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13 episodes with David Hare
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2 episodes with David Hare
2 episodes with David Hare
2 episodes with David Hare
2 episodes with David Hare
2 episodes with David Hare
3 episodes with David Hare
Miranda Raison is perhaps best known as Jo Portman in BBC's Spooks. Miranda has most recently been seen leading Britbox's hit show Sister Boniface Mysteries which she returns for series 4 in 2025. Next up she is leading David Hare's new play Grace Pervades as Ellen opposite Ralph Fiennes at the Theatre Royal Bath in June 2025. Grace Pervades tells the extraordinary story of Henry Irving and Ellen Terry, the greatest stars of the Victorian stage. Miranda has an extensive theatre CV having played the title role in Anne Boleyn at Shakespeare's Globe Theatre to great critical acclaim as well as Hermione in The Winter's Tale opposite Kenneth Branagh and Dame Judi Dench at the Garrick Theatre. Further credits include Strangers on a Train at the Gielgund, The River at the Royal Court and The Physicists at The Bush Theatre. Other noteworthy film and television credits include HBO's Warrior as series regular Nellie, Netflix/Studio Canals' Spotless, Sky 1's Safe Space with Clive Davies Fox's, 24: Live Another Day opposite Yvonne Strahovski and Kiefer Sutherland, Netflix' Vexed opposite Lucy Punch and Toby Stephens, BBC's Silk opposite Maxine Peake and Rupert Penry-Jones, Murder on the Orient Express with Judi Dench and Johnny Depp, Breathe and My Week with Marilyn opposite Eddie Redmayne and Emma Watson .Miranda Raison is our guest in episode 497 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .Buy tickets for Grace Pervades with Miranda and Ralph Fiennes at the Theatre Royal Bath - https://www.theatreroyal.org.uk/events/grace-pervades .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Hosted on Acast. See acast.com/privacy for more information.
Oliver is an actor with an immense amount of experience in the theatre.He trained at East 15 and was recently part in the Olivier-Nominated play “Now, I See” at Stratford East, a play that he called one of the most profound experiences in his career. His other theatre credits include:All of Us, National Theatre, dir. Ian RicksonDr Strangelove, West End with Steve CooganMidsummer Night's Dream, Young VicNow, I See, Stratford East amongst many more.He also has appeared in:MisfitsLovesick - NetflixThe Bay - ITVCollateral - BBC written by David Hare, starring alongside Carey MulliganRings of Power - Amazon Prime Wonder Woman 1984, dir. Patty JenkinsAmongst several short films. Oliver discusses his recent roles in “Dr StrangeLove” with the challenges and rewards of making comedy with Steve Coogan, to the profound impact “Now, I See” had not only on him but the audience as well. Including his unique process as an actor, how he believes an actor should prepare for the first day of rehearsal and what people can expect from him next. Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @goweroliverFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Music from #InAudio: https://inaudio.org/ Track Name. Early Morning
Paul Walsh, director of Wexford Drama Group, for the third year running, the group has made it to the RTÉ All Ireland Drama Finals—this time with their gripping production of Skylight by David Hare. Paul joins us to talk about the production, the cast, and the pride of flying the flag for Wexford once again on the national stage.
David Hare and Jo Coupe from Venture Theatre's production of "Ding Dong" in Ashby chat to Kev Castle on Nottingham Hospitals Radio.
The premiere of David Hare's play Plenty at the National Theatre in 1978 marked him out as one of the UK's most skilled and socially conscious playwrights. Plenty transferred to Broadway, Hare adapted it into a film starring Meryl Streep, and in the following years he became known as a writer for whom the political and the personal are deeply entwined. Often referred to as Britain's pre-eminent ‘state of the nation playwright', his plays in the 1980s examined a wide range of social and political issues, including the Church of England in Racing Demon, the judiciary in Murmuring Judges and party politics in The Absence of War. He tackled international geopolitics in Via Dolorosa - about the Israeli-Palestinian conflict - and the invasion of Iraq with Stuff Happens and the Vertical Hour. Equally skilled as a screenwriter, his film screenplays for The Hours and The Reader saw him twice nominated for Academy Awards. David Hare was knighted in 1998 for ‘services to theatre'. He talks to John Wilson about how his lower-middle class background and family life in Bexhill-on-Sea stimulated his imagination. He pays tribute to some of the most formative people in his life: his Cambridge university tutor, the Welsh writer and academic Raymond Williams, whose maxim that ‘culture is ordinary' had a profound effect on his life as a writer; the actress Kate Nelligan, who starred in several of Hare's plays, including Plenty; and his wife Nicole Farhi who, he says, transformed his idea of himself and who inadvertently helped inspire one of his best loved plays, Skylight. Producer: Edwina Pitman
In today's episode, we are extremely honored to be joined by David Hare, who is an award-winning playwright, screenwriter, and filmmaker. In his first ever exclusive Young Indy interview, he reminisces about some of his most memorable behind-the-scenes stories from directing Paris, 1919. During this casual and compelling conversation, he discusses the incredible actors he had the chance to work with, why production design and cinematography were incredibly important to recreate the Paris Peace Conference, and why he (respectfully) declined to work on Star Wars with George Lucas.
