Podcasts about hebrew slaves

DescriptionVerdi's Nabucco: A Triumph of Freedom and Song in 60 Seconds. Take a minute to get the scoop!Fun FactGiuseppe Verdi's Nabucco is a landmark opera that established his reputation as a composer. Featuring the iconic "Chorus of the Hebrew Slaves," it blends dramatic storytelling with powerful music, reflecting themes of exile and freedom. Its success marked the rise of Verdi as a towering figure in Italian opera.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

God sends Moses to speak to Pharaoh to let His people go, but he refuses. After 400 years of slavery, the Hebrew slaves were greatly oppressed. Pharaoh cut off the straw to make the bricks to build his cities but kept his quota to produce the bricks the same. He made their lives miserable, and their spirit was broken. God saw the Hebrews' oppression to intervene and free them from their bondage. He raised Parroh to be in his position and hardened his heart so God could demonstrate His power to all people. God also raised Moses to be in his place to build faith in Moses and Hebrews and reveal Himself to His people. This duality story ultimately revealed God's power and character for all generations. Exodus is especially relevant today, given the plagues unleashed in modern times. Those who trust will be saved, and those who do not will perish.Video at https://youtu.be/DUlee3G-FZc *********** Support MrE and his channel at: Apocalypse Watchman by MrE, https://www.bitchute.com/channel/apocalypse_watchman/ MrE, https://odysee.com/@MrE:c Donate to MrE at PayPal.me/mrehistory Patreon: https://www.patreon.com/mremedia Cat channel: https://www.youtube.com/@catpocalypsenow8090***********Multiple ways to support my work:My books: https://www.savedandloved.com/shopDonate to my site: https://www.savedandloved.com/donateBuy Me a Coffee: https://www.buymeacoffee.com/savedandlovedDonate at Patreon: https://www.patreon.com/SavedAndLoved31

Some tuneful Schoenberg, Verdi, Mozart.

But discover they are addicted to the slavery-system and forcibly repossess them, engraging Hashem

Jess meets up with Love Ssega to swap some of their favourite music. A founding songwriter and vocalist of Clean Bandit, Love Ssega is hugely in demand for his collaborative work across genres from pop to visual art. He is currently the Philharmonia's artist in residence. Ssega came with some truly epic Elgar played by Sheku Kanneh Mason, a serious ear worm of an opera chorus by Verdi, and introduced Jess to the incredible voice of Alice Smith (she's been listening to her on loop since). Meanwhile Jess played Ssega Vivaldi arranged by Max Richter, some 12th century vocal music by Hildegard von Bingen, and an elegy to the environment by Marvin Gaye. PLAYLIST: MAX RICHTER/VIVALDI: Spring 1 – from the Four Seasons Recomposed [Daniel Hope (violin), Zurich Chamber Orchestra] VERDI: Va pensiero – Chorus of the Hebrew Slaves (from Nabucco) [Chorus and Orchestra of Royal Opera House, London, Bernard Haitink (cond)] MARVIN GAYE: Mercy Mercy Me (The Ecology) ELGAR – Cello Concerto in E minor, op.85 – 1st mvt [Sheku Kanneh Mason (cello), London Symphony Orchestra, Simon Rattle (cond)] PETER GABRIEL: The Book of Love WILLIAM MATHIAS: Zodiac Trio, op.70 – 1st mvt ‘Pisces' [Dallas Triptych Players] HILDEGARD von BINGEN: Spiritus Sanctus Vivificans [Armonico Consort, Christopher Monks (dir) ALICE SMITH: Wednesday's Child

Giuseppe Verdi - Nabucco: Va pensiero (Chorus of the Hebrew Slaves) Slovak Philharmonic Chorus Slovak Radio Symphony Orchestra Oliver Dohnanyi, conductor More info about today's track: Naxos 8.550241 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

If these teachings have been a blessing to you, please consider supporting this channel: https://www.paypal.com/donate/?hosted_button_id=F3UNXXWFRHAG4Many years have passed since Jacob and his people went down into Egypt under the gentle care of Joseph. Both Jacob and Joseph are dead and a new dynasty of kings have risen over Egypt. And this family of kings have no appreciation or remembrance of how Joseph saved Egypt from starvation. So, the new kings of Egypt began to employ measures to suppress and oppress the Hebrew people, enslaving them and making their lives bitter with harsh treatment in an atmosphere of death.00:00 - Review05:09 - Tribal fathers who went to Egypt07:27 - Israel multiplied 09:04 - Israel oppressed by another pharaoh (dynasty)13:15- Suppression and oppression tactic #1 - harsh labor17:28 - Suppression and oppression tactic #2 - midwives commanded23:46 - Suppression and oppression tactic #3 - all Egyptians commanded25:44 - Final thoughtsSupport this podcast at — https://redcircle.com/lets-talk-scripture/donations

Exodus 14 We explore the dramatic deliverance of the Hebrew Slaves at the Red Sea, and witness a God who is present, who is powerful and who delivers a whole people group from a painful and impossible situation. What is the significance of that story for Christ-followers today?

