Podcasts about art night

In this week's episode of Mom Stomp, Annie and Jo have a blast at Pasadena's ArtNight and Jo enrolls in a program at a local community college. Plus! Beyoncé is having trouble selling concert tickets, Annie catches up & weighs in on Traitors (S3), the moms are pissed at the Ru Paul Drag Race editors….and Gayle is going to SPACE!? We also have a VM from Patreon first born FNLN Daphne Arnold and a visit from a very special little leaguer.Supporting links to this ep can be found in their weekly newsletter here: https://momstomppodcast.substack.com/*This podcast is not appropriate for kids.Email - thismomstomps@gmail.comVM hotline - 213-640-7494TikTok/Instagram - momstomppodcast

Metro Richmond's homeless population has grown; three new state troopers assigned to Henrico; your chance to become an amateur beekeeper; some older Virginians may be missing out on SNAP benefits; Henrico Theatre Company announces its 45th season; The Cultural Arts Center at Glen Allen plans ‘Art Night' next month.Support the Show.

The Cultural Arts Center will hold Art Night Sept. 19, from 6 p.m. to 8 p.m. The event is free, and all exhibits are family-friendly. The event, which will include the debut of new exhibits, also will feature a wine and beer cash bar. The new exhibits include: • works from members of the Virginia Glass Guild; • artwork from Chief Babs, who grew up in Northern Ghana, surrounded by Dagomba culture; • art from members of the Richmond Lego Users Group, which is celebrating its 10th anniversary; • "A Pleasure to Be Held," an exhibit featuring digitally generated images...Article LinkSupport the Show.

This week's show is my exciting gig from the MUPP Art Night in Dresden where I played last weekend. Enjoy two hours of the most exciting EDM tracks!

Beruflicher Erfolg durch Kreativität? Die Antwort darauf kennt Gründerin und Unternehmerin Aimie-Sarah Carstensen. Mit der Gründung von ArtNight im Jahr 2016 hat sie eine Plattform geschaffen, die die Kreativität in den Alltag vieler Menschen zurückbringt. Was mit kleinen Mal-Events in Cafés begann, hat sich heute zum führenden Unternehmen von Create-it-yourself-Erlebnissen im deutschsprachigen Raum entwickelt. In der Podcastfolge spricht Aimie mit finanz-heldin Jenny über ihre Gründung, die Herausforderungen und Learnings als Unternehmerin. Sie erklärt Dir, wieso es so wichtig ist, als Gesellschaft kreativ zu sein, was Du als einzelne Person dazu beitragen kannst und welche Techniken es gibt, um die eigene Kreativität zu fördern. Außerdem erfährst Du von Aimie, was Kreativität mit Networking zu tun hat und wie Du Dir auch als introvertierte Person ein berufliches Netzwerk aufbauen kannst. Also: Kopfhörer auf, von Aimies Worten inspirieren lassen den Inner Artist in Dir wecken. Hier geht es zu den ArtNight-Events: https://www.artnight.com/ Bleib mit uns in Kontakt! Website: https://finanz-heldinnen.de/ Instagram: https://www.instagram.com/finanzheldinnen/ Finanzplaner: https://finanz-heldinnen.de/planer

The Henrico Board of Zoning Appeals will meet tomorrow; Henrico CASA seeks new volunteers; a new Chick-fil-A coming to Henrico; 'Christmas in July' movies planned tomorrow at the Henrico Theatre; Cultural Arts Center at Glen Allen to host 'Art Night' tomorrow.Support the Show.

Presenter Joy Jackson Night Beat–The Practical Joke: Practical jokes are great fun for the joker but not so much for the victim. What happens when the victim appears to commit suicide from the joke? Starring Ivan Cury and Chuck Royalty LOST 2016 MYSTERY  28:28

Presenter Joy Jackson Night Witches, The – Telling the little known tale of the bravery of Russian aviators and their struggle to drive back the Nazi advance in the winter of 1941. Little known because these aviators were all women. Written by Steven Poole Starring Melinda Mains and Joy Jackson ORIGINAL 2012 HISTORICAL DRAMA  49:45

Mit Aimie-Sarah Carstensen (ArtNight) Staffel #10 Folge #8 | #Marketing_021 Der Podcast über Marketing, Vertrieb, Entrepreneurship und Startups *** https://www.artnight.com

Linda Tugnoli"Art Night""Il volto e l'anima. Indagine sul ritratto"Mercoledì 24 aprile 2024 alle 21.15 su Rai 5Art Night Il volto e l'anima. Indagine sul ritratto Il volto umano: la prima forma che si distingue, appena nati. La prima che si cerca di rappresentare. Un soggetto che ha attraversato tutta la storia dell‟arte occidentale. In tempi molto recenti, però, è stato però varcato un confine invisibile. Lo racconta “Art Night” in onda mercoledì 24 aprile alle 21.15 in prima visione su Rai 5 con Neri Marcorè, con un documentario di Linda Tugnoli prodotto da Mark in video. Uno studio recentissimo dell‟Australian National University ha messo in luce come, nei ritratti fotografici, i volti prodotti dall‟Intelligenza Artificiale siano ormai percepiti come più veri del vero. E‟ la soglia di una nuova era? Anche nell‟arte la rivoluzione è già iniziata. Il collettivo Obvious ha creato il primo ritratto creato con l‟Intelligenza Artificiale battuto all‟asta da Christie‟s a più di 400.000 dollari e il ritratto è stato generato da un algoritmo che per produrlo ha analizzato circa 15.000 ritratti di varie epoche storiche. «Siamo stati creati per guardarci l‟un l‟altro» scriveva Edgar Degas che, a Parigi, prendeva l‟omnibus ogni giorno per potersi immergere quotidianamente in una folla di volti. E nel ritratto, ogni epoca ha espresso l‟idea che l‟uomo aveva di sé stesso. Per questo, interrogarsi sull‟interesse dell‟arte occidentale per il ritratto, cioè per la sua attitudine introspettiva, prevede delle domande che, se da una parte spaziano dalla pittura alla scultura, alla fotografia, alle opere realizzate con l‟ausilio dell‟intelligenza artificiale, dall‟altra si collocano necessariamente al confine tra storia dell‟arte, scienza e filosofia. La speculazione sul profondo attraverso la raffigurazione del volto significa innanzitutto analisi delle emozioni. All‟origine del ritratto moderno, nel senso appunto di questa capacità introspettiva, possiamo collocare Leonardo Da Vinci, con i suoi studi di fisiognomica e la sua raccomandazione di rappresentare i moti dell‟animo attraverso i tratti del volto: dal suo Trattato della Pittura: «Farai le figure in tale atto, il quale sia sufficiente a dimostrare quello che la figura ha nell‟animo.» Ma la geniale intuizione di Leonardo, ripresa da Degas nella sua idea che osservarci l‟un l‟altro sia l‟essenza dell‟umano, non riecheggia forse anche nelle recenti ricerche delle neuroscienze, tra cui un‟importantissima scoperta tutta italiana: quella dei neuroni specchio? Giacomo Rizzolatti, neuroscienziato di cui già più volte è stato fatto il nome per il Nobel, ha scoperto che il cervello risponde alle emozioni che legge sul volto di un altro con delle configurazionineuronali che non si limitano a “leggere” quelle emozioni ma, incredibilmente, le mimano, le riproducono. Il racconto di “Art Night” procede per suggestioni e per nuclei tematici, ma si appoggia anche a una solida linea del tempo che conduce dai volti quasi assenti nell‟arte rupestre del Paleolitico alle maschere funerarie egizie per poi riflettere sull‟originalità e la forza della ritrattistica romana nel campo della scultura. Si indagherà lo sviluppo della fisiognomica a partire dagli studi anticipatori di Leonardo al trattato cinquecentesco del Della Porta fino a Le Brun e agli sconfinamenti nello studio della follia e dell‟antropologia criminale di Lombroso. Parallelamente, si seguirà la ricerca della verità nel ritratto a partire dal „400, dove un punto di partenza può essere individuato nei sorrisi eternizzati dell‟Ignoto marinaio di Antonello da Messina e la sua più celebre controparte femminile, la Gioconda. La storia del ritratto si imbatte poi alla bizzarra vicenda umana e artistica di Lorenzo Lotto, che prelude alle vette della ritrattistica di Rembrandt, Velasquez, Vermeer, fino alla tappa definitiva della psicanalisi, che con Freud nel 1900 svela l‟esistenza di profondità fino ad allora insondate a pittori come Modigliani, Klimt, Schiele e poi ai surrealisti. Con la fotografia, che soppianta il ritratto e ne riprende all‟inizio certe caratteristiche (per esempio l‟assenza di sorriso, almeno fino all‟apparecchio portatile della Eastman-Kodak alla fine dell‟800) si entra in una nuova era, fino agli approdi più recenti che aprono nuove dimensioni nel futuro, dall‟arte digitale al deep fake. Nel programma intervengono Amy Dawel, Associate Professor, The Australian National University; l‟artista Pierre Fautrel, Obvious Ai & Art, Parigi; Francois Debrabant, Direttore Museo Preistorico La Sabline a Lussac- Les-Chateaux e Oscar Fuentes, archeologo del Centre National De Préhistoire; Anna Oliverio Ferraris, scrittrice e psicologa. Christian Greco, direttore del Museo Egizio, e Stefania Mainieri, ricercatrice del Museo Egizio, Fabrizio Paolucci, responsabile Collezione Antichità Classiche delle Gallerie degli Uffizi; Vincenzo Garbo, presidente della Fondazione Mandralisca a Cefalù e Antonella Tumminello, restauratrice; Flavio Caroli e Enrico Dal Pozzolo, storici dell‟arte; Giacomo Rizzolatti, del Dipartimento Medicina e Chirurgia dell‟Università di Parma, Simona Turco, funzionario archivista dell‟Istituto Centrale per il Catalogo e la Documentazione e Michele Smargiassi, giornalista.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

