Podcasts about Run All Night

Hello and thank you for downloading another episode of The Flixters Podcast!  On this week's show we review the return of Ben Affleck's accountant in The Accountant 2. Not content with using his calculator, Ben, teams up with Jon, ‘The Punisher' Bernthal to fight an international human trafficking ring. Expect mayhem and bullets and little maths. We also discuss Until Dawn, a live action version of the game of the same name.  Check out the show for what we thought, and if you've seen these films hit us up on our YouTube channel and let us know your thoughts. On Anniversary Corner we look back at Run All Night (2015). And on Hidden Gem we look back at the wildly entertaining Strange Darling. And if that's not enough entertainment for you, we've even thrown in new trailers to watch and what you can catch on streaming. Thank you for supporting us and we hope you enjoy the show! 00:00 Intro 03:15 Shoutouts05:06 Movie News12:16 New on Streaming17:18 New Trailers24:44 Anniversary Corner27:07 The Accountant 2 Review40:56 Until Dawn Review46:52 Hidden Gem56:21 OutroThis episode is proudly sponsored by Zencastr. Create your podcast today! #madeonzencastr

Mitchell Beaupre (Letterboxd, Paste magazine) is back for 2015's thriller RUN ALL NIGHT! Together, we talk the underrated Joel Kinnaman, Liam Neeson continual subversion of his archetype and how well the action is directed --- Support this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support

Jim Rider shares his VFX journey from shooting miniatures to virtual production, offering insights into the evolution of visual effects in filmmaking. Discover the cutting-edge VP setup at Pier59 Studios and learn about the challenges and opportunities in modern filmmaking.

As one of the world's most renowned PHD experts on Liam Neeson action movies, the modern era has been a truly testing time, with virtually nothing that hasn't been terrible. So with great exhalations I am thrilled to announce, by miles the best Liam actioner since the golden era of The Grey, Cold Pursuit and Run All Night. Imagine The Banshees of Inisherin but gangsters and terrorists and you're virtually there.

Jim Rider is a Visual Effects Supervisor and Virtual Production Supervisor with over 25 years of experience in film and television. After beginning his career shooting models & miniatures, Jim transitioned to compositing, working as an artist and then VFX supervisor at facilities such as Method Studios, Gravity and The Mill. As an independent Visual Effects Supervisor, Some of Jim's recent clients include HBO and Apple Studios. His extensive filmography includes iconic productions like Titanic, Star Trek (TV series), Requiem for a Dream, Angels in America, Evan Almighty, The Adjustment Bureau, Tower Heist, Non-Stop, Foxcatcher, Run All Night, Vinyl, The Deuce, The Plot Against America, and more. Seeing ICVFX as the perfect fusion of his VFX skills and years of on-set experience, since 2020 Jim has veered the ship of his career firmly toward virtual production, having worked as Virtual Production Supervisor at Final Pixel and now at the new Pier 59 Studios volume in Manhattan. Truly exciting times. Highlights of the Episode: 0:00 Introduction 0:08 Introduction of guest 1:46 A conversation with visual effects pioneer Jim Ryder 5:01 The role of motion control technology in the visual effects industry 10:02 The use of practical effects and CGI in the movie Titanic and the speaker's transition into compositing 15:00 The fast-paced and collaborative world of a freelance flame artist 20:02 The evolution of film production and its impact on virtual production 25:01 The use of robots and CGI in the film industry 30:02 The use of a combination approach in creating visual effects for movies 35:01 The potential of real-time rendering and virtual production in the entertainment industry 40:02 The impact of technology on visual effects careers 45:02 The potential of virtual production in film and television 50:00 The evolution and potential of virtual production 55:02 The role of AI in the creative industry 1:00:01 The role of producers in using Chat GPT Connecting with the Guest: Website: https://www.pier59studios.com/ Linkedin: https://www.linkedin.com/in/jim-rider-6916771/ Connecting with CG Pro: Facebook: https://www.facebook.com/groups/becomecgpro Instagram: https://www.instagram.com/becomecgpro/ Website: https://www.becomecgpro.com/ Twitter: https://twitter.com/BecomeCGPro #VirtualProduction #VisualEffects #FilmandTelevision

