Podcasts about fender rhodes

This performance used with permission from Theron Brown. If you're a frequent lister to this program we mention often that Theron Brown is the hardest working performer in show business. From his work as Artistic Director with the I Promise School to his role overseeing the annual Rubber City Jazz and Blues Festival, Theron is intimately involved with making Northeast Ohio a magnet for musical talent. For this performance, Theron brings the Fender Rhodes Mk II to life with his trio. While the Hammond B3 gets the accolades for being the center of Soul Jazz, The Fender Rhodes might not get the credit it deserves for the warmth, authenticity and versatility it delivered to audiences. At least, the ones built before 1983.  If you like what you hear today and are looking for more jazz records focused around the Fender Rhodes, All About Jazz has an excellent article on this topic, written by Chris May. For now, though, featuring Zaire Darden on Drums, Jordan McBride on Bass and Theron Brown on Piano and Fender Rhodes and from a sold out April 26th, 2024 performance, it's the Theron Brown Trio – Live at the Bop Stop. There is No Greater Love - Jones Who Shot John? - Wilson Feel Like Making Love - McDaniels Swingin' at the Haven - Marsalis For more information on the program, click on the Live at the Bop Stop Radio Show link at thebopstop.org.

Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music.   Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2.     Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3.     Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4.     Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5.     Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6.     David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7.     Gary Wright, “Touch and Gone” (1977).  Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8.     Gary Numan, “Cars” (1979).  Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9.     The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10.   Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

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Surprise Chef来自墨尔本郊区Coburg，他们自称是“电影感灵魂乐（cinematic soul）”的信使——擅长用旋律和音色讲故事，而非歌词。听他们的音乐仿佛在听一部画面感十足的电影原声：充满氛围感的Fender Rhodes音色和温暖的analog质感，将你一下子拉回70年代的电影场景中。前奏响起，老式胶片电影的质感仿佛在眼前晃动——轻探的bass和重复的吉他riff制造出神秘而诱人的氛围，鼓点如脚步声紧凑而临近，复古的键盘音符像霓虹灯下的光晕一样徐徐展开。

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Mother Earth  Foi uma banda inglesa de acid jazz e Soul com sede emLondres. Os membros da banda eram Matt Deighton na guitarra e vocais, Bryn Barklam no órgão Hammond, Chris White na bateria e Neil Corcoran no baixo. Shauna Green foi a vocalista do primeiro álbum.  Antes de sua estréia ao vivo, tocaram ao lado da Jamiroquai, Começaram com um projeto de estúdio ("Almost Grown") com Paul Weller, James Taylor do James Taylor Quartet e Simon Bartholomew do Brand New Heavies.Lançaram três álbuns de estúdio e um álbum ao vivo. Se separaram em 1996. Atividades subsequentes:Deighton tocou guitarra para a banda de Paul Weller, e guitarra rítmica no Oasis Desde 1996, Matt Deighton lançou vários álbuns solo aclamados pela crítica.Bryn Barklam passou a gravar com The Chords e tocar órgão para os Buzzcocks, Participou do show de reunião dos Sex Pistols em Finsbury Park. Sua banda atual é um trio instrumental composto por órgão, bateria e guitarra, chamado de Capitão Hammond. Os integrantes da banda Mother Earth no álbum The People Tree foram: Matt Deighton: Vocal, guitarra acústica e elétricaBryn Barklam: Órgão Hammond, Fender Rhodes e pianoNeil Corcoran: BaixoChris White: BateriaMeryl Kenton Forbes: VocalJames Taylor: Fender RhodesSimon Bartholomew: Guitarra, percussão, mandolin e MoogChris Lawrence: Lap steel guitarGerard Presencer: TrompeteDennis Rollins: TromboneMichael Smith: SaxofonePablo, Snowboy: Percussão Discografia: Stoned Woman (1992) The People Tree (1993) You Have Been Watching (1995) The Desired Effect (live, 1995)Time of the Future (2001)The Further Adventures of Mother Earth (2004)  Matt Deighton Para os garimpeiros que buscam um British Sugar Man, a discografia solo de Matt brilha como um diamante no meio do lodo. Você pode reconhece-lo à frente de seu tempo no Mother Earth; Pode se lembrar dele como guitarrista de Paul Weller no final dos anos 90, Na recomendação de Noel Gallagher sobre quem deveria substituí-lo no Oasis quando ele saiu da turnêeuropeia em 2000. Por quase duas décadas, o homem que eles continuam chamando de sucessor natural de Nick Drake, DaveyGraham e John Martyn tem sido mais um boato – um murmúrio entre músicos, compositores e amantes da música obstinados que exibem orgulhosamente seus raros lançamentos solo em vinil como troféus. Pela primeira vez, seu catálogo foi remasterizado e está se tornando digital.Ajudou a encorajar Bill Fay a sair da aposentadoria reapareceu tendo tocado nos discos de Bill desde 2011. Tom Cox, que revisou Wake Up The Moths para o Observer Music Monthly, comentou recentemente nas notas dacapa da reedição em vinil que seu único arrependimento ao revisar o álbum foi que ele sentiu que sua "mísera classificação de quatro em cinco estrelas lhe prestou um desserviço" "... é impossível imaginar fãs de Nick Drake ou John Martyn não se apaixonando por ele..." Discografia: Doubtless Dauntless (2018)You Are The Healer (2020) remThe Common Good (2020) remVillager(2021) remWake Up The Moths (2021) remKids Steal Feelings (2021)Today Become Forever (2023) 

Kicking things off with a first spin of the latest single from Half Hexagon, slections From The Crate by Cam from Southbound Records. This week's picks were extraaa smashing . . . with Cam sharing exclusive Valentine's themed records. How bosom! . . . (in the adjective way, not the women's breasts way). Litia gave us the scoop on what to watch on the box on Viewmaster and Kirsten chats Fender Rhodes on Travelling Tunes. 

Kirsten phones in to talk to Jonny about the history of the Rhodes piano (a.k.a. The Fender Rhodes) and their prominence through the seventies and beyond. Whakarongo mai nei!

Kirsten phones in to talk to Jonny about the history of the Rhodes piano (a.k.a. The Fender Rhodes) and their prominence through the seventies and beyond. Whakarongo mai nei!

Kicking things off with a first spin of the latest single from Half Hexagon, slections From The Crate by Cam from Southbound Records. This week's picks were extraaa smashing . . . with Cam sharing exclusive Valentine's themed records. How bosom! . . . (in the adjective way, not the women's breasts way). Litia gave us the scoop on what to watch on the box on Viewmaster and Kirsten chats Fender Rhodes on Travelling Tunes. 

