Podcasts about Joseph Beuys

In Locust Radio episode #30, Tish Turl interviews fellow Locust comrade, Adam Turl, on their new book, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press, May 2, 2025). You can order the book from Revol Press, Amazon, or find it at other booksellers.Artists, ideas, books, writers, artworks and other stuff discussed in this episode: Adam Turl, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press 2025); Ernst Fischer, The Necessity of Art (Verso, 2020); Boris Groys, “The Weak Universalism,” e-flux (2010); Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936); Walter Benjamin, “Theses on History” (1940); John Berger, Ways of Seeing (1972); Mark Fisher, Capitalist Realism: Is There No Alternative (2009); Mark Fisher, Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction (2018); Donna Harraway, “A Cyborg Manifesto” (1985); Karl Marx and Friedrich Engels, The Communist Manifesto (1848); Rena Rädle & Vladan Jeremić; Joseph Beuys; John Heartfield; Anupam Roy; Richard Hamilton; R. Faze; Born Again Labor Museum; Amiri Baraka; Omnia Sol; Sister Wife Sex Strike; Dada; Judy Jordan; Bertolt Brecht; Claire Bishop; The Sublime; “Third Places;” Fluxus; Abstract Expressionism; The Sopranos; The Wire; Surrealism; Charlie Jane Anders; Emily St. John Mandel; Pier Paolo Pasolini, La Ricotta (1963) and The Hawks and the Sparrows (1966); Boots Riley; Federal Arts Project; Luis Buñuel, The Exterminating Angel (1962); The Artists Union; Voltaire, Candide (1759); Gabriel García Márquez, One Hundred Years of Solitude (1967); Public Enemy, Fear of a Black Planet (1989); Beethoven, Symphony #9 (1822-1824); Sam Esmail, Leave the World Behind (2023); David Cronenberg, Videodrome (1983); Richard Seymour, Disaster Nationalism (2024)Produced by Tish Turl, Adam Turl, Omnia Sol and Alexander Billet. Theme by Omnia Sol, Drew Franzblau and Adam Turl. Hosts include Tish Turl, Laura Fair-Schulz and Adam Turl.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with curator Ciara Ennis, director of the De Saisset Museum at Santa Clara University. Ciara discusses her evolution from painter to curator, her efforts to challenge traditional museum practices, and her initiatives aimed at fostering inclusivity and dialogue within the art community. Key programs highlighted include the Flat Files of Curiosity Initiative and the Project Room for South Bay artists. She shares insights into her curatorial philosophy, influenced by her studies and experiences, including her impactful first exhibition in London and admiration for artist Joseph Beuys. The episode underscores Ciara's commitment to making museums more accessible and dynamic spaces for diverse audiences.About Curator Ciara Ennis:As Director Professor of Practice in the Department of Art and Art History, Dr. Ennis is responsible for developing the vision, artistic direction, and strategic leadership for the museum including exhibitions, programming, permanent collection, academic integration, and public profile. Ennis oversees museum operations, staffing, finances, and fundraising, and serves as the primary liaison between the museum and Santa Clara University.Prior to directing the de Saisset Museum, Ennis served as Director and Curator of Pitzer College Art Galleries, transforming it into a significant center for contemporary art and discourse through intellectually provocative initiatives focused on diverse communities of artists exploring issues that define our times. A Museum Studies scholar, Ennis' research explores the appropriation of Wunderkammer strategies as a means for rethinking contemporary curatorial practice. Ennis has been a panelist and guest speaker for the College Arts Association, American Studies Association, the International Sculpture Conference, the Association of Academic Museums and Galleries, the California Community Foundation, the Rijksakademie Amsterdam, and the Victoria and Albert Museum. Ennis is a member of Prospect Art's Advisory Board and X-TRA Contemporary Art Quarterly's Advisory Council. She has an MA (RCA) in Contemporary Curatorial Practice from the Royal College of Art, and a PhD in Cultural Studies/Museum Studies from Claremont Graduate University.For more on the exhibit, Maya Gurantz: The Plague Archives CLICK HERE. Follow Ciara on Instagram:  @CiaraEnnis5--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Der Kunsthistoriker Dieter Koepplin hat wesentlichen Anteil daran, dass der Künstler bis heute in Basel sehr präsent ist.

Steffen, Angela www.deutschlandfunkkultur.de, Fazit

Luerweg, Susanne www.deutschlandfunk.de, Kultur heute

Herzlich willkommen bei Die Sucht zu SEHEN, dem Grisebach-Podcast. Alle zwei Wochen sprechen wir hier mit Menschen, die etwas in der Kunst – oder über sie – zu sagen haben. In Folge 107 sind gleich drei Künstler zu Besuch, nämlich die Maler Peter Angermann, Jan Knap und Milan Kunc. Die Drei lernten sich in den frühen 1970ern kennen, als junge Studenten an der Düsseldorfer Kunstakademie, im Umfeld der Klassen von Joseph Beuys und Gerhard Richter. 1979 gründeten sie dann das Kollektiv »Gruppe Normal«. Ihre Bilder waren zugleich altmeisterlich, subversiv politisch und humorvoll - gute Laune war überhaupt die Grundvoraussetzung, schließlich wollte man sich vom damals verbreiten Geniekult und der allzu großen Ernsthaftigkeit in der Kunst absetzen. Heute, fast fünfzig Jahre später, sind nun bei Grisebach zahlreiche ihrer Gemälde und Gemeinschaftswerke zu sehen. Wie sie zusammenfanden und wie es in der Zwischenzeit für jeden einzelnen weiterging, das erzählen sie uns jetzt bei Die Sucht zu SEHEN, und zwar allerbester Laune. Wir sagen herzlich willkommen!

Rudolf Steiner zog an und stieß ab. Noch 100 Jahre nach seinem Tod scheiden sich an dem Begründer der Anthroposophie die Geister. Doch Steiners Impulse wirken bis heute fort.// Von Manuel Gogos/ WDR 2011/ www.radiofeature.wdr.de Von Manuel Gogos.

Rudolf Steiner zog an und stieß ab. Noch 100 Jahre nach seinem Tod scheiden sich an dem Begründer der Anthroposophie die Geister. Doch Steiners Impulse wirken bis heute fort.// Von Manuel Gogos/ WDR 2011/ www.radiofeature.wdr.de Von Manuel Gogos.

the boys talk about Joseph Beuys and his start as an artist after WWII. Also, they talk about the lack of "art" credits and try to prevent putting their feet in their mouhts (again).

We are back with a new episode of the Ecosystem Member podcast! Thank you for tuning in.Our guests for this episode are Heather Ackroyd and Dan Harvey, who make up the incredible artist duo Ackroyd & Harvey. I first came across their work at the Dear Earth exhibition at the Hayward Gallery in London (which also featured past guest Jenny Kendler) and as we discuss in the episode, re-engaged with their work through their Beuys' Acorns project, which just had a major planting that we talk about at the Sainsbury Centre in Norwich. If this is the first time you are hearing about Ackroyd & Harvey, they are an internationally acclaimed artist duo that create work at the intersection of art, activism, architecture, biology, ecology and history. Their work often involves natural materials such grass and light - through a process called photographic photosynthesis - or the bones of a juvenile Minke Whale. Over their multi-decade collaboration with each other, nature, activists, scientists and other artists, their work has been shown at the Tate Modern and Royal Academy in London, The Central Academy of Fine Arts in Beijing, and Ballroom Marfa in Texas among dozens of other prestigious locations. In 2019, they also co-founded Culture Declares Emergency in response to the climate and ecological emergency.The reason I titled this episode ‘Natural Collaboration' is evident in the podcast. Over the years, Ackroyd & Harvey have created their own little ecosystem that evolves over time and brings into their circle not just nature and the more-than-human world, but other artists, scientists and activists of all stripes. It is a great example of the compelling conversations that can be had when we collaborate with others, especially as we face the climate crisis.In this episode, we dig into their various collaborations and spend a lot of time on their photographic photosynthesis process, which happened almost by chance as you'll hear about in the episode. We also talk about their connection to place and the challenge of working with living materials, including the more-than-human animals and creatures that find their way to the pieces. Our conversation comes to a close around the Beuys' Acorns project, which has extended Joseph Beuys' original 7,000 Oaks project over many more decades, helping it stay a point of discussion for new generations.If you haven't subscribed to our newsletter and Substack, please visit ecosystemmember.com. On the homepage, you'll find a link to pages about all of our episodes, including this one, so you can see some of the work we discuss and find links to the rest. In addition to alerts about the latest podcast episodes, I'll occasionally send out a post profiling an artist I really enjoy or an exhibition I get the chance to attend, along with a rare opinion piece about what's going on in the worlds of art and nature. That is all at ecosystemmember.com. Without further delay, here is the latest episode of the Ecosystem Member podcast with the artist duo Ackroyd & Harvey. LinksGrass House by Ackroyd & Harvey Ackroyd & Harvey Website Ackroyd & Harvey Prints and Drawings for Sale "Reclaiming the Commons Through Art" from Atmos featuring Ackroyd & HarveyPhoto Credit for Podcast Cover Art: Manuel Vason