A star of stage and screen, Bill Nighy has enjoyed a fifty year career and is now among Britain's most prolific and much loved actors. Acclaimed for National Theatre roles in plays by David Hare and Tom Stoppard, his popular appeal lies with scene-stealing appearances in films including Pirates Of The Caribbean, Harry Potter and, most famously, Love Actually. Bill Nighy has won Bafta and Golden Globe awards and was Oscar nominated for his starring role in the 2022 historical drama Living. His most recent film is Joy in which he plays obstetrician Patrick Steptoe, one of the pioneers of fertility treatment. Bill Nighy talks to John Wilson about some of the earliest influences on his career including a school drama teacher. He also recalls joining the Liverpool Everyman rep company in the 1970s and the influence of playwright David Hare who cast him in many of his works including Pravda, The Vertical Hour and Skylight.Producer: Edwina Pitman
Send us a textIn a decades spanning career, Lia Williams has established herself as one of the most prominent actresses working today. At the start of her career, Lia was already working with the likes of David Hare, Alan Ayckbourn and Harold Pinter, with whom she would go on to share a long working relationship and friendship. On screen, some of her many highlights have included playing Wallis Simpson in The Crown and more recently Paula Vennels in Mr Bates vs The Post Office. In recent years, we've also seen her prove herself to be a terrific director, finding herself at the helm on various short films and later also directing highly acclaimed productions of Ashes to Ashes and Doubt: A Parable. Some of Lia's upcoming projects include a new TV adaptation of The Day of the Jackal and also reprising her role in the highly acclaimed BBC drama: The Capture. In this exclusive interview to mark 100 episodes of our podcast series, Lia Williams sits down to look back over her illustrious career. We hear her talk about her early career, finding her way through challenging roles like Kyra in Skylight, acting opposite Michael Gambon as well as playing Carol in Oleanna opposite David Suchet. We also get to hear her talk about her experiences of alternating roles with Juliet Stevenson and Kristin Scott-Thomas on the highly acclaimed productions of Mary Stuart and Old Times. Over the course of our conversation, Lia tells us about how the acting profession has changed during her career and talks us through her transition into becoming a well-respected director as well. In this very candid conversation, Lia reflects on the various roles that she's played and takes some time to also discuss her relationship with son and fellow actor: Joshua James, with whom she starred with in The Vortex last year. It's a fascinating insight into one of our greatest leading ladies and we look forward to seeing how her career continues to evolve in the future.Support the show
Lila, David, and Matt preview the upcoming benefit in Alexis for Chris Fredrickson and her family on Saturday, September 21st.
Neil Armfield AO is a leading Australian director of theatre, opera and film. Alongside Rachel Healy, Neil was Artistic Director of Adelaide Festival between 2017 and 2022. Prior to that, Neil was the inaugural Artistic Director of Belvoir St Theatre, which he also co-founded, for 17 years. As Artistic Director of Belvoir, and for other companies, Neil has directed well over 100 productions, with a focus on new and Indigenous writing, Shakespeare, David Hare and Patrick White. Some highlights include; The Tempest, Hamlet, Up the Road, Summer of the Seventeenth Doll, Keating!, Toy Symphony, Dallas Winmar's Aliwa, Angels in America, A Cheery Soul, Signal Driver, The Blind Giant is Dancing and Things I KnowTo Be True. Neil's production of Arthur Miller's Death of a Salesman opened in late 2023 to glowing reviews. Produced by GWB Entertainment and Red Line Productions at Her Majesty's Theatre in Melbourne, it starred Anthony LaPaglia and Alison Whyte. After the success of the Melbourne season, the play will be presented at the Theatre Royal Sydney in May/June 2024. In 2022, Neil directed the world premiere of the oratorio Watershed: The Death of Dr Duncan by Joseph Twist at the Adelaide Festival, and Glyndebourne Festival's production of Brett Dean's Hamlet at the Metropolitan Opera in New York. Neil directed the same production of Hamlet at Munich's Bayerische Staatsoper in July 2023. For the 2021 Adelaide Festival, Neil directed the Australian premiere of A German Life by Christopher Hampton, starring Robyn Nevin, as well as Britten's A Midsummer Night's Dream in the Festival Theatre. Later that year he directed an acclaimed production of Rameau's comic masterpiece Platée for Pinchgut Opera. In addition to his extensive work in Australia, many of Neil's productions have played internationally. These include Cloudstreet (toured to London, Dublin, Zurich, New York), The Diary of a Madman (with Geoffrey Rush, toured to Moscow, St Petersburg, New York), Exit The King (Broadway), The Book of Everything (toured to New York), The Judas Kiss (toured Australia with Bille Brown, London, New York and Toronto with Rupert Everett), The Secret River (adapted by Andrew Bovell, toured to Edinburgh Festival and London) and the world premiere of David Hare's I'm Not Running for National Theatre in London. Neil frequently collaborates with major opera companies, having directed productions at The Metropolitan Opera, English National Opera, Royal Opera House Covent Garden, Chicago Lyric Opera, Zurich Opera, Bregenz Festival, Washington National Opera, Opera Australia, Pinchgut, Canadian Opera, Welsh National Opera, and Houston Grand Opera. In addition to classics by Mozart, Britten and Wagner, Neil directed the premieres of Frankie and The Eighth Wonder by Alan John, Whitsunday by Brian Howard, Love Burns by Graeme Koehne and Bliss and Hamlet by Brett Dean. For screen, Neil directed and co-wrote the feature film Candy, starring Heath Ledger and Abbie Cornish, which screened at over twenty international films festivals including In Competition at the Berlinale. Neil was awarded Best Adapted Screenplay at the AFI Awards and an AWGIE for Best Screenplay. Neil's second feature film Holding the Man premiered at Sydney Film Festival in 2015. For television, Neil directed miniseries Edens Lost for ABC (AFI Award Best Director and Best Mini-Series), The Fisherman's Wake (by Andrew Bovell), which won an ATOM Award for Best Original TV Production, and Coral Island (by Nick Enright). Over his distinguished career, Neil has received 2 AFI Awards, 12 Helpmann Awards and several Sydney Theatre, Victorian Green Room and Sydney Theatre Critics Circle Awards. He holds Honorary Doctorates from Adelaide, Sydney and NSW Universities, and in 2007 was appointed Officer of the Order of Australia. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts.