Kevin sits down with Robby Takac, bassist of Goo Goo Dolls, to talk about the 30th anniversary of Superstar Car Wash and the 25th anniversary of Dizzy Up the GIrl as well as new singles such as Run All Night and their cover of Tom Petty's Won't Back Down. Podcast episodes, music news and reviews at http://popsandhisses.com Subscribe to the Pops and Hisses podcast: https://linktr.ee/popsandhisses Follow Kevin– Twitter: https://twitter.com/omahamusicguy – Instagram: https://www.instagram.com/omahamusicguy – TikTok: https://www.tiktok.com/@thekevincoffey – Facebook: https://www.facebook.com/kevincoffeyomahaA Hurrdat Media Production. Hurrdat Media is a digital media and commercial video production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network and learn more about our other services today on HurrdatMedia.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Oh, Harlly, Jeaun, and Lawson! What big teeth you have! ALSO DISCUSSED * Amityville Hex (2021) * Limitless (2011) * Miracle Workers: End Times (2023) * The Muppets Mayhem (2023) * My Adventures with Superman: Season 1 (2023) * Run All Night (2015) * Sucker Punch (2011) * Vanishing on 7th Street (2010) PITH TAKE * Cake (play, 2023) Reach us on Twitter at: https://twitter.com/IDontKnowWhyWe1 Read Harlly and Jeaun's Blog at https://onthebrightsidemedia.home.blog/ Read Lawson's Blog at https://exitthroughthecandycounter.wordpress.com/

JENEVIEVE BREWER: From a college major in Communications to a minor in film, Jenevieve began her professional career as an intern in the writing division at ABC's soaps, such as: “All My Children” then to “One Life to Live” and progressed to producing for Soap Central/SoapNet's “Days of our Lives”. She became a children's agent at Abrams Artists Agency, then moved to begin a new modeling, commercial and print division at the Carson Kolker Agency, which she developed for 10 years, before turning to managing at Terrific Talent, followed by setting out to form her own company JB Talent Management in 2015. This then began her travels overseas for projects, as well as teaching programs, working with children to overcome diversity challenges. Among her clients were: Joseph D'Onofrio, who is known for playing young Tommy in Goodfellas; Nicholas Alexander Chavez, who plays Spencer Cassadine on General Hospital; and Lauren C. Mayhew, who played Melanie Garrett on Dexter and Leo Cheng on the “L Word” . She loved working on projects such as: “Unstoppable, The Musical” with the children of Haven Kids Rock under casting director and musician, Nef Jones and with Carly Sullivan, activist, actress and producer on her “Marginalized Murder” series. Additionally, she helped clients secure recurring and guest-starring roles on numerous episodics such as Law and Order: SVU, Limitless, Power, Orange Is The New Black, Gotham, FBI: Most Wanted! and Difficult People. In features, her clients booked roles in projects such as Southpaw, Uncut Gems, Run All Night and The Intern. Brewer also landed national commercials for clients with the likes of Coke, Verizon, Bank of America, Chanel, Nike, PNC Bank, Merrill Lynch and Old Navy. Jenevieve was not only a major agent, talent manager and producer, but a vibrant energetic force, a light of enthusiasm, real, down-to-earth, forthrightness, deeply personal care, passion, an empathetic activist in the LGBTQ+ community, advocate for the underdog and had a keen sense of duty towards diversity. A woman of faith, she loved to laugh! She loved animals and swam every day for her personal joy and wellness, giving to St.Jude's and the Food Banks. A woman of peace she yearned for that across the divide in this country. Beloved Jenevieve, was a longtime NCOPM member (National Conference of Personal Managers), gaining the respect from both her clients and peers nationally and internationally…….. Jenevieve Brewer passed away suddenly on October 14, 2021…... “Since you came into my life in 2003, you have been my strongest advocate in the business, pushing me to do things I didn't imagine I could do. Even with my podcast, absolutely without a question coming on. I'm so sorry you were not able to see the end result, after all your encouragement to write it, throughout the years, but I am so very happy to have our story in it. I can still hear your voice and chuckle. I miss your “Hi Oz” greeting on the phone, your “xoxo” and your “I love you” with the heart emojis, at the end of your emails. Your light will never be dimmed in my heart, JEN!” I LOVE YOU! --- Support this podcast: https://anchor.fm/ozzie-stewart/support

Does Liam Neeson deliver a great film with Run All Night (2015)? Take a listen and find out in this action-packed episode you don't want to miss!  