For the 35th episode of "Reading the Art World," host Megan Fox Kelly speaks with influential art dealer Michael Findlay about his captivating memoir, "Portrait of the Art Dealer as a Young Man," published by Prestel.This vibrant conversation takes listeners back to New York's electric downtown art scene of the 1960s and 70s, where Findlay directed one of SoHo's first galleries and launched exhibitions for artists now considered icons. With charm and wit, Findlay shares candid stories of his rise in the art world, recounting encounters with Andy Warhol, David Hockney, Jasper Johns, Robert Rauschenberg, and other creative forces that defined an era when appreciation for art outweighed its investment potential.Moving beyond nostalgia, Findlay provides sharp insights into how the art world transformed from the experimental downtown scene to today's global market. Through vivid anecdotes about The Chelsea Hotel, Max's Kansas City, and Studio 54, he recreates a New York where creative experimentation flourished without today's commercial pressures.Whether you're fascinated by cultural history, the evolution of the art market, or simply love a good story, Findlay's irreverent, honest perspective offers a fresh look at a pivotal moment when art dealers, artists, and collectors converged to create lasting cultural change.ABOUT THE AUTHOR One of the earliest dealers in SoHo, Michael Findlay showcased artists including John Baldessari, Joseph Beuys, and Hannah Wilke. Named Head of Impressionist and Modern Paintings at Christie's in 1984, he later became its International Director of Fine Arts. Since 2000 he has been a director at Acquavella Galleries, New York, which in recent years has held major exhibitions of important Impressionist, modern, and contemporary masters. His other books include “The Value of Art" and “Seeing Slowly – Looking At Modern Art.”PURCHASE THE BOOKhttps://www.penguinrandomhouse.com/books/746815/portrait-of-the-art-dealer-as-a-young-man-by-michael-findlay/ SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Music by Bob Golden

Bis heute ist der 1986 verstorbene Künstler umstritten: Für die einen ist er ein Heiliger, für andere ein Scharlatan.

We meet artist Carsten Höller for some perceptual playtime to celebrate New Year's Day! We explore Höller's collection of odd tasks and mischievous game-play.Carsten Höller invites readers to disrupt their daily lives with 336 mind-expanding diversions. They can be played alone, in pairs or in teams, in the street, in bed, on a train, wherever. No props or materials are needed. Just one body, all senses and a willingness to try something new, that's possibly conceptually or physically challenging, but guaranteed to entertain and to widen the player's horizons.Some games are more obviously daring than others – unexpectedly shouting ‘bang!' when your driver's reversing into a parking space is sure to elicit a reaction – but that's absolutely the point. Other games involve covertly dropping strange phrases into conversation, executing somersaults (without practice), or plucking hairs from your opponent's head while they stay poker-faced.Höller's scientific professional background informs his keenness to create what he calls Influential Environments. He wants to tease the brain while testing its limitations, through activity and passivity, agency and inertia. He conceived his first game with a group of friends in 1992, during a tedious dinner after an exhibition opening. Since then, he has collected and invented ideas, inspired by friends, life, the Surrealists, and Arthur Rimbaud. All games are illustrated with commissioned or pre-existing artworks and photographs. We find portraits by Inez van Lamsweerde & Vinoodh Matadin, August Sander, and Nan Goldin next to paintings by Salvador Dalí; snapshots of Joseph Beuys plus son and Donna Haraway plus dog next to appointed pieces by Christine Sun Kim and Anri Sala; film stills by Chantal Akerman, extracts from Shakespeare as well as treasures from Höller's personal archive—and his mother's.Edited by Stefanie Hessler and Hans Ulrich Obrist, this book encourages readers to engage in playful yet cerebral experiments that will leave them with a sense of wonder, disorientation, and a subtle smirk on their face.As an artist, Carsten Höller conducts radical experiments. His “Influential Environments” explore alternative scenarios, reimagining possibilities for human behavior and interaction and have been shown in major installations and solo exhibitions internationally over the last two decades. In 2022, he opened his restaurant Brutalisten in Stockholm and presented the third iteration of The Double Club in Los Angeles in 2024. Born in 1961 in Brussels to German parents, Höller currently lives and works in Stockholm and Biriwa, Ghana.Follow @Carsten.Holler on Instagram. Hosted on Acast. See acast.com/privacy for more information.

Joseph Beuys jest jedną z najważniejszych postaci sztuki XX wieku. Jego idee przenikały i przenikają nadal do prac wielu twórców, także w Polsce. Jego działania artystyczne, takie jak sadzenie drzew czy ochrona mokradeł, są dziś interpretowane jako pionierskie formy aktywizmu ekologicznego. Marta Ryczkowska, historyczka sztuki, krytyczka i kuratorka, analizuje twórczość Beuysa i jej wpływ na polskich artystów, wśród których są Teresa Murak, Jerzy Rosołowicz, Paweł Freisler, Henryk Gajewski, duet KwieKulik, Tadeusz Kantor, Andrzej Partum oraz Mirosław Bałka. Posłowie autorstwa Sebastiana Cichockiego dodatkowo poszerza tę listę o najmłodszą, tworzącą już w XXI wieku, generację artystów i artystek. Z autorką, która otrzymała prestiżową nagrodę Joseph Beuys Research Prize, rozmawiamy tuż po ukazaniu się książki wydanej przez Fundację Bęc Zmiana. Zamów książkę: https://sklep.beczmiana.pl/pl/p/Joseph-Beuys-a-sztuka-polska.-Afiliacje-i-procesy-rownolegle/8534 Rozmawiała: Bogna Świątkowska, www.nn6t.pl Publikacja dofinansowana ze środków Ministerstwo Kultury i Dziedzictwa Narodowego pochodzących z Funduszu Promocji Kultury, została także wsparta przez ESK Lublin 2029.

Sie schreibt, sie dichtet, sie zeichnet, sie malt, sie komponiert und produziert Musik: Die Künstliche Intelligenz ist grade dran, uns Menschen das aus der Hand zu schlagen, von dem wir bisher ausgegangen sind, dass es uns immer bleiben wird – Kunst und Kultur. Aber kann KI wirklich Kunst? Gibt es also eine künstlich intelligente Maschine, die von sich aus etwas produziert, das wir als Kunst akzeptieren? Ich habe mir diese Woche im Rahmen eines Vortrags in der Galerie Stapflehaus in Weil am Rhein zu dieser Frage Gedanken gemacht – inmitten einer Kunstausstellung, die von einer KI kuratiert wurde. Dabei stellen sich naturgemäss drei konkrete Fragen: Was macht eine KI genau, wenn sie ein Bild generiert? Was heisst «können»? Und vor allem: Was ist Kunst? Diese letzte Frage ist am schwierigsten zu beantworten. Spätestens seit Joseph Beuys und der 1973 versehentlich geputzten Badewanne in Leverkusen sind wir vorsichtig geworden im Umgang mit Kunst. Oder denken Sie an die Graffiti von Harald Nägeli in Zürich und Banksy in London: Wann wird die Sachbeschädigung zu Kunst? Und jetzt malt also auch die KI. Was entsteht dabei? Und welche Konsequenzen hat das für uns Menschen? Kann KI Kunst?Matthias Zehnder ist Autor und Medienwissenschaftler in Basel. Er ist bekannt für inspirierende Texte, Vorträge und Seminare über Medien, die Digitalisierung und KI.Website: https://www.matthiaszehnder.ch/Newsletter abonnieren: https://www.matthiaszehnder.ch/abo/Unterstützen: https://www.matthiaszehnder.ch/unterstuetzen/Biografie und Publikationen: https://www.matthiaszehnder.ch/about/