Hours after Conservative Leader Pierre Poilievre was expelled from the House of Commons for calling Prime Minister Justin Trudeau “a wacko” and refusing to withdraw his comments, both leaders' parties had issued fundraising emails pointing to the incident on Parliament Hill and asking for donors for more cash. Fundraising is a huge part of what political parties do, it keeps their operations going and builds their war chest for the next election campaign. It also helps to buy them votes. The more money they have, the more they can spend on advertising and organization, and the more votes they can get. Since the end of the per-vote subsidy, parties are now dependent on public donations and those who donate tend to be more partisan and more ideologically extreme. So what does that mean for our politics? On this episode of “It's Political,” we take a look at party financing. First, we'll take a look at the current rules, how they evolved and who they give voice to. Then, we'll head up to the Hill to get some MPs' views on the topic, before finally sitting down with three former party operatives to break down the perceived challenges of our current system and how it could be reformed to reduce the influence of those with deeper pockets. Some of the clips this week were sourced from the House of Commons, CPAC, the CBC, the Liberal Party of Canada, the NDP, the Conservative Party of Canada, the National Citizens Coalition's YouTube channel, CNBC, WTOL, and PBS, This episode of “It's Political” was produced by Althia Raj and Michal Stein. Joy SpearChief-Morris assisted with production. Kevin Sexton mixed the show. Our theme music is by Isaac Joel. In this episode: Former Conservative Party of Canada national campaign manager and former director of operations Fred DeLorey, former Liberal Party of Canada national director Sheila Gervais, former NDP director of operations David Hare, former Conservative Party of Canada director of fundraising Jaime Girard, co-founder of Democracy Watch Duff Conacher, Canada 2020 CEO and former senior director of communications for the Liberal Party of Canada Braeden Caley, McMaster University political science associate professor Andrea Lawlor, Royal Military College political science associate professor Holly Ann Garnett, Acadia University Politics Professor Alex Marland, Green Party Leader Elizabeth May, Calgary Conservative MP Greg McLean, Ajax Liberal MP and Health Minister Mark Holland, Langley—Aldergrove MP Tako Van Popta, and Montreal-area Lac-Saint-Louis Liberal MP Francis Scarpaleggia.
Naian González Norvind es una multi-premiada actriz de cine, teatro y televisión, así como escritora, guionista, ¡y poeta! Protagonizó “Nuevo Orden,” drama distópico del director Michel Franco. La película se estrenó en el Festival Internacional de Cine de Venecia en 2020 y ganó el León de Plata. Naian también interpretó a Ariela en “Leona”, una joven judía de la Ciudad de México dividida entre la expectativa de su familia y su amor por un hombre no-judío. Co-escrita por González Norvind y el director Isaac Cherem, “Leona” estuvo en competencia en el Festival Internacional de Cine de Morelia en 2018 y Naian ganó el premio a Mejor Actriz. En 2012 ganó Mejor Actriz en el Festival de Cine de Guanajuato por su papel de María en la cinta “Todo Mundo Tiene A Alguien Menos Yo.” Sus proyectos de cine y televisión incluyen “Gotham”, “Sexo, Pudor y Lágrimas, 20 Años Después”, “South Mountain” y el piloto de HBO “The Devil You Know”, creado por Jenji Kohan y dirigido por Gus Van Sant. En 2022 protagonizó la serie “Amsterdam” de HBO dirigida por Gustavo Taretto y en 2023 salió de personaje recurrente en “Invasion” de Apple TV. En teatro ha agraciado los escenarios más prestigiosos de Estados Unidos como Lincoln Center, Public Theater, Berkeley Rep y The Old Globe con obras nuevas de Richard Nelson, Greg Pierce, y Sarah Ruhl. En México trabajó con Diego del Río co-protagonizando “Blue Room” de David Hare y en 2022 interpretó a Ofelia en Hamlet para el teatro Milan de la Ciudad de México. En Octubre de 2023 debutó como directora de teatro con “Oleanna” de David Mamet, para el Foro Lucerna. Durante la pandemia crea POETRY BAR y de todo eso y más platicamos en Cable a Tierra.Síguenos en Instagramhttp://instagram.com/cableatierrapodhttp://instagram.com/tanialicious Hosted on Acast. See acast.com/privacy for more information.
Prompted by the ongoing genocidal campaigns effecting the people of Palestine, Chris and Sylvie decided to tackle an animated documentary from 2017 that endeavored to portray the Israel-West Bank Barrier in a nuanced perspective based on an outsider's perspective. It failed. Miserably. While visually it stuns through a masterful mixing of animation techniques by Alberta based filmmaker Cam Christiansen, as an adaptation of a self-serving, close-minded monologue written by British playwright David Hare back in 2009, its biases and outdated views are apparent and frustrating. Wall (2017). Directed by Cam Christiansen. Available to stream on the NFB website: https://www.nfb.ca/film/wall/ #FreePalestine If you liked what you heard and wish to support the show, please consider subscribing and leaving a nice review on your podcatcher of choice. Follow us on Twitter at https://twitter.com/CartoonNightPod?s=20 Chris' Twitter: https://twitter.com/Cinemacreep Sylvie's Twitter: https://twitter.com/sylvieskeletons Theme song by https://soundcloud.com/hvsyn Logo designed by https://www.rachelsumlin.com
Byron Jennings, who has appeared with Burning Coal in ART by Yasmina Reza, STUFF HAPPENS by David Hare (playing Colin Powell), UNTIL THE FLOOD by Dael Orlandersmith and THE PRISONER'S DILEMMA by David Edgar, talks with Burning Coal Artistic Director Jerome Davis about their recent triumph with Tom Stoppard's ARCADIA, his upcoming role in HYMN by Lolita Chakrabarti and their mutual love for Stephen Sondheim, among other things.
