Podcast appearances and mentions of Paul Chan

Season 8 of Momus: The Podcast launches with Ajay Kurian, an artist, critic, and co-founder of New Crits, a platform for artist mentorship. Kurian speaks with Sky Goodden about a text by Robert Pogue Harrison on the art of the zen garden (Gardens: An Essay on the Human Condition, University of Chicago Press, 2008), and about his artist-writer influences including Robert Smithson, Paul Chan, and Hannah Black. He also touches on his recent response (in Cultured Mag) to Dean Kissick's screed on identity politics (in Harper's), and what it required to “clean the public restroom” in the wake of Kissick's feature going viral. “I think I was more upset by how bad the piece was than the ideas in the piece. […] I think especially for artists of color, like none of that stuff is new to us. And to think that there was massive progress … it could all be taken away in a second. I'm not holding it as new solid ground.”Kurian's solo exhibition Peanuts (Deluxe) is on view at 47 Canal in New York through March 22.  Many thanks for this episode's sponsors, CONTACT Photography Festival, Plural Art Fair, and Workman Arts, for their support of our work.Thank you to Jacob Irish, our editor, and Chris Andrews, for production assistance.

On today's episode, we wrap up the trading week in the Asia-Pacific with Paul Dobson, Bloomberg News Executive Editor for Asia Markets. He shares his reaction to US President Donald Trump's remarks at the World Economic Forum's annual meeting in Davos, Switzerland. Plus - Hong Kong Financial Secretary Paul Chan sits down with Bloomberg's Haslinda Amin in Davos to share his outlook for Hong Kong, China, tariffs, and more.See omnystudio.com/listener for privacy information.

A message from Exodus 14:1-31 titled Crossing Over From Death to Life - We can only cross over from death to life, because the greater Moses—Jesus Christ is the one who fights for us.

New York-based artist, writer, and publisher Paul Chan came to prominence in the early 2000s with vibrant moving image works that touched upon aspects of war, religion, pleasure, and politics. Around 2009, following a decade of art-making, Chan embarked on a self-imposed break, turning his attention to experimental publishing and the economics of information by founding the press Badlands Unlimited. Taking the notion of a “breather” as its organizing principle, this exhibition surveys Chan's activities since his voluntary break from that point to the present.

HELP University is one of the pioneer homegrown private education institutions in Malaysia premised on making tertiary learning more accessible. How has it navigated the changing landscape of the sector? We discuss the trajectory of the higher education industry, and the fortunes of the HELP Education Group with Prof. Datuk Dr. Paul Chan, co-founder and Chancellor of HELP University.

Visitors to the Contemporary Art Museum St. Louis can experience New York artist Paul Chan's exhibition “Breathers,” which relies upon air and wind to create kinetic movement and evoke an emotional response that reminds us to inhale and exhale with greater intention. Associate curator Misa Jefferies and artist Simiya Sudduth reflect on what air and breath look like both in art and in healing —- and why taking a ‘breather' is necessary.

(07/04/24) John 21:15-17 約翰福音 21:15-17 這些是什麼? - Paul Chan by Wollongong Baptist Church

Today we are revisiting an episode that aired originally two years ago to the day featuring artist Ian Cheng. This episode was one of our most popular in 2021, so we are pulling it out of the archives for our more recent subscribers to enjoy. Since 2012, Ian has been building a universe of sentient software, creatures, and elaborate systems of logic in the form of self-playing video games, installations, drawings, and prints. In this extended chat Ian shares some of his deepest influences, past mentors, childhood, studio practice and rituals for creativity.Links from the conversation with Ian> Ian's website: http://iancheng.com> Life After Bob: https://theshed.org/program/142-ian-cheng-life-after-bob> Pierre Huyghe: https://en.wikipedia.org/wiki/Pierre_Huyghe> Paul Chan: https://en.wikipedia.org/wiki/Paul_Chan_(artist)Join the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Today's 41 & Done flashback features a performer known as the Asian Elvis. He was a Chinese restaurant owner in London who would perform an Elvis show every night. 

Drs. Michael Chiang, R. V. Paul Chan, and J. Peter Campbell, members of the Imaging and Informatics in Retinopathy of Prematurity (i-ROP) Research Consortium, discuss the latest advances in ROP screening, treatment, and management. For all episodes or to claim CME credit for selected episodes, visit www.aao.org/podcasts.

What is the role of contemporary art museums today? Are biennales and art fairs platforms for experiment and exchange, or little more than social attractions for the elite? Have collectors become the new curators? Are private and corporate interests in culture at odds with the public good? And ultimately, who is art for? In this debate recorded in Hong Kong in 2012, award-winning documentary film-maker, author and art critic, Ben Lewis, and Hong Kong-born artist, Paul Chan, spoke for the motion. Former Director of Sydney's Museum of Contemporary Art, Elizabeth Ann Macgregor, and conceptual art pioneer, Joseph Kosuth, spoke against the motion. Our chair was the writer, art market expert and author, Georgina Adam. We'd love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be about. Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com.  At Intelligence Squared we've got our own online streaming platform, Intelligence Squared+ and we'd love you to give it a go. It's packed with more than 20 years' worth of video debates and conversations on the world's most important topics as well as exclusive podcast content. Tune in to live events, ask your questions or watch on-demand, totally ad-free with hours of discussion to dive into. Visit intelligencesquaredplus.com to start watching today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Philosopher and writer Amia Srinivasan meets with artist Paul Chan for the latest episode of Artists on Writers | Writers on Artists. Together they contemplate fate, the distortion of reality caused by screens, their first experiences with philosophy, and making meaning through their respective disciplines. Chan's exhibition “Breathers” is currently on view at the Walker Art Center in Minneapolis through July 16. Amia's latest book, The Right to Sex: Feminism in the Twenty-first Century, is out now with Bloomsbury in the United Kingdom and Farrar, Straus and Giroux in the United States.

Arts writer and former professional surfer Jamie Brisick talks about: w hat it was like being on the pro surfing tour back in his late teens and early 20s, and how he developed his Plan B career initially as a surfing writer before moving into arts & culture writing; how he comes to art/the art world with a relatively fresh perspective, and has experienced some unsavoriness in the upper spheres in its being too much like high school in terms of popularity, etc.; what it means when, to quote the artist Paul Chan in this case, ‘Success is its own form of failure;' the varied and fascinating work of Francis Alÿs, whom Brisick tried to get an interview with but was essentially blown off, but whom he still highly respects and reveres as an artist; the artworks, storytelling, and other idiosyncrasies of quintessential surfing-art artist, Raymond Pettibon, whom Brisick has profiled extensively and become friends with; the surf-skate pioneer Craig Stecyk (also a mentor of Brisick's) and his crazy performance art stunts; and his relationship with the journalist and writer William Finnegan, whose struggle with his memoir may be a source of inspiration for listeners.

In this episode, we get into some of the biggest What Ifs —about virtue and value, about life and loss. Host Charlotte Burns is joined by one of the most thoughtfully provocative (or cunning, as he'd say), artists of our time,  Paul Chan. He made his name in the early 2000s with film and media works, and by 2008 had found significant success. Then, he stopped making art. Now he's back with a show called Paul Chan: Breathers, where, influenced by sky-dancers, he literally shapes air. He says “Maybe one way to talk about pleasure is a capacity to control our own time. Time may be the only non-human thing I really care about losing. I can lose everything. I think I've lost everything. I'm willing to lose it all, but I'm not willing to lose time, and that to me is more precious than anything else.”

Anyone who's driven by a car dealership in the U.S. has probably seen them: Inflatable nylon figures with smiley faces, bending and twisting in the breeze. These roadside attention getters are known in the marketing world as "tube men" or "sky dancers." Paul Chan calls them "Breathers," and they have played a central role in the artist's practice since he debuted his own uncanny renditions of the dancers in 2017 at Greene Naftali gallery in New York. The swaying figures also symbolize the artist's own winding approach to his practice, and the need, sometimes, to take a breather. After working primarily with video early in his career—including violating sanctions to shoot a video essay in Baghdad during the U.S. occupation—Chan grew exhausted by screens. He left art production for five years and opened his own publishing house, the beloved indie outfit Badlands Unlimited, which has put out eclectic titles ranging from Saddam Hussein's speeches on democracy to the interactive e-book What Is a Kardashian? Chan made his return to visual art after realizing that those car-lot tube men could be turned into offscreen animations. Now, the "Breathers" are the centerpiece of a major solo show at the Walker Art Center in Minneapolis, open through July 16. Artnet News's deputy editor Rachel Corbett sat down with Chan—a recent winner of the MacArthur 'Genius' grant—to talk about the tyranny of screens, his early adoption of crypto, and the importance, in every artist's life, of simply taking a break.

