Podcasts about museology

In episode two of this two-part conversation, interdisciplinary scholars Miranda Belarde-Lewis and Temi Odumosu continue to delve into the possibilities that emerge when arts pedagogy is integrated within the STEM-oriented setting of an information school. Belarde-Lewis and Odumosu describe their practices of teaching, curation, and research while discussing insights, methods, and core skills they have developed along the way. Together, they highlight why it's important to move beyond the siloed nature of traditional disciplinary boundaries to seek truly polyvocal contexts and collaborations. The conversation is moderated by David Strand. Miranda Belarde-Lewis (Zuni/Tlingit) is an associate professor of North American Indigenous Knowledge at the iSchool and an independent curator. Indigenous knowledge systems are central to her work as she examines the role of social media and the arts in protecting, documenting and perpetuating Native information and knowledge. Her work highlights and celebrates Native artists, their processes, and the exquisite pieces they create. She has worked with tribal, city, state and federal museums to create Native-focused educational programming, publications and art exhibitions. Belarde-Lewis holds a B.A. in Cultural Anthropology from the University of Arizona, an M.A. in Museology and Ph.D. in Information Science from the University of Washington. Temi Odumosu is assistant professor at the UW Information School and an independent curator and cultural heritage consultant. Drawing on her training in art history and international teaching experience in media, visual communication, and cultural studies, she takes a creative approach to mentoring information professionals. For over two decades she has been interrogating the visual politics and legacies of colonialism, activating collections as sites of memory and conscience, and collaborating with contemporary artists, designers, and curators to communicate unfinished histories more sensitively. Her current research and curatorial work centers wellbeing, considers the ethics of digitization in the age of AI and big data, and engages Black archival histories and possible futures. Odumosu is author of the award-winning book Africans in English Caricature 1769-1819: Black Jokes White Humour (2017). She holds both a Ph.D. and MPhil in Art History from the University of Cambridge (King's College). David Strand is an editor, curator, and emerging informational professional pursuing his M.A. in Library & Information Science at the University of Washington. He currently works as the graduate research assistant for the Center for Advances in Libraries, Museums, and Archives (CALMA) at the University of Washington Information School. Strand has over a decade of experience working in the arts and museums. He previously worked at the Frye Art Museum as associate curator and prior to that as the manager of exhibitions and publications. Strand holds a B.A. in Visual Art and English-Creative Writing from Seattle University.

In episode one of this two-part conversation, interdisciplinary scholars Miranda Belarde-Lewis and Temi Odumosu delve into the possibilities that emerge when arts pedagogy is integrated within the STEM-oriented setting of an information school. Belarde-Lewis and Odumosu describe their practices of teaching, curation, and research while discussing insights, methods, and core skills they have developed along the way. Together, they highlight why it's important to move beyond the siloed nature of traditional disciplinary boundaries to seek truly polyvocal contexts and collaborations. The conversation is moderated by David Strand. Miranda Belarde-Lewis (Zuni/Tlingit) is an associate professor of North American Indigenous Knowledge at the iSchool and an independent curator. Indigenous knowledge systems are central to her work as she examines the role of social media and the arts in protecting, documenting and perpetuating Native information and knowledge. Her work highlights and celebrates Native artists, their processes, and the exquisite pieces they create. She has worked with tribal, city, state and federal museums to create Native-focused educational programming, publications and art exhibitions. Belarde-Lewis holds a B.A. in Cultural Anthropology from the University of Arizona, an M.A. in Museology and Ph.D. in Information Science from the University of Washington. Temi Odumosu is assistant professor at the UW Information School and an independent curator and cultural heritage consultant. Drawing on her training in art history and international teaching experience in media, visual communication, and cultural studies, she takes a creative approach to mentoring information professionals. For over two decades she has been interrogating the visual politics and legacies of colonialism, activating collections as sites of memory and conscience, and collaborating with contemporary artists, designers, and curators to communicate unfinished histories more sensitively. Her current research and curatorial work centers wellbeing, considers the ethics of digitization in the age of AI and big data, and engages Black archival histories and possible futures. Odumosu is author of the award-winning book Africans in English Caricature 1769-1819: Black Jokes White Humour (2017). She holds both a Ph.D. and MPhil in Art History from the University of Cambridge (King's College). David Strand is an editor, curator, and emerging informational professional pursuing his M.A. in Library & Information Science at the University of Washington. He currently works as the graduate research assistant for the Center for Advances in Libraries, Museums, and Archives (CALMA) at the University of Washington Information School. Strand has over a decade of experience working in the arts and museums. He previously worked at the Frye Art Museum as associate curator and prior to that as the manager of exhibitions and publications. Strand holds a B.A. in Visual Art and English-Creative Writing from Seattle University.

