Podcast appearances and mentions of Sarah Lucas

There's a little fairy sharing her love of the Irish & Celtic Music Podcast #704 . Subscribe now! Flook, Kinnfolk, Katie Jane Band, Malin Lewis, Brobdingnagian Bards, The Lilies of the Midwest, Olivia Bradley, On The Lash, Golden Bough, Clare Sands, Brian Finnegan, CaliCeltic, Robert Zielinski, Bealtaine, Amelia Hogan GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:06 - Flook "Jig for Sham / The Dawn Wall / Johnny D's / Timewaver" from Sanju 6:17 - WELCOME 9:23 - Kinnfolk "The Star Above the Mountain Set" from Star Above The Mountain 14:36 - Katie Jane Band "Wild Rover" from Wild One 17:42 - Malin Lewis "Cycle Lane" from Halocline 21:46 - Brobdingnagian Bards "South Australia" from Another Faire to Remember 24:51 - FEEDBACK 28:41 - The Lilies of the Midwest "The Sliabh Luachra National Anthem" from Cat's Ceili 31:36 - Olivia Bradley "Little Fairy (feat. Ashley Davis)" from single 36:01 - On The Lash "Timmy Clifford's/The Rookery" from Fireside 39:56 - Golden Bough "Loch Lomond" from Westering Home 44:24 - THANKS 46:36 - Clare Sands, Brian Finnegan "Dealán Dé" from Gormacha 50:30 - CaliCeltic "Bounty on My Head" from Paddy Paradise 53:50 - Robert Zielinski "Drunken Piper" from The Day Dawn 54:46 - Bealtaine "McAlpine's Fusiliers" from single 58:04 - CLOSING 59:17 - Amelia Hogan "Come Away In" from Burnished 1:03:56 - CREDITS The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Climate change is real, and we can fix it. Cutting waste, saving energy, and pushing for clean power all make a difference. A cleaner, safer world benefits everyone. Talk to someone today—our children are counting on you. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and You will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic What is an Album Pin? An album pin is a lapel pin with artwork inspired by a specific album or song from an album. It could be the actual album artwork or it could be inspired by a specific track on the album. The best album pins stand out on their own. They appeal to more than just your fans. It is simple, bold, and visually engaging. However, what truly makes it an “album pin” is that the purchaser also gets a digital album with their pin. I have an entire blog on my website with details including templates for you to make your own album pin jacket.

Ancient human ancestors didn't eat meat, and so couldn't build big brainsOne of the main reasons scientists think we became so smart is because at some point in our evolutionary past, our ancestors started eating energy-dense meat to fuel the growth of large brains. However it hasn't been clear when this started. Using a new technology, scientists were able to analyze the tooth enamel of seven 3.5 million year old Australopithecines to directly measure their meat consumption. Tina Lüdecke, from the Max Planck Institute for Chemistry, said it revealed they were primarily herbivores so meat eating would have had to come later in our evolutionary history. Their study was published in the journal Science. Building a robot bee that could one day pollinate cropsBees do an incredibly important job pollinating crops and wild plants. Now scientists in the US are trying to emulate their skills with a tiny robot bee that has all the agility and ability of the real insect. They hope eventually they can be used in indoor factory farms where real bees can't survive.  Kevin Chen, associate professor of Electrical Engineering and Computer Science at M.I.T and PhD candidate Suhan Kim were a part of this project. Their research was published in the journal Science Robotics.We are made of star stuff – but how did it get here?Elements like carbon, nitrogen and oxygen that are essential to life were forged in supernovae billions of years ago. Now new research is helping to explain how these elements – especially essential carbon – were concentrated in such a way as to be plentifully available for the chemistry of life. The study, led in part by astronomer Trystyn Berg, discovered a cosmic conveyer belt funneling carbon in and out of our galaxy over billions of years. The research was published in the Astrophysical Journal Letters.Australia's vanishingly rare marsupial mole gets a genetic checkupIn the southern desert of Australia, there lives an elusive and unique animal - the marsupial mole. It lives under the sand and is so rare that very few people have ever seen it. Scientists have now published the very first genetic research on this animal in the journal Science Advances, thanks to tissue samples donated by a local museum. Sarah Lucas is a postdoctoral research associate at the University of Münster, Germany, and was part of the team. A climate researcher makes the case for scientist-activistsThe stereotype of a scientist is a dispassionate, objective and neutral seeker of nature's truths, and many think that this makes a career in science incompatible with political activism. Canadian climate scientist Katherine Hayhoe thinks that this is a mistake. She sees her role more like that of a physician for the planet – diagnosing its ills and advocating for the health of her patient, and her patient's inhabitants. She recently co-authored a paper in the journal Nature Climate Action arguing her case.

I am so excited to say that my guest on the GWA Podcast is Maria Balshaw. Currently serving as Director of Tate, a position she has held since 2017, Balshaw began her career as an academic and lecturer in cultural studies. At the dawn of the 2000s, she swapped this to become Director of Creative Partnerships, a government programme that aimed to develop creativity in young people by bringing schools and artists together, which was sadly cut after the Labour Government was replaced by the coalition. In 2006, she became the director of the Whitworth Art Gallery, and in 2011, took on the additional role of director of Manchester City Galleries, and, to cement her reign in Manchester, she was made Director of culture, while also earning herself a CBE. But it's been under her premiership at Tate – as the historic institution's first ever female director – where we've seen some of the most groundbreaking shows take place in recent years. From Women in Revolt, that explored the trailblazing work of feminist communities in Britain; Now You See Us: Women Artists 1520–1920, that essentially rewrote art history from a female perspective – and even introduced me to hundreds of names I hadn't heard of; or Life Between Islands: Caribbean British Art from the 1950s to today. There's been solo shows of Yoko Ono, Paula Rego, Zanele Muholi, Sarah Lucas, Cornelia Parker, and so much more – and… I'm sure more to come. Tate today is fizzing with great shows, an institution no doubt unrecognisable to when Balshaw first visited aged 16 when she came down to London on the train from her hometown, Northampton in search of modern art. Though she found the dizzying world of Bridget Riley, it was mainly the Picassos on the wall. And while that's still good art, representation of different communities, cultures, genders and classes, is important. And there is no denying that having people in charge who are invested in the importance of this, has a huge impact on how art history has been and is being written – which Balshaw is at the centre of shaping. And, I am excited to say, she has just published a book, Gathering of Strangers, about museums: their origins, roles, and complexities, and the future of what they mean today. -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with BAMPFA Chief Curator Margot Norton. In this Episode, Margot discusses her background, including her move from New York to Berkeley and her previous roles at the Whitney Museum and the New Museum. She describes an upcoming exhibition titled 'To Exalt the Ephemeral,' which focuses on impermanent art. She shares the transformative potential of museums, her inspiration from artists like Pepón Osorio and Eva Hesse, and her experience working with UC Berkeley students. The exhibition highlights experimental materials, memory, photography, and ends with a video installation by Joan Jonas. Then of course, "Three Questions" with Margot sharing her curatorial career and inspirations.About Curator Margot Norton:Margot Norton is the Chief Curator at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). She is formerly the Allen and Lola Goldring Senior Curator at the New Museum, New York. She organized the 2021 New Museum Triennial Soft Water Hard Stone, co-curated with Jamillah James. Norton joined the New Museum in 2011 and has worked on a number of exhibitions, curating and cocurating presentations by Carmen Argote, Diedrick Brackens, Sarah Lucas, Lynn Hershman Leeson, Pipilotti Rist, Mika Rottenberg, Bárbara Wagner and Benjamin de Burca, and Kaari Upson, among others. In 2017, she curated the Eighth Sequences Real Time Art Festival in Reykjavik, Iceland, and the Georgian Pavillion at the 2019 Venice Biennale with artist Anna K.E.. Before she joined the New Museum in 2011, Norton worked as a curatorial assistant at the Whitney Museum, New York. She has contributed to and edited numerous publications and exhibition catalogues, and regularly lectures on contemporary art and curating. She holds an MA in Curatorial Studies from Columbia University, New York.Find more from Margot HERE.   Follow Margot on Instagram:  @MargotNortonTo learn more about BAMPFA's Exhibit, "To Exalt the Ephemeral" CLICK HERE. --About Podcast Host Emily Wilson:Emily is a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Schmitz, Rudolf www.deutschlandfunk.de, Kultur heute

Die britische Künstlerin Sarah Lucas beschäftigt sich seit rund 40 Jahren mit Geschlechterstereotypen und dem weiblichen Körper. Ihre Installationen, Skulpturen und Fotografien sind radikal und provokant, aber auch hintersinnig-humorvoll:  Selbstportraits in Macho-Posen, stilisierte Geschlechtsteile, Frauenkörper aus Nylonstrumpfhosen mit vielen Brüsten.  Die Kunsthalle Mannheim zeigt, wie vielfältig und aktuell das Werk von Sarah Lucas immer noch ist.

Wetzel, Marie-Dominique www.deutschlandfunkkultur.de, Fazit

Annemieke Bosman spreekt met Manique Hendricks en Maaike Rikhof, conservatoren van de tentoonstelling The Art of Drag in het Frans Hals Museum in Haarlem. Drag is overal. Denk aan het populaire tv-programma RuPaul's Drag Race en Songfestival-winnaar Conchita Wurst. Maar het is zeker niet nieuw, al in Griekse tragedies werd er aan drag gedaan en op theatrale wijze de spot gedreven met stereotype genderrollen. Ook voor kunstenaars is het een geliefd onderwerp. Hartjesdag, de van oorsprong Haarlemse feestdag waarop mannen als vrouwen verkleed gingen en andersom, is rond 1900  vaak geschilderd. Sommige kunstenaars deden zelf aan crossdressing of drag zoals Ferdinand Erfmann (1901 – 1968) , of maakten portretten van mensen die door deze uitingsvormen zichzelf konden zijn zoals Kees van Dongen (1877-1968). In de tentoonstelling vind je ook hedendaagse kunstwerken van Sin Wai Kin, Sarah Lucas, Gillian Wearing, Yamuna Forzani, Charles Atlas, Julius Thissen, Erwin Olaf, Ton van Rijn en Roza Ahmad die breken met de verwachtingen en stereotypes van mannelijkheid en vrouwelijkheid. The Art of Drag is de eerste tentoonstelling in Nederland over drag vanuit een kunsthistorisch perspectief. Kom kijken hoe kunstenaars hun liefde voor drag uiten op manieren die nog regelmatig op tegenstand stuiten. The Art of Drag is een viering van jezelf kunnen zijn, vrijheid en uitbundigheid!

Julie Rrap is an Australian artist born in 1950 in Lismore, New South Wales. She has 15 works of art in the national collection, including Persona and shadow: puberty 1984 from her Persona and shadow series which is currently on display in the touring exhibition Know My Name: Australian Women Artists. In this episode of Artists' Artists, host Jennifer Higgie speaks with Rrap about four works of art from the national collection that explore history, humour and biography. To find out more visit www.nga.gov.auArtworks Discussed: Tracey Moffatt, Pineapple Cannery 1978, 2008 from the series First Jobs, National Gallery of Australia, Kamberri/Canberra, gift of Rupert and Annabel Myer, 2008Sol Wiener, (Mother and daughter) 1985, National Gallery of Australia, Kamberri/Canberra, kODAK (Australasia) PTY LTD Fund 1988Yukultji Napangati, Pintupi people, Untitled 2006, National Gallery of Australia, Kamberri/Canberra, purchased 2006 © the estate of the artist, licensed by Aboriginal Artists Agency LtdSarah Lucas, TITTIPUSSIDAD 2018, National Gallery of Australia, Kamberri/Canberra, purchased 2021 © Sarah Lucas, courtesy Sadie Coles HQ, London Hosted on Acast. See acast.com/privacy for more information.