Anyone who's driven by a car dealership in the U.S. has probably seen them: Inflatable nylon figures with smiley faces, bending and twisting in the breeze. These roadside attention getters are known in the marketing world as "tube men" or "sky dancers." Paul Chan calls them "Breathers," and they have played a central role in the artist's practice since he debuted his own uncanny renditions of the dancers in 2017 at Greene Naftali gallery in New York. The swaying figures also symbolize the artist's own winding approach to his practice, and the need, sometimes, to take a breather. After working primarily with video early in his career—including violating sanctions to shoot a video essay in Baghdad during the U.S. occupation—Chan grew exhausted by screens. He left art production for five years and opened his own publishing house, the beloved indie outfit Badlands Unlimited, which has put out eclectic titles ranging from Saddam Hussein's speeches on democracy to the interactive e-book What Is a Kardashian? Chan made his return to visual art after realizing that those car-lot tube men could be turned into offscreen animations. Now, the "Breathers" are the centerpiece of a major solo show at the Walker Art Center in Minneapolis, open through July 16. Artnet News's deputy editor Rachel Corbett sat down with Chan—a recent winner of the MacArthur 'Genius' grant—to talk about the tyranny of screens, his early adoption of crypto, and the importance, in every artist's life, of simply taking a break.

Paul Chan is an M.D. (Internal Medicine, Pediatrics and Cardiology) living in Kansas City. He has raised significant funds for CWS through fundraising walks in the Grand Canyon. Please support his walk if you feel so inclined. The total tally of the entire Grand Canyon team can be found at: https://events.crophungerwalk.org/grand-canyon-hikers.   He has served on the board of a Guatemalan development organization, and is the founder and has been director of Community Impact, an umbrella organization at Johns Hopkins Medical School for initiatives in inner city Baltimore. Dr. Chan was named one of "50 Missourians You Should Know 2018" by Ingram's. He is the Treasurer of the CWS Board.   Although Paul was not able to come up with a song who best embodies what CWS is all about, the previous selected songs are part of a special Playlist #CWSsongs.   Please let me/us know via our email innovationhub@cwsglobal.org what you think about this new series. We would love to hear from you.   Please like/follow our Walk Talk Listen podcast and follow @mauricebloem on twitter and instagram.  Or check us out on our website 100mile.org.

Brew a cup and join Omar and Paul for a chat! In today's episode we talk about a hotly debated topic for coffee geeks, how do you prepare the perfect espresso puck? Paul Chan is the head of coffee at Decent Espresso and has offered to provide some science backed advice on what we can do to make sure our coffee extracts perfectly every time. Check out our website here! Equipment we use: Microphones: Sennheiser MK4 and Neumann TLM 103 MT Interface: Focusrite Scarlett 8i6 Cables: Kenable XLR 4m cables

①Turkey drops veto over NATO bid by Sweden and Finland but internal conflicts remain within the military bloc. What are the impacts of NATO expansion? (00:51) ②Iran's Foreign Ministry confirms that the country has filed an application for accession to the BRICS. How will the application process go? (12:26) ③CGTN exclusive interview with Paul Chan, financial secretary of Hong Kong Special Administrative Region.(26:00) ④A former top White House aide testified in U.S. Congress to then-President Donald Trump's fury over the 2020 election. What are the details? (31:33) ⑤U.S. consumer confidence dropped in June to its lowest level in 16 months. How shall we read the figures? (42:57)

The Honourable Paul Chan Mo-po, Financial Secretary of the Hong Kong Special Administrative Region discusses fiscal policy, housing, geopolitics, and his near-term outlook for the economy and cross-border travel amid a recent omicron outbreak.

Extending treatment duration in patients with DME whose disease is responsive to steroid therapy could be instrumental in ensuring that visual disruption is kept at a minimum. How might the 3-year results from the PALADIN study guide treatment in the near future? Michael Singer, MD, reviewed data from a phase 4, 3-year, real-world study of patients whose DME was managed with fluocinolone acetonide 0.19 mg implant (Iluvien, Alimera Sciences). And NRR sat down with R.V. Paul Chan, MD, MSc, MBA, who summarized updates to ROP therapy as outlined in the 3rd edition of the International Classification of Retinopathy of Prematurity. What are the updates, and what spurred the ICROP to make them? Tune in to find out. 

Nato Thompson is a curator and the founder of the Alternative Art School. Before setting up this experimental education project, Nato was the artistic director of Philadelphia Contemporary and a key figure at Creative Time, New York's influential organization focusing on art in public space.You will listen to Nato reflecting on that shift, from working within institutions to setting up one's own. His insights on the inner workings of the art industry are totally thought-provoking. And it's the first time we are talking about NFT's at Ahali! This conversation really shows the many blind spots, or things we tend to overlook about the status quo.EPISODE NOTES & LINKSNato Thompson is an author, curator, and self-proclaimed “cultural infrastructure builder”. www.natothompson.com/aboutThe Alternative Art School (TAAS) is an affordable learning program run by a stellar faculty offering intimate class sizes. TAAS emphasizes group work, community building, and dynamic modes of socializing and art-making. www.thealternativeartschool.net/how-it-works-1Philadelphia Contemporary is an independent and free-standing venue that celebrates the abundance of genre-bending, multidisciplinary practices that make up the field of contemporary art. www.philadelphiacontemporary.orgOperating since 1974, Creative Time is an influential public arts organization in New York. creativetime.org/about/Growing out of a major exhibition that had occurred in Creative Time, Living as Form contains commissioned essays from noted critics and theorists who look at Socially Engaged Art practiced between the years of 1991-2011. mitpress.mit.edu/books/living-formMASS MoCA is a contemporary art museum located in North Adams, Massachusetts. massmoca.org/about/Seeing Power: Art and Activism in the 21st Century (2015) www.penguinrandomhouse.com/books/214258/seeing-power-by-nato-thompson/9781612190440/Culture as Weapon: The Art of Influence in Everyday Life. www.penguinrandomhouse.com/books/545444/culture-as-weapon-by-nato-thompson/Part of the TAAS faculty, Paul Chan is an artist, writer, and publisher. en.wikipedia.org/wiki/Paul_Chan_(artist)Trevor Paglen is an artist, geographer, and author whose work critically deals with mass surveillance and data collection. en.wikipedia.org/wiki/Trevor_PaglenA fierce political figure of our time that operates within (but not limited to) the field of contemporary art, Tania Bruguera's work pivots around issues of power and control, and several of her works interrogate and re-present events in Cuban history. en.wikipedia.org/wiki/Tania_BrugueraSimone Leigh is an artist who reflects on the black female subjectivity through her practice. en.wikipedia.org/wiki/Simone_LeighBlack Lives Matter (BLM) is a decentralized political and social movement protesting against incidents of police brutality and all racially motivated violence against black people. en.wikipedia.org/wiki/Black_Lives_MatterStar Trek is a science fiction media franchise created by Gene Roddenberry. en.wikipedia.org/wiki/Star_TrekJanine Antoni is an artist who focuses on process and the transitions between the making and finished product, often portraying feminist ideals. en.wikipedia.org/wiki/Janine_AntoniMiguel López is an artist, researcher, and writer. www.bakonline.org/person/miguel-a-lopez/Yael Bartana is an artist whose work focuses on political or feminist themes. en.wikipedia.org/wiki/Yael_BartanaMotivated largely by political, cultural, and social circumstances, Mel Chin is an artist. en.wikipedia.org/wiki/Mel_ChinHito Steyerl is an artist, theoretician, and educator. en.wikipedia.org/wiki/Hito_SteyerlMarinella Senatore is an artist. en.wikipedia.org/wiki/Marinella_SenatoreMia Yu is an independent researcher, curator, and educator. portal.cca.edu/events-calendar/curatorial-practice-lecture-mia-yu/Mario Ybarra Jr. employs his multi-layered artistic practice to e various components of Mexican-American identity. www.otis.edu/faculty/mario-ybarra-jrKathrin Böhm is an artist whose practice focuses on the collective re-production of public space; on the economy as a public realm; and every day as a starting point for culture. Check out Ahali Conversations Episode 13 to get inspired by Kathrin's way to build diverse economies within, out of, and around the field of culture. www.ahali.space/episodes/episode-13-kathrinbohmJ.K Gibson-Graham is the pen-name of Katherine Gibson and the late Julie Graham. As feminist political economists and economic geographers, they have extensively written about diverse economies, urbanism, alternative communities, and regional economic development.en.wikipedia.org/wiki/J._K._Gibson-GrahamSmashcut is an online learning platform built for real-time, media-based education. www.smashcut.com/aboutPedagogy of the Oppressed is considered one of the foundational texts of critical pedagogy and proposes a pedagogy with a new relationship between teacher, student, and society by Paolo Freire. en.wikipedia.org/wiki/Pedagogy_of_the_OppressedBlack Mountain College was an experimental college founded in 1933.John Cage (1912 – 1992) was a composer, music theorist, artist, and philosopher who was a teacher at BMC."Merce" Cunningham (1919 – 2009) was a dancer and choreographer who was a teacher at BMC.Gezi Park Protests occurred in Turkey in 2013 to contest the urban development plan for Istanbul's Taksim Gezi Park. en.wikipedia.org/wiki/Gezi_Park_protestsThe Arab Spring was a series of anti-government protests, uprisings, and armed rebellions that spread across much of the Arab world in the early 2010s. en.wikipedia.org/wiki/Arab_SpringOccupy Wall Street (OWS) was a protest movement against economic inequality and the influence of money in politics that began in New York City's Wall Street financial district, in 2011. It gave rise to the wider Occupy movement in the United States and other countries. en.wikipedia.org/wiki/Occupy_Wall_StreetSotheby's is a multinational corporation headquartered in New York City. It is one of the world's largest brokers of fine and decorative art, jewelry, and collectibles. www.sothebys.com/en/Christie's is an auction house like Sotheby's known for its involvement in high-profile private transactions. www.christies.com/enSAHA is an association that seeks to support contemporary art from Turkey. www.saha.org.trProtocinema is a cross-cultural art organization that commissions and presents works and exhibitions of contemporary art. www.protocinema.org/aboutFırat Engin is an artist based in İstanbul and Ankara. firatengin.com/cvVahap Avşar is an artist based in New York and İstanbul. vahapavsar.com/bio/DC hardcore, sometimes referred to in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States. en.wikipedia.org/wiki/Washington,_D.C._hardcoreBad Brains are a rock band formed in Washington, D.C. in 1977. en.wikipedia.org/wiki/Bad_BrainsMinor Threat was a hardcore punk band, formed in 1980 in Washington, D.C. en.wikipedia.org/wiki/Minor_ThreatFugazi is a post-hardcore band that formed in Washington, D.C. in 1986. en.wikipedia.org/wiki/FugaziThe Nation of Ulysses was a punk rock band from Washington, D.C., formed in spring 1988. en.wikipedia.org/wiki/The_Nation_of_UlyssesMinecraft is an influential sandbox video game with a major impact on popular internet culture. en.wikipedia.org/wiki/MinecraftRed Dead Redemption is a Western-themed action-adventure game. en.wikipedia.org/wiki/Red_Dead_RedemptionGrand Theft Auto (GTA) is a series of action-adventure games. en.wikipedia.org/wiki/Grand_Theft_AutoThe Sandinista National Liberation Front is a socialist political party in Nicaragua. en.wikipedia.org/wiki/Sandinista_National_Liberation_FrontJust google Google. g.co/kgs/2CdUks

