Podcast appearances and mentions of Paul Chan

(09/14/25) Nehemiah 2:11-20 尼希米記 2:11-20 尼希米的呼籲 - Paul Chan by Wollongong Baptist Church

“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. We are very invested in enabling people to build new relationships. What we've found from these past gatherings in Aspen is that those are the things people still talk about from 40, 50, or 60 years ago. You were also asking about a relationship with the environment. I think Maya Lin, who is coming to give a keynote lecture, is someone who is very invested in that conversation. We are also working with the Serpentine Gallery and Hans Ulrich Obrist on the keynote lectures. Francis Kéré is also coming to talk about the sustainability of his architectural practice and how that navigates the world differently. We're also working with Storefront for Architecture, who have done this brilliant swamp project for the last two years. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. We are very invested in enabling people to build new relationships. What we've found from these past gatherings in Aspen is that those are the things people still talk about from 40, 50, or 60 years ago. You were also asking about a relationship with the environment. I think Maya Lin, who is coming to give a keynote lecture, is someone who is very invested in that conversation. We are also working with the Serpentine Gallery and Hans Ulrich Obrist on the keynote lectures. Francis Kéré is also coming to talk about the sustainability of his architectural practice and how that navigates the world differently. We're also working with Storefront for Architecture, who have done this brilliant swamp project for the last two years. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. We are very invested in enabling people to build new relationships. What we've found from these past gatherings in Aspen is that those are the things people still talk about from 40, 50, or 60 years ago. You were also asking about a relationship with the environment. I think Maya Lin, who is coming to give a keynote lecture, is someone who is very invested in that conversation. We are also working with the Serpentine Gallery and Hans Ulrich Obrist on the keynote lectures. Francis Kéré is also coming to talk about the sustainability of his architectural practice and how that navigates the world differently. We're also working with Storefront for Architecture, who have done this brilliant swamp project for the last two years. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. We are very invested in enabling people to build new relationships. What we've found from these past gatherings in Aspen is that those are the things people still talk about from 40, 50, or 60 years ago. You were also asking about a relationship with the environment. I think Maya Lin, who is coming to give a keynote lecture, is someone who is very invested in that conversation. We are also working with the Serpentine Gallery and Hans Ulrich Obrist on the keynote lectures. Francis Kéré is also coming to talk about the sustainability of his architectural practice and how that navigates the world differently. We're also working with Storefront for Architecture, who have done this brilliant swamp project for the last two years. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Paul Chan is an artist, writer, and former publisher. For this episode of Momus: The Podcast, Chan's self-made automated doppelganger reads “Sade Today (after Judith Butler),” a piece he wrote for Evergreen (Spring/Summer 2025). He speaks to Sky Goodden about the implications of AI on writers (though they agree that criticism could present a special resistance) and his recent efforts to increase accessibility to his writing through audio recordings, while “hemlocking” its content against AI co-option. Chan also discusses the challenges of independent publishing, how he perceives writing as a form of daring, and how writing informs making. But in either case, he says, “ Choices are real choices when they're neither given nor self-evident. That, to me, is the core of what it means to think creatively.” Thanks to this episode's sponsor, Plug In ICA, for supporting our work.Thanks to Paul Chan for his contribution to this season.And thanks to Jacob Irish, our editor, and Chris Andrews, for production assistance.