In 2005, British artists Maggi Hambling and Sarah Lucas met at the historic Colony Room Club in London's Soho. There, they discovered that they shared the same irreverent and unapologetic attitude – and even the same birthday. In On Rebellion, chaired by Louisa Buck, these two British artists discuss their influences, their reactions to rules and expectations, facing up to mortality and being each other's muse.   'I think great art creates somewhere where life and death cohabit, where life and death come together' – Maggi Hambling Maggi Hambling is a British painter and sculptor. Hambling's latest series of paintings, Maelstrom, is on show at Frankie Rossi Art Projects, London, 5 October – 24 November 2023. Sarah Lucas is a British artist whose practice spans sculpture, photography and installation. Tate Britain, London, hosts the major exhibition Sarah Lucas: Happy Gas, 28 September 2023 – 14 January 2024. Louisa Buck is a writer and broadcaster on contemporary art.   Find images of the artwork discussed here. About Frieze Masters Podcast Series two of the Frieze Masters Podcast is now available, bringing you our annual programme of live talks – the Frieze Masters Talks programme – curated by the Director of the National Portrait Gallery, Dr Nicholas Cullinan. These eight conversations between leading artists, writers, museum directors and curators all reflect the ethos of the Frieze Masters fair: looking at the past with a contemporary gaze. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill, the foremost British luxury menswear house. About Frieze Frieze is the world's leading platform for modern and contemporary art, dedicated to artists, galleries, collectors and art lovers alike. Frieze comprises three magazines –

Shortlisted for the Independent Podcast Awards 2023. In this episode I reflect on how important the setting is to our understanding and experience of artworks, and the responses we can feel in our bodies when artworks actively occupy space. I discuss the retrospective of the British artist Sarah Lucas at Tate Britain, the amazing installation Behind the Red Moon by Ghanaian artist El Anatsui at Tate Modern, and a dreamy little exhibition I saw by Korean artist Chun Kwang Young in Venice last year.The Gallery Companion is hosted by writer and historian Dr Victoria Powell. It's a thought-provoking dive into the interesting questions and messy stuff about our lives that art explores and represents.To see the images and watch the videos discussed in the podcast visit www.thegallerycompanion.com. This is where you can subscribe to The Gallery Companion email list, which goes out to accompany each new podcast episode, and is packed full of links to more info. That's where you can share your thoughts and join the conversation too. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thegallerycompanion.com/subscribe

La creatività è incrociare mondi, diceva Jules Henri Poincaré. In questa puntata di Start incontriamo l'artista britannica Sarah Lucas, la direttrice d'orchestra ucraina Oksana Lyniv e tre architetti che si occupano di social housing: il danese Bjarke Ingels, il cinese Ma Jansong e il catalano Ricardo Bofil jr. E in questa edizione weekend, anche la speciale iniziativa “Benvenuti in atelier 2023”, un'occasione per visitare i laboratori della moda made in Italy, con workshop, sfilate e momenti esperienziali.

La creatività è incrociare mondi, diceva Jules Henri Poincaré. In questa puntata di Start incontriamo l'artista britannica Sarah Lucas, la direttrice d'orchestra ucraina Oksana Lyniv e tre architetti che si occupano di social housing: il danese Bjarke Ingels, il cinese Ma Jansong e il catalano Ricardo Bofil jr. E in questa edizione weekend, anche la speciale iniziativa “Benvenuti in atelier 2023”, un'occasione per visitare i laboratori della moda made in Italy, con workshop, sfilate e momenti esperienziali.

"Casada i callada"

Die Konservativen müssen sich positionieren, denn die nächste Unterhauswahl wirft ihre Schatten voraus. Wo stehen die Torys? Außerdem sprechen Gabi, Imke und Annette über "Happy Gas", die Ausstellung von Sarah Lucas in der Tate Britain.

Acclaimed pianists, Charles Owen and Moscow-born Katya Apekisheva, started the London Piano Festival at Kings Place in 2016 as a way of bringing together pianists from around the world.  Pianists tend to practice and play in isolation so it can be a lonely profession and this is a much-loved opportunity for them to come together and share their passion for their instrument and its music. Between 5th and 8th October this year's festival is celebrating the 150th birth of Rachmaninov and the centenary of the less well-known but hugely significant and ground-breaking Hungarian musician, Gryorgy Ligeti.   We hear about Rachmaninov's lasting legacy - Katya and Charles will perform his major two piano works - and Charles and Katya will be joined by dazzling British musicians Danny Hammond and Clare Driver for ‘Ligeti 100: The Devil's Staircase'.  Charles and Katya tell us about other performances in store, including jazz with Polish phenomenon Leszek Motżdżer and a portrait of Rachmaninov in exile by Lucy Parham, narrated by Tim McInnerny. The master pianist and extraordinary, original showman from Ukraine, Vadym Kholodenko, will perform work by Liszt, Beetoven, Adès and the Ukrainian composer Silvestrov. What comes through our conversation is the palpable joy and exuberance that Katya and Charles feel when playing the piano and we have a fascinating conversation about how strong their hands have to be and much more.  For all music lovers this is a festival not be missed. We also round up what's happening in the art world – Marina Abramović's astonishing show at the Royal Academy, cementing her reputation as the greatest and most courageous performance artist alive today, Sarah Lucas's new show ‘Happy Gas' at Tate Britain and ‘Celebrating Picasso Today: Infinite Modernism', a show of new and modern works at London's Almine Rech Gallery to honour Picasso 50 years after his death. The London Piano Festival:  Kings Place from 5th to 8th October https://www.kingsplace.co.uk/whats-on/london-piano-festival/?gclid=Cj0KCQjwpc-oBhCGARIsAH6ote_SpwZbkOqCM2s7QO4fhXoL2ggg1UzdDQcd_-U5Ro-A-VP2VFC6bA4aAolkEALw_wcB This episode is brought to you thanks to our sponsor, Lomi, the compact, countertop ‘smart waste' appliance that can process food waste into plant food.  Go to uk.lomi.com to receive a discount of £50 by entering the code breakout at the check-out. 

Front Row reviews two of this week's cultural highlights. Tom Sutcliffe is joined by writer Hettie Judah and film critic Peter Bradshaw to discuss Happy Gas, a retrospective of work by Sarah Lucas at the Tate Britain, and The Old Oak, which director Ken Loach has said will be his final film. Icelandic pianist Víkingur Ólafsson, was Front Row's artist in (remote) residence during the lockdown, playing for us live in the empty Harpa Concert Hall in Reykjavik. At last Víkingur comes to the Front Row studio in person to talk to Tom Sutcliffe about his recording of the Goldberg Variations which, he says, are a musical metaphor for life itself. And the actor Sir Michael Gambon has died at the age of 82. Best-known for his role as Albus Dumbledore in the Harry Potter films, his work also encompassed theatre, TV and Radio drama. Theatre writer Paul Allen and film critic Peter Bradshaw discusses his career on both stage and screen. Presenter: Tom Sutcliffe Producer: Corinna Jones Michael Gambon 1:12 Happy Gas 8:41 Vikingur Olafsson 16:32 The Old Oak 33:12

An in-depth conversation with Sarah Lucas about her life and work. Lucas, born in London in 1962, is one of the most significant artists of her generation, both in Britain, where she was associated with the 1990s movement known as the Young British Artists, and internationally, where she has been the subject of several significant recent institutional exhibitions. Her practice primarily consists of sculpture, but it is often presented in distinctive installations in dialogue with photography, in the form of prints or wallpaper. Her work is characterised by sardonic and ribald humour, informed by colloquial British language but also shot through with feminist theory and social commentary. Formed from a wealth of materials, many of them everyday found objects like newspapers, food, furniture, cigarettes and clothing, her sculptures almost always evoke the body, however crudely reduced or abstracted. And while a humdrum frankness and bawdiness are ever-present, Lucas's sense of the strange and the uncanny locate her work within the legacies of Dada, Surrealism and absurdist art in Europe and the US. She discusses her innovative approach to exhibition-making, and the liberating collaborations with Franz West that influenced them. She discusses how Yoko Ono informed some of her recent work. She reflects on an anarchic collaboration with the Austrian collective gelitin. Plus, she gives insight into her working practices and studio life.Sarah Lucas: Happy Gas, Tate Britain, London, until 14 January 2024. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Jo's Art History Bite Size - small manageable podcast episodes which allow me to deep dive into a specific art work or artist in 10 minutes or less. This week we deep dive into the amazing work Pauline Bunny by Sarah Lucas. Resource Links: https://www.theartstory.org/artist/lucas-sarah/ https://gallery.98bowery.com/2021/sadie-coles-hq-sarah-lucas-bunny-gets-snookered-folded-card-1997/ https://tba21.org/bunny-gets-snookered-3 https://www.tate.org.uk/art/artworks/lucas-pauline-bunny-t07437 https://www.josarthistory.com/post/yba-s-in-focus-sarah-lucas-pauline-bunny-1997-mixed-media Image: https://www.sadiecoles.com/exhibitions/8-sarah-lucas-bunny-gets-snookered/works/ Want to connect? Email: josarthistory@gmail.com Instagram: @josarthistory Please consider supporting the podcast by buying me a book from my Wishlist - this will go towards future episodes of the podcast: https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_share

En este capítulo nos sumergimos en un diálogo artístico único entre la colección de arte moderno del museo y una selección de veintisiete piezas de la Colección TBA21, que los visitantes pueden descubrir en las salas de la primera planta hasta el 8 de octubre. Escuchamos a Paloma Alarcó, jefe de conservación de Pintura Moderna del museo, y a Soledad Gutiérrez, conservadora-jefe de TBA21, para conocer el porqué de este proyecto y a algunos artistas destacados que forman parte de él, como Ai Weiwei, Sarah Lucas o Regina de Miguel, quien nos acompaña también en este capítulo.

Cruelty to animals and serial killers-Contrast Project Lounge Podcast - Season 3 - Episode 19 A brief rundown of recent events including the "Cat Killer' in the Jacksonville, Florida neighborhood of Springfield, 35 year old Blake Miles, and his subsequent arrest thanks to the efforts of concerned neighbors and Law enforcement. Also discussion of the link between animal cruelty and violent crime. *Miles has a criminal arrest history dating back to 2006 with a number of charges ranging from aggravated battery with a deadly weapon, domestic violence and resisting arrest just to name a few. As far as Miles' current charges, he has a combined bond totaling just over $80,000. Correlation between animal cruelty and violent crime: "More and more, the public is becoming aware of the fact that criminals convicted of child and domestic abuse often abuse animals as well, even using the abuse and killing of animals to further their control over human victims. This same pattern is echoed in serial killers, perpetrators of school shootings and mass murderers. Infamous serial killers including Ted Bundy, David Berkowitz, also known as the “Son of Sam” killer, cannibal Jeffrey Dahmer, and Albert “the Boston Strangler” DeSalvo, all engaged in animal cruelty earlier in their lives." 06 January 2016 - Posted by Sarah Lucas. https://www.idausa.org/animal-abuse-s... Interpersonal Violence Implications: "Many people frequently assume individuals begin hurting animals and then progress to humans. While this may be true in some instances, it is not the case for all offenders. One study found that 16% of offenders started abusing animals and graduated to violent crimes against humans. However, in many circumstances, offenders start by hurting other humans and then progress to harming animals. Companion animals can be a source of comfort to victims of domestic abuse. Unfortunately, the abuser often exploits this bond to manipulate, control, and punish victims. To create fear and control, the abuser may threaten, hurt, or kill the animal. Cruelty to the animal may be used to convince the victim to return to a violent relationship, keep the victim isolated, financially control the victim, or coerce the victim into staying. Further, the offender may physically harm the animal to psychologically punish the victim or to remind the victim that the abuser can assert physical force to maintain dominance and control. *Seventy-five percent of abused women who have companion animals report a history of their companion animal being threatened or intentionally harmed by their intimate partner, with children being present and witnessing the violence over 90% of the time." LEB.fbi.gov "Domestic violence offenses not only occur in an intimate partner setting but often occur simultaneously or are precursors to other types of violent offenses. Animal cruelty is a predictor of current and future violence, including crimes of assault, rape, murder, arson, domestic violence, and sexual abuse of children." McDonalds Triad: The triad was first proposed by psychiatrist J. M. Macdonald in "The Threat to Kill", a 1963 article in the American Journal of Psychiatry. The triad links cruelty to animals, obsession with fire-setting, and persistent bedwetting past the age of five, to violent behaviors, particularly homicidal behavior and sexually predatory behavior. Feel free to LIKE, SHARE AND COMMENT. If you are featured here and we don't have your link(s) posted, please let us know. *Follow The Contrast Project online: ** http://www.thecontrastproject.tv/ ** https://www.facebook.com/TheContrastP... ** https://www.instagram.com/the_contras... ** https://twitter.com/ContrastProjTV To find the Contrast Project Lounge Podcast, go to: ** The Contrast Project Lounge Podcast is proudly created in part using the Riverside.fm platform. By using this link you are helping to support this show. Thank you so much: https://bit.ly/3BH3q2t --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-contrast-project/message Support this podcast: https://podcasters.spotify.com/pod/show/the-contrast-project/support

Where can you find a new exhibition featuring the work of more than 20 female artists, curated by another - Sarah Lucas? Essex, that's where. This week, Jen's chatting to Sally Shaw, director of Firstsite Colchester, about its new BIG WOMEN exhibition and the state of art in the UK right now. Mick's been on the Zoom with award-winning actor Bukky Bakray, star of the film Rocks, currently on our screens in Netflix's new psychological twister The Strays, and about to make her stage debut in Sleepova at The Bush Theatre. In Jenny Off The Blocks, we're all about equality, diversity and inclusion. And in Rated or Dated, we find out if Hannah would run naked down the street if there was no tomorrow. For context, we're watching Groundhog Day.Support this show http://supporter.acast.com/standardissuespodcast. Hosted on Acast. See acast.com/privacy for more information.