#herkesesanat #çağdaşsanat Bir pisuar sanat tarihini nasıl değiştirdi? Öncüsü Beuys'a göre her insan bir sanatçı! Yüksek ve alçak kültür arasındaki sınırı bulanıklaştıran sanat biçimi! Anlamak çok zor! ... Bilgi Üniversitesi'nden Esra Yıldız rehberliğinde çağdaş sanatla tanışıyoruz. Çağdaş sanatın ne olduğunu, önemli sanatçı ve eserleri öğreniyoruz. ... Çağdaş sanat, yüksek kültürle alçak kültür arasındaki sınırı bulanıklaştıran, salt estetikten uzak, toplumsal kaygılarla üretilen sanat biçimi. Öncülerinden Joseph Beuys'a göre, her insan bir sanatçı. Belki bu yüzden çağdaş sanatı anlamak zor! Tarihsel aralık açısından sanat tarihçileri iki döneme işaret ediyor: İlki, 2. Dünya Savaşı sonrası dönem. Milyonlarca insanın toplama kamplarında öldürülmesi ve bundan sonra artık nasıl devam edileceği sorusu. Frankfurt Okulu'nun temsilcisi Adorno'nun, “Auschwitz'ten sonra şiir yazılamaz” sözünün ardından sanatçıların yapıtlarına dikkat çekti. İkinci dönem, 1960'dan günümüze kadar devam eden dönem. Feminizm, çevre hareketlerinin yükselişi, siyah haklar hareketi, 1968'de gençlerin ve işçilerin hareketi açısından önemli dönem. Sanatçıların bunlara karşılık gelen üretimlerini görüyoruz... ... Esra Yıldız'ın çağdaş sanata örnek olarak anlattığı sanatçılar ve eserleri: “Hazır yapıt” terimini literatüre kazandıran Fransız sanatçı Marcel Duchamp - 1917'de Bağımsız Sanatçılar Sergisi'ne gönderdiği ancak reddedilen eseri “çeşme / pisuvar”, modern sanat döneminde olsa bile, çağdaş sanatın kırılma noktası kabul ediliyor. Çağdaş sanatta önemli bir yeri olan, toplumu sanat aracılığıyla şekillendirmede önemli rolü olan Alman sanatçı Joseph Beuys. Ona göre her insan bir sanatçı. Almanya'da 2. Dünya Savaşı'nda tahrip edilen ve ekolojik yapısı bozulan Kassel kentini canlandırma amacıyla yaptığı “7 bin meşe” çalışması, örnek eserlerden. Bu bölüm için seçtiği müzikler: John Cage'ten “Music for Marcel Duchamp” ve “Fontana Mix” Joseph Beuys - Sonne statt Reagan 1982 Türkiye'den örnek verdiği sanatçılar: Ayşe Erkmen - Berlin'de bir evin dış cephesindeki “mış'lı” yerleştirmesi. İstanbul'da İstiklal Caddesi'nin Tünel tarafındaki bir heykeli var. Nur Koçak, Nil Yalter ve Sarkis'in de 70'lerden itibaren öncü isimler. Filmlerin, çağdaş sanatı anlamak açısından önemini vurguladı. Agnes Varda'nın “Les Glaneurs et la glaneuse” / “Toplayıcılar ve Ben” adlı belgeselinin izlenmesini önerdi, neden önemli olduğunu anlattı. Çağdaş sanat ve felsefe ilişkisine dikkat çekti, Fransız felsefeci Jean Francois Lyotard'ın 1985'te Paris Pompidou Kültür Merkezi'ndeki sergisinin önemli olduğunu belirtti. Bu sergi için: https://www.centrepompidou.fr/en/collection/film-and-new-media/les-immateriaux-1985 Ve günümüz filozoflarından Fransız sanatçı Georges Didi-Huberman'ın halen Madrid'de devam eden sergisini işaret etti. Bu sergiyle ilgili için: https://www.museoreinasofia.es/en/exhibitions/in-the-troubled-air NEDEN ESRA YILDIZ? İstanbul Bilgi Üniversitesi Kültür ve Sanat Yönetimi Bölümünde öğretim üyesi. Lisans derecesini Çevre Mühendisliği (İstanbul Teknik Üniversitesi, İTÜ) ve Sosyoloji (İÜ), yüksek lisans (İTÜ) ve doktora derecelerini (İTÜ) Sanat Tarihi bölümünden aldı. Doktora çalışmaları sırasında Technische Universität Berlin'de bulundu. Doktora sonrası çalışmalarını Berlin Humboldt Üniversitesi ve Paris EHESS'te sürdürdü. Critical Arts, African Arts, International Journal of Arts Management gibi dergilerde, Routledge, Intellect, İstanbul Bilgi Üniversitesi Yayınları gibi yayınevlerinden çıkan kitaplarda akademik çalışmaları, makaleleri yayınlanıyor. Akademik çalışmalarının yanı sıra, Sayfalar Arasında Bir Gölge: Sahaf Vahan (2010) ve Vatansız (2021) belgesel filmlerinin yönetmeni.

Mit "Autobahn" bringt die Düsseldorfer Band Kraftwerk 1974 ihr viertes Album raus. Ein echtes Meilensteine Album – und das, obwohl das Album nur ganze fünf Titel hat. Die Gruppe Kraftwerk hat ihre Wurzeln in der nordrhein-westfälischen Hauptstadt Düsseldorf. Genauer gesagt aus dem direkten Umfeld der Düsseldorfer Kunstakademie, in denen sich auch andere große zeitgenössische Künstler bewegt haben wie Joseph Beuys, Karlheinz Stockhausen oder Györgi Ligeti. Die New York Times hat die Band Kraftwerk einmal als "die Beatles der elektronischen Musik" bezeichnet. Was genau das Album "Autobahn" zu einem Meilenstein macht, verrät Podcast-Gast und Kraftwerk-Fan Sascha Simnovec in seinen eigenen Worten: "Autobahn ist bis heute so konsequent anders und stilprägend! [...] Ein Kunstprofessor, genauso wie ein Taxifahrer, der ihn zur Ausstellung fährt, versteht das Album. Es gibt keine intellektuellen Fallen, obwohl das Album so intelligent ist." Das Herzstück von "Autobahn" ist der Titelsong selbst. Über 22 Minuten erstreckt sich diese romantisierte Reise auf der deutschen Autobahn, die dabei auch künstlerisch unterstützt wird von dem ursprünglichen Plattencover des Albums. Darauf sehen wir genau die dort beschriebene Landschaft mit zwei typisch deutschen Autos auf der Autobahn. Die Sonne scheint im Hintergrund über die Berge und im Rückspiegel sehen wir tatsächlich dann auch die vier Bandmitglieder von Kraftwerk sowie die beiden Gründer der Band, Ralf Hütter und Florian Schneider. Der Titelsong "Autobahn" ist mit seinen 22:30 Minuten tatsächlich der einzige Song auf der A-Seite des Albums und damit auf mehreren Ebenen in sich geschlossen. Ralf Hütter von Kraftwerk hat das Stück auch nicht unbedingt als Song betitelt, sondern eher als "Soundmalerei". Im SWR1 Meilensteine Podcast zu "Autobahn" von Kraftwerk sprechen wir natürlich auch über die zweite Seite der Platte und auch darüber, ob die Platte jetzt eigentlich aus zwei oder aus drei großen Themenbereichen besteht, welche kosmischen Kräfte die Platte beeinflusst haben und darüber, wie genau viele dieser damals neuen Sounds entstanden sind. __________ Über diese Songs vom Album "Autobahn" wird im Podcast gesprochen (17:43) – "Autobahn"(55:47) – "Kometenmelodie 1 und 2"(01:00:58) – "Mitternacht"(01:09:51) – "Morgenspaziergang" __________ Alle Shownotes und weiterführenden Links zur Folge "Autobahn" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/kraftwerk-autobahn-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Der SWR Kultur-Glossist René Sydow erinnert in seiner aktuellen Glosse an den großen Joseph Beuys, der dereinst schon sagte: „Jeder Mensch ist ein Künstler.“ Ob das stimmt? Sydow ist sich da anfangs nicht so sicher.

Babeth Mondini-VanLoo  is an artist, filmmaker, and cultural ambassador. She studied art under Joseph Beuys in Germany and earned a Master's in Film & Fine Arts from the San Francisco Art Institute in 1977. Babeth is the programming director and founder of the first Buddhist television station in the West. Her art, often described as Social Sculpture, emphasizes spiritual activism. She has created over 60 documentaries on topics such as the science of the mind, Buddhism, punk music, and poetry. Her subjects have included the Dalai Lama, Joseph Beuys, Meredith Monk, the Sex Pistols, and Arnold Schwarzenegger.  Babeth directed the 1990 film Kiss Napoleon Goodbye which starred Lydia and Henry Rollins. Her work has been exhibited and is held in collections worldwide.

