Podcasts about Dayanita Singh

In Episode 1, Sabeena Gadihoke shines a light on forgotten women amateur photographers from 20th century in India - ‘the Kodak women in striped sarees' whose contributions to the field of photography in the region have been remarkable. Featuring Nony Singh,  Manobina Roy & Debalina Mazumder, Homai Vyarawala and many other inspiring women !About Sabeena Gadihoke:As a scholar, curator and filmmaker, Sabeena Gadihoke's work has focussed on cinema, popular culture and the history of Indian photography. In 1998, she completed her documentary film Three Women and a Camera, a feminist history of the lives of three Indian female photographers, Homai Vyarawalla, Sheba Chachchi and Dayanita Singh. Sabeena has also curated several exhibitions, including  an exhibition called Twin Sisters with Cameras in 2022 that traces the life and work of Manobina Roy & Debalina Mazumder which she co-curated with Dr. Mallika Leuzinger & Tapati Guha Thakurta. Gadihoke lives and works in New Delhi, where she is professor of video and TV production at the MCRC, Jamia Millia Islamia, a position she has held since 1990.Source: https://mapacademy.io/article/sabeena-gadihoke/Links Lectures: Dr. Leuzinger - www.youtube.com/watch?v=M9kIuwe8CdI Sabeena Gadihoke - www.youtube.com/watch?v=pOyxJbYtloA Kara Felt - https://www.youtube.com/watch?v=x4i5r8O9EJ4Kodak Ads: Kodak Christmas 1976 - www.youtube.com/watch?v=DtFwLNBTjBA Kodak India (n.a) - www.youtube.com/watch?v=6iuZoXbPyPs Kodak Disc Camera 1982 - www.youtube.com/watch?v=O6uTCSfaXVo Harriet Nelson Kodak 1957 - www.youtube.com/watch?v=_iLrCa_iVvE Kodak Instamatic (n.a) - www.youtube.com/watch?v=IS3llQUI7tI Exposing the Zenana: Maharaja Sawai Ram Singh II's Photographs of Women in Purdah: https://maharajacourse.files.wordpress.com/2012/01/weinstein_exposing-the-zenana.pdf The Archivist by Nony Singh: http://www.letterpressdesignstudio.com/letterpress-rukminee-guha-thakurta-the-archivist-by-nony-singhHosted by Adira Thekkuveettil - https://www.adirathekkuveettil.com Akshay Mahajan - https://akshaymahajan.in Kaamna Patel - https://kaamna.com Supported by PhotoSouthAsia and Art South Asia Project Produced by Editions JOJOSpecial thanks to Dayanita Singh This podcast is meant to serve as an educational resource and all the recordings used in the episodes are for the purpose of supporting the research.

Nytt poddavsnitt! Vi ska fördjupa oss i Dayanita Singhs konstnärskap och främst hennes verk ”Mona in the Archive” från 2022. Singh är Hasselbladspristagare för år 2022 och den första pristagaren som härstammar från Indien. I vårt poddavsnitt berättar vi om Dayanita Singhs intresse för arkiv, både som motiv och som presentationsform. Likaså berättar vi mer om Singhs kreativa koncept, när hon skapar böcker och västar som hon ser som utställningar eller museer. Inte minst berättar vi om hennes vänskap med eunucken Mona Ahmed, som har figurerat i många av hennes fotografier, även efter hennes bortgång. Vi berättar mer om Dayanita Singhs första möte med Mona Ahmed, om hennes livsöde och inspiration för flera generationer av trans- och queerpersoner i Indien och om eunuckernas speciella ställning i det indiska samhället. Och vad är det för röda tygbylten som Dayanita Singh fotograferade i serien ”Time Measures” från 2016 och hur liknar hon dem vid människoporträtt? Allt detta och mycket mer får du höra i det senaste avsnittet av Konsthistoriepodden! Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.

Desde la década de 1980, la artista india Dayanita Singh acompaña con su cámara a personas y lugares, trascendiendo los límites de la fotografía. Su trabajo es un conmovedor reflejo de la sociedad india.

Indian artist Dayanita Singh has been breaking ground in photography since the 1980s. She rearranges her photos again and again to forge new connections between people and places, creating a moving portrait of Indian society. "Dancing With My Camera” is the title of her current exhibition.