Sarah moved from her home in Western Australia to the Irish countryside where she raised her family. After finding nature journaling and creative inspiration online, Sarah has started her own virtual community,Spark of Nature, as a way to engage with other like-minded nature lovers from around the world.Listen to hear more about:The trip that started Sarah's ‘grand adventure' of beginning a new life for her family in Ireland.The beauty and diversity of nature in Sarah's local area.Instagram accounts that have influenced Sarah's nature journal journey.The way Sarah structures her nature journal.Ways to make nature journaling simple and do-able.Art challenges.Nature experiences as a family.Spark of Nature, Sarah's new online community.The importance of books and reading in Sarah's lifeSome of Sarah's favourite books on nature and nature journaling:The Living Mountain by Nan ShepherdBraiding Sweetgrass by Robin Wall KimmererThe Secrets of a Devon Wood by Jo BrownThe Country Diary of an Edwardian Lady by Edith HoldenJanet Marsh's Nature Diary by Janet MarshThe Undercliff by Elaine Franks To join Sarah's online community, Spark of Nature, click here.Follow Sarah on Instagram @sarahlulucas.-----------------Sign-up for Journaling With Nature's Newsletter to receive news and updates each month.You can support Journaling With Nature Podcast on Patreon. Your contribution is deeply appreciated.Thanks for listening!

Join Somerford's Grace Dolby in our final "Women in Tech" podcast of 2022. In this series finale, Grace is joined by Sarah Lucas, Head of Core Platform & Migration Services at Lloyds Banking Group, in examining key pitfalls organisations should evaluate before migrating to the Cloud. They also explore how Sarah started in the tech industry, and how this experience puts her in an advantageous position to offer advice on the matter. Sarah wraps up this episode by offering practical topical suggestions.✓ View our full 'Women in Tech' podcast series on our website:https://www.somerfordassociates.com/women-in-tech-podcasts/━━━━▶ Listen on Spotify: https://open.spotify.com/show/00soJ9kAQuVCh9EBRHOGzJ▶ Listen on Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xMDkyNTAwLnJzcw==▶ Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-somerford-podcast/id1515273563?uo=4━━━━♫ Background Music (Planeteer Reaction) Written by Bryan Teoh#cio  #cloudmigration  #womenintech✓ Learn more about Somerford on our website:https://www.somerfordassociates.com/✓ View our complimentary partner discovery webinars and workshops:https://www.somerfordassociates.com/events/✓ Keep notified of news & announcements on Linkedin:https://www.linkedin.com/company/somerford-associates-limited/✓ Contact Somerford for more information regarding this video:https://www.somerfordassociates.com/contact-us/

WELCOME BACK TO SEASON 8 OF THE GREAT WOMEN ARTISTS PODCAST!! ...and what better way to kick it off with than an INTERVIEW with the world renowned artist, TRACEY EMIN! -- TW: This episode contains discussions around abortion. -- Tracey Emin's an oeuvre that encompasses painting textiles, sculpture, neons, film, installations and more, and is some of the most frank, personal, confessional, and visceral to ever exist. She speaks universal two truths on a personal level, drawing on love, desire, loss and grief. Whether it be her 18.2 tonne or nine metre high bronze, The Mother – as recently installed outside the Munch Museum in Oslo – or an intimate watercolour drawing, Emin's works holds so much power. They are alive with energy and have the ability to send us to places that resonate, that make us feel, that are somehow incredibly familiar, but make us question so much. Just as she has said, “True art should resonate. It should make you feel it's not a picture. It's not a thing. It's not an object. It is a true thing that has energy. That's what makes it art.” Born in Croydon, and raised in Margate -- where the artist resides today and where she has just been named a free woman -- Emin studied at Maidstone Art College, followed by the Royal College of Art. It was in the 1990s that she came to the fore with a shop she ran with fellow artist, Sarah Lucas, in 1993. And her hugely significant biographical works, from Everyone I Have Ever Slept With (1963–1995) to My Bed, 1998, works that changed the course of art history and have been just as contemporary and relevant today and in the years to come. In 2007 She represented Britain at the Venice Biennale, and in 2008, she had her first major retrospective at the Scottish National Gallery of Modern Art. In recent years, she has installed a poignant Nan in St. Pancras station, I Want My Time With You; taken painting to new heights with her incredibly strong and emotive works -- as recently exhibited at her joint exhibition with Edvard Munch at the Royal Academy of Arts -- and her current exhibition at Jupiter Artland in Scotland. Following a severe illness in 2020, she has, in her words, made her most “honest and complete” work to date, as witnessed in her incredible show earlier this year, a journey to death at Carl freeborn gallery in Margate, Tracey Emin, -- ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com

Een speciale Lowlands editie! Met cabaretier, muziekkenner en Lowlands veteraan Carolien Borgers praten we over het werk ‘Bitch' (1995) van Sarah Lucas. De jaren '90, waarom vrouwen in cabaret zo weinig serieus genomen worden, de Spice Girls en de Britse kunstwereld komen aan bod.  De cultuurtips deze week zijn: Detransition, Baby van Torrey Peters  Mijn Schuld, over leven met schuld en schuldgevoel een podcast van NRC en De Standaard door Roos van Ees Podcast Articles of Interest over de verhalen áchter onze kleding

When the members of LADAMA met for the first time, it felt as if they already knew each other. In 2014, Lara Klaus from Brazil, Daniela Serna from Colombia, Maria Fernanda Gonzalez from Venezuela, and Sarah Lucas from the U.S. all attended a residency for socially engaged musical artists. That's where they created LADAMA. Together, the women of LADAMA would embark on a years-long journey of sharing rhythms and creating a pedagogy aiming to empower women and girls to connect through voice, percussion, and movement. In this episode, LADAMA's members talk about the intimate experience of sharing rhythms from each of their home cultures, hosting public workshops, and making their latest record “Oye Mujer.”

It's been a busy couple of weeks since the last podcast. The succession of storms had an impact and Paul foolishly agreed to appear on BBC South Today to talk about the deprivations of a whole three days without electricity. What an embarrassment. Thirty minutes or so after the BBC left the power came back on! Meanwhile Glyn was dodging the roof of the Wetherspoons pub that was flying low over Trowbridge. But what we experienced in the south was nothing compared to our fellow countrymen in the north, some of whom went for weeks without power a short while ago. And certainly nothing compared to those people who live that way every day of their lives. This minor inconvenience was a sobering reminder of how fortunate we are. Paul has also recommenced volunteering for Natural England. The Parsonage Down volunteers have been stood down since December. But the venue this week was the stunning Prescombe Down, which Paul visited during a walk in June 2020. The walk can be found at the link below and was called Eden's Last Post. We covered it in podcast 17. Prescombe Down is part Natural England National Nature Reserve and part SSSI (which Natural England is responsible for monitoring). The Natural England team spent a day brush cutting and “tree popping” in what was a truly hidden side valley, visible only from the entrance to the valley itself or from a bridleway high on the slopes above. This really is a beautiful place with a sense of remoteness about it, often closed to the public because of the local shoot. Glyn is also back to volunteering for Wiltshire Wildlife Trust, counting sheep at Dunscombe Bottom close to Knook Camp which is busy with Army personnel at the moment. Following in the footsteps of the last podcast and the story of Sarah Lucas and her family who last lived in Wiltshire 30 years ago, we had another of life's wonderful coincidences. Something that would complete a circle for us. We recently received a book order from Wiltshire thatcher Brian Chalk. Since he lives only around 15 minutes away Paul said he'd deliver the book. We then received an email from Brian to say that Kay Chalk, who featured in podcast 11 and in the walk Paul did in August 2020 which was written up in the blog dated 27 August 2020 entitled Searching for Kitt's Grave (In Memory of Kay Chalk 1929-2019), was his mother! Anyone who listened to podcast 11 will know that when he found the bench erected in memory of Kay Chalk, Paul became quite emotional as Kay was almost the same age as his own mum albeit Kay lived a lot longer. It was a poignant reminder.    Brian shared some photos of his mum and told us the story of how, from the age of 5, she used to walk to school alone from her parent's lonely cottage at Hut and Lodge Farm on Ox Drove, down Church Bottom to Broad Chalke – a distance of around 3.5kms. And the real shock for Paul was that Kay's ashes were scattered by the bench that bears her name. This might explain why Paul was so deeply affected by the experience of being there. You can almost feel Kay's presence. Brian shared photographs and more remarkable stories about his family who have lived in that part of Wiltshire for hundreds of years. You'll have to listen to the podcast to find out more. But for Glyn and Paul, this is what makes Hidden Wiltshire so worthwhile. Joining the dots and connecting to the history of Wiltshire through its present day inhabitants.  We eventually got to the main theme of the podcast – the World War II RAF bases of Blakehill and Ramsbury. Glyn takes us on a journey through the landscape of what used to be two RAF airfields.  Blakehill Farm is now an important Wiltshire Wildlife Trust nature reserve and the north Wiltshire headquarters for the Trust (the southern headquarters is at Coombe Bissett Down (spelled “Combe” on the 1:25,000 OS map)). It adjoins Stoke Common Meadow and lies to the south west of the Saxon town of Cricklade - once home to the Royal Mint from 979 to 1100 AD. RAF Blakehill was the base for a number of tactical air transport squadrons that operated RAF C-47 Dakotas and Horsa gliders. The airfield played a key role in the D-Day landings when the Dakotas towed gliders full of airborne troops to France in support of Operation Overlord in June 1944. It also served as a listening post during the Cold War. Little remains of the airfield's past but the runways are still evident from above as crop marks. It is now a vast hay meadow of 264 ha/650 acres and when Glyn visited in June 2017, armed with permission from WWT to fly his drone, it took him 90 minutes to walk from the entrance at Stoke Common Meadow all the way across to the far side of Blakehill Farm. You'll find a link to his original blog with photographs and links to more information about the reserve and its past below. RAF Ramsbury, to the south west of the village of Ramsbury, started life as a base for the Training Units from RAF Bomber Command. Pilots were trained on two-engined Airspeed Oxfords before moving on to four-engined Avro Lancaster bombers located at other bases. But following America's entry into the war it became a base for the United States Army Air Force (USAAF) for troop carrying operations. As with RAF Blakehill, C-47 Dakotas operated from Ramsbury but this time they were USAAF aircraft. Apart from carrying paratroopers they also towed American Waco as well as British Horsa gliders. Again, Ramsbury played a critical role in supporting the D-Day landings in June 1944. Little remains of the airfield now but you can read more about it in Glyn's two blogs dated 14 March 2019 and 15 June 2019 linked below. There are lots of photographs. There's also a link to a website about the history of the airfield below. Then on to the wrap up: Steve Dixon's piece leading into our main subject today could only be “Eyes Looking East” for a host of obvious reasons. As ever the piece in the introduction and at the end of the podcast is entitled “The Holloway”. Don't forget to check out the Hidden Wiltshire online shop on the website if you'd like to help us keep the lights on. Both Hidden Wiltshire books can be purchased there. The second book is also available at Devizes Bookshop, Wiltshire Museum in Devizes and now Wiltshire's libraries. And don't forget to subscribe to the Hidden Wiltshire Newsletter from the website. Links: The Eden's Last Post blog about a walk that takes in Prescombe Down can be found here - Eden's Last Post The Searching for Kitt's Grave (in Memory of Kay Chalk 1929 - 2019) blog can be found here - Searching for Kitt's Grave Glyn's 2017 blog about Blakehill can be found here - HW Blakehill Farm and Stoke Common Meadows Wiltshire Wildlife Trust's page about Blakehill Farm and Stoke Common Meadows can be found here - WWT Blakehill Farm and Stoke Common Meadows The webpage includes a link to the RAF Blakehill Farm website. You can find Glyn's brief blog about his first visit to RAF Ramsbury here RAF Ramsbury Commemoration You can find Glyn's blog about his second visit to RAF Ramsbury here RAF Ramsbury Memorials More about the history of Ramsbury Airfield - Ramsbury Airfield Glyn's photographs can be seen on his Instagram feed @coy_cloud He is also very active on Twitter where his username is @Glyndle Paul's photography can be found on his website at Paul Timlett Photography and on Instagram at @tragicyclist Steve Dixon's sound art can be found on Soundcloud where his username is River and Rail Steve Dixon River and Rail. His photographs can be found on Instagram at @stevedixon_creative and his graphic design business website is at Steve Dixon Creative And finally you'll find the Hidden Wiltshire online shop here Hidden Wiltshire Shop  and a link to Glyn's blog about the latest book and how to purchase a copy here Hidden Wiltshire from near and far

