Podcast appearances and mentions of francisco tarrega

durée : 00:05:35 - "Boléro" de Julián Arcas (1832-1882) - "Julián Arcas a étudié en Angleterre et a développe une carrière de concertiste en Europe. Il est un trait d'union entre la guitare romantique de l'école de Dionisio Aguado et la guitare classique. Il sera le maître de Francisco Tarrega, Juan Parga, Luis de Soria & Carlos Garcia." Sébastien Llinarès

Se admiten recomendaciones escríbeme al correo…laguitarraenbraille@gmail.com Sígueme en Facebook… Telegram… Twitter… Publicados en ivoox …y otros gestores de Podcast…

Se admiten recomendaciones escríbeme al correo…laguitarraenbraille@gmail.com Sígueme en Facebook… Telegram… Twitter… Publicados en ivoox …y otros gestores de Podcast…

Francisco Tarrega - Recuerdos de la Alhambra Andrea Gonzalez Caballero, guitar More info about today's track: Naxos 8.573767 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

!Bienvenidos! Listen and explore the music of some of Spain's most influential composers and players, from King Alfonso X (a.k.a. "Alfonso El Sabio"/Alfonso the Wise) to Francisco Tarrega, known as "the father of classical guitar." You'll also learn how the guitarra came to Spain in the first place.

From Albeniz to Tarrega to the blues via John Mayall to jazz/rock...

C’est une balade sonore à la croisée du collage et du documentaire, conçue par le studio Cordes Sensibles. On y traverse La REcyclerie, ses bruits inédits, ses multiples histoires, ses actions engagées. On y croise des vieilles branches et de drôles d’oiseaux : ceux qu’on croise à l’aube et ceux qui piaffent la nuit. C’est une balade de 10 minutes, à vivre seul·e au casque, sur les voies ferrées de la Petite Ceinture où l’on oscille entre le calme d’une petite forêt et le Paris animé. Bonne écoute ! ------------------------------------------------ Une balade sonore proposée par La REcyclerie, avec le soutien de la Fondation Groupe RATP. Production : Cordes SensiblesRéalisation : Chloé KobutaTexte : Luc DagognetVoix off : Kevin Lipka & Chloé Kobuta Témoignages : Bruno Bretelle, bon connaisseur de la Petite Ceinture, François Godard, réalisateur de films autour de la Petite Ceinture et Bruno Ballet, agronome, botaniste spécialiste de la biodiversité de la Petite CeintureIngénieur du son : Luis CalderonSound Design : Jules Dasseux & Barthélémy BelleudyMixage : Sylvio ArrondoExtraits Musicaux : Bird Chat, Anne-Sophie-Versnaeyen / My Hero, Julien-Vega / Réception, Baptiste-Charvet / Prélude à l’après-midi d’un Faune, Claude Debussy / Schubert in Bamako, Kevin-Seddiki / Premier-Film, Pablo-Pico / Caprice-Arabe, Francisco Tarrega et Pluck-and-Blow, Paul-Honey - via Cézame Music Agency.

Classical guitar virtuoso Irina Kulikova, 37, grew up in an artistic Russian family: her mother is a cellist and a now-retired music teacher; her father is a photographer. Irina got her first guitar at age five. By the time she was eight, she’d had her first public performance. At 12, she was a child star playing all across Russia and at festivals in Europe. When she was 14, her name appeared in Maurice Summerfield’s esteemed reference book, The Classical Guitar: Its Evolution, Players and Personalities Since 1800. Today, Irina Kulikova tours internationally at leading festivals in Europe, North America, and Asia, and at many of the world’s great concert hall. She has received over 30 awards for her artistry, and has recorded four solo CDs, three of them distributed worldwide on the Naxos label. The Russian guitar virtuoso will be performing Saturday, February 1 at 8pm at the Earl and Darielle Linehan Concert Hall at UMBC, one of a series of concerts sponsored by the Baltimore Classical Guitar Society. Today, Irina Kulikova joins us Live in Studio A with a preview of Saturday's performance. On her playlist: Frederic Chopin’s Vals No.7; Francisco Tarrega’s gavotte Maria; and Federico Moreno-Torroba’s Allegretto from his Sonatina in A-major. We live-streamed this segment on WYPR’s Facebook page. Watch the video here.