James Cameron-Wilson found Hunger Games: The Ballad of Songbirds & Snakes confusing and poorly made, though the new #1 helped box office rise 54% with a £5.4m take. Nor was he as enthusiastic as many critics about Saltburn, Emerald Fennell's darkly comic tale of aristocratic mayhem, though he did like Rosamund Pike's and Richard E Grant's performances, as well as the score. However, he loved the new NT Live screening of David Hare's play Skylight with Carey Mulligan and Bill Nighy, which he found insightful, funny and profound. On Netflix, he recommends David Fincher's procedural The Killer with Michael Fassbinder, which is beautifully filmed and very clever. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The impact that Blake Snyder's Save the Cat® book series has had on Hollywood screenwriting is incalculable. Rarely does a book change the way screenwriters approach story and structure. In his best-selling book, Save the Cat! Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told, Blake Snyder provided 50 “beat sheets” to 50 films, mostly studio-made.Now his student, screenwriter and novelist Salva Rubio applies Blake's principles to 50 independent, auteur, European, and cult films (again with 5 beat sheets for each of Blake's 10 genres in the book Save the Cat!® Goes to the Indies: The Screenwriters Guide to 50 Films from the Masters.If you're a moviegoer, you'll discover a language to analyze film and understand how filmmakers can effectively reach audiences.If you're a writer, this book reveals how those who came before you tackled the same challenges you are facing with the films you want to write. Writing a “rom-com”? Check out the “Buddy Love” chapter for a “beat for beat” dissection of Before Sunrise, The Reader, Blue Is the Warmest Color, and more to see how Linklater and Krizan, David Hare, and Kechiche and Lacroix structured their films.Scripting a horror film? Read the “Monster in the House” section and discover how 28 Days Later and The Texas Chain Saw Massacre are the same movie – and what you need to do to write a scary story that keeps audiences on the edge of their seats.Want to execute a great mystery? Go to the “Whydunit” chapter and learn about the “dark turn” that's essential to the heroes of The Big Lebowski, The French Connection, and Michael Clayton.Want your protagonist to go up against an evil “institution”? Consider how Mamet handled Glengarry Glen Ross and Tarantino's famed Pulp Fiction.Writing a “Superhero” story? See how Susannah Grant structured Erin Brockovich, Anderson & Baumbach worked out Fantastic Mr. Fox, and Gilliam & Stoppard & McKeown laid the foundation for Brazil.With these 50 beat sheets, you'll see how “hitting the beats” creates stories that resonate the world over for these outstanding writers—and how you can follow in their footsteps.Salva Rubio is a novelist, screenwriter, and author.He has been nominated at the Spanish Goya Awards for Best Animation Feature. As a graphic novel writer, some of his works have been published in America, including Monet, Itinerant of Light (nominated for an Eisner Award), and The Photographer of Mauthausen. Salva is an associate member of the WGAW (Writers Guild of America, West) and a member of the Academia de las Artes y las Ciencias Cinematográficas de España.Enjoy my conversation with Salva Rubio.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement
Can you understand a novel - or a life - before you know how it ends?Looking for a link we mentioned? It's here: https://linktr.ee/philosophyforourtimesFrom Beethoven's 5th to Batman, Harry Potter to Hamlet, we want and expect satisfying endings that tie up loose ends and provide resolution. But real life doesn't often come tied up so neatly. Relationships and careers often evolve in tangled confusion with transitions that can leave messy legacies. And, as TS Eliot said, often things end "not with a bang but a whimper." Is it that our stories and narratives are in error, or the way we run our lives? Academy award nominee David Hare, critically acclaimed writer Janne Teller and director-producer Sophie Fiennes talk endings. Hosted by Barry Smith, Director of the Institute of Philosophy.There are thousands of big ideas to discover at IAI.tv – videos, articles, and courses waiting for you to explore. Find out more: https://iai.tv/podcast-offers?utm_source=podcast&utm_medium=shownotes&utm_campaign=after-happily-ever-afterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
John Wilson talks to fashion designer and sculptor Nicole Farhi. Born in the south of France, she designed for various labels before teaming up with Stephen Marks in the early 1970s to establish French Connection as a worldwide clothing brand. She launched her own label Nicole Farhi in 1982 and was one of the biggest names in UK fashion for three decades. Nicole started studying sculpture whilst still in the fashion world, and staged her first solo exhibition in 2014. She has been married to the playwright David Hare since 1992. Nicole recalls the influence of her glamourous and well-dressed aunt Visa who sparked Nicole's early interest in fashion by taking her to the Parisian couture shows. Meeting her partner Stephen Marks proved to be a major turning point and they went on to found two successful fashion labels together. But alongside her life as a designer, Nicole also had a passion for sculpture which had been ignited seeing the work of Giacometti at the Fondation Maeght in the south of France. Her own work in clay was encouraged by the Pop Art pioneer, sculptor and printmaker Sir Eduardo Paolozzi, who became her friend and mentor. Producer: Edwina Pitman
400 years after the publication of William Shakespeare's First Folio, five writers are each asked to pick a speech from one of the Folio's plays, tell it what they think it means, and what it means to them. This time, award-winning playwright, screenwriter and director David Hare chooses a speech by Macbeth in Act 5, Scene 3 of the play. David tells us how Shakespeare perfected his gift for the lone monologue to help reveal what is going on inside a character's head. In Act 5, Scene 3 of Macbeth, the lead character waits for news of an English army which has been assembled in an attempt to destroy him. As he waits, he gives a speech in which he thinks about what life will be like if he makes it to old age. It's a speech which moves David. He ponders what makes the play so hard to perform, in an essay which takes us from Quentin Tarantino to Philip Larkin. Produced by Camellia Sinclair for BBC Audio in Bristol Mixed by Suzy Robins
We believe this week's Nose will be perceived as indigenous and will not trigger the immune response. Avatar: The Way of Water is the first of four planned sequels to 2009's Avatar. It is the highest-grossing film of 2022, the highest-grossing film of the COVID era, and the third-highest grossing film ever made. The Way of Water is now available to purchase on iTunes/Amazon/etc., and it's still in theaters. And: Daisy Jones & the Six is a musical drama docuseries limited series that tells the story of the fictional titular 1970s rock band. It is based on the 2019 novel by Taylor Jenkins Reid, and its 10 episodes are now available to stream on Prime Video. Jim Chapdelaine's endorsements: Luther on Hulu and Luther: The Fallen Sun on Netflix Taneisha Duggan's endorsements: Heirloom Market in Wethersfield seeds from Botanical Interests Shawn Murray's endorsements: The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution by C.L.R. James Praise a Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) by Yves Tumor Scaring the Hoes by JPEGMAFIA x Danny Brown Colin's endorsements: Pivot podcast The Glass Hotel by Emily St. John Mandel Some other stuff that happened this week, give or take: Why Jonathan Majors's assault arrest is so disturbing — and so complicated The Marvel star faces domestic assault charges, and now other allegations spanning years. Jury Finds Gwyneth