EXPERTENGESPRÄCH | Unser HR-Experten-Duo und Joel deklinieren HR Disziplinen am Praxisbeispiel. Zu Gast ist Aimie Sarah Carstensen. Die Gründerin von ArtNight hat in den vergangen Jahren viele Erfahrungen im HR-Bereich gesammelt. ArtNight ist rasant gewachsen. So kam es zum Massen-Hiring. Durch verschiedene Faktoren kam es aber auch in der Umkehr zu einer großen Kündigungswelle. Aimie berichtet von Strategien, mit denen sie sich dieser Herausforderung angenommen hat. Außerdem erzählt sie, warum HR eine tragende Rolle für ein erfolgreiches Unternehmen spielt. Du erfährst... …das Geschäftsmodell von ArtNight …wie du die richtigen Arbeitnehmer für dein Business findest  …Tipps, wie du als Geschäftsführung eine Kündigung emotional managest …Aimies Blueprint für ein Kündigungsgespräch …wie Personio sukzessive das HR-Management optimiert hat …warum Aimie meint, dass Hiring und Firing Chefsache sind …Aimies persönliche Learnings im HR-Bereich als Geschäftsführerin …praktische Tools für HR-Management Diese Episode dreht sich schwerpunktmäßig um HR – ein Bereich in dem wir mit dem zunehmenden Fachkräftemangel und War for Talents große Relevanz sehen. Unser Fokus liegt darauf, praxisorientierte Erkenntnisse für erfolgreiche Personalbeschaffung, Employer Branding und Talentmanagement zu liefern. Deshalb spricht Joel in diesen Folgen regelmäßig mit Kálmán Györy, Teamlead Talent Acquisition bei der Personal-Management-Plattform Personio, und Florian Klages, Geschäftsführer bei Torq Partners, einem Beratungsunternehmen mit Fokus auf Finance & People. __________________________ ||||| PERSONEN |||||

Recorded live at e-flux Screening Room on Tuesday, September 5, 2023 during a retrospective screening of selected works by Laure Prouvost. The pre-screening introduction by Amal Issa and Laure Prouvost is followed by a conversation between the artist and writer-curator Kathy Noble. The screening portion of the program featured a selection of works spanning the last decade: OWT (2007, 3 minutes), Finger Point Green (2010, 3 minutes), They Parlaient Idéale (29 minutes, 2019), Every Sunday, Grandma (2022, 7 minutes), OMA JE (You, My, Omma, Mama, Shadow Does, and A Walking Story) (2023, 22 minutes). Language—in its broadest sense—permeates the video, sound, installation, and performance work of Laure Prouvost. Known for her immersive and mixed-media installations that weave in film in humorous and idiosyncratic ways, Prouvost's work addresses miscommunication and ideas becoming lost in translation. Playing with language as a tool for the imagination, Prouvost is interested in confounding linear narratives and expected associations among words, images, and meaning. She combines existing and imagined personal memories with artistic and literary references to create complex works that muddy the distinction between fiction and reality. At once seductive and jarring, her approach to filmmaking employs layered storytelling, quick edits, montage, and wordplay, and is composed of a rich, tactile assortment of images, sounds, and spoken and written phrases.    Laure Prouvost (b. 1867, Lieumeconu, France) lives and works. Here a long list of museums and institutions. A line, interesting things, a coma, a line, a list of residencies and prizes. A selection of solo projects including: an Oma-je in Vienna, a flying Grandma in Oslo, Esmé Blue in Busan, Helsinki, and Madrid, an elastic arm hold in tight in Copenhagen, a Swallowing and Breathing in Eindhoven, a Smoking Mother in Copenhagen, a Melting Into Another in Lisbon and Sonsbeek, an Occupied Paradise in Aalst, Deep See Blue Surrounding You in Venice, Toulouse, and Lille, a Waiting Room with objects in Minneapolis, a New Museum for Granddad in Milano, a tearoom for Grandma in Derry, a karaoke room in Brussels, a new octopus ink vodka bar for Gregor in Rotterdam, A travel agency for an Uncle in Frankfurt, a lobby for love among the artists in the Hague and Luzern… tea bags, and wet floors and tentacules. Kathy Noble is a curator and writer based in New York, currently working as Senior Curator at Performa. There she previously served as Senior Curator and Head of Curatorial Affairs to oversee the program and curated numerous commissions. As Curator, Interdisciplinary, at Tate Modern she co-curated Tate Modern Live, The Long Weekend Festival, and Art in Action, the first program in The Tanks spaces. In 2016 she launched the inaugural Art Night festival with the Institute of Contemporary Arts, London, presenting ten site-specific projects at venues across Westminster. She has published numerous essays in books and magazines such as Artforum, frieze, and Mousse Magazine.

This is my DJ set from the MUPP Art Night in Dresden, enjoy and have a good time!