1991s Cape Fear versus 2015s Run All Night. Indulge! Hosted by Luke Byron and joined by Keenan Bonner

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Hope you all have been had a kick ass summer!! It's just about time for my favorite season of Fall to take hold... hoodies, soups, fires, naked dance parties with all my friends.... you know... good times. By now hopefully you are all vaccinated so we can get out to shows and catch some great bands playing live and stuff!! Can't wait to see all of you out there and share a few stories and drinks with you. Until then... here is a new podcast for you with some of the best damn songs from bands from not only right here in Milwaukee, but bands throughout the world that you need to know about!! Also.... a HUGE thank you to Bob Uecker for all the great years of radio broadcasting and give all of us here in Milwaukee a laugh from time to time and making each Brewer game win or loss a fun and exciting time. Thank you again for tuning in and for telling all your friends about our podcast!! Be sure to check us out on our intagram as we will be creating some fun videos, and other random things to have fun with you to pass the time. HERE to download the show. PLAYLIST: (Click on the song to buy music & click band name for their instagram/ webpage) Screw by Pist IdiotsOff their latest release ‘Idiocracy' out now on their website. Something's Wrong by 9 A.M.Current single out now on their bandcamp page! Hell Bastards by Holy WaveOff their album ‘Interloper” out now on The Reverberation Appreciation Society.Be sure to check them out live at Cactus Club on 9/20/21. I'd Rather Astral Project by The Reds, Pinks and PurplesThis single is out now on Slumberland Records and on you can also pick it up on their bandcamp page. No Shorts by Future BartenderzOff one of their many releases out this year ‘The Floridiot' that you can pickup at their bandcamp page. Rock & Roll Funeral by North By Northoff their latest release ‘Get Weird' out now on their bandcamp page.Be sure to catch them live on 9/22/21 at Company Brewing. Inside Out by Dirty FencesOut now on their bandcamp page. Opinionated Fuck by Alien NosejobOut now on their latest release ‘Hc45-2' out now on Iron Lung Records. Drug Dealing (For Money) by The Raging NathansOff their latest split 7” with Dwarves out now on Rad Girlfriend Records. Top of the Hill by Brat SoundsOff their release ‘Bad Luck' out now on their bandcamp page.Be sure to catch The Raging Nathans and Brat Sounds live at X-Ray Arcade on 9/25/21. Blind by BnnyOff their latest release ‘Everything' out now on Fire Talk Records!! Nobody by DEHDOff their release ‘Flower of Devotion' out now on Fire Talk Records!!Be sure to catch both Bnny and DEHD live at Cactus Club on 10/01/21. I Wanna Get High To The Music by PardonerOff their latest release ‘Came Down Different' out now on Bar None Records. Pressure by Chubby and the GangOff their latest release ‘The Mutt's Nuts' out now on Partisan Records!! Back to You Again by Chinese TelephonesOff their self-titled release out on It's Alive Records.Be sure to catch them live at X-Ray Arcade on 10/6/21 w/ Canadian Rifle and Off With Their Heads. Run All Night by Waste ManOff their latest release ‘One Day It'll All Be You' out now on Feel It Records. Choices by Amyl and the SniffersOff their latest release ‘Comfort To Me' out now on their bandcamp page. Not My Tempo by Holy Shit!Off the release of the same name out now on their bandcamp page. I Should've Just Stayed In Bed by The Malones Off their latest Self-Titled release. Pick it up on their bandcamp page.Be sure to catch Holy Shit!, The Malones, Indonesian Junk, and Boris the Sprinkler live at X-Ray Arcade on 10/8/21. Colors For You by The PeacersOff their latest release ‘Blexxed Rec' out now on Drag City. Reaper by Frankie and the Witch FingersOff their release ‘Monsters Eating People Eating Monsters' out now on Greenway Records. She Only Eats Organic by Acid DadOff their release ‘Take It From The Dead' out now on Greenway Records.