The artist Francesco Clemente may have been born and raised in Naples, but—having lived and worked around the world, including in Rome, India, New York City, and New Mexico—he considers himself a citizen of no place. Widely known for his work across mediums, from drawings and frescoes to mosaics, oils, and sculptures, Clemente makes art that evokes his mystical perspective, with his paintings often featuring spiritual subjects or dreamlike symbols. Beyond exhibiting in galleries and museums, over the years Clemente has also made works for a variety of other venues, including a nightclub, a hotel, a Hollywood film, and the Metropolitan Opera. This fall, his work (and name) will be central to his latest unusual project: the soon-to-open Clemente Bar at chef Daniel Humm's three-Michelin-starred restaurant Eleven Madison Park.On the episode, Clemente discusses his collaboration with Humm, frescoes as the most luminous artistic medium, his deep affinity with India, and the certain timeworn quality to his art.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Francesco Clemente[3:55] Clemente Bar[3:55] Eleven Madison Park[3:55] Daniel Humm[3:55] Alba Clemente[7:50] Murals for the Palladium nightclub[7:50] Hudson Hotel[7:50] Ian Schrager[8:43] Arata Isozaki[8:43] Philippe Starck[8:43] Kenny Scharf[8:43] Keith Haring[8:43] Jean-Michel Basquiat[8:43] Steve Rubell[9:43] Works for Great Expectations (1998)[9:43] “The Sopranos” series[9:43] Portrait of Fran Lebowitz[11:37] Portrait of Toni Morrison[23:12] Jiddu Krishnamurti[23:12] Theosophical Society[24:49] Álvaro Siza[24:49] Museo Madre[32:48] Cy Twombly[32:48] Joseph Beuys's exhibition “We Are the Revolution” (1972)[35:30] Rudolf Steiner[36:56] Letters to a Young Poet by Rainer Maria Rilke[37:57] Swami Vivekananda[39:20] Salman Rushdie[41:31] Nisargadatta Maharaj[46:51] Andy Warhol[46:51] Allen Ginsberg[48:13] William Blake[48:54] Raymond Foye[48:54] Hanuman Books[50:04] “The Four Corners” (1985)[53:36] Saint Francis

In episode 27 of Locust Radio, Adam Turl is joined by Tish Turl – writer, editor, artist, poet and member of the Locust collective. This episode is part of a series of interviews of current and former Locust Collective members and contributors. This series is being conducted as research for a future text by Adam Turl on the conceptual and aesthetic strategies of the collective in the context of a late capitalist cybernetic Anthropocene.  Locust Radio hosts include Adam Turl, Laura Fair-Schulz, and Tish Turl. Producers include Alexander Billet, Omnia Sol, and Adam Turl Related texts and topics: Mark Abel, Groove: An Aesthetic of Measured Time (2016); Charlie Jane Anders, The City in the Middle of the Night (2019); Valerie Armstrong, Kevin Can F**k Himself (television series, 2021-2022`); Banksy (artist); Joseph Beuys (artist); Alexander Billet, Shake the City: Experiments in Space and Time, Music and Crisis (2022);  Claire Bishop, Disordered Attention: How We Look at Art and Performance Today (2024); William Blake (artist and poet); The Carnivalesque; Creepypasta; Ben Davis, Art in the After-Culture: Capitalist Crisis and Cultural Strategy (2022); The Dogscape (creepypasta), Marcel Duchamp (artist); Fanfiction; Mark Fisher, Capitalist Realism: Is There No Alternative? (2009); Rupi Kaur (poet); Emily St. John Mandel, Sea of Tranquility (2022); Emily St. John Mandel, Station Eleven (2014); David Mitchell, The Bone Clocks (2014); Prosimetrum; Buzz Spector (artist); Chuck Tingle (writer); Tish Turl, “Sewerbot” (2019); Tish Turl, Sound, serialized novella in Locust Review (2020-); Tish Turl, Space Goths (2019); Tish Turl, Stink Ape Resurrection Primer, serialized prosimetrum in Locust Review (2021-); Tish Turl, Toilet Key Anthology, serialized poetry series in Locust Review (2019-2021); Tish Turl an Adam Turl, Big Muddy Monster Atlas Project (2021-); Tish Turl and Adam Turl, Born Again Labor Museum (2019-).

Pocas ciudades en el mundo tienen la historia de Berlín. No sólo por sus diversas situaciones geopolíticas, sino por la historia artística que alberga. Recorriendo sus calles, constatamos dicha historia contemplando sus monumentos, sus cicatrices, sus estaciones de metro, sus museos… Berlín siempre ha sido un lugar de refugio, cambios, reflexiones e interacciones con el arte y sus movimientos que marcaron épocas y etapas. El Arte en Berlín: Un Viaje por la Vanguardia y la Historia Berlín, la capital de Alemania, es un crisol cultural donde convergen la historia y la modernidad en una de las escenas artísticas más dinámicas de Europa. Desde las épocas gloriosas del arte clásico hasta la turbulencia del siglo XX y la constante reinvención del presente, Berlín ofrece un recorrido único para los amantes del arte. Este artículo explora las diversas facetas del arte en Berlín, desde sus icónicos museos hasta sus vibrantes galerías contemporáneas y el impacto de su tumultuosa historia. Un Epicentro Histórico del Arte Europeo Berlín ha sido un bastión del arte europeo desde hace siglos, pero su importancia como capital cultural creció especialmente durante el siglo XIX, cuando la ciudad se convirtió en un centro intelectual y artístico bajo el Imperio Alemán. La Isla de los Museos (Museumsinsel), ubicada en el río Spree, es el testimonio más tangible de esta época dorada. Este complejo de museos es Patrimonio de la Humanidad por la UNESCO y alberga algunos de los tesoros más importantes del arte mundial. Entre sus cinco museos principales, destacan: 1. El Museo de Pérgamo (Pergamonmuseum): Famoso por su colección de arte antiguo, alberga piezas monumentales como el Altar de Pérgamo y la Puerta de Ishtar de Babilonia. Este museo es una visita imprescindible para quienes deseen explorar las raíces del arte antiguo y sus conexiones con la modernidad. 2. La Galería Nacional Antigua (Alte Nationalgalerie): Se especializa en obras del Romanticismo alemán, el Impresionismo y el Clasicismo. Aquí es posible contemplar obras maestras de Caspar David Friedrich, Claude Monet y Édouard Manet. 3. El Museo Bode: Reconocido por su colección de escultura y arte bizantino, además de su amplia galería numismática. Estas instituciones ofrecen un vistazo a los fundamentos clásicos y antiguos del arte, en contraste con el Berlín contemporáneo, marcado por su inclinación hacia la vanguardia y el arte experimental. El Arte en el Siglo XX: Expresionismo, Guerra y Renacimiento El siglo XX fue un período de transformaciones dramáticas para Berlín, y estas se reflejan poderosamente en su arte. A comienzos de siglo, la ciudad fue cuna del Expresionismo Alemán, un movimiento que rompió con las convenciones tradicionales del arte al enfocarse en emociones crudas y subjetivas. Artistas como Ernst Ludwig Kirchner, Emil Nolde y Käthe Kollwitz retrataron una ciudad vibrante y angustiada, marcada por la rápida industrialización y las tensiones sociales. La devastación causada por la Segunda Guerra Mundial dejó cicatrices imborrables tanto en la ciudad como en su escena artística. Tras la guerra, Berlín quedó dividida en dos: Oriente bajo la influencia soviética y Occidente bajo la tutela occidental. Este periodo vio el surgimiento de un Berlín Oriental marcado por el arte de la propaganda, mientras que Berlín Occidental se convirtió en un punto focal del arte experimental. El Muro de Berlín, que dividió la ciudad entre 1961 y 1989, no solo simbolizó la separación política, sino también la separación artística. Sin embargo, su caída en 1989 marcó un renacimiento cultural sin precedentes. Las paredes del muro, antes emblema de la represión, se transformaron en lienzos para artistas callejeros de todo el mundo, lo que dio lugar a la East Side Gallery, el tramo más largo del muro aún en pie, convertido en una galería al aire libre. Berlín Contemporáneo: Una Ciudad Vanguardia Tras la reunificación de Alemania, Berlín ha experimentado un auge cultural que la ha consolidado como uno de los principales centros del arte contemporáneo. Hoy, la ciudad alberga más de 400 galerías, lo que la convierte en un lugar de peregrinación para coleccionistas y aficionados al arte. Algunos de los espacios más importantes del arte contemporáneo incluyen: • Hamburger Bahnhof – Museo de Arte Contemporáneo: Un antiguo depósito de trenes convertido en museo, que alberga obras de artistas tan influyentes como Andy Warhol, Joseph Beuys y Anselm Kiefer. Este museo se ha convertido en uno de los epicentros del arte moderno en Berlín. • Berlinische Galerie: Este museo está dedicado al arte moderno desde principios del siglo XX hasta la actualidad, con un enfoque en el arte de Berlín. A menudo presenta exposiciones sobre el Expresionismo y la Bauhaus, dos movimientos estrechamente ligados a la historia artística de la ciudad. • KW Institute for Contemporary Art: KW es un espacio vanguardista conocido por su papel en la fundación de la Bienal de Berlín, uno de los eventos de arte más influyentes de Europa. Aquí, los visitantes pueden explorar lo último en arte experimental, performances y multimedia. El Arte Urbano: Berlín como Lienzo El arte callejero y el graffiti son partes fundamentales de la identidad visual de Berlín. A lo largo de los años, las calles de la ciudad han sido ocupadas por artistas locales e internacionales, que han transformado los muros grises en vibrantes murales llenos de expresión política y social. Distritos como Kreuzberg y Friedrichshain se han convertido en epicentros de este arte urbano, donde nombres como Blu, El Bocho y Victor Ash han dejado su huella. El RAW Gelände, un complejo industrial abandonado, es otro de los puntos clave para quienes buscan explorar el arte callejero de Berlín. Este espacio al aire libre está lleno de murales, instalaciones artísticas temporales y eventos culturales alternativos, lo que refleja el espíritu de constante transformación de la ciudad. Conclusión: Berlín, Ciudad del Arte sin Límites Berlín es una ciudad donde el pasado y el futuro del arte conviven en una tensión dinámica. Desde los tesoros antiguos de la Isla de los Museos hasta los murales callejeros que desafían las convenciones artísticas, Berlín es un lugar donde cualquier amante del arte puede encontrar inspiración. La ciudad continúa siendo un laboratorio de ideas, donde el arte se reinventa constantemente, en una búsqueda incesante por reflejar la complejidad de la vida urbana y la historia. Para los viajeros y residentes por igual, explorar Berlín es sumergirse en un diálogo continuo entre la tradición y la innovación. Otros temas en el programa: 31:06 Paréntesis 49:29 Lugares míticos 58:36 Axiomas No quiero matarte - Capítulo 2 Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/berlin-zz-podcast-06x04 Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X: https://x.com/LuisBermejo y https://x.com/zz_podcast Instagram: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0