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"The Last Will and Testament", o mais recente e aclamado álbum do Opeth, chamou muito a atenção do público e mídia especializada, sendo considerado um dos melhores lançamentos do ano de 2024. Neste episódio, vamos analisar todas as faixas, conceito e curiosidades sobre o disco. Faixas: 1. "§1" 2. "§2" 3. "§3" 4. "§4" 5. "§5" 6. "§6" 7. "§7" 8. "A Story Never Told" Formação: Mikael Åkerfeldt – guitars, lead and backing vocals, cittra, Mellotrons, percussion & FX Fredrik Åkesson – guitars, backing vocals Joakim Svalberg – acoustic piano, Hammond organ, Mellotrons, Fender Rhodes & Moog, backing vocals and FX Martín Méndez – bass, backing vocals Waltteri Väyrynen – drums, percussion, backing vocals ******************************************** Contato, sugestões e parcerias: canaltupfs@gmail.com Instagram: https://www.instagram.com/canal_tomaruma/ SEJA MEMBRO DO CLUBE TUPFS E TENHA ACESSO A UMA SÉRIE DE VANTAGENS! Você pode escolher um dos planos abaixo: HEADBANGER (R$ 1,99 por mês) Seu nome divulgado durante os vídeos, selo de fidelidade ao lado do seu nome sempre que deixar um comentário e emojis exclusivos! ROCKSTAR (R$ 7,99 por mês) Além dos benefícios anteriores, você terá acesso ao nosso ao grupo exclusivo no WhatsApp, pode dar nota nas resenhas e participar das listening parties, que viram podcast! METAL GOD (R$ 24,99 por mês) Além de todos os benefícios anteriores e dar uma grande ajuda financeira para a nossa criação de conteúdo, você terá acesso antecipado aos vídeos do canal, vídeos exclusivos, vai poder escolher tema de episódio, deixar perguntas para as entrevistas e participar de vídeos e lives. Também terá prioridade em brindes e descontos no merchandising do canal, quando disponíveis! SEJA MEMBRO: https://www.youtube.com/channel/UCo1lgalkCBW9Uv3GyrzhhkA/join ******************************************** "TOMAR UMA..." VERSÃO PODCAST! Agora o nosso conteúdo está disponível no formato áudio também, ideal pra quem gosta de curtir as resenhas ou as entrevistas no ônibus, no metrô, fazendo exercício, lavando os pratos, etc. Você pode nos ouvir no Spotify ou no seu agregador de podcasts favorito: Spotify: https://open.spotify.com/show/682A8TBDPOiOfYTmtzzpRC Deezer: https://www.deezer.com/br/show/2696932 Apple Podcasts: https://podcasts.apple.com/us/podcast/tomar-uma-para-falar-sobre/id1519779439?uo=4 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8yN2I4ZjcxNC9wb2RjYXN0L3Jzcw== Anchor: https://anchor.fm/tomaruma Overcast: https://overcast.fm/itunes1519779439/tomar-uma-para-falar-sobre Pocket Casts: https://pca.st/59krpbf8 Breaker: https://www.breaker.audio/tomar-uma-para-falar-sobre-dot-dot-dot RadioPublic: https://radiopublic.com/tomar-uma-para-falar-sobre-6vwkQw RSS feed (para colar no seu agregador, caso não nos encontre): https://anchor.fm/s/27b8f714/podcast/rss ******************* --------------------------------------------------------------------------------------------------------------------------- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. --------------------------------------------------------------------------------------------------------------------------- Nos siga nas redes sociais: Twitter: @iurimoreira / @rafael2099 Instagram: @iurimoreira / rafaelaraujo2099

Salve! This is a bonus episode for Brazuca Sounds paid subscribers! Every episode is a different song. This is the song today: "Mentira" by Marcos Valle (M. Valle / Paulo Sergio Valle) Influenced by Stevie Wonder, and blending Brazilian popular music and American black music, Valle released "Mentira" in his groundbreaking 1973 album "Previsão do Tempo".  It is a song with many grooves, Fender Rhodes, wah wah guitars, hypnotic drums, and bass leading the way, and it is also considered one of the first to feature a beatbox in Brazil. Not a big commercial hit in the 1970s, "Mentira" got a new life rediscovered by DJs and prominently sampled in Planet Hemp's "Contexto".

This is the WORLD PREMIERE of “THE RICH ONES ALL STARS”, the new extended version of my recent single, “The Rich Ones”. The new version features me and my band, Project Grand Slam, along with 8 World Class musicians who previously have been guests on this podcast. Here's the back story.A few months ago I released a single, “The Rich Ones”, featuring Randy Brecker of Blood Sweat & Tears fame on flugelhorn. The single was very popular, and I decided to do something a bit daring and different. I've had many World Class musicians as guests on the podcast. So I asked several of them if they would record a new solo for the track and I would release a new, extended version of the tune. I'm pleased to say that everyone who I asked agreed.The new version, “The Rich Ones All Stars”, features the following musicians in this order.BILLY COBHAM of Mahavishnu Orchestra fame, recorded a new drum track for the tune. Billy is one of the most revered drummers of all time.I kept RANDY BRECKER'S flugelhorn solo from the original version of the tune because it's just so darn good.JOHN HELLIWELL was the saxophonist in Supertramp, one of the greatest bands of the rock era. John contributed a fantastic sax solo to the piece.PAT COIL is an acclaimed jazz pianist who has performed with Michael McDonald, Carmen McRae and many others. He added a sublime piano solo.PETER TIEHUIS is the heralded Dutch guitarist who performs with the Metropole Orkest. He contributed a wonderful guitar solo.ANTONIO FARAO is the extraordinary Italian jazz keyboard player who has performed with Joe Lovano and Jack DeJohnette among others. Antonio contributed a smokin' Fender Rhodes keyboard solo.ELLIOTT RANDALL is the incredible guitarist who gave the world the unforgettable solo on Steely Dan's “Reelin' In The Years”. Elliott gave me a classic guitar solo for the new track.And last, but certainly not least, is DAVID AMRAM, who is, simply put, a National Treasure at 96 years young. He was Leonard Bernstein's first composer in residence for the New York Philharmonic and also the composer for Shakespeare In The Park among many other accomplishments. David contributed a stunning Pennywhistle solo for the track.So there it is. 8 World Class musicians who have contributed their talent to this project.TO WATCH THE OFFICIAL VIDEO CLICK HERETO LISTEN AND STREAM THE TRACK AND FOR ALL LINKS CLICK HERE---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Join @thebuzzknight for this episode with Robert Walter, founding member of the Greyboy Allstars. He is a prolific keyboardist known for his mastery of the Hammond B3 organ and Fender Rhodes. Walter's career spans three decades and has helped shape the sound of West Coast boogaloo. If you have comments or suggestions, write buzz@buzzknightmedia.com Like this show, share with your friends and leave a review here. Review Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Claudio Filippini Trio - Breathing In Unison Cam Jazz | Abril 8, 2014 1 Modern Times #evolutions 1:49 2 As Time Goes By 5:20 3 Poses 4:57 4 The Sleepwalker 5:22 5 Breathing In Unison 5:15 6 Night Flower 5:59 7 South Michigan Avenue 6:50 8 A Time For Love 3:34 9 Secret Love 5:20 10 At The Dark End Of The Street 4:19 Claudio Filippini - Piano, Fender Rhodes, Keyboards Olavi Louhivuori - Drums Palle Danielsson - Double Bass //////////////////////////////////////////////// CORTINA FINAL Goa Before The Wind Claudio Filippini Trio CamJazz | Oct 19, 2018 ////////////////////////////////////////////////

El universo musical de Bill Evans, su pianística de extraordinario y profundo lirismo, ha sido un tema recurrente en Radio Jazznoend al que nos hemos aproximado, a través de los años, desde muy diversas perspectivas. En nuestro nuevo programa os proponemos un recorrido a través de aquellos registros en los que el pianista introdujo en su música el sonido del piano eléctrico Fender Rhodes. El invento de Harold Rhodes estaba destinado a marcar el sonido de una era y Evans, más allá de su imagen de pianista académico, efectuó durante la década de los 70 del pasado siglo, una excitante inmersión en el sonido innovador y sofisticado de este legendario instrumento. Mucho más que una anécdota o un mero experimento, Evans supo hermanar en su música los sonidos acústicos, con los del piano eléctrico sin desvirtuar la esencia de su música, dotando a sus interpretaciones de colores y texturas que hoy forman parte inseparable de su inmenso legado musical.

Chris and Jim review the new Dwight Yoakam Album, Brighter Days, released November 15, 2024. Dwight Yoakam' s New Album, Brighter Days is on Via Records/Thirty Tigers.Brighter Days producer, Dwight Yoakam, mixed by Chris Lord-Alge and Marc DeSisto, engineered by Desisto and mastered by Stephen Marcussen. Musicians on the album include Yoakam (lead and harmony vocals, electric guitar, acoustic guitar), Mitch Marine (drums), Jonathan Clark (bass guitar, upright bass, background vocals, Eugene Edwards (electric guitar, baritone guitar), Brian Whelan (electric guitar, acoustic piano, Hammond organ, Fender Rhodes electric piano, acoustic piano, beat box guitar, keyboard motifs, acoustic guitar, baritone guitar, background vocals), Drew Taubenfeld (pedal steel guitar, Hammon organ, mandolin), Eric Baines (bass guitar), Dalton Yoakam (additional vocals), Post Malone (lead vocals), Jamison Hollister (pedal steel guitar, fiddle), Skip Edwards (acoustic piano, Hammond organ) and Ken Stacey (background vocals).