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

“The Midnight Sky is a film with big scopes. We have big vistas, we're in space, we are on the moon, in the Arctic. Also, it's a very intimate film because it's a lot about connection, so we when we see people we get close to them and we feel intimate with them because we are literally with the camera quite close to them and looking into their faces. In this film, it helped that we went on 65mm. We shot on a large format. First of all we started that for the big landscapes, but I think it's great also for faces because the face also becomes like a landscape.”Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Alex Ziwak was born in New Haven, Connecticut and has been featured in commercials, films and television. Ziwak has worked regularly on the CBS crime drama Blue Bloods, and also appears in television series such as Gotham, Person of Interest and Law and Order. He also has appeared in several full length feature films including John Wick, The Equalizer, and Run All Night. Ziwak is an accomplished martial artist, who began is formal training in the art of Tae Kwon Do at the age of 10. Under the instruction of Grandmaster Yi (Lee), Grandmaster Suk Jun Kim and Grandmaster Hee Il Cho. Mr. Ziwak has attained his current ranking of 8th Dan Black Belt. He owns and operates Ziwak's martial Arts in Hamden Connecticut. Ziwak has been featured in projects alongside James Gandolfini (The Drop) Liam Neeson (Run All Night, A Walk Among the Tombstones), and Ray Liotta (Pawn). Ziwak's prominent cheek bones, pale complexion, and dark hair distinguish him well as a villain, but his versatility as a actor has afforded him roles outside that genre. Ziwak also was a lead singer in a local band in Connecticut.

“The Midnight Sky is a film with big scopes. We have big vistas, we're in space, we are on the moon, in the Arctic. Also, it's a very intimate film because it's a lot about connection, so we when we see people we get close to them and we feel intimate with them because we are literally with the camera quite close to them and looking into their faces. In this film, it helped that we went on 65mm. We shot on a large format. First of all we started that for the big landscapes, but I think it's great also for faces because the face also becomes like a landscape.”Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Screenwriter Sean Ryan joins the program for one of Liam Neeson's most underrated action films, written by MARE OF EASTTOWN's Brad Ingelsby. Great concept, slick direction, stellar cast, featuring Ed Harris, Boyd Holbrook, Joel Kinnaman, and Common. This movie is legitimately good and was the victim of an inexplicable release schedule. --- Support this podcast: https://anchor.fm/dan-benamor/support

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Join us for another week of laughter, TV shows, streaming, movies and all things entertainment. THIS WEEK We're talking about Yellowstone, The Wolf of Wall Street, Mortal Kombat Legends, WandaVision, Run All Night, Challenger: The Final Flight, Close Enough and so much more! Our movie review of the week, is the 2020 physiological thriller - The Invisible Man starring Elisabeth Moss, Aldis Hodge, Storm Reid, Michael Dorman and Oliver Jackson-Chohen. Directed by Leigh Whannell. And finally our Peak Performance nominations are in for Edward Norton. Come and have a listen. EPISODE TITLE This weeks episode title is dedicated to Kevin Costner for his role as John Dutton in Yellowstone - One of the hottest shows you can be streaming, and I'm just not hearing enough people talk about it! RUNNING ORDER 02m00s | What we've been watching 30m50s | Movie of the week: The Invisible Man (2020) 43m17s | News 49m38s | Mailbag 54m15s | Peak Performance: Edward Norton GET IN TOUCH Support us on Patreon Follow us on Instagram Tweet us @HalfMeasuresPod Talk to us on Discord Follow us on Facebook Visit our website halfmeasurespodcast.com This episode of Half Measures is brought to you by Time Travelling TeamP

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

On the 32nd episode of Triple Threat Theater, Dax and Rian will look for you, Dax and Rian will find you and Dax and Rian will kill you. Films discussed on this episode: Unknown (2011) Non-Stop (2014) Run All Night (2015) Follow Triple Threat Theater on social media: Twitter - @buy_borrow_burn Instagram - @triplethreattheaterpodcast Tumblr - triplethreattheater.tumblr.com

Like with Jason Statham movies, I'm the connoisseur when it comes to that titanic body of work, Liam Neeson movies. This is a very high entry, bolstered by great acting and characterizations from Neeson and the always brilliant Ed Harris.

This time we review the overlooked 2015 crime drama film, ‘RUN ALL NIGHT.’ Amongst the movie focus we also discuss: BATWOMAN, SCREAM 5, George Miller, and much more! Subscribe for new content every Friday! Podcast music by: Onarres.Outro by: Admiral Atlas.

This time we review the overlooked 2015 crime drama film, ‘RUN ALL NIGHT.’ Amongst the movie focus we also discuss: BATWOMAN, SCREAM 5, George Miller, and much more! Subscribe for new content every Friday! Podcast music by: Onarres.Outro by: Admiral Atlas.

