Podcast appearances and mentions of joe leydon

On Friday's show: Houston's suburbs continue to boom while the population of the city itself has remained flat in recent years, according to new data from the U.S. Census Bureau. We take a closer look at what the numbers have to tell us about our region's growth.Also this hour: An area drive-in theater rolls its final credits. Our panel of “non-experts” weighs in on that story and The Good, The Bad, and The Ugly of the week.Then Houston-area film critic Joe Leydon remembers his favorite James Earl Jones films.And Prairie View A&M alum J.O. Malone, who founded Houston's National Black Film Festival, is trying his hand at supporting Black entrepreneurs with his venture BLCK Market.

On Wednesday's show: We preview this week's presidential debate and discuss other developments in local, state, and national politics in our weekly roundup.Also this hour: Kevin Costner's new film Horizon: An American Saga opens in theaters Friday. It's the first of four films, including another out later this summer. Film critic Joe Leydon, who recently interviewed Costner for Cowboys & Indians magazine, talks about the movie and where the Western genre is going.And we visit the recent launch party for The Black Man Project, a local organization exploring the complexity of Black masculinity for men and boys.

On Tuesday's show: The Annie E. Casey Foundation's annual Kids Count report is out, and it doesn't have very flattering things to say about child wellbeing in Texas. We discuss whether the report jibes with what Bob Sanborn of Children at Risk sees locally and statewide.Also this hour: Just in time for summer, dermatologist Dr. Oyetewa Oyerinde answers questions about skin care. She's the director of the Skin of Color Clinic at Baylor College of Medicine.And film critic Joe Leydon reflects on the classic Hitchcock film Dial M for Murder, and we talk with an actor from an adaptation of the story on stage now at The Alley Theatre.

Joe Leydon has been a film critic since before the internet existed, so I was very pleased to get him on Overhated. In this episode we sit down to discuss one of his favorite topics: the western. More specifically, a dropped and forgotten western from 2016 that might be worth a second look. Thanks for listening to Overhated! There are 100+ more episodes at patreon.com/scottEweinberg. Subscribe to hear them all now! Check out the list of episodes here: bit.ly/3WZiLFk. Subscribe wherever you get your podcasts: Apple Podcasts, Spotify, etc.    Overhated is now proudly sponsored by those Effin' Birds.com, the award-winning comic strip by Aaron Reynolds.  

On Tuesday's show: Early voting begins today in the March primary election and continues through March 1. We preview what's on the ballot. Also this hour: We discover what sociologist Michael Sierra-Arévalo learned from spending more than a thousand hours riding with police officers around the country, which he details in his book, The Danger Imperative. He explains how the perception of a "war on cops" has affected law enforcement -- and the public's encounters with police. Then, the issue of racism is deeply complex, and, historically, it's not been as simple as white discrimination against people of color. Sometimes a member of a group that's often discriminated against can discriminate themselves. That's a subject Fordham University law professor and race relations expert Tanya Hernández explores in her book Racial Innocence. We hear an excerpt of her recent hourlong conversation on I See U with Eddie Robinson. And the film Reality Bites premiered in movie theaters 30 years ago this week. The movie is remembered today by some as the quintessential Gen X movie. Whether it is or not, film critic Joe Leydon reminds us it may be the quintessential Houston movie.

We talk to Brian about his quest for knowledge in the film industry and how it has helped him in the success he's found today. More about Brian A. Metcalf Born in Seoul, South Korea, Brian A. Metcalf (WGA, PGA, DGA, VES, ASCAP) is an Asian-American, award-winning filmmaker (writer, director, producer and actor). He has worked with such talent as Academy Award® Nominee Mickey Rourke, Academy Award® Nominee Sean Astin, Golden Globe® Nominee Lou Diamond Phillips, Golden Globe® Nominee Penelope Ann Miller, Primetime Emmy® Nominee John Heard, Kiefer Sutherland, Tom Arnold, David Henrie, William Sadler, Mark Pellegrino, Michael Madsen, James Russo, Thomas Ian Nicholas and more. He previously worked as a creative director, writer, photographer, visual effects artist and supervisor on games, DVDs, web, EPKs, music videos, film and documentaries for all the major studios.In December 2022, Variety announced Metcalf was writing, producing, directing, show-running and starring in a new comedy TV series called "UNDERDEVELOPED." Metcalf and the cast promoted the show in a panel at San Diego Comic Con. In July 2023, Deadline announced that the show was being distributed by Tubi for a September 8th release.Before that, Brian produced, directed, wrote and acted in the crime thriller/drama "ADVERSE," distributed by Lionsgate. The film premiered as the opening film at the prestigious Fantasporto Film Festival and went on to win a number of awards, including a Platinum Remi Award from Worldfest. Variety's Joe Leydon said about the film that "Writer-director Brian A. Metcalf's indie offering boasts some impressive rough stuff and a surprisingly affecting turn by Mickey Rourke." The New York Times listed the film as one of their top 5 action films to watch for stating "The veteran ensemble in Brian A. Metcalf's visceral Los Angeles-set crime thriller supplies plenty of firepower in a bloody revenge narrative that sees Ethan deliciously hammering his enemies with a crowbar."Before "ADVERSE," Brian made the mockumentary comedy/horror "LIVING AMONG US," distributed by Sony Pictures and Fox International. Both film scripts along with 2 others (4 total) were placed into the permanent core collection at the Margaret Herrick Library by The Academy of Motion Picture Arts and Sciences.Metcalf received a scholarship and was accepted into Sundance Co//ab TV writing classes under the instructions of Angela LaManna and Peter Biegen.Metcalf continues to develop numerous projects for film, television, multimedia with his own company, Black Jellybeans which is located on the Warner Bros. lot. He lives in Los Angeles. https://www.imdb.com/name/nm1305849/?ref_=nv_sr_srsg_0_tt_1_nm_7_q_Brian%2520Metcalf --- Support this podcast: https://podcasters.spotify.com/pod/show/moviemakingpod/support