Czarnowski, Elza www.deutschlandfunkkultur.de, Fazit

heute in Scala unter anderem: neue Nutzung für das Atelier und Wohnhaus von Joseph Beuys in Düsseldorf, eine Frage der Kultur: hat der Printjournalismus noch eine Chance? Donnerstag ist Kinotag. Scala mit den Kinotipps. Moderation: Rebecca Link Von Rebecca Link.

In this episode of Locust Radio we are flipping the script a bit. Instead of Tish, Laura and Adam interviewing someone, Tish and Adam are interviewed by Locust's own Alexander Billet. They discuss, among other things, the Born Again Labor Museum, Adam and Tish's ongoing sited conceptual art and installation project in southern Illinois. An edited and abridged transcript of the interview is available on Alexander Billet's substack. A note: The interview was recorded the weekend before President Joe Biden quit the presidential race and endorsed Vice-President Kamala Harris. Artworks, artists, concepts, histories, and texts discussed in this episode: Jean Baudrillard, America (1989); Walter Benjamin, “Theses on History” (1940); John Berger, Ways of Seeing (documentary and book) (1972); Joseph Beuys; Claire Bishop, Disordered Attention: How We Look at Art and Performance Today (2024); Nicolas Bourriaud, Relational Art (1998); Bertolt Brehct, “A Short Organum for the Theater” (1949); Bertolt Brecht, War Primer (1955); “Carbondale Starbucks Employees Vote to Unionize” (2022); Anna Casey, “Museum examines workers rights through art” (2022); Class and Social Struggle in southern Illinois; Andrew Cooper; Kallie Cox, “Born Again Labor Museum Offers Free Communist Manifestos” (2022); Ben Davis, Art in the After-Culture: Capitalist Crisis and Cultural Strategy (2022); Mike Davis and Hal Rothman, The Grit Beneath the Glitter: Tales from the Real Las Vegas (2002); Marcel Duchamp; R. Faze, “I Live an Hour from My Body” (2021); Mark Fisher, Capitalist Realism: Is There No Alternative? (2008); Eirc Gellman and Jarod Roll, The Gospel of the Working-Class: Labor's Southern Prophets in New Deal America (2011); Francisco Goya, Disasters of War (1810-1820); Boris Groys, “The Weak Universalism” (2010); Jenny Holzer; Barbara Kruger; Michael Löwy, Fire Alarm: Reading Walter Benjamin's ‘On the Concept of History' (2005); Frances Madeson, “At the Born Again Labor Museum, Art is a Weapon for the Working Class” (2022); Karl Marx, The German Ideology (1846); Karl Marx and Freidrick Engels, The Communist Manifesto (1848); Pablo PIcasso, Guernica (1937); Russian Cosmism; Penelope Spheeris, The Decline of Western Civilization (1981); Stop Cop City; Leon Trotsky, Their Morals and Ours (1938); Adam Turl, “Against the Weak Avant-Garde” (2016); Adam Turl, “The Art Space as Epic Theater” (2015); Adam Turl, “Outsider Art is a Lie” (2019) and Adam Turl, “We're All Outsiders Now” (2019); Tish Turl, “Class Revenge Fanfiction” (2022); Tish Turl, “Toilet Key Anthology” (2020); Tish Turl and Adam Turl, Born Again Labor Museum; Tish Turl and Adam Turl, Born Again Labor Tracts; The Wanderers/Peredvizkniki  In other news, the call for submissions for Locust Review 12 is available on our website, check it out.  Locust Radio is produced by Omnia Sol, Alexander Billet and Adam Turl. Its hosts include Adam Turl, Laura Fair-Schulz, and Tish Turl.

Enjoy our special episode from the exhibition When We See Us: A Century of Black Figuration in Painting at Kunstmuseum in Basel recorded by Anne Kimunguyi. Many of you know Anne from her Shade Art Review. features.Our guest is Head of Contemporary Art at Kunstmuseum Basel, Maja Wismer. As part of her role, she specialises in art of the late 20th and early 21st century, having previously held the role of Curatorial Fellow at the Busch Reisinger Museum of the Harvard Art Museums. Based at the Kunstmuseum, her previous work has seen the realisation of the exhibition ‘Kara Walker. A Black Hole is Everything a Star Longs to be', as well as projects involving the move of the works of Joseph Beuys from the newly created space – Museum fur Gegenwarsknust, a museum dedicated exclusively to contemporary art in 1980. Please help save our independent podcast by donating £5 hereRead Shade Art Review Shade Art Review Series 11 | 20% discount codeShade Podcast InstagramShade Podcast WebsiteShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEdit & Mix by Mae-Li EvansEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Har­ald­ur Jóns­son myndlistarmaður var getinn í Noregi, fæddist árið 1961 í Helsinki og náði svo að búa í Danmörku áður en hann sigldi með Gullfossi til Íslands á leikskólaaldri. Hann hóf nám í barnaskóla ári á undan jafnöldrum sínum og fluttist til Frakklands þegar hann lauk MR nítján ára gamall. Hann segir framandgervingu alltaf hafa verið hluta af sér, honum líði best í kjarnanum. Haraldur lítur á tungumálið sem skúlptúr en það var meðal annars latína og orðsifjafræði sem leiddu hann á braut myndlistarinnar. Líkaminn, tilfinningar og skynjun mannsins á umhverfi sitt eru einnig þræðir sem ganga í gegnum höfundaverk Haraldar. Hann nam myndlist í Frakklandi , Þýskalandi og á Íslandi og nefnir Joseph Beuys, Fellini og Meredith Monk sem áhrifavalda. Har­ald­ur hef­ur haldið tugi einka­sýn­inga og tekið þátt í ótal sam­sýn­ing­um um víða ver­öld. Verk hans eru í eigu helstu op­in­beru safna á Íslandi sem og í einka­söfn­um í Evr­ópu og Banda­ríkj­un­um. Haraldur er gestur okkar í Svipmynd Víðsjár þessa vikuna.

First Half, full 2 hr+ episode here ...on LARPing with artists Maggie Dunlap and Ben Werther and his recent show When You Can No Longer Speak, Sing Me A Song documenting mock high stakes environments of Military Simulation (MilSim) culture. Other topics: identity construction and the fraying of the American cultural fabric, the anonymous 14th century Christian mystical text The Cloud Of Unknowing, total sculpture, non pedantic art, soft black stars, the end of intellectuals and words, readymades, LARPing as a luxury commodity item, Murderbilia, the BTK killer, fandoms forming around depravity, True Crime as female MilSim, Kantian ethics, desire for martyrdom, Davey Crockett, Neo Suprematism, why Country Music is reaching peak popularity, hair metal, The South and the east coast as The Big Other, Mike Kelley's stuffed animals from a the perspective of a child, Sam Hyde's 'active shooter' phenomenon, James Bridle, Borges, Joseph Beuys.