Afleet of the Chinese People's Liberation Army Navy led by the aircraft carrier Shandong made its first visit to Hong Kong, a move widely seen as not only a demonstration of military strength but also a step toward deepening ties between Hong Kong and the mainland.由山东号航空母舰率领的中国人民解放军海军舰队首次访问香港，此举被广泛视为不仅展示了军事实力，也是深化香港与内地关系的一步。The naval fleet, comprising the aircraft carrier Shandong, the Yan'an missile destroyer, the Zhanjiang missile destroyer, and the Yuncheng missile frigate, arrived in Hong Kong on Thursday to begin a five-day visit.由山东号航空母舰、延安导弹驱逐舰、湛江导弹驱逐舰和运城导弹护卫舰组成的海军舰队于周四抵达香港，开始为期五天的访问。On the day the naval fleet arrived, hundreds — if not thousands — of Hong Kong residents gathered along the shore to watch. Local media rushed to cover the story.海军舰队抵达当天，数百名（如果不是数千名的话）香港居民聚集在岸边观看。当地媒体争相报道此事。Chief executive of China's Hong Kong Special Administrative Region John Lee said that both the steadfast presence of the PLA garrison in Hong Kong and the cordial visit by the modernized naval fleet have made the "Pearl of the Orient" shine brighter, reflecting the country's ability and determination in safeguarding peace, while allowing Hong Kong, under "one country, two systems," to continue to play its part in the nation's development.中国香港特别行政区行政长官John Lee说，解放军驻港部队的坚守和现代化海军舰队的亲切访问，使“东方之珠”更加璀璨，体现了国家维护和平的能力和决心，也使香港在“一国两制”下继续为国家发展发挥作用。Chief Secretary for Administration of the HKSAR government Chan Kwok-ki attended the deckreception on the Shandong aircraft carrier. He believed the visit by the naval fleet allowed the wider public in Hong Kong to witness the strength of the country's military and would help enhance students' sense of national identity and pride.香港特区政府政务司司长陈国基出席山东航空母舰甲板招待会。他相信，海军舰队的访问让香港的广大公众见证了国家军队的实力，并将有助于增强学生的民族认同感和自豪感。Deputy Chief Secretary for Administration of the HKSAR government Cheuk Wing-hing shared on social media that he toured the ski-jump flight deck, arresting cables, carrier-based fighter jets, and helicopters aboard the Shandong.香港特区政府政务司副司长卓永兴在社交媒体上分享，他参观了山东号上的跳台滑雪飞行甲板、拦阻索、舰载战斗机和直升机。"The rapid progress of our country's national defense is truly remarkable," Cheuk said. "I am deeply moved and feel proud of our nation."卓说：“我国国防建设的快速发展确实令人瞩目。”。“我深受感动，为我们的国家感到自豪。”The Shandong aircraft carrier was open to the public for visits. Starry Lee, a member of the National People's Congress Standing Committee, said that this allowed people to experience firsthand the remarkable achievements of the country's naval modernization, and held significant meaning in fostering a stronger sense ofpatriotism in Hong Kong society.山东航空母舰对公众开放参观。全国人大常委会委员李表示，这让人们亲身体验到中国海军现代化建设取得的显著成就，对增强香港社会的爱国主义意识具有重要意义。Friday was the first open day of the fleet's visit to Hong Kong, with a focus on student visitors. More than 10,000 visits were made aboard the Shandong, Zhanjiang, and Yuncheng ships.星期五是船队访问香港的第一个开放日，重点是学生游客。山东、湛江和运城的船只共接待了10000多名游客。"My ancestral home is Shandong. When I first stepped onto the deck, I couldn't help but cry. Our country has truly become strong!" a lecturer at Hong Kong Metropolitan University surnamed Wong said.香港都会大学一位姓王的讲师说：“我的祖籍是山东。当我第一次踏上甲板时，我忍不住哭了。我们的国家真的变得强大了！”。Some secondary school students from Macao were organized by their schools to travel to Hong Kong for the visit. They happily toured the ships while taking photos with their smartphones to share with classmates who missed the visit. They said that boarding the warships was more than just a visit; it allowed them to witness the long history of China and the country's remarkable progress.部分来自澳门的中学生由学校组织前往香港参观。他们愉快地参观了船只，同时用智能手机拍照，与错过参观的同学分享。他们说，登上军舰不仅仅是一次访问；它让他们见证了中国悠久的历史和国家的显著进步。Seeing the modern carrier-based fighter jets and the spirited,high-morale crew aboard the vessels left a deep impression on Paul Chan, financial secretary of the HKSAR government.看到现代化的舰载战斗机和船上士气高昂的船员，给香港特别行政区政府财政司司长陈茂波留下了深刻的印象。Chan said that the visit by the naval fleet fully reflected the country's deep affection for Hong Kong. "A strong nation must have a strong military, and our country's navy will only grow stronger," he remarked.陈说，海军舰队的访问充分体现了国家对香港的深厚感情。他说：“一个强大的国家必须拥有强大的军队，我们国家的海军只会越来越强大。”。"Stepping aboard the domestically built aircraft carrier Shandong and standing on the deck of this steel giant filled me with excitement," Jeffrey Lam, a member of the Executive Council of the HKSAR, said.香港特别行政区行政会议成员林健锋表示：“登上国产航母山东号，站在这艘钢铁巨头的甲板上，我感到非常兴奋。”。Just as the Shandong sailed forward with strength and determination, Hong Kong, with the support of the country, will surely overcome all challenges and continue to enjoy prosperity and stability, Lam added.林补充说，正如山东以坚强和决心向前航行一样，香港在国家的支持下，必将战胜一切挑战，继续享有繁荣稳定。naval fleetn.海军舰队/ˈneɪvəl fliːt/aircraft carriern.航空母舰/ˈeəkrɑːft ˈkæriə/