Når The Real Deal kommer for å snakke om Run All Night ender vi opp med flere avsporinger. Alt fra Schindlers Liste til Schwarzenegger, Rambo og Ed Harris sin rolle i The Rock. Fokuset er likevel på å finne ut om denne actionpakkede Neeson-filmen fortjener å bli stemplet made.

This time, we're taking a look at 2014's The Signal and along the way we'll ask what exactly is this film going for? What would you do with bionic appendages? And what are the rules for a successful road trip? Let's dig in…. The Signal Movie Cast and Crew Directed by William Eubank: Eubank's first film, a sci-fi Indie feature titled Love, received critical acclaim and was then given a significantly larger budget to create The Signal. Love's budget was a meager $500,000, while this film was budgeted at $4 million. However, our podcast show's hosts speculated that maybe The Signal would've been better served as an anthology type series or even as a video game. Eubank's latest film, Underwater, was a commercial flop and given the lack of success seen with that film, Eubank may very find himself in director jail while he labors to find his next project. Starring Brenton Thwaites as Nic: 2014 was a big year for Thwaites as he also appeared in The Giver, Ride and Maleficent. He has since gone on to appear in bigger blockbusters like Pirates of the Caribbean: Dead Men Tell No Tales and is now starring as Dick Grayson/Nightwing on the DC Universe exclusive Titans. However, The Signal doesn't take advantage of Thwaites' ability as an actor as most his characterization occurs via the use of flashbacks or from situations described by his compatriots during the film. Olivia Cooke as Haley: A relative newcomer at this point in 2014, Cooke also had a starring role in the modern retelling of the Psycho narrative in the A&E series Bates Motel, as an early love interest of Norman Bates. She's since appeared in the Steven Spielberg adaptation of the novel Ready Player One. However, her character of Haley in this movie is largely absent for the second act of the film and much like with Brenton Thwaities, the majority of her acting talents were left off the table. Beau Knapp as Jonah: Knapp has been working steadily since 2011 and has quickly earned a reputation as a character actor having appeared in films like Super 8, Run All Night, Southpaw, The Finest Hours, and The Nice Guys and Death Wish (2018). Much like Cooke's character, Jonah is front and center in the first act, largely absent in the second act, and sacrifices himself in the third act so Nic and Haley can briefly escape. Laurence Fishburne as Dr. Wallace Damon: There isn't much else we can say about Fishburne's legendary career at this point. For further details about Fishburne, check out our past episode covering The Matrix. There are times where it feels like Fishburne is too big for this film, but he adds a certain gravitas when surrounded by his younger counterparts. The Signal Movie Summary: So What's Happening Here? The Signal is noted for its unique evolution. It initially begins as a road trip film as Nic and Jonah are helping Haley across the country from M.I.T to Cal Tech. There's also a romantic subplot with Nic contemplating the future of his relationship with Haley and if long distance could work for them (spoiler, it never works). Nic is also afflicted with some type of vague degenerative disease, but it's never explicitly mentioned as to what that disease is and this is further enforced through the use of flashbacks that imply Nic was able bodied prior to the events of the film. While the three friends on this road trip, Nic and Jonah are tracking a mysterious hacker known only as the moniker “Nomad” who is partially responsible for all of them landing in trouble while attending M.I.T.. Nomad then lays a series of breadcrumbs to an unknown location somewhere in the Southwest when they are confronted or abducted. At this point in the film it's unclear what exactly happens, and they suddenly awaken in a research facility run by Dr. Damon who enlightens Nic that what they encountered in the desert was probably an alien. Once the film makes this turn, things get even weirder from there. We gain almost no insight into the purpose for keeping Nic...