Stef and Jude are joined by Tolkien collecting expert and moderator of the Tolkien Collector's Guide, Andrew “Trotter” Ferguson. Andrew tells us about his experience collecting and sharing the Professor's material culture. As it is the holiday season, we finish our discussion with the Father Christmas Letters. Thank you for joining us, Andrew!  Citations: Thank you to our special guest, Andrew “Trotter” Ferguson!Andrew's Bsky: @trotter.tolkienguide.comTolkien Collector's Guide website: https://www.tolkienguide.com/Tolkien Collector's Guide Calendar: https://www.tolkienguide.com/calendar/Guide to Tolkien Letters: https://www.tolkienguide.com/guide/letters/Tolkien Collector's Guide YouTube channel: https://youtube.com/@tolkienguide?si=_30xJ-HNmvRKXokqYou Tube Videos featuring Andrew's collection: Part 1: https://youtu.be/8LMYXyxMK9I?si=pYb3hHxxdmLvKcGHPart 2: https://youtu.be/6ir_GzMZv5k?si=-0IvfM30qkgQDXYiAndrew's Prancing Pony Podcast appearance:Episode 231 “Spirits in the Material World” December 5, 2021: https://theprancingponypodcast.com/2021/12/05/231-spirits-in-the-material-world/Other announcements-Tolkien Society Hybrid Seminar 2024 – Tolkien as HeritageIn partnership with with Tolkinovo društvo Srbije (the Tolkien Society of Serbia) and Centar za Muzeologiju I Heritologiju (the Centre for Museology and Heritology, the Faculty of Philosophy at the University of Belgrade)December 7-8, 2024Information at: https://www.tolkiensociety.org/events/tolkien-society-hybrid-seminar-2024-tolkien-as-heritage/Tolkien Society: Westmoot 2025May 9-11 in Kansas City, Missouri, at the National WWI Museum and Memorial. https://www.tolkiensociety.org/events/westmoot-2025/*Early bird Discount: Register before December 7, 2024 and use the discount code AZOG to receive a $30 discount on your registration fee!Find us on the web at https://www.athrabethnetwork.com/athrabethJoin the conversation on the Athrabeth discord!Athrabeth is a production of the Athrabeth Podcast NetworkAthrabeth is Produced by James Kaku Pierson

Join us this month for a special interview with Shaun Gunner, Chair of the Tolkien Society. We discuss Shaun's time with the Society, the upcoming Christopher Tolkien Centenary Conference, and a brand new event for 2025. Citations:Thank you to our special guest, Shaun Gunner! Twitter: @ShaunGunnerWebsites: shaungunner.comTolkien Society-https://www.tolkiensociety.org@TolkienSocietyChristopher Tolkien Centenary ConferenceOnline only, November 23-24, 2024Information and registration at: https://www.tolkiensociety.org/events/christopher-tolkien-centenary-conference/Tolkien Society Hybrid Seminar 2024 – Tolkien as HeritageIn partnership with with Tolkinovo društvo Srbije (the Tolkien Society of Serbia) and Centar za Muzeologiju I Heritologiju (the Centre for Museology and Heritology, the Faculty of Philosophy at the University of Belgrade)December 7-8, 2024Information at: https://www.tolkiensociety.org/events/tolkien-society-hybrid-seminar-2024-tolkien-as-heritage/Find us on the web at https://www.athrabethnetwork.com/athrabethJoin the conversation on the Athrabeth discord!Athrabeth is a production of the Athrabeth Podcast NetworkAthrabeth is Produced by James Kaku Pierson

Travis Windleharth on foundry10In this episode of Experience Points, Dave Eng chats with Travis Windleharth from foundry10 about games-based learning. Travis, with a background in science education, museology, and information science, focuses on how games shape youth's understanding of STEM concepts. Foundry10, co-founded by Gabe Newell, is explored, emphasizing its pillars—programs, philanthropy, and research—and their role in expanding learning perspectives. Travis discusses his role in the STEM design-based research lab, aligning with interest area teams. The episode concludes with insights into foundry10's collaborative approach to research and program design.If you liked this episode please consider commenting, sharing, and subscribing.Subscribing is absolutely free and ensures that you'll get the next episode of Experience Points delivered directly to you.I'd also love it if you took some time to rate the show!I live to lift others with learning.  So, if you found this episode useful, consider sharing it with someone who could benefit.Also make sure to visit University XP online at www.universityxp.com University XP is also on Twitter @University_XP and on Facebook and LinkedIn as University XPAlso, feel free to email me anytime at dave@universityxp.comGame on!Get the full transcript and references for this episode here: https://www.universityxp.com/podcast/123Artist / GuestDave Eng, EdDTravis WindleharthSummaryIn this episode of Experience Points, Dave Eng chats with Travis Windleharth from foundry10 about games-based learning. Travis, with a background in science education, museology, and information science, focuses on how games shape youth's understanding of STEM concepts. Foundry10, co-founded by Gabe Newell, is explored, emphasizing its pillars—programs, philanthropy, and research—and their role in expanding learning perspectives. Travis discusses his role in the STEM design-based research lab, aligning with interest area teams. The episode concludes with insights into foundry10's collaborative approach to research and program design.Custom Episode Webpagehttps://www.universityxp.com/podcast/123Tagsgames-based learning, stem research, museology, design-based research, foundry10, travis windleharth, foundry10Categoriesgames-based learningtravis windleharthfoundry10Support the show