Season 8 of Momus: The Podcast launches with Ajay Kurian, an artist, critic, and co-founder of New Crits, a platform for artist mentorship. Kurian speaks with Sky Goodden about a text by Robert Pogue Harrison on the art of the zen garden (Gardens: An Essay on the Human Condition, University of Chicago Press, 2008), and about his artist-writer influences including Robert Smithson, Paul Chan, and Hannah Black. He also touches on his recent response (in Cultured Mag) to Dean Kissick's screed on identity politics (in Harper's), and what it required to “clean the public restroom” in the wake of Kissick's feature going viral. “I think I was more upset by how bad the piece was than the ideas in the piece. […] I think especially for artists of color, like none of that stuff is new to us. And to think that there was massive progress … it could all be taken away in a second. I'm not holding it as new solid ground.”Kurian's solo exhibition Peanuts (Deluxe) is on view at 47 Canal in New York through March 22.  Many thanks for this episode's sponsors, CONTACT Photography Festival, Plural Art Fair, and Workman Arts, for their support of our work.Thank you to Jacob Irish, our editor, and Chris Andrews, for production assistance.

On today's episode, we wrap up the trading week in the Asia-Pacific with Paul Dobson, Bloomberg News Executive Editor for Asia Markets. He shares his reaction to US President Donald Trump's remarks at the World Economic Forum's annual meeting in Davos, Switzerland. Plus - Hong Kong Financial Secretary Paul Chan sits down with Bloomberg's Haslinda Amin in Davos to share his outlook for Hong Kong, China, tariffs, and more.See omnystudio.com/listener for privacy information.

A message from Exodus 14:1-31 titled Crossing Over From Death to Life - We can only cross over from death to life, because the greater Moses—Jesus Christ is the one who fights for us.

New York-based artist, writer, and publisher Paul Chan came to prominence in the early 2000s with vibrant moving image works that touched upon aspects of war, religion, pleasure, and politics. Around 2009, following a decade of art-making, Chan embarked on a self-imposed break, turning his attention to experimental publishing and the economics of information by founding the press Badlands Unlimited. Taking the notion of a “breather” as its organizing principle, this exhibition surveys Chan's activities since his voluntary break from that point to the present.

HELP University is one of the pioneer homegrown private education institutions in Malaysia premised on making tertiary learning more accessible. How has it navigated the changing landscape of the sector? We discuss the trajectory of the higher education industry, and the fortunes of the HELP Education Group with Prof. Datuk Dr. Paul Chan, co-founder and Chancellor of HELP University.

Visitors to the Contemporary Art Museum St. Louis can experience New York artist Paul Chan's exhibition “Breathers,” which relies upon air and wind to create kinetic movement and evoke an emotional response that reminds us to inhale and exhale with greater intention. Associate curator Misa Jefferies and artist Simiya Sudduth reflect on what air and breath look like both in art and in healing —- and why taking a ‘breather' is necessary.

(07/04/24) John 21:15-17 約翰福音 21:15-17 這些是什麼? - Paul Chan by Wollongong Baptist Church

Today we are revisiting an episode that aired originally two years ago to the day featuring artist Ian Cheng. This episode was one of our most popular in 2021, so we are pulling it out of the archives for our more recent subscribers to enjoy. Since 2012, Ian has been building a universe of sentient software, creatures, and elaborate systems of logic in the form of self-playing video games, installations, drawings, and prints. In this extended chat Ian shares some of his deepest influences, past mentors, childhood, studio practice and rituals for creativity.Links from the conversation with Ian> Ian's website: http://iancheng.com> Life After Bob: https://theshed.org/program/142-ian-cheng-life-after-bob> Pierre Huyghe: https://en.wikipedia.org/wiki/Pierre_Huyghe> Paul Chan: https://en.wikipedia.org/wiki/Paul_Chan_(artist)Join the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Today's 41 & Done flashback features a performer known as the Asian Elvis. He was a Chinese restaurant owner in London who would perform an Elvis show every night. 

Drs. Michael Chiang, R. V. Paul Chan, and J. Peter Campbell, members of the Imaging and Informatics in Retinopathy of Prematurity (i-ROP) Research Consortium, discuss the latest advances in ROP screening, treatment, and management. For all episodes or to claim CME credit for selected episodes, visit www.aao.org/podcasts.