Michael Tadross has played a leading role in the film industry for the past three decades. On this week’s episode, the decorated producer shares his journey from kicking around as a Brooklyn kid looking for ways to hustle all the way to the success he’s garnered today, and reflects on what those aspiring to the same might learn from his experience.  What began with a gritty eleven years as an assistant on sets eventually led to contracts with the industry’s largest production houses: Paramount Pictures, Columbia Pictures, 20th Century Fox, Sony Pictures, M.G.M. and Warner Bros. His most recent film is the Warner Bros. ‘Ocean’s 8,’ starring Sandra Bullock, Cate Blanchett, Anne Hathaway and Rihanna, though his list of earlier films is nearly endless: ‘Hitch’ with Will Smith; Basic starring John Travolta and Samuel L. Jackson, ‘Indecent Proposal’ with Robert Redford and Demi Moore; Brenda Starr, featuring Brook Shields; ‘Sherlock Holmes’ starring Rovert Downey Jr. and Jude Law; ‘The Devil’s Advocate’ with Al Pacino and Keanu Reeves; ‘Run All Night’ with Liam Neeson. ‘Die Hard: With A Vengeance’ for 20th Century Fox starring Bruce Willis, Jeremy Irons and Samuel L. Jackson was the highest grossing worldwide film of 1995, and ‘I Am Legend’ starring Will Smith was one of the largest movies produced in New York City.  CONVERSATIONS WITH CHARLIE YOUTUBE: https://tinyurl.com/vrtzr64 SPOTIFY: https://tinyurl.com/wvjfav4 APPLE PODCASTS: https://tinyurl.com/w7n8br2 WEBSITE: www.conversationswithcharlie.com

This week on The Richard Crouse Show Podcast: Director Jim Mickle and star Boyd Holbrook talk about their new sci fi thriller "In the Shadow of the Moon."  Jim Mickle is the creator of TV series “Hap and Leonard” and director of films such as “Cold in July” and Cannes Fortnight selection “We Are What We Are,” “Mulberry Street,” and “Stake Land.” Actor Boyd Holbrook has appeared in films such as “Milk,” “Out of the Furnace,” “Run All Night,” and “Gone Girl,” and starred as DEA Agent Steve Murphy in the Netflix series “Narcos” and in 2017 he portrayed villain Donald Pierce in “Logan.” Synopsis: In 1988, Philadelphia police officer Thomas Lockhart (Boyd Holbrook), hungry to become a detective, begins tracking a serial killer who mysteriously resurfaces every nine years. But when the killer’s crimes begin to defy all scientific explanation, Locke’s obsession with finding the truth threatens to destroy his career, his family, and possibly his sanity. “In The Shadow Of The Moon” is a genre-blending psychological thriller that examines the power of time, and how its passing can either bring us together or tear us apart.

This week on The Richard Crouse Show Podcast: Director Jim Mickle and star Boyd Holbrook talk about their new sci fi thriller "In the Shadow of the Moon."  Jim Mickle is the creator of TV series “Hap and Leonard” and director of films such as “Cold in July” and Cannes Fortnight selection “We Are What We Are,” “Mulberry Street,” and “Stake Land.” Actor Boyd Holbrook has appeared in films such as “Milk,” “Out of the Furnace,” “Run All Night,” and “Gone Girl,” and starred as DEA Agent Steve Murphy in the Netflix series “Narcos” and in 2017 he portrayed villain Donald Pierce in “Logan.” Synopsis: In 1988, Philadelphia police officer Thomas Lockhart (Boyd Holbrook), hungry to become a detective, begins tracking a serial killer who mysteriously resurfaces every nine years. But when the killer's crimes begin to defy all scientific explanation, Locke's obsession with finding the truth threatens to destroy his career, his family, and possibly his sanity. “In The Shadow Of The Moon” is a genre-blending psychological thriller that examines the power of time, and how its passing can either bring us together or tear us apart.

The audio on this one was both a little wonky, and too quiet. I tried to correct it; it might be too loud. I apologize. Anyways, gun shooty rooty booty.