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Salve! This is a bonus episode for Brazuca Sounds paid subscribers!Every episode is a different song.This is the song today:"A Rã" by Gal Costa (written by João Donato/Caetano Veloso)João Donato composed this music as "The Frog", which was recorded by his friend João Gilberto as "O Sapo" and finally has its definitive title after Caetano Veloso wrote the lyrics. Gal Costa recorded for her Caetano's produced album "Cantar", from 1974, featuring Donato on the Fender Rhodes, what we consider the ultimate version of "A Rã". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Episode 135 An Electronic Music Mixed-Bag Playlist Time Track Time Start Introduction –Thom Holmes 06:28 00:00 John Bischoff, “The League Of Automatic Music Composers: Recording, December 17, 1978” from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Computer, David Behrman, Jim Horton, John Bischoff, Rich Gold; Mixing, "Blue" Gene Tyranny. “The League Of Automatic Music Composers makes music collaboratively by forming microcomputer networks. … For this performance, “each composer independently created a music program for his own microcomputer; we then mutually designed ways to internconnect our computers, and modified our programs to enable them to send data back and forth.” 08:40 06:58 Frankie Mann, “I Was a Hero” from “The Mayan Debutante Revue” (1979) from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Organ, bass guitar, voice, composed by Frankie Mann. “The Mayan Debutante Revue” is a reinterpretation of religious history. The work is a performance piece  involving tape, slides, and one female performer.” 09:22 15:38 Frankie Mann, “How to be Very Very Popular” (1978) (excerpt) from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Tape editing, organ, synthesizer, voice, composed by Frankie Mann; voices, Julie Lifton, Ellen Welser, and unknown others. “How to be Very Very Popular” began as a letter-tape to my best friend. … Later I began composing electronic music, initially using homemade circuits and later using expensive synthesizers in college electronic music studios. My friend and I continued to send each other letters cross-country in tape form.” 08:49 24:58 Maggi Payne, “Lunar Dusk” from Lovely Little Records (1980 Lovely Music Ltd.). Recorded at the Center for Contemporary Music, Mills College, February 4, 1979. Composed, electronic music by Maggi Payne. This piece was “composed using the Moog and Aries synthesizers and the twelve-track recording studio at” Mills College. “Major concerns … are spatial location of sounds and complex timbral changes.” 07:59 33:46 The Commodores, “Machine Gun” from Machine Gun/There's a Song in My Heart (1974 Motown). Single release featuring the early Commodores on this instrumental with Lionel Richie wailing along on the ARP Odyssey. 02:42 41:42 Billy Preston, “Space Race” from Space Race/We're Gonna Make It (1973 A&M). Single release. Preston was best known for his piano, Hammond, and Fender Rhodes work on Beatles' records and his early solo work. By this time, he had picked-up on the unique sounds that synthesizers could conjure. He was inspired to create this song while experimenting with the ARP Pro-Soloist synthesizer. 03:26 44:24 George Duke, “Part 1 - The Alien Challenges The Stick / Part 2 - The Alien Succumbs To The Macho Intergalactic Funkativity Of The Funkblasters” from Master Of The Game (1979 Epic). Written by Byron Miller, David Myles, Ricky Lawson; Producer, Acoustic Guitar, Arranged By, Bells, Clavinet, Composed By, Fender Rhodes, Keyboards, Organ, ARP Odyssey, ARP String Ensemble, Minimoog, Oberheim, Prophet-5 and Crumar synthesizers, written by and vocals, George Duke; Bass, Byron Miller; Drums, Ricky Lawson; Guitar, David Myles. 09:21 47:46 Steve Roach, Side 2, “T.B.C.” (5:06); Canyon Sound (2:58); Time For Time (3:33); Reflector (6:50) from Traveler (1983 Domino). All music composed and performed on synthesizers by Steve Roach. American Roach has such a great legacy of electronic music that is clearly distinguishable from the German wave of the 1970s. This is from his first, official album released in 1983. 17:56 57:02 Reynold Weidenaar, “Twilight Flight” (6:56) (1977), “Close Harmony” (4:44) (1977), and “Imprint: Footfalls to Return” (5:04) (1981) from Reynold Weidenaar / Richard Brooks Music Visions (1986 Capstone Records). Weidenaar was formerly the editor of Bob Moog's Electronic Music Review journal (1968-70) and an early user of the Moog Modular synthesizer. He was director of the electronic music studio at the Cleveland Institute of Music and at the time of this recording was on the faculty of the NYU films and television department. Twilight Flight” for electronic sounds was composed in 1977. “Close Harmony” for electronic sounds was composed in 1977. “Imprint: Footfalls to Return” for soprano voice and electronically modified sounds of the bare feet of Bharata-natyam Indian dancer was composed in 1981. 16:50 01:14:58 Eric Siday, three short works, “Night Tide” (2:56), “Communications No. 2” (0:24); and “Threat Attack” (2:05) from Musique Electronique (1960 Impress). Hard to find original disc by Siday, before he ventured into commercial recording using the Moog Modular synthesizer. His intereste in electronic music was deep, and he was one of the first customers of Robert Moog when his synth became available. 05:28 01:31:58 Hans Wurman, “Etude In C Minor, Op. 10, No. 12” (1:54) and “Waltz In D-Flat OP, 64, No. 1 (1:24) from Hans Wurman – Etude In C Minor, Op. 10, No. 12 (1970 RCA). Arranged and performed on the Moog Modular synthesizer by Hans Wurman. Brilliant interpretations of two classical pieces. 03:22 01:37:14   Opening background music: Einstürzende Neubauten [ein-sturt-zen-deh noy-bau-ten], “Der Tod Ist Ein Dandy” from Halber Mensch (1985 Some Bizarre). Noise metal from this dependable source of industrial music. (06:39) Introduction to the podcast voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

WALTER SMITH, III “THREE OF US ARE FROM HOUSTON AND REUBEN IS NOT” New York, c. 2024seesaw, Misanthrope's Hymn (4), Point Of Many ReturnsWalter Smith III (st) Jason Moran (p, tcl [45]) Fender Rhodes (4); Reuben Rogers (b) Eric Harlan (dr) PETER BERNSTEIN “BETTER ANGELS” New York, April 1, 2024Perpetual pendulum, Ditty for Dewey, You go to my headPeter Bernstein (g) Brad Mehldau (p) Vicente Archer (b) Al Foster (dr) PATRICIA BRENNAN “BREAKING STRETCH” New York, September 16 & 17, 2023Breaking stretch, Blue coral dreams, States of changeAdam O'Farrill (tp,electronics-1) Jon Irabagon (as,sopranino-sax) Mark Shim (ts) Patricia Brennan (vib,mar,electronics) Kim Cass (b) Marcus Gilmore (d) Mauricio Herrera (perc) Continue reading Puro Jazz 09 de octubre, 2024 at PuroJazz.