Heute erwartet dich im create&CARE Podcast ein erfrischendes Interview mit der selbsternannten “Botschafterin für Kreativität”, Aimie-Sarah Carstensen, bekannt aus "Die Höhle der Löwen". Aimie ist Gründerin und CEO von ArtNight, dem führenden Anbieter von CIY (create-it-yourself)-Erlebnissen im deutschsprachigen Raum, sowie Coach, Podcasterin und Künstlerin. Im Gespräch nimmt uns Aimie mit auf eine faszinierende Reise hinter die Bedeutung und unterschätzte Kraft von Kreativität. Sie erklärt, warum sie in der dritten Klasse den Glauben an ihre eigene Kreativität verloren und wie sie 30 Jahre später wieder zu dieser zurückgefunden hat. Gemeinsam diskutieren wir verschiedene Aspekte, wie wir Kreativität in Gesellschaft, Bildung und Alltag weniger bewerten und mehr befördern können. Viel Spaß beim Zuhören! Mehr von Aimie und ArtNight findest du hier:  Website: www.aimiecarstensen.com I ⁠⁠⁠www.artnight.com Instagram:⁠ www.instagram.com/aimiesarahcarstensen I ⁠www.instagram.com/artnightevents Podcast: DARE TO CREATE I ⁠aimiecarstensen.com/podcast-dare-to-create Linkedin: ⁠de.linkedin.com/in/aimiecarstensen +++ PODCAST SPECIAL +++ Mit dem Code CreateAndCare10 erhältst du 10% Rabatt auf alle ArtNight Tickets! (auch Teamevents und ArtNight Kids, ausgeschlossen sind Materialsets, gültig bis 31.12.2023) Du möchtest besser für dich selbst sorgen und dein geistiges und körperliches Wohlergehen im Alltag nicht ständig vernachlässigen? Dann melde dich jetzt zu meinem create&CARE Booster-Programm an und mach dich gemeinsam mit mir auf die Entdeckungsreise zu deiner eigenen, kreativen Selbstfürsorge-Routine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.frauhoelle.com/createcare-booster/⁠⁠ ⁠⁠ Mehr von mir findest du hier:  Website: ⁠⁠⁠⁠⁠⁠⁠https://www.frauhoelle.com/⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Shop: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.frauhoelle.com/shop/⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/frauhoelle/⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@frauhollestudio9774⁠⁠

C-LEVEL INTERVIEW | Mit Ihrem Pitch in „Die Höhle der Löwen“ gelang Aimie-Sarah Carstensen mit ihrem Co-Founder der große Durchbruch. Mit ihrem Business ArtNight bieten die beiden Malkurse an. Klingt langweilig? Ist es überhaupt nicht! Die Founderin gibt dir einen Einblick in ihr Business. Sie berichtet, wie sie die Veranstaltung von Offline-Events skaliert haben. Außerdem erzählt Aimie von Ihrem Auftritt im TV und mit welchen Schwierigkeiten ArtNight während der Corona-Pandemie zu kämpfen hatte. Du erfährst... …das Geschäftsmodell von ArtNight …welche Marketing-Kanäle ArtNight bespielt …wie ArtNight mit lokalen Künstler:innen kooperiert …wo ArtNight aktiv ist …einen Einblick hinter die Kulissen bei „Die Höhle der Löwen“ …welche Investoren bei ArtNight eingestiegen sind …wie ArtNight sich den Herausforderungen durch die Corona-Pandemie gestellt hat …die Wettbewerbssituation in der sich ArtNight wiederfindet Diese Episode dreht sich schwerpunktmäßig um Unternehmertum: Denn getreu dem digital kompakt Motto "Lerne von den Besten" trifft sich Joel in freudiger Regelmäßigkeit mit den erfolgreichsten Unternehmer:innen aus der Startup- und Digitalwirtschaft. Egal ob Scale-up, Soonicorn, Unicorn oder erfolgreicher Mittelständler – in unseren Episoden zu Unternehmertum lassen dich die Besten hinter ihre Kulissen blicken und nehmen dich mit auf eine Reise zur Strategie, Entstehung und Entwicklung ihrer Firmen. __________________________ ||||| PERSONEN |||||

Wie jeden Samstag gibt es heute eine neue Folge aus der Rubrik “Media Talk – die wichtigsten Startup-Medien im Dialog” und dafür begrüßen wir Aimie-Sarah Carstensen, CEO und Founder von ArtNight und Podcast-Host von „Dare to create“.Dare to create ist der Podcast von Aimie-Sarah Carstensen, die mit Vordenkenden, Unternehmerinnen, Unternehmern und Kunstschaffenden spricht, die in faszinierenden Interviews ganz persönliche Einblicke in ihren kreativen Flow geben und von ihren individuellen Geschichten erzählen, um die Zuhörerschaft zu inspirieren und sie zu ihrer kreativen Seite zu führen. Mit ihrem Unternehmen hat Aimie-Sarah Carstensen bereits über 700.000 Teilnehmenden bei innovativen Malevents dabei geholfen, ihre kreative Schaffenskraft zu entdecken.

The Imperial War Museum in London is putting on display recently collected objects and new first-hand testimony describing life in Northern Ireland during The Troubles in its first show to look at this topic. Anne McElvoy explores what it means to explore this history in writing, music and museum displays. The author Louise Kennedy's novel Trespasses is a 1970s love story. Poet Maria McManus and composer Keith Acheson have collaborated on a piece called Ellipses which they describe as being about "doubling back and reclaiming the sense of wonder, awe and timelessness that came before all the grimness". And Maria Fusco has worked on a new opera film which highlights the experiences of working class women in Belfast. Producer: Robyn Read Louise Kennedy's books include the short story collection The End of the World is a Cul de Sac and a novel set during 1970s Belfast called Trespasses which is now out in paperback. Northern Ireland: Living with the Troubles is a free exhibition at the IWM London curated by Craig Murray Ellipses is being performed at the Belfast International Arts Festival in November History of the Present an opera film was made on 35mm and SD video in the streets of Belfast, the Ulster Museum and the Royal Opera House in London. It was co-directed by Maria Fusco and Margaret Salmon with music by composer Annea Lockwood and will be screened 24.06.23 at Art Night, Dundee 02.07.23 The Royal Opera House, London and 11.08.23 for the Edinburgh Art Festival [live version]

The public is invited to attend “Art Night” at The Cultural Arts Center at Glen Allen Thursday, March 23, from 6 p.m.to 8 p.m. Mix-and-meet with local artists and learn the story behind the new exhibits. Admission is free, and all exhibits are family-friendly. The new exhibit will include the public art project Mending Walls, which began in 2020 and aimed to advance social justice by connecting community members from different backgrounds in conversation to foster empathy, understanding, and healing. The new exhibit also will include The Eyes of Youth, through which young artists from Artreach programs share paintings, prints,...Article LinkSupport the show