Throughout his career, character actor Holt McCallany was a go-to for strong, silent and decidedly dangerous men on either side of the moral fence, as evidenced by his small but memorable turns in films like "Alien 3" (1989), "Tyson" (HBO, 1995), "Fight Club" (1999) and "Three Kings" (1999). The scion of an acting family, McCallany paid his dues in a wide variety of projects, rarely vaulting past supporting roles, but always delivering a committed and often unsettling performance. In 2011, he advanced to leading man status with "Lights Out" (FX), a gritty drama about a former heavyweight boxer who forges a comeback to save his family from criminal pressures. Though the series lasted only one season, it propelled the actor to a new level of visibility through key roles in films including hacking drama "Blackhat" (2015), crime thriller "Shot Caller" (2016), action sequel "Jack Reacher: Never Go Back" (2016) and Clint Eastwood's aviation biopic "Sully" (2016).   Born Holt Quinn McAloney on Sept. 3, 1964, Holt McCallany was the oldest of two sons by Irish actor Michael McAloney, who won a Tony Award for his production of Brendan Behan's "Borstal Boy," and actress-singer Julie Wilson. A childhood spent in Dublin was cut short by his parents' divorce, with McCallany returning with his parents to the United States. There, he was sent to live with his maternal grandparents in Omaha, NE, but this period was a troubled one for him. After being expelled from school, he ran away to Los Angeles, where he decided to become an actor. McCallany's parents eventually tracked him down and sent him back to Ireland to finish high school. After graduation, he studied French at the Sorbonne and theater at the Ecole Marcel Marceau.   Upon returning to the States, McCallany apprenticed at the Great Lakes Shakespeare Festival in Cleveland, OH, then relocated to New York City, where he landed a job as an understudy in Neil Simon's "Biloxi Blues" on Broadway. His feature film debut came in 1987's "Creepshow 2" as a murderous Native American who receives his comeuppance at the hands of a cigar store Indian come to life. Soon after, he found steady work in films and on television. His intense presence and formidable build made him a natural for men of action on either side of the law, whom he portrayed in minor and supporting roles for such noted directors as Brian De Palma with "Casualties of War" (1989); David Fincher, who cast him as a self-sacrificing convict in "Alien 3" (1989) and as the Mechanic who explains the rules of "Fight Club" (1999); and for William Friedkin in the box office bomb, "Jade" (1995). McCallany found more substantial roles in independent fare or television; the former provided him with his first starring role in "The Search for One-Eye Jimmy" (1994), as a film student who encounters a parade of odd characters upon his return to his hometown of Brooklyn. The latter brought him to the HBO biopic "Tyson" (1995), in which he starred as legendary fight trainer Teddy Atlas, who helped develop Tyson from street tough to boxing legend. The project inspired McCallany to develop his own television program about a trainer, which would eventually bring him to the FX Network and "Lights Out."   McCallany continued to work steadily throughout the late 1990s and early 21st century in steely character roles for films and television shows both major and minor. He was the by-the-books lieutenant who made life difficult for George Clooney in "Three Kings" (1999), enjoyed a recurring role for three seasons of "CSI: Miami" (CBS, 2002-12) as a tormented cop who ends his own life after being implicated with tampered evidence, and played an Irish mobster who pressed Peter Petrelli (Milo Ventimiglia) into committing crimes for him on "Heroes" (NBC, 2006-2010). While pitching his boxing trainer series to HBO, he was informed that FX was developing a show about an aging fighter who was forced to return to the ring. McCallany was eventually cast in "Lights Out" as Patrick "Lights" Leary, a forty-something brawler who re-enters the sport after landing in trouble with a local mobster. After the show's cancelation, McCallany returned to the big screen with supporting roles in action thriller "Gangster Squad" (2012) and Sylvester Stallone vehicle "Bullet to the Head" (2012). Another TV series, crime drama "Golden Boy" (CBS 2013) was again canceled after a single season, but led to a recurring role as a district attorney on later seasons of procedural drama "Blue Bloods" (CBS 2010- ). Supporting roles in Liam Neeson thriller "Run All Night" (2015), hacking adventure "Blackhat" (2015), romantic comedy "The Perfect Guy" (2015) and crime drama "Shot Caller" (2016) were followed by a pair of high profile character roles opposite Tom Hanks in Clint Eastwood's "Sully" (2016) and Tom Cruise" in action-adventure sequel "Jack Reacher: Never Go Back" (2016). This bio was provided by Turner Classic Movies

GTTP is proud to announce their first Neeson Action thriller this week, that's right we're doing Run All Night!  Wait no it's actually Non-Stop!  No that's not right it's the not the one on the plane it's the one on the train:  2018's THE COMMUTER!  Ryan gushes and Kevin shrugs this week as the duo break down the inexplicable 2nd act of Oskar Schindler's career.  It's time to Get To The Podcast! 

We take you through some key stats out of the HILDA report; The My Health Record privacy debate rolls on; A trilateral agreement between US and Japan; And Stormy the stray dog. See acast.com/privacy for privacy and opt-out information.