A very special encore in memory of our favorite Museologist, Ronnie Cline. In this 2018 episode, we talked about the life and work of a great dude and a good pal who passed away this morning. On the agenda of his legendary episode: Museums! Mummies! Paintings! Hot dogs! Alie sits down with her dear internet friend and museologist Ronnie Cline, who manages 30,000 artifacts over 22 California State Park Museums. Get the hot gossip about behind-the-scenes museum life, vintage ghosts, following your dreams, changing the tone of history and the time Alie ruined a 16th Century Dutch portrait. Also: why Jack London is your new dead celebrity crush.More episode sources & linksSmologies (short, classroom-safe) episodesOther episodes you may enjoy: FIELD TRIP: Natural History Museum of Los Angeles, Metropolitan Tombology (PARIS CATACOMBS), Egyptology (ANCIENT EGYPT), Anthropodermic Biocodicology (HUMAN LEATHER BOOKS), Deltiology (POSTCARDS),  Hematology (BLOOD)Sponsors of OlogiesTranscripts and bleeped episodesBecome a patron of Ologies for as little as a buck a monthOlogiesMerch.com has hats, shirts, hoodies, totes!Follow @Ologies on Instagram and XFollow @AlieWard on Instagram and XEditing by Steven Ray Morris, Mercedes Maitland of Maitland Audio Productions, and Jacob ChaffeeManaging Director: Susan HaleScheduling Producer: Noel DilworthTranscripts by Aveline Malek Website by Kelly R. DwyerTheme song by Nick Thorburn

Dr. Miranda Belarde-Lewis (Zuni/Tlingit) is an assistant professor and the inaugural Jill and Joe McKinstry Endowed Faculty Fellow of Native North American Indigenous Knowledge at the University of Washington's Information School. She is an independent curator who engages public scholarship by working with tribal, state, federal and international institutions and organizations to promote Native artists and their work. Belarde-Lewis holds a B.A. in Cultural Anthropology from the University of Arizona, an M.A. in Museology and Ph.D. in Information Science from the University of Washington.

Powerhouse Parramatta and Cité internationale des Arts have announced Sydney-based Worimi and Biripi guri architect, Jack Gilmer, as one of the recipients of the 2024 galang residency program. Gilmer's project aims to investigate the display and treatment of Indigenous artifacts and collections, addressing the colonial history of museology. With a focus on restitution and accessibility, Gilmer's residency promises to spark conversations about reframing historical narratives and giving agency back to First Nations communities.

Encore un mot qu'on entend de plus en plus (on se demande à cause de qui

⛵Les épisodes évasion, c'est quoi ?Dans les épisodes évasion, je vous emmène en croisière symbolique où j'explore un thème une tendance une destination inconnue qui peut nous inspirer dans nos métiers, en solo ou avec des invités. Nous voyagerons dans le monde des musées en France et ailleurs à l'occasion en francophonie, en Outre-Mer, en Suisse, en Belgique, au Québec et en Afrique, là où le podcast est aussi écouté pour mon plus grand bonheur. Et j'espère encore davantage cette année 2024 !