Glyn has a new toy. A 360 degree camera which he assures us will be used for nothing more suspicious than making videos for the Hidden Wiltshire YouTube channel whilst out walking. So watch out for more news on this, and more of our ugly mugs. Meanwhile Paul is traumatised having sold all his camera gear without having the foresight to sort out a replacement kit. Unfortunately we've received another complaint from a Mr Jenkins about how long it takes us to get to the main subject of each podcast. In the last podcast it took us 29 minutes (apparently) to get to the point. We'll see if we can do better and maybe get through an entire episode without getting to the point. Some would argue we already do! Back on the subject of videos the countdown is on for the YouTube premier of Hidden Wiltshire's first serious crack at making a film. Our 40 minute film starring local historian David Carson is based around the villages of Alton Barnes and Alton Priors and the surrounding hills, taking us on a historical journey from Neolithic times up to the English Civil War and the Swing Riots of the 19th century. The film premiers at 7:30 pm on Tuesday 15 February and viewers can use the Chat function to talk to the Hidden Wiltshire team as we watch the video together. There's a link to the YouTube channel below. We posted a blog a few days ago about the walk Paul did based around Lacock and the Wilts & Berks Canal. For those who don't use Facebook it's a good idea to keep an eye on the Hidden Wiltshire website for regular blogs. You can subscribe to alerts which will notify you when new blogs are posted. There's a link to the Wilts & Berks Canal walk below. A quick mention also of the exhibition by aerial photographer David Abrams called Ancient Sites from the Air. David's incredibly detailed photographs include many in Wiltshire and can be seen at Salisbury Museum until Sunday 15 May. More details in the link below. Finally, before we get on to the main subject, we thank some of our lovely Facebook Group contributors for their posts about their walks and finds. A special mention goes to Elaine Perkins who's posted details and photos of some terrific walks recently. Just the sort of thing we're looking for. The main subject of this episode of the podcast is the walk Glyn and Paul did recently together with Hidden Wiltshire follower Bo Novak, around Old Winsley and Turleigh which took in the curiously named “The Elbow”. We recorded some audio as we walked so this podcast is a mixture of indoor and outdoor recording. We've mentioned this walk a few times but we were inspired to do it following correspondence with Sarah Lucas. Sarah moved away from Wiltshire some 30 years ago and listening to the podcast brings back memories of her youth. She lived with her family in Old Winsley and during the last war her mother worked as a nurse in what was a TB clinic and is now Avonpark Retirement Home. Her grandparents owned a house by the Kennet and Avon Canal called The Elbow. Sarah asked if we would do a walk and take some pictures in the area. We were happy to oblige. It's an area Glyn and Paul knew little about so it was great to have Bo along to act as our guide. You'll find a link to the blog about the walk below. Then on to the wrap up: Thanks as usual to Steve Dixon for the music. His piece leading into our main subject is called “Canopy”. As ever the piece in the introduction and at the end of the podcast is entitled “The Holloway”. Don't forget to check out the Hidden Wiltshire online shop on the website if you'd like to help us keep the lights on. Both Hidden Wiltshire books can be purchased there. The second book is also available at Devizes Bookshop, Wiltshire Museum in Devizes and now Wiltshire's libraries. And don't forget to subscribe to the Hidden Wiltshire Newsletter from the website. Links: To watch the Premier of the video click here Alton Barnes, Alton Priors, Pewsey Vale - A History You can find the blog about the Lacock and Wilts & Berks walk here Lacock and the Wilts & Berks Canal Details of David Abram's exhibition at Salisbury Museum can be found here David Abrams: Ancient Sites from the Air You can follow the walk on the blog on the Hidden Wiltshire website at Old Winsley, Turleigh and The Elbow Glyn's photographs can be seen  on his Instagram feed @coy_cloud, He is also very active on Twitter where his username is @Glyndle Paul's photography can be found on his website at Paul Timlett Photography and on Instagram at @tragicyclist Steve Dixon's sound art can be found on Soundcloud where his username is River and Rail Steve Dixon River and Rail. His photographs can be found on Instagram at @stevedixon_creative and his graphic design business website is at Steve Dixon Creative And finally you'll find the Hidden Wiltshire online shop here Hidden Wiltshire Shop  and a link to Glyn's blog about the latest book and how to purchase a copy here Hidden Wiltshire from near and far

It's the eleventy seventh of January and we're sick of the endless grey days but Spring is in the air. We've seen snow drops and crocuses, and the River Till behind Paul's house has finally risen from its dry river bed. It won't be (that long) before we're out taking photos of bluebells again, although in an act of extreme provocation Glyn has already posted bluebell images on his Twitter feed. Things have been a bit busier since the last podcast. The Hippenscombe walk has finally been posted on the website and Facebook pages. It's been a real labour of love with Paul returning to the location five times in all to refine the walk and capture photographs in something other than flat grey light. It's been quite a struggle to get the right balance of distance for the walk whilst taking in all the locations that really should be seen in this part of Wiltshire. Since we had to admit to not being finely tuned athletes some of the climbs along the walk proved to be pretty challenging, one of which saw Paul prostrate in the mud! It was also good to get the Quaker's Walk blog up on the website after we did the walk as part of a podcast with Steve Dixon. Since the last podcast Glyn has delivered his talk to the Bratton History Association on the subject of Wiltshire Blind Houses, the main topic for this episode of the podcast. Glyn plans to visit every Wiltshire Blind House, just as he undertook to visit every Wiltshire hill fort (seems he may have been beaten to this)! We then managed to disappear down an enormous rabbit hole talking about hill forts and whether they were really forts at all. Rather than muse about the purpose of these from a base of our limited understanding we thought it would be far more sensible to invite an expert onto the podcast to speak about them. Watch this space. Meanwhile we've got a few more walks planned which Paul and his walking buddy Stu will be scheduling over the next month or two. Meanwhile Glyn and Paul will be joined by long-term Hidden Wiltshire follower and contributor Bo Novak (who was responsible for the guided walk Glyn led in Bradford-on-Avon last year) on a walk based around Winsley. A walk that we were asked to do by Sarah Lucas who lived there some 30 years ago before she moved to Scotland. We're planning to record some audio whilst we walk for a future podcast. Speaking of recording, we are almost ready to release the film we made with David Carson last summer around Alton Barnes and Alton Priors, and the surrounding hills. This will be posted on YouTube. It's been a long haul and a lot of work! Then on to the main topic of this episode of the podcast - Wiltshire's Blind Houses. When Glyn delivered his talk he illustrated it with a number of slides, and you can see the photographs in his blog from 24 January 2021 (see link below). We talk about the origin and purpose behind these little lock-ups which in fact had a relatively limited life, having become redundant once Wiltshire's constabulary was founded in 1839.  They were built for the temporary detention of troublemakers, drunks, criminals and miscreants, but were also used to detain prisoners in transit from the assize courts to gaol. They come in various shapes and sizes – round, square, octagonal but are always small buildings designed to house one or two prisoners for short periods. Glyn was armed with a range of fascinating and amusing stories about individual blind houses. One was even constructed for the set of the BBC series Cranford and seems to have been a replica of the Steeple Ashton blind house. The replica now resides on a West London housing estate! Then on to the wrap up: Steve Dixon's piece leading into our main subject could only be the curiously titled “Holgar the Can Man” for obvious reasons. As ever the piece in the introduction and at the end of the podcast is entitled “The Holloway”. Don't forget to check out the Hidden Wiltshire online shop on the website if you'd like to help us keep the lights on. Both Hidden Wiltshire books can be purchased there. The second book is also available at Devizes Bookshop, Wiltshire Museum in Devizes and now Wiltshire's libraries. And don't forget to subscribe to the Hidden Wiltshire Newsletter from the website. Links: You will find the Glyn's blog and photographs used to illustrate his talk here Blind Houses Glyn's photographs can be found on his Instagram feed @coy_cloud He is also very active on Twitter where his username is @Glyndle Paul's photography can be found on his website at Paul Timlett Photography and on Instagram at @tragicyclist Steve Dixon's sound art can be found on Soundcloud where his username is River and Rail Steve Dixon River and Rail. His photographs can be found on Instagram at @stevedixon_creative and his graphic design business website is at Steve Dixon Creative And finally you'll find the Hidden Wiltshire online shop here Hidden Wiltshire Shop  and a link to Glyn's blog about the latest book and how to purchase a copy here Hidden Wiltshire from near and far

A fit of the giggles for Glyn and Paul this week. In a break from tradition we recorded this episode in the evening and this seems to have had a disturbing effect on our sanity. But more of that later. This week we head to the south of the county again, not far from the scene of the last podcast. We follow a walk Paul did in May 2020 which appears on the Hidden Wiltshire website and is entitled In Pursuit of Kites. You'll find a link below. But first, the usual round of the last two weeks in Wiltshire.  Against his better judgement Paul attended a Christmas event. Firmly of the belief that Christmas is on 25 December, and not 25 August as Waitrose would have you believe, Paul was taken aback to find himself at the Natural England Parsonage Down Staff and Volunteers Christmas BBQ on 2 December. Far too early! Grudgingly he admitted it was a terrific day. The morning started with a tour of the Hen Harrier Project at Parsonage Down together with a really engaging talk from the staff who work on the project. This was followed by a BBQ in a copse we have been clearing over the last few weeks prior to re-planting. Despite the freezing temperatures it was a wonderful afternoon gathered around the fire feasting on locally reared English Longhorn beef (in the form of burgers) under clear blue skies. The Hen Harrier Project team is keen to show groups around the site that has been prepared for the eventual arrival of the birds. They really are engaging and passionate speakers (the staff, not the hen harriers). Sadly they can't accommodate visits by individuals but if you can muster a group of people they would be delighted to entertain you. School visits are welcome. Please contact Paul via the Facebook Group or Page, via the Hidden Wiltshire website or via Paul's website (link below). We also talked about some of our wonderful listeners including the incredible Sarah Lucas. Sarah has lived in Scotland for the last 30 years but originates from Wiltshire. She listens to the podcast which brings back fond memories of her past in the county. Sarah wrote to us to express her thanks for the podcast. To show her gratitude Sarah prepared Paul's family tree including an Ancestry book. She will be doing Glyn's family tree next. Sarah is purely an amateur genealogist at the moment but is thinking about taking it up full time. Meanwhile she will do commissions so if anyone is interested please contact Paul. Talking of listeners and followers we are delighted to say we are taking orders for our new book – Hidden Wiltshire from near and far. The official launch date is Friday 10 December and a launch event is being hosted by Wiltshire Museum in Devizes where Glyn and Paul will talk about the book and sign copies. It starts at 7:30 pm and tickets, which are free, are available on the Hidden Wiltshire website where you can also order a copy of the book. You'll find a link to the online shop below. The books are already flying out the door. We also chatted about Paul and his usual walking buddy Stu's walk in the far north of the county where they visited the astonishing Inglesham church. The walk dipped in and out of the neighbouring counties of Gloucestershire and Oxfordshire but the church is firmly in Wiltshire. This wasn't Paul's only traitorous act as he also did a walk in the hills above the lovely West Sussex town of Midhurst. Beer may have been involved courtesy of a lunch stop at the little Langham Brewery. He can thoroughly recommend their wares! So on to the main topic. We've called this episode Codford Down and Chitterne Brook but it could equally have been called East Codford Down, Clay Pit Hill, Codford Circle or Oram's Grave – all places that were visited on the way. Or maybe we could have called it “Bottoms” (listen to podcast to hear why)! There is a link below to Paul's blog and walk description which is dated 21 May 2020, together with a route map. The walk as shown is 11.6 kms (7.2 miles) and begins in the layby at the top of the hill on the B390 as it leaves Chitterne towards Shrewton. Once again this is an area steeped in history. But apart from the Bronze Age and Iron Age landscape we find reminders of the more recent past including the clay pit that was dug in the 17th century to provide clay for the manufacture of tobacco pipes in Amesbury, and the disturbing tale of poor James Oram who hung himself on the 25th July 1768 having suffered “disappointment in love”. As was the practice he was buried at a crossroads (in this case the junction of the Maddington-Codford and Old Sarum-Warminster roads) in order to confuse the spirits. It's said that later his body was uncovered and a stake driven through his heart. The walk takes you right past the burial mound. We continue up to Clay Pit Hill before heading south past the late Bronze Age/Early Iron Age hilltop enclosure of Codford Circle. The “private” signs everywhere are a warning that visitors are not welcome. But since there is little to see it's best to stick to the old Maddington to Codford Road which slowly descends from the heights above Chitterne Brook, with its spectacular views of Codford Down and far beyond. This is a favourite haunt of red kites and buzzards, hence the title of the original blog. It was shortly after this point in the walk description that things went awry. The story of the unexploded World War 2 hand grenade discovered in Punchbowl Bottom just outside Codford was for some inexplicable reason what prompted a moment of hysteria as Glyn and Paul struggled to stifle their giggles. They failed! Having recovered our composure we described the remainder of the walk that follows the path of the delightful Chitterne Brook before heading back up to Clay Pit Hill just short of what remains of the Aston Valley Barrow Cemetery. The cemetery was the location of 10 bell and one bowl barrow (although little remains visible now). The walk retraces its steps from Clay Pit Hill Clump back down to Oram's Grave before returning to the layby. This is a memorable walk with far-reaching views, perfect for a crisp clear winter's day or in the heat of summer. Either way, if you're lucky, the King's Head Community Pub in Chitterne may be open by the time you do it. Then on to the wrap up: Steve Dixon's piece leading to our main subject is entitled “Bee Leaf”, just because it reminds us of a warm sunny day. As ever the piece in the introduction and at the end of the podcast is entitled “The Holloway”. Don't forget to subscribe to the Hidden Wiltshire Newsletter from the website. Thanks again to the ever-patient Tim Kington at TKC Sales, the UK distributors of Lowa walking boots and shoes, and for the 20% discount on their products to Hidden Wiltshire podcast listeners. Listen to the show for the discount code. At year end we're going to discuss with Tim whether we continue with the discount. You'll find a link to Lowa Boots' website below. And finally, help us keep the lights on by heading to the Hidden Wiltshire Online shop. Link below. The second Hidden Wiltshire book can now be ordered from the online shop. Links: Paul's blog about the walk and his photographs can be found here In Pursuit of Kites. This location also features in our new Hidden Wiltshire book. Glyn's photographs can be seen of course on this website and on his Instagram feed @coy_cloud Paul's photography can be found on his website at Paul Timlett Photography and on Instagram at @tragicyclist Steve Dixon's sound art can be found on Soundcloud where his username is River and Rail Steve Dixon River and Rail. His photographs can be found on Instagram at @stevedixon_creative and his graphic design business website is at Steve Dixon Creative You can find Lowa Boots UK at Lowa Boots UK And finally you'll find the Hidden Wiltshire online shop here Hidden Wiltshire Shop  and a link to Glyn's blog about the book, how to purchase a copy and how to get tickets for the launch here Hiddden Wiltshire from near and far

