Podcasts about hella jongerius

Die diplomierte Innenarchitektin und Design-Expertin Barbara Glasner (*1970) arbeitet als freie Beraterin, Kuratorin und Herausgeberin für Design und Architektur sowie als Creative Director für den Verlag form in Frankfurt am Main und Konstanz. Im Rahmen ihrer Zusammenarbeit mit dem Rat für Formgebung/German Design Council kuratierte und projektierte sie von 2001 bis 2007 für die internationale Kölner Möbelmesse imm cologne die Editionen des Designprojekts „ideal house cologne“, mit denen renommierte Gestalter*innen wie Zaha Hadid, Hella Jongerius, Patricia Urquiola, Fernando und Humberto Campana, Konstantin Grcic, Ronan und Erwan Bouroullec, Naoto Fukasawa, Stefan Diez und Dieter Rams ihre Visionen für das Wohnen der Zukunft vorstellten. Begleitend zu den Messeprojekten fanden internationale Pressereisen statt. Hierfür entwickelte Barbara Glasner eigens ein Ausstellungsformat, dass die jeweiligen Designer*innen und deren Arbeit portraitierte. Weiterhin entwickelte und kuratierte sie für die imm cologne mehrfach das Ausstellungsforum für internationale Nachwuchsdesigner*innen „inspired by cologne“ sowie das Interiordesign-Trend- und Vortragsforum, jeweils mit Begleitpublikationen. 2006 war sie die verantwortliche Kuratorin für die Ausstellung „Weltmeister Design Deutschland" im Haus der Gegenwart in München, ein Projekt des Rat für Formgebung und des SZ Magazins in dessen Mittelpunkt die Inszenierung deutscher Alltagsproduktkultur stand. Die Ausstellung wurde stellvertretend für einen Katalog mit einer Sonderausgabe des SZ Magazins dokumentiert. Ebenfalls in Kooperation mit dem Rat für Formgebung konzeptionierte und projektierte sie diverse Designexpert*innen Workshops (z.B. BASF/Ultradur mit Stefan Diez, Konstantin Grcic, James Irvine und Hannes Wettstein, 2006, oder Dupont/Corian u.a. mit Blocher & Blocher, Schneider + Schumacher, KSP Engel Zimmermann, 2005), Vortragsformate sowie die internationale Wanderausstellung des „Bundespreis Produktdesign“ (heute German Design Award). 2008 veröffentlichte sie zusammen mit Petra Schmidt und Ursula Schöndeling das Buch „Patterns 2. Muster in Design, Kunst und Architektur“, 2009 in Zusammenarbeit mit Petra Schmidt das Buch „Chroma. Design, Architektur und Kunst in Farbe“ und 2012 mit Stephan Ott das Buch „Wonder Wood – Holz in Design, Architektur und Kunst“ (alle Birkhäuser Verlag). Alle Publikationen sind auch in englischer Sprache erschienen. Zusammen mit ihrem Ehemann Prof. Dr. Peter Wesner gründete sie 2011 den Verlag form in Frankfurt am Main und gibt als Creative Director unter anderem die form Designeditionen heraus, die sie mit renommierten Designer*innen als limitierte Objekte entwickelt. Seit 2018 ist sie Herausgeberin der wieder aufgelegten Buchreihe form Designklassiker. Für den Beschlaghersteller FSB Franz Schneider Brakel realisierte sie unter anderem die Corporate Publishing Projekte „Türklinke FSB 1144 von Jasper Morrison“ / „Door Handle FSB 1144 by Jasper Morrison“, 2019, „An der Oberfläche: Metalle in Architektur und Design“/„On the Surface: Metals in architecture and design“, 2020 sowie „Griff zum Himmel“/„Handle to Heaven“, 2021. 2023 veröffentlichte sie im Verlag form das Buch „Most Touched“, ein Kompendium mit über 1.000 Fotografien von Türgriffen aus aller Welt. Für das 2024 im Verlag form erschienenen Buch „Was ist gut 2023?“ des Deutschen Design Clubs war sie lektorierend und beratend tätig. Seit dem Sommersemester 2023 nimmt Barbara Glasner Lehraufträge an der HSPF Hochschule Pforzheim, Fakultät Design, Studiengänge Accessoire Design/Produktdesign/Modedesign zum Thema „Farbe“ und „Presentation“ wahr.

