Podcasts about crazy rhythm

Billy Mills opens with, Crazy Rhythm. Working on his play of mediaeval times, Fibber the brave prepares to fight for the fair damsel Molly's hand. In Shakespearean style, the jokes…

The opinion crafters are back and they're ready to tell you all about their time playing co-op through Super Crazy Rhythm Castle. Was it super? Was it crazy? Was it super crazy? Tune in to episode 101 of Saves Together to find out! Other topics include: Final Fantasy VII Rebirth, Tiny Rogues, Persona 3 Reload, Like a Dragon: Infinite Wealth, Mahjong Soul and more

CityBillyHowl'sCrazy RhythmFeaturing thrills and chills by :1.) Rich Kids - The Fancy Dolls [Behind Broken Windows]2.) Spiders In My Bed - The Rusty Robots [R2-D2]3.) Moriarty Woogie - Messer Chups [Heretic Channel]4.) Depression - Mosquito [Wants Your Blood]5.) The Love I Never Had - The Monsters [I See Dead People]6.) Set this Lone Wolf Free - The Farrell Bros. [Rumble @ The Opry]7.) 1000 Demons - Uptown Psychos [B Side Recordings]8.) Dorian Gray - Uptown Psychos [B Side Recordings]9.) Mystery Love - The Magnetix [With Their Amazing First Album]10.) Human Jungle - Messer Chups [Church Of Reverb]11.) Zombie Stomp - The Silent Majority [Silent But Deadly]12.) Voodoo Heartbeat - Tédio Boys [Porkabilly Psychosis]13.) Lucy - Los Difuntos [Born And Raised In East L.A.]14.) Big Prison - Villainz [Witch Craft]15.) Succubus - Villainz [Witch Craft]16.) People Suck - The Quakes [Quiff Rock]17.) Beer And Cigarettes - The Quakes [Psyops]18.) Don't Be Worried - The Scamps [Don't Be Worried/Live Fast Die Young]19.) Mine Field - Nine Lives [Roundabout]20.) Apache Man - The Rusty Robots [We Are The Rusty Robots]21.) Bedrock - Frantic Flinstones [The Raucous Recordings]22.) Westerland - Frantic Flintstones [20th Anniversary Album]23.) Big Sandy - The Meteors [Demonopoly]24.) Kicked Down Low - Torment [Round The World]25.) The Kid From Mars - The Gazmen [Rigormortis Rock]26.) Black Stilletos - Gamblers Mark [Dirty Needles]27.) This Is Not A Laugh Song - The Retarded Rats [Lost In Space & Lost In Time]28.) Luni Bin - Gorilla [Genetic Joke]29.) Animals - The Quakes [Quiff Rock]30.) Die In This Town - The Quakes [Quiff Rock]31.) Mama Don't Allow - Nekromantix [Curse Of The Coffin]32.) Lily Curd - Batmobile [Brace for Impact]33.) Heartache Night - Badluck Bandits [Crime Stories from Highland Park]34.) Shadows - Beat Devils [Another Dream]35.) Spellbound - Spellbound [Mystical Madness]100 % Psychobilly Keep A' Howlin'

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

Sintonía: "Crazy Rhythm" - Hank Penny "Kiss Me Honey (But Take Your Time)" - "Wang Wang Blues" - "Rabbits Don´t Ever Get Married" - "The Penny Opus No. 1" - "Hold The Phone" - "No Fuss, No Muss, No Bother", "Won´t You Ride In My Little Red Wagon" - "Progressive Country Music For A Hollywood Flapper" - "Don´t Start Breathing Down My Neck" - "I´m Waiting Just For You" - "Flamin´ Mamie" - "Cross Your Heart" - "Taxes, Taxes" - "Ship Of Broken Dreams" - "Things Are Gettin´ Rough All Over" - "Big-Footed Sam" - "That Mink On Her Back" - "Catch ´Em Young, Treat ´Em Rough, And Tell ´Em Nothin´ " - "White Shotguns" - "September Song" Todas las músicas interpretadas a la guitarra y cantadas por Hank Penny. Escuchar audio

Hey you! We think you were meant to tune into WPMT and we've got an all new premiere for you right NOW! “You Were Meant for Me” starring (from the 1948 film) Dan Daily with Betty Lynn featuring hit songs “Crazy Rhythm," “You Were Meant for Me,” and more is now available on our Apple Facebook, YouTube, Spotify and any major podcast platform!