On this week's show we chat with artist Ian Cheng, who since 2012 has been building a universe of sentient software, creatures, and elaborate systems of logic in the form of self-playing video games, installations, drawings, and prints. In this extended chat with host Ben Fino-Radin, Ian shares some of his deepest influences, past mentors, childhood, studio practice and rituals for creativity.Links from the conversation with Ian> Ian's website: http://iancheng.com> Life After Bob: https://theshed.org/program/142-ian-cheng-life-after-bob> Pierre Huyghe: https://en.wikipedia.org/wiki/Pierre_Huyghe> Paul Chan: https://en.wikipedia.org/wiki/Paul_Chan_(artist)Join the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

On episode 202 of The Quarantine Tapes, Paul Holdengräber is joined by Nato Thompson. Nato's most recent project is The Alternative Art School, an online arts program launched in 2020. Paul and Nato talk in depth about Nato's history in the art world and this thrilling new endeavor.Nato explains what excites him about the possibilities this online-only school creates and discusses their mission to approach art as a life project. They discuss some of the artists Nato has worked with, from Trevor Paglen and Tracy K. Smith to Werner Herzog. Paul and Nato dig into the issues with existing structures in the art world, from museums to non-profits, and go back and forth about the problems and potential of virtual space. Nato Thompson is an author, curator, and what he describes as “cultural infrastructure builder”. He has worked as Artistic Director at Philadelphia Contemporary, and Creative Time as Artistic Director and as Curator at MASS MoCA. He is currently the founder of an online global art school titled The Alternative Art School which began after the summer of 2020.Thompson organized major Creative Time projects including The Creative Time Summit (2009–2015), Pedro Reyes' Doomocracy (2016), Kara Walker's A Subtlety (2014), Living as Form (2011), Trevor Paglen's The Last Pictures (2012), Paul Ramírez Jonas's Key to the City (2010), Jeremy Deller's It is What it is (2009, with New Museum curators Laura Hoptman and Amy Mackie), Democracy in America: The National Campaign (2008), and Paul Chan's Waiting for Godot in New Orleans (2007), among others.He has written two books of cultural criticism, Seeing Power: Art and Activism in the 21st Century (2015) and Culture as Weapon: The Art of Influence in Everyday Life (2017).

Paul Chan, Chief Creative Officer at CHEIL joins us for the second episode in our D&AD Jury President series. In this episode we deep dive into how hard it really is to win (and award) a Yellow Pencil. As well as the formula of creativity, the thrill of cracking a brief and never giving up on a good idea.

(06/27/20) Mark 14:32-42 馬可福音 14:32-42 客西馬尼 - Paul Chan by Wollongong Baptist Church

Retinopathy of prematurity is a retinal condition that can affect premature infants, and is the most common cause of vision loss in children. On this episode of ASRS's Retina Health for Life,  Dr. R.V. Paul Chan of the Illinois Eye and Ear Infirmary at the University of Illinois at Chicago joins Dr. Timothy Murray to discuss why screening premature infants for the condition is critical to early diagnosis and personalized treatment that can help many children preserve their vision.  Resources: Access a downloadable fact sheet on Retinopathy of Prematurity here: http://www.asrs.org/patients/retinal-diseases/17/retinopathy-of-prematurity

Consider supporting Yin & Young on Patreon! https://www.patreon.com/yinyoungpodcast Dan and James are back with an enlightening chat with artist Paul Hoi! Paul shares his background, his artistic passions, and some of his thoughts about being Asian in America. Highlights: - Paul Chan by birth, but goes by Paul Hoi so as not to be mistaken for Paul Chan the art critic. - Is bad with naming his artwork so sometimes he just numbers them. - James and Paul met while working at the Apple store. Both did a lot of customer service Mandarin and Cantonese translations, respectively. - Came to the U.S. as an immigrant child from Hong Kong. As a child, he tried hard not to stand out and sought solitude. - Parents supportive even in his artistic pursuits. They made it clear to his sister and him growing up that they should not have to worry about money. - Has done a number of odd jobs: dog walker, property management, art gallery work. - Working at an art gallery, he realized he disliked the business side of art. - Learned different techniques from art class, but not a fan of the structured learning of art. - Began as an illustrator, which eventually led to photography. Is now is branching out into CGI. - For Paul, the most time consuming part of creating an art piece is conceptualizing what to make. - Likes to study space, landscapes, shapes in his work. Wants to create places that he wishes exist in real life. - Discussion about the pathos of Chinatown and how Asians have had to become self-reliant. LANGUAGE CORNER Spanish: Copia de seguridad - secure back up Mandarin: 雲碟 - yún dié - cloud drive 夜景 - yèjǐng - nightscape Japanese: Dan: アプリ - apuri - applications Paul: 七転び八起き - nanakorobi yaoki - Fall down seven times, get up eight. Be sure to follow us on Facebook & Instagram: @yinyoungpodcast. Like and subscribe to our content so you don’t miss an episode. Credits: This episode was produced by James Y. Shih and Daniel Yin. Edited by Gabriel Toya-Meléndez Follow Yin & Young: - Website: http://www.jamesyshih.com/yin-young-podcast - iTunes: https://itunes.apple.com/us/podcast/yin-young-podcast-jys/id1185421015?mt=2 - Facebook: https://www.facebook.com/yinyoungpodcast/ - Spotify: https://tinyurl.com/rkrynzq - Stitcher: https://www.stitcher.com/podcast/yin-young-podcast Comments, questions? Email us at yinyoungpodcast@gmail.com.