In the ninth episode of Comedians on Art hosts Graeme Collard and Emily Kennedy-Barnes speak to musician and comedian Harriet Braine about Sarah Lucas's: Au Naturel.

(Riverton, WY) - Sarah Lucas, the founder of Foundations For Nations in Riverton joined County 10's Morning Show on 105.1 JACK-FM. Jerrad and Charene discuss with Sarah how the non-profit started, their mission and how you can help with their Thanksgiving plans! Find the full episode below or on the County 10 Podcast!

In episode 70 of The Great Women Artists Podcast, Katy Hessel interviews the acclaimed writer, fashion critic, and art curator, Charlie Porter on Louise Bourgeois, Anne Truitt, Sarah Lucas and Martine Syms !!!!!! In this episode, which will work slightly differently from normal, we will focus on four artists mentioned in Charlie's latest book, one of my favourite books of this year: What Artists Wear!!! An incredibly fascinating book that chronicles the lives and careers of artists through their clothes and how they have worn, incorporated, used, recycled, referenced, and drawn from garments from the early 20th century to the present day. From chapters dedicated to Louise Bourgeois and Martine Syms, an in-depth look into the history of the suit (think Frida Kahlo to Georgia O'Keeffe); a focus on the subject of workwear with the likes of Agnes Martin and Barbara Hepworth, and how they dressed ‘for the studio'. What ‘casual' means today, how artists have worn jeans, how they integrate clothing for performance or made ‘wearable art', to those who use garments as their chosen medium or for acts of transformation. This book, for me, provided such a rich, fascinating insight into artists and their work, mostly for the reason that it offered an alternative viewpoint. Never has something made me think so deeply about how artists presented themselves, and in effect our own identities, but also how clothing has been used in art in so many different ways, circumstances, and for so many different reasons. ENJOY!!!!!! A visiting lecturer in fashion at the University of Westminster, Charlie is one of the leading cultural commentators of our time and has been described as one of the most influential fashion journalists of his generation, with many of his garments now in the collection of the V&A. Further links: https://www.penguin.co.uk/books/314/314590/what-artists-wear/9780141991252.html#:~:text=In%20What%20Artists%20Wear%2C%20style,at%20home%20and%20at%20play. https://lismorecastlearts.ie/read-watch-listen/curator-of-palimpsest-charlie-porter-gives-an-introduction-to-the-exhibition LISTEN NOW + ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Sound recording by Amber Miller Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Als Berlin noch geteilt war, pilgerten Kunstsammler von nah und fern ins Rheinland, genauer gesagt nach Köln. Dann fiel die Mauer, immer mehr Kunstschaffende zogen in die alte, neue Hauptstadt. Und die beiden Rheinländer Bruno Brunnet und Nicole Hackert eröffneten eine Galerie, die in den Folgejahren die erblühende Berliner Kunstszene entscheidend mitprägen sollte: Contemporary Fine Arts – oder auch kurz CFA – präsentierte die wildesten Künstler und schmiss die legendärsten Parties der Stadt. Heute, fast dreißig Jahre später, ist die Galerie eine feste Berliner Institution, die Weltstars wie Cecily Brown, Raymond Pettibon, Georg Baselitz oder Sarah Lucas vertritt. In unserer Folge 28 wollen wir deshalb mit Nicole Hackert sprechen, bevor wir uns in eine vierwöchige Sommerpause verabschieden. In der Sie und wir endlich wieder Kunst in Museen oder Galerien anschauen können, und das, so häufig (und beinahe schon wieder: so normal ) wie wir wollen. Wie sagen deshalb ein besonders fröhliches: Herzlich Willkommen, liebe Nicole Hackert!

Sheena Wagstaff leads the Met's commitment to modern and contemporary art, including the design of the international exhibition program at The Met Breuer (2016-20), artist commissions, and collection displays. She has also curated numerous shows at the Met, amongst which are Gerhard Richter: Painting After All (2020); Like Life: Sculpture, Color, and The Body (1300-Now) (2018); and Nasreen Mohamedi (2016), and oversaw the David Hockney exhibition (2017). Significant acquisitions have been brought into the collection under her leadership, including works by Pablo Bronstein, Cecily Brown, Phil Collins, Tacita Dean, Peter Doig, Nick Goss, Chantal Joffe, Hew Locke, Sarah Lucas, Adam McEwen, Steve McQueen, Lucy McKenzie, Cornelia Parker (who was also featured as The Met's 2016 Roof Garden Commission artist), Bridget Riley, Rachel Whiteread, as well as Vanessa Bell, Lucian Freud, Roger Fry, and Barbara Hepworth. A new Met Façade commission, and an exhibition, each by British artists, are planned in the coming years. With a curatorial team representing expertise from across the globe, she is building a distinctive collection for the Met, both culturally and geographically, to reflect the historic depth of its global collections. Before joining the Met, Wagstaff was Chief Curator of Tate Modern, London, where, for 11 years, she was responsible for initiating the exhibition program, the Turbine Hall artist commissions, and contributing to the conceptual framework of collection displays. With the Tate Director, she worked with architects Herzog & de Meuron on the design for the Tate Modern Switch House building. She curated noteworthy exhibitions such as Roy Lichtenstein; John Burke + Simon Norfolk: Photographs from the War in Afghanistan; Jeff Wall Photographs 1978-2004; Darren Almond: Night as Day; and Mona Hatoum: The Entire World as a Foreign Land. Over the course of her career, Wagstaff has worked for the Museum of Modern Art, Oxford; the Whitechapel Art Gallery, London; The Frick Art Museum, Pittsburgh; and Tate Britain, London, where she played a seminal role in its transformation from the former Tate Gallery. She is a member of the Foundation for the Preservation of Art in Embassies (FAPE), and from 2013-2019, she was a United States Nominating Committee Member for Praemium Imperiale. She has written and edited many publications, and lectured widely. Brought to you by the British Consulate General, New York. Follow us on Twitter and Instagram.

Today, chART offers you a spotlight on yet another member of the Young British Artists. Sarah Lucas was, according to many, the wildest of the generation, a constant source of shocking and provocative art that was, in many ways, ahead of her time. Her use of bawdy humor and visual puns is just the façade of a deeper message of sex and gender deconstruction. Her artworks constantly attack stereotypes and expectations, challenging the viewer to see them in the outside world for themselves once the exhibition is over. To learn more about her fascinating production, tune in to this week's episode!    For email enquiries: chart podcastgmail.com Make sure to follow us on our socials!  INSTAGRAM: https://www.instagram.com/chartpodcast/  Here you can see on which different platforms you can listen to our podcasts! https://pod.link/1517293067  That's it for now! Hope to see you again in our next episode!  chART out!  (Love you, bye)

Chris Holman welcomes Sarah Lucas the Michigan Business Beat to talk about her new role with the Lake Superior Community Partnership (LSCP). Sarah has recently been appointed CEO of LSCP and shares with the business community her background leading up to her current role, what LSCP has been up to, and what the organization is looking forward to in 2021. » Visit MBN website: www.michiganbusinessnetwork.com/ » Subscribe to MBN’s YouTube: www.youtube.com/channel/UCqNX… » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

In episode 57 of The Great Women Artists Podcast, Katy Hessel interviews the esteemed curator of the Woodman Foundation, Katarina Jerinic on the GROUNDBREAKING photographer, Francesca Woodman!!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] And WOW is this an incredible insight to the American photographer, who in her short career produced an extraordinary body of work (over 800 photographs) acclaimed for its unique style and range of innovative techniques. Born in Colorado in 1958, at the age of thirteen Francesca Woodman took her first self-portrait. From then, up until her untimely death in 1981, aged just 22, she produced incredibly visceral, expressive, dreamlike and gothic-like photographs. From the beginning: she was both the subject and object in her work.  Fragmenting her body hiding behind furniture, using reflective surfaces such as mirrors to conceal herself, or simply cropping the image, Woodman uses photography to emphasise the isolated body parts of the human figure. Slightly surrealist, her hauntingly narrative, small-scale photographs are almost akin to plays. They are at once theatrical, Baroque and operatic, as well as still and silent. In this incredibly in-depth insight into her career as told by Jerinic, who was close to Francesca's artist parents, Betty and George Woodman, we are given a full appreciation for Woodman's life and work. From growing up in Italy, attending RISD, and her final years in New York.  Since 1986, Woodman's work has been exhibited widely and has been the subject of extensive critical study in the United States and Europe. Woodman is often situated alongside her contemporaries of the late 1970s such as Ana Mendieta and Hannah Wilke, yet her work also foreshadows artists such as Cindy Sherman, Sarah Lucas, Nan Goldin and Karen Finley in their subsequent dialogues with the self and reinterpretations of the female body. ENJOY!! Further links: https://www.woodmanfoundation.org/ WORKS DISCUSSED: Self Portrait, Aged 13, 1972 https://www.woodmanfoundation.org/artworks/self-portrait-at-13 https://www.victoria-miro.com/artists/7-francesca-woodman/ Space 2 Series (Nature Lab), 1975–76 https://www.theguardian.com/artanddesign/2014/aug/31/searching-for-the-real-francesca-woodman#img-2 Space2 Series, 1976 https://www.woodmanfoundation.org/artworks/untitled-13 Polka Dots Series, 1976 https://www.woodmanfoundation.org/artworks/from-polka-dots Angel Series, Rome, Italy, 1977 https://www.woodmanfoundation.org/artworks/from-angel-series Untitled, 1977–78 https://www.woodmanfoundation.org/artworks/untitled-4 Eel Series, Venice, 1978 https://www.woodmanfoundation.org/artworks/from-eel-series Blueprint for a Temple, 1980 https://www.woodmanfoundation.org/artworks/blueprint-for-a-temple Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Laura Hendry  Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

This episode features a session from Becker's Health IT and RCM Virtual Event: Mission-driven IT & RCM: How to keep remote teams engaged and thriving. The conversation includes insight from the following speakers: Sarah Lucas, Enterprise Revenue Cycle - Associate Vice President for Medical Affairs, UW Medicine Geoff Brown, CIO, Piedmont Healthcare Moderated by: Morgan Haefner, Becker's Healthcare

Partendo dall'“Origine del mondo” di Courbet e dallo “Studio di un culo” di Vallotton, Costantino e Francesco mettono a confronto i loro inconciliabili punti di vista su arte e sesso. Una puntata che fa luce su questioni delicate come: c'è una relazione tra il collezionismo di Costantino e il suo calo del desiderio? Che cosa c'entra la pornografia con il crollo del comunismo? E, soprattutto, i delfini ce l'hanno la prostata?In questa puntata di parla di Gustave Courbet, Félix Vallotton, Michael E. Smith, William E. Jones, Luca Guadagnino, Sarah Lucas, Richard Hawkins, Gary Indiana, Carroll Dunham, Lena Dunham, Laurie Simmons, Andy Warhol, Halston, Victor Hugo, Andrea Fraser, Zanele Muholi, Anne Imhof, Tracey Emin, Lydia Silvestri, Monica Bonvicini, Giulia Crispiani, Jane Fonda, Vito Acconci, Louis C.K. e Salvador Dalí.