What is the role of contemporary art museums today? Are biennales and art fairs platforms for experiment and exchange, or little more than social attractions for the elite? Have collectors become the new curators? Are private and corporate interests in culture at odds with the public good? And ultimately, who is art for? In this debate recorded in Hong Kong in 2012, award-winning documentary film-maker, author and art critic, Ben Lewis, and Hong Kong-born artist, Paul Chan, spoke for the motion. Former Director of Sydney's Museum of Contemporary Art, Elizabeth Ann Macgregor, and conceptual art pioneer, Joseph Kosuth, spoke against the motion. Our chair was the writer, art market expert and author, Georgina Adam. We'd love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be about. Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com.  At Intelligence Squared we've got our own online streaming platform, Intelligence Squared+ and we'd love you to give it a go. It's packed with more than 20 years' worth of video debates and conversations on the world's most important topics as well as exclusive podcast content. Tune in to live events, ask your questions or watch on-demand, totally ad-free with hours of discussion to dive into. Visit intelligencesquaredplus.com to start watching today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Philosopher and writer Amia Srinivasan meets with artist Paul Chan for the latest episode of Artists on Writers | Writers on Artists. Together they contemplate fate, the distortion of reality caused by screens, their first experiences with philosophy, and making meaning through their respective disciplines. Chan's exhibition “Breathers” is currently on view at the Walker Art Center in Minneapolis through July 16. Amia's latest book, The Right to Sex: Feminism in the Twenty-first Century, is out now with Bloomsbury in the United Kingdom and Farrar, Straus and Giroux in the United States.

Arts writer and former professional surfer Jamie Brisick talks about: w hat it was like being on the pro surfing tour back in his late teens and early 20s, and how he developed his Plan B career initially as a surfing writer before moving into arts & culture writing; how he comes to art/the art world with a relatively fresh perspective, and has experienced some unsavoriness in the upper spheres in its being too much like high school in terms of popularity, etc.; what it means when, to quote the artist Paul Chan in this case, ‘Success is its own form of failure;' the varied and fascinating work of Francis Alÿs, whom Brisick tried to get an interview with but was essentially blown off, but whom he still highly respects and reveres as an artist; the artworks, storytelling, and other idiosyncrasies of quintessential surfing-art artist, Raymond Pettibon, whom Brisick has profiled extensively and become friends with; the surf-skate pioneer Craig Stecyk (also a mentor of Brisick's) and his crazy performance art stunts; and his relationship with the journalist and writer William Finnegan, whose struggle with his memoir may be a source of inspiration for listeners.

In this episode, we get into some of the biggest What Ifs —about virtue and value, about life and loss. Host Charlotte Burns is joined by one of the most thoughtfully provocative (or cunning, as he'd say), artists of our time,  Paul Chan. He made his name in the early 2000s with film and media works, and by 2008 had found significant success. Then, he stopped making art. Now he's back with a show called Paul Chan: Breathers, where, influenced by sky-dancers, he literally shapes air. He says “Maybe one way to talk about pleasure is a capacity to control our own time. Time may be the only non-human thing I really care about losing. I can lose everything. I think I've lost everything. I'm willing to lose it all, but I'm not willing to lose time, and that to me is more precious than anything else.”

Anyone who's driven by a car dealership in the U.S. has probably seen them: Inflatable nylon figures with smiley faces, bending and twisting in the breeze. These roadside attention getters are known in the marketing world as "tube men" or "sky dancers." Paul Chan calls them "Breathers," and they have played a central role in the artist's practice since he debuted his own uncanny renditions of the dancers in 2017 at Greene Naftali gallery in New York. The swaying figures also symbolize the artist's own winding approach to his practice, and the need, sometimes, to take a breather. After working primarily with video early in his career—including violating sanctions to shoot a video essay in Baghdad during the U.S. occupation—Chan grew exhausted by screens. He left art production for five years and opened his own publishing house, the beloved indie outfit Badlands Unlimited, which has put out eclectic titles ranging from Saddam Hussein's speeches on democracy to the interactive e-book What Is a Kardashian? Chan made his return to visual art after realizing that those car-lot tube men could be turned into offscreen animations. Now, the "Breathers" are the centerpiece of a major solo show at the Walker Art Center in Minneapolis, open through July 16. Artnet News's deputy editor Rachel Corbett sat down with Chan—a recent winner of the MacArthur 'Genius' grant—to talk about the tyranny of screens, his early adoption of crypto, and the importance, in every artist's life, of simply taking a break.