Salve! This is a bonus episode for Brazuca Sounds paid subscribers!Every episode is a different song. This is the song today:"Bananeira " by Emílio Santiago (written by João Donato/Gilberto Gil)João Donato composed this music as "Villa Grazia" while touring in Italy supporting Joao Gilberto on piano. Like almost every instrumental song he wrote, the title names were changed upon having lyrics, written by Gilberto Gil. In 1975 Emílio Santiago gave an entirely new life to the song by recording it to his debut album (featuring Donato on the Fender Rhodes), becoming the ultimate version of "Bananeira" over time. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

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Episode 115. Join host Troy Saunders as he chats with writer, producer, multi instrumentalist, pianist, Jesse Thompson!Born and raised in Dayton, Ohio, known in music circles as the land of funk, Jesse Thompson couldn't help but be influenced by the city's great R&B pioneers – including Slave, Ohio Players, Lakeside and Zapp featuring Roger Troutman. For the past 20 years, the multi-talented composer, pianist and keyboardist manifested these inspirations – and helped bring the legacies of these legendary bands forward – as a former member of the popular and prolific, constantly gigging Columbus-based R&B/jazz ensemble NexLevel.Unlike many longtime band members and sidemen who work towards someday expressing themselves as solo artists, Thompson was content with his existing whirlwind of activity playing with others. But when the pandemic hit, he instinctively used his down time to, as he says, “sow a seed of happiness” to create “Weekend Groove” – an irrepressible Next-Gen disco vibin' house beat driven track featuring flutist Althea Rene and a horn section by Kelly O'Donohue that ultimately became the lead single to his uniquely titled debut album The Inauguration of Jtjazz (Jesse Thompson the Man Behind the Keys). Though its dance floor ready lead single “Weekend Groove” will immediately spark excitement and lift the spirits just as Jesse Thompson intended, there are a multitude of other pleasures to experience on The Inauguration of Jtjazz (Jesse Thompson the Man Behind the Keys) – an album which truly rolls like an autobiographical blend of his many influences, from those Dayton funk legends to George Duke, Herbie Hancock, Joe Sample and Brian Culbertson. The album's latest single “It Doesn't Matter” is a sensual, easy grooving romantic joint featuring Thompson interacting with #1 Billboard charting trumpeter Lin Rountree – who he connected with via mutual connections at the individual HBCU schools they attended. As a showcase for Thompson's great talents on Fender Rhodes (creating a moody effect and his sparkling acoustic piano, the song taps into Thompson's love of Joe Sample's vibe both with the Crusaders and as a solo artist. The elegant funk ballad “The Right One Baby” offers a similar seductive duality. Troy highlighted three song from this incredible project "Weekend Grove", Obsidian, and "It Doesn't Matter".Being the son of a father who was a professional jazz drummer and a mother who was a church organist/pianist, Jesse Thompson – aka “JTJazz” came by his musical gifts naturally and started playing the drums as his first instrument at the age of five. By the time JT was twelve years old, he played a total of thirteen instruments, the piano being one of them. In addition to his parents, he was influenced by his oldest brother Marvyn Wheatley, who recorded and played with Parliament and Slave. Thompson spent time with his brothers in the studio hanging out with Slave, Roger Troutman & Zapp, Steve Arrington and othersThese experiences truly fueled his musical passions and ambitions. While he studied manufacturing engineering and IT at Central State University (in Wilberforce, OH), he played in the school's marching band and jazz ensemble and joined the national honorary band of the Kappa Kappa Psi fraternity. His other influences include Alex Bugnon, Jimmy Smith, Billy Preston, Jeff Lorber, James Lloyd and Bob James.Troy and Jesse discusses Jesse's musical bucket list, future endeavors giving back and more.‍Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

First Word Records is proud to bring you ‘The Making of Silk', the brand new album from Allysha Joy. Allysha Joy is a deeply-expressive singer, songwriter, producer & keys player hailing from Naarm (Melbourne), known for both her solo work and as front woman for 30/70. A uniquely-talented artist, her husky soulful voice, formidable Fender Rhodes prowess and raw poeticism has garnered legions of attentive fans the world over. As an integral performer in the modern day jazz-soul scene, previous support has included selectors Gilles Peterson & Jamz Supernova (BBC 6 Music), Jamie Cullum (BBC Radio 2), China Moses (Jazz FM) & Laurent Garnier (PBB France), along with stations such as NTS, Lot Radio, KEXP & KCRW, and publications including OkayPlayer, Dazed and The Vinyl Factory. See less  

Mike Dillon is a percussionist, vibraphonist, bandleader, singer-songwriter, and vocalist born in San Antonio Texas. He is a member of Critters Buggins, Les Claypool's Fancy Band, and Garage A Trois. He has performed with many musicians including Ani DiFranco, Galactic, Brave Combo, Karl Denson's Tiny Universe, Marco Benevento, Clutch, Claude Coleman Jr., and New Orleans musicians Kevin O'Day, Johnny Vidacovich, James  Singleton, and Ricky Lee Jones. Mike Dillon & Punkadelick makes its recorded debut with Inflorescence, an album of heady, instrumental rock highlighting a band deep in the throes of creative freedom, road tested and wild. Consisting of 10 tracks in 42-minutes, it's an expansive, focused and fearless collection, representing a world where Duke Ellington and Augustus Pablo rub shoulders with crate-digger exotica, the freak-funk of Parliament and the ‘anything fits' outsider ethos of acid-fried punks like The Meat Puppets. A trio featuring Mike Dillon (Ricki Lee Jones, Ani DiFranco, Les Claypool) on vibraphone, marimba, Prophet 6, congas, and bongos, Brian Haas (Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog and melodica and Nikki Glaspie (Beyonce) on drums, cymbals and vocals, Punkadelick is the unified vision of six hands creating a world that often sounds like the work of an ensemble three times the size. During 2020 and 2021, while many music venues were still shuttered, the group began touring, sweating their way through cuts Dillon and Haas had composed during quarantine writing sessions. Locking in on stage, it quickly became clear the band was functioning at a level that made the hair on their arms stand at attention—even for three live music veterans accustomed to life on the road.   July 27th Mike and Punkadelick are playing the Grog shop in Cleveland OH tickets here! https://grogshop.gs/event-details/13536034/mike-dillon-punkadelic-hello-3d-c-level/   Mike's Info https://www.mikedillonvibes.com/  

Du Baiser Salé au lac Léman, en regardant le Brésil, l'Amérique du Sud ou le Cameroun, jazz à tous les étages ! Live ! (Rediffusion) Notre 1er invité est le groupe Mr Mâlâ qui présente son 1er album Mr Mâlâ.« My name is Monsieur MÂLÂ I'm not a human, I'm a machine. » Les paroles de Storyteller, qui introduisent le premier album de Monsieur MÂLÂ, font office de présentation : le quintet est une machine dont la conception serait empirique et la production organique, capable de nous raconter des histoires au moyen de musiques instrumentales. Ses rouages ont pour noms Nicholas Vella (piano, Fender Rhodes, claviers), Swaéli Mbappé (basse, guitares), Yoann Danier (batterie), Robin Antunes (violon, mandoline) et Balthazar Naturel (saxophone, cor anglais, clarinettes, flûtes). Ces fortes personnalités, dont les complicités sont anciennes, sont tous des leaders ou des sidemen reconnus dans la sphère du jazz et de ses satellites. Leurs bagages techniques, leurs influences cosmopolites et leurs âmes voyageuses touillent une décoction de funk et de rock, de musiques africaines et caribéennes, tout en ingérant les nouvelles tendances urbaines et électroniques. Ni fusion ni métissage : Monsieur MÂLÂ n'est que l'expression naturelle et assumée de cinq multi-instrumentistes composites. L'histoire s'est écrite entre deux pôles, l'académisme des formations en conservatoire et la liberté des jams en club. Nicholas Vella, Sicilien installé en France depuis une douzaine d'années, entré en 2012 au conservatoire à rayonnement régional de Paris, a accompagné Mayra Andrade, Paco Séry et Ibeyi. Mais sa première scène parisienne fut celle du Baiser Salé, rue des Lombards, déjà avec Swaéli Mbappé, un habitué des lieux puisqu'il y débuta à 15 ans. Enfant de la balle, passé par le saxophone et la batterie avant d'adopter l'instrument de son père, l'illustre bassiste Étienne Mbappé, Swaéli est devenu professionnel avec Blick Bassy avant d'accompagner Mamani Keita, Cheick Tidiane Seck et des artistes de variétés (Tal, Shy'm, Zaz).Titres interprétés au grand studio- Ai De Mim avec EU.CLIDES Live RFI- Al Fayhaa, extrait de l'album Mr Mâlâ- Fly Fly Live RFI.Line Up : Robin Antunes : violon, mandoline ; Balthazar Naturel : saxophone, cor anglais, clarinette, flûte ; Nicholas Vella : piano, Fender Rhodes, claviers ; Swaéli Mbappé : basse, guitare ; Yoann Danier : batterie et EU.CLIDES : chant sur Ai De Mim.Son : Mathias Taylor & Jérémy Besset.► Album Mr Mâlâ (Art District Music 2024)Chaîne Youtube. Puis nous recevons le guitariste suisse Louis Matute pour la sortie de son 4ème album Small Variations From The Previous Day.Euphorisante et douce-amère, la musique de Louis Matute ne ressemble qu'à lui. Partagé entre l'Europe qui l'a vu naître et l'Amérique latine qu'il a rêvé, cet enfant de la génération Z, trop entier pour la fiction du réel et trop sincère pour la fiction de soi, rouvre en grand les portes de son univers. Un son, un talent fou de raconteur, un folklore qui se dessine : dans ce superbe quatrième album, sa musique n'a jamais paru si proche et foisonnante. « Je n'ai jamais écrit de mélodie sans la chanter en même temps » confie-t-il. Teintées de pop et de saudade, celles-ci vous iront droit au cœur, laissant flotter dans l'air un brin de magie.Tourné vers le Brésil et l'Amérique Centrale, nourri de jazz et d'une pop élégante, Small Variations from the Previous Day est un disque-monde, animé par un « Large Ensemble » toujours plus étoffé, catalyseur d'émotions.Titres interprétés au grand studio- Narcissus Live RFI- Alma No Mar Feat Gabi Hartmann, extrait de l'album Small Variations From The Previous Day- 2000 Years Live RFI.Line Up : Léon Phal, saxophone ténor ;Zacharie Ksyk, trompette ; Andrew Audiger, piano, Rhodes ; Nathan Vandenbulcke, batterie ; Virgile Rosselet, contrebasse et Louis Matute, guitare électrique.Son : Mathias Taylor, Benoît Letirant & Réalisation : Donatien Cahu.► Album Small Variations From The Previous Day (Neuklang Big Wax Distribution 2024).