A short lecture on the grade of Practicus, the third initiated degree. We will be discussing various aspects of the grade work and Ordo Astri, the Order of the Star. Also included is an entertaining, illustrated talk focussed on the new book, ‘Dreaming Thelema of Kenneth Grant and H. P. Lovecraft’. This includes readings from two H. P. Lovecraft stories written in the 1920’s, ‘The Festival’ and ‘The Call of Cthulhu’. The final section concerns the Art of Gematria. There is an unexpected appearance by Aleister Crowley!© Oliver St. John 2016 © ‘Endecha’ Prelude in D Minor by Francisco Tarrega performed and recorded by Oliver St. John; ‘Transition (improvisation)’ by Oliver St. John.Visit Ordo Astri, Thelemic Magical Collegium: www.ordoastri.org

Episode 19: We discuss Liber 373, the seven rites and seven seals of the Dragon Star. The Dragon Star is a series of tantrik initiations that has its basis in the Qabalah and Hermetic Tree of Life. The Elizabethan sorcerer and alchemist John Dee provided the blueprint for this. We also take a look at the Magick of Earth and Stars, for terrestrial and celestial locations are vital to any tantrik initiation. Episode 19 also features two newly recorded performances on guitar of compositions by Francisco Tárrega and Heitor  Villa-Lobos.© Oliver St. John 2017© ‘Adelita’ Mazurka, Francisco Tarrega, and A minor Prelude 3 from Five Preludes for Guitar, Heitor Villa-Lobos, performed and recorded by Oliver St. John.Visit Ordo Astri, Thelemic Magical Collegium: www.ordoastri.org

In Episode 12 of this series we discussed the new book, ‘Dreaming Thelema of Kenneth Grant and H. P. Lovecraft’. The book features 17 surrealist paintings created as part of the project. It also includes three complete short stories by H. P. Lovecraft: Nyarlathotep, The Crawling Chaos, and The Haunter of the Dark, plus a reconstruction of the Lovecraftian Necronomicon. We depart from the usual lecture style of these talks to read the short stories, The Haunter of the Dark. The story is broadcast in two parts; the second part is given in Episode 14.© Oliver St. John 2016© ‘Endecha’ Prelude in D Minor by Francisco Tarrega performed and recorded by Oliver St. John; ‘Transition (improvisation)’ by Oliver St. John. Visit Ordo Astri, Thelemic Magical collegium: www.ordoastri.org

Here is the second and final part of the H. P. Lovecraft short story, The Haunter of the Dark, narrated by Oliver St. John.© Oliver St. John 2016 © ‘Endecha’ Prelude in D Minor by Francisco Tarrega performed and recorded by Oliver St. John; ‘Transition (improvisation)’ by Oliver St. John.Visit Ordo Astri, Thelemic Magical Collegium: www.ordoastri.org

Episode 16: We move on to the grade of Dominus Liminis and investigate relations between the Holy Guardian Angel and the astrological natal chart. We therefore include an overview of the subject of Hermetic Astrology. Astrology is frequently neglected by modern students, and sometimes even completely ignored. We will use as case studies the horoscopes of two men that started out the best of friends but ended up sworn enemies: Samuel Liddel MacGregor Mathers and Aleister Crowley.© Oliver St. John 2017© Prelude in D Minor by Francisco Tarrega performed and recorded by Oliver St. John; ‘Transition (improvisation)’ by Oliver St. John.Visit Ordo Astri, Thelemic Magical Collegium: www.ordoastri.org

Episode 17: We will look at the book entitled, The Phoenix and other Stellar Rites of Initiation. Heather Carmen and Oliver St. John perform a dramatisation of some of the Phoenix Ritual. We also include here Astrology of the Holy Guardian Angel Part Two. We cover what Edwin C. Steinbrecher called ‘Alien Powers’ in a natal horoscope.© Oliver St. John 2017© Prelude in D Minor by Francisco Tarrega performed and recorded by Oliver St. John; ‘Transition (improvisation)’ by Oliver St. John.Visit Ordo Astri, Thelemic Magical Collegium: www.ordoastri.org

Episode 18: We discuss Thelemic mysticism, with a particular emphasis on the practical side of things. The saints and sages down the ages were not all ‘up in the clouds’. We will demonstrate this with some readings from The Confessions of Jacob Boehme. Boehme had some encouraging and helpful advice to anyone facing the trials and tribulations of the spiritual path. We will of course provide plenty of comparative readings from the (Egyptian) Book of the Law, Liber AL vel Legis.  © Oliver St. John 2017© Prelude in D Minor by Francisco Tarrega played by Oliver St. John; ‘Transition (improvisation)’ by Oliver St. John.Visit Ordo Astri, Thelemic Magical Collegium: www.ordoastri.org