Anyone who's driven by a car dealership in the U.S. has probably seen them: Inflatable nylon figures with smiley faces, bending and twisting in the breeze. These roadside attention getters are known in the marketing world as "tube men" or "sky dancers." Paul Chan calls them "Breathers," and they have played a central role in the artist's practice since he debuted his own uncanny renditions of the dancers in 2017 at Greene Naftali gallery in New York. The swaying figures also symbolize the artist's own winding approach to his practice, and the need, sometimes, to take a breather. After working primarily with video early in his career—including violating sanctions to shoot a video essay in Baghdad during the U.S. occupation—Chan grew exhausted by screens. He left art production for five years and opened his own publishing house, the beloved indie outfit Badlands Unlimited, which has put out eclectic titles ranging from Saddam Hussein's speeches on democracy to the interactive e-book What Is a Kardashian? Chan made his return to visual art after realizing that those car-lot tube men could be turned into offscreen animations. Now, the "Breathers" are the centerpiece of a major solo show at the Walker Art Center in Minneapolis, open through July 16. Artnet News's deputy editor Rachel Corbett sat down with Chan—a recent winner of the MacArthur 'Genius' grant—to talk about the tyranny of screens, his early adoption of crypto, and the importance, in every artist's life, of simply taking a break.

Paul Chan is an M.D. (Internal Medicine, Pediatrics and Cardiology) living in Kansas City. He has raised significant funds for CWS through fundraising walks in the Grand Canyon. Please support his walk if you feel so inclined. The total tally of the entire Grand Canyon team can be found at: https://events.crophungerwalk.org/grand-canyon-hikers.   He has served on the board of a Guatemalan development organization, and is the founder and has been director of Community Impact, an umbrella organization at Johns Hopkins Medical School for initiatives in inner city Baltimore. Dr. Chan was named one of "50 Missourians You Should Know 2018" by Ingram's. He is the Treasurer of the CWS Board.   Although Paul was not able to come up with a song who best embodies what CWS is all about, the previous selected songs are part of a special Playlist #CWSsongs.   Please let me/us know via our email innovationhub@cwsglobal.org what you think about this new series. We would love to hear from you.   Please like/follow our Walk Talk Listen podcast and follow @mauricebloem on twitter and instagram.  Or check us out on our website 100mile.org.

Brew a cup and join Omar and Paul for a chat! In today's episode we talk about a hotly debated topic for coffee geeks, how do you prepare the perfect espresso puck? Paul Chan is the head of coffee at Decent Espresso and has offered to provide some science backed advice on what we can do to make sure our coffee extracts perfectly every time. Check out our website here! Equipment we use: Microphones: Sennheiser MK4 and Neumann TLM 103 MT Interface: Focusrite Scarlett 8i6 Cables: Kenable XLR 4m cables

①Turkey drops veto over NATO bid by Sweden and Finland but internal conflicts remain within the military bloc. What are the impacts of NATO expansion? (00:51) ②Iran's Foreign Ministry confirms that the country has filed an application for accession to the BRICS. How will the application process go? (12:26) ③CGTN exclusive interview with Paul Chan, financial secretary of Hong Kong Special Administrative Region.(26:00) ④A former top White House aide testified in U.S. Congress to then-President Donald Trump's fury over the 2020 election. What are the details? (31:33) ⑤U.S. consumer confidence dropped in June to its lowest level in 16 months. How shall we read the figures? (42:57)

The Honourable Paul Chan Mo-po, Financial Secretary of the Hong Kong Special Administrative Region discusses fiscal policy, housing, geopolitics, and his near-term outlook for the economy and cross-border travel amid a recent omicron outbreak.

Extending treatment duration in patients with DME whose disease is responsive to steroid therapy could be instrumental in ensuring that visual disruption is kept at a minimum. How might the 3-year results from the PALADIN study guide treatment in the near future? Michael Singer, MD, reviewed data from a phase 4, 3-year, real-world study of patients whose DME was managed with fluocinolone acetonide 0.19 mg implant (Iluvien, Alimera Sciences). And NRR sat down with R.V. Paul Chan, MD, MSc, MBA, who summarized updates to ROP therapy as outlined in the 3rd edition of the International Classification of Retinopathy of Prematurity. What are the updates, and what spurred the ICROP to make them? Tune in to find out. 