We investigate a supernatural anomaly in Annihilation then wander through a dystopian city in Netflix's Mute. Later we tackle the supposed Cheetos creator biopic, if we would enjoy an animated movie about President Donald Trump, our filmmaker/actors of choice for a classic movie remake, and more! Intros: (0:00) Braden is on-the-way!Review: (8:23) AnnihilationReview: (1:00:39) MuteNews: (1:27:50) The supposed Cheetos creator biopicListener Mail: (1:32:05) Would we watch a satirical animated movie about President Donald Trump? What would be our filmmaker/actor of choice for a classic film remake?Picks of the Week: (1:48:40) A Tale of Love and Darkness, The Birdcage, Run All Night, The Big Sleep, and The Towering InfernoOutros: (1:56:56) Henry just can't end the show on a high note...Annihilation Spoiler Discussion: (1:58:50) Send us your questions and comments to Thefilmbudspodcast@gmail.com and rate us on iTunes!

Ryan and Matt "hshgdgsj" Amberg... and Adam "No PC" Parkin (???) destroy their hotel room at PAX by podcasting in it, but also manage to talk about the movie Run All Night, Ryan's new 3DS, and even their day at PAX! The Bethesda booth came first, then we played Rock Band 4, attended the Loading Ready Run panel, went to couples counseling, heard about some favorite bad games, then got some free stuff at the Gearbox panel. And you know what? We'll be back at it tonight via Twitch, LIVE as ever.

"Liam Neeson gets tough again as we take a look at Run All Night on Blu-Ray." Press Play Above To Listen To Episode 382 Now, or use the buttons below to subscribe.

Endlich mal wieder richtig viele Filme gesehen: 11 Stück an der Zahl! Avengers 2 - Age of Ultron, Ex Machina, Domino Effekt, Run All Night, My Blueberry Night, Leben!, Rotes Kornfeld, Once, Tropical Malady, Station Agent und Oldboy.

This week Adam rolls solo while Matt is out on the Breaking Bad Experience. This week Adam takes a look at RUN ALL NIGHT staring Liam Neeson.

(NSFW!) Recorded live at Frisch! Excelsior Red. RIP Terry Pratchett. Star Wars so far. Open your welcome packet. Ghostbusters. Flash. Arrow. Another Final Fantasy. Another Resident Evil. Jimmy reviews Run All Night. Lots more.

(NSFW!) Recorded live at Frisch! Excelsior Red. RIP Terry Pratchett. Star Wars so far. Open your welcome packet. Ghostbusters. Flash. Arrow. Another Final Fantasy. Another Resident Evil. Jimmy reviews Run All Night. Lots more.

Dave and Alonso unpack the complexes of a certain fairy-tale heroine. Also, the ka-chunk is back, and Dave wears an ice bag that makes Alonso dissolve into church giggles. Like our Facebook page, follow us @linoleumcast, subscribe (and review us) at iTunes, it's true what they say, it's better the devil you know. Linoleum Knife is brought to you by Audible.com. For a free audiobook of your choice and a free 30-day membership, visit AudiblePodcast.com/linoleum Alonso's DVD pick of the week: HESTER STREET Dave's DVD pick of the week: WHITE LINE FEVER

This week's podcast is filled with liars, working girls, aging gangsters, millionaire murderers and bonus: an adoptee in need of some Movie Therapy.  Our liars are the lobbyists and spin doctors profiled in "Merchants of Doubt." Our working girl is "Cinderella," who serves her evil stepmother and stepsisters, but dreams of better things. Our aging gangster is Liam Neeson, in "Run All Night" (a movie eerily similar to "Taken"). Our millionaire murderer is the subject of the new HBO documentary miniseries "The Jinx: The Life and Deaths of Robert Durst." And our adoptee in need of Movie Therapy is Katie, who's recently been reintroduced to her birth mother. All this, plus trivia are in this week's Movie Date podcast!

Two movies that couldn’t be less alike are in the spotlight this week, “Cinderella,” a Disney fairy tale and “Run All Night,” a violent mob thriller. The post Freeze Frame: “Cinderella,” “Run All Night” appeared first on KKFI.

LaF is back with another Wee LaF. On this Weekend Entertainment Episode, the L-Train and Mr. Two-Frames preview Cinderella starring Lily James and Richard Madden, and Liam Neeson's newest action-thriller Run All Night also starring Joel Kinnaman and Ed Harris. The guys will also give their Amazon Prime movie of the week. They know the film you should pick up if you plan on stopping by a Redbox. Tune in if you want to find out what is worth watching this weekend. If you go watch Cinderella or Run All Night, let us know. Email us your thoughts at theLaFpodcast@gmail.com, tweet us @theLaFpodcast, or send us a message on Facebook. We will read the best comments on a future show.