Psalm 137 depicts the ancient Hebrews, enslaved and weeping “by the rivers of Babylon,” as they remember their homeland, Jerusalem. Those words have inspired songwriters of reggae, Broadway, disco, folk and more, but one of the most memorable versions is featured in Giuseppe Verdi's opera Nabucco. The opera retells the story of the Babylonian captivity when Nebuchadnezzar (or Nabucco, in Italian) seizes Jerusalem, destroys the temple, and enslaves the Israelites in his kingdom. At the heart of the opera is “Va, pensiero,” also known as the Chorus of the Hebrew Slaves, in which the Israelites yearn for their lost home.  It's this yearning for home by those exiled from their homeland, and of refugees trying to build a new identity in a new land, that has helped make Verdi's first big hit resonate far beyond the opera house since its premiere. Host Rhiannon Giddens and her guests explore the experience of refugees and immigrants, the significance of memory and community, and the power of 100 voices joined in song. Donald Palumbo has been the chorus master at the Met Opera for 15 years. He can remember almost every time he has ever performed “Va, pensiero,” and usually ends up standing in the wings just to listen to it. He previously was the chorus master at the Lyric Opera of Chicago, and has taught at Juilliard since 2016.  Professor Mark Burford is a musicologist at Reed College in Portland, Oregon. He specializes in 19th-century Austro-German music, and twentieth century African American music, and is the author of the award-winning book Mahalia Jackson and the Black Gospel Field.  He previously taught at the Weill Music Institute at Carnegie Hall, Columbia University, and City College of New York. Rabbi Danya Ruttenberg is the Scholar in Residence at the National Council of Jewish Women. She writes books about the messy business of trying to be a person in the world, and about how spirituality can transform that work. She is the author of seven books, including Nurture the Wow and Surprised by God. She's been named one of the top 50 most influential women rabbis. Roya Hakakian is an Iranian Jewish writer and the author of two volumes of poetry in Persian. Her family was exiled from Iran following the 1979 revolution, after which they lived as refugees in Europe for a year before immigrating to the United States. Her most recent book is A Beginner's Guide to America: For the Immigrant and the Curious. 

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Anyone who saw Sheku Kanneh-Mason play the cello at the Royal Wedding, or win BBC Young Musician of the Year at the age of only 17, will realise that he comes from the most extraordinary family. Two of his siblings are also Young Musician finalists, and his older sister, Isata, is a professional pianist. Collectively the seven Kanneh-Mason children make music wherever they are. During lockdown, that was the family home in Nottingham, from which they performed live on Facebook. Michael Berkeley’s guest is their mother, Kadiatu Kanneh-Mason: the woman who inspires them, who gets up before dawn to drive them to lessons and trains, who organises their practice schedules, who dances with them in the kitchen. She tells Michael Berkeley about how she does it – and why. She looks back on her childhood in Sierra Leone, and the huge transition of coming to live with her grandparents in Wales after her father died. She reveals her own musical ambition – to play the violin – and discusses how she manages to get the children to practise. She explores with Michael the question of prejudice in the classical music world. And she plays the reggae song the family will be dancing to at Christmas. Other choices include Verdi’s “Chorus of the Hebrew Slaves”, Shostakovich’s Second Piano Trio, Mozart’s Requiem, Schubert’s Trout Quintet and Samuel Coleridge-Taylor’s “Deep River”. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

If this music doesn't make you cry, we've run out of ideas. Gerald tells the story of "The Chorus of the Hebrew Slaves" and how historical fiction is all about today. #amwriting #selfpub #histfic #podcast There's help for self-publishing authors at getpublishedradio.com.

Comedian Shazia Mirza chooses Verdi's The Chorus of the Hebrew Slaves from the opera Nabucco and Heroes by David Bowie.