In this inaugural episode of Where Next? Conversations with Map Project Office the panel ask questions about the fetishisation of newness in design. Host Oli Stratford is joined by guests Richard Stevens, Mads Kogsgaard Hansen, Priya Khanchandani and Hella Jongerius as they discuss how the industry might adopt a different approach, in which products accrue in value as they age, are built around modular principles, and are designed to be easily repaired and upgraded. With society seeking to urgently reduce waste, is it time we stopped being so afraid of the “old”? Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Hella Jongerius' (1963, the Netherlands) work combines the traditional with the contemporary, the newest technologies with age-old craft techniques. She aims to create products with individual character by including craft elements in the industrial production process. Jongerius sees her work as part of a never-ending process, and the same is essentially true of all Jongerius' designs: they possess the power of the final stage, while also communicating that they are part of something greater, with both a past and an uncertain future. The unfinished, the provisional, the possible – they reside in the attention to imperfections, traces of the creation process, and the revealed potential of materials and techniques. Through this working method, Jongerius not only celebrates the value of the process, but also engages the viewer, the user, in her investigation. In 1993, after graduating at the Academy of Industrial Design in Eindhoven, she founded the Jongeriuslab studio, where independent projects as well as works for major clients are developed, including textile designs for the upholstery fabric company Maharam, the interior design of the Delegates' Lounge of the United Nations Headquarters in New York, cabin interiors for the airline KLM, the installation ‘Colour Recipe Research' at the invitation of curator Hans Ulrich Obrist for the MAK (Vienna) and the installation ‘A Search behind Appearances', a cooperation with Louise Schouwenberg commissioned by Serpentine Galleries. Recent projects include solo exhibitions at the Gropius Bau, Berlin (2021), Lafayette Anticipations (2019) and Nationalmuseum, Stockholm (2019). Her Space Loom #1 was acquired by Centre Pompidou in 2019. In 2017, Hella Jongerius was awarded the Sikkens Prize, one of the Netherlands' oldest independent art prizes given once every few years to individuals or institutions that are considered to have made a special contribution to the field of colour. In recent years Jongerius has been focussing on research projects, resulting in exhibitions such as Breathing colour (solo exhibition at the Design Museum, London, 2017) Interlace – textile research (solo exhibition at Lafayette Anticipations, Paris, 2019) and Woven Cosmos (solo exhibition at Gropius Bau, Berlin, 2021). Many of Jongerius' products can be found in the permanent collections of museums such as MoMA, New York, the Victoria and Albert Museum, London as well as Die Neue Sammlung, Munich, and Centre Pompidou, Paris. Since 2009 Hella Jongerius lives and works in Berlin.

Dutch designer Hella Jongerius is one the most respected talents in the industry, and her mastery of form and color has influenced the design world in immeasurable ways. On this episode, Dan speaks with the legend about how she got started, her theories on color, and why we should rethink the concept of ownership to become more sustainable. See acast.com/privacy for privacy and opt-out information.

Hella Jongerius approaches design with the analytic intensity of a scientist. Every design is a manifestation of a well-researched hypothesis…

Claudy Jongstra is wereldberoemd om haar wandtapijten van vilt en stoffen die ze al twintig jaar op haar boerderij in het Friese Spannum ambachtelijk creëert. Haar werk is onder meer opgenomen in de collecties van het Rijksmuseum en het MoMa in New York.  Ze werkte samen met vele vooraanstaande ontwerpers onder wie Alexander van Slobbe, Hella Jongerius, Donna Karan en John Galliano. De wol voor haar werk komt van haar eigen schaapskudde en de verf uit haar botanische tuin. In samenwerking met Claudy Jongstra is zojuist een kleurennummer verschenen van See All This kunstmagazine,  gewijd aan kleur en Jongstra's werkwijze en activisme.

Cok de Rooy is eigenaar en mede-oprichter van de Frozen Fountain, een vernieuwende interieurwinkel aan de Amsterdamse Prinsengracht. De winkel biedt een podium aan bekende ontwerpers uit binnen- en buitenland, en aan jong aanstormend talent dat wordt gespot op kunstacademies. Cok heeft een gouden oog voor talent en kwaliteit. Als klein kind al genoot hij van de schitterende tuinen in zijn geboortedorp Boskoop. En als twintiger, als inkoper van stoffen voor Pelger en Metz, leerde hij zoeken naar kwaliteit; wanneer heeft iets een echt onderscheidend karakter? Begin jaren 90 startte hij samen met zijn compagnon Dick Dankers de Frozen Fountain. Ze werden gegrepen door de heldere constructies van jonge talentvolle ontwerpers, zoals Piet Hein Eek en Hella Jongerius. Een jonge Nederlandse generatie die een nieuwe stijl durfde neer te zetten, die bekend zou worden als Dutch Design. Cok en Dick herkenden hun talent en kwaliteit en boden ze een podium in de Frozen Fountain. Geen galerie, maar een winkel; Cok, “zelf in een kassa geboren”, wilde een lage drempel. Zo organiseren ze al jaren vele exposities; voor jonge Nederlandse talenten, zoals Victor & Rolf, net van de Academie. En voor bekende buitenlandse ontwerpers, als Allessandro Mendini. Steeds vernieuwend, relevant en vol enthousiasme. Vandaag vertelt Cok over het geheim van talent. Over vrijheid en inspiratie. Over de waarde van een bergkristal. En over mooie herinneringen en onbegrensd vertrouwen in de nieuwe generatie. Bekijk meer van de Frozen Fountain op:

Americká společnost Maharam udává v posledních letech směr designu i výroby textilií, na jejichž vývoji spolupracuje s předními současnými tvůrci jako Konstantin Grcic, Hella Jongerius, Studio Job a mnozí další. Za poctivou prací a neutuchající vášní k oboru však nehledejte jen produkci krásných látek. Maharam je otevřenou značkou, která inspiruje mnoha svými aktivitami.

Americká společnost Maharam udává v posledních letech směr designu i výroby textilií, na jejichž vývoji spolupracuje s předními současnými tvůrci jako Konstantin Grcic, Hella Jongerius, Studio Job a mnozí další. Za poctivou prací a neutuchající vášní k oboru však nehledejte jen produkci krásných látek. Maharam je otevřenou značkou, která inspiruje mnoha svými aktivitami.

Put a spring in your step with the latest episode of ‘Konfekt Korner', in which we meet Lucinda Chambers and Molly Molloy, founders of fashion brand Colville, and chat to them about sustainability in luxury fashion and their collaborations with craftspeople from around the world. We also hear from Dutch designer Hella Jongerius at her exhibition about weaving in Berlin and head to a new shop in Lisbon that is flying the flag for artisanal goods made in Portugal. Plus: writer Nadia Owusu tells us how her late father and an international upbringing made her fall in love with buskers.See omnystudio.com/listener for privacy information.

Put a spring in your step with the latest episode of ‘Konfekt Korner', in which we meet Lucinda Chambers and Molly Molloy, founders of fashion brand Colville, and chat to them about sustainability in luxury fashion and their collaborations with craftspeople from around the world. We also hear from Dutch designer Hella Jongerius at her exhibition about weaving in Berlin and head to a new shop in Lisbon that is flying the flag for artisanal goods made in Portugal. Plus: writer Nadia Owusu tells us how her late father and an international upbringing made her fall in love with buskers.

Dezeen's Face to Face podcast series continues with a conversation with Dutch industrial designer Hella Jongerius.  Dezeen's founder and editor-in-chief Marcus Fairs met with Jongerius in Eindhoven to to talk about her childhood growing up on a tomato farm and how she discovered her creative ability when she took an evening course in carpentry.

Hella Jongerius est une passionnée de couleur qui a travaillé pour les plus grands noms de l'industrie: Ikea, Vitra, Droog... elle a même dessiné l'intérieur d'un boing 747 pour KLM et refait le Salon des Delegates pour le siège des Nations Unies à New York.    Pour son exposition personnelle, Breathing Colour au Design Museum de Londres, la hollandaise met en scène ses dernières recherches et part en croisade contre le fade des tonalités industrielles. Entre jeux d'optique, nouveaux textiles et sculptures monumentales, Hella vous explique pourquoi choisir le tissu de votre canapé en fonction d'une chute de tissu ne sert à rien.  Plus d'info sur www.culturealt.com

Hella Jongerius (designer, Utrecht) & Eugenia Bell (Design Editor, frieze, London) in conversation at Frieze London 2009

Steven Learner walks us through Collective 2, Design Fair in New York. Collective is a unique fair in that it focusses solely on collecting design, something strangely missing in the long list of New York City fairs. The combined exhibitions of the Design Academy Eindhoven and Hella Jongerius were welcome as they bring a broader perspective to the whole. But also the variety of galleries enabled visitors to see both current, past and future trends in furniture design. More information on collectivedesignfair.com Music: CHLLNGR "Datter" (creative commons sharealike3.0) Video: Designguide.tv

Steven Learner walks us through Collective 2, Design Fair in New York. Collective is a unique fair in that it focusses solely on collecting design, something strangely missing in the long list of New York City fairs. The combined exhibitions of the Design Academy Eindhoven and Hella Jongerius were welcome as they bring a broader perspective to the whole. But also the variety of galleries enabled visitors to see both current, past and future trends in furniture design. More information on collectivedesignfair.com Music: CHLLNGR "Datter" (creative commons sharealike3.0) Video: Designguide.tv