Episode No. 574 features curator Emily Braun and artist Mark Steinmetz. With Elizabeth Cowling, Braun is the co-curator of "Cubism and the Trompe L'Oeil Tradition" at the Metropolitan Museum of Art in New York. The exhibition considers cubist works by Georges Braque, Juan Gris and Pablo Picasso in the context of the centuries-long trompe l'oeil painting tradition. In addition to dozens of major cubist works, the exhibition includes paintings by Samuel van Hoogstraten, William Harnett, and more. "Cubism" is on view through January 22, 2023. It is accompanied by an outstanding catalogue that was published by the museum. Indiebound and Amazon offer it for $43-50. Steinmetz is included in "Reckonings and Reconstructions: Southern Photography from the Do Good Fund" at the Georgia Museum of Art at the University of Georgia. The Do Good Fund is a Columbus, Ga.-based charity that collects and makes available to museums photography of the American South made from the 1950s to the present. The exhibition, which includes artists such as Jill Frank, Baldwin Lee, Deborah Luster, Gordon Parks, and RaMell Ross. It's at the GMOA through January 8, 2023. Steinmetz also contributed a portfolio titled "Irina & Amelia" to the new, 70th anniversary issue of Aperture magazine. The issue also features work by John Edmonds, Hannah Whitaker, Dayanita Singh, and others, and is available from Aperture for $25. Air date: November 3, 2022.

This is a compressed version of the following Indian Female Artist taking Art to a next level! listen in to their journey and if you want to read about them just click on the following link to my blog ! This episode consists of renowned Artist naming Shilpa Gupta, Bharti Kher, Zarina Hashmi, Rina Banerjee & Dayanita Singh! links to my other social media pages @Gopaltenzin | Linktree paypal.me/tenzingopal Help the ©FünkBlüe community grow, support us with your donations, participations and love!!! --- Send in a voice message: https://anchor.fm/tenzingopal/message

Probst, Carstenwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Probst, Carstenwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Körmanifestation i Uppsala för Ukraina, Hasselbladspriset till fotografen Dayanita Singh, recension av teaterpjäsen Kulla-Gulla, Spotify jämställdhetssatsar

Hur ser krig ut? Bilderna är välbekanta: Ett barn med nalle i hand framför stridsvagn; ett bombat hus; människor i trasiga kläder. Även om fotografierna är sanna finns en risk med stereotypa bilder av kriget, menar fotografen Anastasia Taylor-Lind. I flera år har den brittisk-svenska fotografen Anastasia Taylor-Lind arbetat med projektet #5Kfromthefrontline i en radie av fem kilometer från fronten i Donbas har hon sökt efter bilder som visar vad krig också kan vara: en lågintensiv förstörelse som inte visar sig i form av de vanliga symbolerna för krig.VAD ÄR EN FÖRFATTARES UPPGIFT I KRIG?Andrey Kurkov, en av Ukrainas främsta författare, skulle ha besökt Vilnius och London i dagarna, men har släppt alla inbokade utlandsresor och författarbesök för att stanna i Ukraina för att berätta om kriget och för att hjälpa människor på flykt.HASSELBLADS FOTOPRIS TILL INDISKA FOTOGRAFEN DAYANITA SINGHIdag tillkännagavs vinnaren av ett av världens mest prestigefulla fotopris, Hasselbladpriset: den indiska fotografen Dayanita Singh. P1 Kultur har träffat pristagaren. Och hör också Katarina Pierre, chef på Bildmuseet i Umeå, som curerade den första stora nordiska utställningen med Singh.KULLA-GULLA ÄR TILLBAKA PÅ SCENMartha Sandwall-Bergströms fattighjon har blivit teater på Kulturhuset Stadsteatern i Stockholm vår teaterkritiker Kristina Lindquist såg premiären.ESSÄ: VEM VET VAD GRODKVINNAN EGENTLIGEN TÄNKTE?Historikern Peter K Andersson berättar om ett märkligt livsöde och funderar på vad det säger om vår tid.Programledare: Lisa Wall Producent: Eskil Krogh Larsson