Today's episode is a deeper look into Construction 4.0 from an academics perspective. Erika Pärn wanted to dig deeper and find out if Construction 4.0 is just another consultant catchphrase or is there more to this transition. Erika had the pleasure of speaking to Professor Paul Chan he joined her to share his thoughts on the debates around construction 4.0 and making sense of the changing markets in construction. If you don't know who Paul is, Paul Chan is a Professor of Design and Construction Management at the Faculty of Architecture and The Built Environment in TU Delft in the Netherlands. Paul has developed a track record in studying how people cope with organizational, social, and technological change. He is currently Principal Investigator of ‘Stepping Out', a five-year research program that examines transdisciplinary learning for addressing multiple sustainable transitions, funded by the Dutch funding agency. He is Editor-in-Chief of Construction Management and Economics, and a committee member of the ARCOM. He has authored/co-authored over 100 peer-reviewed journal and conference articles. He also co-authored Constructing Futures (2010), a book on leadership and futures thinking in the construction industry.

In this roundtable hosted by María H. Berrocal, MD, and Audina M. Berrocal, MD, new department chairs in retina share their journeys to leadership and how to move the needle on diversity in the field. Participants include Sophie J. Bakri, MD, MBA; R.V. Paul Chan, MD, MSc, MBA, FACS; and Shlomit Schaal, MD, PhD, MHCM. 

In this episode, I chat with Yoshihiro Yonekawa, MD. Dr. Yonekawa is a pediatric and adult retinal surgeon at Wills Eye Hospital and Mid Atlantic Retina and resides as an Assistant Professor of Ophthalmology at Sidney Kimmel Medical College at Thomas Jefferson University. We discuss his early fascination with microsurgery and how the mentorship of Dr. Paul Chan, a former guest of the show and current Chair of the Department of Ophthalmology at the Illinois Eye and Ear Infirmary, was instrumental in introducing him to pediatric retina. Dr. Yonekawa shares what makes the field of pediatric retina so unique within the specialty of vitreoretinal surgery and how worldwide the call to action is being taken by many retina specialists to address the burden of retinopathy of prematurity. With a passion for clinical research, Dr. Yonekawa and I discuss how he sees the philosophy of collaboration in research as key to driving the field forward in exciting directions. His successful career expands outside clinical care and research initiatives. Dr. Yonekawa is on the Executive Committee for the Vit Buckle Society (VBS) and is also the Vice President for Academic Programing amongst his many other societal memberships and editorial positions for high-impact journals in ophthalmology. He shares the importance of being a part of the community of fellow retina specialists and the spirit of camaraderie at the heart of VBS. With a career that has been decorated in awards from his early days of training at Harvard medical school's Mass. Eye and Ear Infirmary and his vitreoretinal surgery fellowship at the Associated Retinal Consultants/William Beaumont Hospital, Dr. Yonekawa reflects on this recent honor he had of being inducted into the Retina Society. Finally, we touch on the advice Dr. Yonekawa has for prospective ophthalmology applicants and what he views as crucial pieces to a successful match. Dr. Yonekawa believes the drive, sense of mission, and passion for bettering the lives of patients and colleagues is the foundation of a career rooted in purpose. You can follow him on Twitter @YoshiYonekawaMD.

In this episode, I chat with Dr. R.V. Paul Chan, MD, MSc, MBA, FACS. Dr. Chan is the Chair of the Department of Ophthalmology and Visual Sciences at the Illinois Eye and Ear Infirmary at the University of Illinois at Chicago (UIC). We discuss Dr. Chan's calling to ophthalmology, finding an academic interest in retinopathy of prematurity, the importance of mentorship, being a founding member of the Vit-Buckle Society, and how the rich history of UIC is rooted in a tradition of improving the lives of people here and abroad. Dr. Chan shares his reflections on a professional journey built on hard work, inspiration, and the belief that leadership is about serving others. You can follow Dr. Chan on Twitter and Instagram @RVPChan. You can also follow the UIC Ophthalmology Residents on Instagram @uiceyeresidents and the Department of Ophthalmology and Visual Sciences on Instagram @UICovs.

The disruptions to clinical and surgical workflows during the COVID-19 crisis are obvious. Less apparent are the downstream effects of adjustments to educational experiences. New Retina Radio host John Kitchens, MD, invites three leaders in academic retina-Sophie Bakri, MD, of the Mayo Clinic; Julia Haller, MD, of Wills Eye Hospital; and R.V. Paul Chan, MD, MSc, MBA, of the University of Illinois at Chicago-to discuss how training and selection of fellows has been altered during the COVID-19 pandemic, and to review the tactics their institutions have employed to mitigate the interference their programs have endured.

The disruptions to clinical and surgical workflows during the COVID-19 crisis are obvious. Less apparent are the downstream effects of adjustments to educational experiences. New Retina Radio host John Kitchens, MD, invites three leaders in academic retina—Sophie Bakri, MD, of the Mayo Clinic; Julia Haller, MD, of Wills Eye Hospital; and R.V. Paul Chan, MD, MSc, MBA, of the University of Illinois at Chicago—to discuss how training and selection of fellows has been altered during the COVID-19 pandemic, and to review the tactics their institutions have employed to mitigate the interference their programs have endured.

Along the dispute of an election of the president in Smallville High School, candidate Paul Chan is severely injured by a swarm of bees. Pete decides to promote Clark Kent as the substituted for the spot. When the other aspirant schoolmate, Felice Chandler, is also attacked by bees, Clark believes that last competitor, Sasha Woodman, who has the meteor-rock ability to control bees, is behind the attacks. Meanwhile, Lex Luthor is threatened by an opportunist and ambitious reporter from Metropolis, named Carrie Castle, over some dark secrets of his that she's investigating. Also, The Talon, the thematic coffee shop where Lana works is completely empty, losing clients to the competition and with the threat of closing the doors which makes Clark turn to Lex to ask for help to keep it open for Lana's sake.

Paul Chan speak from Daniel Chapter 9.

Paul Chan speaks from Daniel Chapter 6.

Paul Chan speaks from Genesis 25 on this Mother's Day Sunday.

Paul Chan speaks from Daniel Ch5.

The COVID-19 outbreak started months ago in Wuhan, China, but many parts of Asia are feeling the brunt of the pandemic now. How are retina specialists in various regions handling it? New Retina Radio hosts Allen C. Ho, MD, and R.V. Paul Chan, MD, MBA, check in with retina specialists Shunji Kusaka, MD, PhD (Japan); Manish Nagpal, MS, DO, FRCS(UK) (India); and Wei-Chi Wu, MD, PhD (Taiwan).

The COVID-19 outbreak started months ago in Wuhan, China, but many parts of Asia are feeling the brunt of the pandemic now. How are retina specialists in various regions handling it? New Retina Radio hosts Allen C. Ho, MD, and R.V. Paul Chan, MD, MBA, check in with retina specialists Shunji Kusaka, MD, PhD (Japan); Manish Nagpal, MS, DO, FRCS(UK) (India); and Wei-Chi Wu, MD, PhD (Taiwan).

R.V. Paul Chan, MD, MSc, and Allen C. Ho, MD, host a panel comprised of Seung-Young Yu, MD (South Korea); Daniel Ting, MD, PhD (Singapore); and Paisan Ruamviboonsuk, MD (Thailand). The moderators and panel will discuss the evolving situation in Asia and how various medical systems have responded to the COVID-19 crisis.

R.V. Paul Chan, MD, MSc, and Allen C. Ho, MD, host a panel comprised of Seung-Young Yu, MD (South Korea); Daniel Ting, MD, PhD (Singapore); and Paisan Ruamviboonsuk, MD (Thailand). The moderators and panel will discuss the evolving situation in Asia and how various medical systems have responded to the COVID-19 crisis.

Paul Chan continues the Acts sermon series.