Paltrow Not at Fault in Ski Crash Trial Jurors found that a retired optometrist who sued the actress was “100 percent” at fault. The trial has combined celebrity culture and questions of skiing etiquette into a courtroom spectacle. Adnan Syed's conviction reinstated by Maryland Appellate Court panel Afroman put home footage of a police raid in music videos. Now the cops are suing him Pepsi's new logo is a subliminal war on sugar Pepsi launched a new logo and brand system that uses high contrast visuals to sell Zero Sugar products. For $18,500 (and Up), You, Too, Can Travel Like James Bond When the (real) world is not enough, new luxury tours offer fans a chance to engage with their favorite film and TV worlds. The best musicals are the equal of great plays, so why the snobbery? The song 'n' dance genre is everywhere, David Hare has bemoaned. He needs to watch more of these joyous shows Ireland Asks: What if Artists Could Ditch Their Day Jobs? A government pilot program is giving 2,000 artists $350 a week with no strings attached, allowing them to concentrate on creative pursuits. Tyrannosaurus rex had lips over its teeth, research suggests Contrary to depiction in movies like Jurassic Park, scientists now believe T rexes were not ‘toothy lipless things' GUESTS: Jim Chapdelaine: An Emmy-winning musician and a patient advocate for people with rare cancers Bill Curry: Playing the part of Bill Curry Taneisha Duggan: Associate producer at Octopus Theatricals Shawn Murray: A stand-up comedian, writer, and the host of the Nobody Asked Shawn podcast The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Line of Duty star Daniel Mays and Broadway's Marisha Wallace join us to discuss their five-star show Guys & Dolls, at the Bridge Theatre. We review Further Than the Furthest Thing, starring Jenna Russell, at the Young Vic, and Marjorie Prime, starring Anne Reid, at the Menier Chocolate Factory.Plus Nancy Durrant and Nick Clark react to playwright David Hare's comments about musicals ‘strangling' the West End. And we chat about some very noisy audience members…In this episode:Part one:Nick Clark and Nancy Durrant react to playwright David Hare's comments...Part two:We review Further Than the Furthest Thing, plus noisy audience members (2 minutes 58)Part three: We're joined by Daniel Mays and Marisha Wallace for Guys & Dolls at the Bridge Theatre (10 minutes 34)-What Guys & Dolls is about-Who is Miss Adelaide in Guys & Dolls and how does Marisha Wallace bring her to life-Who Daniel Mays plays in Guys & Dolls, and how he approached the character-Daniel Mays and Marisha Wallace talk about their favourite songs from the show and why-Turning Miss Adelaide into “Beyonce” and “Megan Thee Stallion”-Daniel Mays on Sit Down You're Rockin' The Boat and Arlene Phillips's choreography-Marisha Wallace tears up as she reveals how black audiences are reacting to her leading role-The importance of audience interaction and what it means to them-The musicals they'd love to do next. Will we see Daniel Mays in Jesus Christ Superstar?Part four: Our Chief Theatre Critic Nick Curtis reviews Marjorie Prime, starring Anne Reid (22 minutes 36) For the latest news and reviews head to www.standard.co.uk Hosted on Acast. See acast.com/privacy for more information.
The Alabama Freshwater Fishing report is your best resource for the Lake Guntersville Fishing Report, Weiss Lake Fishing Report, Lake Eufaula Fishing Report, and all the creeks, rivers, and reservoirs in between. For anglers looking for a report on Lake Eufaula or West Point Lake, we have up to date information on what the fish are doing right now form some of the top guides in the area. Be sure to listen to this week's segment as Clayton Batts brings us all the inside information on what the Bass are doing right now and the best way to catch them. For the anglers looking for a Tennessee River Fishing Report, Lake Guntersville Fishing Report, Pickwick Lake Fishing Report, Lake Wilson Fishing Report, or fishing report, look no further. Every week we bring you a report for those anglers interested in a Wheeler Lake fishing report, a Smith Lake fishing report, and everywhere else along the Tennessee River. This week we're talking to Tracy Humber who is giving us the report on what you need to know to target Crappie effectively. For the Coosa and Tallapoosa River Fishing Report tune in for this week's report with David Hare. You never know what you might get in the fishing report each week as we cover the Lake Weiss Fishing Report, Lake Neely Henry fishing report, Lay Lake fishing report, Lake Martin fishing report, and Logan Martin Lake fishing report. This week we'll learn some great tips, tricks, and tactics for putting more Stripe Bass in the boat. It's all brought to you whether it's good, bad, or ugly. Please Subscribe, Rate, and review wherever you listen to podcasts, and don't forget to text the word “fishing” to (646) 495-9867 or click here to be added to our email list and we'll send you the new show each week! All Alabama Freshwater Fishing Report Email Subscribers receive an AFTCO FREE SUN PROTECTION MASK promo code for any purchase. Show Sponsors: AFTCO L&M Marina Southeastern Pond Management Photonis MB Ranch King Hilton's Real-Time Navigator Texas Hunter Buck's Island Marina Fishbites Killerdock Outdoor Alabama YUDU National Land Realty Great Days Outdoors
The Alabama Freshwater Fishing report is your best resource for the Lake Guntersville Fishing Report, Weiss Lake Fishing Report, Lake Eufaula Fishing Report, and all the creeks, rivers, and reservoirs in between. For those anglers and families looking to see all the new tackle and gear from manufactures across the country as well as local, don't miss the first ever Alabama Fishing Expo in Gadsden Al. March 10th through the 12th. We are joined today on our first segment by Sheila Bunch, the owner of the East Tn Fishing EXPO and the Alabama Fishing EXPO. We are so excited that Sheila is bringing the EXPO to Alabama and we look forward to the success of the first year show! For the anglers looking for a Tennessee River Fishing Report, Lake Guntersville Fishing Report, Pickwick Lake Fishing Report, Lake Wilson Fishing Report, or fishing report, look no further. Every week we bring you a report for those anglers interested in a Wheeler Lake fishing report, a Smith Lake fishing report, and everywhere else along the Tennessee River. This week we're talking to Tracy Humber who is giving us the report on what you need to know to target Crappie effectively. For our guys looking for the Tallapoosa River fishing report, or the Lake Martin Fishing Report, we have what you need to know to catch more Stripes. The tactics and tips we discuss with David Hare can be applied to many areas when fishing Alabama's Lakes and their tributaries. It's all brought to you whether it's good, bad, or ugly. Please Subscribe, Rate, and review wherever you listen to podcasts, and don't forget to text the word “fishing” to (646) 495-9867 or click here to be added to our email list and we'll send you the new show each week! All Alabama Freshwater Fishing Report Email Subscribers receive an AFTCO FREE SUN PROTECTION MASK promo code for any purchase! Show Sponsors: AFTCO L&M Marina Southeastern Pond Management Photonis MB Ranch King Hilton's Real-Time Navigator Texas Hunter Buck's Island Marina Fishbites Killerdock Outdoor Alabama YUDU National Land Realty Great Days Outdoors
On Tuesday's Morning Focus, Alan spoke to David Hare, Author of 'The Great Lighthouses of Ireland'. David discussed his latest book which has been published as an accompaniment to the TV series of the same name. The book explores stories of sophisticated engineering, fatal shipwrecks and heroic sea rescues. The book also captures a series of images of Ireland's best known lighthouses including Clare's famous Loop Head Lighthouse. David's work has been nominated for the TheJournal.ie Best Irish Published Book of the Year 2022.