Belle année 2024 !Je vous propose une nouvelle catégorie d'épisode : les podcasts "évasion" en lien avec mon mot de l'année. Après "ready to shine" (2022) et "slow down (2023), j'ai choisi "croisière" pour m'évader sur des terres inconnues et explorer de nouvelles pratiques, m'inspirer avec vous en solo ou avec un invité.⛵Pour ce premier voyage, direction l'île de l'intelligence artificielle qui inspire et inquiète.Comme pour les autres secteurs, son utilisation pose question pour nos métiers de la culture et des musées.J'explore avec vous cette tendance en vous synthétisant le sujet notamment avec la soirée-débat de l'ICOM sur le sujet "Et demain ? Intelligence artificielle et musées" - Lundi 13 novembre 2023Au programme :⛵ Que peut nous apporter concrètement l'IA pour nos missions muséales ?⛵ Quels risques ?⛵ Quels expérimentations inspirantes ?Pour aller plus loin :La captation vidéo de la soirée-débat de l'ICOM (2h28) : https://www.youtube.com/watch?v=r4QNGIrYCl0

☕Dans cet épisode plus intimiste et "interview", je réponds aux questions qu'on me pose le plus souvent sur mes 2 métiers. C'est même quotidien, ces explications ! Je me suis dis que vous les partager, vous intéresserait donc

Alison Moloney and Judith Clark discuss The Vulgar: Fashion Redefined which explored ideas around fashion and taste. Devised, curated and designed by Judith, this conversation is centred on the two objects which opened the show - a chasuble fragment (1480-1500) and an Elsa Schiaparelli evening ensemble (c.1937). The exhibition was first staged at the Barbican Art Gallery in 2017 (it toured to the Winterpalais in Vienna, Austria and Modemuseum in Hasselt, Belgium) and was co-curated with psychoanalyst Adam Phillips. Judith is Professor of Fashion and Museology at London College of Fashion, where in 2013 she co-founded the Centre for Fashion Curation.

In this episode of Third Culture Africans, Zeze engages in a captivating conversation with Seun Oduwole, the Principal Architect at SI.SA. (Studio Imagine Simple Architecture), renowned for their innovative architectural designs. Together, they explore Seun's inspiring journey and his transformative project, the John Randle Centre for Yoruba Culture and History, which transcends conventional architecture to celebrate the rich influences shaping Yoruba culture. This ongoing urban regeneration initiative in Onikan, Lagos, plays a pivotal role in transforming the Marina and Onikan region into a vibrant tourism destination, honouring Yoruba culture throughout history. The architectural design skillfully translates Yoruba values, paying homage to its historical significance. This episode showcases the evolution of a simple concept into a profound cultural landmark challenging museological paradigms – a must-listen!  

Vous me connaissez combative et punchy mais peut-être un peu moins slowlife et maître yogi. Pourtant le bien-être est pour moi essentiel au bureau comme dans la vie. Souvenez vous d'ailleurs de l'état d'esprit que je vous livrais lors du 1er épisode de l'année en janvier 2023 : slow down, lâche prise et profite mantra de mon année pour moi mais aussi pour vous.  L'épisode d'aujourd'hui est totalement dans cet état d'esprit.  ✨ L'invitée : Marjan Abadie Marjan Abadie est psychothérapeute, superviseur en Thérapie cognitive basée sur la pleine conscience et auteur du livre Méditer avec l'art paru chez Eyrolles. Elle enseigne le bien-être à travers la pleine conscience (de soi, de ses émotions, de ses pensées ... ) depuis 2013 en tant que Directrice de l'Institut Mindfulness.   Passionnée d'Art et de poésie soufie, elle propose une méthode sensible et poétique, nommée Mindful Art Experience et créée en 2018, où chaque œuvre est découverte sous un angle personnel et universel, avec ouverture, attention et douceur pour que les musées puissent devenir un lieu de ressourcement et de connexion à soi et au monde. Elle a collaboré par ex avec le Musée des arts de Nantes pour le congrès international de la santé en ville  et est intervenue sur France Info, a publié dans L'Oeil, Le Soir, La Libre.  Profondément humaniste elle aime l'art qui relie : je cite "l'art est le plus court chemin de homme à homme". Elle espère oeuvrer pour que chacun ait une oeuvre d'art dans son coeur, unique comme la rose du Petit Prince.  

Nous allons parler d'un outil de médiation méconnu : le chariot pédagogique. Entre la mallette pédagogique plus compacte et le chariot à hotdog ou de street food, ces stands de médiation volante ont de nombreux avantages pour connecter avec les publics avec spontanéité, sans réservation, au cœur des expositions et notamment au muséum de Bordeaux. Pour nous en parler je reçois 3 médiatrices passionnées : Lucie Revellin, Mathilde Bonnet et Olivia Blyth. ✨ Les invitées