Linda Tugnoli"Art Night. I colori dell'arte"Rai 5Mercoledì 15 febbraio Art Night - I colori dell'arte. Rosso Prima Visione RAILa storia dell'arte raccontata da una prospettiva del tutto originale, quella dei colori e dei pigmenti che hanno permesso di creare le più memorabili opere dell'uomo: dai dipinti sulle caverne, ai meravigliosi manufatti egizi, agli affreschi di Giotto, ai dipinti di Raffaello, di Monet, di Van Gogh, fino all'arte contemporanea. Sei puntate eccezionali attraverso il fil-rouge (mai termine fu più adatto) di altrettanti colori: il rosso, il blu, il giallo, il verde ed infine il bianco e il nero. La serie “I colori dell'arte” è proposta da mercoledì 15 febbraio alle 21.15 su Rai 5. Introdotta dal caleidoscopico Neri Marcorè, una serie prodotta da Mark in video, in collaborazione con Rai Cultura, scritta e diretta da Linda Tugnoli in quattro anni di coloratissimo lavoro, montata da Sandro Capponi, cambierà lo sguardo con cui è stata letta la storia dell'arte fino ad oggi.I protagonisti della storia dell'arte diventano i pigmenti, i processi chimici, gli esperimenti, i metodi di lavorazione, i costi delle materie prime, le avventure della ricerca. A raccontare questa storia – in riprese originali ed interviste esclusive – i luoghi e i personaggi più famosi dell'arte in Italia e nel mondo, ma anche curiosità nascoste e luoghi meno frequentati dal turismo: dalle grotte di Chauvet in Francia all'artista contemporaneo Anish Kapoor, dal Museo Egizio di Torino alla Cappella degli Scrovegni a Padova, dai colori ritrovati sulle statue classiche dal Mann di Napoli al Metropolitan Museum di New York, dalle stampe di Piranesi, al bianco e nero della fotografia, alla Forbes Pigment Collection di Harvard, la più antica collezione di pigmenti del mondo, fino a Michel Pastoureau considerato il massimo esperto di colori sul pianeta. Apre la serie il rosso, il primo colore dell'umanità. Nelle gole dell'Ardèche, in una Francia glaciale popolata di fiere e mammuth, un clan di Cro-magnon ha già una visione complessa del proprio posto nel mondo, ed è la sua arte a dirlo. Il rosso ha due facce opposte anche nella storia dell'arte: sottoforma di ocra, è il pigmento più disponibile in natura, ma può incarnarsi anche nella preziosissima porpora, nel raro e costoso cinabro, nella lacca di cocciniglia che al tempo dei conquistadores valeva quanto e più di tutto l'argento delle miniere del Nuovo Mondo.Sicuramente fin dall'antichità è stato protagonista di ogni manufatto dell'uomo: dall'ocra rossa delle pitture paleolitiche della grotta Chauvet, descritta dall'archeologa Valerie Moles, dal rosso degli Egizi, che ci raccontano Enrico Ferraris curatore del Museo Egizio di Torino e Paola Buscaglia Centro Conservazione e Restauro La Venaria Reale, fino al celebre Rosso Pompeiano protagonista degli affreschi conservati al Museo Archeologico Nazionale di Napoli, di cui parleranno la restauratrice Gabriella Prisco e la responsabile sezione affreschi Museo Archeologico Nazionale di Napoli, Floriana Miele. Ma in Italia c'è anche una delle uniche Miniere di Cinabro, sul Monte Amiata, oggi chiusa e trasformata in un Parco Nazionale, come ci racconta il Direttore del Parco, Daniele Rappuoli, geologo. Con un salto dall'altro lato del mondo si arriva allo splendente rosso delle lacche cino-giapponesi grazie all'intervento della Direttrice del Museo d'Arte Orientale di Venezia, Marta Boscolo Marchi. Ma certo, se si pensa al rosso, non può che venire in mente Tiziano, che ha caratterizzato così bene i capelli delle donne che ha rappresentato, da lasciare il suo nome legato a quello del colore rosso. Ne parla il co-curatore della Mostra milanese L'immagine della donna nella Pittura Veneziana del ‘500, Stefano Zuffi. E il rosso dell'ultimo Caravaggio, quello di Giuditta ed Oloferne, conservato alle Gallerie Nazionali di Arte Antica Barberini Corsini a Roma, oggetto di un restauro affascinante descritto da Carlo Giantomassi e Beatrice De Ruggieri. Fino al rosso di Anish Kapoor, che ha destato scalpore quando ha letteralmente invaso di rosso Palazzo Manfrin a Venezia e dichiara che “l'oscurità del rosso è più scura dell'oscurità del nero”.E ci sono anche molte curiosità, dal Codice Purpureo di Rossano Calabro, raccontato dalla storica della miniatura Lucinia Speciale, al Rosso dei Tintori Medievali di Lauris, con Lise Camoin, maestra di tinture naturali, all'Ecomuseo dell'Ocra di Roussillon, in Francia con il suo Direttore Matthieu Barrois, fino ad un rosso unico ed incredibile, quello delle gocce di sangue studiate dalla restauratrice Francesca De Vita dell'Ecce Homo di Antonello da Messina conservato al Collegio Alberoni di Piacenza.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

 In this episode, we speak with Monica Joy Peeff, Andres Garzon Espitia and Zane Pate from Good Sport Gallery!

De la mano de Angie Chevalier y de Anamí Velasco entérate de los temas de novedad dentro de ámbitos como el arte y la sociedad a las 14:00 horas de lunes a viernes en La Conjura de los necios. En El invitado, Vianney Camarillo, directora de Barra de Marcos, y Katia Marmolejo, orfebre, conversan sobre Art Night. Subasta silenciosa, la cual se efectuará el próximo 26 de noviembre de 19:00 a 22:00 horas en la ciudad de Puebla.

#241 - Critiche Si, Ma CostruttiveLe critiche, da sole, non aiutano a crescere.Anzi, possono uccidere, uno spirito o un progetto in crescita.Ciò che fa crescere un progetto, sono le critiche costruttive, e cioé critiche accompagnate da soluzioni alternative, esempi, e da un messaggio di supporto incondizionato. Non da atteggiamenti del tipo: se continui a fare così non vai da nessuna parte.Quello che è successo è che, perso nel mio desiderio di evidenziare ciò che non rispetta o si conforma ai crismi della mia comunicazione ideale, rimarco, annoto, riprendo e critico in maniera specifica e dettagliata tutto ciò che incontro che non funziona, che non mi quadra o corrisponde.Dimentico però nel fare ciò che lo scopo per cui mi è stata data la possibilità di fornire tali feedback e critiche è quello di poter crescere, migliorare e costruire qualcosa. Solo nel momento che mi metto in discussione e rammento tale obiettivo, realizzo che ogni critica è utile solo laddove è affiancata da idee, soluzioni alternative ed esempi a chi far riferimento per migliorare. Non dalla realizzazione che quella idea non è OK. Inoltre il concentrarsi sull'analizzare criticamente elementi e scelte fatte in buona fede da chi sta apprendendo, tende a demoralizzare rapidamente la controparte, che si vede non all'altezza e piena di limiti difficili da superare. E' qui che è importante invece affermare ad alta voce il proprio intento, il proprio sostegno morale incondizionato e la propria fiducia nella controparte… soprattutto fornendole costantemente esempi, alternative e soluzioni pratiche da poter adottare e mettere in campo. -------------Info Utili• Ottieni feedback, ricevi consigli sul tuo progetto online Entra nella comunità di imprenditori indipendenti di Robin Goodhttps://robingood.it • Musica di questa puntata: "Grandiose Soul" by Masked Man - disponibile su Bandcamp:https://chillhop.bandcamp.com/track/grandiose-soul• Nella foto di copertina: Artista mentre dipinge un ritratto. Art Night, Tribu Hostel, Holbox (MX), Mercoledì 26 Ottobre, 2022.• Dammi feedback:critiche, commenti, suggerimenti, idee e domande unendoti al gruppo Telegram https://t.me/@RobinGoodPodcastFeedback• Ascolta e condividi questo podcast:https://www.spreaker.com/show/dabrandafriend • Seguimi su Telegram:https://t.me/RobinGoodItalia (tutti i miei contenuti, immagini, audio e video in un solo canale) • Newsletter:Robingood.substack.com (ENG) Robingooditalia.substack.com (ITA) • Per info e richieste:mailto: Ludovica.Scarfiotti@robingood.it

Heute u.A. mit diesen Themen: - Bundeskartellamt lenkt Fokus auf Digitalbranche - ArtNight entlässt 26 Angestellte - Zahl der Funding-Runden gesunken - Hohe Verluste bei Klarna - Snapchat plant Entlassungen - Krypto-Betrug: Thodex-Gründer festgenommen - Ethereum im Wert von 4 Milliarden Dollar verbrannt - Apple-1 von Steve Jobs versteigert - Herr der Ringe: Jeff Bezos bedankt sich fürs Ignorieren