Hear Me, See Me. Podcast. with Gary Mansfield.Fine artist, curator and Ministry of Arts Podcast host Gary Mansfield has had a most unlikely induction into the world of art: serving a fourteen year prison sentence in his early twenties for drug importation, Mansfield discovered the catalogue for the 1999 Saatchi exhibition Sensation, which brought together the group of artists known as the YBAs. and Mark Wallinger.Inspired by the work he saw, Mansfield contacted these up-and-coming artists form his cell, asking for information on their work and careers. A bold move, Mansfield's bold move was well received, and led to correspondences that would last throughout his sentence with the likes of Sarah Lucas, Gavin Turk, Gary Hume, Mark Titchner and Mark Wallinger.Under their guidance, Mansfield eventually completed a degree in Fine Art: an achievement that would come to have a profound and lasting impact on his sene of self. Since completing his degree, Mansfield has collaborated with the a number of the YBAs on various artworks and projects. He also works closely with prisoners & ex-offenders, curates large exhibitions to raising funds for various charities, and is a board member of the Koestler Trust. Intimately tied to his early life experiences, Mansfield's works explore themes of incarceration, focusing on the material enclosures of prison life, for a powerful and politically charged aesthetic. ( Bio : ArtRepublic )Gary is funny, inspirational and proof that a leopard can change his spots.https://www.instagram.com/mizogart/https://twitter.com/mizogArthttps://www.facebook.com/gmanasfieldhttps://artrepublic.com/collections/gary-mansfield#Haircuts4Homeless : https://www.haircuts4homeless.com/Produced by : https://svnty6production.com/Artwork by : https://www.dvsyart.com/Support this show http://supporter.acast.com/hear-me-see-me. See acast.com/privacy for privacy and opt-out information.

Gary Mansfield agreed to transport two holdalls across the UK for a criminal organisation. What he thought was a couple of bags full of fake designer clothes labels turned out to be over 4 million pounds worth of class A drugs. The judge sentenced him to 14 years in prison. Inside prison Gary discovered his real artistic skill was not selling fake clothing and drugs but his ability to create art that caught the attention of world renowned artists. Links: Gary Mansfield - @MizogArt - HomeGary MansfieldTwitter: @mizogartGary Mansfield (@mizogart) • Instagram photos and videosSecond Chance: facebook.com/RaphaelRowePodcast/Second Chance Webpage: Second ChanceWebsite: Raphael-Rowe.com Instagram: @areporterTwitter: @areporter) Sound by Joe Adams Podcasts| Audio Avalanche

In this edition of Behind The Report, Adam Green previews our brand new series of reports, Then & Now, that will explore how different artist groups or movements from the past are faring in today’s auction market. In this first edition of the series, we look at the group of Young British Artists (YBAs) who emerged during the 1990s and in particular, those artists that participated in the infamous Sensation exhibition at the Royal Academy of Arts in 1997. This includes Damien Hirst, Jenny Saville, Chris Ofili, Tracey Emin, Glenn Brown, Marc Quinn, Sarah Lucas and many others.

Artfully is BACK after a hiatus and despite a summer dominated by Covid-19, there are still some juicy art world controversies to feast upon. We take on the controversial job losses at the Tate galleries, the drama at the Musee d'Orsay after they refused entry to a woman in a low-cut dress, and the new Mayfair gallery opened by Charles Saatchi's daughter, Phoebe Saatchi Yates. We also share some good news from Christie's, who held an auction of works by Black artists where collectors had to pledge not to flip the works. Finally, from the sublime to the ridiculous: is Art Attack's Neil Buchanan actually Banksy? Elsewhere we select our top tips for exhibitions this Autumn including Edmund de Waal at the British Museum and a girl power gang round-up of Cecily Brown, Chantal Joffe, Katherine Bernhardt, Jadé Fadojutimi and Flora Yukhnovich. Our Artist Focus this episode is British artist Sarah Lucas. Born out of a boozy, party-hard YBA art scene, her profile has continued to rise to meteoric heights. She represented her country at the Venice Biennale in 2015, and nabbed her first American museum retrospective in 2018. We discuss sex, body parts, and those famous fried eggs. SHOW NOTES: (For the dog and cat lovers, here are the documentaries suggested by Jessie: https://www.bbc.co.uk/programmes/m000mf93)Cecily Brown exhibition at Blenheim Palace until 3 January 2020: https://www.blenheimpalace.com/whats-on/events/cecily-brown-art-exhibition/ Chantal Joffe 'For Esme - with Love and Squalor' at the Arnolfini until 22 November: https://arnolfini.org.uk/whatson/chantal-joffe/Katherine Bernhardt and José Luis Vargas 'Voodoo Mayo Ketchup' at Carl Freedman Gallery until 25 October 2020: https://carlfreedman.com/exhibitions/2020/voodoo-mayo-ketchup/Grayson Perry 'The MOST Specialest Relationship' at Victoria Miro until 31 October 2020: https://online.victoria-miro.com/graysonperry-london2020/Flora Yukhnovich 'Barcarole' at Victoria Miro Venice until 24 October 2020: https://online.victoria-miro.com/florayukhnovich-venice2020/Jadé Fadojutimi 'Jesture' at Pippy Houldsworth Gallery until 31 October 2020: https://www.houldsworth.co.uk/exhibitions/12-jade-fadojutimi-jesture/press_release_text/'Alfred Wallis Rediscovered' at Kettle's Yard 24 October - 3 January 2021: https://www.kettlesyard.co.uk/events/alfred-wallis-rediscovered/Edmund de Waal 'library of exile' at the British Museum until 12 January 2021: https://www.britishmuseum.org/exhibitions/edmund-de-waal-library-exileMore than 300 artists sign letter in support of striking Tate workers: https://www.theguardian.com/artanddesign/2020/sep/15/more-than-300-artists-sign-letter-supporting-striking-tate-workersWhy Tate Staff Are on Strike: https://www.frieze.com/article/why-tate-staff-are-strikeMaria Balshaw, Desert Island Discs: https://www.bbc.co.uk/programmes/m000lnld London's Royal Academy of Arts plans to slash 40% of jobs: https://www.theartnewspaper.com/news/royal-academy-of-arts-announces-potential-40-jobs-cutsParis museum refuses entry to woman in low-cut dress: https://www.theguardian.com/world/2020/sep/10/paris-museum-refuses-entry-woman-low-cut-dress-musee-dorsayKeeping it in the family: Charles Saatchi's daughter to open huge London gallery: https://www.theartnewspaper.com/news/keeping-it-in-the-family-charles-saatchi-s-daughter-to-open-huge-london-galleryCollectors buying from a Christie's exhibition of works by Black artists must pledge not to flip them: https://www.artsy.net/news/artsy-editorial-collectors-buying-christies-exhibition-works-black-artists-pledge-flipIs Neil Buchanan actually Banksy? https://www.dazeddigital.com/art-photography/article/50414/1/is-neil-buchanan-actually-banksy-an-expert-weighs-inSarah Lucas, Unmasked: From Perverse to Profound: https://www.nytimes.com/2018/09/05/arts/design/sarah-lucas-new-museum.htmlSarah Lucas: ‘I have several penises, actually': https://www.theguardian.com/artanddesign/2015/may/06/sarah-lucas-venice-biennale-interview

Talk Art Season 7 continues!! For episode 6, Russell and Robert meet the creative power couple of singer/songwriter DENAI MOORE & film director NADIRA AMRANI!!!!Denai's new album 'Modern Dread', with sleeve art by Nadira, is Talk Art's FAVOURITE album of 2020!!!We discuss the influence of art on both of their creative disciplines and their favourite contemporary artists including Joy Yamusangie, Isaac Julien, Sarah Lucas, Elmgreen & Dragset and the architect Zaha Hadid. We explore colour theory, the importance of silence and how art galleries help us to slow down, their passion for decorating their Margate home with bright contrasting colours, their admiration for film makers such as Iggy London, and the artworks Denai's father made and introduced her to during her childhood in Jamaica. We learn about the influence of Stanley Kubrick's 'The Shining' 1980 movie on Denai's music videos for Modern Dread as well as a blue room installation by the artist Adrián Villar Rojas, as well as Sci Fi and a dystopian modern aesthetic that runs throughout her album campaign.Plus we learn about Denai's forthcoming live concert film, shot & directed by Nadira at Carl Freedman Gallery, Margate. Their inspiring new film will be available to stream via Denai Moore's YouTube channel from the end of October 2020, and will include exclusive live performances of recent standout singles 'Cascades' and 'To The Brink'.Denai Moore is a British-Jamaican artist and singer. Her most recent album Modern Dread was released in July 2020. Moore's musical style is a mix of soul, folk, electronic, and other styles, and she has said she takes influence from Paramore, Lauryn Hill, Kanye West and Bon Iver. She refers to her own music as "genre free".Nadira Amrani is a British Algerian Director interested in directing diverse and innovating commercials and music videos. Having directed and created films for the Tate, as well as the V&A, Nadira’s work has been shown in art Galleries and functioned in the art world and the film industry. Nadira is the founder of the collective POC, The People of Colours and is passionate about diversity in directing and curates regular events showcasing VR and work by queers artists and film directors of colour. This special episode was recorded at Carl Freedman Gallery, Margate on 13th September 2020. Denai Moore's new album Modern Dread is OUT NOW!!! Stream it at Apple Music, Spotify or buy the vinyl from Rough Trade. Follow Denai & Nadira on Instagram @DenaiMoore and @NadiraAmrani, visit Denai's website www.denaimoore.com... See acast.com/privacy for privacy and opt-out information.

This episode, we speak to Tina Kukielski, the Executive Director and Chief Curator of Art21, one of the leading global producers of films and content about contemporary artists. Each month, more than 300,000 people from around the world tune in to Art21 to watch their Peabody Award Winning films with artists including Zanele Muholi, Theaster Gates, Luchita Hurtado, Jordan Casteel, and Pedro Reyes. In addition to leading Art21, Tina is also an active and widely respected curator. She was a co-curator of the acclaimed 2013 Carnegie International, bringing together 35 established and emerging artists from 19 different countries, including Sarah Lucas, Phyllida Barlow, Mark Leckey, and Nicole Eisenman. During her time at the Whitney Museum of American Art from 2002–2010, she worked to acquire and mount exhibitions by a wide range of celebrated contemporary artists. As lead curator on the Hillman Photography Initiative at the Carnegie Museum of Art, Kukielski launched a number of digital initiatives and films series. In 2014, Kukielski co-produced a documentary film about Andy Warhol in partnership with artist Cory Arcangel documenting a digital conservation project which brought renewed attention to nearly forgotten artworks that Warhol made on an Amiga personal computer in 1985. She is now working on the upcoming Front Triennial in Cleveland Ohio, which will open slightly delayed in 2022. The Triennial's title, Oh, Gods of Dust and Rainbows, is derived from a Langston Hughes poem. Some artists covered in this episode: Pedro Reyes Song Dong and Yin Xiuzhen Xu Bing Phyllida Barlow Postcommodity

En el episodio 25 del podcast conversamos sobre la obra de la artista inglesa Tracey Emin, nacida en 1963. En su trayectoria artística, Tracey se nutrió constantemente de experiencias de su vida personal para hacer sus obras, el exhibicionismo de su propia vida es una de las características de su producción. Pertenece a la generación de artistas británicos que fueron denominados como Young British Artists (YBA), quienes emergieron en Londres a comienzos de los 90, entre los que estaban también Damien Hirst, Sarah Lucas y los hermanos Chapman. Tracey fue la representante de Gran Bretaña en la 52ª Bienal de Venecia en 2007, en el Pabellón Británico con una muestra que se llamó “Luz prestada” y finalista del Premio Turner con la obra “Mi cama”, el premio que se entrega anualmente y se concede a un artista británico menor de 50 años. Te invitamos a  conocer más sobre la obra de Tracey en este podcast. Mi nombre es Evelyn Marquez, curadora y gestora cultural, y te invito a suscribirte a nuestro podcast de arte contemporáneo en el canal de iTunes, en Spotify y YouTube. Encontranos también en Facebook  (@temporadaderelampagos ) y en Twitter  (@TRelampagos)!! Si te interesó, compartilo para ayudarnos a seguir creciendo! Nos encontramos en el próximo episodio!!

Michael Craig-Martin, internationally-renowned conceptual artist, shares with us his favourite living spaces and reflects on his decades-long career and love of modernist design. Craig-Martin explains why he has a thing for minimalism, and what it was like to teach the YBA artists Damien Hirst and Sarah Lucas, in the mid-1980s.  Find out more at The Modern House site.