In this first episode of 2022, Ben Luke talks to Dayanita Singh about her influences, from art to literature, music and film, and the cultural experiences that have shaped her life and work. Singh, who was born in 1961 in New Delhi, India, is one of the most pioneering photographers of recent decades. She resists the idea of a single, decisive image, and instead presents her richly diverse, poetic photographs in the context of constructed environments, bespoke archival structures and artists' books. She continues to push the presentation of her photography in new directions. In the conversation, she recalls how her mother's photography was a “traumatic” part of her childhood and remembers an early opportunity to photograph the celebrated tabla player Zakir Hussain. She talks about her passion for the poetry of Rainer Maria Rilke and Michael Ondaatje, the revelatory visits to Shankar's Dolls Museum in Delhi, and about her remarkable project documenting Mona, a lifelong friend and collaborator. Plus, she answers all our usual questions, including the ultimate one: what is art for? Dayanita Singh: Dancing with My Camera, Gropius Bau, Berlin, 18 March-7 August 2022. The exhibition tours to Museum Villa Stuck, Munich, MUDAM Luxembourg, the Serralves Museum of Contemporary Art, Porto, and Les Rencontres d'Arles, France. See acast.com/privacy for privacy and opt-out information.

In 2019, as part of the artistic programme commemorating Geoffrey Bawa's 100th birthday, Lunuganga hosted a series of installations by artists and makers from Sri Lanka and abroad, in a series where the garden was explored as a site of hospitality and a place of encounter. Each artist responded to Bawa's practice and his garden through a unique, site-specific work developed over an almost two-year period. Launched in January 2020 on the cusp of a global pandemic, the works endured a time of unprecedented uncertainty, and offered pause for reflection on the meanings of generosity and intimacy. Marking the closing of The Gift, the five artists, Kengo Kuma, Lee Mingwei, Chandragupta Thenuwara, Dayanita Singh and Dominic Sansoni will speak with Suhanya Raffel, (Executive Director at M+ Museum in Hong Kong and trustee, Geoffrey Bawa and Lunuganga Trust) about their experiences and processes making and engaging with work in this last year.

Jordan Weitzman gets together with Dayanita Singh, whose work often blurs the lines between bookmaking and exhibiting. See acast.com/privacy for privacy and opt-out information.

This episode we are hugely excited to be joined by the definition defying artist Dayanita Singh. Based in New Delhi, India, Dayanita started taking photographs in the early 1980s, soon expanding into photojournalism. Her practice has grown to span photography, bookmaking, installations, and perhaps most famously since 2012, museum directing. Her work has been presented at the Hayward Gallery in London, the Art Institute of Chicago, the Museum für Moderne Kunst, Frankfurt, the Kiran Nadar Museum of Art, New Delhi, as well the Venice Biennale. Her work is also in the permanent collections of the Museum of Modern Art in New York, the Tate in London, as well as the subject of several books. She is the winner of multiple awards and perhaps most well-known for her Museum Bhavan, which won the 2017 PhotoBook of the Year in the Paris Photo–Aperture Foundation PhotoBook Awards and, in 2018, was awarded the Infinity Award of the International Center of Photography. You can follow Dayanita on Instagram @dayanitasingh or visit her website. In addition, we also discuss the Indian Tabla Drummer Zakir Hussain. You can learn more about him on the National Endowment for the Arts website. For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram.

Photographer Hari Katragadda & writer/editor Shweta Upadhyay were awarded The Alkazi Foundation for the Arts' Photobook Grant 2020 for their collaboration 'I'll be looking at the moon, but I'll be seeing you'. In this episode, we talk about this award-winning work through its makers' process and influences and the contemporary status of the photobook in India, in the wake of Dayanita Singh's pioneering practice. The route we take winds through discussions of ancient poetry, avant-garde cinema and Gothic marriages. Click here to access the Image Guide & view the images being discussed in the podcast: https://sites.google.com/view/artalaap-podcast-resources/episode-2. Credits: Producer: Tunak Teas Design & artwork: Mohini Mukherjee Marketing: Dipalie Mehta Musical arrangement: Jayant Parashar Images: Harikrishna Katragadda & Shweta Upadhyay Additional support: Kanishka Sharma, Amy Goldstone-Sharma, Raghav Sagar, Shalmoli Halder, Arunima Nair Dedicated to little Bodhi, who'll hear his aunt before he sees her. Audio courtesy: Vernouillet by Blue Dot Sessions [CC BY-NC 4.0] References: Lavinia Greenlaw, 'The Vast Extent: On Seeing And Not Seeing Further', The White Review, February 2019.