In der Mittagsfolge begrüßen wir heute Christopher Bieri, Co-Founder und CEO von Seatti, und sprechen mit ihm über die Seed-Finanzierungsrunde in Höhe von 3 Millionen Euro. Seatti hat eine SaaS-Plattform geschaffen, die hybrides Arbeiten und Desk Sharing ermöglicht. Über eine Integration in u.a. Microsoft Teams, können Meeting Räume, Shared Desks oder auch Parkplätze gebucht werden. Unternehmen können über die integrierte Lösung die Buchungsdaten auswerten und dadurch evaluieren, an welcher Stelle Bürokosten eingespart werden können oder an welchen Stellschrauben das hybride Arbeiten optimiert werden kann. Seatti wurde im Jahr 2021 von Christopher Bieri, Moritz Hartmann und Johannes Eppler in München gegründet. Seit der Markteinführung hat das Startup bereits Unternehmen wie u.a. Osram, Sixt, Sartorius, Mazars oder FlixBus von seiner Lösung überzeugen können. Im Jahr 2022 hat das Remote-First-Startup nach eigenen Angaben ein monatliches Wachstum von mehr als 30% vorweisen können. Seatti hat nun in einer Seed-Finanzierungsrunde 3 Millionen Euro eingesammelt. Die Runde wird von den internationalen Investoren Acton Capital und Partech angeführt. Der Münchner Fonds Acton Capital investiert in technologiebasierte Startups in Europa und Nordamerika. Zu den Portfoliounternehmen gehören u.a. Artnight, Everstox, Laserhub, Metalshub, Sosafe Cyber Security, Hometogo, Maple, Lemon One, Othoz, The Female Company, Mambu, Expertlead, Medkitdoc, Plantura, Getsafe, Vimcar und Zenjob. Die Pariser Investment Plattform Partech mit Sitz in San Francisco investiert weltweit in technologische Startups. Der VC kann mehr als 200 Portfoliounternehmen in mehr als 30 Ländern vorweisen. 13 dieser Unternehmen haben einen Wert von über 1 Milliarde Dollar: Alan, Bolt, Cazoo, Jellysmack, ManoMano, Merama, People.ai, Rohlik, Sorare, Toss, Wave, WorldRemit und Xendit. An der Runde beteiligen sich auch die Bestandsinvestoren Peak aus Amsterdam und HPI Seed Fund aus Berlin. Mit der neuen Finanzierung plant das Startup eine Verdreifachung der Teamgröße und möchte die Kernfunktionen des hybriden Arbeitsmanagement-Tools erweitern. Seatti erwartet, den Umsatz für die Jahre 2022 und 2023 jeweils zu verdreifachen. One more thing wird präsentiert von OMR Reviews – Finde die richtige Software für Dein Business. Wenn auch Du Dein Lieblingstool bewerten willst, schreibe eine Review auf OMR Reviews unter https://moin.omr.com/insider. Dafür erhältst du einen 15€ Amazon Gutschein.

SONG OF THE WEEK PLAYLIST LINKS: Apple Music SOTW Spotify SOTW -------------------------------------- Worst Best Friends with Hadley (@hadley.dension) and Hayden (@haydenbschnell) Follow @worst.bestfriends on instagram for the latest WBF content and updates! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Heute u.a. mit folgenden Nachrichten: - Elon Musk sichert Milliarden für Twitter-Finanzierung - Trivago in Australien zu Millionenstrafe verurteilt - EU beschliesst Gesetz gegen Hass und Hetze im Internet - Meta leitet Untersuchung gegen Sheryl Sandberg ein - Und am 26. April startet der erste Marathon im Metaverse - Urteil gegen Wirecard-Mittelsmann - Speedinvest investiert in GoTiger - Frisches Kapital für ArtNight - Amazon „Buy with Prime“ für Händler - Barack Obama fordert strengere Regeln für Tech-Konzerne Heute begrüßen wir heute zum ersten Mal im Rahmen der Reihe “Investments & Exits” Shikha Ahluwalia, Investor bei Balderton.

In 2016 Aimie-Sarah Carstensen founded ArtNight, a platform for in person "Do-It-Yourself" experiences - with the aim of inspiring people to break their daily routines and experience creative flows. Today along with her personal journey to finding her passion for creativity, we speak about her experience participating in The Lion's Den and why she is mentoring teenagers across Germany on the topic of entrepreneurship. Let's learn how to activate our own creative powers with Aimie-Sarah and don't forget to subscribe to the show on waa.berlin.

For at least 6 or 7 years, maybe more, an amazing event took place at APU (and then the Citrus College parking lot when they got booted). The LGBTQ club, first called the GSA (gay-straight alliance) and then Haven, put on a showcase of LGBTQ creativity and pride. At first, it was just called "Art Night," and it was held at the 7 Palms, an outdoor amphitheater ringed by palm trees...7 of them, I believe, though I don't think I ever actually counted. The first few years, the group was underground, and we relished the thrill of putting on an event with poetry, music, and visual art celebrating LGBTQ identities in plain sight on APU's campus. It was a brazen thing to do, since technically, we could have all been kicked out for doing it. But we did it. Abbie and Liz Cirelli both played significant roles in making the GSA/Haven and Art Night happen, and they both organized protests and movements to change the draconian culture and policies of APU. They made things happen by building coalitions and using them to force the administration and the culture to shift its policies and views of LGBTQ people. Badasses, both of them. This is the first of two episodes with Abbie and Liz who will be back to continue the stories about feminism and misogyny inside APU's conservative evangelical culture. You can find resources for LGBTQ advocacy on christian campuses at The REAP. The Chapel Probation Instagram has been mysteriously shut down, but you can support this podcast on the Chapel Probation Patreon. Join the conversation about everything on the Chapel Probation Facebook group and sign up for behind-the-scenes info about this podcast and Scott's book on his Substack Newsletter. Music in this episode by Shin Kawasaki and Wingo Shackleford, Elephants with Guns, Azeem Kahn, and Scott Okamoto. --- Send in a voice message: https://anchor.fm/scott-okamoto/message Support this podcast: https://anchor.fm/scott-okamoto/support