Alistair Owen is author of Smoking in Bed: Conversations with Bruce Robinson (one of David Hare's Books of the Year in the Guardian), Story and Character: Interviews with British Screenwriters, Hampton on Hampton (one of Craig Raine's Books of the Year in the Observer) and The Art of Screen Adaptation: Top Writers Reveal Their Craft.He has written original and adapted screenplays and stageplays, on spec and to commission; contributed filmmaker interviews to Creative Screenwriting and film book reviews to the Independent on Sunday; and recently published his first novel, The Vetting Officer.Alistair has chaired Q&A events at the Hay Festival, Edinburgh International Book Festival and London Screenwriters' Festival; and his platform with Christopher Hampton in the Lyttelton Theatre to celebrate Faber's 75th anniversary was published in the anthology Faber Playwrights at the National Theatre.His next nonfiction project is a book of conversations with bestselling author and screenwriter William Boyd, for Penguin.Find Alistair and his books on Amazon.com, Amazon UK, Goodreads and ShepherdSupport this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.
Nancy and Sarah talk to David Hare about actors he has loved, performances he remembers, the difference between writing and directing, why some people loathe the theatre and why critics are so often wrong about breakthrough plays. Hosted on Acast. See acast.com/privacy for more information.
On this week's show, Brian Senn talks with some of the best freshwater anglers in Alabama. This week our freshwater fishing expert contributors are Tony Adams with the Eufaula/West Point Report and Coosa/Tallapoosa Report with David Hare. Plus, Norman Latona from Southeastern Pond Management joins the show to deliver the Pond Management Segment. The rivers are cooling, and the bite is heating up, so get out on the water this weekend and enjoy the show! Show Sponsors: AFTCO L&M Marina Southeastern Pond Management Photonis MB Ranch King Hilton's Real-Time Navigator Buck's Island Marina Fishbites Killerdock Outdoor Alabama YUDU National Land Realty Great Days Outdoors
4X4: MIKE NICHOLS PT. 3: THE DESIGNATED MOURNER In 1996 Mike Nichols did something extraordinary after a friendly table reading of Wallace Shawn's new play, THE DESIGNATED MOURNER, he agreed to play the main part of JACK for a theatrical run in London. Previously Nichols' only acting credit was an abbreviated run of WHO'S AFRAID OF VIRGINIA WOOLF with Elaine May in 1980, (he was also a savvy stage veteran due to his legendary comedy career, also with May). Working with noted playwright and director (theater and film) David Hare along with co-stars MIRANDA RICHARDSON (who will always be Queenie from Blackadder II to us), and David de Keyser, the run had critics and actors looking for words to describe Nichols' one-of-a-kind performance. Luckily, at the end of the run they decided to commemorate this run and went to Pinewood Studios to shoot a film version in three days. A harrowing series of monologues details the slow crumbling of an unnamed nation. Is the government cracking down or are rebels taking over? Yes? The result is a culling of what the play calls "high brow" culture. The three characters are either talking as ghosts or as the last person remaining to remember what things used to be (A Designated Mourner). We came across this oddity in our research and the praise Nichols received in his performance, and our general love of all things Wallace Shawn, made us hunt down a copy of this criminally unavailable film. Nichols quite simply gives one of the most seductive, brutal and impossibly off-the-cuff-seeming performance that it is too late once he has you sucked in. We have seen hundreds of movies during thus podcast and his performance may be the greatest of them all. Seriously. It sneaks up to you with a smile and leads you along until it crushes your heart.So why is it so damn hard to find? We bought an original DVD from its initial release in 1997 off of ebay. The BBC owns it and the story of why it is so difficult to find, despite its legendary status among those who know, is a mystery we try to unravel. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralJack: jackk1096
This is our last podcast before our summer break, so we've selected some of our favourite conversations of the last year. ART: We celebrate Patrick Hughes's birthday, talk to Tracey Emin about battling cancer and to gallerist James Burch about drinking with Francis Bacon. BOOKS: Rose Tremain tells us about her novel ‘Lily', Barbara Taylor Bradford explains how she found inspiration to write the prequel to ‘A Woman of Substance', Ben Okri inspires to see trees in a totally new light, we discuss culture wars with Bernardine Evaristo and lyricist Don Black, while talking at Jewish Book Week, makes us laugh. THEATRE: We talk to playwright David Hare about ‘Straight Line Crazy' and the death of the avant garde, actor Nathaniel Parker about playing Henry VIII in Hilary Mantel's ‘The Mirror and the Light', Nick Allott from Cameron Mackintosh regales us with hilarious theatrical anecdotes and Creative Director of the Young Vic, Kwame Kwei-Armah, praises playwright James Graham. HISTORY: Andrew Roberts tells us about George III and A.N. Wilson explains how our Trafalgar Square Christmas tree was a gift from the King of Norway during World War II. MUSIC and DANCE: We talk to ballet-dancer Marcelino Sambé about playing Romeo in Kevin McMillan's ballet, to choreographer Matthew Bourne about his stellar career, to soprano Anush Hovvanisyan about all the Armenians at the Royal Opera House and playing Violetta in Richard Eyre's ‘Traviata' and finally Dylan Jones, polymath and long-standing editor of GQ, tells us what David Bowie was really like. Enjoy the summer. Ed and Charlotte will be back on Sunday September 11th September.