Alors que nous parlions lors du podcast précédent le n° 85 de la liberté financière des femmes et de nos rémunérations  avec Insaff El Hassini du podcast « Ma juste valeur », nous abordons encore une fois aujourd'hui un sujet engagé. Je reçois Bonnie Heinry et Maryne Fournier de l'association musé.e.es.  Musé.e.s est une association créée au printemps 2021 par 7 jeunes professionnelles issues des musées et de la culture. Son objectif est de sensibiliser aux problématiques féministes au sein de ces lieux et de valoriser les réflexions et les initiatives existantes. L'asso aborde les questions de représentation dans les espaces d'exposition, d'acquisition de collections, de communication mais aussi de conditions de travail. ✨ Qui sont les invitées ? Bonnie est chargée d'inventaire et de récolement des collections. Elle a reçu une formation en histoire de l'art et muséologie, et se porte dorénavant vers les musées d'ethnographie qui se concentrent sur l'histoire d'un territoire. Maryne est médiatrice culturelle. Diplomée d'un master recherche en histoire contemporaine, elle rédige des articles et élabore des documents pédagogiques sur le patrimoine. Ses engagements associatifs l'ont amenée à penser la place des femmes dans la société et à s'intéresser à l'entrecroisement des discriminations. L'asso a publié en 2022 un guide pour un musée féministe. La 2e édition a été imprimée début 2023 grâce à des campagnes de financement participatif. Nous revenons ensemble sur ce riche ouvrage au sommaire et aux témoignages éclectiques dans le but d'amorcer la discussion sur ce sujet du féminisme mais aussi la question du genre dans les musées et les expositions. Car le sommaire de ce guide est très vaste : il est question d'éducation sexuelle dans les structures, d'exposer des femmes artistes dans les musées de France, de la représentation du genre dans les catalogues d'expo, de réaliser des exposition féministe, de sensibiliser aux inégalités ou d'expérimenter l'égalité femme homme au musée jusqu'aux discriminations sexistes sur le lieu de travail qu'on soit salarié ou entrepreneuse en mode #balancetonmusee #metoomusee. Rejoignez notre conversation et terminons ce mini cycle femme du podcast  Débattez défendez avancez !

Et si on oubliait trop souvent l'usager dans nos projets d'exposition et patrimoniaux ? Et si on se contentait à tort de juste les nommer : pour les familles, pour les séniors... Avouez. On aime tous faire les projets qui nous plaisent à nous et on oublie parfois progressivement le véritable destinataire : l'usager. C'est lui qu'on doit satisfaire et non nous-même ! Dans cet épisode, je vous parle de l'UX design, comprenez le design d'expérience utilisateur. Eloigné des musées ? NON !  Design UX : 2 mots. UX se concentre sur les expériences cognitives et émotionnelles de l'utilisateur. Et le design est une activité créative et stratégique pour résoudre des problèmes par l'innovation. Nous créons des expériences pour des utilisateurs. Nous tentons de résoudre des problèmes aussi en espérant être créatif et innovant. Alors OUI, on fait de l'UX design au musée, dans le domaine patrimonial et touristique. Mais nous n'utilisons pas assez les outils et l'une de ses compétences : l'empathie. Autrement dit : se décentrer de soi pour comprendre un besoin et se mettre à la place de ceux qui le rencontrent.  Découvrez avec moi 3 outils clés d'UX design pour vos projets : Le travail des personas La carte d'empathie La cartographie du parcours utilisateur

Meilleurs voeux 2023 ! Slow down : lâche prise et respire, tels seront les mots de l'année. Ambiance davantage forêt