Linda Tugnoli"Blu. I colori dell'arte"venerdì 11 febbraio 2022, ore 21.15, Rai5https://www.rai.it/rai5/Art NightUn periodo bluE se provassimo a guardare la storia dell'arte da una prospettiva diversa? Partendo da un colore, per esempio il blu? E mentre Neri Marcorè ci canta “Il cielo è sempre più blu…” ecco i due documentari proposti nella puntata in onda venerdì 11 febbraio a partire dalle 21.15 su Rai5Blu. I colori dell'arte. Un documentario di Mark in video prodotto in collaborazione con Rai Cultura. I colori sono ovunque intorno a noi, permeano il nostro mondo, abitano la nostra vita in ogni sua piega: dall'arte, alla natura, alla moda, al make up, fino ad arrivare alla scelta di una automobile o di un elettrodomestico. Ma i pigmenti, le misteriose sostanze che servono a dare colore alle cose, sono invece rari, anzi, rarissimi, e quasi sempre nella storia sono stati scoperti per caso, perché la Natura si tiene ben stretta i suoi segreti. Per i colori si sono combattute guerre, come per il rosso di cocciniglia proveniente dal Nuovo Mondo; intere economie sono fiorite e poi crollate, come è accaduto con l'industria medievale del guado. La storia del blu è la storia di una rimonta affascinante: inesistente nella preistoria, poco amato dai greci e dai romani che gli preferivano il rosso come simbolo della regalità, nel Medioevo diventa il colore dei re di Francia e del manto della Vergine, delle volte stellate dei mosaici bizantini e dei cieli giotteschi; spopola addirittura nel Rinascimento, dove il costo dell'esoso oltremare è molto spesso a carico dei committenti, nei contratti dei grandi pittori. Oggi, dicono i sondaggi, è il colore preferito dell'Occidente. La storia di un colore che attraversa l'intera storia dell'arte – non solo quella occidentale – e la storia del mondo, raccontata in eccezionali location dalle pitture parietali del neolitico a Rignano Garganico, fino al Museo Egizio di Torino - dove il Direttore Christian Greco parla del blu egizio, il primo pigmento artificiale dell'umanità - passando per la Cappella degli Scrovegni a Padova – ripresa nell'unica settimana all'anno in cui è chiusa al pubblico, mentre i restauratori dell'ICR fanno il monitoraggio annuale delle superfici pittoriche - la Basilica di Assisi, la Galleria di Arte Moderna e Contemporanea di Roma - che possiede preziosi dipinti in cui il blu è protagonista: Monet, Cezanne, e l'opera 32 mq di mare di Pino Pascali – fino a Villa Farnesina a Roma, dove l'Accademico dei Lincei Antonio Sgamellotti, ha scoperto l'utilizzo del blu egizio nel Trionfo di Galatea di Raffaello. Il blu egizio, infatti, all'epoca di Raffaello era scomparso da secoli…Il blu è sempre stato un pigmento difficile, elusivo: dal blu di lapislazzuli, o ultramarino, proveniente dalle montagne dell'Afghanistan e più caro dell'oro, al blu egizio, primo colore artificiale dell'umanità, creato quasi cinquemila anni prima dell'invenzione della chimica; dai blu artificiali settecenteschi, come il blu di Prussia, il blu cobalto, il blu di Brema, tutti vagamente pericolosi, che servirono agli impressionisti per le loro famose ombre colorate, alla sensazionale scoperta dell'YlnMn, un blu stabile e brillante scoperto per caso da Mas Subramanian, Distinguished Professor alla Oregon State University di Corvallis, intervistato eccezionalmente in questo documentario.E ancora immagini dalla Sinagoga Fausto Levi di Soragna (Parma), dalle piantagioni di guado ad Ancona, dal Museo diocesano e pinacoteca di Ancona, dall'Oratorio di San Giovanni e Orto Botanico di Urbino, fino alla Fabbrica di colori Maimeri di Milano. E interviste a Sandro Baroni, docente di Tecniche Artistiche alla Milano Painting Academy, Francesca Capanna, Direttore della Scuola di Alta Formazione dell'Istituto Centrale per il Restauro, Carlo Giantomassi, restauratore, Ulderico Santamaria, docente Scienza dei materiali Università della Tuscia, Roberta Tonnarelli, conservatrice Sinagoga Museo ebraico Fausto Levi di Soragna, Massimo Baldini, maestro tintore, Virginia Lapenta, curatrice a Villa Farnesina - Roma, Gianni Maimeri, Fondazione Maimeri, Chiara Stefani e Giovanna Coltelli, storiche dell'arte Galleria Nazionale d'Arte Moderna e Contemporanea – Roma, Paola Carnazza, restauratrice della Galleria Nazionale d'Arte Moderna e Contemporanea - Roma, Vittoria Coen, storica e critica d'arte.La serata di Art Night prosegue con il documentario Ettore Spalletti. Così com'è, dedicato a uno dei grandi nomi dell'arte contemporanea mondiale, scultore e pittore tra i più apprezzati del Novecento, che ha esposto a Venezia, Parigi, New York, Anversa. Linda Tugnoli vive tra Roma – dove lavora come autrice e regista di documentari, soprattutto per la Rai – e la campagna sabina, dove abita in un casale con il marito, tre figli, un orto, una serra e svariati cani di grossa taglia che periodicamente devastano l'orto e la serra. Ha contratto anni fa quello che gli inglesi chiamano il bug del giardiniere: una spiccata tendenza a parlare troppo di piante e di fiori. Il nuovo romanzo, "L'ordine delle cose" è pubblicato da Nord Edizioni.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Aimie-Sarah Carstensen ist CEO und Gründerin von ArtNight. Hiermit bieten sie und ihr Team Workshops an, um aus dem Alltag auszubrechen und die eigene Kreativität zu fördern. Aimie gibt als Speakerin und Mentorin gerne ihre Learnings weiter, die sie als Unternehmerin sammeln konnte - der perfekte Gast für die erste Folge meiner Female February Serie.Vielen Dank fürs reinhören!AIMIE-SARAH CARSTENSEN- LinkedIn: https://www.linkedin.com/in/aimiecarstensen/- ArtNight: https://www.artnight.com/DU GRÜNDEST EIN STARTUP?Falls du bei deiner Startup Gründung Hilfe brauchst, meld dich gerne. Fabian, der Host dieses Podcasts, arbeitet mit diversen Startups die zwischen Pre-Seed und Series A stecken zusammen und vielleicht kann er dir ja auch helfen: https://jungunternehmerpodcast.com/startup-advisory See acast.com/privacy for privacy and opt-out information.

Eigentlich wollte Aimie nicht so werden wie ihre Eltern. Das Achterbahn-Leben von Unternehmern wollte sie selbst nicht führen. So ging sie den "sicheren" Weg und machte Karriere in großen Unternehmen. Doch irgendwann stellte sie fest, dass mehr von ihren Eltern in ihr steckte, als ihr lieb war. Die Gründerin (u.a. von der ArtNight) spricht mit mir über Pommes, Bertelsmann und Malkurse...

Studios resident Joe Namy presents sound work Sound Clash from the Eighth Automobile LDN as part of Somerset House Studios' new Gallery 31 exhibition Temporary Compositions, available to listen to online for the duration of the show.  Comprising of audio documentation from Namy's ongoing performance piece Automobile (2012-2021) for cars with souped up sound systems - so far performed over eight iterations in Beirut (2012 and 2013), Mannheim (2014), Gwangju (2016), Montreal (2016), Toronto (2017), Abu Dhabi (2019), and London (2019) - the sound piece was recorded during the Eighth Automobile in 2019 as part of Art Night, on top of a Sainsbury's car park and later in the basement of the Mall car park in Walthamstow. Exhibition visitors are encouraged to listen to Namy's sound work within the gallery space as an accompaniment to Bass Stance (Automobile), a printed voile curtain installation piece included as part of the Temporary Compositions show. SOUND CREDITS: Recorded by Joe Namy and Reduced Listening with help from Holly Shuttleworth. Including interviews with (by order of appearance): Too Sweet Vibes Machine Ramone Roper aka Brown Van International Tas aka Yellow Bird Sound CJ Potter and CJ's dad Chris Potter Noel aka Put Put Kerry Sinclair aka Nuclear Sound Jamie Bryer Lee Quested James Mohr Phil Macey aka Team Ice Alexandro Santos Escobar aka Like a Boss Sound --- Curated by Stella Sideli, Temporary Compositions explores the interrelationship between people, sounds and signals and the rhythms and patterns that form within them, reflecting on different approaches to being and being together. What new meanings and modalities can be created within communal settings, through collective experiences and collaborative processes? Featuring video, sound, sculptural and textile works by Abbas Zahedi, Phoebe Davies, Joe Namy and Sonya Dyer, each work in the show sees a coming together of individuals, organically or involuntarily, sparking and creating momentary connections, movements and cultures. Gallery 31 is an exhibition space dedicated to the work of Somerset House Studios and its residency programmes. The gallery is open all year round, hosting up to four exhibitions per year in collaboration with guest curators. 