In this weeks episode I talk to the great writer and artist Larissa Pham. Larissa writes for, among others, The Nation and The Paris Review. She's also written a novella "Fantasian, a New Lovers" published by Paul Chan's imprint, Badlands Unlimited and is soon coming out with what she calls a mixtape of personal writing and essays, "How to Run Away" to be published by Catapult. Here we get into her thoughts on the rise and need for the personal in writing and when it goes too far, how art helps the artist to both express and disguise personal vulnerability, and what she learned working in a sex shop. We also maybe (maybe) get into her relationship with The Nation's endorsement of Bernie Sanders and how "your politics can't have limits." Incels, we see you. Vote for Bernie. https://larissapham.com/https://yapyapyap.org/

On Oct. 29, artist Paul Chan delivered the 2019-20 Una's Lecture, a series sponsored by the Townsend Center for the Humanities since 1987. In his talk, called the "Bather's Dilemma," Chan explores the figure of the bather — a visual trope with a rich history, and a prominent theme in his own work — as an embodiment of pleasure that is linked to the act of renewal."The bather in art history has a long and storied pedigree," says Chan. "What I was interested in was how this motif inspired a few artists to experiment with new ways to depict a human form that took into account movement in different ways."Thinking about bathers touched a nerve that was sensitive to a need I didn't realize was in me," he continues. "I needed some way to think about whether pleasure has a place in these punishing times and whether our capacity for pleasing and being pleased has any bearing on how we renew ourselves to better meet what genuine appeals of progress asks of us."Chan is the winner of the 2014 Hugo Boss Prize, awarded by the Guggenheim Foundation to an artist who has made a visionary contribution to contemporary art. His art is held in numerous permanent collections, including the Museum of Modern Art in New York and the Art Institute of Chicago.Listen and read the transcript on Berkeley News. See acast.com/privacy for privacy and opt-out information.

ทางทำเนียบขาวออกมาประกาศว่า Donald Trump และทนายความจะไม่เข้าร่วมการไต่สวน หรือ Impeachment ในวันพุธนี้Paul Chan เลขานุการฝ่ายการเงินของฮ่องกง กล่าวว่าเหตุการณ์การประท้วงที่เกิดขึ้น ได้ส่งผลกระทบต่อการเจริญเติมโตทางเศรษฐกิจมากถึง 2% ในปีนี้รัฐบาลจีนได้บังคับใช้กฎหมายใหม่ ที่บังคับให้ผู้ที่ลงทะเบียนเบอร์โทรศัพท์ใหม่ต้องทำการสแกนใบหน้าเพื่อลงทะเบียนก่อน โดยตัวกฎหมายออกมาตั้งแต่เดือนกันยายนแล้ว แต่มีผลบังคับใช้ในวันที่ 1 ธันวาคมที่ผ่านมาการประชุมประจำปีของสหประชาชาติว่าด้วยการเปลี่ยนแปลงของสภาพภูมิอากาศโลกสมัยที่ 25 หรือ COP25 ที่จัดขึ้น ณ กรุงมาดริด ประเทศสเปน ได้เริ่มขึ้นแล้วในวันที่ 2 ธันวาคม ซึ่งการประชุมจะกินเวลาประมาณ 2 สัปดาห์

Trey Corbett sits down with Mollie Carter and Paul Chan to discuss impact investing, a strategy where donors use their charitable assets to make a social or environmental impact with a financial return. The Grow Your Giving podcast is powered by the Greater Kansas City Community Foundation and our national entity, Greater Horizons. We aim to make giving convenient and efficient for our donors through donor-advised funds and other charitable giving tools. The Grow Your Giving podcast discusses philanthropic topics to help you enjoy giving more. Find us online at growyourgiving.org/podcast. "Easy Lemon" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Paul Chan continues the Acts sermon series.

Paul Chan continues the Exodus sermon series.

We talk to Michael Shnayerson about his book Boom, following the big art dealers from the 1940s to now. Plus, we speak to Nancy Spector, the organiser of Guggenheim in New York’s Artistic Licence: Six Takes on the Guggenheim Collection, and Paul Chan, one of the six artist-curators invited to mine the museum’s collection. See acast.com/privacy for privacy and opt-out information.

Dr. Paul Chan is a Professor at Delft University of Technology (Delft, Netherlands) in Design and Construction Management. His research interests include how future work processes and technologies are going to shape better built environments. The blog post for this episode can be found at prof-talks.com.

País Reino Unido Dirección Richard Loncraine Guion Meg Leonard, Nick Moorcroft Música Michael J. McEvoy Fotografía John Pardue Reparto Imelda Staunton, Timothy Spall, Celia Imrie, David Hayman, John Sessions, Joanna Lumley, Indra Ove, Richard Hope, Sian Thomas, Josie Lawrence, Victoria Wicks, Frankie Oatway, Marianne Oldham, Paul Chan, Karol Steele Sinopsis A punto de retirarse, una mujer de la clase media descubre que su marido ha estado teniendo una aventura con su mejor amiga, y por ello decide irse con su hermana bohemia, que vive en una zona empobrecida.

Please enjoy this bonus episode of ADMITTED, produced in partnership with The Skirball Cultural Center, presenting the exhibition Notorious RBG: The Life and Times of Ruth Bader Ginsburg open now. Visit Skirball.org Last year, LACBA presented a Bridging the Gap program for newer attorneys, with panels of experienced attorneys representing each practice area section. This is the Federal Practice panel, and it features attorneys Paul Chan and Luis Lee.