Du Baiser Salé au lac Léman, en regardant le Brésil, l'Amérique du Sud ou le Cameroun, jazz à tous les étages ! Live ! (Rediffusion) Notre 1er invité est le groupe Mr Mâlâ qui présente son 1er album Mr Mâlâ.« My name is Monsieur MÂLÂ I'm not a human, I'm a machine. » Les paroles de Storyteller, qui introduisent le premier album de Monsieur MÂLÂ, font office de présentation : le quintet est une machine dont la conception serait empirique et la production organique, capable de nous raconter des histoires au moyen de musiques instrumentales. Ses rouages ont pour noms Nicholas Vella (piano, Fender Rhodes, claviers), Swaéli Mbappé (basse, guitares), Yoann Danier (batterie), Robin Antunes (violon, mandoline) et Balthazar Naturel (saxophone, cor anglais, clarinettes, flûtes). Ces fortes personnalités, dont les complicités sont anciennes, sont tous des leaders ou des sidemen reconnus dans la sphère du jazz et de ses satellites. Leurs bagages techniques, leurs influences cosmopolites et leurs âmes voyageuses touillent une décoction de funk et de rock, de musiques africaines et caribéennes, tout en ingérant les nouvelles tendances urbaines et électroniques. Ni fusion ni métissage : Monsieur MÂLÂ n'est que l'expression naturelle et assumée de cinq multi-instrumentistes composites. L'histoire s'est écrite entre deux pôles, l'académisme des formations en conservatoire et la liberté des jams en club. Nicholas Vella, Sicilien installé en France depuis une douzaine d'années, entré en 2012 au conservatoire à rayonnement régional de Paris, a accompagné Mayra Andrade, Paco Séry et Ibeyi. Mais sa première scène parisienne fut celle du Baiser Salé, rue des Lombards, déjà avec Swaéli Mbappé, un habitué des lieux puisqu'il y débuta à 15 ans. Enfant de la balle, passé par le saxophone et la batterie avant d'adopter l'instrument de son père, l'illustre bassiste Étienne Mbappé, Swaéli est devenu professionnel avec Blick Bassy avant d'accompagner Mamani Keita, Cheick Tidiane Seck et des artistes de variétés (Tal, Shy'm, Zaz).Titres interprétés au grand studio- Ai De Mim avec EU.CLIDES Live RFI- Al Fayhaa, extrait de l'album Mr Mâlâ- Fly Fly Live RFI.Line Up : Robin Antunes : violon, mandoline ; Balthazar Naturel : saxophone, cor anglais, clarinette, flûte ; Nicholas Vella : piano, Fender Rhodes, claviers ; Swaéli Mbappé : basse, guitare ; Yoann Danier : batterie et EU.CLIDES : chant sur Ai De Mim.Son : Mathias Taylor & Jérémy Besset.► Album Mr Mâlâ (Art District Music 2024)Chaîne Youtube. Puis nous recevons le guitariste suisse Louis Matute pour la sortie de son 4ème album Small Variations From The Previous Day.Euphorisante et douce-amère, la musique de Louis Matute ne ressemble qu'à lui. Partagé entre l'Europe qui l'a vu naître et l'Amérique latine qu'il a rêvé, cet enfant de la génération Z, trop entier pour la fiction du réel et trop sincère pour la fiction de soi, rouvre en grand les portes de son univers. Un son, un talent fou de raconteur, un folklore qui se dessine : dans ce superbe quatrième album, sa musique n'a jamais paru si proche et foisonnante. « Je n'ai jamais écrit de mélodie sans la chanter en même temps » confie-t-il. Teintées de pop et de saudade, celles-ci vous iront droit au cœur, laissant flotter dans l'air un brin de magie.Tourné vers le Brésil et l'Amérique Centrale, nourri de jazz et d'une pop élégante, Small Variations from the Previous Day est un disque-monde, animé par un « Large Ensemble » toujours plus étoffé, catalyseur d'émotions.Titres interprétés au grand studio- Narcissus Live RFI- Alma No Mar Feat Gabi Hartmann, extrait de l'album Small Variations From The Previous Day- 2000 Years Live RFI.Line Up : Léon Phal, saxophone ténor ;Zacharie Ksyk, trompette ; Andrew Audiger, piano, Rhodes ; Nathan Vandenbulcke, batterie ; Virgile Rosselet, contrebasse et Louis Matute, guitare électrique.Son : Mathias Taylor, Benoît Letirant & Réalisation : Donatien Cahu.► Album Small Variations From The Previous Day (Neuklang Big Wax Distribution 2024).

Legendary pianist, composer, arranger, and contemporary jazz giant Bob James joins Milestones as we delve into his experimental CTI debut, One, for its 50th anniversary. A groundbreaking amalgamation of jazz, funk, classical and orchestral elements produced hits like “Night On Bald Mountain,” “Feel Like Making Love,” and the classic that would later shape hip hop –  but almost never happened – “Nautilus.” We discuss his beginnings, working with legends like Quincy Jones and Sarah Vaughan, the impact of Creed Taylor, and his pioneering use of the Fender Rhodes piano. James shares stories behind his famous tracks, his classic contribution to the TV show 'Taxi,' and his thoughts on the evolving nature of jazz. We also highlight his cross-genre collaborations and his influence in hip-hop through the extensive sampling of his music.