Send us a Text Message.Hello everyone!I'm so happy to be back, I've been busy working! Today we have a review of Beatriz Milhazes show Maresias that I saw at the Tate St Ives!Here are links to anything I mentioned:https://www.tate.org.uk/whats-on/tate-st-ives/beatriz-milhazes-maresiashttps://turnercontemporary.org/whats-on/beatriz-milhazes-maresias/Joseph Beuys artwork - https://publicdelivery.org/joseph-beuys-7000-oaks/Pedro Reyes artwork - https://www.thisiscolossal.com/tags/guns/Abstract expressionism info: https://www.tate.org.uk/art/art-terms/a/abstract-expressionismBruce Nauman: https://www.stedelijk.nl/en/collection/19166-bruce-nauman-playing-a-note-on-the-violin-while-i-walk-around-in-the-studioHenri Matisse: https://www.jhrehab.org/2016/11/30/matisse-innovation-in-the-face-of-physical-limitations/Cry Twombly - https://gagosian.com/artists/cy-twombly/Colour Field Painters:https://www.moma.org/artists/5047https://www.tate.org.uk/visit/tate-st-ives/display/mark-rothko-the-seagram-muralsRothko Chapel - https://www.rothkochapel.org/learn/about/Morris Louis - https://www.sothebys.com/en/artists/morris-louisThank you for listening, it warms my heart when you doooooEdited on LumafusionMusic from Epidemic SoundsSound Effects from AnchorMic: Samson Q2UMY VINTED - by buying from this it helps to fund my practice!Socials:Instagram - @scarlettart18Website - scarlettford.co.uk Linkedin - https://uk.linkedin.com/in/scarlett-ford-485795208Email - scarlettart18@gmail.comMY VINTED - by buying from this it helps to fund my practice!Socials:Instagram - @scarlettart18Website - scarlettford.co.uk - YOU CAN LISTEN TO THE POD FROM MY WEBSITE!Linkedin - https://uk.linkedin.com/in/scarlett-ford-485795208Email - scarlettart18@gmail.com

I am so thrilled to say that my guest on the GWA Podcast is one of the most esteemed curators in the world, Naomi Beckwith. Currently the Deputy Director and Jennifer and David Stockman Chief Curator at the Solomon R. Guggenheim Museum, NY, where she plays an instrumental role in shaping the museum's vision, Beckwith's career has seen her curate some of the groundbreaking shows in recent years. At the MCA Chicago, she curated Howardena Pindell: What Remains to Be Seen – the first survey of the 20th and 21st century pioneer, as well as The Freedom Principle: Experiments in Art and Music that looked at the legacy of 1960s African American avant-garde and its impact on art and culture today. Among many others, she also staged the first ever US solo exhibition by Lynette Yiadom-Boakye at the Studio Museum in Harlem. Beckwith was part of the team that realised Grief and Grievance: Art and Mourning in America, conceived by Okwui Enwezor for the New Museum, as well as shows featuring Arthur Jafa and Laurie Simmons. She has dedicated her career to the impact of identity and multidisciplinary practices within contemporary art, and has just been granted the David Driskell Prize 2024. But the reason why we are speaking with Beckwith today is because she has just unveiled a new group exhibition at the Guggenheim – By Way of Working – that brings together artists across mediums, and generations – from Mona Hatoum, Joseph Beuys, Robert Rauschenberg, and Senga Nengudi: the artist we are very excitingly discussing today. Chicago-born Nengudi is hailed for her works across sculpture to performance, that explore the human form in all its many iterations through her early training in dance, and I can't wait to find out more. -- LINKS: Naomi's exhibition: https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection https://www.guggenheim.org/about-us/staff/naomi-beckwith https://www.sengasenga.com/ https://www.artnews.com/feature/senga-nengudi-who-is-she-why-is-she-important-1234591161/ https://www.youtube.com/watch?v=DutixbTscWM https://www.moma.org/calendar/exhibitions/5078 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Paulina Pukytė. „Žuvies akys“. Režisierius Albertas Vidžiūnas, garso režisierė Sonata Jadevičienė. Vaidina Vladas Bagdonas, Vaidotas Martinaitis, Sonata Visockaitė, Laimutė Štrimaitytė. Spektaklyje panaudota fragmentų iš kino filmo „Žvaigždžių karai“ ir Joseph Beuys performanso. 2022 m. (S)(piešinio autorė Jurga Šarapova)

Es sind die besonderen Bücher: Kunst, Literatur, Foto, Mode oder Glamour. Lothar Schirmer hat das Gespür für Themen, Eleganz, Stil, und Attitude. In seinem Verlag fanden große Namen ein verlegerisches Zuhause: Gerhard Richter, Joseph Beuys, Cy Twombly, Edward Hopper. Museen, Sammlungen vertrauten sich ihm an, auch Photographen wie Peter Lindbergh, August Sander oder Barbara Klemm. Und natürlich auch Schriftsteller wie Cees Nooteboom, Hans Magnus Enzensberger, Peter Handke oder Michael Krüger. All seine Bücher bilden das "Hintergrundrauschen" einer 50-jährigen Verlags- und Berufstätigkeit. Wie das klingt, erzählt Lothar Schirmer in "NDR Kultur à la carte".

Am 1. April 1974 gründete der Kunstsammler Lothar Schirmer zusammen mit dem Werbetexter Erik Mosel in München den Kunst- und Fotobuch-Verlag Schirmer/Mosel. Dieser Tage feiert man Jubiläum. Ein Gespräch über das 50jährige Bestehen und Lothar Schirmers frühe Begeisterung für Cy Twombly sowie Joseph Beuys und das neue Buch "Die Bienenkönigin nährt am Ende alle ... Gespräche über Kunst und Bücher von Magdalena Kröner mit Lothar Schirmer" (Schirmer/Mosel) / Issac Rosa: "Ein sicherer Ort" (liebeskind) / Stefan Bollmann: "Zeit der Verwandlung. München 1900 und die Neuerfindung des Lebens" (Klett-Cotta)

Reber, Simone www.deutschlandfunkkultur.de, Fazit

Probst, Carsten www.deutschlandfunk.de, Kultur heute

Campino ist Frontmann der Band «Die Toten Hosen» und neu auch Professor. Er bekam eine Gastprofessur an der Universität Düsseldorf und hielt diese Woche seine erste Vorlesung. Es ging um Gebrauchslyrik. Im Tagesgespräch erzählt er unter anderem was ihm Lyrik bedeutet. Campino hat an der Uni Düsseldorf bereits Spuren hinterlassen: Er spielte in den 80er mit den Toten Hosen in der Mensa ein Konzert, die Fans demolierten dabei das Mobiliar. Es war ein Schlachtfeld, erinnert sich Campino, er ging eigentlich davon aus, dass er an der Uni Hausverbot habe. Dass er es nun doch noch zum Professor geschafft hat, erklärt er mit Joseph Beuys, der lange Chef der Kunstakademie Düsseldorf war. Dieses sagte, jeder Mensch sei Künstler. Daraus hat sich Campino das Motto abgeleitet: Jeder Mensch ist Professor. In seiner Gastprofessur hält eine Vorlesung zu Gebrauchslyrik und eine zum Thema: die Kakophonie unserer Zeit. Darüber spricht er im Tagesgespräch. Und darüber, wie er sich das Ende der Toten Hosen vorstellt.

Antje Tschira arbeitet als freiberufliche systemische Organisationsberaterin und Führungscoach für Bildungs-, Kultur- und Wissenschaftsorganisationen, kreiert Weiterbildungen für die Pädagogik, beteiligungsorientierte Formate für Entwicklungsprozesse und ist Dozentin für Erziehungswissenschaft und Organisationsdesign, Didaktik, sowie ästhetische Bildung in der Sozialen Arbeit. Nach dem Studium der Erziehungswissenschaft, Politikwissenschaft und Kunstgeschichte folgte die Promotion und Weiterbildungen zur Organisationsberaterin bei Simon Weber Friends, zum Coach am Milton-Erickson-Institut und für Systemaufstellungen und szenische Verfahren am WISL. Außerdem ist sie eine der Gesellschafter*innen des Centre Agro-Alimentaire in Siby, Mali, der CAAS gGmbH. Sie arbeitet entlang der Frage: Wie kommen Menschen, Teams und Organisationen in ihre Kraft? Die Promotion über die Spielregeln zwischen Mensch und Umwelt im Lernprozess bildete die theoretische Reflexion jahrelanger pädagogischer Erfahrung und Konzeptentwicklung in der Jugendarbeit. Schon in die praktische Arbeit flossen systemische und konstruktivistische Theorien ein. Beides, Theorie und Praxis begründeten das Credo, dass der Kontext bestimmt, wie sich Menschen in ihm verhalten und entwickeln. Veränderung und Entwicklung finden also immer durch Kontextgestaltung statt. Im Großen wie im Kleinen. Der Begriff der Sozialen Skulptur von Joseph Beuys bringt in ihren Augen zum Ausdruck, dass durch Interaktionen immer eine soziale Form entsteht. Sie könnte auch anders aussehen. Jede Interaktion ist immer auch gekoppelt an Entscheidungen. Entscheidet man sich anders, entsteht eine andere Form. Insofern tragen wir mit unseren Entscheidungen immer auch die Verantwortung für die Form, die dadurch entsteht. Nicht nur in dem Sinne, dass Kunst Gesellschaft verändert, sondern gesellschaftliche Akteure bringen auch Formen hervor. Welche Formen und Formate bringen gute Entwicklungen hervor? Kein Wunder also, dass sie die Idee, das Fundraising für ein Berufsbildungszentrum für junge Frauen in Mali zu übernehmen und eine Stiftung dafür zu gewinnen, von Anfang an mittragen konnte und wollte. Sie ist seit der Gründung des Centre Agro-Alimentaire in Siby mit dabei. Als Scharnier zur Projekt fördernden Klaus Tschira Stiftung, deren Gesellschafterfamilie sie angehört, sitzt sie auf dem Zaun zwischen dem Projekt und der Stiftung und balanciert beide Logiken immer wieder aus. Da sie passionierte Konzepterin und Kennerin guter nachhaltiger pädagogischer Konzepte ist, und ein Gespür für erfolgreiche Teams und Gründer*innen hat, konnte sie das Konzept des CAAS von Anfang an mit Engagement und Leidenschaft vertreten, weil sie vom Erfolg dieses Konzeptes und seiner Entwickler überzeugt war und ist. Sie ist außerdem Bergsteigerin und feministische Aktivistin.

