, Dan Walsh and Ofer Wolberger.

Description: New media and performance artist Cory Arcangel talks about art as a joke.