"Basin Street Blues", "Born To Sing The Blues", "There´s Never Been a Night", "The Gipsy in My Soul", "Blues In The Night", "The Wayward Wind" y "Puh-Leeze Mister Brown", extraídas del álbum "Born To Sing The Blues" ´S Wonderful" y "They Can´t Take That Away From Me", extraídas del álbum "The Fabulous Shirley Bassey "Burn My Candle", "Night and Day", "Crazy Rhythm", "The Wall", "The Banana Boat Song", "The Gypsy In My Soul", "From This Moment On", "Kiss Me, Honey Honey, Kiss Me" y "How About You?", extraídas del álbum "The Bewitching Miss Bassey" Escuchar audio

On this week’s show Damon Cox has sounds from CD’s and Cassette tapes from six of our international favourites!

Lost to time is the reason why Bob's show went on hiatus for a month, and why it had been cut down to ten minutes instead of fifteen. But here for all time is yet one more example of young Bob and his quartet making great music, live, for broadcast. Despite the vagaries of the industry, Bob, Ray Sherman (piano), Jud De Naut (bass) and Ralph Collier (drums and percussion) held the bar high yet again in March of '49. After our "Sweet Georgia Brown" standard intro (with Bob's witty recovery at the end), the guys give a energetic rendition of "Crazy Rhythm", a tune that remained in Bob's repertoire for fifty years (we last heard it in Season 2 Episode 9). Dependable song star Margo Powers follows that with her mellow version of "Who Wouldn't Love You". The quartet debuts a Bob Bain original: "The Gal In Malibu" (we're just one Johnny Mercer lyric away from a classic). Margo returns for a confederate anthem "Dear Old Southland" (also heard in Season 2 Episode 9), before we wrap things up short and sweet with "Lady Be Good".

Valentine's Day of 1949 brings us yet another confection, as Bob, Ray Sherman (piano), Jud De Naut (bass), and Ralph Collier (drums) perform both old standards and contemporary hits. After the "Sweet Georgia Brown" intro (and a Frank Barton lecture), the quartet launches into a song Tex Beneke would have success with, "Look Up". Then, song star Margo Powers steps to the mic for her rendition of "Far Away Places", a popular tune that in 1949 would have no less than four different performances on the air: Bing Crosby, Dinah Shore, Margaret Whiting, and Perry Como all hit the charts with it. The quartet then smolders once again for "Misirlou" (they'd done it back in January on Episode 4). Margo returns for a tune from the '20's, "Dear Old Southland" before Bob and the guys close out with "Crazy Rhythm". This particular transcription has a little more fuzz, but listen past that and enjoy this Valentine's treat!

Happy New Year! Truman hasn't even been inaugurated for his full term yet, but here to make the new year a success are Bob, Ralph Collier, Ray Sherman, and Jud De Naut. After our traditional "Sweet Georgia Brown" intro, the guys ring in the new with a very tight version of "Jack Jack Jack". We get to hear young Bob banter back and forth with announcer Eddie to introduce Margo Powers, who torches up "Happiness Is A Thing Called Joe". In Season 1 Episode 3, way back in 1948, we heard the quartet play "Dancing In The Dark/Small Hotel" but this time Bob switches it around, so we have "Small Hotel/Dancing In The Dark". From S1 E18, we hear "The Money Song" and Margo sounds more confident this time around. Just before Christmas (S1 E22) we first heard "Crazy Rhythm" and here Bob and the guys revisit it to great effect. Stick around, it's gonna be a great year!