Steven Learner walks us through Collective 2, Design Fair in New York. Collective is a unique fair in that it focusses solely on collecting design, something strangely missing in the long list of New York City fairs. The combined exhibitions of the Design Academy Eindhoven and Hella Jongerius were welcome as they bring a broader perspective to the whole. But also the variety of galleries enabled visitors to see both current, past and future trends in furniture design. More information on collectivedesignfair.com Music: CHLLNGR "Datter" (creative commons sharealike3.0) Video: Designguide.tv

And the winners are… Three out of ten – On Friday, June 11 the DMY Award winners were announced at the evening Award Ceremony. The winners are For use/numen: Tape Installation, Daphna Isaacs & Laurens Manders: Tafelstukken and EPFL+ECAL Lab: Give me more. The jury members Jerszy Seymour, Hella Jongerius, Jurgen Bey, Werner Aisslinger and Patrick Reymond were impressed by the experimental approach of the Austro-Croatian designers For use / numen who created an architectural socializing place with a very simple material: tape. They acknowledged the close collaboration between designers and engineers within the Swiss research institute EPFL + ECAL Lab who showed augmented reality scenarios combining analogue materials and digital applications pointing to charming ways of designing and living in the near future. Awarding Daphna Isaacs & Laurens Manders, Hella Jongerius as a representative of the jury, pointed out that Berlin stands out in terms of research, experimenting and prototyping but it is also important to acknowledge the finishing of products and that is why the jury chose this accomplishment of a very tactile and nicely functioning product. Congratulations!

And the winners are… Three out of ten – On Friday, June 11 the DMY Award winners were announced at the evening Award Ceremony. The winners are For use/numen: Tape Installation, Daphna Isaacs & Laurens Manders: Tafelstukken and EPFL+ECAL Lab: Give me more. The jury members Jerszy Seymour, Hella Jongerius, Jurgen Bey, Werner Aisslinger and Patrick Reymond were impressed by the experimental approach of the Austro-Croatian designers For use / numen who created an architectural socializing place with a very simple material: tape. They acknowledged the close collaboration between designers and engineers within the Swiss research institute EPFL + ECAL Lab who showed augmented reality scenarios combining analogue materials and digital applications pointing to charming ways of designing and living in the near future. Awarding Daphna Isaacs & Laurens Manders, Hella Jongerius as a representative of the jury, pointed out that Berlin stands out in terms of research, experimenting and prototyping but it is also important to acknowledge the finishing of products and that is why the jury chose this accomplishment of a very tactile and nicely functioning product. Congratulations!

And the winners are… Three out of ten – On Friday, June 11 the DMY Award winners were announced at the evening Award Ceremony. The winners are For use/numen: Tape Installation, Daphna Isaacs & Laurens Manders: Tafelstukken and EPFL+ECAL Lab: Give me more. The jury members Jerszy Seymour, Hella Jongerius, Jurgen Bey, Werner Aisslinger and Patrick Reymond were impressed by the experimental approach of the Austro-Croatian designers For use / numen who created an architectural socializing place with a very simple material: tape. They acknowledged the close collaboration between designers and engineers within the Swiss research institute EPFL + ECAL Lab who showed augmented reality scenarios combining analogue materials and digital applications pointing to charming ways of designing and living in the near future. Awarding Daphna Isaacs & Laurens Manders, Hella Jongerius as a representative of the jury, pointed out that Berlin stands out in terms of research, experimenting and prototyping but it is also important to acknowledge the finishing of products and that is why the jury chose this accomplishment of a very tactile and nicely functioning product. Congratulations!

Presented in conjunction with the Museum's exhibition 'Object Factory: The Art of Industrial Ceramics,' the Museum together with Design Onscreen present Hella Jongerius: Contemporary Archetype, a documentary exploring the design approach of the acclaimed Dutch designer. The half-hour film, created by filmmaker Amie Knox, explores Jongerius' design process through interviews with the designer and her assistants, the manufacturers of her designs and the curators and retailers who admire her work.r Jongerius, who is regarded as one of the most innovative and creative designers working today, works on the cusp of design, craft, art and technology to fuse traditional and contemporary influences. Many of her early designs were manufactured by Droog, the influential Dutch design collective, and she now puts her own work into production through Jongeriuslab, her Rotterdam studio, as well as developing products for manufacturers such as Maharam, Royal Tichelaar Makkum and Vitra. The film screening is followed by a question and answer session with Jongerius and Knox.r Link to MAD Calendar: http://madmuseum.org/DO/Calendar/200905/Hella%20Jongerius.aspx