‘Hello, is it me you're looking for?” So asked brother of Guy, Lionel Richie, in his 1964 hit cover of Adele's ‘lover as ghost' spooky hit song ‘Hello'. Now, Lionel R raises a more than interesting question here. It's all a question of perception. Let's start here: 1. Is the person you are looking for Lionel Richie? 2. Is the person you are looking for Margot Henderson? This gets more than complicated at this stage in that we now must consider whether Lionel is asking this question of humankind itself or merely addressing the globe spanning vastness of the TickyOff listenership direct. It's tough to tell. I'll leave you to ponder on that and wonder why Lionel might choose to impersonate Margot Henderson of Rochelle Canteen, Rochelle At The ICA, The French House back in the day, author of ‘You're All Invited' and all round legend of London hospitality. Anyway, my train of thought has completely derailed and I'm very sorry for the stupid digression above. Margot Henderson is on the pod! Margot tells all about life in lockdown at the Henderson's, mould on the march on the Mall (that's a weird line), her move from New Zealand to London and the perils of skinning eels. She also talks about her favourite cooking utensils, turnip cake disasters, sausages with artist Sarah Lucas and getting a certificate from Pizza Express. Before Margot arrives James is wearing some sort of animal on his head and really digs Michael Bolton but might be less keen on US policy hawk John Bolton. Sam has just woken up from a nap, once made a veloute and has never seen ‘The English Patient'. Who knows what in all hell any of the above means, I feel like I may have hit my head before writing this nonsense. Anyway, it's TickyOff and if you don't know what that means by now then you will never ever ever know me.* *Shout out Simply Red. Real talk. This episode is sponsored by wine stars dropwine.co.uk

莎拉·卢卡斯《I'VE GOT THE BALLS》从时代的角度看艺术，这里是磨时艺见。2019年11月1日，英国艺术家莎拉·卢卡斯（Sarah Lucas) 在北京红砖当代美术馆进行个展开幕仪式，邀请了许多女性与穿女装的男性参与《致女人的一千个鸡蛋》（I'VE GOT THE BALLS）的创作。参与者将艺术家提前准备好的1000个鸡蛋砸向墙面，破碎的鸡蛋在墙面上留下黄黄白白的痕迹，这种耗费大量食物进行艺术行为引发了网友的争议，表示无法理解这个作品的意义。莎拉·卢卡斯《I'VE GOT THE BALLS》对此，卢卡斯表示，Egg在英文中既可代表鸡蛋又意为卵子，女性有卵子，但是只能怀揣这些卵子，而不能像男性那样可以主动地将精子射出，她们很难控制自己和自己的孩子的命运。她觉得作为一个女性，有时需要抬起头，做出像这样的姿态。这个作品正是在影射和挑战时代对于性别、性取向等身份认知的刻板印象。迪特尔·罗特《P.O.TH.A.A.VFB》用食物创作艺术并不是刚刚兴起的，早在上世纪60年代，就有艺术家选择这样的创作方式。比如，来自瑞士的新达达主义（Neo-Dada）艺术家迪特尔•罗特（Dieter Roth），他经常采用可塑性较强的巧克力来创作，其代表作品《P.O.TH.A.A.VFB》便是利用巧克力与鸟食的混合物制作而成的个人肖像。迪特尔·罗特《入海，莫尔德山》（Into the Sea, Mold Mountain），由金属、石膏、纸、巧克力、酸奶、果汁但是食物是有保质期的，长期暴露在空气中极易腐坏，这无疑导致这些食物做成的艺术品难以保留。这也是罗特用食物创作的初衷，他深信万事万物均不会永恒，只有“易变”和“短暂”才是世间永恒的真理，艺术品短暂的生命周期正是象征着这样的世事无常。一千个人眼中便有一千个哈姆雷特，公众眼中卢卡斯与罗特的装置艺术是在浪费食物，但对于艺术家来说，食物却是他们传递思想的媒介，蕴含着他们的精神内涵。对于“浪费食物的艺术”你是怎么看待的呢？欢迎留言讨论。磨时艺见，每晚9点，准时更新。

In Episode 25 of The Great Women Artists Podcast, Katy Hessel interviews the world-renowned writer and critic, OLIVIA LAING on Chantal Joffe, Sarah Lucas, and Ana Mendieta! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] And WOW. Was it an honour to interview Olivia: one of the greatest writers working today and the author of some of my favourite books: To The River, The Trip to Echo Spring, Crudo, and The Lonely City, which explores artists’ loneliness in New York City – the most powerful book I have ever read (http://olivialaing.co.uk/lonely-city). Just last month she published an outstanding – and very timely – collection of essays titled Funny Weather: Art in an Emergency, which features in-depth essays about artists’ lives, from Derek Jarman to Georgia O’Keeffe, love letters to the likes of David Bowie, plus her encounters and friendships with Chantal Joffe and Sarah Lucas! https://www.panmacmillan.com/authors/olivia-laing/funny-weather/9781529027648 SO, in this episode – a little different to previous ones – we talk to Olivia about her top three female artists, and wow did she speak eloquently, passionately, enthusiastically, and just brilliantly about these PIONEERING artists. We deep dive into her friendship with painter Chantal Joffe, whom Olivia has sat for on multiple occasions, and who she has also written about sitting for too! (Check out one of her essays here: https://www.theguardian.com/books/2018/may/12/chantal-joffe-paints-olivia-laing-mutual-portraits-words-and-paint) When asked about how Chantal captures people she says: "it's more that she sees a changing self. Every painting she does. It's very Virginia Woolf, the sense of somebody being so fluid through time in history, somebody moving so sinuously into different selves." Then we speak about the GENIUS who is Sarah Lucas. We discuss the immediacy of her work; how her sculptures make us feel and give precedent to how we inhabit our bodies; their POWER, humour, and comments on society. Finally we end with the great Ana Mendieta. One of the most important artists of the 20th century, Mendieta was known for exploring the body and identity through her performative and photographic works, that confront us directly as viewers: furiously, immediately, powerfully. It was a complete honour to speak with Olivia Laing, one of the greatest writers living right now. Further reading: http://olivialaing.co.uk/home I hope you enjoy the episode! This episode is sponsored by Alighieri  https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off!  Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield

Gavin Turk in conversation with Joseph Kosuth, moderated by James Putnam ‘We are asleep. Our life is like a dream. But in our better hours we wake up just enough to realise that we are dreaming.' - Ludwig Wittgenstein Gavin Turk's installation and intervention in Freud's former residence, Wittgenstein's Dream, investigates the intriguing conceptual dialogue between two enlightened Viennese thinkers of the 20th century, Sigmund Freud (1856-1939) and Ludwig Wittgenstein (1889-1951). Gavin Turk was born 1967 in Guildford, from 1989-91 he attended the Royal College of Art. For his MA exhibition show Cave, Turk notoriously presented a whitewashed studio space containing only a blue heritage plaque commemorating his presence. Though refused a degree, his subsequent infamy attracted the attention of Charles Saatchi and Turk became part of a loosely associated group known as the ‘Young British Artists' (YBAs). He has continued to show worldwide and has work in many national museum collections (including Tate and MOMA). His work often deals with concerns of authority and identity and has taken up many forms including the painted bronze, the waxwork, the recycled art-historical icon and the use of litter. Joseph Kosuth is one of the pioneers of Conceptual art and installation art, initiating language-based works and appropriation strategies in the 1960s. His work has consistently explored the production and role of language and meaning within art. The philosophy of Ludwig Wittgenstein, among others, influenced the development of his work. Kosuth's installation Zero & Not was exhibited at Berggasse 19 - The Sigmund Freud Museum in Vienna, marking the centennial of Sigmund Freud's birth. In its artistic and curatorial approach the installation drew on his seminal exhibition projects Wittgenstein – Das Spiel des Unsagbaren at the Vienna Secession (1989) in Austria and the Palais des Beaux-Arts, Brussels. Wittgenstein's Dream is the latest in the critically acclaimed ongoing series of Freud Museum London exhibitions curated by James Putnam that have included projects by Sophie Calle, Sarah Lucas, Ellen Gallagher, Tim Noble & Sue Webster, Mat Collishaw and Miroslaw Balka. Wittgenstein's Dream is on display at The Freud Museum London 26 November 2015 – 7 February 2016  In association with Ben Brown Fine Arts.

Join Sarah Lucas as she answers 3 questions from our audience. If you are experiencing any anxiety this episode is for you. 1) How can we train our minds to stop dwelling on our mistakes or grievances and look ahead to the future? 2) What tools or tips can we use to train our minds to be more positive and confident? 3) Sometimes I get caught up in insecurities and anxiety about the future which causes me to expect the worst and prepare my mind for the worst possible thing that could go wrong. How can I move past this? A few of Sarah's recommendations are Cognitive Behavior Therapy's Triple Column Technique, breathwork and progressive muscle relaxation (https://www.youtube.com/watch?v=1nZEdqcGVzo), and specific tips for preventing panic attacks. She also gives us helpful tips to nip your anxiety in the bud, addressing your anxiety and creating a plan to prevent it! Listeners can reach Sarah via her website https://sarahlucaslpc.com/ or on Instagram @sarahellenlu.

Annemieke Bosman spreekt Nina Folkersma, conservator van de Moesman tentoonstelling in het Centraal Museum. Ontdek hoe eigentijds de surrealisten zijn in De tranen van Eros: Moesman, surrealisme en de seksen. In deze tentoonstelling wordt het werk van de enige officieel erkende Nederlandse surrealist Johannes Moesman (1909-1988) geplaatst in de context van zijn internationale tijdgenoten. Naast Salvador Dalí, René Magritte en Max Ernst is er voor het eerst veel ruimte voor vrouwelijke surrealisten als Claude Cahun, Leonora Carrington en Leonor Fini. Bovendien is er werk te zien van hedendaagse kunstenaars als Sarah Lucas, Gillian Wearing, Paul Kooiker en Viviane Sassen.

Books by Maggie NelsonSomething Bright, Then Holes (Soft Skull, 2018)The Argonauts (Graywolf, 2015)The Latest Winter (Zed Books, 2018)Shiner (Zed Books, 2018)The Art of Cruelty (W.W. Norton, 2012)Women, The New York School and Other True Abstractions (University of Iowa Press, 2011)Bluets (Wave Books, 2009)The Red Parts (Graywolf, 2007)Jane (Soft Skull, 2005)Other Authors and Texts Mentioned in the EpisodeAvital Ronell’s Crack Wars (University of Illinois Press, 2004)Testo Junkie: Sex, Drugs, and Biopolitics in the Pharmacopornographic Eraby Paul B. Preciado and Bruce Benderson (Feminist Press, 2013)The Road of Excess: A History of Writer’s on Drugs by Marcus Boon (Harvard University Press, 2005)Mothers: An Essay on Love and Cruelty by Jacqueline Rose (Farrar, Straus & Giroux, 2019)Black and Blur by Fred Moten (Duke University Press, 2017)Eileen MylesLauren SandersFrank O’HaraClaudia Rankine (Ep 4)Wayne Kostenbaum (Ep 9)Christina CrosbyEve SedgwickAnne CarsonSherrilyn IfillBenjamin MoserSusan SontagSylvia PlathFranco “Bifo” BerardiHannah ArendtDonald WinnicottMaggie Nelson and Sarah Lucas at the Hammer MuseumElaine RetholtzJohn CageEthan NosowskyOther Relevant LinksCritical ResistanceMaggie Nelson and Wayne Koestenbaum on Clarity and Cruelty (NY Public Library podcast)Hilton Als on Maggie Nelson in the New YorkerMaggie Nelson in The Guardian

Galerie Stigter Van Doesburg - gevestigd in het centrum van Amsterdam - toont werk van veel vrouwelijke kunstenaars. Van de feministische kunst uit de jaren '70, via de bravoure van de vrouwelijke kunstenaars van de YBA generatie als Tracy Emin en Sarah Lucas tot de genderneutraliteit van nu. Wat is er allemaal veranderd en wat moet er nog veranderen?

Your Favorite Artist's Favorite Artists: Damien Hirst. Join our conversation as we discuss individuals that inspire Damien Hirst including Francis Bacon, Marcel Duchamp, Sarah Lucas, and Jeff Koons. --- Support this podcast: https://anchor.fm/your-favorite-artists-favorite-artists/support

We discover how women creating art have depicted their identities, bodies and those of other women independent to the male gaze. We find out about Leonora Carrington’s artistic emancipation, touch upon photographer Francesca Woodman’s use of her own body and discover the satirical humour of Sarah Lucas. Then Jenny Saville explains how her understanding of the human figure was transformed by carrying a child.

Edward Goldman talks about plenty of sex and drama at the exhibition of British artist Sarah Lucas at the Hammer Museum.