In this episode, we discuss: Hi Pointe, O'Fallon's newest burger and shake restaurant, broke ground this week! New construction updates- $54M of new/renovated construction has happened in O'Fallon through Aug 31st!  Friday, Oct 15th at 7:30pm, final movie in the park, Jumanji II: The Next level  Friday, Oct 15th 6-8pm, O'Fallon YMCA's family fall festival Sat, Oct 16th, 8am-noon Vine Street Market (final one of the season!) Sat, Oct 16th, 4-8pm O'Fallon Fall Festival at Rock Springs Rotary Park Sat, Oct 16th 5-8pm, Witches and Wizards Night Out in Downtown District  Sat, Oct 16th 5:30-8:30pm Halloween Movie and Art Night at Art Gecko in downtown O'Fallon kids ages 6-14 Thurs, Oct 21 4-8pm, BBQ, Blues and Brews at Keystone Place at Richland Creek- parking lot party fundraiser for the first responder Explorer programs in O'Fallon  Follow us on Instagram @The618Now. Submit business updates, show ideas and events you'd like us to consider promoting to events@ofallonchamber.com. 

On this ART NIGHT Special Edition of the ART HOUR, Vassiliki is joined by artists Paul Benney, Reeps One and Farhad Farzaliyev. TRACK LIST Paul Benney (Nitin Sawhney and James Ribbans) Element (Paul Benney composition, piano and Nitin Sawhney synth, strings) Reliquary (Nitin Sawhney composition and Paul Benney vocals) Minotaurus ( Paul Benney composition, synth, piano; James Ribbans guitar, percussion, production; Sarah Sarhandi; viola) Breathe (Paul Benney; composition, piano, synth, lyrics; Janes Ribbans, production, and Sasha Worrall vocals). Reeps One (from 15:01) Reeps One, Surfaces Reeps One, Of Your Tone Reeps One ft. A.I. Second Self Farhad Farzaliyev (Naschkatze and Azeriff from 27:18) Naschkatze, Die Neunte Kueste Naschkatze, Dilber Azeriff x Boulevard Bepo, Rare Meykhana Snow CLOSING TRACK (43:01) Salvaticus Selvatico, Jupiter Mandala

On this ART NIGHT Special Edition of the ART HOUR, Vassiliki is joined by artists Joe Namy, Stephane Graff with Mustaliki (Stephane Graff & Vassiliki Tzanakou) and Martin Creed. TRACK LIST Joe Namy Halim El Dabh, Wire Recorder Piece Gary Numan, Cars Model 500, Night Drive El Iqaa, Machine Music for Waves and Humans A Tribe Called Red, Electric Pow Wow Drum Stephane Graff & Mustaliki (from 42:55) Mustaliki, Naaah! Mustaliki, Indian Acid Stephane Graff, Africa Baroque Stephane Graff, Sahara Stephane Graff, Dreaming of Bodrum Martin Creed (from 1:07:118) Martin Creed, Let Them In Martin Creed, Princess Taxi Girl Martin Creed, Understanding Martin Creed, Thinking / Not Thinking

On this ART NIGHT 2019 Special Edition of the ART HOUR, Vassiliki is joined by: - Abigail McLachlan from East of Eden & Alex Stevens from Audio Visual Mechanism - Roy Immanuel - Amy Pettifer - Alice Theobald TRACK LIST Abigail McLachlan from East of Eden & Alex Stevens from Audio Visual Mechanism Salvaticus Selvatico, Don't Look Back Orfeo Salvaticus Selvatico, Harmonic Encounters Roy Immanuel (from 25:03) Alvin Lucier, I am Sitting in a Room Sharon Gal – Bloo (FMC33), Premiere John Russell, Le Bruit de la Musique Amy Pettifer (from 46:33) Cocteau Twins, Carolyn's Fingers Heathcliff, It's me Alice Theobald (from 59:23) Hal Hartley, Get Your Truck Tokyo GA, Dick Tracey [OST] Tokyo GA Magazine, Parade Will Powers, Adventures in Success

On this ART NIGHT Special Edition of the ART HOUR, Vassiliki is joined by the Artistic Director of the ART NIGHT 2019, Helen Nisbet and the artists Cory Arcangel and Hampus Lindwall. TRACK LIST Helen Nisbet East 17, Its Alright Kara-Lis Coverdale, Imgs R Le Tigre, Deceptacon Charlemagne Palestine, Cataclisma 2 Matt Karmil, All Together 3 Teens Kill 4, Hold Up Cory Archangel & Hampus Lindwall (from 1:10:13) Ellen Arkbro, 02 Chords for Guitar Hanne Lippard, Locus Kara-Lis Coverdale, Touch Me Circuit Des Yeux, Lithonia Charlemagne Palestine, Singing Blessing with Crystal Glasses

On this edition of the Art Hour, Vassiliki Tzanakou is joined by by the Director and Co-Founder of the Art Night London Ksenia Zemtsova.

Unsere heutige Gästin ist Aimie-Sarah Carstensen, Gründerin und Geschäftsführerin von ArtNight. Auf ihrer Veranstaltung erschaffen Teilnehmerinnen und Teilnehmer unter Anleitung einer Künstlerin oder eines Künstlers ihr eigenes Kunstwerk in lokalen Bars oder Restaurants. In der neunten Folge unseres Podcasts sprechen wir darüber, wie Aimie und ihr Team es schaffen, Erwachsene vor eine leere Leinwand zu setzen, malen und dafür auch noch zu bezahlen zu lassen. Wir sprechen übers Kreativ-Sein und die Schwierigkeiten damit, über Kulturunterschiede, die sich zwischen Deutschen, Engländern und Niederländern beim Malen offenbaren und wir kommen diesmal nicht daran vorbei, auch über die Herausforderungen durch Corona zu sprechen, zumindest ein bisschen… Foto: privat Musik: Tim-Dominik Matuschke

Aimie-Sarah Carstensen 2016 ist sie Gründerin und Geschäftsführerin von Realtainment, dazu gehören ArtNight, ShakeNight, BakeNight und PlantNight. Die Mission von Realtainment ist es neugierige Menschen zusammenzubringen, um echte soziale Interaktion zu erleben und ihre Kreativität zu entfalten. Mit rund 80 Mitarbeiter*innen, 700 Workshop Gastgeber ist Realtainment in 54 Ländern Europas die führende Plattform für kreative Erlebnisse. Aimie hat eine große Leidenschaft für das Gründertum und begeistert sich daneben für Themen wie Leadership, Productivity und Female Empowerment. Im Podcast sprechen wir darüber

See here for full episode: patreon.com/aqnbIn this episode Jared talks with Adham Faramawy, an artist whose work in video, image making and sculptural installation examines interwoven themes around the body, queerness, ecologies and migration.Based in London, Adham has recently exhibited at the likes of Somerset House and London's Science Gallery. Their moving image work has twice been shortlisted for the Jarman Award, including this year for their film The air is subtle, various and sweet. Adham spoke on topics ranging from plant-life to body horror, intimacy and abjection, as well as the threads that run through their latest video, the heart wants what the heart wants, screened for London's Art Night in late June.