Herbie Hancock had hits, a solo career, and the best possible jazz pedigree as a sideman but he still wanted more. His evolution led to the formation of the HeadHunters band and a deeper connection to the funk genre. The boys talk about drummers who keep it interesting, bass players who miss the chance to play iconic bass lines, and cracking open the Fender Rhodes to make it better. Email us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/3XtR8RvOWAU1GOrDs4FDpP?si=81aaa46f0e484785Listen to Headhunters here:https://open.spotify.com/album/5fmIolILp5NAtNYiRPjhzA?si=GKX5T7FhTvynnKYhHcTC9gIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsSupport us on Patreon, now including our new show Song Battle!https://www.patreon.com/1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: Duran Duran - Rio

With music a proven border-crossing phenomenon, musicians are the world's ambassadors, setting the stage for sonic and social mutual respect, collaborations, and partnerships. One such story is that of the song "Way Maker" and the artist who created it, Nigerian vocalist and songwriter Sinach. The song, originally made popular in the United States by Leeland, has crisscrossed the globe repeatedly, becoming a Christian worship music standard for many cultures. Our guests discuss how a song reaches such ubiquity and what it takes to steward a song that loves to wander into hearts and voices anywhere and everywhere. The conversation (recorded at Nashville's Sound Emporium Studios) begins with a song by Nigerian musician King Sunny Ade, one of Charlie's West African musical influences. In turn, Sinach reveals some of her American music influences. Throughout the episode, Charlie weaves the story of border-crossing and neighbor-love as a way of being, revealing the musical and spiritual interplay between people, the places they call home, and Jesus—the Way Maker of the Christian faith. Integrity Music executives, Vice President Mark Nicholas and Director of A&R Gilbert Nanlohy figure in prominently, including a discussion of Gilbert's Indonesian musical heritage, and Mark's perspective on the community-partnership focus of Integrity Music's global mission. The episode wraps with Charlie checking off an item on his bucket list—sitting down to his Fender Rhodes electric piano for an impromptu jam on one of Sinach's new songs, "Victory Is My Name." Nashville meets Nigeria, indeed! In closing, a reminder that our show theme, "Sound of the Room," performed by Charlie and bassist John Patitucci, is now available in its full-length version, everywhere music is streamed. Here are two options for you: Apple+ Spotify. Presave Sinach's new music Follow Sinach on Instagram to learn more about her new music "Music and Meaning" is a production of Christianity Today Executive Produced by Erik Petrik and Matt Stevens Produced and Written by Charlie Peacock and Mike Cosper Associate Produced by McKenzie Hill Edited by Leslie Thompson Original Music by Charlie Peacock Mixed by Mark Owens Show theme, "Sound of the Room," composed by Charlie Peacock, featuring bassist John Patitucci Sinach's music used by permission, courtesy of Integrity Music Learn more about your ad choices. Visit podcastchoices.com/adchoices

Du Baiser Salé au lac Léman, en regardant le Brésil, l'Amérique du Sud ou le Cameroun, jazz à tous les étages ! Live ! Notre 1er invité est le groupe Mr Mâlâ qui présente son 1er album Mr Mâlâ.« My name is Monsieur MÂLÂ I'm not a human, I'm a machine. » Les paroles de Storyteller, qui introduisent le premier album de Monsieur MÂLÂ, font office de présentation : le quintet est une machine dont la conception serait empirique et la production organique, capable de nous raconter des histoires au moyen de musiques instrumentales. Ses rouages ont pour noms Nicholas Vella (piano, Fender Rhodes, claviers), Swaéli Mbappé (basse, guitares), Yoann Danier (batterie), Robin Antunes (violon, mandoline) et Balthazar Naturel (saxophone, cor anglais, clarinettes, flûtes). Ces fortes personnalités, dont les complicités sont anciennes, sont tous des leaders ou des sidemen reconnus dans la sphère du jazz et de ses satellites. Leurs bagages techniques, leurs influences cosmopolites et leurs âmes voyageuses touillent une décoction de funk et de rock, de musiques africaines et caribéennes, tout en ingérant les nouvelles tendances urbaines et électroniques. Ni fusion ni métissage : Monsieur MÂLÂ n'est que l'expression naturelle et assumée de cinq multi-instrumentistes composites. L'histoire s'est écrite entre deux pôles, l'académisme des formations en conservatoire et la liberté des jams en club. Nicholas Vella, Sicilien installé en France depuis une douzaine d'années, entré en 2012 au conservatoire à rayonnement régional de Paris, a accompagné Mayra Andrade, Paco Séry et Ibeyi. Mais sa première scène parisienne fut celle du Baiser Salé, rue des Lombards, déjà avec Swaéli Mbappé, un habitué des lieux puisqu'il y débuta à 15 ans. Enfant de la balle, passé par le saxophone et la batterie avant d'adopter l'instrument de son père, l'illustre bassiste Étienne Mbappé, Swaéli est devenu professionnel avec Blick Bassy avant d'accompagner Mamani Keita, Cheick Tidiane Seck et des artistes de variétés (Tal, Shy'm, Zaz).Titres interprétés au grand studio- Ai De Mim avec EU.CLIDES Live RFI- Al Fayhaa, extrait de l'album Mr Mâlâ- Fly Fly Live RFI.Line Up : Robin Antunes : violon, mandoline ; Balthazar Naturel : saxophone, cor anglais, clarinette, flûte ; Nicholas Vella : piano, Fender Rhodes, claviers ; Swaéli Mbappé : basse, guitare ; Yoann Danier : batterie et EU.CLIDES : chant sur Ai De Mim.Son : Mathias Taylor & Jérémy Besset.► Album Mr Mâlâ (Art District Music 2024)Chaîne Youtube. Puis nous recevons le guitariste suisse Louis Matute pour la sortie de son 4ème album Small Variations From The Previous Day.Euphorisante et douce-amère, la musique de Louis Matute ne ressemble qu'à lui. Partagé entre l'Europe qui l'a vu naître et l'Amérique latine qu'il a rêvé, cet enfant de la génération Z, trop entier pour la fiction du réel et trop sincère pour la fiction de soi, rouvre en grand les portes de son univers. Un son, un talent fou de raconteur, un folklore qui se dessine : dans ce superbe quatrième album, sa musique n'a jamais paru si proche et foisonnante. « Je n'ai jamais écrit de mélodie sans la chanter en même temps » confie-t-il. Teintées de pop et de saudade, celles-ci vous iront droit au cœur, laissant flotter dans l'air un brin de magie.Tourné vers le Brésil et l'Amérique Centrale, nourri de jazz et d'une pop élégante, Small Variations from the Previous Day est un disque-monde, animé par un « Large Ensemble » toujours plus étoffé, catalyseur d'émotions.Titres interprétés au grand studio- Narcissus Live RFI- Alma No Mar Feat Gabi Hartmann, extrait de l'album Small Variations From The Previous Day- 2000 Years Live RFI.Line Up : Léon Phal, saxophone ténor ;Zacharie Ksyk, trompette ; Andrew Audiger, piano, Rhodes ; Nathan Vandenbulcke, batterie ; Virgile Rosselet, contrebasse et Louis Matute, guitare électrique.Son : Mathias Taylor, Benoît Letirant & Réalisation : Donatien Cahu.► Album Small Variations From The Previous Day (Neuklang Big Wax Distribution 2024).► En concert au Studio de l'Ermitage le 30 mai 2024.