Nato Thompson is a curator and the founder of the Alternative Art School. Before setting up this experimental education project, Nato was the artistic director of Philadelphia Contemporary and a key figure at Creative Time, New York's influential organization focusing on art in public space.You will listen to Nato reflecting on that shift, from working within institutions to setting up one's own. His insights on the inner workings of the art industry are totally thought-provoking. And it's the first time we are talking about NFT's at Ahali! This conversation really shows the many blind spots, or things we tend to overlook about the status quo.EPISODE NOTES & LINKSNato Thompson is an author, curator, and self-proclaimed “cultural infrastructure builder”. www.natothompson.com/aboutThe Alternative Art School (TAAS) is an affordable learning program run by a stellar faculty offering intimate class sizes. TAAS emphasizes group work, community building, and dynamic modes of socializing and art-making. www.thealternativeartschool.net/how-it-works-1Philadelphia Contemporary is an independent and free-standing venue that celebrates the abundance of genre-bending, multidisciplinary practices that make up the field of contemporary art. www.philadelphiacontemporary.orgOperating since 1974, Creative Time is an influential public arts organization in New York. creativetime.org/about/Growing out of a major exhibition that had occurred in Creative Time, Living as Form contains commissioned essays from noted critics and theorists who look at Socially Engaged Art practiced between the years of 1991-2011. mitpress.mit.edu/books/living-formMASS MoCA is a contemporary art museum located in North Adams, Massachusetts. massmoca.org/about/Seeing Power: Art and Activism in the 21st Century (2015) www.penguinrandomhouse.com/books/214258/seeing-power-by-nato-thompson/9781612190440/Culture as Weapon: The Art of Influence in Everyday Life. www.penguinrandomhouse.com/books/545444/culture-as-weapon-by-nato-thompson/Part of the TAAS faculty, Paul Chan is an artist, writer, and publisher. en.wikipedia.org/wiki/Paul_Chan_(artist)Trevor Paglen is an artist, geographer, and author whose work critically deals with mass surveillance and data collection. en.wikipedia.org/wiki/Trevor_PaglenA fierce political figure of our time that operates within (but not limited to) the field of contemporary art, Tania Bruguera's work pivots around issues of power and control, and several of her works interrogate and re-present events in Cuban history. en.wikipedia.org/wiki/Tania_BrugueraSimone Leigh is an artist who reflects on the black female subjectivity through her practice. en.wikipedia.org/wiki/Simone_LeighBlack Lives Matter (BLM) is a decentralized political and social movement protesting against incidents of police brutality and all racially motivated violence against black people. en.wikipedia.org/wiki/Black_Lives_MatterStar Trek is a science fiction media franchise created by Gene Roddenberry. en.wikipedia.org/wiki/Star_TrekJanine Antoni is an artist who focuses on process and the transitions between the making and finished product, often portraying feminist ideals. en.wikipedia.org/wiki/Janine_AntoniMiguel López is an artist, researcher, and writer. www.bakonline.org/person/miguel-a-lopez/Yael Bartana is an artist whose work focuses on political or feminist themes. en.wikipedia.org/wiki/Yael_BartanaMotivated largely by political, cultural, and social circumstances, Mel Chin is an artist. en.wikipedia.org/wiki/Mel_ChinHito Steyerl is an artist, theoretician, and educator. en.wikipedia.org/wiki/Hito_SteyerlMarinella Senatore is an artist. en.wikipedia.org/wiki/Marinella_SenatoreMia Yu is an independent researcher, curator, and educator. portal.cca.edu/events-calendar/curatorial-practice-lecture-mia-yu/Mario Ybarra Jr. employs his multi-layered artistic practice to e various components of Mexican-American identity. www.otis.edu/faculty/mario-ybarra-jrKathrin Böhm is an artist whose practice focuses on the collective re-production of public space; on the economy as a public realm; and every day as a starting point for culture. Check out Ahali Conversations Episode 13 to get inspired by Kathrin's way to build diverse economies within, out of, and around the field of culture. www.ahali.space/episodes/episode-13-kathrinbohmJ.K Gibson-Graham is the pen-name of Katherine Gibson and the late Julie Graham. As feminist political economists and economic geographers, they have extensively written about diverse economies, urbanism, alternative communities, and regional economic development.en.wikipedia.org/wiki/J._K._Gibson-GrahamSmashcut is an online learning platform built for real-time, media-based education. www.smashcut.com/aboutPedagogy of the Oppressed is considered one of the foundational texts of critical pedagogy and proposes a pedagogy with a new relationship between teacher, student, and society by Paolo Freire. en.wikipedia.org/wiki/Pedagogy_of_the_OppressedBlack Mountain College was an experimental college founded in 1933.John Cage (1912 – 1992) was a composer, music theorist, artist, and philosopher who was a teacher at BMC."Merce" Cunningham (1919 – 2009) was a dancer and choreographer who was a teacher at BMC.Gezi Park Protests occurred in Turkey in 2013 to contest the urban development plan for Istanbul's Taksim Gezi Park. en.wikipedia.org/wiki/Gezi_Park_protestsThe Arab Spring was a series of anti-government protests, uprisings, and armed rebellions that spread across much of the Arab world in the early 2010s. en.wikipedia.org/wiki/Arab_SpringOccupy Wall Street (OWS) was a protest movement against economic inequality and the influence of money in politics that began in New York City's Wall Street financial district, in 2011. It gave rise to the wider Occupy movement in the United States and other countries. en.wikipedia.org/wiki/Occupy_Wall_StreetSotheby's is a multinational corporation headquartered in New York City. It is one of the world's largest brokers of fine and decorative art, jewelry, and collectibles. www.sothebys.com/en/Christie's is an auction house like Sotheby's known for its involvement in high-profile private transactions. www.christies.com/enSAHA is an association that seeks to support contemporary art from Turkey. www.saha.org.trProtocinema is a cross-cultural art organization that commissions and presents works and exhibitions of contemporary art. www.protocinema.org/aboutFırat Engin is an artist based in İstanbul and Ankara. firatengin.com/cvVahap Avşar is an artist based in New York and İstanbul. vahapavsar.com/bio/DC hardcore, sometimes referred to in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States. en.wikipedia.org/wiki/Washington,_D.C._hardcoreBad Brains are a rock band formed in Washington, D.C. in 1977. en.wikipedia.org/wiki/Bad_BrainsMinor Threat was a hardcore punk band, formed in 1980 in Washington, D.C. en.wikipedia.org/wiki/Minor_ThreatFugazi is a post-hardcore band that formed in Washington, D.C. in 1986. en.wikipedia.org/wiki/FugaziThe Nation of Ulysses was a punk rock band from Washington, D.C., formed in spring 1988. en.wikipedia.org/wiki/The_Nation_of_UlyssesMinecraft is an influential sandbox video game with a major impact on popular internet culture. en.wikipedia.org/wiki/MinecraftRed Dead Redemption is a Western-themed action-adventure game. en.wikipedia.org/wiki/Red_Dead_RedemptionGrand Theft Auto (GTA) is a series of action-adventure games. en.wikipedia.org/wiki/Grand_Theft_AutoThe Sandinista National Liberation Front is a socialist political party in Nicaragua. en.wikipedia.org/wiki/Sandinista_National_Liberation_FrontJust google Google. g.co/kgs/2CdUks