The final broadcast for 1948, just a few days before Christmas, brings the quartet back in top form. Bob, Jud De Naut, Ralph Collier, and Ray Sherman breeze through the Sweet Georgia Brown intro, and then play one of Bob's favorites, "Crazy Rhythm". Song star Margo Powers comes in to schmooze with announcer Eddie King before crooning "My Darling, My Darling". This is yet another instance of Bob seizing on a recent popular tune (Frank Loesser wrote it that year and it was in the charts for both Jo Stafford and Doris Day by the date of the broadcast). The quartet comes back for the instrumental "Bojangles" (they did this back in October, in our Episode 14) before Margo proudly introduces the debut of a new Christmas tune written by Bob: "I Want You For Christmas". Merry Christmas indeed! The quartet wraps the year and puts a bow on it with another of Bob's originals, "Hop The Ditty", before sauntering out of 1948 with "Lady Be Good".  See you in the new year, stay tuned! We have a lot of great music ahead!

HDO 301 continúa centrado en la música de Anthony Braxton, y en concreto en su aproximación a los standards que aparecía en los tres CD cuádruples publicados por Leo Records y titulados 23 Standards Quartet 2003 (2004), 20 Standards Quartet 2000 (2005), y 19 Standards Quartet 2003. En ellos Braxton junto a Kevin O’Neil, Kevin Norton y Andy Eulau recreaban standards como “April In Paris”, “Crazy Rhythm” o “After You’ve Gone”, que suenan en la entrega 301 de HDO. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

Under the thumb of a tyrannical director, a World War One veteran is asked to create movie magic. What he creates borders on the impossible. Places please for Crazy Rhythm by Carrie Vaughn.

This episode is the third of three episodes featuring music from the Big Band era. These songs were recorded from 1940 to 1946. The songs are "Jump Joe" by Larry Clinton and his Orchestra, "Good Queen Bess" by the Johnny Hodges Orchestra, "I Dreamt I Dwelt In Harlem" by Erskine Butterfield and his Blue Boys, "I'm in the Mood for Love" by Coleman Hawkins and his Quintet, and "Crazy Rhythm" by Bert Niosi and his Sextet.

George was about to declare his undying love for Annabell when the front of the train station fell over. Ross, the actor playing George, yelped and dashed away, his army cap flying off. Arlene — Annabell — merely put her hands on her hips and glared at the offending backdrop, a piece of dressed-up plywood that looked very much like the front of a train station, until it collapsed and revealed the braces behind it. | Copyright 2015 by Carrie Vaughn, LLC. Narrated by Gabrielle de Cuir.

Joy is missing Keynotes: Crazy Rhythm RecruitingJoy and Keynotes: Sunflower Desert Island Risks or The Navy Blue Lagoon

Big Band Serenade presents Music by Gene Krupa (1935-1950) and Harry James (1955-1958). This is Part 2 of a multipart series of these two greats.  The music in this program is listed in order of play;1. Walkin' Home , Harry James and His Orchestra2. After Looking At You,1938  Gene Krupa and His Orchestra w/Caroline Grey vocal3.Blue Again, Harry James and His Orchestra4. Blues My Naughty Sweeti Game To Me,1950 Gene Krupa and His Orchestra 5. Crazy Rhythm,Harry James and His Orchestra6. Violets For Your Furs,1941 Gene Krupa and His Orchestra w/Buddy Stewart vocal7.Ring For Porter, Harry James and His Orchestra8. You Taught Me To Love Again, 1939 Gene Krupa and His Orchestra w/Caroline Grey vocal9.Do You Know What It Means To Miss New Orleans, Harry James and His Orchestra10.It's A Good Day, 1946 Gene Krupa and His Orchestra w/Caroline Grey vocal11Vuelva, Harry James and His Orchestra12.Six Lessons From madame La Zonga, Gene Krupa and His Orchestra13. An Old Curiosity Shop, 1938 Gene Krupa and His Orchestra w/Caroline Grey vocal