Alex Hancock explores how research about museum collections is helping to connect British museums with more of the publics they claim to support. His emphasis is on decolonisation, engagement, and white European power. Ultimately, how do structural inequalities manifest in our museums, and how do we move to a new set of relationships? Alex undertook this project for the STSNewsRoom in summer 2021. His reporting focused on two specific events. First, Alex discusses with Tannis Davidson the “Displays of Power” exhibition at UCL Grant Museum of Zoology, which explores legacy of empire through objects in the museum and other natural history collections. Objects in these collections have complex histories of collection and ownership. We need to move past merely celebrating the collector and collecting, the exhibition argues, and instead highlight issues of power and control, removal and appropriation, privilege and the ability to ignore. Second, Alex discusses critiques of representation and engagement in museums with Professor Emily Dawson in light of Black Lives Matter campaigning. Professor Dawson has a long history working with groups from many communities to explore what museums mean to them and how museums serve different groups. For some people, museums just aren't welcoming places, Professor Dawson explains. Alex asks the straightforward question: where are these movements leading the future of museums? Is change likely in the near future?   Featuring Presenter and researcher Alex Hancock, UCL Class 0f 2021 Alex also contributed to STS Alchemy 2021   Interviewees Tannis Davidson, Curator of UCL Grant Museum of Zoology Professor Emily Dawson, UCL Professor of Education, Science and Society   In the break, you heard Jasmine Charkravarty, also part of the STSNewsRoom2021.   Additional materials   Professor Dawson's papers regarding the social exclusion of groups in museum spaces include: Dawson, E. (2014). “Not Designed for Us”: How Science Museums and Science Centers Socially Exclude Low-Income, Minority Ethnic Groups. Science Education, 98(6), 981-1008. Dawson, E. (2018). Reimagining publics and (non)participation: Exploring exclusion from science communication through the experiences of low-income, minority ethnic groups. Public Understanding of Science, 27(7), 772-786. The study mentioned by Dr. Dawson regarding Indigenous curatorial practices and how their artefacts and artwork are cared for in museums: Nagam, J., Lane, C., and Tamati-Quennell, M. (Eds.). (2020). Becoming our future: global indigenous curatorial practice (Winnipeg, Canada: ARP Books)   Host: Professor Joe Cain, UCL Professor in History and Philosophy of Biology   Music credits “Rollin At 5,” by Kevin MacLeod https://filmmusic.io/song/5000-rollin-at-5 “Ecossaise in E-flat,” by Kevin MacLeod Link: https://filmmusic.io/song/3700-ecossaise-in-e-flat-woo-86-   In the episode, Alex also uses this music: Young Logos, “Papov”, YouTube Audio Library Bad Snacks, “Wallflowers”, YouTube Audio Library   Podcast information “WeAreSTS” is a production of the Department of Science and Technology Studies (STS) at University College London (UCL). To find out more, and to leave feedback about the show, visit us online: https://ucl.ac.uk/sts/podcast STS Students and staff also can find on the website information about how to get involved with our programme. “WeAreSTS” producer is Professor Joe Cain. Twitter: @stsucl #WeAreSTS  

2 ans de podcast avec vous avec une nouvelle bougie sur le gâteau

As an art critic and a museum staffer, Erin Langner was skeptical of what she would find when she visited the Las Vegas Strip for the first time in the mid-2000s. To her surprise, she returned whenever the opportunity arose, seeking to understand her attraction to this “escape” destination — and the personal histories it conjured. The architecture of the Mirage casino surfaced the vacations to Florida that bandaged her grieving family together in the wake of her mother's death. An encounter with a fake Venus de Milo during a bachelorette party shed light on her identity construction as a woman. An impersonator show evoked the rituals we create as we navigate loss. Together, the essays of Souvenirs from Paradise become a guide to holding fantasy and reality together in one glimpse, in order to better understand our impulses and ourselves. Souvenirs from Paradise was selected as the winner of Zone 3 Press's Creative Nonfiction Book Award by Wendy S. Walters. Erin Langner writes about art, architecture and identity. She is a regular contributor to Hyperallergic and METROPOLIS magazines. Her writing has also appeared or is forthcoming in publications including Fourth Genre, december, The Offing, The Normal School, Hobart, The Brooklyn Rail and Pidgeonholes. Langner is the recipient of a Jack Straw Writers fellowship (2022) and the Good Hart Artist Residency (2023). She earned her M.A. in Museology from the University of Washington and her B.A. in Humanities from the University of Colorado. She lives in Seattle with her husband and daughter and works on exhibitions and publications at the Frye Art Museum. Souvenirs is her debut essay collection. Jen Graves is a stepmother, a mother, a dog mother, a couples and family therapist, sometimes adjunct faculty, and — back when she had the honor of publishing Erin Langner's writing at The Stranger — a finalist for the Pulitzer Prize in Criticism. Souvenirs from Paradise Phinney Books

C'est l'appel à un ami si tu préfères ! Je viens te conseiller sur l'un de tes projets ou difficulté en cours : - en muséographie - en scénographie - en médiation - en accessibilité - en pilotage de projet - dans ton poste actuel... Je serai ta collègue bienveillante pour te booster le temps d'un épisode. Pour participer : claire@funinmuseum.com ou sur Instagram 

Je suis très fière de te confier cette nouvelle. Merci à l'ONISEP pour sa confiance. La description du guide  Pour acheter ce guide " Les métiers de la culture et du Patrimoine" (septembre 2022) 

C'est assez drôle finalement car j'ai enregistré ce mot audio sans remarquer sa publication... un jour férié ! Comme quoi il a tout son sens : avant de partir en vacances et aujourd'hui !