Dr Carolyn Lam:                Welcome to Circulation on the Run, your weekly podcast summary and backstage pass to the journal and its editors. I'm Dr Carolyn Lam, associate editor for the National Heart Center, and Duke National University of Singapore.                                                 How do resuscitation teams at top-performing hospitals for in-hospital cardiac arrest actually succeed? Well, to learn how, you have to keep listening to the podcast, because we will be discussing this right after these summaries.                                                 The first original paper this week tells us that recent developments in RNA amplification strategies may provide a unique opportunity to use small amounts of input RNA for genome wide-sequencing of single cells. Co-first authors, Dr Gladka and Molenaar, corresponding author, Dr van Rooij, and colleagues from Hubrecht Institute in Utrecht, the Netherlands, present a method to obtain high-quality RNA from digested cardiac tissue, from adult mice, for automated single-cell sequencing of both healthy and diseased hearts.                                                 Based on differential gene expression, the authors were also able to identify multiple subpopulations within a certain cell type. Furthermore, applying single-cell sequencing on both the healthy and injured heart indicated the presence of disease-specific cells subpopulations.                                                 For example, they identified cytoskeleton-associated protein 4 as a novel marker for activated fibroblasts that positively correlated with known myofibroblast markers, in both mouse and human cardiac tissue. This paper raises the exciting possibility for new biology discovery using single-cell sequencing that can ultimately lead to the development of novel therapeutic strategies.                                                 Myeloid-derived suppressor cells are a heterogeneous population of cells that expand in cancer, inflammation, and infection, and negatively regulate inflammation. However, their role in heart failure was unclear, at least until today's paper in this week's journal. Co-first authors Dr Zhou, Miao, and Yin, and co-corresponding authors, Dr Wang and Li, from Huazhong University of Science and Technology, measured the myeloid-derived suppressor cells by flow cytometry in heart failure patients and in mice with pressure overload–induced heart failure, using isoproterenol infusion or transverse aortic constriction.                                                 They found that the proportion of myeloid-derived suppressor cells was linked to heart failure severity. Cardiac hypertrophy, dysfunction, and inflammation were exacerbated by depletion of myeloid-derived suppressor cells but alleviated by cell transfer. Monocytic myeloid-derived suppressor cells exerted an antihypertrophic effect on cardiomyocyte nitric oxide, but monocytic and granulocytic myeloid-derived suppressor cells displayed antihypertrophic and anti-inflammatory properties through interleukin 10.                                                 Rapamycin increased accumulation of myeloid-derived suppressor cells by suppressing their differentiation, which in part mediated its cardioprotective mechanisms. Thus, these findings revealed a cardioprotective role from myeloid-derived suppressor cells in heart failure by their antihypertrophic effects on cardiomyocytes and anti-inflammatory effects through interleukin 10 and nitric oxide. Pharmacological targeting of myeloid-derived suppressor cells by rapamycin constitutes a promising therapeutic strategy for heart failure.                                                 In the FOURIER trial, the PCSK9 inhibitor evolocumab reduced LDL cholesterol and cardiovascular risk in patients with stable atherosclerotic disease. However, was the efficacy of evolocumab modified by baseline inflammatory risk?                                                 While Dr Bohula from the TIMI Study Group and colleagues explored this question by examining the efficacy of evolocumab stratified by baseline high sensitivity CRP. They also assessed the importance of inflammatory and residual cholesterol risk across the range of on-treatment LDL concentrations. They found that the relative benefit of evolocumab for the prevention of adverse cardiovascular events was consistent, irrespective of baseline high sensitivity CRP. However, because patients with higher high sensitivity CRP levels had higher rates of adverse cardiovascular events, they also tended to experience greater absolute benefit with evolocumab.                                                 In an analysis of baseline high sensitivity CRP in achieved LDL cholesterol, the authors found that at first cardiovascular event rates were independently associated with both LDL cholesterol and high sensitive CRP. Event rates were lowest in patients with the lowest hsCRP and LDL cholesterol, supporting the relevance of both inflammatory and residual cholesterol risk.                                                 The next paper provides further evidence that residual inflammatory risk, as measured by on-treatment high sensitivity CRP, remains an important clinical issue in patients on combination statin and PCSK9 inhibitor therapy. Dr Pradhan, from Brigham and Women's Hospital and colleagues, evaluated the residual inflammatory risk among patients participating in the SPIRE-1 and -2 cardiovascular outcome trials, who are receiving both statin therapy and the PCSK9 inhibitor bococizumab, according to on-treatment levels of high sensitivity CRP and LDL cholesterol measured 14 weeks after drug initiation.                                                 They found that among high-risk stable outpatients treated with moderate or high-intensity statins and PCSK9 inhibition, roughly one in two had residual inflammatory risk defined by an on-treatment high sensitivity CRP level of 2 or more mg per liters, and roughly one in three had values above 3 mg per liter.                                                 PCSK9 inhibition was associated with a 60% mean reduction in LDL cholesterol but little change in high sensitivity CRP. Levels of high sensitivity CRP above 3 mg per liter were associated with a 60% greater risk of future cardiovascular events, corresponding to a 3.6% annual event rate, even after accounting for on-treatment LDL cholesterol.                                                 Thus, PCSK9 inhibition, added to statin therapy in stable outpatients, does not lower high sensitivity CRP. Persistent elevations of CRP is associated with future cardiovascular risk in these patients, even after low levels of LDL cholesterol are achieved. If corroborated, these data suggests that inflammation modulation may yet have a role in the primary and secondary prevention of cardiovascular disease when LDL cholesterol is already controlled. Well, that wraps it up for our summaries. Now, for our future discussion.                                                 In-hospital cardiac arrests are common worldwide and they're so important because they represent opportunities for us to improve survival. Now, yet, overall rates of hospital survival after in-hospital cardiac arrests remain poor and there is substantial variation across facilities. This may be surprising because we all seem to follow or should follow the same ACLS algorithms across the world and yet, there are different outcomes.                                                 How do resuscitation teams, at top performing hospitals, for in-hospital cardiac arrest, how do they succeed? Pleased to be discussing this with a real star team in today's podcast. We have first and corresponding author of our feature paper, Dr Brahmajee Nallamothu. We also have Dr Steven Kronick, who is the chair of the CPR committee and both are from University of Michigan Medical School. We also have Dr Sana Al-Khatib, who is a senior associate editor of Circ, from Duke University. So, welcome everyone! Let’s go straight into it. Maybe starting with you Brahmajee, could you tell us what inspired you to perform this study? Dr Brahmajee Nallamothu            Thank you, Carolyn, for giving us the opportunity to talk about this study. I'm an interventional cardiologist here at the University of Michigan and typically, this isn't an area that interventional cardiologists are really greatly involved with. I became interested because I also, at times, I round in the cardiac intensive care unit, and that's a place where a lot of patients often times end up after they've had an in-hospital cardiac arrest at our institution and what I've noticed over the years, is the variability in care that would be occurring out there, and then also lots of gaps in the literature.                                                 Over a decade or so ago, I started partnering with a close friend and colleague, Paul Chan, from the Mid America Heart Institute and we started to do a series of studies on how in-hospital cardiac arrest care varies across institutions in the United States and we published a number of articles that have been in really high-profile journals over the last 10 years, but the problem has always been that even though we could describe really well what was happening, we had very little understanding of why it was happening or how certain hospitals were seeming to outperform others in this really challenging situation.                                                 We wanted to dive a bit deeper into the questions and reasons behind top performers doing so well and that's what brought us on to doing this study. Dr Carolyn Lam:                Great. You want to tell us a little bit about it? It's really very different from the other CPR studies I've seen. Could you tell us about it and what you've found? Dr Brahmajee Nallamothu:          Sure, so in the broader framework, it's a qualitative study and what I mean by qualitative is, we didn't really collect data either through surveys or through outcome assessments. What we did was, we actually went out and talked to people.                                                 The study though was really focused on what people call a mixed methods approach. We didn't just randomly talk to different hospitals, we actually focused on hospitals that were at the top-performing levels. We also focused on some hospitals that were non-top-performing as well, to get some contrast between the two and when I said we talked, we did this in a very systematic and pretty rigid way.                                                 We always had four interviewers go out to nine hospitals. We split them up, so we had two content experts and then two methodologic experts in qualitive studies, and we started to interview a bunch of people. In fact, we interviewed almost 160 people across these nine hospitals.                                                 We interviewed everyone from CEOs and hospital leadership, down to boots on the ground, including both clinical providers and even non-clinical providers, such as spiritual care, security. We tried to get this comprehensive view of what was actually happening during an in-hospital cardiac arrest across these nine hospitals, and really the results were quite fascinating to us.                                                 For someone, like myself, that's been in this space for ten years, I tell people I learn more talking to these nine hospitals than I have in the last ten years of looking at numbers on a spreadsheet. I really started to understand, for the first time, what was really going on, how these hospitals were dealing with these challenging situations because there's no bigger emergency in a hospital, and Steve, who we're going to hear from, we talk about this, but Steve has a great line about how when an in-hospital cardiac arrest occurs, that patient automatically becomes the sickest person in an institution and yet, we haven't set up systems that really build on how to handle that in the most consistent and positive way. Dr Carolyn Lam:                Oh, my goodness, I just love that line! Now, you have to tell us, so what's the secret? What's the secret of the succeeding hospitals? Dr Brahmajee Nallamothu:          What we found in general was, that resuscitation teams at top-performing hospitals really demonstrated the following features. They had dedicated or designated resuscitation teams. They really included the participation of diverse disciplines as team members during the in-hospital cardiac arrest. There were really clear roles and responsibilities of the team members that were set up right from the front.                                                 There was better communication and leadership, actually, during these events and finally, in the training aspect, one of the unique things we found was, the top-performing hospitals seem to have a high rate of in-depth mock codes, that they used as strategies for getting their clinicians ready for these events. Dr Carolyn Lam:                As you were speaking I was just thinking through the experiences of in-hospital cardiac arrests that I've encountered, and you're right. These elements, though we don't talk about them much, make a huge difference. Steve, I am so curious about your outlook. I mean you must have attended a kajillion CPRs as chair of the CPR committee. Tell us, what do you think is the take home message for clinicians and hospitals? Dr Steven Kronick:           My field is in emergency medicine and as chair of the CPR committee, I have responsibility of overseeing how we respond to cardiac arrests in our hospitals. I think that many institutions spend a lot of time and effort looking at in-hospital cardiac arrests are managed, and how to improve on it. We're able to use data to help compare ourselves to similar institutions, but beyond the bottom line of either ROSC or survival to discharge, we've most relied on process measures to figure out what we're doing.                                                 We're essentially flying blind, or at least not flying in any sort of formation when we do that. I think that this study validates some of the operational aspects of the arrest response, for those centers who use those and can help other decide where they want to direct their efforts. I think a good example that Brahmajee brought up, is this distinction we found between the use of dedicated teams, designated teams, or not having any organized team, and the impact that has on survival.                                                 The use of these teams can mean significant use of resources but showing that it's associated with better outcomes help provide support for that concept and for those centers who might already use one of those models, it helps them to steer their efforts to improving the delivery or the efficiency of that model. Dr Carolyn Lam:                Yeah, and indeed. Congratulations to both of you, Steve and Brahmajee. I do think that these are novel contemporary data, at least the first that I know of. Sana, you handle the paper and recognize this. Could you tell us a little about what you think are the novel and important aspects? Dr Sana Al-Khatib:            I really have been a fan of this paper from the get go and yes, it doesn't have the quantitative analysis that the statistical modeling, most of us are used to. It is a qualitative study, but I think that gives it strength. It makes it unique. This type of research, it can really only be effectively done through a qualitative study that really has all the important aspects of a good qualitative study, so I do want to congratulate them. Clearly, a lot of work went into this, and I appreciate all their efforts.                                                 In terms of the main findings, some of us might look at this data and say, well it's not surprising that those are the characteristics, or the features, of the top performing hospitals, but I felt like it was great, in terms of how the data were presented. Encouraging hospitals to adopt this. Giving them almost like a checklist of what they need to be doing to improve the outcomes of their in-hospital cardiac arrests, in terms of ensuring that they have designated resuscitation teams.                                                 The whole idea about diversity of participants in these arrests, and making sure everyone has a clear role and responsibility. The whole idea of making sure that somebody takes leadership and you have clear and very good communication among the different people who are doing this and great training. In fact, these people were doing in-depth mock codes. I think that spells it out very nicely and gives a lot of the hospitals, hopefully, action items that they can implement to improve the outcomes these patients. I love this paper. Dr Carolyn Lam:                Sana, I love the way you put that. Checklist, and you know what I was thinking as Brahmajee and Steve were talking earlier? I was thinking blueprint, almost, of the things that we should have. So Steve, could I ask your thoughts. I mean, are you going to put some of these things into practice in your own committee and how? Dr Steven Kronick:           There are a variety of things we can do. Some of these things are a pretty high-functioning place, but still looking at recommendations that have been laid out and how we help modify those things. Though the example is the roles that people play at an arrest. We can certainly improve on assigning those roles, how people work together as a team, and then also, getting to work more as a team, so that when they are called upon to perform those duties, they can do it in a more coordinated way. Dr Carolyn Lam:                How beautifully put. I'm going to steal a couple of minutes at the end of this podcast. I really have to because it's so rare to have Brahmajee on the line today and he's the Editor-in-Chief of Circ: Cardiovascular Quality and Outcomes. Brahmajee, could I ask you to say a few words to our worldwide audience about your journal? Dr Brahmajee Nallamothu:          We are a kind of daughter journal to Circulation. We are a bit more unique than the others, in the sense that we aren't disease or subspecialty focused. We deal with, broadly, the issues around outcomes research, health services research, quality of care research, and really health policy. We publish an issue once a month. We have a broad interest in things that are really relevant to the community around outcomes research and health services research.                                                 I will say that I really appreciate this because of the worldwide audience and reach, one of the big issues we've been very interested in is expanding our reach, from the United States to other parts of the world, and in fact, last fall, we had a global health issue, which was well received, and we received papers from across the world.                                                 In fact, every paper in that issue was a non-US-based paper, and it touched on a number of things from issues around healthcare utilization in Asia to demographics and disease registries in Africa, and it was a wonderful experience, so I think it's a journal that we're excited about.                                                 It was first launched by Harlan Krumholz, who has set a high bar and standard for us, and I think that my editorial team, which has been fantastic, has continued with that work. We would love to see papers from your readers and your listeners from across the world and excited about what that journal is going to be doing in the next five years. Dr Carolyn Lam:                Oh wow! That's so cool! Well listeners, you heard it right here, first time on Circulation on the Run. Thank you so much for joining us today. Don't forget to tune in again next week.  