It's time to celebrate everyone's favourite art world dissidents, The Guerilla Girls! Kim and Luca discuss the 'conscience of the art world', the anonymous art activist group The Guerilla Girls. Set up in the 1980s, their work has focused on the under-representation of women artists and artists of colour in the art world. Donning gorilla masks and using female artists from history as their pseudonyms, they produce striking, newspaper-style billboards and posters that use facts and statistics to raise awareness about the disparity in representation and as calls to action to address it. As ever, the conversation is far-reaching but includes... the pros/cons of anonymity and pseudonyms in activism issues of safety surrounding activism Some of the GG's best loved campaigns and visuals The democratisation of art and mass-manufacturing Their newest commission as part of Art Night in the UK, The Male Graze And much more Check out more of their work here - https://www.guerrillagirls.com/ (https://www.guerrillagirls.com/) Support us on Patreon here - https://www.patreon.com/hownotpodcast (https://www.patreon.com/hownotpodcast) Support this podcast

This week: two festivals of art. Aimee Dawson talks to Frida Kahlo and Kathe Kollwitz of the Guerrilla Girls about their ongoing activism and their new billboards for Art Night, while Ben Luke discusses Glasgow International with its director, Richard Parry, and then reviews the work in the festival with The Art Newspaper's contemporary art correspondent Louisa Buck. And in this week's Work of the Week, Ben talks to Samantha Friedman, co-curator of the Museum of Modern Art in New York's Cézanne Drawing show, about a study sheet of pencil sketches by the French artist, with an apple, a self-portrait, a bather and a portrait of Francisco Goya. See acast.com/privacy for privacy and opt-out information.

We all know that everything in our classrooms and our schools looks different this year, and our art shows are no exception. So how can we solve the art show problem? A virtual art night! In today's episode, Nic talks to Karen Nall about going online for her art night while still building community with students and families.  Resources and Links Follow Karen on Instagram 6 Online Platforms to Showcase Student Art 10 Ways to Market Your Art Show

This episode the Fools sit down and talk what books Drew has been diving into. How Jiu Jitsu relates to every aspect of life. The good the bad and the ugly. Dad life and taking the "Night Shift" Real talk tune in!https://www.amazon.com/War-Art-Winnin...​https://www.amazon.com/Jordan-B.-Pete...​

Cartoonist Gene Luen Yang (https://geneyang.com/) talks about teaching, winning awards, developing his talents, creating stories for New-Superman and Shang-Chi, and more! 0:00 SEGMENT 1: Gene Luen Yang talks about selling his comics to his classmates in 5th grade, how “DC Comics Presents #57” started his obsession with comics, writing for the Shang-Chi miniseries, winning a Harvey Award for “Superman Smashes the Klan”, Chinese-American representation in comics, and working on “New-Superman”. 14:24 SEGMENT 2: Gene Luen Yang talks about which comic book character he would like to take on next, loving DC’s Fourth World characters and Marvel’s Frogman, being a National Ambassador for Young People’s Literature Program, and teaching high-school for 17 years. 22:43 SEGMENT 3: Gene Luen Yang talks about winning 2 Harvey Awards in 2020, creating a support system by meeting fellow artists at conventions and going to Art Night in the Bay Area, labeling himself as a cartoonist instead of an artist or writer, and which creators are his biggest inspirations. 31:10 SEGMENT 4: Gene Luen Yang talks about which of his works is his favorite, Shang-Chi fighting different Marvel characters in each issue of his new series, his involvement in the Shang-Chi movie, and seeking out specific artists and writers for his projects. 40:03 SEGMENT 5: Gene Luen Yang talks about creating new books with First Second Books and shares his plans for future conventions. Thanks to our sponsors Marcus Theatres (https://www.marcustheatres.com/) and Historic St. Charles, Missouri (https://www.discoverstcharles.com/)! Amazon Affiliate Link - http://bit.ly/geektome Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon - https://www.patreon.com/GeekToMeRadio Website - http://geektomeradio.com/ Podcast - https://anchor.fm/jamesenstall YouTube - youtube.com/c/GeekToMeRadio Facebook - https://www.facebook.com/GeekToMeRadio/ Twitter - https://twitter.com/geektomeradio Instagram - https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jamesenstall/support

Aimie-Sarah Carstensen ist Unternehmerin und Gründerin von ArtNight, einem „Edutaining“-Erlebniskonzept mit dem Ziel, Menschen offline zusammenzubringen. Bis Februar 2020 hat sie über 500.000 Menschen in 84 Städten in ganz Europa miteinander verbunden - durch Gemeinschaftskurse zu Malen, Kochen, Gärtnern, alles offline. Carstensen warnt vor der Digitalisierung des Sozialen: Soziale Netzwerke sind virtuelle Fesseln und kein digitales Eldorado. Die Digitalisierung ist der größte Treiber von Einsamkeit.

Aimie is the co-founder and CEO of Realtainment, which covers the brands ArtNight, ShakeNight, PlantNight and BakeNight. Her team brings more than 30,000 people together every month. The platform enables 1,000 artists, bakers, and confectioners, florists & bartenders to make a living doing what they love. Realtainment's vision is to combat digital loneliness with a new brand of “edutainment”, bringing communities together offline again. Aimie-Sarah Carstensen, CEO of Realtainment | Making It Real Podcast with Jan Brinckmann | Episode #11 00:00 How did you get started? 01:30 Did you want to start your venture with a co-founder? 02:09 How did you know that your co-founder is the right one? 04:45 Bootstrapping the venture 05:45 From a corporate job to the triggering moment to start your own venture 07:08 What was your biggest concern that your venture would not work? 08:55 First steps to get ArtNight going 12:20 How did you pick the artists to start out with? 13:50 Approach to start a completely new concept 16:11 What “edutainment” means for Aimie 18:25 Best channels to get customer feedback 19:18 Expanding ArtNight and tips for scaling 22:46 Event ventures during Covid 26:45 Next steps for Realtainment 28:31 Lessons learned while managing the team completely online 30:45 Tools to increase efficiency & productivity 32:26 What are the things you're most excited about? 34:08 What are you enjoying the most being a founder?

Give yourself compassion to learn who you are and make sure that you dream Some pretty great advice from this amazing conversation with mathematician turned independent curator & writer Fatoş Üstek. Her list of accolades is HUGE and this is just a small preview: listed in the celebratory Apollo 40 under 40 Thinkers section in 2018 ; included in Evening Standard's Progress 1000 London's most influential people in 2018 and 2017; Artlyst Power 100 list 2018, and 2017; Artsy The Top 20 Most Influential Young Curators in Europe and nominated for ICI Gerrit Lansing Independent Curatorial Vision Award in 2016. She was Director of Liverpool Biennial (2019-20), a jury member for Turner Prize Bursaries 2020, Arts Foundation Futures Award 2021, Scotland in Venice 2022, Dutch Pavilion 2022, and as an external member of the acquisitions committee for the Arts Council Collection (2018-2020). She is the curator of Do Ho Suh's largest UK commission (2018-2020). She was formerly Director and Chief Curator of DRAF (David Roberts Art Foundation), curated miart Talks 2018; Art Night, East London, 2017 and fig-2 50 exhibitions in 50 weeks, ICA, 2015. She acted as Associate Curator for the 10th Gwangju Biennale, 2014. Ustek is a contributing editor to Extra Extra Magazine, a founding member of the Association of Women in the Arts (AWITA); trustee of Art Night; board member of Urbane Kunste Ruhr; advisory panel for Jan van Eyck Academie; member of the International Association of Art Critics (AICA) UK; and an ICI alumni. Recently, Ustek delivered keynote lectures at London City Hall, Tate Modern, Leicester University and presented papers in conferences held in the UK, Europe, and South America. She publishes regularly in exhibition catalogues and art magazines and was the co-founding Editor of Nowiswere (2008-12a). Find out more here. I LIKE NETWORKING is the mentoring and networking program for womxn and non-binary people in the creative industries. Please share, leave a review and subscribe if you enjoyed it to make sure you don't miss any episodes and to give us a BOOST! Some of the links mentioned in this episode: MUBI Stefan Zweig The Queen's Gambit Leviathan The Riddle of the Labyrinth Joni Mitchell