The legendary British playwright Sir David Hare is widely regarded as British theater's most fervent chronicler of his country's moral failings, to use the words of New York Times critic Bill Brantley. Of himself, Hare has said, “It's usually assumed that there are two groups of people in the world, those who obey the rules and those who disobey the rules, but in fact there's a third group to which I belong: the people who don't understand the rules.” Luckily for us, that misunderstanding, or curiosity, has been channeled into 39 plays over 50 years, as well as notable adaptations of other works, including screenplays for Michael Cunningham's The Hours and Bernard Schlink's The Reader, for both of which he received Academy Award nominations. But Hare's entry into playwriting was something of a happy accident, after a theater troupe he was working with, found itself in sudden need of a play. Hare jumped in, turning around a script in four days. That work, which explored the then-nascent feminist movement, exhibited a keen interest in strong female protagonists that has marked his career ever since. It makes sense, then, that one of his book choices for Shelf Life is Mary Gabriel's Ninth Street Women about the contribution of five female artists who did anything but play by the rules, as well as Wallace Shawn's ominous short play, The Designated Mourner, dense with allusions to tyranny and complacency.
It's summer, and we're ready for a nice, shady nook, or a perfect beach, and some great new book recommendations. Since Shelf Life went on hiatus in February, I've been busy reading more books selected by luminaries I admire, from Pulitzer-winner, Michael Cunningham and legendary playwright David Hare to Norwegian troubadour Sondre Lerche. Stay tuned to find out what books they think you should read.
这期节目分享英国战后杰出的社会议题剧作家/导演戴维·黑尔 Sir David Hare 在新冠疫情期间以自己亲身经历编导的一部独角戏 Beat The Devil，拉尔夫·费因斯主演。节目中提到的 David Hare 的作品有：话剧录像 Beat the devil, David Hare 编导 YouTube 可看电影 「时时刻刻」The Hours, David Hare 编剧 豆瓣电影 「朗读者」The Reader, David Hare 豆瓣NTLive 「天窗」Skylight, David Hare 编剧 豆瓣英剧 「弃之不理」Roadkill, David Hare 编剧 豆瓣话剧 Via Dolorosa, Dave Hare 编剧 出版社官网NTLive: Straight Line Crazy, David Hare 编剧 官网非虚构 「论晚期风格」On Late Style, 爱德华·萨义德 豆瓣话剧 The Breath of wife, David Hare 编剧 出版社官网非虚构 「贝多芬：阿多诺的音乐哲学」，Theodor Adorno 豆瓣 See acast.com/privacy for privacy and opt-out information.
On this week's episode we're honoured that our guest is Sir David Hare, not just one of Britain's leading playwrights, but also a screenwriter and theatre and film director. He's written over 40 full length plays, 19 staged at the National, including Plenty (which went on to be a star-studded movie), Skylight and many more. He talks to us about his new play Straight Line Crazy, directed by Nicholas Hytner and showing at The Bridge Theatre in London. It opened to many reviewers saying this was David's most dramatically play for decades and stars Ralph Fiennes as Robert Moses, the man who set out to build parks and expressways across Manhattan in the 1950's. It's extraordinarily relevant to the way London is being developed at such a hectic pace, often with little or no concern for its residents. Moses wanted to extend the lower Manhattan expressway through the residential district of Washington Square where he was met by fierce opposition who managed to block the plans. One of his opponents Jane Jacobs, played by Helen Schlesinger, went on to write The Death and Life of American Great Cities about the ongoing battle between communities and the planners who oppose them. David also talks about his frequent collaborations with Ralph Fiennes, who starred last year in David's one-man play about battling Covid, Beat the Devil. He talks about the influence of America on his work and his period of self-imposed exile there after the critics panned Plenty. He laments the passing of an age in which theatre producers from Peter Hall to Richard Eyre took risks and stood by avant garde writers to be replaced by our ‘box office crazy'. He's also full of sage advice for anyone wanting to write a screenplay and explains the differences between the two. Finally, he and Ed settle down to bury the hatchet and iron out their political differences. This is David Hare at the pinnacle of his game, reflecting on a life spent in theatre, television and film – not to be missed.