Russell & Robert meet Austrian-born fashion designer Raimund Berthold. A graduate of Central St Martins, Raimund spent four years working with leading fashion houses in London & New York including Alexander McQueen & Vivienne Westwood before launching BERTHOLD in 2009, the London-based gender-neutral eponymous clothing brand for the makers and shapers of culture. We discuss what it's like growing up in a ski resort, how art influences his collections, the joy of collecting, and living with, art. We learn about Raimund’s favourite artists including Wolfgang Tillmans, Isa Genzken, Rebecca Warren, Magali Reus, Phyllida Barlow, Sarah Lucas, Klara Lidén, Jordan Wolfson and more. Plus in an exciting, unexpected turn, Raimund turns the tables on Rob & Russ and interviews them with 4 special questions at the end of the episode! See acast.com/privacy for privacy and opt-out information.

Hunter Drohojowska-Philp praises the artist’s power grab.

Nick Fudge is a British painter, sculptor and digital artist. He studied at Goldsmiths College in London alongside fellow students such as Damien Hirst, Sarah Lucas, Gary Hume and David Landy under the tutorship of Michael Craig-Martin and Jon Thompson. Such was the talent of this emerging group of artists, they attracted the attention of the top London Galleries and investors and collectively they became known as the Young British Artists - a movement that revitalised the contemporary British Art scene. However, on the eve of his graduate show, Nick took the decision to destroy his collection of work and disappear. He left the UK for the United States and a 25 year long period of self-imposed exile. He became known as the Lost YBA, but he continued to work only recently deciding to return from the United States with a view to exhibiting his now large body of work. Nick, who now lives near Órgiva in La Alpujarra, talks candidly about his decision to leave behind the immediate commercial success of his fellow students and how this decision impacted both his life and his work. Support the show (http://patreon.com/IanRutter)

Izabela and Rebecca converse with special guest artist, activist, and curator, Katya Grokhovsky, and take an analytical look at the most influential artist of Pop Art, Andy Warhol, in a dialogue with Sarah Lucas, one of the most influential artists in the UK associated with Young British Artist (YBA), in response to their recent retrospectives, From A to B and Back Again curated by Donna De Salvo, Chief Curator and Deputy Director for Programs at the Whitney Museum, and Au Naturel at The New Museum, curated by the New Museum’s artistic director, Massimiliano Gioni, and the curator Margot Norton. Through a feminist gaze, the speakers reflect on these two large retrospectives, the narratives of the works presented in the above institutions, the contemporary meaning of these artists legacies, and selected aspects of the artists' biographies. Katya Grokhovsky is an NYC based artist, curator and a Founding Artistic Director of The Immigrant Artist Biennial. Grokhovsky holds an MFA from the School of the Art Institute of Chicago and has received support through numerous residencies, fellowships, and awards. Her work has been exhibited extensively nationally and internationally. www.katyagrokhovsky.net The music is provided by Ramona Dochioiu. 

Robert & Russell meet gallerist Sadie Coles, one of the world’s most respected and successful art dealers. Discover why she set up her gallery in London after managing Jeff Koons’ studio in New York in the mid 1990s; how she first discovered the work of Sarah Lucas and John Currin; the skill of representing new artists on the primary market and the importance of taking a longterm view. We discuss feminism and equality in the workplace and why it's good to be collegiate. Finally we explore childhood trips to visit Tutankhamun at the British Museum, a memorable performance by mime artist/choreographer Lindsay Kemp and a pivotal Nancy Grossman exhibition. See acast.com/privacy for privacy and opt-out information.

Maggi Hambling discusses her new exhibition The Quick and the Dead at Jerwood Gallery in Hastings, which centres on paintings and drawings made over the past decade, in which she has portrayed four fellow artists - Sebastian Horsley, Sarah Lucas, Julian Simmons and Juergen Teller - whose lives have intersected at various points, and who have created their own reciprocal artistic interpretations.Nearly 40 years ago, three white Jewish teenagers called Adam Horovitz, Adam Yauch and Michael Diamond became Ad-Rock, MCA and Mike D when they stopped playing hardcore punk and took up rap. The hip hop group Beastie Boys went on to gain 3 Grammy awards and sell 50 million records worldwide. Stig talks to Mike D and Ad Rock about their new book - which is as much dedicated to MCA, who died in 2012, as it is to documenting the band's history.With actor Ellie Kendrick making her professional debut as a playwright with Hole at the Royal Court in London this week, she and theatre critic David Benedict consider the long tradition of the actor-turned-playwright, from Shakespeare and Garrick to Pinter and Rory Kinnear.Presenter Stig Abell Producer Jerome Weatherald

Marie-Eve Lafontaine meets Margot Norton in this illuminating and insightful conversation covering the prolific curator's journey to the New Museum, where she has curated the current Sarah Lucas exhibition. Norton joined the New Museum in 2011 as an assistant curator, and today, having risen to the post of Curator, has worked on “Here and Elsewhere”, “NYC 1993: Experimental Jet Set, Trash and No Star". She's also collaborated on projects involving Chris Ofili, Ragnar Kjartansson and Laure Prouvost.

Naar verluidt schilderde Frans Hals zichzelf tussen de hoogwaardigheidsbekleders van de schutterij in 1639. Er zitten meer infiltrerende kunstenaars in de collectie van het Frans Hals Museum: oud-conservator Xander Karskens vertelt over het werk van Sarah Lucas, Gillian Wearing en Pilvi Takala.

Naar verluidt schilderde Frans Hals zichzelf tussen de hoogwaardigheidsbekleders van de schutterij in 1639. Er zitten meer infiltrerende kunstenaars in de collectie van het Frans Hals Museum: oud-conservator Xander Karskens vertelt over het werk van Sarah Lucas, Gillian Wearing en Pilvi Takala.

Sarah Lucas from Beyond Type 1 tells us about their expansive DKA (diabetic ketoacidosis) awareness campaign.  Show notes for people who are Bold with Insulin Learn more about the DKA Campaign 

Sarah Lucas, CEO of Beyond Type 1, discusses the group's campaign to raise awareness about DKA. She is joined by Meredith Rosser whose son was diagnosed with T1D when his blood sugar hit 1,400 mg/dL and he was in DKA.

Michael Craig-Martin is one of our most influential artists, celebrated for his huge black and white wall drawings and intensely coloured paintings of everyday objects, as well as his installations, sculpture, and computer-generated works. A pioneering conceptualist, he's always provoking questions about what we understand to be art. Born in Dublin in 1941, Michael Craig-Martin grew up in the United States but returned to Britain in the 1960s where he's lived and worked ever since. He's had numerous solo exhibitions and his work is in national collections worldwide. He is Emeritus Professor of Fine Art at Goldsmiths, having taught there for over four decades, and he's been nicknamed 'the godfather of the Young British Artists', who include Damien Hirst, Gary Hume and Sarah Lucas. He received a CBE in 2001 and was knighted in 2016. Michael Craig-Martin talks to Michael Berkeley about the parallels between his art and the music he loves, including Satie, Bach, the Dutch composer Simeon ten Holt, and he reveals his long-standing passion for opera. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

This summer, 20 people with type 1 diabetes will make an incredible journey. From June 3 to August 11, Team Bike Beyond is crossing the USA, cycling from New York to California. This week, meet the man who asked Beyond Type 1 to take a chance on the event, and the woman who said yes. Stacey talks with cyclist Walt Drennan and Beyond Type 1 CEO Sarah Lucas about how the idea for the trip came about, the work that went into launching the ride and what they hope to accomplish along the way.  Each week during Bike Beyond, Diabetes Connections will bring you stories from the ride and profile a different cyclist. They're not professionals, just people with type 1 who wanted to take an extraordinary challenge. (There are actually 20 riders and one D-Mom along on this journey). Stacey also shares a bit about the end of the school year & how the first year of middle school went for her son.  Plus, we talk about the summer diabetes conferences on the calendar like ADA, Friends for Life & AADE. Get the app and listen to Diabetes Connections wherever you go! Click here for iPhone      Click here for Android  Sign up for our newsletter here As always, thanks for listening!!

Sarah Lucas (@saerobe) graduated from Penn State University in 2010 with a Bachelors Degree in Microbiology and is currently pursuing her Ph.D. in Microbiology at the University of Minnesota.  After graduating undergrad, Sarah conducted cutting-edge science research at the J. Craig Venter Institute. As of today, at 29 years old, Sarah has authored 5 peer-reviewed publications on microbiology. In addition, Sarah has earned a fellowship grant from the National Institutes of Health, effectively paying for her to attend college and study science. Sarah has presented her work at leading institutions, such as the Mayo Clinic and TSRC. Sarah’s extraordinary work as a young scientist was recognized when she received the Peter Salamon Award. In this episode, we discuss Sarah’s story and: How to find your tribe and build a community of friends How to stop stressing over mediocre grades and why the importance of GPAs is overstated How to distinguish between following your passion versus dabbling in an interest How to make big colleges feel small How to determine whether graduate school is wise How to build a college experience that leads to a purposeful career How to balance academics and social life Follow Sarah’s work with the Hunter Lab or on Google Scholar.  

Sarah Lucas burst onto the art scene in the early 1990s, one of the wildest and most provocative of the Young British Artists. Her work was challenging, bawdy, revolutionary: her first solo show in 1992 was called "Penis Nailed to a Board". She challenged macho culture with sculptures such as "Two Fried Eggs and a Kebab" in which she constructed a naked female body - from a table, two eggs, and a kebab. Lucas makes sculptures from worn-out furniture, stuffed tights, fruit (particularly bananas), and cigarettes - she's a passionate smoker. In 2015 she represented Britain at the Venice Biennale, and the centrepiece with a massive yellow sculpture named after the footballer Maradona - part man, part maypole, with dangling breasts and a nine-foot phallus. In Private Passions, Sarah Lucas looks back on the wild days of the 90s, and her upbringing in North London "a childhood completely without ambition". She talks about leaving school at 16, becoming pregnant, but then deciding not to keep the baby; and how that decision enabled her to know clearly what she wanted to do with her life. She reflects on how the central relationships in her life lead to artistic collaboration - with her partner, the composer Julian Simmons, and with her girlfriends, whose lower bodies she cast in plaster. And Sarah Lucas reveals that the wild London party girl is now happiest in Suffolk, living at the end of a country lane, and listening to Benjamin Britten. How seriously are we supposed to take her work? "Just because you're funny doesn't mean you can't be serious too." Sarah Lucas's music choices include Purcell's King Arthur; songs by Benjamin Britten and Ivor Gurney; and music by her partner Julian Simmons. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

This week I'm joined by Sarah Lucas, CEO and co-founder of Beyond Type 1. We discuss Sarah's extensive philanthropic background, her motivation for creating a new platform for the diabetes community to share their experiences, effectively engaging the diabetes community on Instagram, and how to eloquently drop names like Nick Jonas and Sam Talbot in a conversation. For more information about Beyond Type 1, visit beyondtype1.org. Run Time - 37:03 Send your feedback to feedback@justtalkingpodcast.com.

Beyond Type 1 got quite a buzz when they launched earlier this year with their "Living Beyond" Instagram campaign and "The Drop Spotted" on social media. Stacey talks with CEO Sarah Lucas about the ideas behind Beyond Type 1, and finds out how celebrities with diabetes like Sam Talbot and Nick Jonas became co-founders. Sarah's daughter, Mary is the community manager of Beyond Type 1. She shares her story and talks about what the community means to her. 

The CEO of Australia for Dolphins, Sarah Lucas, joins us to talk about a landmark decision by Japan's peak zoo association to stop members purchasing dolphins captured in Taiji. Preliminary results are in from the global voyage of the Tara: at least 100,000 new plankton species, and much more... Dr Beach will discuss Plus more from the latest marine science, and news including a cool national citizen science project about king tides.

With Rana Mitter. Bestselling author of Wild Swans, Jung Chang discusses her new biography of the most important woman in Chinese history; Empress Dowager Cixi. Alastair Sooke survey's a new show by The critics' favourite Young British artist, Sarah Lucas. US historian Tim Stanley joins Rana to discuss former Chilean President Salvador Allende along with the author of a new book on the subject, Oscar Guardiola-Rivera. And our latest contribution to the Sound of Cinema season: Simon Fisher Turner discusses his new soundtrack to The Epic of Everest.

Sarah Lucas '92, Senior Policy Advisor, Department of Policy and Evaluation, Millennium Challenge Corporation, explains how impact evaluations are used to make policy decisions about international humanitarian aid.

Panelists Cathryn Cluver, Executive Director, The Future of Diplomacy Project, The Belfer Center of Science and International Affairs, Harvard Kennedy School; Sarah Kolloch, Senior Advisor, Oxfam America; Catherine Wiesner, Deputy Assistant Secretary, Bureau of Population, Refugees and Migration, U.S. Department of State talk about their lives and careers. Hosted by Sarah Lucas '92, Senior Policy Advisor, Department of Policy and Evaluation, Millennium Challenge Corporation.

As part of the YBA generation, Tracey Emin and Sarah Lucas opened the 'The Shop' in 1993, a project created for marketing their work. For six months they rented a space where they made and sold solo and collaborative work.