The Italian chef Massimo Bottura may be a big dreamer, but he's also a firmly grounded-in-the-earth operator. Based in Modena, Italy, Bottura is famous for his three-Michelin-starred restaurant, Osteria Francescana, which has twice held the top spot on the World's 50 Best Restaurants list. He also runs Food for Soul, a nonprofit dedicated to promoting social awareness about food waste and world hunger. With its first Refettorio opened in 2015, Food for Soul now runs a network of 13 Refettorios around the world—from Paris to San Francisco to Naples—designed to serve people in need via food-recovery programs. In 2019, with his wife, Lara Gilmore, he also opened Casa Maria Luigia, a hospitality concept in the Emilian countryside that became the jumping-off point for their new recipes-slash-interiors book, Slow Food, Fast Cars (Phaidon). In everything he does, Bottura keeps the tradition of the Emilia-Romagna region alive while constantly imagining and executing new possibilities.On this episode, Bottura discusses the art of aging balsamic vinegar; his vast collection of thousands upon thousands of vinyl records; his deep love of Ferraris, Lamborghinis, and Maseratis; and how he thinks about the role of time, both literally and philosophically, in and out of the kitchen.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Massimo Bottura[03:27] Food for Soul[03:27] Refettorio Harlem[03:27] Refettorio Ambrosiano[03:46] Universal Exposition in Milan[15:36] Carlo Petrini[10:40] Gastromotiva[12:30] “Chef Massimo Bottura on Why the Future of Food is in Our Trash”[15:22] Slow Food, Fast Cars[15:36] Trattoria del Campazzo[56:07] Casa Maria Luigia[58:50] Osteria Francescana[41:32] Cavallino[41:32] Lo Mejor de la Gastronomia[43:30] Joseph Beuys[43:30] Lara Gilmore[1:01:42] Tortellante

Performative collective "Marina Abramovic Doesn't Clean Up After Herself" revive Joseph Beuys's iconic piece "How to Explain Pictures to a Dead Hare" in front of Slovak Culture Ministry. Icon Joan Baez has just been granted a highest State Order by the President of the Slovak Republic Zuzana Caputova. Latest Culture news invite to see the latest acquisitions of the Slovak National Gallery.

durée : 01:27:48 - Les Nuits de France Culture - par : Albane Penaranda - Par Jean Daive - Avec Dieter Ruckhaberle (peintre, directeur de musée), Jens Jensen (peintre), Kristin Gerber (artiste), Brigitta Restorff (éditrice et journaliste), Joseph Beuys (artiste), Werner Hamacher (traducteur, philosophe) et Martin Edelman (enseignant des beaux-arts) - Réalisation Pamela Doussaud

Précurseur du renouveau de la céramique dans l'art contemporain, l'artiste Johan Creten travaille de façon itinérante depuis près de quarante ans, du Mexique à l'Italie, de la Suède à la Belgique. Célèbre pour ses sculptures allégoriques en céramique et en bronze, il poursuit depuis les années 90 ses représentations d'un monde poétique, lyrique, mystérieux.Dans cet épisode, il a choisi de nous parler d'un artiste parmi les plus influents et les plus controversés du 20e siècle : Joseph Beuys. Le podcast L'Amour de l'Art invite des artistes à parler d'autres artistes. Musique, littérature, cinéma, arts visuels, théâtre... Ils et elles nous partagent, de manière très personnelle, leur regard sur ces œuvres qui les fascinent.  L'Amour de l'Art est un podcast de la galerie Perrotin L'épisode avec Johan Creten a été enregistré le 22 novembre 2023 à l'atelier de l'artiste à Paris. Entretien réalisé par Vanessa Clairet Stern Prise de son, réalisation et sound design : Seb Lascoux Langue : Française Identité graphique : Perrotin Musique : CDM Music

• Literatur • Kommt es nicht einem Kunststück gleich, dass sich Heiner Müller und Joseph Beuys niemals begegnet sind? In „atlantis tapes“ wird diese subversive Parallelaktion von beiden Ikonen der deutschen Nachkriegskultur zum Abschluss geführt. Von Klaus Buhlert, mit Texten von Francis Bacon, Heiner Müller, Joseph Beuys u.a.www.deutschlandfunkkultur.de, Hörspiel

In this episode, we delve into the fascinating journey of Lothar Schirmer, a publisher and art collector. We explored his post-war childhood in Cologne, his venture into art collecting, and his encounter with Cy Twombly and Joseph Beuys. We discovered the evolution of his publishing company and the story of his first book with Bernd and Hilla Becher then Helmut Newton and Robert Mapplethorpe. The episode further explores notable books such as the Nick Knight and the Yves Saint Laurent books. Schirmer also imparts advice for emerging publishers, offering insights for industry professionals. I hope you will like this episode in English!01'40 – Childhood in Post-War Cologne06' – Teenage Passion: A Journey into Art Collecting (in particularly Cy Twombly and Joseph Beuys)11' – Publisher by Passion: Fostering Relationships with Artists13' – The Genesis of His Publishing Company20' – His First Book: Collaboration with Bernd and Hilla Becher28' – Iconic Encounters: Helmut Newton and Robert Mapplethorpe32' – Nick Knight Book34' – Yves Saint Laurent: The Story of the Book45' – Evolution of IT in Publishing53' – Advice for Emerging PublishersSchirmer Mosel Website : https://www.schirmer-mosel.com/Pour suivre l'actualité du podcast vous pouvez vous inscrire à la newsletter ici : https://beacons.ai/lesvoixdelaphoto et retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Where did the concept of art movements come from? And how are they relevant now? How can their stories be reimagined? We wanted to figure out where we as two artists stood, where our kindred souls were. Here are many resources for you!The Art StoryArticle- Do Art Movements Matter?Rudo's Art Movement and artistsSurrealismLee BontecouJames TurrellPixie goes deeper on Episode Two in her substack.Pixie's Art Movement and artists:Symbolism 1880-1910Mikalojus Konstantinas ČiurlionisThe Sonata of the Sea-find the accompanying music here.From wikipedia….“Čiurlionis contributed to symbolism and art nouveau. During his short life, he composed about 400 pieces of music and created about 300 paintings, as well as many literary works and poems. The majority of his paintings are housed in the M. K. Čiurlionis National Art Museum in Kaunas, Lithuania. His works have had a profound influence on modern Lithuanian culture.”Sonata of the SerpentCiurlionis-Great Website about himCiurlionis- ArticleJoseph BeuysGreat article about BeuysFascinating Exploration on Beuys' connectionsFrom theartstory.org…“Joseph Beuys was a German-born artist active in Europe and the United States from the 1950s through the early 1980s, who came to be associated with that era's international, Conceptual art and Fluxus movements. Beuys's diverse body of work ranges from traditional media of drawing, painting, and sculpture, to process-oriented, or time-based "action" art, the performance of which suggested how art may exercise a healing effect (on both the artist and the audience) when it takes up psychological, social, and/or political subjects. Beuys is especially famous for works incorporating animal fat and felt, two common materials - one organic, the other fabricated, or industrial - that had profound personal meaning to the artist. They were also recurring motifs in works suggesting that art, common materials, and one's "everyday life" were ultimately inseparable.” This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit themagichourdreamcast.substack.com