Dr. R.V. Paul Chan of the Illinois Eye and Infirmary joins the program to discuss retinopathy of prematurity (ROP) including a review of basic terminology, updates of medical advances and the role of anti-VEGF drugs, and the role of telemedicine in the future of ROP worldwide.

Practicing retina in the developing world means facing frustrating, unexpected, and sometimes dangerous circumstances. Don D'Amico, MD, R.V. Paul Chan, MD, and Pravin Dugel, MD, share their stories of engaging medical communities from Tanzania to Armenia and Vietnam to Nepal.

Practicing retina in the developing world means facing frustrating, unexpected, and sometimes dangerous circumstances. Don D'Amico, MD, R.V. Paul Chan, MD, and Pravin Dugel, MD, share their stories of engaging medical communities from Tanzania to Armenia and Vietnam to Nepal.

What is the role of contemporary art museums today? Are biennales and art fairs platforms for experiment and exchange, or little more than social attractions for the elite? Have collectors become the new curators? Are private and corporate interests in culture at odds with the public good? And ultimately, who is art for? In this debate recorded in Hong Kong in 2012, award-winning documentary film-maker, author and art critic, Ben Lewis, and Hong Kong-born artist, Paul Chan, spoke for the motion. Director of Sydney’s Museum of Contemporary Art, Elizabeth Ann Macgregor, and conceptual art pioneer, Joseph Kosuth, spoke against the motion. See acast.com/privacy for privacy and opt-out information.