Du Baiser Salé au lac Léman, en regardant le Brésil, l'Amérique du Sud ou le Cameroun, jazz à tous les étages ! Live ! Notre 1er invité est le groupe Mr Mâlâ qui présente son 1er album Mr Mâlâ.« My name is Monsieur MÂLÂ I'm not a human, I'm a machine. » Les paroles de Storyteller, qui introduisent le premier album de Monsieur MÂLÂ, font office de présentation : le quintet est une machine dont la conception serait empirique et la production organique, capable de nous raconter des histoires au moyen de musiques instrumentales. Ses rouages ont pour noms Nicholas Vella (piano, Fender Rhodes, claviers), Swaéli Mbappé (basse, guitares), Yoann Danier (batterie), Robin Antunes (violon, mandoline) et Balthazar Naturel (saxophone, cor anglais, clarinettes, flûtes). Ces fortes personnalités, dont les complicités sont anciennes, sont tous des leaders ou des sidemen reconnus dans la sphère du jazz et de ses satellites. Leurs bagages techniques, leurs influences cosmopolites et leurs âmes voyageuses touillent une décoction de funk et de rock, de musiques africaines et caribéennes, tout en ingérant les nouvelles tendances urbaines et électroniques. Ni fusion ni métissage : Monsieur MÂLÂ n'est que l'expression naturelle et assumée de cinq multi-instrumentistes composites. L'histoire s'est écrite entre deux pôles, l'académisme des formations en conservatoire et la liberté des jams en club. Nicholas Vella, Sicilien installé en France depuis une douzaine d'années, entré en 2012 au conservatoire à rayonnement régional de Paris, a accompagné Mayra Andrade, Paco Séry et Ibeyi. Mais sa première scène parisienne fut celle du Baiser Salé, rue des Lombards, déjà avec Swaéli Mbappé, un habitué des lieux puisqu'il y débuta à 15 ans. Enfant de la balle, passé par le saxophone et la batterie avant d'adopter l'instrument de son père, l'illustre bassiste Étienne Mbappé, Swaéli est devenu professionnel avec Blick Bassy avant d'accompagner Mamani Keita, Cheick Tidiane Seck et des artistes de variétés (Tal, Shy'm, Zaz).Titres interprétés au grand studio- Ai De Mim avec EU.CLIDES Live RFI- Al Fayhaa, extrait de l'album Mr Mâlâ- Fly Fly Live RFI.Line Up : Robin Antunes : violon, mandoline ; Balthazar Naturel : saxophone, cor anglais, clarinette, flûte ; Nicholas Vella : piano, Fender Rhodes, claviers ; Swaéli Mbappé : basse, guitare ; Yoann Danier : batterie et EU.CLIDES : chant sur Ai De Mim.Son : Mathias Taylor & Jérémy Besset.► Album Mr Mâlâ (Art District Music 2024)Chaîne Youtube. Puis nous recevons le guitariste suisse Louis Matute pour la sortie de son 4ème album Small Variations From The Previous Day.Euphorisante et douce-amère, la musique de Louis Matute ne ressemble qu'à lui. Partagé entre l'Europe qui l'a vu naître et l'Amérique latine qu'il a rêvé, cet enfant de la génération Z, trop entier pour la fiction du réel et trop sincère pour la fiction de soi, rouvre en grand les portes de son univers. Un son, un talent fou de raconteur, un folklore qui se dessine : dans ce superbe quatrième album, sa musique n'a jamais paru si proche et foisonnante. « Je n'ai jamais écrit de mélodie sans la chanter en même temps » confie-t-il. Teintées de pop et de saudade, celles-ci vous iront droit au cœur, laissant flotter dans l'air un brin de magie.Tourné vers le Brésil et l'Amérique Centrale, nourri de jazz et d'une pop élégante, Small Variations from the Previous Day est un disque-monde, animé par un « Large Ensemble » toujours plus étoffé, catalyseur d'émotions.Titres interprétés au grand studio- Narcissus Live RFI- Alma No Mar Feat Gabi Hartmann, extrait de l'album Small Variations From The Previous Day- 2000 Years Live RFI.Line Up : Léon Phal, saxophone ténor ;Zacharie Ksyk, trompette ; Andrew Audiger, piano, Rhodes ; Nathan Vandenbulcke, batterie ; Virgile Rosselet, contrebasse et Louis Matute, guitare électrique.Son : Mathias Taylor, Benoît Letirant & Réalisation : Donatien Cahu.► Album Small Variations From The Previous Day (Neuklang Big Wax Distribution 2024).► En concert au Studio de l'Ermitage le 30 mai 2024.

Episode 123 Love Spells in Electronic Sound Playlist   Track Time Start Time Introduction –Thom Holmes 06:48 00:00 1.     Mystic Moods Orchestra, “Love Token” from Love Token (1969 Philips). Sound Effects, producer, sound director, Brad Miller; Vocals and vocal effects, The Mystic Moods. 04:33 06:48 2.     Four Tet, “Love Cry” from There Is Love In You (2010 Domino). Written, produced, and performed by Kieran Hebden. 09:06 11:14 3.     Deborah de Luca, “Love is a Losing Game (Mix Raw)” from Nina (2015 Sola_mente Records). Written, produced, and performed by Deborah de Luca. 07:14 20:16 4.     Steven Halpern, “Hot Chakra” from Enhancing Sensual Pleasure (1993 Sound Rx). Bass, Marc Vanwaginengen; Silver Flutes, Emerald Web; Grand Piano, Electric Piano, Producer, Trumpet, Steven Halpern; Harp, Susan Mazer; Lyricon, Dallas Smith; Percussion, Kenneth Nash. 06:48 27:26 5.     Steven Halpern, “Thigh Chi” from Enhancing Sensual Pleasure (1993 Sound Rx). Bass, Marc Vanwaginengen; Flute, Paul Horn; Silver Flutes, Emerald Web; Grand Piano, Electric Piano, Producer, Trumpet, Steven Halpern; Harp, Susan Mazer; Lyricon, Dallas Smith; Percussion, Kenneth Nash. 05:31 34:08 6.     Klaus Schulze, “Moogetique” from Body Love, Vol. 2 (1977 Island). Producer, Composer, instruments, Klaus Schulze; Drums, Harald Grosskopf. Original electronic music for a film by Lasse Braun. 13:12 39:34 7.     Klaus Schulze, “Stardancer II” from Body Love, Vol. 2 (1977 Island). Producer, Composer, instruments, Klaus Schulze; Drums, Harald Grosskopf. Original electronic music for a film by Lasse Braun. 14:13 52:44 8.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” from Events (1980 Harvest). Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMI, Liner Notes, Eberhard Schoener; Fairlight CMI, Morris Pert; Fender Rhodes, Roger Munnis; Tenor Saxophone, Olaf Kübler; Vocals, Clare Torry. 10:56 01:06:50 9.     Nora En Pure, “Norma Jean” from Come With Me (2013 Enormous Tunes). Written, produced, and performed by Nora En Pure. 05:48 01:17:45 10.   Art Linkletter, “Narrates The Story Of Where Did You Come From?” (side 1) from Narrates The Story Of Where Did You Come From? (1963 20th Century Fox). This was an early 60s sex-education LP. Linkletter was a Canadian-American radio and television personality. I've intermixed this disc with tracks of rolling white sound (by me) and a track by Kazumoto Endo, “Falling In and Out of Love” from Never Gonna Make You Cry (1999 Kling Film-Records). Written, produced, and performed by Kazumoto Endo. All to present a slightly odd view of love. 19:12 01:23:32 11.   Donna Summer, “Summer Fever” from Four Seasons Of Love (1976 Casablanca). Written-By Donna Summer, Giorgio Moroder, Pete Bellotte; accompanied by The Munich Machine; recorded in MusicLand Studios, Munich; mixed and produced by Giorgio Moroder. 08:12 01:42:44   Opening background music: The Love Symphony Orchestra, “Let's Make Love in Public Spaces” from Penthouse Presents The Love Symphony Orchestra (1978 Talpro). Keyboards, Synthesizer, Clifford Carter. (03:12) Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations.

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For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Jing Yi Teo is a curator, writer and strategist. Her work focuses on seeking new formats, understandings and alliances for creative practices, resulting in more systematically propositional bodies of work. From 2019–2022 she led ArtBizTech, an innovation and strategy consultancy and incubator, whilst serving as Curator of bang. Prix, its non-profit arm that supports practices that intersect art, technology and science. Her approach bridging the theoretical and the applied spans various fields, from contemporary art and music to emerging tech and start-ups. She is currently building Outlyr-e, a distributed strategy practice aiming to create the conditions for creative thought applied to organizations in the arts. Armen Nalbandian is an avant-garde and experimental composer and pianist whose practice seeks to expand the possibilities of sound and performance through spontaneous group composition, prepared piano and Fender Rhodes, and electronically layered improvisations. With 23 albums over 17 years, Armen has performed and recorded with Chris Corsano, Jeff Parker, Alex Cline, Steve Lehman, Han Bennink, Uchihashi Kazuhisa, Makigami Koichi and other notable musicians, whilst pursuing multidisciplinary collaborations with writers, visual and performance artists. In 2023, Armen co-founded the distributed strategy practice Outlyr-e, with the objective of exploring ‘other ways' of championing the arts. MUSIC MENTIONS Giuseppe Verdi Giacomo Puccini Frank Sinatra Tony Bennett Thelonius Monk Ornette Coleman John Coltrane Jeff Parker Chris Speed Alex Klein Eric Revis Dave King The Bad Plus Chris Corsano Spontaneous Composition & the Avant Garde ethos (28:55): Johann Sebastian Bach Johannes Brahms Ludwig van Beethoven Cecil Taylor John Cage Karlheinz Stockhausen Roman Kyn Q&A Glenn Gould Discovering music today (49:19): Thom Yorke NTS Radio Jim O'Rourke First album ever purchased (53:20): Armen: “License to Ill” by Beastie Boys Jing: “For Emma, Forever Ago” by Bon Iver Most recent album purchased (57:18): “Spectral Evolution” by Rafael Toral Artists discovered in the last year (57:18): Catherine Lamb Laurel Halo Kali Malone Desert Island Discs (58:38): “Shutting Down Here” by Jim O'Rourke “Spectral Evolution” by Rafael Toral “Ashioto / Ashiato“ by Tatsuhisa Yamamoto --- Send in a voice message: https://podcasters.spotify.com/pod/show/greymatterfm/message