Goldie, producer, DJ and artist; actor Tim Bentinck and model and campaigner Mary Russell join Aasmah Mir and the Reverend Richard Coles.. Born in Walsall and brought up in a series of children's homes, Goldie made his name as a graffiti artist before becoming a sought after producer and DJ. As an actor he appeared in the James Bond film the World is Not Enough and learned how to conduct an orchestra in the BBC series Maestro. His new book, All Things Remembered, written with Ben Thompson, looks back at his eventful life and reveals how hot yoga has helped him come to terms with his past. All Things Remembered is published by Faber and Faber. Mary Russell is a model, disability rights campaigner and a television personality. Born with achondroplasia - a common cause of dwarfism - she also works for a range of charities which aim to educate people about disability. Mary has appeared in the television series the Undateables and more recently in the BBC series Without Limits in which a group of people with disabilities travelled to Vietnam. Actor Tim Bentinck has played the role of David Archer in BBC Radio 4's soap opera The Archers for the past 35 years. In his memoir, Being David Archer, he recounts his varied life from being born in Tasmania to being the Earl of Portland (a title he inherited from a distant cousin) the voice of Mind the Gap on the Piccadilly Line, an HGV truck driver, an inventor and the voice of James Bond in the computer game The World is Not Enough. Being David Archer is published by Constable and Robinson. Also on the programme is Eloise Sentito who left her job as an academic to drive around the country in a campervan which is now her home and where she weaves blankets and shawls inspired by the landscape around her. JP Devlin visits Rosamund Young who runs a farm in the Cotswolds where she observes the mannerisms and relationships developed by her cattle - all the better to learn from their behaviour. The Secret Life of Cows is published by Faber and Faber. And comedian Shazia Mirza reveals her inheritance tracks - Verdi's The Chorus of the Hebrew Slaves from the opera Nabucco and Heroes by David Bowie. Producer: Paula McGinley.

You hear a call from Zvi Weiss praising Opera Centre - Verdi's Chorus of Hebrew Slaves from Nabucco - Paul O'Mahony reads from Robert Parker in the 2016 Royal Opera House Programme Book.

Charlie Phillips is a Jamaican-born photographer whose work has been exhibited across the world, and is part of the permanent collections of The Tate and the V&A. He's best known for his photographs of the area of London where he arrived to live as a boy: Notting Hill. His images are full of the atmosphere of Notting Hill in the late 50s and 60s: slum housing, market traders, churchgoers, children playing on the streets - and they're now valued as a unique record of the experience of that Windrush Generation. Later in the sixties, Charlie Phillips photographed the student protests in Paris, pop festivals and rock stars, while making a living as a paparazzo, chasing Elizabeth Taylor around. Simon Schama has described him as a "Visual Poet - chronicler, champion, witness of a gone world - one of Britain's great photo-journalists." But Charlie Phillips didn't set out to be a photographer; instead, he wanted to be an opera singer, and during his time as a paparazzo in Milan he achieved his ambition, singing from the stage of La Scala in Verdi's Chorus of the Hebrew Slaves. In Private Passions Charlie Phillips talks about his passion for opera, and about the racism he encountered when he first arrived in Britain. And although Charlie Phillips has now left West London, he goes back to Notting Hill almost every day - he can't afford to live there any more, but it's where he feels most at home. Musical Choices include Verdi, Puccini, Dave Brubeck, and a rarely-performed opera by the African-American composer Scott Joplin, about the importance of education in the black community. Phillips also loves hymns and chooses "How Great Thou Art", a rousing evangelical hymn he has planned for his own funeral. Produced by Elizabeth Burke A Loftus Production for BBC Radio 3.

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Sue Lawley's castaway this week is the astrophysicist Professor Jocelyn Bell Burnell. Jocelyn Bell Burnell was only twenty-four when she made the discovery of a lifetime: As she was mapping the universe for her PhD, she chanced upon the radio signal for a totally new kind of star, known as a 'pulsar'. Her find is seen as one of the most important contributions to astrophysics in the twentieth century. [Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: The Chorus of the Hebrew Slaves by Giuseppe Verdi Book: The Brothers Karamazov by Fyodor Dostoyevsky Luxury: Book on how to sketch and some paper and pens

Sue Lawley's castaway this week is the astrophysicist Professor Jocelyn Bell Burnell. Jocelyn Bell Burnell was only twenty-four when she made the discovery of a lifetime: As she was mapping the universe for her PhD, she chanced upon the radio signal for a totally new kind of star, known as a 'pulsar'. Her find is seen as one of the most important contributions to astrophysics in the twentieth century. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: The Chorus of the Hebrew Slaves by Giuseppe Verdi Book: The Brothers Karamazov by Fyodor Dostoyevsky Luxury: Book on how to sketch and some paper and pens

This week, Sue Lawley's castaway on Desert Island Discs is General Sir Charles Guthrie.Favourite track: The Chorus of the Hebrew Slaves by Giuseppe Verdi Book: Vol 1 of biography of the Duke of Wellington - Year of the Sword by Lady Longford Luxury: Surfboard

This week, Sue Lawley's castaway on Desert Island Discs is General Sir Charles Guthrie. Favourite track: The Chorus of the Hebrew Slaves by Giuseppe Verdi Book: Vol 1 of biography of the Duke of Wellington - Year of the Sword by Lady Longford Luxury: Surfboard