On this episode, Brian talks with local Alabama freshwater experts from all over the state to give you the best fishing tips, tactics, tales, tech, and tournaments. This week's contributors are Steve "Graz" Graziano with Eufaula/West Point Report, David Hare with the Striped Bass Report, and Jake Maddox gives us the Coosa River Report. Enjoy the show, wet a hook, catch a big one, and repeat! Download The YUDO APP Check Out The Best Regional Fishing Tournaments on Fishing Chaos ////// Show Sponsors: L&M Marina Boaters List Southeastern Pond Management Photonis Hilton's Real-Time Navigator Hunting Exchange Buck's Island Marina Fishbites Killerdock Outdoor Alabama YUDU National Land Realty Great Days Outdoors
The playwright David Hare talks about the resonances of his new play at the Bridge in London, Straight Line Crazy. It's a drama about Robert Moses, a civil planner who was a powerful and divisive figure in mid-twentieth century New York. Jenny McCartney reviews Olga, a Swiss film that follows a Ukrainian gymnast who is forced to flee her country during the Euromaidan protests of 2013 because of her mother's work as an investigative journalist. Nathan Moore from BBC York sends Front Row an audio postcard from the city, including a visit to the studio of artist Sue Clayton who is painting portraits of York City supporters in the club's centenary year, and a conversation with the York based rock band Bull. Presenter: Kirsty Lang Producer: Sarah Johnson
This is the third episode in a series that I am highlighting segments from guest of previous episodes that I interviewed.In this final series my guest talk about restoration of their marriage, programs that help young men and women, helping overcome the struggles of depression, understanding the gifts and anointing of the Holy Spirit, help men and dads add "Life" to their children by being intention with their involvement and finally about a Father's Affirmation.Segment #1- Bett Harvey shares about Men's Encounter North. He also talks about how God saved his life and marriage through a men's Bible study and a book "Maximized Manhood" by Dr. Edwin Louis Cole.Segment #2- Tony Rorie talks about the Men and Ladies of Honor program that he started as a school principle to help troubled kids and to instill honor, respect, courage and chivalry in a strong character.Segment #3- Dr. Rob Carman shares about the struggles society has with depression and how the toxicity of the mind with the trash we see and hear impacts us to the point of breaking and how to clear those thoughts by praying and reading God's Word.Segment #4- Pastor David Bendett talks about how we as Christians can and should allow the gifts of the Holy Spirit to operate in our lives.Segment #5- Jeff Zaugg tells about the framework he developed after he had done 100 episodes of his podcast, Dad Awesome. He uses this to help men and father be intentional in adding Life to the Dad Life.Segment #6- Cliff & David Hare share about what a Father's Affirmation means and the impact it can have on a child's life. They talk about even in times of feeling as a failure as a parent can still have a positive impact on a child's life.Transition music provided by Epidemic Sound. Title of the transition sound is "Make the Call" by Jay Varton https://www.epidemicsound.com/track/xWQCSS8nNg/The Small Church Media PodcastThere are many podcasts for church media, but this one is for the small churches!Listen on: Apple Podcasts Spotify
Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info
Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info
Paradox House presents… Episode 6 of Scripted hosted by Daisy Lewis. On this episode, Daisy caught up with Nigel Marchant and Jo Strevens from Carnival Films to chat all things creative, development and yes, scripted. If you don't know, now you will. Carnival Films is a division of NBCUniversal International Studios and one of the UK's leading drama specialists. Since 1978, Carnival has produced hundreds of hours of drama that have been broadcast and performed around the world, garnering over 200 award wins and nominations, including Primetime Emmys®, Golden Globes, BAFTAs, Oscars and TONYs. Carnival's shows include global phenomenon Downton Abbey and series such as Poirot, Hotel Babylon, Whitechapel, US shows Dracula and The Philanthropist, as well as mini-series such as the original Traffik, David Nicholl's The 7:39, David Hare's Worricker Trilogy, William Boyd's BAFTA-winning Any Human Heart, The Hollow Crown, a co-production with Neal Street, and Peter Morgan's BAFTA-winning The Lost Honour of Christopher Jefferies. Carnival's current slate includes The Last Kingdom for Netflix, and Belgravia for ITV and EPIX. Carnival is responsible for the television and film sensation Downton Abbey, which topped $190m at the box office and set a new opening record for Focus Features, as well as achieving numerous accoldates including the winning of three Golden Globes and fifteen Primetime Emmy awards, including Best Mini-Series. It is the most nominated non-US show in the history of the Emmy's with a total of 69 nominations and is distributed in over 250 territories worldwide. Among numerous national and international awards, including three Screen Actors Guild Awards and four National Television Awards, the show has even garnered a Guinness World Record for highest critical ratings for a TV show, and a BAFTA Special Award in recognition of its outstanding global success. Enjoy!
“The Midnight Sky is a film with big scopes. We have big vistas, we're in space, we are on the moon, in the Arctic. Also, it's a very intimate film because it's a lot about connection, so we when we see people we get close to them and we feel intimate with them because we are literally with the camera quite close to them and looking into their faces. In this film, it helped that we went on 65mm. We shot on a large format. First of all we started that for the big landscapes, but I think it's great also for faces because the face also becomes like a landscape.”Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info
Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info
Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info
“The Midnight Sky is a film with big scopes. We have big vistas, we're in space, we are on the moon, in the Arctic. Also, it's a very intimate film because it's a lot about connection, so we when we see people we get close to them and we feel intimate with them because we are literally with the camera quite close to them and looking into their faces. In this film, it helped that we went on 65mm. We shot on a large format. First of all we started that for the big landscapes, but I think it's great also for faces because the face also becomes like a landscape.”Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info
In this episode, I talk with Clifford Hare, my dad and President of Faithful Men Ministries; and David Hare, my brother.We talk about the importance of a father's blessing of affirmation in a child's life. The meaning of affirmation and where we first hear of the father's affirmation, or blessing, in the Bible.Cliff shares about how he grew up in a non-christian home and had caring parents, but never had that affirmation of you are a good son.Many people grow up with an image of the only way we get affirmation, or love, is out of fear unless we accomplish goals in life. Other times we may have a fear that we never measure up to receive that love and affection.As men, we must allow ourselves to be vulnerable in front of our children and those we mentor. This isn't to show weakness, but that we have difficult time and how we work through them.The origin of the father's blessing goes back to the book of Numbers 6:23-27 when God speaks to Moses and shares with him the Aaronic Blessing. Later we see when Jesus is being baptized by John that as He comes up from the water that God speaks and tells Him, "This is My Beloved Son, in whom I AM well pleased." This comes before Jesus has done the first miracle, sermon or teaching; yet God was affirming him as his son.Our identity in society come from the father. This comes with us going back to learn to hear the voice of the Lord.The way to truly know of that love is not just by having a conversation with God, but having those intimate times with Him; whether in prayer, praise, both or simply just resting in His presence.Even for Jesus after was affirmed by God, he went into the wilderness that brought a time of testing a walking by faith that we see that Jesus had confidence in His heavenly Father.Clifford Hare has been married to Patricia Hare for 48 years. They have 2 sons, 1 daughter-in-law, 3 grandsons and 1 granddaughter. Cliff took over Faithful Men Ministries for Jack King in 2016. He serves as an elder and pastor at the Springs Church in Jacksonville, Florida.David has works for the Florida State Corrections 6 years and has also is an ordained minister for almost 10 years.The Small Church Media PodcastThere are many podcasts for church media, but this one is for the small churches!Listen on: Apple Podcasts Spotify
Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info
Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info
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