This week: San Francisco checks in with dance legend Anna Halprin!!! Anna Halprin (b. 1920) is a pioneering dancer and choreographer of the post-modern dance movement. She founded the San Francisco Dancer's Workshop in 1955 as a center for movement training, artistic experimentation, and public participatory events open to the local community. Halprin has created 150 full-length dance theater works and is the recipient of numerous awards including the 1997 Samuel H. Scripps Award for Lifetime Achievement in Modern Dance from the American Dance Festival. Her students include Meredith Monk, Trisha Brown, Yvonne Rainer, Simone Forti, Ruth Emmerson, Sally Gross, and many others. Printed Matter Live Benefit Auction Event: March 9, 6-8:30 pm Robert Rauschenberg Project Space 455 West 19th St, New York www.paddle8.com/auctions/printedmatter Printed Matter, Inc, the New York-based non-profit organization committed to the dissemination and appreciation of publications made by artists, will host a Benefit Auction and Selling Exhibition at the Rauschenberg Foundation Project Space to help mitigate damage caused by Hurricane Sandy. As a result of the storm, Printed Matter experienced six feet of flooding to its basement storage and lost upwards of 9,000 books, hundreds of artworks and equipment. Printed Matter's Archive, which has been collected since the organization's founding in 1976 and serves as an important record of its history and the field of artists books as a whole, was also severely damaged. Moreover, the damage sustained by Sandy has made it clear that Printed Matter needs to undertake an urgent capacity-building effort to establish a durable foundation for its mission and services into the future. This is the first fundraising initiative of this scale to be undertaken by the organization in many years, and will feature more than 120 works generously donated from artists and supporters of Printed Matter. The Sandy Relief Benefit for Printed Matter will be held at the Rauschenberg Project Space in Chelsea and will run from February 28 through March 9th. The Benefit has two components: a selling exhibition of rare historical publications and other donated works and an Auction of donated artworks. A special preview and reception will be held February 28th, 6-8 pm, to mark the unveiling of all 120 works and to thank the participating artists and donors. The opening will feature a solo performance by cellist Julia Kent (Antony and the Johnsons), followed by a shared DJ set from Lizzi Bougatsos (Gang Gang Dance) & Kyp Malone (TV on the Radio). The event is free and open to the public. All works will then be available for viewing at the Rauschenberg Project Space March 1 – March 9, gallery hours. All Selling Exhibition works may be purchased during this period and Auction works will be available for bidding online. Bids can be made at www.paddle8.com/auctions/printedmatter. A live Benefit Auction Event will take place March 9, 6-8:30 pm with approximately 20 selected works to be auctioned in a live format. Bidding on these works will commence at 7pm sharp, while silent bids can be made on all other Auction works. Note, highest online bids will be transferred to the room. For absentee bidding of works, please contact Keith Gray (Printed Matter) at 212 925 0325 or keith@printedmatter.org. The evening will feature a performance by Alex Waterman on solo cello with electronics. Admission is $150 and tickets may be pre-purchased here. There will be only limited capacity. Highlighted auction works include an oversize ektacolor photograph from Richard Prince, a woven canvas piece from Tauba Auerbach, an acrylic and newsprint work from Rirkrit Tiravanija, a large-scale Canopy painting from Fredrik Værslev, a rare dye transfer print from Zoe Leonard, a light box by Alfredo Jaar, a book painting by Paul Chan, a carbon on paper work from Frances Stark, a seven-panel plexi-work with spraypainted newsprint from Kerstin Brätsch, a C-print from Hans Haacke, a firefly drawing from Philippe Parreno, a mixed-media NASA wall-piece from Tom Sachs, a unique print from Rachel Harrison, a vintage xerox poem from Carl Andre, an encyclopedia set of hand-made books from Josh Smith, a photograph from Klara Liden, a table-top sculpture from Carol Bove, Ed Ruscha’s Rooftops Portfolio, as well as original works on canvas and linen by Cecily Brown, Cheyney Thompson, Dan Colen, Adam McEwen, RH Quaytman, and many others. These Auction works can be previewed at: www.paddle8.com/auctions/printedmatter In addition to auction works, a vitrine-based exhibition of rare books, artworks and ephemera are available for viewing and purchase. This material includes some truly remarkable items from the personal collection of Robert Rauschenberg, donated by the Robert Rauschenberg Foundation in memory of the late Printed Matter Board Member, bookseller and publisher, John McWhinnie. Among the works available are books and artworks from Marcel Duchamp, Willem de Kooning, Alfred Steiglitz, Joseph Beuys, Brigid Berlin (Polk), as well as a Claes Oldenburg sculpture, a rare William Burroughs manuscript, and the Anthology Film Archive Portfolio (1982). Additional artists’ books have been generously donated by the Sol LeWitt Estate. Works include pristine copies of Autobiography (1980), Four Basic Kinds of Straight Lines (1969), Incomplete Open Cubes (1974), and others. Three Star Books have kindly donated a deluxe set of their Maurizio Cattelan book edition. These works can be viewed and purchased at the space. For inquiries about available works please contact Printed Matter’s Associate Director Max Schumann at 212 925 0325 or mschumann@printedmatter.org. Co-chairs Ethan Wagner & Thea Westreich Wagner and Phil Aarons & Shelley Fox Aarons have guided the event, and Thea Westreich Art Advisory Services has generously lent its expertise and assisted in the production of the auction. In anticipation of the event Printed Matter Executive Director James Jenkin said: “Not only are we hopeful that this event will help us to put Sandy firmly behind us, it is incredibly special for us. To have so many artists and friends associated with our organization over its 36 years come forward and support us in this effort has been truly humbling.“ Auction includes work by: Michele Abeles, Ricci Albenda, Carl Andre, Cory Arcangel, Assume Vivid Astro Focus, Tauba Auerbach, Trisha Baga, John Baldessari, Sebastian Black, Mark Borthwick, Carol Bove, Kerstin Brätsch, Sascha Braunig, Olaf Breuning, Cecily Brown, Sophie Calle, Robin Cameron, Sean Joseph Patrick Carney, Nathan Carter, Paul Chan, Dan Colen, David Kennedy Cutler, Liz Deschenes, Mark Dion, Shannon Ebner, Edie Fake, Matias Faldbakken, Dan Graham, Robert Greene, Hans Haacke, Marc Handelman, Rachel Harrison, Jesse Hlebo, Carsten Höller, David Horvitz, Marc Hundley, Alfredo Jaar, Chris Johanson, Terence Koh, Joseph Kosuth, Louise Lawler, Pierre Le Hors, Leigh Ledare, Zoe Leonard, Sam Lewitt, Klara Liden, Peter Liversidge, Charles Long, Mary Lum, Noah Lyon, McDermott & McGough, Adam McEwen, Ryan McNamara, Christian Marclay, Ari Marcopoulos, Gordon Matta-Clark, Wes Mills, Jonathan Monk, Rick Myers, Laurel Nakadate, Olaf Nicolai, Adam O'Reilly, Philippe Parreno, Jack Pierson, Richard Prince, RH Quaytman, Eileen Quinlan, Sara Greenberger Rafferty, Ed Ruscha, Tom Sachs, David Sandlin, Paul Mpagi Sepuya, Cindy Sherman, Josh Smith, Keith Smith, Buzz Spector, Frances Stark, Emily Sundblad, Andrew Sutherland, Peter Sutherland, Sarah Sze, Panayiotis Terzis, Cheyney Thompson, Rirkrit Tiravanija, Nicola Tyson, Penelope Umbrico, Fredrik Værslev, Visitor, Danh Vo, Dan Walsh and Ofer Wolberger.

Keeping up with Paul Chan could be two peoples full time job. This time out he and Paul talk about the context of publishing, Documenta, and what Paul has been up to since 2010. Check out Paul's site here... http://www.nationalphilistine.com/ the followoing was borrowed from Paul. He really is a lovely fellow. Paul Chan is an artist who lives and works in New York. His work has been exhibited widely in many international shows including: Documenta 13, Kassel, 2012;Before The Law, Ludwig Museum, Cologne, 2011-12; Making Worlds, 53rd Venice Biennale, Venice, 2009; Medium Religion, ZKM, Karlsruhe, 2008; Traces du sacrê, Centre Pompidou, Paris, 2008 and the Whitney Biennial, Whitney Museum of Art, New York, 2006. Recent solo exhibitions include Paul Chan: The 7 Lights, Serpentine Gallery, London and New Museum, New York, 2007–2008. In 2007, Chan collaborated with the Classical Theatre of Harlem and Creative Time to produce a site-specific outdoor presentation of Samuel Beckett’s play Waiting for Godot in New Orleans. Chan’s essays and interviews have appeared in Artforum, Frieze, Flash Art, October, Tate etc, Parkett, Texte Zur Kunst, Bomb, and other magazines and journals. Chan founded Badlands Unlimited, a press devoted to publishing artists writings and writings about art in paper and digital forms in 2010. 

This week: Holy bicenquinquagenary Batman! Brian and Duncan (and guest stars including but not limited to Randall Szott) talk to Creative Time chief curator, author, and all around interesting guest Nato Thompson. This show is the second in the series of interviews recorded at the Open Engagement conference at which Mr. Thompson was a guest. This series already charts among some of my favorites in the history of the show. Enjoy!Since January 2007, Nato has organized major projects for Creative Time such as Democracy in America: The National Campaign (2008), Paul ChanÂ’s acclaimed Waiting for Godot in New Orleans (2007) and Mike Nelson’s A Psychic Vacuum. Previous to Creative Time, he worked as Curator at MASS MoCA where he completed numerous large-scale exhibitions such as The Interventionists: Art in the Social Sphere (2004), a survey of political art of the 1990s with a catalogue distributed by MIT Press. His writings have appeared in numerous publications including BookForum, Art Journal, tema celeste, Parkett, Cabinet and The Journal of Aesthetics and Protest. The College Art Association awarded him for distinguished writing in Art Journal in 2004. He recently curated an exhibition for Independent Curators International titled Experimental Geography with a book available by Melville House Publishing. His book on art and activism is due out by Autonomedia in October 2009.

Chief Curator Richard Julin meets Jonathan Monk over a conversation about a conversation in 2008 when Monks participated in the exhibition BETWIXT – SOFIA HULTÉN between KENDELL GEERS, GABRIEL OROZCO, JONATHAN MONK, COSIMA VON BONIN, PAUL CHAN and MONA HATOUM. Recorded on November 13, 2008 at Magasin 3, Stockholm Language: English

Chief Curator Richard Julin meets Jonathan Monk over a conversation about a conversation in 2008 when Monks participated in the exhibition BETWIXT – SOFIA HULTÉN between KENDELL GEERS, GABRIEL OROZCO, JONATHAN MONK, COSIMA VON BONIN, PAUL CHAN and MONA HATOUM. Recorded on November 13, 2008 at Magasin 3, Stockholm Language: English

A conversation between Sofia Hultén and Richard Julin, chief curator at Magasin 3 during the 2008 exhibition BETWIXT – SOFIA HULTÉN between KENDELL GEERS, GABRIEL OROZCO, JONATHAN MONK, COSIMA VON BONIN, PAUL CHAN and MONA HATOUM. Recorded on September 27, 2008 at Magasin 3, Stockholm Language: Swedish

A conversation between Sofia Hultén and Richard Julin, chief curator at Magasin 3 during the 2008 exhibition BETWIXT – SOFIA HULTÉN between KENDELL GEERS, GABRIEL OROZCO, JONATHAN MONK, COSIMA VON BONIN, PAUL CHAN and MONA HATOUM. Recorded on September 27, 2008 at Magasin 3, Stockholm Language: Swedish

Guest: Paul Chan, MD Host: Matthew J. Sorrentino, MD, FACC, FASH Are high-dose statins cost effective for patients after acute coronary syndromes or for patients with chronic coronary disease? Dr. Paul Chan discusses his recent paper in Circulation and his cost-effectiveness analysis.