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DAVID GIBSON FELLOWSHIP New York ca. 2023Meek's Wrath, Chief Distortion, FellowshipDavid Gibson (tbn) Davis Whitfield (p) Joseph Lepore (b) Kush Abadey (dr). SULLIVAN FORTNER SOLO WORK ca.2023I Didn't Know What Time It Was, Snakes and Ladders, This Is NewSullivan Fortner, piano, Fender Rhodes, Hammond B-3 organ, vibes, celeste, chime tree, Moog, vocoder, hand percussion, egg shaker, triangle, vocals, hand claps, shakers, Canopus bass drum, Mongolian gong; Kyle Poole, hand claps (11); Cécile McLorin Salvant, vocals (12). Continue reading Puro Jazz 15 marzo 2024 at PuroJazz.

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Hosts: Jeff Gross and John ShafranskiBilly Joel “She's Always A Woman" from the 1978 album "The Stranger" released on Columbia. Written by Billy Joel and produced by Phil Ramone.Personel:Billy Joel – vocals, acoustic piano, Fender Rhodes, keyboards, synthesizersRichie Cannata – organ, tenor saxophone, soprano saxophone, clarinet, flute, tubaHiram Bullock – electric guitarSteve Khan – 6 and 12-string electric guitars, acoustic rhythm guitar, high-string guitarHugh McCracken – acoustic guitarSteve Burgh – acoustic guitarDoug Stegmeyer – bassLiberty DeVitto – drumsPatrick Williams – orchestrationCover:Performed by Josh Bond and Robbie GrossIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Paul McCartney

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Hosts: Jeff Gross and John ShafranskiBilly Joel “She's Always A Woman" from the 1978 album "The Stranger" released on Columbia. Written by Billy Joel and produced by Phil Ramone.Personel:Billy Joel – vocals, acoustic piano, Fender Rhodes, keyboards, synthesizersRichie Cannata – organ, tenor saxophone, soprano saxophone, clarinet, flute, tubaHiram Bullock – electric guitarSteve Khan – 6 and 12-string electric guitars, acoustic rhythm guitar, high-string guitarHugh McCracken – acoustic guitarSteve Burgh – acoustic guitar Doug Stegmeyer – bassLiberty DeVitto – drumsPatrick Williams – orchestrationCover:Performed by Josh Bond and Robbie GrossIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Neil Diamond “Girl, You'll Be A Wo man Soon”Ray Charles “I've Got A Woman”The Beatles “She's A Woman”The Beatles “Please, Please Me”Bob Dylan “Just Like A Woman”Roy Orbison “Oh, Pretty Woman”The Grateful Dead “Brown Eyed Women”Percy Sledge “When A Man Loves A Woman”Michael BoltonJohn Lennon “Woman”John Lennon “Watching the Wheels”The Eagles “Witchy Woman”SeinfieldBruce SpringsteenThe Doors “LA Woman”Bob Marley “No Woman, No Cry”Fleetwood Mac “Black Magic Woman”Peter GreenSantanaBilly Joel “Vienna”Elton JohnPhil CollinsBilly Joel “We Didn't Start the Fire”Billy Joel “Uptown Girl”Billy Joel “Just the Way You Are”PhishMick JaggerKeith RichardsThe Grateful DeadGenesisBilly Joel “She's Got A Way”Billy Joel “Piano Man”Paul SimonVan MorrisonThemThe KinksSimon and GarfunkelGordon LightfootFrank SinatraMartin ScorceseMean StreetsHank Williams “Lovesick Blues”Paul McCartneyDave MatthewsWidespread PanicBilly Joel “Miami 2017”Billy Joel “For the Longest Time”Bob DylanJohn ColtranePeter, Paul, and MaryPaul Simon “Still Crazy After All These Years”Ritchie Valens “La Bamba”Simon and Garfunkel “America”David Grey “Babylon”Lady GagaBen FoldsJames Blount “Goodbye, My Lover”Arctic Monkeys “Tranquility Base Hotel and Casino”James Blount “You're Beautiful”Harry ChapinLeonard CohenLeonard BernsteinLynda CarterFyfe DangerfieldMuzakJosh GrobanMichale BubleFrank SinatraAndrea Bocelli “Ave Maria”Jimi Hendirx “All Along the Watchtower”Bob DylanDave Matthews

Keith McDonell is a self-confessed streamer addict and in this podcast we get a good look inside his thought process on this method of fishing.From the patterns, how to approach the water as well as how to cast heavier flies there is a lot of information to pick up if you're streamer curious and want to try it in the coming season.We also talk about practice casting drills and our shared love of the Fender Rhodes electric piano for a few moments too.There is a lot in this podcast that I hope you'll find useful.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición presentamos 'Keyboards', el nuevo disco de Kait Dunton que rinde homenaje al sonido de teclados clásicos como Fender Rhodes, Wurlitzer o los pianos eléctricos y acústicos. Repasamos otros recientes lanzamientos en la música Smooth Jazz de artistas como Antonio Gómez, The Brit Funk Association, U-Nam, Jamhunters y la banda Incognito. En el bloque del recuerdo repasamos temas y colaboraciones de la cantante Lisa Dal Bello. Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

KAIT DUNTON is an LA-based keyboardist & composer. Her emotive musical expression and joyful energy have garnered her hundreds of thousands of followers on social media and over 40,000 monthly listeners on Spotify.   Starting with her first album, Real & Imagined - now a fan favorite with over three million streams - Kait has continued to cultivate her signature sound over many subsequent albums and releases, including her latest single featuring her evocative improvisational style - and nearly 3M views on Instagram: “this one's for you”.   Kait's new album, Keyboards, is a love letter to the sounds and instruments of '70s jazz-funk. A celebration of vintage grooves and classic keyboards: the Fender Rhodes, Wurlitzer, Hammond organ, Clavinet and - always - the acoustic piano.   Keyboards documents the music Kait was writing and recording last year when her following on Instagram really exploded - now with close to 140,000 followers - and takes inspiration from the music of Stuff (Richard Tee), Herbie Hancock, the Brecker Brothers, Weather Report, Chick Corea, Keith Jarrett and Ahmad Jamal, to name a few.   Together with Andrew Synowiec on guitar, Sean Hurley on bass and Jake Reed on drums, Kait and band radiate joyful sonic energy and groove.   In addition to composition and performance, Kait is also an active recording artist and educator. Her playing appears extensively on the Mister Rogers movie, A Beautiful Day in the Neighborhood, as well as in The Lego Movie 2, Downsizing, Empire, and ABC's The Little Mermaid Live!   Kait was an early member of Snarky Puppy during their formative years in Texas, appearing on their sophomore record, The World is Getting Smaller. She records often for film, television and other artists, and has taught at the University of North Texas, USC's Thornton School of Music, Musician's Institute, Chaffey College, and most recently at Los Angeles College of Music (LACM) in Pasadena, where she developed their new Piano Performance program and served as the inaugural chair.

Lonnie Liston Smith is a jazz legend. He's a pianist and keyboard player. He's worked with Pharoah Sanders, Miles Davis and Marvin Gaye. Smith is a master of the Fender Rhodes – the electric piano that helped define a movement in music that eventually became known as Cosmic Jazz. Smith joins us to talk about his first record in 25 years, and his humble beginnings. Plus, Smith's records have been sampled a lot in hip-hop and electronic music. He'll talk about the records that caught him most by surprise.