On this week's show we chat with artist Ian Cheng, who since 2012 has been building a universe of sentient software, creatures, and elaborate systems of logic in the form of self-playing video games, installations, drawings, and prints. In this extended chat with host Ben Fino-Radin, Ian shares some of his deepest influences, past mentors, childhood, studio practice and rituals for creativity.Links from the conversation with Ian> Ian's website: http://iancheng.com> Life After Bob: https://theshed.org/program/142-ian-cheng-life-after-bob> Pierre Huyghe: https://en.wikipedia.org/wiki/Pierre_Huyghe> Paul Chan: https://en.wikipedia.org/wiki/Paul_Chan_(artist)Join the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

On episode 202 of The Quarantine Tapes, Paul Holdengräber is joined by Nato Thompson. Nato's most recent project is The Alternative Art School, an online arts program launched in 2020. Paul and Nato talk in depth about Nato's history in the art world and this thrilling new endeavor.Nato explains what excites him about the possibilities this online-only school creates and discusses their mission to approach art as a life project. They discuss some of the artists Nato has worked with, from Trevor Paglen and Tracy K. Smith to Werner Herzog. Paul and Nato dig into the issues with existing structures in the art world, from museums to non-profits, and go back and forth about the problems and potential of virtual space. Nato Thompson is an author, curator, and what he describes as “cultural infrastructure builder”. He has worked as Artistic Director at Philadelphia Contemporary, and Creative Time as Artistic Director and as Curator at MASS MoCA. He is currently the founder of an online global art school titled The Alternative Art School which began after the summer of 2020.Thompson organized major Creative Time projects including The Creative Time Summit (2009–2015), Pedro Reyes' Doomocracy (2016), Kara Walker's A Subtlety (2014), Living as Form (2011), Trevor Paglen's The Last Pictures (2012), Paul Ramírez Jonas's Key to the City (2010), Jeremy Deller's It is What it is (2009, with New Museum curators Laura Hoptman and Amy Mackie), Democracy in America: The National Campaign (2008), and Paul Chan's Waiting for Godot in New Orleans (2007), among others.He has written two books of cultural criticism, Seeing Power: Art and Activism in the 21st Century (2015) and Culture as Weapon: The Art of Influence in Everyday Life (2017).