Episode 20: We will discuss the extraordinary fiction writing of Lord Dunsany. His early tale, Journey of the King, explored and even illustrated realms of Qabalah, magick and the Nightside years before Aleister Crowley and Kenneth Grant did so in a more technical manner. Oliver St. John reads the entire story, Journey of the King, Part Two of Time and the Gods by Lord Dunsany.© Oliver St. John 2017© ‘Adelita’ Mazurka, Francisco Tarrega, performed and recorded by Oliver St. John. Incidental music, Oliver St. John.Visit Ordo Astri, Thelemic Magical Collegium: www.ordoastri.org

April is International Guitar Month! In honor of that, we're bringing back this episode with one of our fave guitarists, Valerie Hartzell, creator/director of the Classical Minds Festival and Competition. Valerie talks about the ladies of classical guitar. Who are they? Why did their numbers diminish over time? And what can we do about it?? Audio production by Todd “Not Tony Danza” Hulslander with editing by Mark DiClaudio and bossing by Dacia Clay. Music in this episode: "Valerie Loves Me," by Material Issue “Rosita” by Francisco Tarrega. Played live in studio (also available on Valerie’s Ex Tenebris Lux CD). Chaconne in G Major by George Frideric Handel. Played by Ida Presti and Alexandre Lagoya.   Special thanks to Todd Reynolds for his music, Taskforce: Farmlab from Outerbourough.

Why did the number of female guitarists diminish over time? Was it a comet?? Find out here! It’s Women’s History Month, and all month, we’re bringing you amazing women in classical music! In this episode, guitarist Valerie Hartzell, creator/director of the Classical Minds Festival and Competition, talks about the ladies of classical guitar. Who are they? Why did their numbers diminish over time? And what can we do about it?? Audio production by Todd “Not Tony Danza” Hulslander with editing by Mark DiClaudio and bossing by Dacia Clay. Music in this episode: – “Rosita” by Francisco Tarrega. Played live in studio (also available on Valerie’s Ex Tenebris Lux CD). – Chaconne in G Major by George Frideric Handel. Played by Ida Presti and Alexandre Lagoya. For more about Valerie Hartzell: www.valeriehartzell.com Want to learn more about women in classical guitar? Check out this information from guitarist and scholar, Candice Mowbray: Dr. Mowbray wrote her doctoral dissertation about Ida Presti; she’s also been writing short essays about the women of classical guitar on her Facebook page during Women’s History Month. You can see another article she wrote about Presti here. In her own words, “I started my research about female guitarists in 2006 when I was asked to give a lecture at the Bethlehem Guitar Festival. The theme of the that year’s event was “Women in Guitar” and my lecture discussed women as performers, composers and philanthropists. Through the process, I discovered wonderful players and music that was new to me. I have enjoyed continuing to share the information.” Thanks to Dr. Mowbray for providing us with this great info!

How did classical guitar – and therefore, all guitar as we know it – almost become extinct? Who was the hero who saved it from the brink of doom? Why aren’t guitars an orchestral instrument? And why are guitarists nails so shiny? Classical guitarist Valerie Hartzell – member of the Presti Trio and director of the Classical Minds Guitar Institute – answers all of these burning questions and more in the big 5-0 episode of Classical Classroom. Audio production by Todd “Terrific” Hulslander with “helpful” input from Dacia Clay. Music in this episode: – Oud music by Said Chraibi – Spanish guitar in the Renaissance and Baroque by José Miguel Moreno – “Be M’An Perdut, chanson de troubadour” by Bernart De Ventadorn (c.1140-c.1200) – Recuerdos de la Alhambra by Francisco Tarrega, from Ex Tenebris…Lux, performed by Valerie Hartzell – Danzas Gitanas, Op. 55: I. Zambra by Joaquin Turina from the self-titled CD by Presti Trio For more about Valerie Hartzell: www.valeriehartzell.com For information about the Classical Minds Guitar Institute: www.uh.edu To see video of Valerie performing in our studio, go here. To hear St. John Flynn’s interview with her about the Classical Minds Guitar Institute and Competition, go here. Photo from the Anchorage Daily News.

Listen Up! Yay! Show 126! We're big boys now! Good Job!We're back!Tune 1: Adelita by Francisco Tarrega, performed by Dustin JonesBuyer's RemorseTune 2: Shop Vac by Jonathan CoultonOn Film: Grace is Gone

Listen Up! Our first official show is in the can. Here are some highlights: Thank you! - We've broken 100 Listener mail - blame Canada Dr. Spock, Olympic baby-tosser Romantic Study by Francisco Tarrega as performed by: Miguel Pico Phishing attempt from Microsoft In vino veritas: 2001 Cabernet Sauvignon Reserve - Robert Mondavi VIB