In this episode of Ancient Afterlives, Joe Scales discusses all things related to the ancient synagogue with Drs Tine Rassalle and Rick Bonnie. This is part two of a two part interview, and we are going to organise a book giveaway on our Twitter page @AncientAlives for two books related to the synagogue. For more information please head on over to our Twitter page. Dr Tine Rassalle is an archaeologist, researcher, writer, video gamer, and biblical scholar. Her work concentrates on the intersection of religious material culture and the archaeology of the Ancient Near East, with a focus on ancient Judaism and early Christianity. She received her PhD from the University of North Carolina at Chapel Hill in the Autumn of 2021. Her thesis examined coin deposits found in synagogues in Late Antique Palestine. This dissertation can be found entirely online at www.ancientsynagoguecoins.com. Tine has spent time working for several academic and non-profit organizations, including the Kinneret Regional Project, ASOR Early Career Scholars Committee, the Carolina Center for Jewish Studies, and the Save Ancient Studies Alliance. She is about to start a new position as the curator for the Museum of the Southern Jewish Experience in New Orleans. Dr Rick Bonnie received his PhD in Archaeology in 2014 from the University of Leuven. He is currently a University Lecturer in Museology in the Department of Cultures at the University of Helsinki, and a founding member of the Centre of Excellence in Ancient Near Eastern Empires. His research interests include museum and heritage ethics, object biographies, decolonisation and provenance issues, museum collection histories, and sensory archaeology. He is currently working on two projects: the first "Making Home Abroad: Understanding Migrant Experiences and Heritage Implementation in Finland," is funded by the Finnish Cultural Foundation. The second: "Religious Responses to Climate Change in the Southern Levant," which is funded by a UH 3-year project.

In this episode of Ancient Afterlives, Joe Scales discusses all things related to the ancient synagogue with Drs Tine Rassalle and Rick Bonnie. This is part one of a two part interview, and we are going to organise a book giveaway on our Twitter page @AncientAlives for two books related to the synagogue. For more information please head on over to our Twitter page. Dr Tine Rassalle is an archaeologist, researcher, writer, video gamer, and biblical scholar. Her work concentrates on the intersection of religious material culture and the archaeology of the Ancient Near East, with a focus on ancient Judaism and early Christianity. She received her PhD from the University of North Carolina at Chapel Hill in the Autumn of 2021. Her thesis examined coin deposits found in synagogues in Late Antique Palestine. This dissertation can be found entirely online at www.ancientsynagoguecoins.com. Tine has spent time working for several academic and non-profit organizations, including the Kinneret Regional Project, ASOR Early Career Scholars Committee, the Carolina Center for Jewish Studies, and the Save Ancient Studies Alliance. She is about to start a new position as the curator for the Museum of the Southern Jewish Experience in New Orleans. Dr Rick Bonnie received his PhD in Archaeology in 2014 from the University of Leuven. He is currently a University Lecturer in Museology in the Department of Cultures at the University of Helsinki, and a founding member of the Centre of Excellence in Ancient Near Eastern Empires. His research interests include museum and heritage ethics, object biographies, decolonisation and provenance issues, museum collection histories, and sensory archaeology. He is currently working on two projects: the first "Making Home Abroad: Understanding Migrant Experiences and Heritage Implementation in Finland," is funded by the Finnish Cultural Foundation. The second: "Religious Responses to Climate Change in the Southern Levant," which is funded by a UH 3-year project.

Etre formatrice et prof remonte à 2009 pour moi ! J'avais 24 ans. Dans ce mot audio, je t'explique le tournant que prend cette activité depuis la rentrée 2022. Merci à ceux qui répondent déjà présents avec les commandes et devis en cours. J'ai hâte d'aider d'autres professionnels sur ce volet bientôt. Peut-être toi ? Ma nouvelle page formations du site web 

Today I'm delighted to be talking to Marina Gross Hoy about how to look, and in particular, how to look at your daily life as if you were looking at a work of art. Marina Gross Hoy is a museum studies PhD candidate and a writer. Her doctoral research at the University of Quebec in Montreal focusing on how museums develop digital projects to create engaging experiences for visitors. She has a Master's in Museology from the École du Louvre, and she has previously worked on the education team at Agence France-Museums, the French agency that supported the creation of the Louvre Abu Dhabi. Marina's writing, which is wonderful, explores how looking at daily life with the same gaze we use with art in a museum can open us up to wonder, wholehearted living, and empowerment. In today's episode, Marina shares how one evening in 2020, she realised that she would look more closely into a painting of a sunset than looking at the one right in front of her. And this led her to experimenting with what it would mean to look at her life like a work of art, using what she started calling 'the museum gaze'. In today's episode, Marina shares the main characteristics of 'the museum gaze' and how it works in practice. We discuss how observing life with the same gaze we use with art in a museum works in practice and the numerous benefits we can glean from a regular practice of looking at life in this way. Links https://www.buymeacoffee.com/clairebown (Support the Show) Join the https://www.facebook.com/groups/slowlookingclub (Slow Looking Club) Community on Facebook https://thinkingmuseum.com/2021/06/03/how-to-develop-a-daily-slow-looking-practice/ (Episode 7 How to Develop a Daily Slow Looking Practice) Marina Gross-Hoy's https://www.marinagrosshoy.com/ (website) Marina's newsletter https://marinagrosshoy.substack.com/ (The Museum Gaze) Marina's https://www.instagram.com/marinagrosshoy/ (Instagram)