Roger Boltshauser Architekt und Künstler treibt der Klimawandel um. Schon viele Jahre arbeitet er an der Entwicklung einer zukunftsfähigen Architektur und ist heute einer der wichtigsten Schweizer Experten für Lehmbau. Wir sprechen mit Roger warum der Baustoff Lehm ein Multitalent für nachhaltigen Bau ist und welche Emotionen er auslöst, über ein Kunstprojekt, das Wetterphänomene wie Gewitterblitze einfängt und er verrät uns warum er gebrauchte Briefkuverts einsammelt. https://www.boltshauser.info https://www.instagram.com/boltshauserarchitekten/ KAP Podcast website: https://www.kapture.ch Unterstützen: Wir sind jetzt bei Patreon, eine Crowdfunding Plattform auf der ihr unsere Arbeit oder die Produktion unserer Podcast Folgen unterstützen könnt. Wenn euch also unsere Beiträge gefallen und ihr Patreon werden wollt, ist es ganz einfach. Hier ist der link zu unserer Patreon-Seite patreon.com/kap_podcast Ihr könnt einen Betrag eurer Wahl anklicken, mit dem ihr uns einmalig oder monatlich unterstützt. Vielen Dank. Buchtipp: Pisé. Stampflehm Tradition und Potenzial Roger Boltshauser, Cyril Veillon, Nadia Maillard - Die Publikation arbeitet die Geschichte und Bedeutung des Stampflehmbaus in Mitteleuropa, insbesondere in der Schweiz erstmals auf und untersucht – ausgehend von den historischen Vorbildern – das Potenzial der Bauweise für das zeitgenössische Bauen. Für sein seither entstandenes Werk wurden Boltshauser Architekten unter anderem mit dem «Fritz Höger Preis für Backstein-Architektur» (Berlin), dem «Ernst A. Plischke Preis» (Wien), dem «Das beste Haus» des Bundes Österreichischer Architekten (Wien), dem «Fassa Bortolo International Award for Sustainable Architecture» (Venedig), dem «Materialpreis» (Stuttgart) und mehrmals dem Titel «best architects» (Düsseldorf) ausgezeichnet. 2022 erhalten Boltshauser Architekten den «DETAIL-Award» für den Ofenturm für das Ziegelei-Museum und den «ARC-Award» in der Kategorie «Bildung und Gesundheit». Obwohl Roger Boltshauser für seine Arbeit als Architekt bekannt ist, war lange nicht klar, ob sein Weg in die Architektur oder die Kunst führen wird. Beeindruckt von Joseph Beuys, Anselm Kiefer, Arnulf Rainer, aber auch Schweizer Vertretern des Neoexpressionismus, hat er bereits parallel zu seinem Architekturstudium ein freies künstlerisches Oeuvre begonnen und ausgestellt. Beiden Disziplinen ist er treu geblieben mit dem Ergebnis, dass die freien Kunstarbeiten ohne sein architektonisches Schaffen ebenso wenig zu erklären sind wie umgekehrt seine Architektur nicht ohne die künstlerischen Arbeiten. Seit 2018 ist er Dozent an der ETH Zürich. Foto Ⓒ Artur König

Massimo Donà"La filosofia dei Rolling Stones"Mimesis Edizionihttps://mimesisedizioni.itDa un lato i Beatles, dall'altro i Rolling Stones. Apollo e Dioniso. Il pop e il blues. È lo stesso Keith Richards ad affermarlo: “Eravamo contrari al pop e alle sale da ballo, la nostra unica ambizione era essere la migliore blues band di Londra e far vedere a quegli stronzi come stavano le cose, perché eravamo certi di esserne capaci… Eravamo promotori del blues di Chicago”.​​​​​​​Gli Stones sono il vero e proprio simbolo del rock'n'roll, il principale punto di riferimento per chiunque intenda avvicinarsi a questo mondo musicale, fatto di chitarre distorte, batterie suonate a palla e voci graffiate. Una band che continua a trainare la musica del nostro tempo, incarnando e promuovendo un'autentica filosofia di vita, che si è inscritta nella cultura pop dominante negli anni Sessanta, ma che è stata capace di oltrepassarla, disegnando un personalissimo cammino lungo un terreno irrigato dal blues, la cosiddetta “musica del diavolo”.Massimo Donà è docente ordinario di Filosofia Teoretica presso la Facoltà di Filosofia dell'Università Vita-Salute, San Raffaele di Milano. Tra le sue numerose pubblicazioni segnaliamo: Sull'assoluto. Per una reinterpretazione dell'idealismo hegeliano (Einaudi 1992), Aporia del fondamento (Città del sole, 2000), Arte tragedia tecnica (con Massimo Cacciari) (Cortina 2000), Filosofia del vino (Bompiani 2003), Aporie platoniche. Saggio sul ‘Parmenide' (Città Nuova 2003), Sulla negazione (Bompiani 2004), Joseph Beuys. La vera mimesi (Silvana Editoriale 2004), Magia e filosofia (Bompiani 2004), Serenità. Una passione che libera (Bompiani 2005), La libertà oltre il male. Discussione con Piero Coda ed Emanuele Severino (Città Nuova 2006), Filosofia della musica (Bompiani 2006).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Helene Verin has a B.S. in Art from the University of Wisconsin at Madison and has a certificate in arts appraisal from NYU. Verin has worked for many galleries, museums as well as individual artists;  including the Museum of Contemporary Art in Chicago, Documenta (where she worked with Joseph Beuys), was the Edinburgh Arts Administrator, and worked for Dennis Oppenheim as his registrar.  She has written for FlashArt, Interview, and the Smithsonian.As an award-winning designer of shoes, rugs, wallpaper, and tiles, Verin is intimately involved with contemporary design, with a specialty in couture and accessories.  Her work has appeared in countless books and publications.  A Professor at the Fashion Institute of Technology in New York City, Verin has lectured around the world.Recognized as the expert on Beth Levine, (having written Beth Levine Shoes, (Stewart, Tabori & Chang 2009) and curated 3 exhibitions, as well as authored Arsho Baghsarian (Schiffer Fashion Press.)Verin moved to Palm Springs during Covid, May 2020.Contact Helene: helene.verin@gmail.comHelene's Instagram: https://www.instagram.com/heleneverin/?hl=enHelene's Facebook:  https://www.facebook.com/helene.verin.9Artsy Article:  https://www.artsy.net/article/artsy-editorial-sit-andy-warholLABUCQ interview: https://labucq.com/pages/helene-verinHelene's Books:"Beth Levine Shoes " (2009)https://www.amazon.com/gp/product/1584797592/ref=dbs_a_def_rwt_bibl_vppi_i0"Arsho Baghsarian: A Life in Shoes"  (2019) https://www.amazon.com/gp/product/0764357328/ref=dbs_a_def_rwt_bibl_vppi_i1Photo: Copyright Wilkinson/2022Opening and closing music courtesy the very talented Zakhar Valaha via Pixabay.To contact Wilkinson- email him at BecomingWilkinson@gmail.comNOTE: THIS IS AN INTERVIEW FROM MID 2022 WHEN MY PODCAST WAS NEW AND I DIDN'T HAVE MANY FOLLOWERS.  I'VE BEEN RE-ISSUING SOME OF THE BETTER EPISODES SO THAT MY CURRENT AUDIENCE CAN ENJOY THEM!

蔣不生於1993年，天安們事件後兩年，從北京電影學院畢業。他在2019年，因國內政治局勢更加緊縮，「潤」出中國，到法國巴黎念藝術。在法國，他為中國駐法大使館的鐵門做核酸檢測，在六四紀念日，在大使館外以磚築牆，在中共二十大，於巴黎街頭上演習近平黃袍加身情境劇。「每個人、每個職業，都參與對這個社會的塑造，然後每個人都在把這個社會變成一個或許完美、但或許看起來，現在明顯是不完美的，這樣一個藝術品。」這是蔣不，對於德國藝術家博伊斯（Joseph Beuys) 的「社會雕塑」觀念的詮釋。他是如何以幽默諷刺，戰勝恐懼？關注更多蔣不的創作，可以到他的網站，IG，Twitter 看更多。A conversation on utilizing art as defiance and banding together against authoritarianism, with self-exiled Chinese artist Seeta Chiang.本集採訪時間為，2022 年 12月 26日聽眾可參考本集逐字稿可利用這個多國語言官網來推薦《來自五星的你》：https://chinainfluencepod.comRead about this podcast in English, German, French, Russian, and Vietnamese.鬼島之音最「紅」的節目《來自五星的你》，第二季將麥克風轉向歐洲，探討在歐洲的中國人，以及曾經生活在中國的歐洲與中亞人，藉由各方觀點來探討何謂「中國影響力」。本季邀請諸多華語流利的歐亞學者，來自烏茲別克、拉脫維亞、烏克蘭、波蘭等國，分享其中國研究內容，剖析中國外交手段；也專訪在歐洲的華語人士，有匿名留學生、流亡作家貝嶺、香港社運人士鄺頌晴，聆聽他們的人生故事，以及踩到中國政治紅線的親身觀察。追蹤鬼島之音！ Facebook｜IG｜Twitter | YouTubeTwitter: @陳映妤 Alicia Chen（主持）@吳怡慈 Emily Y. Wu（製作） @Min Chao（資料收集）林仁斌（剪接）顏廷芸（執行）陳奕文（逐字稿） 萬巧蓉（行銷）支持鬼島之音: https://patreon.com/TaiwanSee omnystudio.com/listener for privacy information.