In an episode dedicated to female film-making, award-winning Indian director Mira Nair talks about her “6 hour film” adaptation of A Suitable Boy for the BBC and recommends her influences from the photography of Dayanita Singh to Visconti's The Leopard and the cultural history of Lucknow. Documentary maker Mark Cousins discusses his 14-hour epic Women Make Film, which actresses he enlisted for the narration, and why he loves The Great British Sewing Bee. Mira Nair:Pataal Lok (15.18)My 20th Century (17.42)Mark Cousins:The Great British Sewing Bee (33.00)Ideas: A History - Peter Watson (33.57)Music by Lee Rosevere. See acast.com/privacy for privacy and opt-out information.

“À toi appartient le regard et (…) la liaison infinie entre les choses”au musée du quai Branly – Jacques Chirac, Parisdu 30 juin au 1er novembre 2020Musée du quai Branly – Jacques ChiracExtrait du communiqué de presse :Commissariat : Christine Barthe, responsable de l'Unité patrimoniale des collections photographiques au musée du quai Branly – Jacques Chirac, en charge des acquisitions en photographie ancienne et contemporaine. Scénographie : Pascal RodriguezÀ partir du 30 juin 2020, l'exposition « À toi appartient le regard et (…) la liaison infinie entre les choses » propose une plongée dans les univers sensibles de 26 artistes issus de 18 pays différents. Dans le sillage de son programme de résidences et des prospections menées depuis une dizaine d'années, le musée du quai Branly – Jacques Chirac a choisi de mettre en relation les pratiques d'artistes contemporains aux profils divers : jeunes et émergents comme Gosette Lubondo, Lek Kiatsirikajorn ou José Luis Cuevas, mais aussi de nombreux auteurs majeurs, parmi lesquels Guy Tillim, Dinh Q. Lê, José Alejandro Restrepo, Dayanita Singh, Sammy Baloji, Rosângela Rennó, Mario García Torrès, Yoshua Okón, Samuel Fosso ou Brook Andrew.Utilisant la photographie, l'image en mouvement, la vidéo, l'installation, ils composent des récits, interrogent notre rapport aux images, mènent des enquêtes approfondies, questionnent les héritages historiques des photographies, repensent les notions d'appropriation et de réappropriation visuelle.« À toi appartient le regard et (…) la liaison infinie entre les choses », est une évocation tirée de la littérature allemande du 19e siècle (Ludwig Hülsen) qui sert de fil conducteur à la découverte du travail des artistes, au rythme des notions évoquées dans le titre. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In the first episode of Culture in a Time of Crises, artist Dayanita Singh talks to Shwetal A. Patel about her three-decade journey in photography, her bookmaking practice, and its performative aspects, the Mobile Museums she produces as well as her surprise book release at Museum of Innocence in Istanbul.

As many return to old photographs for consolation, the artist Dayanita Singh reflects on the creative possibilities of our personal archives. In a call from her desk in New Delhi, a conversation with the acclaimed photographer about the future of the ‘art world,’ the cruelty of India’s lockdown, and taking the time to observe the beauty of the day’s light in one’s own home.

Dayanita Singh’s Museum Bhavan helps us reimagine what a museum is. The museum as an institution holds memory; what memories, and for whom? What would a museum without walls look like? How ought pieces that were historically stolen be engaged with now? What is the museum’s role in educating new migrants in this specific place? Join three brilliant cultural producers who are engaging/disrupting/rearranging in varying and strategic ways with the changing role of museums in society. Laura June Albert moderates ‘New Museology’ featuring Shaheen Nanji, Jordan Wilson and Marika Echachis-Swan. Tiffin Talks at ISF2018 was supported by Vancity. Special thanks to our major partners Simon Fraser University, Langara College and Creative BC, our media partners The Georgia Straight, CBC, and Spice Radio, and our funders Government of Canada, City of Vancouver, Vancouver Foundation, British Columbia Arts Council, and Business for the Arts.

Art critic Alastair Sooke, in the company of some of the leading creatives of our age, continues his deep dive into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art. As the series reaches its halfway point, we're in the company of MoMA's director, Glenn Lowry. Overseeing a museum of the scale and prestige of MoMA, which of the works in his care stands out for him personally? Glen explains why Dayanita Singh's Museum of Chance speaks to him above all the others. Producer: Tom Alban Main Image: Dayanita Singh, Museum of Chance, 2013. 162 pigmented inkjet prints and teak structures, variable dimensions. Acquired with support from The Contemporary Arts Council of The Museum of Modern Art, The Modern Women's Fund, and Committee on Photography Fund. Museum of Modern Art, NY, 494.2017. © 2019 Dayanita Singh. Courtesy of the Frith Street Gallery, London

Artist Dayanita Singh wasn’t happy taking photographs in the traditional way, preferring to create what she calls “book objects,” mini-exhibitions to showcase her work. Singh  plays with the conventional language of art, and even calls herself an “off-set artist” to denote her preferred way to display her images. She is currently exhibiting in the Carnegie International exhibition in Pittsburgh, and she has a small retrospective of her book objects at Callicoon Fine Art on Manhattan’s Lower East Side. I talked to her about her love of images, a formative (and funny) experience she shared with Robert Frank, and the future of the artist book. A special thanks to Flash Trading (flashtrading.bandcamp.com) for providing the music for this episode.