 Bonjour, il y a 15 jours, je te dévoilais le nom de la nouvelle rubrique de « J'ai l'œil du tigre » : la rubrique FAQ, foire aux questions, que je lance cet automne 2022.     Bien-sûr les autres rubriques du podcast continuent avec la poursuite de la ligne éditoriale que tu connais : les épisodes invités avec des portraits inspirants et des focus thématiques, les readytoshine, les comment pimper, les bottages de fessounettes et les mini-séries. La dernière était sur le tourisme durable où bien-être et conscience écologique se retrouvaient.     Alors un épisode FAQ ça consiste en quoi ?  C'est simple : je te propose un thème ici mais également sur les réseaux sociaux sur Instagram : pour t'abonner c'est là : @fun_in_museum https://www.instagram.com/fun_in_museum/?hl=fr   Tu me poses une ou plusieurs questions sur le thème en question.  Tu me les envoies tout simplement par mail (claire@funinmuseum.com) ou un message privé sur Instagram avec l'objet suivant FAQ + le nom du thème Quelques semaines après je réalise un épisode FAQ sur le thème pour répondre aux questions reçues et les partager à tous.     Et voici le thème pour la 1ère FAQ : entrepreneuriat culturel     Tu peux me poser toutes les questions que tu souhaites sur ce sujet : sur mon parcours d'entrepreneur, sur ton projet d'entreprise culturelle si tu en as un, sur les coulisses de mon métier, sur les conditions de réussite… Réveille ta curiosité sur l'entreprenariat culturel en lien ou non avec ton projet à toi.  Et je te répondrais sans tabou avec la sincérité que tu connais.     A la semaine prochaine pour un nouvel épisode du podcast !  

As Curator-in-Residence for Town Hall, Linda Lee has been working with Town Hall Seattle since October 2021 to better interpret and display our permanent art collections, as well as develop a longer-term exhibition plan including artwork from the community. In the 133rd episode of Town Hall's In the Moment podcast, Program Director Shin Yu Pai interviews Lee about her work as Curator-in-Residence, her collaboration with Urban Artworks to put art on our walls, and exciting opportunities for the public to get hands-on and make murals with us this June. Linda Lee is a Museology graduate student at the University of Washington and aspires to pursue a Ph.D. in Paleobiology after graduation in 2022. Her fields of interest are in Curatorial and Collections Management, with a particular proclivity towards Natural History, Heritage and History museums. Shin Yu Pai is Program Director for Town Hall. She hosts the Lyric World podcast for In The Moment and is developing a podcast with KUOW Public Radio that will launch in June 2022. She's the author of 11 books and a 2022 Artist Trust Fellow. Presented by Town Hall Seattle. To become a member or make a donation click here. 

As Curator-in-Residence for Town Hall, Linda Lee has been working with Town Hall Seattle since October 2021 to better interpret and display our permanent art collections, as well as develop a longer-term exhibition plan including artwork from the community. In the 133rd episode of Town Hall's In the Moment podcast, Program Director Shin Yu Pai interviews Lee about her work as Curator-in-Residence, her collaboration with Urban Artworks to put art on our walls, and exciting opportunities for the public to get hands-on and make murals with us this June. Linda Lee is a Museology graduate student at the University of Washington and aspires to pursue a Ph.D. in Paleobiology after graduation in 2022. Her fields of interest are in Curatorial and Collections Management, with a particular proclivity towards Natural History, Heritage and History museums. Shin Yu Pai is Program Director for Town Hall. She hosts the Lyric World podcast for In The Moment and is developing a podcast with KUOW Public Radio that will launch in June 2022. She's the author of 11 books and a 2022 Artist Trust Fellow. Presented by Town Hall Seattle. To become a member or make a donation click here. 

Matthew Connell's early interests in science and culture led to a 30+ year career as a museum curator specialising in computing and mathematics. We hear about Matthew's early influences, his thoughts on the relevance of museums and material culture, and his concerns about the trappings of technology. 

Matthew Connell's early interests in science and culture led to a 30+ year career as a museum curator specialising in computing and mathematics. We hear about Matthew's early influences, his thoughts on the relevance of museums and material culture, and his concerns about the trappings of technology.