Paul Chan, Chief Creative Officer at CHEIL joins us for the second episode in our D&AD Jury President series. In this episode we deep dive into how hard it really is to win (and award) a Yellow Pencil. As well as the formula of creativity, the thrill of cracking a brief and never giving up on a good idea.

(06/27/20) Mark 14:32-42 馬可福音 14:32-42 客西馬尼 - Paul Chan by Wollongong Baptist Church

Retinopathy of prematurity is a retinal condition that can affect premature infants, and is the most common cause of vision loss in children. On this episode of ASRS's Retina Health for Life,  Dr. R.V. Paul Chan of the Illinois Eye and Ear Infirmary at the University of Illinois at Chicago joins Dr. Timothy Murray to discuss why screening premature infants for the condition is critical to early diagnosis and personalized treatment that can help many children preserve their vision.  Resources: Access a downloadable fact sheet on Retinopathy of Prematurity here: http://www.asrs.org/patients/retinal-diseases/17/retinopathy-of-prematurity

Consider supporting Yin & Young on Patreon! https://www.patreon.com/yinyoungpodcast Dan and James are back with an enlightening chat with artist Paul Hoi! Paul shares his background, his artistic passions, and some of his thoughts about being Asian in America. Highlights: - Paul Chan by birth, but goes by Paul Hoi so as not to be mistaken for Paul Chan the art critic. - Is bad with naming his artwork so sometimes he just numbers them. - James and Paul met while working at the Apple store. Both did a lot of customer service Mandarin and Cantonese translations, respectively. - Came to the U.S. as an immigrant child from Hong Kong. As a child, he tried hard not to stand out and sought solitude. - Parents supportive even in his artistic pursuits. They made it clear to his sister and him growing up that they should not have to worry about money. - Has done a number of odd jobs: dog walker, property management, art gallery work. - Working at an art gallery, he realized he disliked the business side of art. - Learned different techniques from art class, but not a fan of the structured learning of art. - Began as an illustrator, which eventually led to photography. Is now is branching out into CGI. - For Paul, the most time consuming part of creating an art piece is conceptualizing what to make. - Likes to study space, landscapes, shapes in his work. Wants to create places that he wishes exist in real life. - Discussion about the pathos of Chinatown and how Asians have had to become self-reliant. LANGUAGE CORNER Spanish: Copia de seguridad - secure back up Mandarin: 雲碟 - yún dié - cloud drive 夜景 - yèjǐng - nightscape Japanese: Dan: アプリ - apuri - applications Paul: 七転び八起き - nanakorobi yaoki - Fall down seven times, get up eight. Be sure to follow us on Facebook & Instagram: @yinyoungpodcast. Like and subscribe to our content so you don’t miss an episode. Credits: This episode was produced by James Y. Shih and Daniel Yin. Edited by Gabriel Toya-Meléndez Follow Yin & Young: - Website: http://www.jamesyshih.com/yin-young-podcast - iTunes: https://itunes.apple.com/us/podcast/yin-young-podcast-jys/id1185421015?mt=2 - Facebook: https://www.facebook.com/yinyoungpodcast/ - Spotify: https://tinyurl.com/rkrynzq - Stitcher: https://www.stitcher.com/podcast/yin-young-podcast Comments, questions? Email us at yinyoungpodcast@gmail.com.

Today's episode is a deeper look into Construction 4.0 from an academics perspective. Erika Pärn wanted to dig deeper and find out if Construction 4.0 is just another consultant catchphrase or is there more to this transition. Erika had the pleasure of speaking to Professor Paul Chan he joined her to share his thoughts on the debates around construction 4.0 and making sense of the changing markets in construction. If you don't know who Paul is, Paul Chan is a Professor of Design and Construction Management at the Faculty of Architecture and The Built Environment in TU Delft in the Netherlands. Paul has developed a track record in studying how people cope with organizational, social, and technological change. He is currently Principal Investigator of ‘Stepping Out', a five-year research program that examines transdisciplinary learning for addressing multiple sustainable transitions, funded by the Dutch funding agency. He is Editor-in-Chief of Construction Management and Economics, and a committee member of the ARCOM. He has authored/co-authored over 100 peer-reviewed journal and conference articles. He also co-authored Constructing Futures (2010), a book on leadership and futures thinking in the construction industry.

In this roundtable hosted by María H. Berrocal, MD, and Audina M. Berrocal, MD, new department chairs in retina share their journeys to leadership and how to move the needle on diversity in the field. Participants include Sophie J. Bakri, MD, MBA; R.V. Paul Chan, MD, MSc, MBA, FACS; and Shlomit Schaal, MD, PhD, MHCM.