Eloise Maxwell and David Persky return to the podcast to discuss Sondra Perry and Dayanita Singh, two artists at the edge of the contemporary art world. 

Interview of photographer Dayanita Singh

Dayanita Singh uses her photography to construct stories of a changing India.

Professor Sunil Khilnani returns with Incarnations. In the first programme he profiles the pioneering photographer Lala Deen Dayal. Born in 1844, Lala Deen Dayal would go on to become the court photographer for the fabulously wealthy sixth Nizam of Hyderabad, who dubbed him the "bold warrior of photography". Earlier in his career, his images of the historic monuments and architecture of India had become a sensation, and a means by which Indian landmarks could be appreciated in the West. Over subsequent decades, Deen Dayal's carefully arranged portraits would open a window on a second aspect of a splendid, idealized India: the lifestyles of the late nineteenth-century elite. Though India had at this high point of the Raj become the world's leading stage for status display, which often involved the shooting of tigers, a person's status wasn't quite fixed unless the moment itself was shot - ideally by Deen Dayal himself. "Deen Dayal captured a particular moment of elite indulgence and excess," says Sunil Khilnani. "Just before it was swept away." Like many successful artists, before him and since, Deen Dayal became adept at selling his patrons the images of themselves they most wanted to see, and share. And his story might be simply a portrait of an artist as a public relations man, if his artistry wasn't so compelling and historically revealing. Without him, we wouldn't understand so powerfully the moment when India became the world's exotic, wondrous playground for the wealthy, before the modern world got in the way. Featuring interviews with artist Dayanita Singh and art historian Deborah Hutton. Producer: Martin Williams Executive Producer: Martin Smith Original music composed by Talvin Singh.

Social media, as old as Cicero and as revolutionary as Christianity? Tom Standage and William Dutton join Philip Dodd to explore our networked world and to question whether social media alters historic mappings of power and authority. Photographer Dayanita Singh discusses her new retrospective at London's Hayward gallery and her approach to the camera. As part of Verdi 200, Radio 3's season celebrating the composer's bicentenary, music historian Sarah Lenton and scholar René Weis explore Verdi's passion for Shakespeare.

Apropå har träffat den indiska fotografen Dayanita Singh som lämnade fotojournalistiken för att få rum med Mahler, Italo Calvino och sin egen fars röst inuti bilden. En presentation av hennes verk visas just nu på Bildmuseet i Umeå. I programmet pratar vi om Utställningen: • "En fotografs äventyr" på Bildmuseet i Umeå Människor vi pratar med: • Fotografen Dayanita Singh Citat vi översatt: ”Vad är det som får er att ur er dags rörliga, obrutna flöde skära dessa en sekund tjocka skivor av tid? När ni kastar boll lever ni i nuet men så snart exponeringarnas taktfasta rytm smyger sig in i era kroppars rörelser är det inte längre leklusten som driver er utan lusten att återse er själva i framtiden, återfinna er själva om tjugo år på en gulnad pappersbit . Smaken för det spontana, naturliga, ur levande livet tagna fotografiet slår ihjäl spontaniteten, jagar nuet på flykten. Den avfotograferade verkligheten får genast en nostalgisk prägel, glädje som flytt på tidens vingar, ett drag av åminnelse, om så fotot togs i förrgår. Och livet man lever i för att fotografera det är redan i grunden en åminnelse av sig självt. Att tro att en ögonblicksbild är sannare än ett ateljéporträtt är en fördom.” Ur Gli amori difficili av Italo Calvino, översatt av Olov Hyllienmark Musik vi spelar: • Gustav Mahler, Symfoni nr. 1 i D-dur, Chicago Symphony Orchestra, Dirigent Claudio Abbado Programledare: Jenny Teleman Fler röster: Kerstin Berggren