On Thursday's show: We learn about the mixed reactions to the news that Travis Scott plans to perform in Houston this fall for the first time since the fatal disaster at his Astroworld music festival. Also this hour: While we could sure use more storm clouds these days, clear nights do offer a good chance to check out astronomical events like the Perseid Meteor Shower this weekend. We discuss that and other cool things about space with local astronomer Dr. Carolyn Sumners from the Houston Museum of Natural Science. Then, we learn why Houstonian Amy Weinland Daughters decided to pen hand-written letters to all 580 of her Facebook friends -- and how they reacted. She's written a book about the experience called Dear Dana. And Spider-Man first debuted on this date in 1962. More than 60 years later, comic book adaptations on film and TV are huge business. We revisit a 2018 conversation with Richard Evans of Bedrock City Comic Co. and film critic Joe Leydon about comics' interactions with mainstream culture and whether we've hit a so-called "superhero fatigue" in our entertainment yet.

On Wednesday's show: Harris County Commissioners Court approved a bond proposal that will go before voters in November for around $1 billion in infrastructure spending. Plus: Houston-area school districts will no longer provide free lunches to all students due to the expiration of a federal waiver. Also this hour: We discuss the latest developments in politics in our weekly roundup. Then, local food writers discuss what's on tap for Houston Restaurant Weeks in this month's installment of The Full Menu. And, long before the deadly Astroworld festival concert, New York had its own disaster of a concert event: Woodstock '99. A new documentary about it debuts today on Netflix. Local film critic Joe Leydon was there and reflects on what he saw.

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

  On Tuesday's Houston Matters: Today, Houston City Council will consider, among other things, an agenda item to establish a Houston Women's Commission in their meeting. News 88.7 reporter Jen Rice brings us an update on several issues before the council. Also this hour: Harris Co. Commissioner Tom Ramsey, who represents Precinct 3, answers your questions. Send yours now to talk@houstonmatters.org. Then, while a new school year is underway for K-12, many college students are returning to class as well. And plenty of them are non-traditional students who might have kids of their own and are working at the same time. We learn how one area university is working to meet their needs. And we revisit a 2017 conversation about how the classic Western movie High Noon clashed with the anti-Communist fervor of the 1950s.

“The Midnight Sky is a film with big scopes. We have big vistas, we're in space, we are on the moon, in the Arctic. Also, it's a very intimate film because it's a lot about connection, so we when we see people we get close to them and we feel intimate with them because we are literally with the camera quite close to them and looking into their faces. In this film, it helped that we went on 65mm. We shot on a large format. First of all we started that for the big landscapes, but I think it's great also for faces because the face also becomes like a landscape.”Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

“The Midnight Sky is a film with big scopes. We have big vistas, we're in space, we are on the moon, in the Arctic. Also, it's a very intimate film because it's a lot about connection, so we when we see people we get close to them and we feel intimate with them because we are literally with the camera quite close to them and looking into their faces. In this film, it helped that we went on 65mm. We shot on a large format. First of all we started that for the big landscapes, but I think it's great also for faces because the face also becomes like a landscape.”Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Join us for a fascinating conversation with esteemed film critic Joe Leydon about the new "100 Greatest Western Movies" list he compiled for Cowboys & Indians Magazine. During the episode, Joe reveals why certain films ranked high, while others - like "McCabe and Mrs. Miller," for example - don't appear at all. It's a lively discussion with one of the foremost authorities on the Western film genre. 

On Thursday's Houston Matters: It's been an eventful week in immigration policy developments, from a potential legal dispute between the Biden administration and the state of Texas over the licensing of facilities housing unaccompanied migrant children, to the fate of some of the nearly 100 migrants rescued from captivity during a human smuggling bust in April. News 88.7's Elizabeth Trovall gives us an update. Also this hour: Some local experts share advice on how buyers can navigate the competitive real estate market. Then, Rice University President David Leebron talks about his time at the institution he has led since 2004. He recently announced he'll step down next summer. And we reflect on how Hollywood Westerns have depicted Texas over the years with film critic Joe Leydon.

On Thursday's Houston Matters: The Texas Commission on Environmental Quality is asking for public comment on a proposal to require refineries and chemical plants to offer their documents and public meetings in languages other than English. It’s part of an agreement from a Title VI Civil Rights suit filed on behalf of Texas Environmental Justice and Advocacy Services. Also this hour: In our monthly film segment, The Bigger Picture, we learn about the history of... Read More

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

It's movie time! Or should we say, time for a movie podcast about the best, worst and everything else we loved, hated, and showed complete indifference to in 2018. The Popzara collective is strong in one of the most jam-packed episodes as we welcome the return of Variety critic and film historian Joe Leydon back into the fray, joined by newcomer Ethan Brehm and, thanks to some fancy editing, fellow editors Annette Palmer and Christian Stirling adding to the fun.

Going toe-to-toe on this pugilistic episode of the Popzara Podcast is challenger Nate “Editor Guy” Evans and special guest Joe Leydon, the triple-threat returning champ who writes, teaches and – on occasion – writes reviews and lists for Variety.com. We say pugilistic because he's ranked every movie in the long-running Rocky franchise, from the 1976 Oscar-winning original to the recent Creed 2, a sequel within a sequel serving as both the eighth Rocky and second Creed film, continuing the parallel sagas of both Rocky Balboa and Adonis Creed as they face off against a returning Ivan Drago and his monstrously huge scion Viktor in a clash the film itself calls Shakespearean.